Sebastian Maniscalco + Omar Dorsey + The Pickledude + Trump moves to demolish the Department of Education

Summary

Adam Carolla Show – Episode Featuring Sebastian Maniscalco, Omar Dorsey, The Pickledude, and Trump’s Education Department Plans Release Date: February 6, 2025

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Guest Introductions and Bookie Insights

The episode kicks off with host Adam Carolla welcoming comedian Sebastian Maniscalco and actor Omar Dorsey. Sebastian shares his enthusiasm for the TV show Bookie, expressing his admiration after watching it during a tour break. He remarks, “It's great. It's funny. It's got a lot of pathos. You know, it's got a good vibe” ([02:02]). Omar adds his support, emphasizing the show's quality and their efforts to secure a third season, stating, “We think it's one of the best shows on TV” ([02:19]).

Behind the Scenes of Acting and Touring

Sebastian delves into his acting experiences, recounting a memorable moment in Casper, Wyoming, where he was unexpectedly cast in Bookie. He reminisces about meeting notable figures like Jimmy Kimmel and discusses the camaraderie on set, highlighting Arnesha Walker’s standout performances: “Every time she comes in, she steals every scene” ([03:47]). The conversation shifts to the challenges of touring, with Omar detailing his current stand-up tour and the physical demands it imposes, including dealing with recurring leg pain and the process of shooting a new special.

The Art of Stand-Up Comedy and Crowd Work

A significant portion of the discussion centers on the nuances of stand-up comedy. Sebastian and Omar exchange insights on crafting a special, the importance of editing, and the evolution of crowd work as an art form. Sebastian muses, “Crowd work has turned into its own art form” ([10:21]), while Omar shares his approach to testing material on social media platforms like Instagram.

They also touch upon the dynamics of performing in various venues, contrasting large arenas with the more intimate settings of clubs like the Melrose Improv. Sebastian humorously laments unresponsive audience members, saying, “Why are you guys always here? And how come you've never laughed?” ([13:47]).

The Pickledude: A Celebration of Pickles

Jonathan Schrenick, known as The Pickle Dude, joins the conversation to spotlight his venture, Completely Pickled. He emphasizes the health benefits of pickles, particularly their electrolyte-rich brine, which endurance athletes favor: “Apple cider vinegar helps with muscle cramping, dehydration, overall gut health” ([73:21]). Sebastian lauds the product, promoting Completely Pickled’s offerings and encouraging listeners to visit their website with a discount code: “You can find everything at completelypickled.com. Use code ADAM10 and get 10% off” ([74:11]).

Anecdotes from the Stand-Up Circuit

Sebastian shares a humorous yet cringe-worthy anecdote from his appearance on The Tonight Show with Jay Leno. He recounts accidentally mocking Queen Latifah by mispronouncing “lineman dikes” as “dykes,” leading to an awkward confrontation: “I said, I don't know, I didn't even think of that” ([41:48]). The episode highlights the delicate balance comedians must maintain between edgy humor and sensitivity.

Tech Talk: Navy’s High-Powered Laser Weapons

Transitioning to current events, the hosts discuss the U.S. Navy’s unveiling of a warship equipped with high-powered laser weapons. Sebastian speculates on practical applications and potential mishaps, jesting about sailors attempting to use the lasers casually: “Someone’s going to be smiling below it” ([120:19]).

Political Rants: Trump’s Plan to Abolish the Department of Education

A heated segment features Sebastian expressing strong opinions on former President Donald Trump’s intention to dismantle the Department of Education. He criticizes federal involvement in education, asserting, “We don't need the federal government involved” ([110:34]). The discussion intensifies as Sebastian vents frustrations about perceived governmental overreach and inefficiency: “They do nothing except for fucking funnel money to their crony school teachers unions” ([116:55]).

News Highlights and Legal Battles

Omar delivers a news update about George Mason University students who won a lawsuit against the institution after criticizing a proposal to provide tampons in men's restrooms. The settlement awarded $15,000 in damages and attorney fees, underscoring themes of free speech and institutional overreach.

Final Thoughts and Upcoming Shows

As the episode wraps up, Sebastian promotes his upcoming stand-up shows in various cities, encouraging listeners to attend. He humorously reflects on his relentless work ethic, “You gotta learn to work” ([54:24]), and underscores the importance of perseverance in the entertainment industry.

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Notable Quotes

• "It's great. It's funny. It's got a lot of pathos. You know, it's got a good vibe."
  — Sebastian Maniscalco ([02:02])

• "Crowd work has turned into its own art form."
  — Sebastian Maniscalco ([10:21])

• "Apple cider vinegar helps with muscle cramping, dehydration, overall gut health."
  — Dawson ([73:21])

• "We don't need the federal government involved."
  — Sebastian Maniscalco ([110:34])

• "Someone’s going to be smiling below it."
  — Sebastian Maniscalco ([120:19])

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Conclusion

This episode of the Adam Carolla Show offers a blend of comedic banter, insightful discussions on the entertainment industry, health and wellness through pickles, and fervent political commentary. With engaging guests like Sebastian Maniscalco and Omar Dorsey, listeners are treated to a multifaceted conversation that ranges from the light-hearted to the profoundly critical of current political maneuvers.

Transcript

[Adam Carolla]

Last year, Americans ate 32 billion chicken wings. Who knows just how many helpless sides of celery were heartlessly thrown away? But this year, celery neglect can stop with you and irresistible Jif peanut butter, because you can make a snack to make a difference. You can buy a jar of Jif to save the celery. So please don't let celery be decoration for wings. Tap the banner to save the celery.

[Sebastian Maniscalco]

Hey. In this episode, comedian Sebastian Maniscalco comes in. Omar Dorsey comes in as well. They're both from Bookie. It's a really good show, and Mayhem's doing the news. And we'll talk to the pickle man himself as well. And we'll do all that right after this.

[Omar Dorsey]

From Corolla One studios in Glendale, California, this is the Adam Carolla Show. Adam's guest today, comedian Sebastian Maniscalco and actor Omar Dorsey with Jason Mayhem Miller on the news and trending topics. And now ready to pitch Trump his move Israel to Baja plan. Adam Carolla.

[Sebastian Maniscalco]

Yeah. Get it on, man. Good to see you guys. I'm a big fan. I love Bookie.

[Jason Mayhem Miller]

Oh, thank you, thank you, thank you. Appreciate it.

[Sebastian Maniscalco]

I had a chance. I don't watch a lot of episodic tv. It's all, you know, UFC and OJ bio pics and stuff. You know, like a. Lots of that. But I was playing a show in Casper, Wyoming, and it was a theater, and there was like two and a half hours in between shows, and they put you up in a little weird apartment off the back of the place. And the guy I was traveling with was like, have you seen Bookie? I said, no. He said, we're gonna sit. At two hours later, I watch the whole thing. It's great. It's funny. It's got a lot of pathos. You know, it's got a good vibe.

[Jonathan Schrenick]

That's Chuck Lorre, baby. Oh, yeah, that's what Chuck does. Chuck and Nick Bakai.

[Sebastian Maniscalco]

Yeah. And whenever. I mean, I've thought about this with you for a long time, Sebastian, but I've always kind of went, that guy's an actor. Like, you've always felt that way about you.

[Jason Mayhem Miller]

Yeah, I mean, I haven't been acting really at all since maybe five or six years ago, I really started getting the whole acting thing. But, yeah, I mean, we love doing the show. Thanks for saying that. We think it's one of the best shows on tv. And we are here campaigning for a third season. And I think everybody in the booth agrees that we deserve it. I. I I enjoy doing the show. This guy's fantastic to work with. And shout out to Casper, Wyoming, by the way. Never been through there.

[Sebastian Maniscalco]

You've never been?

[Jason Mayhem Miller]

No.

[Sebastian Maniscalco]

You know, you don't need to, but I don't know, it's kind of like Appleton, Wisconsin or something. Like you just go and you say you were there. And you know what's weird is you step back in time, you go down Main street, it's 1957. There's like five and dime stores. Like the architecture looks like that old Twilight Zone episode. Yeah, yeah, it is a. If you're shooting a movie that takes place in 1956, you have to go there to shoot because it's not gonna work. If you come to Chicago or la and it's kind of. It's quaint, I guess I would say. But it was serendipitous. Cause I had a bunch of time to kill and I got to see your guys show. And Omar, the guy, Sorry, the actress that plays your mom is awesome in this show as well.

[Jonathan Schrenick]

That's Arnesha Walker, man. Every time she comes in, she steals every scene. So I'm like, can you write less scenes for her?

[Sebastian Maniscalco]

Yeah.

[Jonathan Schrenick]

Supposed to be about me and Sebastian. Why is everybody talking about Grandma?

[Sebastian Maniscalco]

Yeah, she is really funny. I don't know where I know her from, but she is. She's got comedy chops.

[Jonathan Schrenick]

She does, man. She's an old school Broadway actress. She used to be on the show called Nurses. Oh, yeah. But she's just. Her timing is impeccable, man. I'm learning from her every time that I'm on set. Cause I'm like, oh, that's how you're supposed to do it. And we always know when it's funny. When Chuck Lorre and Nick Makai are in the back laughing, ruining takes, and they laugh the whole time when she says her lines. And me and Sebastian, we say our lines, they might come back and give. Give us new lines to say.

[Sebastian Maniscalco]

Sebastian, you're touring right now?

[Jason Mayhem Miller]

Yeah, I'll be in Cleveland and Columbus. Tour goes through April. So yeah, I've been having fun on tour. We got Pete Corrielli, Pat McGann opening up the show. And I've been having a lot of fun on this tour opposed to any other tour, just because going to these cities, generally speaking, I would just stay in the hotel room, watch tv, knock out an OJ documentary, by the way, I just, I saw that on Netflix. Yeah, that thing happened 30 years ago. I'm still. I'm watching it like it's the first time I've seen it. I know, right? I've watched so many documentaries, I'm hoping there's another morsel of information that pops up that I didn't know about.

[Sebastian Maniscalco]

I know I'm on my, like, fifth OJ Doc, and I'm still sitting on the edge of the sofa, and I'm sitting there like an idiot because they go, we find the accused, Ornthold, James Simpson, and then they cut. I go, what are you cutting for? You gotta tell me. You gotta tell me. I was at the courthouse when it went down.

[Jason Mayhem Miller]

Oh, you were there?

[Sebastian Maniscalco]

I was there.

[Jason Mayhem Miller]

The day of the verdict. The day of the verdict, you were inside or outside?

[Sebastian Maniscalco]

I was outside. I was working. I met Kevin and Bean, which was morning radio, KROC Radio in Los Angeles. That's where I met Jimmy Kimmel in 1994. And the verdict was, I don't know, November 95 or something like that. I was just sort of lackey around the radio station trying to do the morning show, get some jokes in and stuff like that. And they just dispatched me down to the courthouse to be there when the verdict went down, because it. It went down probably like 9:30 or 10 in the morning. They were still in the air. I was down there with a phone, you know. Was crazy.

[Jason Mayhem Miller]

Well, yeah. Was it? I mean, you see it on tv. The horses kind of jolted when everybody screamed outside on the ver. Was it as chaotic as it seemed on tv? I mean, being in the mess down there, I just. I don't know. I.

[Jonathan Schrenick]

Again, what was that atmosphere to be right there?

[Sebastian Maniscalco]

It was. It was like. It kind of reminded me when Tyson fought Jake Paul. Like, for some reason, we're all into it. I don't know why we all needed to be into Tyson fighting Jake Paul. You know what I mean? One guy's a sort of new boxer, the other guy's in his late 50s. And then when you watch the fight, you go, yeah. Why were we showing. I'm over at Kimmel's house. There's 38 people. They're all standing in front of the TV set to see Tyson fight. But it was like the hype begat the hype, which got you into the hype. When I had no particular interest in the legal system or OJ or anything politics or what have you, but you got sucked into it. And then everyone was just down there and it was just energized. And once people got indoctrinated into it, then when the thing went down, half the people were screaming and throwing Their hat on the ground. And the other half were looking up to the heavens and praying and saying, thank God, you know, and it's like. I was like, you're all going back to your shitty jobs in the next 20 minutes. What do we care? OJ's gonna play golf, you're going back to your shit jobs.

[Jonathan Schrenick]

Yeah.

[Sebastian Maniscalco]

Why are we so into this?

[Jonathan Schrenick]

Yeah, I was in college. I was a freshman in college. And we were all sitting around the student union and when it went down, I was like, oh, it's two different Americas.

[Sebastian Maniscalco]

Oh, yeah, yeah, we divided up pretty fast.

[Jonathan Schrenick]

Yeah, yeah. I was like, this is wild.

[Sebastian Maniscalco]

Yeah, I was living in Casper, Montana, America, in 1957. That was the America I was in. And then there was the other America.

[Jonathan Schrenick]

It was Detroit.

[Sebastian Maniscalco]

Detroit, 1963.

[Jonathan Schrenick]

Exactly.

[Sebastian Maniscalco]

Yeah. So I watch it too. Like I just keep. And all you do is you watch it and you go, what? They didn't let that evidence in?

[Jason Mayhem Miller]

Or like, yeah, that's crazy.

[Sebastian Maniscalco]

He did. Okay, but now he's gone. But also, you forget how famous he was. Ubiquitous way transcended sports before he was infamous.

[Jonathan Schrenick]

He was famous. He was huge. When I was a kid, those Necagon movies, man. I mean, I remember him a little bit playing football, but I really remember him being Run, oj, Run. In the Naked Gun movie.

[Sebastian Maniscalco]

He was beloved. He was as beloved an American figure as there was. It wasn't for sports or for acting. He just transcended everything. Everyone knew him, everyone loved him. Yeah, so it's crazed that this is. It's this crazy as essentially like if you thought. It's like if Henry Winkler went on a killing spree or something, he'd just go, are you nuts? Everyone loved that guy. It's insane. Come on. The Fonz couldn't do that. And then we divide America again. So, Sebastian, you're out, you're touring, you're doing shows. I've seen your specials and I love them. And I think to myself, is this, is he a clean comic? But you don't curse a lot and do a lot of nasty stuff. On the other hand, I don't, I don't know if you call yourself a clean comic.

[Jason Mayhem Miller]

Well, I mean, there is some language, but the content I'm doing is, you know, observational humor. There's nothing dirty about it. I mean, there's an F bomb here, you know, shit, whatever. But I mean, there's nothing where. I mean, I like to say that you could bring your 10 year old kid and your 80 year old grandmother and everybody in between. And people are not going to wind circle. That was off color. But, I mean, there's. There's language every now and then. I ain't Nate Bergazzi, who's, you know, clean as a whistle. No language. But every once in a while you gotta. You gotta come in and. And drop a little. Little street language.

[Sebastian Maniscalco]

Yeah.

[Jonathan Schrenick]

Especially when you're doing crowd work. When he does crowd work, but he's like, just shitting on everybody in the crowd. That's my favorite part of the show.

[Sebastian Maniscalco]

Yeah. Crowd work has turned into its own art form, which is interesting because it didn't really exist that long ago. I mean, comedians always fucked around with the crowd, but it wasn't part. Didn't make the special or be part of the format. It was just sort of sidebar stuff, you know?

[Jason Mayhem Miller]

Yeah, I think you're right. Today, crowd work seems to be its own thing. And what I've done with it is like, to your point, Kamiya's been doing crowd work since comedy was comedy. And what I do is I just take the crowd work from my show and I just put it on Instagram to give. I don't want to give the material away, just give the crowd work away. And that's how I've used it. But, yeah, I mean, people think crowd work is something new, right?

[Sebastian Maniscalco]

Yeah. No, I mean, obviously the first time somebody took a stage and somebody was in the audience in Roman times and the guy was wearing funky sandals, somebody had to make fun of the guy's sandals.

[Jonathan Schrenick]

Right.

[Sebastian Maniscalco]

You know what I mean? It is because our brains haven't changed. That's still hardwired in there. Omar, you ever do any standup, any form of that?

[Jonathan Schrenick]

No. I used to do a lot of improv comedy when I was younger.

[Sebastian Maniscalco]

Where at?

[Jonathan Schrenick]

In Atlanta, Georgia. Whole World Theater, Alliance Theater. So that's where I really got my comedy stuff from. But it was like, this is a little bit masochistic. I was like, I can't understand how you guys can be on stage. One mic and all those people in front of you, and you're just saying, you know, jokes or whatever. Because if I have too many comedian friends who I've seen bomb, and I'm like, man, my thin is a little bit too skin. My skin is a little bit too thin for all of this, man. It hurt my feelings.

[Jason Mayhem Miller]

I don't think you've ever seen me bomb, though.

[Jonathan Schrenick]

Oh, no, not you. Come on. I've never seen you bomb in my life.

[Sebastian Maniscalco]

Well, I mean, Sebastian, is it hard, er, to bomb now? That Your crowd is filling the arena versus a crowd at a Comedy Store.

[Jason Mayhem Miller]

Yeah. I mean, listen, I think if you bomb in an arena with the crowd there, I think that's a different, different feeling than it was. Like, I used to bomb a lot. I still. I did. I bombed last week at the Improv joke. Just didn't hit Melrose. Melrose. Yeah. So I bombed. I mean, you got a bomb in order to. Yeah. To get to where you need to go. You know what I'm saying?

[Sebastian Maniscalco]

Yeah. All I'm saying is there's a difference between playing in front of a group that bought a ticket to see you and then a group that bought a ticket on a Thursday night to go to the Melrose Improv and see who's coming up that night. And you can look out into the crowd pretty quick and go. I don't know if this is my. I don't know. Every time I try, every time I go to the Melrose Improv, when you're on stage, hard right. And off to the side is like a 21 year old gay couple who just sits there with their arms folded the entire time. And I'm always like, why are you guys always here? And then why are you here? And how come you've never laughed? And there's no fucking way I'm ever gonna get you guys to crack a smile. But they're always. When you stand, it's all the way to the right. They're off to the right against the wall back there. And they are not amused.

[Jason Mayhem Miller]

I think you're right. That section at the improv, behind the piano.

[Sebastian Maniscalco]

Yes.

[Jason Mayhem Miller]

It's like no one ever is having a good time over there.

[Sebastian Maniscalco]

No.

[Jason Mayhem Miller]

And I think it's such a weird. Get rid of the piano.

[Jonathan Schrenick]

Can they see?

[Jason Mayhem Miller]

Yeah, I mean, I'm sorry. Get rid of the piano. Why they got that damn piano up there. I mean, X use that thing.

[Sebastian Maniscalco]

Yeah. I think the guy thought the piano was funnier than me, though. Mr. Steinway said he's a laugh riot. Yeah. I don't know. It really is like the no laughing zone and the club. The other one was, I was in Naples last weekend and I had my crowd, which is great. But there was the one woman up front with the arms folded. Looked like she just caught her stepson masturbating. And she was a Christian, you know, it was really, look at the look on her face of like, I don't approve of this, just arms crossed. And my whole thing is you don't have to sit up front. You don't have to sit right against the edge of the stage with your arms folded and the plate of shit under your nose. You could move it, move into the shadows. I won't. I won't see you back there. Yeah, but you're past that now. You're playing big places and it's your crowds coming out.

[Jason Mayhem Miller]

There's always those people, though. No matter how successful you get in stand up comedy, always look out into the crowd and somebody doesn't want to be there. I mean, it's like the wife that likes me, but the husband kind of had to come and he's. Again with this.

[Sebastian Maniscalco]

Right, right.

[Jason Mayhem Miller]

So there's always that person in the crowd.

[Sebastian Maniscalco]

And so when do you shoot the special?

[Jason Mayhem Miller]

Shot it. It's.

[Sebastian Maniscalco]

Oh, you shot it.

[Jason Mayhem Miller]

Shot it. And it's. It's gonna be on Hulu later on this year. So what I generally do is I shoot the special at the end of the tour.

[Sebastian Maniscalco]

Yeah, that's what I thought.

[Jason Mayhem Miller]

But with this, I felt like if I wait till April at the end of the tour, I'm gonna be bored with the material. So I shot it in my hometown of Chicago in, I think it was November of last year, where the material I felt was, like, still fresh. Fresh and hot. You know, not to say that in April, I would have, like, mailed it in, but, you know, sometimes you get like, here we go again. We're going to do the same thing. And it kind of wears on you. So I did it in November. I think it's. It was dynamite.

[Sebastian Maniscalco]

I agree with that thought. Except for the times when you work a piece of material for a long time, and then at some point you add something or you find something and you're like, it's been there the whole. You know, that's like. That's a sort of like, where are my sunglasses? They're on your head. You know what I mean? Oh, was there the whole time and I missed it. And then you go, oh, I wish I could go back and shove that thing into the other version that we taped of this. That's the scary part too. Right.

[Jonathan Schrenick]

You know, theater is like that too. Like, if I'm doing a play and, you know, we have a run for like three months, right? And you keep doing the same thing over and over, but probably, like about two weekends before you're about to close, you're like, oh, I didn't even see that there.

[Sebastian Maniscalco]

Right.

[Jonathan Schrenick]

That's what that means.

[Sebastian Maniscalco]

Yeah.

[Jonathan Schrenick]

Or, you know, that's a different interpretation of it. So I can't understand, like, if you're going, you know, like later on, you're like, oh, that might hit even harder this time because of this.

[Sebastian Maniscalco]

Yeah, it is. It's an interesting phenomenon, which is sort of like, you ever go out to your car and you see, like a ding in it and you go, when did I get. Did that guy just. Is that from this. Is that from the Costco today?

[Jonathan Schrenick]

Right.

[Sebastian Maniscalco]

And then you go, nah, maybe. Maybe that's from two months ago, and I just didn't notice it. And then you go, well, why'd I notice it today if that's from two months ago? And then you go, but it could have been. Maybe I walked around the front of the car or something, and it's like this good stuff that's just there, but you didn't notice it. And then somewhere, somehow, at some gig, you just spit it out in the middle of the bit. In the middle of the soliloquy or whatever it is. You just found it.

[Jonathan Schrenick]

Yeah.

[Sebastian Maniscalco]

And it's like, why didn't I spit that out six months ago? And then. Why now?

[Jason Mayhem Miller]

It's amazing how that happens, though. And then. And then do you, in that moment, let in your head, are you talking to yourself going, wow, that's beautiful. Like sometimes, right?

[Sebastian Maniscalco]

Like, where.

[Jason Mayhem Miller]

Where'd that come from? Or how'd that happen? Sometimes it's like. It's like magic almost.

[Sebastian Maniscalco]

Yeah. I usually go into like, oh, where'd that come from? And then I go into, why didn't you do that a year ago? Idiot? And then I go into, don't forget what you just said because you got another half hour up here. You're going to forget all. You're going to get back, have a beer and forget all about what you just said. So touring. But the special shot.

[Jason Mayhem Miller]

Special shot, yeah.

[Sebastian Maniscalco]

And do you. Are you shooting? Like, obviously, you got to get involved with the editing. Yeah, right. Always. Because no matter how good editor is, he's not you. He didn't write the joke. He doesn't know exactly where everything is. Yeah, right.

[Jason Mayhem Miller]

Yeah.

[Sebastian Maniscalco]

Is it two shows you'll put together?

[Jason Mayhem Miller]

Yeah. So we do two shows, and generally speaking, I take one show as, like, the meat of it. And then if there's other jokes from the other show, I'll maybe slice it in if they are better or the crowd reaction was better. But generally speaking, we just try to keep one show. We also do the second show just because I love when you do a special and they go. Or you go, I got it. And then the second one, you just kind of play around. I Haven't seen it yet. I'm going to see it in two weeks. What I have is the editor edit it first, and I just see the editor's cut, and then I'll go in and go, okay, let's see what we got here. Another angle here. This is going to be different just because this special was shot in an arena in the round, which I've never done before. So there's a lot of different angles. I think there's 22 different cameras. We had to kind of capture all this, so be interesting to see what. What they put together. But I don't know. I was very happy when I walked off stage, I was like, oh, this, this. I felt. I felt good about it. My last special, I didn't feel as good as I have in the past just because I'm not giving excuses, but I had sciatic pain ripping down my right leg. It's hard to be funny when you know you're in excruciating pain. But thank God that has gone away and I could be as physical as I want to.

[Jonathan Schrenick]

How did that go away?

[Jason Mayhem Miller]

Pilates.

[Jonathan Schrenick]

You know what, man? I woke up this morning and my back was hurting, and I was thinking about you.

[Jason Mayhem Miller]

Well, that's good.

[Sebastian Maniscalco]

I was like, I woke up with a boner and you're out to smash.

[Jonathan Schrenick]

I just remember season one, the way you were walking the whole time that sciatica nerve was beating you up. I was like, God, I hope that's not happening to me as I approach 50.

[Jason Mayhem Miller]

Yeah. I don't wish that on anybody. By the way, if you go back to bookie season one, there is. There is. If you watch me walk, it's. It looks like an old man. Like, I look like I'm 93 years old.

[Sebastian Maniscalco]

So. Pilates. Did it?

[Jason Mayhem Miller]

Pilates? It's a legree. Pilates.

[Sebastian Maniscalco]

It's called Legree.

[Jason Mayhem Miller]

Legree. It's a certain type of Pilates on a machine.

[Sebastian Maniscalco]

Oh. The machine straightened me out.

[Jason Mayhem Miller]

And it was funny. We were talking before we got on about the highlighting and the writing and whatnot. You were highlighting in a way where actually never seen you. It was almost like you were. You were coming in from. From this way.

[Jonathan Schrenick]

Highlight, submarine picture.

[Sebastian Maniscalco]

Yeah.

[Jason Mayhem Miller]

And in my head, I go, I've never seen anybody highlight that way. Should I ask him?

[Jonathan Schrenick]

Right.

[Jason Mayhem Miller]

What's with the highlighting? And I also said, maybe he's like, arthritis or maybe he's got a problem.

[Jonathan Schrenick]

Right.

[Jason Mayhem Miller]

And I didn't want to, like, offend them. Yeah, sure enough, you tell me. Your hands are screwed up. From boxing and carpentry's ass. What is the. What is. What is the side effects of being a carpenter? The pants. Sorry for the language.

[Sebastian Maniscalco]

No, it's all right. Cuss away.

[Jason Mayhem Miller]

I like that. I don't want to turn off the families, okay?

[Sebastian Maniscalco]

The side effects are normally super leathery skin and alcoholism. Those are like the side effects because guys just spent way too much time on the roof, you know what I mean? Just a lot of sun, lots of sun. And, you know, bad joints, you know, just kind of beaten up, you know, just on their knees, you know, laying baseboard or tile or something for, like too long, you know. So, yeah, lots of sun damage and lots of liver damage. Liver on the inside, skin on the outside would be the damage. But you do pick up some Spanish, so it kind of evens learn how to say clean in Spanish and latter. So it's a good skill to have. But then when people find out you have it, then they want you to come over and do shit at their house all the time, and it's always for free, you know. And so it's. It's. It's ostensibly like owning a pickup truck, which you do when you're a carpenter. If you're 23 and you own a pickup truck every weekend you're helping one of your jack up. I found a futon and an alley. Can you come by and help me? You know, it's always moving shit. If you're the dude on the moped, no one asks you for anything. If you're the dude with the truck, everyone wants to borrow the truck, and then you got to help them, you know? And like, I was a carpenter my whole life, basically. But I started building lofts because I lived in such small rented houses and apartments and stuff. I started taking the bed and putting it off the ground, getting a desk or something under there. And I. And I had started having other people started going, hey, can you come over and build me a loft? And I remember one of my friends who was a girl, I just said, yeah, okay, I'll come over and I'll build you a loft. And then you come over to my apartment and you clean. She was like, what? I was like, clean while I'm building you a loft? And she's like, what's that about? I'm like, well, first off, I get more than you per hour as a carpenter than you get for cleaning. So I started to try to trade shit out because no one had any money, but you get put upon a lot. People want you to fix stuff and look at stuff and walk through stuff, and you can't help but criticize. You know, when you walk through a house, you look at it through the jeweler's loop of a carpenter, you know, and you say stuff like, oh, you want with quarter round instead of base shoe? Interesting choice. You know, it's a lot of that.

[Jason Mayhem Miller]

Do they even know what you're talking about?

[Sebastian Maniscalco]

No, they don't know what I'm talking about, but I'm talking the whole. The whole time. But, yeah, my hands ended up getting beat up. And so, you know, that's why I write like, I have flippers.

[Jonathan Schrenick]

You got hands like a wide receiver. I just didn't know.

[Sebastian Maniscalco]

I was like, oh, he must have got no boxing. Screwed him up, too. It just. Whatever. It was all trauma.

[Jonathan Schrenick]

Yeah.

[Sebastian Maniscalco]

You know, and now as a comedian, you know, I don't need them anymore. Just to hold it, leave it on the mic stand, work around the mic. So the specials and the. The can do you have this feeling, I was thinking about this, which is when you're talking about getting that first one and it came out, you know, you pretty much nailed it. And then the second one is like house money, you know? And I remember that feeling. I've had that feeling doing standup as well. That feeling, it's like if you played baseball and you got like a triple and a double in your first two times to the plate, and you're going up the third time, and you're like, I'm hitting.500 this game. No matter. I don't care if I strike out right now, I'm still. I still got some house money here, you know? And then you end up going in more relaxed. You go up to the plate more relaxed, and you're not gripping the bat as tight, you end up making better contact.

[Jason Mayhem Miller]

Yeah, I think that is definitely with stand up, Especially when you're doing these specials. You do one and then for some reason you come up the second time. And now you feel like you're so free to do whatever you want, which you should be free every night you're doing stand up comedy.

[Sebastian Maniscalco]

Right? Right.

[Jason Mayhem Miller]

You should be in that pocket. But, yeah, for a special, you feel like we'll play around a little bit and we'll see what happens. And sometimes that second special or that second shoot is better than the first one. For me, I think the first one's always better. I get a little too relaxed maybe in the second one, and then I don't feel like the urgency. Like, I gotta get this. This is a big moment. Let's do it. So I get maybe a little too relaxed, but. Yeah, it's always good to do, too, though.

[Sebastian Maniscalco]

Do you write out your set? Do you have it committed to memory? Do you have, like, a set list like a band would have?

[Jonathan Schrenick]

No.

[Jason Mayhem Miller]

I do comedy so much that it's, like, burned in my brain that I just. I know the set front and back, and sometimes the set list or order is not in the same. It's not in the same order because I. I need to switch it up in my head to get to. To be excited about doing the set. But, no, I used to have a. What do you call, teleprompter? And I'm like, get rid of it. I never have a teleprompter on my show. What the. The night I do a set for a special, I'm gonna. Yeah, yeah, have that up there, which I killed because it's more of a distraction than helpful.

[Sebastian Maniscalco]

Omar, you did Django Unchained.

[Jonathan Schrenick]

Yes.

[Sebastian Maniscalco]

I love that movie.

[Jonathan Schrenick]

Me too, bro. It was such a good time doing it too, because this is really a dude movie, right? All of it is a bunch of men, and Quentin is a mess. He's such a fun dude to be around.

[Sebastian Maniscalco]

His movies are so good.

[Jonathan Schrenick]

So good, man. He's my favorite director now. Me too, man. He's made my favorite movies. I remember when I was in college, when I first time I saw Reservoir Dogs and then I saw Pope in 94, I was like, is there a better director, writer ever?

[Sebastian Maniscalco]

No, no. It was like, Oliver Stone did really interesting, cool stuff that you watched. I mean, I guess if we're trying to measure a good director, a good writer, a good creator, you go, when you leave the theater, you're thinking about it, you know? Or the next morning, when you're making a bagel, are you thinking about it? You know? And, like, Oliver Stone would do that with Doors or Platoo or something. You find yourself driving in your car thinking about it three days later, and you can make good movies that you just don't think about, you know, a week later. But Tarantino, he makes movies that you.

[Jonathan Schrenick]

Have fun when you're in the movie theater watching it.

[Sebastian Maniscalco]

Yeah.

[Jonathan Schrenick]

You know, and you're still thinking about it a week or two later. Yeah, man. When we did that film, you know, Jamie and especially DiCaprio, man. What? Jamie is such a fun dude to be around, period. He's the life of the party. DiCaprio was really the life of. He's another life of the party in a different way. But, you know, they were the two alphas on the film with Quentin, of course. And just had so much fun. We were down there shooting in New Orleans for, like, four or five months, and every weekend was a party, you know?

[Jason Mayhem Miller]

Didn't you tell me you got the movie, but you were only gonna do it for, like, two weeks?

[Jonathan Schrenick]

I was supposed to do it for three weeks, and we ended up doing it for five months. Cause Quentin was just like, we can do some more. I guess we can keep him around for a little bit long. I was like, okay. I was. I didn't have a lot of money at the time. I was like, okay, I guess so. Next thing I knew, man, I bought a house at the end of that movie.

[Sebastian Maniscalco]

Really?

[Jonathan Schrenick]

Yeah, man.

[Sebastian Maniscalco]

And Tarantino uses some people repeatedly. You know, maybe you can make it onto that list.

[Jonathan Schrenick]

I would love to, man. You know, because he uses Sam a lot. Sam Jackson. He uses Walton Goggins a few times. DiCaprio. I remember we had the premiere. He was like, yo, Omar, we're going to work again. I was like, all right, cool. And that was four. That was four movies ago, so I don't know.

[Sebastian Maniscalco]

Yeah. Plus, he thought he's talking to Omar Epps.

[Jonathan Schrenick]

Exactly.

[Sebastian Maniscalco]

He'd been drinking.

[Jonathan Schrenick]

I'm quite sure he had. You know, it's so cool. Like, you go to him and their trailers look like a bar. I was like, damn, you can do that. But, man, those dudes just had a good time on that movie, man.

[Sebastian Maniscalco]

Oh, really?

[Jonathan Schrenick]

Yeah.

[Sebastian Maniscalco]

I mean, lots of drinks.

[Jonathan Schrenick]

It's just like, they had it there if they wanted it. You know what I'm saying? But I don't even. They were probably never drunk, but, yeah.

[Sebastian Maniscalco]

I don't know how Sebastian feels. When you were talking about doing the second show and being a little loose. Sometimes that means having a pop in between shows. But I can remember doing the Tonight Show, Jay Leno, Tonight Show. They had a serving cart outside of your dressing room, and they encouraged you to have a drink. They shot at 4 in the afternoon on a Tuesday. But they were like, can I get you something? And I was like, all right. No, I mean, I'm good. And he was like, you sure? It's right here if you want. They were basically saying, have a drink.

[Jason Mayhem Miller]

I didn't get that when I did the Leno. Maybe I didn't.

[Sebastian Maniscalco]

When did you do? What year did you do it?

[Jason Mayhem Miller]

I think maybe 045 maybe. But they didn't offer me any boobs.

[Sebastian Maniscalco]

Were you doing a set?

[Jason Mayhem Miller]

I was doing a set.

[Sebastian Maniscalco]

Oh. They probably wouldn't encourage You.

[Jonathan Schrenick]

Oh, talking about if you were a guest.

[Sebastian Maniscalco]

Yeah. Well, if you're doing panel, I think really what it's there for is you got some actress and she's nervous, you know, and she's young, and they want to get the funny story out of her, but she's a little uptight and worried, and her publicist is there or something. I think they're like, have a drink. Take the edge off. Come on. Speak freely. You know, if you're doing five minutes of clean material, they're probably less inclined to steer you toward the bar.

[Jason Mayhem Miller]

No, I felt like I was left out when you were telling that story like that. I didn't get the offer of tequila.

[Sebastian Maniscalco]

Well, you know, the thing that's funny is I do a lot of standup now, but I didn't do stand up back then. So then when I say to people, oh, the second time I did Letterman, they go, how'd your set go? You know, And I go, I wasn't. I was just on the sofa because I had a TV show, so I was doing. But the same with this. I never did stand up on any of those. Any of those shows. I did do Craig Kilborn's show once, and a friend of mine named Jordan Rubin, who's a standup, I know Jordan was following, was going to do his set at the end of the night. And we knew his set real well. And so I sat down to be the guest, and I started doing his jokes, but not saying it was his or anything. Cause I knew he was backstage and he was having to cross off his jokes. Now, I thought that was funny. He didn't think it was that funny, but I thought it was super funny doing his thing while I was sitting next. And then he got introduced. So how was the first time. The first time you do Letterman as a guest is like, it's fine, but you're kind of established. That's why they ask you to come on the show. But as a standup, it can make or break or Leno, you know, it can go. It can not go well, you know.

[Jason Mayhem Miller]

Yeah, I never did Letterman. I did Leno, and Leno was very gracious. He knew it was my first time. He went back out and told the audience, hey, this guy's gonna come out here. First time on the Tonight show, you give him a lot of love. So he really kind of set me up that way. No booze, but yeah. I mean, I remember Glenn Close was on the show, and then I got called over, you know, to sit down or whatever, and I don't know what I. In the moment, I. I kissed Glenn's. Glenn Close's hand.

[Sebastian Maniscalco]

Really?

[Jason Mayhem Miller]

It was like right out of the 50s.

[Sebastian Maniscalco]

Just a weird impulse buy.

[Jason Mayhem Miller]

I don't know what happened. I just felt like I needed to kiss her hand. And I sat down and there was no, like, talking at. You know, like, there was no, hey, I know you. You know. You know, generally speaking, sometimes you get like a little minute or two on the. On the couch.

[Sebastian Maniscalco]

Right.

[Jason Mayhem Miller]

It was. It was kind of right to commercial, but. But, yeah, I mean, those shows, I. You know, and I wasn't around, obviously, Johnny Carson days. But I used to. Remember Johnny Carson used to have the comedian for seven and a half minutes. The set was right. I don't know when the hell it became. Four minutes. Four and a half minutes. I mean, for me, I'm like a souffle. Yeah, about four minutes to get warm, right?

[Sebastian Maniscalco]

Yeah, you gotta order. You before the entree.

[Jason Mayhem Miller]

So. Yeah, those talk shows are tough. I forgot my whole act. Doing the Tonight show with Jimmy Fallon. A minute in, I went blank. And for 13 seconds, I was completely. I was looking at the audience. I looked at the band, the band looked back at me, and they're like, we can't help you. And then I snapped out of it. It was almost like I had. Oh, the cards were there. I couldn't see the cards. My vision was blurry. Not that I was gonna pass out, but it was. Yeah, I was. I was. Maybe I did have a stroke, I don't know. But I forgot my act, and I picked it right back up. I went to Fallon afterwards. I said, I'm so sorry, man. Don't worry about it. We'll cut that out. But, like, I didn't know that that.

[Sebastian Maniscalco]

Was even a. Oh, they cut it out.

[Jason Mayhem Miller]

They cut it out. But then when I went back on the show, I told the producers, let's watch it. Let's watch the 13 seconds. Because they. No one has ever seen it. So I would. The whole point of it was, you know, you never see the mistakes in Hollywood.

[Sebastian Maniscalco]

Was it literally 13 seconds?

[Jason Mayhem Miller]

Yeah, it was. It was a good 13 seconds.

[Jonathan Schrenick]

How long did it feel? Like five minutes?

[Jason Mayhem Miller]

It felt like. Yeah, it felt like six days. Because the problem. I. What happened was I invited. I had my wife there, I had my mother there, my mother in law, my manager, agent, publicist. Everybody was in the. And I act like I was hosting a party. And I wasn't concentrated on the set, right? And when I went out to do the set, for whatever reason, I went blank. So it taught me to, you know, focus. Focus.

[Jonathan Schrenick]

Yeah.

[Jason Mayhem Miller]

Yeah.

[Sebastian Maniscalco]

I never liked the posse showing up into the dressing room before you go out there, because I always felt like I was trying to memorize, like, a shopping list, you know, the stuff I wanted to talk about, the jokes I wanted to say. And then somebody's going, what is this? Is this kiwi? Cause I've never had kiwi before. Is this kiwi? And now you're thinking, I don't. It looks like. And now, why am I thinking about kiwi? Three minutes before I'm going out there, I should be thinking about my stuff. And then they always put the TV set on and turn it up and what have you and start talking to you about stuff. And they don't act like you're doing what you're about to do. Yeah. Your job. And. Or, you know, like, for me, like, Letterman, Leno. I grew up watching those guys. It's crazy to even. There's a surreal environment to sitting next to Leno and having him say your name and talk to him or Letterman as well. The thing that was always weirdest about Letterman is their stage manager, Biff Henderson, who's a star of character on the show, is the guy who pulls the curtain for you. And so you find yourself standing back there looking at him going, do you really do this? I thought you were just kind of on the show. And I said, no, that's my job. And you find yourself distracted because, you know, the guy who's pulling the curtain, who you just want to be a sort of nameless, faceless somebody who, you know, grip. Who pulls something. But the whole thing is surreal. And then you get some weird adrenaline dump, and you really have no memory when you're done. Like, did I say this? Did I say that?

[Jason Mayhem Miller]

Yeah. If you watched it, you would not recognize yourself.

[Sebastian Maniscalco]

Right. But the third, the little stumble feels like a huge faux pas sometimes. And it's not even if you do a little hiccup or something. Cause it feels. You're right. The 13 seconds feels like 10 minutes. That's the phenomenon. Oh, God. I don't know. If you want. I got the craziest. I haven't told it in a long time, but okay. It bears repeating. I haven't told it in a while, but I had a Queen Latifah situation on Leno that. That played right into these fears we're talking about. That was kind of insane. It was a bizarre, insane situation. Queen Latifah went out there first, and then I went out second. And then she slid over, and I sat closest to Jay. And it was around Christmas. And her bit, which didn't really work out, was she'd been to Jamaica for a Christmas vacation. And over there, when they relax, they call it liming liman. They go, just lime, and it just means chill out, right? And she thought it was funnier than it was. And she kept saying it. You know, you could tell when someone keeps, like, going back. Like, they think backstage, this is killer, and they keep going back to it but just not getting the reaction, you know? But she's like, lime, and everyone's lime. And I was. You know, she kept saying, alignment, right? And then I went out there, and my bit was Christmas. And the toys I got my kids and how they're all wired down and shrunk wrapped, and, you know, they're welded to the package. You got to get the steak knife out, and you cut your hand off and you're fighting with it. And so I go. I go. And I used to be a carpenter, right? So I go, you know, you couldn't get this thing open with Lyman dikes. Now. Now, I thought I said lineman dikes, and a dike is a diagonal color, so I just yelled lineman dikes, right? Except it would take a lineman dike to get this shit open. So I don't know anything's wrong. But she said Lyman, and she's a dyke, so that's a problem. You know, a dyke is diagonal. It just means diagonal cutters. They're called lineman dikes. But I may have said lineman. Cause she said lineman a thousand times. And I did say dyke, but it's probably spelled differently. So the segment ends, and I'm just sitting there chit chatting, not knowing anything. And the producers come running across women, and a couple of gay guys, you know, come run up to the edge of the stage, and they go, Adam, I'm like. I'm talking to Jay. Yeah. You know, come here, come here. I go. I go up to him and I go, what's. What's. What's the problem? You know? Well, you just called Queen Latifah dyke. I said, I did. No, I didn't. I was talking about. She said, you looked at her and said lyman dyke. You just looked at her. You said, you're Lyman dyke. You'd need a Lyman dyke to open this thing. I go, I looked at her. I don't remember. I thought I was just talking to Jay. Yeah, but you kept going back and. Because I would always do that. I would do panel, and I Would try to include, you know, I'd go, you know what I'm talking about, right? Yeah. And I'd have some fun with them because it was weird that they just moved over and sat silently, you know, the whole time. So I said, what happened? You looked right at her and said, lyman dyke. And I said, oh, I go, dyke. Oh, no, I'm talking about dikes. Cutting dikes. Diagonal cutters. Like dikes. Like lineman dikes. And the one woman goes, could you please stop shouting dikes? Oh, my God. I looked at her when I said dike.

[Jason Mayhem Miller]

Yeah.

[Sebastian Maniscalco]

I didn't even think of that. And then I was driving home, and my agent called me. He's like, how'd it go? And I go, well, it went good, but it was kind of weird. There's something weird happened in there. And he's like, what happened? And I said, well, Queen Latifah. And he went, oh, no. What'd you do with something racist? You know, it's like, now I hit the other thing.

[Byron]

Exactly.

[Sebastian Maniscalco]

I work in another angle on that one. I think I looked. I think I called her a dyke. But I didn't call her a dyke. I was talking about diagonal cutters. You know, I. That. I said, I don't know. Go look at the tape. They. Anyway, they ran it like it didn't. And I didn't end up looking at it. I was looking at Jay. But I said, lineman dykes.

[Jason Mayhem Miller]

Well, did you feel at all during that whole thing that there was a tension, or do you think she was caught off guard by it?

[Sebastian Maniscalco]

Did she know I didn't get the vibe? But I'm super thick when it comes to women. You know what I mean? I've been blindsided a few times. Like, you know that. You know, this has been over for a year, right? Actually not. I was buying us tickets to Maui. You haven't felt this is over for a year? Not really. Just kind of leave me alone to do what I want.

[Jonathan Schrenick]

You.

[Sebastian Maniscalco]

You got the vibes, right? I'm like, I didn't. No, I don't. I didn't get the vibe. So I'm thick and I was facing Jay.

[Jonathan Schrenick]

Yeah.

[Sebastian Maniscalco]

And no, she didn't say anything. And that's why I was really confused. But, yeah, that's a once in a lifetime thing, right?

[Jonathan Schrenick]

You can't write that. No.

[Sebastian Maniscalco]

How could you come up with Lyman dykes and Lyman? And I didn't even know what Lyman. I didn't know it was a Jamaican thing. Yeah. So we all had our trials and our tribulations Is that anywhere on YouTube?

[Jonathan Schrenick]

I need to find that. I need to find that.

[Sebastian Maniscalco]

Is there a. Byron, Are you over there? See if me? I don't know. Adam Carolla, Leno.

[Dawson]

I've been looking. Yeah.

[Sebastian Maniscalco]

Queen Latifah, he's been scouring already. We could probably get Leno. Probably has an archive. Have you been to his shop?

[Jason Mayhem Miller]

I've never been there. It's one place I want to go.

[Sebastian Maniscalco]

It's only about three miles from here if you want to check it out. I'm thinking about. Because he has the Tonight show set set up up in his shop.

[Jonathan Schrenick]

Oh, that's dope.

[Sebastian Maniscalco]

Yeah, he does. Yeah, he took it with him. It's a power move.

[Jason Mayhem Miller]

Me being Sicilian pulling up here. I need to say this just because I get paranoid. I don't like that. You got the name outside on the building. I think we take that off.

[Sebastian Maniscalco]

Yeah.

[Jason Mayhem Miller]

And we.

[Jonathan Schrenick]

Incognito.

[Jason Mayhem Miller]

Yeah.

[Sebastian Maniscalco]

Yeah.

[Jason Mayhem Miller]

I don't like it.

[Sebastian Maniscalco]

Yeah. I told him to get rid of it and put the Joe Rogan Experience up there so we get a little traction in this town. You know, you're right. We should go with a bigger name, don't you think? I get what you're saying. Yeah. Sicilian want to go big, right? Yeah, I know what you're saying. Anything in the top five, we'll put it up there.

[Jason Mayhem Miller]

No, I'm just saying I don't like people knowing where you're at.

[Sebastian Maniscalco]

Yeah. You know, it doesn't seem good, but I was displaced with the fires out of Malibu. My place is intact, but I'm not allowed to go back. And I was complaining the other day that I was out of socks because I'm out of socks. Because you run out of socks, man. I've been gone for a month. I left this place the other day, and there was a pile of socks sitting on top of the mailbox. So you see the bad in humanity, Sebastian? I see the socks in humanity. You see what I'm saying?

[Jason Mayhem Miller]

As soon as I heard that, I heard what's in the socks.

[Sebastian Maniscalco]

Poison socks.

[Jason Mayhem Miller]

Poison socks.

[Sebastian Maniscalco]

Your skin starts Fentanyl in those socks.

[Jason Mayhem Miller]

Your skin starts boiling.

[Jonathan Schrenick]

Yo, you know what I've been getting lately? For some reason, people keep mailing pictures to my house of you. Yes. They want me to sign them. And my wife is getting very paranoid. It's like, how did you get my address?

[Jason Mayhem Miller]

Oh, that's a.

[Sebastian Maniscalco]

Come on. Oh, yeah.

[Jason Mayhem Miller]

This ain't the seventies. You're right, man.

[Jonathan Schrenick]

I'm just like.

[Sebastian Maniscalco]

So, where do you do, Sebastian? Where do you Stand on. I was doing a bunch of shows in Boca Raton last weekend. Great. Did two shows. After the second show, guy shows up with the pile of pictures, and he's got the man show stuff, and he's got the crank anchor stuff, and he's got animated stuff. I don't even remember. He's got 35 pictures, you know. And I'm like, okay, all right, all right, okay. Other people waiting, want to take a picture? Sign on, okay, okay, okay. And I hand him back his 30 pictures. And then the next guy comes up and he goes, how about me? You know? And I go, I'll sign the first 10. And then I'm giving them back. I got the bent claw. I go, listen, I dig signing an autograph and a picture, and I'll sign 10. But when we get to 30, now we're into commerce here. You're taking these and you're selling. And by the way, God bless you. Take a picture, sell it. I'm flattered, but we're getting into 30. We're getting to a catalog here. Now I'll sign 30. And so I said to the guy, look, I'll just sign the first 10, and then you're on your own after that. And he said, all right, but how about you give an affirmative mark on the other ones? And I was like, I don't know what that means. Like, I'd sign it or what is. What mark would I make with this Sharpie on the other one?

[Jason Mayhem Miller]

What's he looking for?

[Sebastian Maniscalco]

I don't know. And I didn't want to take the extra time to really drill down on what he was talking about. And Leno, when he signs stuff, signs, does the chin do you know that that's just extra ink and time, you know, that? He does every time. But you must get hit with a lot of that stuff.

[Jason Mayhem Miller]

Yeah, you get hit with. I think, you know they come with a board, right? Yes, they come with a board. And then they got, you know, your whole res, your IMDb resume in photographs, you're like. And even I'm saying where you get. And. And. And the. The quality of the photo is beautiful. Yeah, I know. This is. This is beautiful. And I just signed the board. But when they start, like, whipping out, like, a microphone or this, that and the other thing, you gotta cut it off. You'll be there all day, and then the next guy's got the same stuff. So.

[Sebastian Maniscalco]

Yeah, you know, my favorite one is, at some point, some chick will come up when you're doing it. The meet and greet after the show. And she'll come in, she'll go, last one, last one. And I go, last one for you, bitch. There's still 40. Yeah, last one. This will be last for you.

[Jonathan Schrenick]

I'm not.

[Sebastian Maniscalco]

It's not last for me. You shouted last one. But what about all the dudes in line here?

[Adam Carolla]

Last year, Americans ate 32 billion chicken wings. Who knows just how many helpless sides of celery were heartlessly thrown away? But this year, celery neglect can stop with you and irresistible Jif peanut butter, because you can make a snack to make a difference. You can buy a jar of Jif to save the celery. So please don't let celery be decoration for wings. Tap the banner to save the celery.

[Sebastian Maniscalco]

Hey, Byron, My screen up top is not on, by the way. If there's anything you're trying to put there. And I don't know how the Internet works, You'd think Queen Latifah and Jay Leno would be archived somewhere.

[Jason Mayhem Miller]

I thought that would be.

[Sebastian Maniscalco]

And I'll happily find it because I'm not using any hyperbole in my lineman. Dyke. Well, you know what? So there's nothing online. There's no Leno Tonight show archive online.

[Dawson]

The only thing we're finding right now is with Jimmy Fallon and then the old.

[Jason Mayhem Miller]

The way old one with Carson.

[Sebastian Maniscalco]

There's no Leno online.

[Dawson]

I found a picture of you with.

[Sebastian Maniscalco]

Queen Latifah and Jay Leno, which looks incriminating, but that's all right. Well, we can verify. We can verify with me and Queen Latifah. Yeah, I don't know what. It's weird because it's like you can go on the Internet and find. And find. Oh, see, I am gesturing to her now. Picture me saying lyman dyke while I gesture to her. And that's how you know I love TIFA so much. That's a crazy story ever, isn't it? I mean, it's crazy in that it'll never happen again because no lead guest is gonna talk about Lyman, and no second guess is gonna talk about lineman dykes. And she's gonna be. I don't know what her sexual proclivities are, but she showed up alone, she didn't bring her kids and her husband. I'm just gonna say that.

[Jason Mayhem Miller]

Do you think she remembers this?

[Sebastian Maniscalco]

I don't know. She officially came out. Well, she officially came out in 2021, but I took her out in 2009. That's the way I look at it. Right. So Hulu Comedy on Hulu. Now, I'm trying to think, because it's interesting that the cyclical nature of comedy and platforms, which is, if you've been around long enough, it was like, hbo. Hbo. Well, Carson. Carson. And then it was hbo, and then Showtime, and at some point it became Netflix, and everyone went, well, Netflix. That's where you got. But look back in history, it's cyclical. Somebody else comes up, some other platform, something else, and Hulu. So the decision. Because the rest of your stuff is at Netflix, right?

[Jason Mayhem Miller]

Yeah. So I started at Showtime, went to Netflix. This time I met Hulu. Hulu's launching their new platform, or they launched it with Jim Gaffigan, and they have a comedian every month for the next two years, I believe. So I just wanted a different audience. I just wanted to see and test the waters of what's on the Hulu platform. They're partnered with Disney, and I just wanted to see what Hulu is all about. They've been great partners in this, and they're very excited, and they're putting a lot of promotion behind their new standup. So, yeah, that's the reason for Hulu.

[Sebastian Maniscalco]

Did they cherry pick you? Did they come to you and go, hey, you should come over here.

[Jason Mayhem Miller]

My career has been. No one's cherry picking me out of nothing. My whole career has been me kind of actively pursuing. You know, I have friends that we went out with at the nightclubs back in Chicago.

[Jonathan Schrenick]

Right.

[Jason Mayhem Miller]

There was two guys that always got approached by women. Right. They didn't have to do nothing.

[Sebastian Maniscalco]

Right.

[Jason Mayhem Miller]

They'd be at the bar and girls would be falling all over. I was actively on the hunt.

[Sebastian Maniscalco]

Yes.

[Jason Mayhem Miller]

And that's how I feel about my career. Actively pursuing. Generally speaking, there's not incoming. There's a lot of outgoing phone calls.

[Jonathan Schrenick]

That's good. You don't have a silver spoon in your mouth. You had to go and get it.

[Jason Mayhem Miller]

I had to go and get it.

[Jonathan Schrenick]

Yeah.

[Sebastian Maniscalco]

I think, listen, I adopted that early. I was like, no one's putting you on tv. No one's gonna spot you at Schwab sitting at the counter. You wanna be on tv, then you gotta create a TV show and then say, I'm gonna be in my TV show. Cause you're probably not gonna. You wouldn't cast me to be in my TV show if it wasn't my TV show. So I've always felt that way with movies and TV and everything. Like, no one's gonna come find you. You big picture. It's better because you do create your own Material. And I don't know where it comes from. It must be upbringing like a dusting of healthy low self esteem.

[Jason Mayhem Miller]

Yeah, I think for my upbringing was more like work was beaten into me. Gotta work. Go get it. I ain't gonna pay for your this, that and the other thing. So, you know, at 14 years old, I was out there getting a work permit, working at Fuddruckers Olin Mills portrait studio. There was always a job. Like when I had spring break. It wasn't spring break, it was. Were you working for seven days?

[Sebastian Maniscalco]

Right.

[Jason Mayhem Miller]

I belonged to a staffing company called Olin Mills. Not only Mills Olston staffing, temp work. I used to do in the filing, you know, for $10 an hour. You know, you want to be bored out of your mind and you're shaking your head like you've probably done this work, this temp work.

[Sebastian Maniscalco]

Yeah.

[Jason Mayhem Miller]

Is like they put you in a, in a filing room for eight hours and. And you were just. Your hands were, were bleeding at the end of the day just because of all the paper. So, yeah, it was just that. That's where all that kind of work ethic was from an early age in my upbringing, as you know, coming from a kind of. Of, you know, not a strict family, but more like, hey, you know, no one's ever going to give you anything. So that's kind of what I've done throughout my career.

[Sebastian Maniscalco]

Look, the base of the work ethic is great, which we try to instill in our kids, but no woman will go along with it. You know, I was like, let my son, let him work at McDonald's. I worked at McDonald's. He doesn't have to work at McDonald's. He doesn't HAVE to work at McDonald's, but he should learn how to work at McDonald's. I worked AT McDonald's. You had to work at McDonald's. So it's this thing I'm going, you gotta learn to work. You gotta learn to work. And then once you learn to work, well, then you can take that off to a Tarantino film or you can take it off the bookie or go different directions with it. But you're taking your work ethic to art to stand up. But it's the ethic. Yeah, right. Omar, how'd you grow up?

[Jonathan Schrenick]

Yeah, same way. You know, I always had a job. And even with my kids, you know, they always had jobs even though they didn't need one. They were working at 16 years old at the mall. It's funny, my youngest was working at Starbucks and Ended up getting a scholarship from Starbucks to go to college. So it's like work pays off. I did attempt jobs. I was a security guard. I worked at Burger King. I worked at Ms. Winters. I worked at all these different places. I didn't like asking my parents for money. I wanted to get it my own. Cause I didn't want them to ask me what I'm doing with my money. And I like to smoke weed. You know what I'm saying?

[Sebastian Maniscalco]

Oh, you needed weed money?

[Jonathan Schrenick]

Yeah. So it's like, this is before I started selling weed. I was like, look, I need my dime bags. So it's like I need them, you know, every day. So, you know, I didn't. Well, what are you doing with this money that I'm giving you? You know, I come back, I smell like weed. They don't care. I pay for it myself.

[Sebastian Maniscalco]

Mm.

[Jonathan Schrenick]

Yeah.

[Sebastian Maniscalco]

I didn't. Yeah, it was for me and my parents. I didn't like them saying no when I asked them for money. If they said yes, I probably would have been okay with it. But there wasn't any money. So I was in the same. I was in the same boat. I did. That was different than a lot of people. I worked at the liquor store, and I worked at McDonald's, and I worked at the carpet cleaning place.

[Jonathan Schrenick]

But liquor store is my dream job. Even right now.

[Sebastian Maniscalco]

Oh, yeah. It's still a great kick. I know some guy at the Flask on Ventura Boulevard. I could probably put a word in.

[Jonathan Schrenick]

I live right near Flask. Yeah.

[Sebastian Maniscalco]

Yeah. Although once they killed the DEI program, I don't know, three weeks ago, we could have talked. But once Trump killed that program, they're kind of out now. The only difference is then I worked all the other comedians and actors, they worked at bartenders, they worked as waiters. You know, they worked at the hotel. You know, we worked at Beverly Hilton, Beverly Wilshire.

[Jason Mayhem Miller]

Four Seasons. Yeah.

[Sebastian Maniscalco]

Or Four Seasons, Beverly Hills. Right.

[Jason Mayhem Miller]

Yeah. Doheny.

[Sebastian Maniscalco]

I got out of high school, I walked on a construction site, and I was like, learn a skill. And you don't have to be a waiter, a bartender, or whatever. You'll have a skill. You'll be a carpenter. So I just did that. Which wasn't great. You can tell by the way I hold the highlighter. But I wouldn't have to bounce around from job to job to job to temp this to bar back. That was just sort of because everyone else. And also, so if they didn't make it, all my actor friends and comedian friends, their skill was bartender. They didn't have a trade if the acting in the comedy didn't work. And let's face it, statistically it doesn't work. Now you're 35 and you possess no discernible skill. So I was like, it'd be good to learn a skill and then if you don't make it, at least you can weld.

[Jason Mayhem Miller]

Well, you bring up a point in regards to the statistics of making it in the entertainment business, don't you think? Now with all the avenues people have, whether it be social media, podcasting, whatnot, and maybe just because I live in Los Angeles, I'm immersed in the entertainment business, Is everybody trying to be in entertainment and is the statistics to make money being in entertainment actually in your favor now? Do the. Do the opportunity. Growing up, I'm like, man, it must take unbelievable luck and work and talent to be in a movie now. You know, you take a bite of a sandwich and you have your own TV show critiquing food, you know. So like, don't you think the opportunity to get into this business is far more greater than it was ever before?

[Sebastian Maniscalco]

Well, I mean, let's see if we can break this out because I've never really done this when I was a kid. You could either be on a sitcom or you could be Bob Hope or something, but there wasn't a lot of back of house jobs where you got paid writing content for someone's Twitter feed or something. You know what I mean? There wasn't a lot of of tiered jobs. It was like you're either in the sitcom or you're writing for the sitcom, or you're a standup comedian and there's 10 of them, you know what I mean? And then there was like, well, maybe you're doing morning radio, but there's no turnover. Those, you know, Boomer and the Newch are going on their 26th year in town. You know, when are they going to clear out and let me in there? So there wasn't a whole bunch of different avenues for revenue. And if you're on tv, you were known and you made good money or you were just out. So now there's a whole bunch of different avenues where you could make a living. But it's a living like you worked managing a kfc. You know, it's not like showbiz living. There's just a living which didn't exist in the past because if you were gainfully employed in show business, you were getting rich. And now there's a way to be gainfully employed creating content I don't even know if we call it show business anymore. But like, you could be a content creator and make $72,000 a year or you could work at the Starbucks with your, with your son and make 72,000 managing the place or whatever, you know, so it's spread out. It's kind of crazy.

[Jonathan Schrenick]

It's spread out. And also if there are enough people doing it, then everybody's gonna do it. So I think the percentages still might even be the same. It's like, okay, I'm a content creator and there are a thousand people right behind me who are content creators. So which one are we going to go to? We're gonna go to this person.

[Sebastian Maniscalco]

But you're still. There's still. Have you heard of this person or not? You know, like where people go, this guy's the biggest thing on YouTube, you know, and he's a whatever. And I go, what's his name? His name is Guy McDougall. I go, I don't know who that guy is. He's huge. I go, well, how huge can he be? Because nobody here knows who he is. I know the name of the guy was Gopher on the Love Boat. That was huge. You know what I mean? I was 10, I knew that guy's name, but I don't know who this guy is. Oh, he's huge. And I'm like, well then how huge are you?

[Jonathan Schrenick]

They're very.

[Sebastian Maniscalco]

But nobody knows. I get it. Except for we don't know who you are.

[Jonathan Schrenick]

Well, we don't know who they are.

[Sebastian Maniscalco]

Yeah, no, but I mean, that's true. But I also mean we as a sort of collective society, like the Zeitgeist, like, you know, it's like we know who Steve O. Is, you know, even though he may not be an A list or something. Like there's names, you know, John Wayne, Bobbitt, guys like that.

[Jonathan Schrenick]

If a person can have a subscription based thing on YouTube or whatever, if they have 20,000 people who are subscribing to them every month and their subscriptions are $5, they're making $100,000 a month.

[Sebastian Maniscalco]

Right.

[Jonathan Schrenick]

A lot of people are doing that.

[Byron]

Yeah, yeah.

[Jonathan Schrenick]

So it's like a person like dude named Kaiser. Not right. I think he's. They said he makes a quarter of a million dollars a week.

[Sebastian Maniscalco]

Right.

[Jonathan Schrenick]

Something crazy.

[Sebastian Maniscalco]

Yeah.

[Jonathan Schrenick]

I didn't know he was until last year when he did kill a mic. I was like, who was this kid doesn't kill the mic and I watch him. I was like, oh, he's very funny. And he's like, he's very likable. So there are people who are like that. They had these subscription based platforms and people are paying $5 to see their content. They might stream for six to 10 hours a day. It's just crazy to me. But it's job, it's a job. It's like eight. It's like eight hours. Yeah.

[Jason Mayhem Miller]

I just want to know in the 1980s, was somebody eating a chicken fuo going, man, I wish there was a way I could tell everybody how I feel about this.

[Jonathan Schrenick]

Right?

[Sebastian Maniscalco]

I know.

[Jason Mayhem Miller]

And make money on it.

[Jonathan Schrenick]

Right?

[Sebastian Maniscalco]

Yeah. I get angry at all the cooking ones. All the moms, the moms who are like, I'm packing lunch for my 11 year old special needs child. He likes Doritos Zesty Ranch. I'm like, why are we invading this woman's kitchen?

[Jonathan Schrenick]

Yeah. It's such a weird, a weird society. It's a weird place that we're in right now.

[Sebastian Maniscalco]

Yes, it is.

[Jonathan Schrenick]

It's the real world. It's like you remember when the real world first came out. We're really watching these people live life now. We are really watching them live life without writers or anything. It's somebody, like you said, packing an extra pickle because little Johnny wanted an extra pickle. So we're really watching. Oh, that's what Johnny's eating is very unusual.

[Sebastian Maniscalco]

We can find out that little Johnny likes bread and butter pickles better than dill pickles. But we can't. Find me with Jay Leno on the tonight show in 2007. What the fuck is going on with this Internet people? What is going on?

[Jonathan Schrenick]

Dinosaurs.

[Sebastian Maniscalco]

So on the road, Sebastian. And then fingers crossed for season three of yes.

[Jason Mayhem Miller]

Listen, we've been getting great, great response from the second season and we really have a great time doing the show.

[Sebastian Maniscalco]

I was surprised, you guys. I said to my guys, I go, well, find out what they were nominated for because.

[Jason Mayhem Miller]

So we don't get it.

[Sebastian Maniscalco]

No, but you guys are, are really strong in it in the acting department. The writing's really strong. Like, I don't know, is there some snobbery going on?

[Jonathan Schrenick]

No. You know what it is, is like when it came out last season we were in the middle of a strike so we couldn't do any press. We just got thrown on the app, on the Max app, just haphazardly.

[Sebastian Maniscalco]

Right.

[Jonathan Schrenick]

So there's no like, oh, coming soon. Sebastian Maniscalco's new show with Chuck Lorre. You know, we couldn't even go out and talk about it at all. So when people found it last year, they really liked it. This season, it's like through the roof. I mean, our rotten tomatoes, if that means anything. Our reviews have been so, so high that it's damn near higher than any. Like, it's on par with the bear that wins all the. The.

[Sebastian Maniscalco]

Yeah, yeah.

[Jonathan Schrenick]

You know, so, you know, hopefully this season when I know we won a couple of award last year, but it's like this season when people start to watch it, I think we will be able to get on some more award shows because the stuff from last season, we weren't eligible for any of the stuff this for, for season two. Now season two, I think they'll jump.

[Jason Mayhem Miller]

On board if we don't get picked up and I'm making the announcement right here. We don't get picked up for season three, you're gonna find me my own YouTube channel. Critiquing veal cutlets.

[Sebastian Maniscalco]

Well, look, word of mouth, in all the technology and all that we talk about and all the innovation, there's nothing like word of mouth. And like I said, I experienced it firsthand in Casper, Wyoming where I was like literally the guy, my road guy books everything, like literally said to you guy in the opener, sit down. I'm putting this on. You know, just sit here and watch.

[Jonathan Schrenick]

And that's the beauty of streaming too, right? So it's like you don't have to wait Thursday night for it to come on. You can sit back and watch a whole season in a couple. In a few hours.

[Byron]

Right?

[Jonathan Schrenick]

The whole season two. Whole season one and season two is up on max right now. So that's what I really appreciate about the world that we do live in right now.

[Sebastian Maniscalco]

Well, it's on max right now. It's a great show. I expect awards in the future or we're going to have the Cutlet channel on YouTube. Sebastian Omar. Fun. Thanks.

[Jason Mayhem Miller]

Thank you.

[Sebastian Maniscalco]

Come back anytime you like.

[Jason Mayhem Miller]

I appreciate it.

[Sebastian Maniscalco]

All right, quick break. Be right back right after this. Adam and Eve. Yeah, baby. Let's make this Valentine's Day one you will never forget. You've got to take advantage of this brand new deal from Adam and Eve at Adam and Eve. Adam and Eve and Eve.com. ace. This is absolutely the best deal we have ever offered and you deserve the best Valentine's Day ever. And it's coming with Adam and Eve. This is a limited time offer, so get your four sex toys while supplies last. That's right. They're going to run out quick because, you know, we're a passionate nation. Go to Adam and Eve and collect those toys. That's right. While supplies last. That's AdamAndEve.com Ace yeah, let your fingers do a little walking over there. Adamandeve.comace Right.

[Omar Dorsey]

Dawson, take a look at Adamandeve.comace to see what four sex toys will be yours for just $20. Go to Adamandeve.comace it's the only way to get this off.

[Sebastian Maniscalco]

Yeah. BetOnline hey, it's Adam Carolla from the Adam Carolla Show. The biggest betting weekend of the year is finally here, which means more updated odds and props for Super Sunday. BETOnline is the world's most trusted betting platform and your number one source for online betting. We have hundreds of prop bets, MVP odds and exclusive in game live betting. BetOnline is also your ultimate game day companion with the largest selection of odds on everything from the NBA, college basketball, NHL, MMA. BetOnline provides you with all the action whether you're a seasoned fan or a first time better betonline offers you everything and more to enhance your game day experience. Visit the website today and make a game day action bet that makes the games a little more exciting to watch. Let's face it, bet online. The game starts here. Hey, let me tell you about my friends Morgan and Morgan. Well, I'll tell you, I have not been able to go back to my home in Malibu for about three weeks plus as you hear this lot of people suffering. And it's been estimated that the damage so far is about $250 billion. So their claims that insurance companies canceled thousands of homeowners fire policies in the months leading up to the fires. Were those cancellations legal? Morgan and Morgan are going to find out. America's largest injury law firm has helped millions of families in their times of need. Just like now. Yeah, I'd say it's a time of need, especially in their Los Angeles area, wherever you are. And they were there for the PG&E wildfire and now then the Maui fire and now they're here again to help the families that have been affected in the Los Angeles wildfires. So you got a problem affected by the fires, Talk to my friends over at Morgan and Morgan. Right. Dawson.

[Omar Dorsey]

If you're ever injured you can check out Morgan and Morgan. Their fee is free unless they win. For more information go to forthepeople.com adamordial£law£529 from your cell phone. That's f o r the people.com adam or pound law pound 529 from your cell. This is a paid Advertisement Here's a beat from Beat it out with Adam Carolla and Jay Moore.

[Sebastian Maniscalco]

Who are the people? And I've met a million of these people. They're, they're in their 50s, they're in their 60s, have not learned how to shake hands properly. Like turn your. Somebody like turn your hand 90 degrees and go right to left and stuff.

[Jason Mayhem Miller]

Like it's a handshake power move. And then how about this one when it takes the other hand and goes.

[Sebastian Maniscalco]

Yeah, over the top.

[Jason Mayhem Miller]

Get the off me.

[Sebastian Maniscalco]

I agree.

[Omar Dorsey]

Subscribe to Beat it out on [e-mail] substack now back to the Adam Carolla show.

[Sebastian Maniscalco]

All right, ma'am's in studio. We got some news and some other stuff to complain about lined up. But first, Jonathan Schednick, who's the pickle guy, Completely pickled the name of the company. Jonathan comes out, does all our parties, delights everybody. We got a Super bowl party coming out. He's gonna supply the bloody Mary mix. And I don't know if pickles are having a renaissance, Jonathan. And maybe it's the fact that they taste good and they're good for you and they're not low carb and they're keto y and stuff like that, but is that what's going on or is it just coming back? Like gin is coming back? Like things are making. Making the rounds.

[Dawson]

It's like the beer revolution. It's like everybody wants to make their own beer. And some great ones come to the top and some suck. And we've made sure that ours is the best no matter what.

[Sebastian Maniscalco]

And what about the brine? Wait a minute. I'm going to ask this of mayhem. A lot of endurance runners and long distance people drink the pickle brine.

[Byron]

I've heard of this.

[Sebastian Maniscalco]

Have you had trainers tell their fighters to. To, to drink?

[Byron]

I think the science behind it, I always thought of it, I don't know, as some type of a legendary cure or whatever. Like, is it, what is it the alkaline. I don't understand. Tell me about these pickle magic.

[Dawson]

It's the electrolytes that are in the vinegar, and in our case, it's apple cider vinegar. And what it does is apple cider vinegar helps with muscle cramping, dehydration, overall gut health.

[Byron]

Yeah, see, I knew that. Yeah. In the same vein as apple cider vinegar.

[Sebastian Maniscalco]

Ah.

[Byron]

Okay.

[Sebastian Maniscalco]

Okay.

[Byron]

Pickles to get pumped.

[Sebastian Maniscalco]

What's the number one seller in the pickle department for you?

[Dawson]

Right in front of you, the spicy dill and the traditional dill. Those are number one sellers.

[Sebastian Maniscalco]

The. What I have. Did would I have like the cool ranch one or something was there?

[Dawson]

No, that's someone else.

[Sebastian Maniscalco]

No, that's not you guys. So you don't go for the novelty stuff.

[Dawson]

You probably had Mary Mayhem, which, which I gave Jason one.

[Byron]

Yeah, don't worry.

[Dawson]

And we are just. We have 40 different varieties, all available at our farmer's markets locally. And@completely pickled.com you can find everything. You can use code ADAM10 and get 10% off, including shipping, too.

[Sebastian Maniscalco]

Pickles are good for you. And I didn't know when I was a kid there was like dill pickles and I guess bread and butter pickles. I guess like sweet, sweet pickles, which I think my grandmother loved. But man, pickles on a burger are essential. I agree with that. I'm agreeing with me. But they're also good just to keep them in the fridge. And they're crunchy, so you get something out of them that's a little tactile. But also they're good for you, I guess. Is there anything bad for you about a, a pickle but that has. Contains no sugar?

[Dawson]

Well, the only thing that can be bad for you is the salt content. If you're, you know, if you have, if it's, if salt bothers you more against your diet. That's the only thing. Ours are really clean ingredients, no sugar, apple cider vinegar, all handmade. Our. Our goal is we're as good as our last batch and so we make 40 different products every week.

[Sebastian Maniscalco]

How long does it take to make a dill style deli pickle? From the time you get it as a young cucumber to the time it's on the plate being handed to somebody.

[Dawson]

For us, it's four days.

[Sebastian Maniscalco]

Oh, wow, four days.

[Byron]

Quick turnover.

[Sebastian Maniscalco]

And is there a pickle cucumber or. I mean, obviously you don't make the huge ones that you get at the store, right?

[Dawson]

Those are, are, those are soft and mushy. You have to use what's called a Kirby cucumber, which has a thick skin and it is really hard to get. You have to know a really good produce person, which I do, and they've been taking care of me for years. And it's all about building relationship relationships in the industry with all the people that you use for the bottles. All the things that I do are all. We've been doing it for 10 years, the same people.

[Sebastian Maniscalco]

And when did the Bloody Mary mix start to come into the picture?

[Dawson]

When I needed a good Bloody Mary mix that was vegan. And I like the taste of pickles and I like a little spice and I like real horseradish. And that's what we use when is.

[Sebastian Maniscalco]

Oh, are you vegan?

[Dawson]

I call myself flexitarian.

[Sebastian Maniscalco]

I'm that way sexually.

[Byron]

Yeah. Yeah, me too.

[Sebastian Maniscalco]

And. And is there what is non vegan? Okay, I just wanna say this about people and stuff. Don't get the shitty syrupy red dye number seven anything, you know what I mean? Like, just get the good stuff. It's out there. You can find it. But I did not know that regular Bloody Mary mix was not vegan. Oftentimes it's the Worcestershire.

[Dawson]

Worcestershire is made with anchovy paste. And that's why.

[Sebastian Maniscalco]

Oh, you could sit me down for one years ago, explain to me why this Bloody mary mix from Mrs. T's or whatever it is isn't. And I would never guess Worcestershire, but it's made from anchovy paste. Right. And what do you guys make yours from?

[Dawson]

It's a vegan Worcestershire that has molasses and soy sauce and, like, savory herbs as its, like, base. And it's all natural. And it's also. We use all natural horseradish. And a lot of Bloody Mary mixes have myosodium glutinate in it, which obviously we do not use. And we hand make it. We're mixing it by hand.

[Sebastian Maniscalco]

It's really good. But you gotta watch out because especially if you get the zesty stuff, it'll kill the vodka flavor.

[Dawson]

You need to use Jameson.

[Sebastian Maniscalco]

Oh, you can.

[Dawson]

Or ours. Yeah.

[Sebastian Maniscalco]

Oh, yeah. Really? You can make Bloody Mary with Jameson?

[Dawson]

Yeah, it's called a Bloody Molly and it is made. If you've ever done a pickleback before, that's what. That's what Jameson's famous for, is having pickleback. So that flavor of Jameson along with flavors of pickles really go together.

[Sebastian Maniscalco]

Oh, so Jameson is favorite. Famous for a shot at Jameson and a shot of pickle Brian. Pickleback. I thought that was a Nickelback cover band.

[Jason Mayhem Miller]

No.

[Sebastian Maniscalco]

Okay. It would be funny.

[Byron]

It would be.

[Sebastian Maniscalco]

Oh, so Jameson historically. Shot at Jameson, shot at pickle brine. And that's what, back in the day, like we're going back 200 years or something?

[Dawson]

I don't think so. I think it's a new thing.

[Sebastian Maniscalco]

Oh, it's a new thing. Go ahead and then. So you guys do. When you do a Bloody Mary, you'll do it with whiskey versus vodka.

[Dawson]

I prefer whiskey. I also prefer a mezcal.

[Sebastian Maniscalco]

Oh, really?

[Dawson]

Yes.

[Sebastian Maniscalco]

So a Tequila, I guess it's a type of tequila. Oh, that's interesting.

[Dawson]

Bloody Maria.

[Sebastian Maniscalco]

Bloody Maria. I never, I never thought of doing a Bloody Mary with anything other than vodka, but I guess that sounds good. But the point. I'll try. I shall. The point is when you do a something in soda, you taste. I mean soda, I don't mean Coca Cola. I just mean your favorite vodka, soda, lemon.

[Dawson]

That's your big.

[Sebastian Maniscalco]

That's your thing, right? When you do that, you will taste the vodka. When you mix it with the Bloody Mary mix, it goes away. So it's easy to over serve, serve yourself is what I'm saying.

[Dawson]

You'll taste the Jameson.

[Sebastian Maniscalco]

Oh, you will?

[Dawson]

Yeah, it's great. You'll see.

[Sebastian Maniscalco]

Well, now I want to. Now I'm intrigued so I want to try that. Where are we in terms of pickles and Renaissance? Like it seemed to me that back in the day they would have. Bars would have big jars of pickles just on the top along with pickled eggs. The funny thing is people just roll their sleeve up and reach into the brine and grab the egg and eat it. And next guy, these guys were coal miners, you know. And then they kind of went away for a while and then Clausen's kind of came around and they had a stork that was really one of the Marx brothers. It was Groucho Marx. I don't know how that works work. They probably cleared it, but now are they back? I just feel like I'm seeing them and hearing about them more.

[Byron]

Are we at a pickle peak?

[Dawson]

First of all, we're at the pickle. It's going up. It's not the peak yet.

[Byron]

No pickle plateau.

[Dawson]

We expect hopefully in the next couple years a pickle fest here in la.

[Byron]

Pickles are gonna pick up, up.

[Sebastian Maniscalco]

They're gonna.

[Dawson]

There's at least eight to 10 pickle fests all over the United States that are like world famous or United States famous. One in North Carolina and one in Baltimore seem to be the, the biggest ones. And people love it. I mean it's a big thing. I mean there's a pickle reviewer out there, that's all he does is review pickles and he's got like a million followers on TikTok.

[Byron]

Man, I hate to derail all his pickle talk, but who the hell invented pickle pickles? Like where do they come from? They're ubiquitous pickles in like every culture. Why?

[Jonathan Schrenick]

How?

[Sebastian Maniscalco]

What happened it.

[Dawson]

A pickling is to extend the life of a vegetable. So when you're you know, picking all your vegetables because your farm's gonna. It's the winner. You gotta put your vegetables somewhere. So that's where the pickling came so that all those farm vegetables can be saved for during the winter.

[Byron]

Ain't your man just got clever. You're saying Pickles been with us since we started speaking.

[Sebastian Maniscalco]

Yeah, because now they didn't have refrigeration back then.

[Dawson]

No, they did the old fashioned way.

[Sebastian Maniscalco]

But the brine would save it. Because if you think about it, a cucumber is good for about four days and then it starts to decline pretty hard. How long would the pickles last in the brine back in the day?

[Dawson]

Well, they put a ton of salt in it. And also their stomachs were a little better to handle some of the food that they were eating compared to our wimpy stomachs now.

[Byron]

Yes, speak for yourself, bud. Got a stomach of steel. I got pickles in my refrigerator from 1987.

[Sebastian Maniscalco]

Yeah, they didn't have all the gluten allergies and all the bullshit. It's all made up, by the way. Everyone's a head case. Exactly. All right, Jonathan, let me give you a plug. New book. The Pickled dude is out as we speak. And also the website, completely pickled dot com. Look, I've had the product. It's great. And the bloody Mary mix is pretty over the top too.

[Dawson]

It's award winning. So. Yes.

[Sebastian Maniscalco]

And I would tell everyone, you know, don't skimp on the mixers, man. I mean, people get this weird, you know, mixers, and it's all corn syrup and yellow dye and stuff like, don't get the junk. Get. Get the good stuff, man. You deserve it. And you're already spending on the booze. Like, you go, all right, I want to get some good boo. I'm going to get good liquor in here. You know, you're spending an extra two bucks and get the good stuff so people can go to completely pickled dot com. Exactly. All right.

[Dawson]

Yes.

[Sebastian Maniscalco]

Thank you, my friend.

[Dawson]

Thank you. Love you guys.

[Sebastian Maniscalco]

Love you.

[Byron]

Love the merry man. Pickles.

[Sebastian Maniscalco]

All right, let's take a quick break. Break, Come back. We got news right after this. Well, you want to start a business, your own business, a small business, and grow it this year. Let's do this. And now's the best time to start. Shopify is going to help you. I started a business and I used Shopify and I'm glad I did. Shopify makes it simple to create your brand, open for business and get your first sale, get your store up and running. It's easy. And they've got thousands of customizable templates that can help you with all the details like shipping, taxes, payments from one single dashboard, allowing you to focus on the important stuff like growing your business because you want to be freed up to grow your business, not burdened with the nickel and dime stuff. Stuff. Let Shopify help you with that. With Shopify, your first sale is closer than you think. It's Shopify, right?

[Omar Dorsey]

Dawson, established in 2025. Has a nice ring to it, doesn't it? Sign up for your $1 per month trial period at shopify.com Corolla all lowercase go to shopify.com Corolla to start selling with Shopify today. Shopify.com Corolla Pluto TV is the place.

[Sebastian Maniscalco]

For movie fans like me, O'Reilly, O'Reilly Auto Parts. Yep, you know the jingle well. They're in the business of keeping you on the road. Oh, oh, oh. O'Reilly. O'Reilly Auto Parts offers friendly, helpful service and the parts and knowledge you need for your maintenance and repairs. I've been with these guys for a million years. Long before I was on the radio or writing books or anything, I used to go to O'Reilly up on Foothill. Still there. I rented a house in La Crescenta, fix my Zuzu Trooper and my, my Supra, my Toyota Supra. Look, whether you're a car aficionado or an auto novice, you will find the employees at O'Reilly. Well, they're knowledgeable, they're helpful, they're friendly and they're easy to deal with. So it is O'Reilly Auto Parts. If you're like me, like Turner Wrench, you got to use O'Reilly Auto Parts in store online. You can stop by O'Reilly Auto Parts and do it today or Visit us online. O'reillyauto.com Adam that's o'reillyauto.com Adam and TV fans like me.

[Jason Mayhem Miller]

They've got something for everyone and it's totally free.

[Adam Carolla]

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[Sebastian Maniscalco]

Like Frasier and re watch cult classics like Higher Learning.

[Adam Carolla]

Whether you're in the mood to solve a little crime before bedtime with NCIS or Tracker or curl up with a.

[Sebastian Maniscalco]

Surefire hit like Forrest Gump Run.

[Adam Carolla]

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[Jason Mayhem Miller]

Pluto TV Stream now, pay Never.

[Omar Dorsey]

And now Alcoa presents Definitely Not a Jew on the Adam Carolla show. Dateline San Antonio, Texas. A 19 year old woman named Genesis was awarded $2.8 million in a lawsuit against a restaurant after she got second degree burns from barbecue sauce. Definitely not a Jew.

[Sebastian Maniscalco]

All right. Mayhem's got news. I have some things I wanted to get into myself.

[Byron]

All right.

[Sebastian Maniscalco]

It's tough. Mayhem.

[Byron]

Yeah. Yeah.

[Sebastian Maniscalco]

And I don't know, you may have experienced this yourself, but my wiring is like, you're fine. Get up, get going. Rub some dirt on it, whatever. That's how I grew up. Grew up playing football. I just was always like, get up, go. You're fine. Right? And so I'd have situations. Like the first time I got wrist surgery, I was driving a BMW M3 at the time, and it was a five speed. And I had this big, big cast on my right hand, you know, and people were like, well, you're gonna have to have a ride service or get an automatic or something like that. And I said, I can handle it.

[Byron]

Stand up and grip with your pinky.

[Sebastian Maniscalco]

And I drove the whole time. I had this cast on my arm. It was fine. I steered with my left. I kind of shoved it in fine. And then one other time, I got arthroscopic surgery. And they were like, oh, I had it lined up for about three or four days before this car race I was doing. And they're like, you're not going to be able to do the car race. And I was like, I'll do it. It. Because I got arthroscopic surgery on my right knee a million years ago, and I got into the biggest street fight of my life, and I still had stitches in my knee. As a matter of fact, the whole reason I got in a fight, because I said to the guy, my knee's fucked. I just had surgery on my knee. And he went, I'm going to break your other knee, bro. And I went, oh, now we're getting it on, man.

[Byron]

You were hanging out at the bars. I used to hang out.

[Sebastian Maniscalco]

This is someone's house.

[Byron]

But, yeah, even better, right?

[Sebastian Maniscalco]

So I said, now we're gonna do it. So I did a lot of shit with a fucked up knee and a fucked up hand and surgery. And I was always that way. And I remember when I was doing Kevin and Bean and me and Jimmy were on, their producer was Frank Murphy. Nice enough guy, little quirky. He lived about three miles from the studio, and he had to get surgery on his arm, like a wrist thing, like what I had, or his arm was in a cast or something like that. And I remember he would explain to it, now, this is morning radio. And you had to be there at 4:45, maybe 5:00am every day. If you were the producer of the show. Because the show started right at 6am.

[Byron]

This is Kevin and Bean you're talking about.

[Sebastian Maniscalco]

Kevin and Bean. And if you showed up at 5:45, you were late, man. I mean, you need to be there prepping. So Frank got up at probably 4:15 every morning. And he made his poor wife drive him into work every day. And me and Jimmy were like, you drive an automatic. Just put the fucking thing and drive and drive yourself. Waking your wife up at four in the morning to drive you three miles and then go back home. Oh, we made fun of him so much that he. He went nuts on us. He went nuts on Jimmy. But I was just like, fuck that. So a problem I've always had is me telling people, yeah, don't worry about it. You're fine. Here we go. You know, and then going, I'm injured. I can't. The doctor said. You know, the doctor said. The fucking doctor said. Well, first off, what did the doctor say about COVID Doctor's not right a lot of the time. Secondly, doctors are always like, max protection for lawsuits and lawyers and liabilities. So if a doctor says, if you need two days bed rest, your doctor just goes, take a week in bed. Cause they don't care what you're missing. And they're just covering their ass. Right.

[Byron]

So are you grievously injured right now?

[Sebastian Maniscalco]

I'm fine. I'm always fine. But my. Okay, I have a friend. I won't say his name very well. He has a wife. I like her too.

[Byron]

Don't say her name.

[Sebastian Maniscalco]

No. She had arthroscopic knee surgery.

[Byron]

Yes.

[Sebastian Maniscalco]

Now, remember, I've had this surgery twice, and you're good to go. Next day, pretty much.

[Byron]

I'm clocking in at 5.

[Sebastian Maniscalco]

You're at 5. Yeah, yeah, yeah. You're good.

[Byron]

I'm fine.

[Sebastian Maniscalco]

You can drive it around.

[Byron]

Hopping around. Yeah. I walked into the house after double ACL surgery.

[Sebastian Maniscalco]

Right. That's my point. All right, so this guy is a huge Costner Horizon movie fan. Says he watched the first one, like five times. And I said, well, good news. I go, costner has invited me up to Santa Barbara to watch the second installment of Horizon. And he's like, oh, my God. Cause that's not playing anywhere. He's just showing it. It's gonna come to Santa Barbara, hang out with Costner and watch. He's like, oh, I gotta get in on that. I gotta get in on that. I said, I'll get you in on that. So coming up this weekend, I'M going up there. And so I call him today. I go, oh, coming to Santa Barbara, hanging with Costner. He's like, oh, wife had the arthroscopic surgery. I go, well, when did she have it? Monday. I said, well, the thing's not till the weekend. Yeah, she can't drive. I said, it's automatic, right? Yeah. I said, she can't drive, huh? No. And he goes, it's her left leg. I go on an automatic. Yeah, you don't. I was in Florida two days ago, I saw something I don't see often in California. Dude driving with the left foot out the window, the bare fucking foot out the window. Because you don't need it if you're driving an automatic. It's just right gas, right brake.

[Byron]

I was just airing out my foot bud.

[Sebastian Maniscalco]

Yeah. So I said she can't drive the automatic when this guy can't drive with her good legs.

[Byron]

They're not coming together.

[Sebastian Maniscalco]

Well, no, because the doctor's like, hey, two weeks off. And women listen to doctors because they don't know that they're all, it's all about liability, it's all about insurance, it's all about attorneys. And so they go, take the max. Like I've said many times, I've argued with women about this in the past. They'll go like, you know, no eating any liquids or solids after 10:00pm yeah, right. I go, okay, what time's the surgery? 8:00am the next morning. All right, okay, fine. Next time there's a procedure, no liquids or solids after 10pm I go, what time's the surgery? 1pm I go, well that's not 8 in the morning. See what I'm saying here? You said not. Yeah, he says not after 10. Yeah, not after 10 for 8am and not after 10 for 1pm procedure. According to my math, I can eat shit until 3:30 in the morning. No, it says not after 10. And I don't realize it's one big lawyer and one big blanket statement and one big you stay off that lake for two weeks. No driving a car. And it's like. Yeah, but they don't realize is you got a husband who can't go anywhere, do anything now cuz he's got to drive you around the whole time.

[Byron]

He's like taking care of his old lady. That's his why he's not showing up to once in a lifetime journey.

[Sebastian Maniscalco]

Yeah, she is stuck. Stuck and couldn't go anywhere. Would be trapped in the house. Yes, she can't drive herself.

[Byron]

But this is the day of Uber eats. This is the day of postmates. This is the day she can be waited on hand and foot by somebody else, no problem.

[Sebastian Maniscalco]

Well, speaking of foot, you don't use your left foot, you just use your right foot. So what? But see, here's what I'm saying. Doctors do this fucking bullshit where they go, just stay off for a month, you know, and every woman I know goes, that's what the doctor said. And I go, they're just fucking rounding up on everything. You're fucking fine. Look it up. Byron, you know what I told her? I told her Steve McQueen entered the 12 Hours of Sebring race in like 1969 and came in second with a fucking cast on his foot. And then that car is a clutch. You gotta use your left foot. You can look it up. The point is, listen, doctor, stop being such pussies. We just got destroyed with COVID with all your fucking proclamations and or women, stop listening to these guys. Every woman I've ever been with, I just go, listen, you're fine. You don't need to do that. I can handle that. The doctor said. Yeah, the doctor is going to do the maximum safety protection.

[Byron]

Covering his ass.

[Sebastian Maniscalco]

He's going to cover his ass. It's going to be the longest period of time. This is a Picture of Steve McQueen at the 12 Hours of Sebring from 1968 with a full cast on his left foot. That's his clutch foot. Drove a 12 hour race. Archie Manning played an entire season with a forearm cast on. It can be done.

[Byron]

Yeah, okay. It's like silly to me. Like it's martial arts background.

[Sebastian Maniscalco]

Oh, my God.

[Byron]

If I didn't go into injured, then that means I didn't train.

[Sebastian Maniscalco]

You never went in.

[Byron]

Yeah, exactly.

[Sebastian Maniscalco]

All right. We have something I wanted to play, which I thought was funny.

[Byron]

All right.

[Sebastian Maniscalco]

Which is the DNC has a rule about binary and there's regulations and. Well, here's what it is. The woke have now been bitten by their own snake. They've created so many rules and regulations that they can't keep up with them. And it kind of reminds me when that pussy Justin Trudeau was up there. There's a funny clip of him going, and I want you to know that I honor the LGBTQ stp, the lgp. He's so fucking woke. But he forgot once he got to the 11th letter, he forgot because there's so many fucking letters on there of idiots. We have to. Honestly, I don't know. And this guy gets up at the dnc. I don't Know, do we have. I don't know if we have a signal on the top of our monitor here, but. Oh, so can we play it on the bottom monitor? Anyway, the guy gets up at the DNC and he's explaining. Oh, he's explaining that they only picked two genders, but they didn't pick a non gender. And according to the non gender. Okay, you guys, first off, tell me if this makes sense to you or you even understand what your marching orders are. By the way, there's theirs and Zim and their and her and Z and she and his and Z and they and them and Zim.

[Byron]

I'm confused.

[Sebastian Maniscalco]

And they. By the way, these are words that some fuckstick made up 10 minutes ago to confuse you, old man. These words don't. They don't mean anything and they don't exist. So never memorize them because they made them up. But anyway. All right, he'll give this speech. It's funny. But we'll do it with the sound for a change, I think. No, I don't have the sound. Well, Dawson's not here today.

[Jonathan Schrenick]

Tech issues.

[Sebastian Maniscalco]

Yeah, I'm sorry, there's no sound. Well, normally when we play stuff it doesn't have sound, but that's because of us.

[Byron]

Male nor female remaining, we must elect one. Rules specify when we have a gender non binary candidate or officer, the 9 non binary individual is counted as neither male nor female. And the remaining, the six officers must be gender balanced. With the results of the previous four elections, our elected officers are currently two male and two female. In order to be gender balanced, we must elect one male and female and one person of any gender.

[Sebastian Maniscalco]

All right, so pause there for a second. So right now there's two male and two female, but they're not gender balanced.

[Byron]

How is that not balanced?

[Sebastian Maniscalco]

I don't know how much more balanced it can get.

[Byron]

The problem is, yeah, the woke thing is going like. Like everybody has to be individualized. And since some people don't fit perfectly into male or female now they've like split hairs to the point where it's Z, Zim, zam Zim with the X xa.

[Sebastian Maniscalco]

Like right now, if you could hear this guy and we'll figure our sound out. I think if you could hear this guy, he would make no sense at all because I don't know what he's missing. Nice. All right, so we can't get sound out of this guy because it's a technical thing or because there's some button that's not flipped that we don't Know about.

[Byron]

Flip that switch.

[Sebastian Maniscalco]

That's.

[Byron]

You got it, bud.

[Dawson]

I'm figuring it out. There was. It's a working product. I'm doing my best here.

[Sebastian Maniscalco]

Oh, water spilled on the cord. Oh, okay. All right. Anyway, we'll continue. This guy playing. So again, this is the vice chair race. We have to elect one female and one person of any gender to ensure our process accounts for non binary candidate. We conferred with our lbt. Now he's talking too fast. They had to confer with their LBBT rules specific. I knew we got it back.

[Byron]

Got it.

[Sebastian Maniscalco]

Well, maybe not now.

[Byron]

You had it, bud. And then rewind this thing. This is very interesting.

[Sebastian Maniscalco]

I find it fascinating because he's confused himself is basically what it is. And like I said, Dawson's not here today, so we're having some technical difficulties. Well, get on with your story and then we'll see if we can play this now.

[Byron]

I think we got it.

[Sebastian Maniscalco]

Here we go.

[H]

Meets the gender balance requirements in our rules. To do this, our process will be slightly different than the one outlined to you earlier this week. But I hope you will see that in practice it is simple and transparent. The order of balloting is designed to ensure equal access to the ballot regardless of gender identity. As we must elect a candidate of any gender as well as one male and one female vice chair, we will first ask members to elect a candidate of any gender on the first ballot. Any candidate, male, female and non binary, can be elected on that ballot. After a candidate is elected on the first ballot, we'll have one officer of the three, so we will not. So then we will know which position is filled of the one male, one female, and one vice chair of any gender. Our second ballot would also be for a candidate of any gender. Then our third ballot will be the third position that is remaining. Based on the two results. Either a male candidate if a candidate that is not male has not been elected, or a female candidate if a female has not been elected.

[Byron]

What?

[Sebastian Maniscalco]

I have no fucking idea what he's saying. Let me just explain something. Ten minutes ago you had Joe Biden, who doesn't give a shit about black people and or women. The guy's never even met his biological granddaughter, for fuck's sake. You think he cares about women? He doesn't give a shit about black people or women. He decided that he needed a black female vice president. You then took someone who's incompetent and put her into that position. And then when the old man that you lied about ended up having dementia, he fell off and then you guys were stuck with an incompetent black woman, and you couldn't get rid of her because you can't get rid of a woman of color and replace him with a heterosexual white male. So then she ran for president, nobody fucking liked her, and she lost the election. So keep going, retards. Keep fucking hobbling yourself.

[Byron]

Stand in the corner and paint and paint and paint.

[Sebastian Maniscalco]

All right, what do you got, man?

[Byron]

I'm gonna just keep you hot right now. President Trump says he plans to investigate California's high speed rail project President Donald Trump is putting California high speed rail project in his crosshairs, promising a full investigation into what he calls a colossal waste of taxpayer money. I have a feeling you have feelings about this.

[Sebastian Maniscalco]

Well, let's just try to put it in the realm of a home, you know what I mean? And you go, okay, we need to maintain and repair and what have you with this home, you know, and maybe you'd like to sell the home and you want to fix it up, you want to put a little money into it, then you want to sell it, you know, so you go, our budget is $25,000. You know, what can we do with this $25,000? And someone goes, well, you could take the kitchen and you could re skin the cabinets. You couldn't buy a whole new cabinet set and read whole new kitchen, but you could do countertops and refurbish the cabinets. And you go, okay. And then you go, you know, for four grand, you put some sod down and do the front lawn, some landscape and get some curb appeal going. And then you probably get the place painted, the fascia and whatnot, for another six grand or something. And then someone went, no, I'll tell you what I want to do. I want to buy a $30,000 toy and put it in the basement, you know, and you go, I don't think that's going to help with what we want. We need to get the H VAC system working right. You know, this person needs to come in and see that the hot and the cold water's working good and that the air condition's working well and that the front lawn has some curb appeal. And they go, I want my golden toilet. And you go, but no one even goes to that bathroom in the basement. And by the way, who cares if the toilet's golden? You know, we just get a standard toilet for 120 bucks. We'll put that down there. I want a golden toilet. And so what I'm saying is, with that analogy, we don't need a train from Bakersfield to Merced, but we do need an aqueduct, and we do need a way to collect and capture rainwater. And we do need fire hydrants that are ready to go when a fire breaks out. And we do need enough staff so that. All right, I don't know what's going on in the next room, but don't bring water. Don't bring water in there. The point is, is we do need enough firefighters for the next one. And, oh, maybe a couple of those airplanes that drop the fire retardant material or a helicopter. We wouldn't have to lease them from Canada. We could own those ourselves. How about a couple. How about we spend the money on shit we might use? Or we'll just build the school.

[Byron]

You're making too much sense.

[Sebastian Maniscalco]

Right, yeah, now. But instead we have a train that no one will ever get on.

[Byron]

Well. Well, hold your horses. Gavin Newsom has defended the project, saying that progress is being made. Rail officials are focused on completing the Merced to Bakersfield route with a target operational date between 2030 and 2033.

[Sebastian Maniscalco]

So strap on your boots, get ready.

[Byron]

Start packing your bags now, because 2030, you're going to be able to go from Merced right to Bakersfield.

[Sebastian Maniscalco]

Okay? That's their target date. Their target budget is over by $80 billion. Their target doesn't mean shit to me. They ain't William Tell, They're William Tell. A lie. That's.

[Byron]

You want to be mad?

[Jonathan Schrenick]

I was.

[Byron]

You know, I fought in Japan for a long time. I saw the them start a freeway exit, like a freeway run, like a ramp. I saw them. And within the week the asphalt was down. I saw them started.

[Sebastian Maniscalco]

Yeah.

[Byron]

And I thought it was a waste of state. There's a guy standing there with a st. Like a sign, do not go in here all day. Just standing still in a nice uniform. I was like, wow, what a waste of time. And then by the end of the week, they had that on ramp completed.

[Sebastian Maniscalco]

Yeah. So their target date doesn't mean jack squat to anybody. And it doesn't matter what their target date is. No one's going from Bakersfield to Merced or Merced to Bakersfield. It's insane. Trump is right. These fuckers do nothing but waste money. And the fact that they fight so hard for the money that they waste is insane. They waste our money.

[Byron]

Yeah. Trump's quote is, that train that's being built between Los Angeles and San Francisco is the worst managed project I think I've ever seen.

[Sebastian Maniscalco]

Of course, it's California, we don't manage anything correctly.

[Byron]

Yeah, I don't know how we're gonna change things, but.

[Sebastian Maniscalco]

Yeah, I'll tell you how we're gonna change things, all right? Trump and. Or the crew, you know, Elon Musk and his minions and. And Pete Hegseth and all these guys, they're going to come in, they're going to fucking kick ass, and then even the dumbest people are going to go, kind of want that. You know what I mean? Like right now, we don't like the coach because he's mean, and we don't like the coach because he's not a player's coach. We don't like the coach because he yells at the players and stuff like that. We'll win a couple of Super Bowls, and then people like that coach. That's how it's going to be. We'll get something done, and then the. They'll go for it.

[Byron]

All right, well, in that same vein, here we go. He's wrecking stuff already. White House preparing executive order to abolish the Education Department.

[Sebastian Maniscalco]

Yes. Yeah, they act like we need the education. It should be state and local. And when we made it to 1979 without a department of education, I made it to my first year in high school. I went all the way through grade school and junior high with no department of education. Everything is fine. We don't need it.

[Byron]

You mean the state of California educated you?

[Sebastian Maniscalco]

That's right. We did not need the federal government involved. And they always do. They do the same. They do the same fucking thing over and over again. Doom and gloom. Trump said, we're gonna move the embassy in Israel from Tel Aviv to I don't know where. Or from here to there. There. And where is it? Jerusalem. From Tel Aviv to Jerusalem. Right. Or Jerusalem to Tel Aviv. Whatever. That's why I said Tel Aviv to Jerusalem. Why are you giving me the fucking head shake? Tel Aviv to Jerusalem. Yes. All right, shut up. Just not then when I'm right. Don't redo your Andrew, don't redo your hand thing. If I'm right, just go, yeah. Tel Aviv to Jerusalem. And then you go with your hand. You go, huh? Here to here. Well, that. Tel Aviv to Jerusalem. Yes. Thumb up.

[Byron]

We're gonna have the kinks.

[Sebastian Maniscalco]

Yes. Tel Aviv, Jerusalem. Correct. Correct. Thumbs up. Okay. So they said the Middle east was gonna catch on fire if he did that. And then he did it, and nothing happened. And nothing ever happens because they say everything's gonna catch on fire. Get rid of this fucking system. Get School choice and let's get some kids educated. We were number one in education before they took over, and now we're, I don't know, in the teens or the twenties or something. So they do nothing except for fucking funnel money to their crony school teachers unions, which, by the way, we just got all. Just got butt fucked during COVID because of the teachers unions. So fucking cry me a river. Get rid of all of it.

[Byron]

The proposed executive order would initiate a two step process. First, directing the department to develop a plan to wind down its operations, and second, identifying the legislative actions required to transfer its functions to other agencies or return them to the states. However, it is important to note that the complete abolition of the department cannot be achieved solely through executive action. Congressional approval is necessary to fully dissolve a federal agency.

[Sebastian Maniscalco]

Right, and all the people that fight all this stuff are not fighting for the kids or they're not fighting for whomever they're fighting so that people who fucking barely work and keep getting paid and then vote for them. Well, fuck that. It's our tax money.

[Byron]

Yeah. I took a teacher for a role in the HAY back in the day, and she really super into getting her tenure. It was like this weird thing and she.

[Sebastian Maniscalco]

Were you a student?

[Byron]

No.

[Sebastian Maniscalco]

Okay.

[Byron]

Well, yeah. I mean, these days.

[Sebastian Maniscalco]

Now, look, there are people that don't want to work, and they're essentially communist. Like they've dropped out of the competitive free market system and they just want. Guaranteed.

[Byron]

But you're like 28.

[Sebastian Maniscalco]

That's all they want. They want the government to take care of them, so fuck them. Listen, okay, Remember when Elon. And you can look this up. But Elon showed up at Twitter, right?

[Byron]

With the sink.

[Sebastian Maniscalco]

Let this sink.

[Byron]

Let that sink in.

[Sebastian Maniscalco]

Elon showed up at Twitter, all right? I don't know what's wrong with her.

[Byron]

I don't know what's going on. It's wild today. Everything's falling apart. It's like Groundhog Day. What's going on?

[Sebastian Maniscalco]

When we were talking yesterday and I said these things had to be done before the show because they only had they expired at a certain point. Do we have that conversation? Did we do that? No.

[Byron]

Having some growing pains on the show over here. We got it, Ace. We're gonna get it. Tomorrow's another day.

[Sebastian Maniscalco]

We got you and Dr. Drew. We got me and Dr. Drew up on this one. All right. Doesn't matter. The point is this. The point is this. Elon went to Twitter, right? Elon fired 75% of the staff.

[Byron]

Yeah.

[Sebastian Maniscalco]

Is Twitter gone?

[Byron]

No. I know yeah.

[Sebastian Maniscalco]

So he just went in and he just cleaned house, and then that was that.

[Byron]

It's a big hubbub. And everybody complained.

[Sebastian Maniscalco]

Yeah, Elon can do the same thing for our federal government. Just come in, clean house, and that'll be that. Yeah.

[Byron]

Yeah. Well, let's see what happens with that. We'll keep updated with that. Quickly. The George Mass. Mason. Excuse me. George Mason University students win lawsuit after criticizing proposal to add tampons to men's restroom. Yeah. The George Mason University students have won a major free speech battle after a judge ruled in their favor in a lawsuit sparked by their criticism of a campus proposal to install tampons in men's restrooms. Yeah. The controversy began when two students voiced their opposition through social media and private student forums. The strange thing that happened was the university responded by issuing no contact orders against the two students, barring them for interacting with other students without explanation or warning. So they just suddenly got them, like a do not contact order signed by a judge to not talk to other students. The students argued that the orders were used to silence their viewpoint, prompting the lawsuit. The settlement awarded 1500. Or, excuse me, 15,000 in damages to the students and covered their attorney's fees.

[Sebastian Maniscalco]

Yeah, good. Well, look, we're gonna have to sue everybody because they got nuts and they went over their skis and they started pressing people and stripping away their rights. And now we have to go in and fucking clean house.

[Byron]

Yeah.

[Sebastian Maniscalco]

Which is weird and sad. And I think people look at it, and they look at it as that way with what Trump's trying to do with the FBI, and they're like, this is un American. It's like, no, what they did is un American. And now we have to clean it up. You stripping away people's rights and canceling people and pulling people off the Internet or shadow banning people because they disagree with your narrative about COVID or the transgender. That's the un American part. Now we gotta go back and fix. Could have been avoided. But you guys had to go and do all this shit. They didn't have to do it. They could have just stood by. Free speech.

[Byron]

Free speech is speech that you don't like and you have to listen to. So it's weird that it's going both ways.

[Sebastian Maniscalco]

Yeah. Any speech, you don't get to decide because these assholes, they did the same thing. They go, I'm all for free speech, but you understand this disinformation they're talking about? Well. Well, that's your version of what's disinformation. Because I Got a different version of mis and disinformation in my world. I agree with this guy and don't agree with you. This notion that they get to be the proprietors of who decides what is mis and disinformation is scary. And especially when you guys are wrong about everything and land in the same place every time.

[Byron]

Isn't the proprietors the people who have the power? If you have a platform like, I know Elon can squish out stuff he doesn't like. Mark Zuckerberg did the same thing when it was advantageous to him. To me, that's what it seems like. It seems like once you have the platform, you can squish out what you don't like, even if you're wrong about it.

[Sebastian Maniscalco]

Well, to me, here's the insidious part. We just went through a pandemic. The government decided on a narrative that they liked. I didn't like it and I disagreed with it, and so did Dr. Drew and so did millions of others. But they had a narrative they liked. And they put pressures on all these platforms and Internet platforms to tell the story they wanted to tell and squeeze out the other voices that were raising concerns about their voices. And that's the un American part to me. And also we just went through this. They lied and lied and lied and they weren't. They weren't making mistakes. They were lying all the way through Covid. They fucking lied.

[Byron]

You fired up about.

[Sebastian Maniscalco]

I'm not going to listen to them about anything anymore. Now that's. But that's up to see, my relationship with them is no different than my relationship with an individual. If you're going to keep lying to me, then pardon me, I'm not going to believe you the next time you have something. If you would not to not lie to me or, and, or say things like, I don't know, I'm open to it, we gotta find out, but I'm not an expert at it. Whatever. You don't lie, then we'll have that kind of relationship. But right now we have a relationship where you guys lied the whole time. And now there's another group in power and they want to go after the ones who lied. And then they go, that's un American. Which I find fascinating.

[Byron]

Hey, let's get off of that. Let's get into some fun stuff. Because first of all, the US Navy unveils a photo of a warship firing high powered laser weapon. This is getting me hot and bothered. Look at that laser. Beautiful laser. The rave scenes got nothing on this laser. And the state of the art laser developed by Lockheed Martin. Buy some stock. Is designed to disable enemy drones, boats, and even incoming missiles by using concentrated energy to burn or destroy its targets. Unlike conventional weapons, Helios, that's an acronym. Offers precision targeting with virtually unlimited use as long as power is available. Making it a game changer for modern warfare. Man, that gets me all salty.

[Sebastian Maniscalco]

What do you think the range is?

[Byron]

You know, it doesn't say in this. I guess they're keeping that so you're.

[Sebastian Maniscalco]

Shooting it at incoming missiles.

[Byron]

Missiles, drones. I guess they're just torching things right out of the sky.

[Sebastian Maniscalco]

Yeah, it's the next, you know, iteration.

[Byron]

Yeah.

[Sebastian Maniscalco]

Past the phalanx gun, which is crazy, but.

[Byron]

Oh, when it's just a wall of lead at you. Yeah, yeah, That's a great one.

[Sebastian Maniscalco]

Well, it's a wall of probably depleted uranium, but even better, let's not get so specific here. But spent uranium, as they call it, a hard, harder metal.

[Byron]

Doesn't uranium decay into lead at some point? Believe so.

[Sebastian Maniscalco]

This is a good question that I do not know. I know that lead is relatively soft and depleted uranium is like the hardest substance in the world. So if you're trying to shred something that has armor plating on it, you'd want to do it with depleted uranium versus lead, which is sort of mushy. Uranium does decay into lead through a series of radioactive decay steps. Oh, so it doesn't do it on its own, but it has to, huh? Anyway, so we're both right. Anyway, the laser's awesome. You just gotta wonder what the range is and how long before some drunken sailor tries to light his cigarette off. Because you know it's going to happen.

[Byron]

Oh, it's happening.

[Sebastian Maniscalco]

Someone's going to be smiling below it. Your old man would hold his tipparello up, right, and try to get that thing sparked.

[Byron]

Yeah. Newport.

[Sebastian Maniscalco]

Yeah, I mean, Newport. All right, Mayhem. Let's bring it on home. I want to tell everyone I'm going to be in Torrance at the end doing standup February 15th and then off to Austin. February 27th, Santa Luis Obispo, Monterey, Napa. That's a run. February 28th, March 1st, March 2nd, you go to amcrol.com for all the live shows. I want to thank Sebastian Maniscalco and Omar Dorsey for coming in here. Bookie. Very funny show. And of course, Jonathan Schrenick, the Pickle Man. Check him out. The Pickle Dudes. Name of the book. Until next time, Adam Carolla for Mayhem. Saiyan Mahalo. Pluto TV is the place for movie.

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[Jason Mayhem Miller]

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[Sebastian Maniscalco]

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[Sebastian Maniscalco]

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[Adam Carolla]

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[Sebastian Maniscalco]

Pluto TV stream now pay Never.