Stephen Kalinich on Meeting Charles Manson and Writing Songs with the Beach Boys

Summary

Episode Summary: Stephen Kalinich on Meeting Charles Manson and Writing Songs with the Beach Boys

The Adam Carolla Show released on July 15, 2025, features a compelling blend of political discourse and cultural nostalgia, culminating in an in-depth interview with renowned poet and songwriter Stephen Kalinich. Hosted by Adam Carolla and co-hosted by Alicia Krause, the episode delves into pressing local issues before transitioning to the rich musical history of the 1960s Laurel Canyon scene.

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1. News and Political Discussion

Focus on Mayor Karen Bass and Local Issues

The episode opens with Adam Carolla and Alicia Krause addressing significant political concerns in Los Angeles, particularly critiquing Mayor Karen Bass's handling of illegal immigration and public safety in areas like MacArthur Park.

• Alicia Krause discusses her recent op-ed for the Washington Examiner, emphasizing Mayor Bass's "faux empathy" towards illegal immigrants while neglecting the needs of local minorities and women facing harassment in MacArthur Park. At [02:13], she states:

  "I talked about Mayor Bass's faux empathy towards illegal criminals versus... women and girls and minorities that are in... MacArthur Park."

• Adam Carolla echoes these frustrations, highlighting the lack of action on rebuilding efforts post a devastating fire. At [02:48], he vents:

  "Every time she takes to Twitter, it's something to do with ICE and fear and standing by the folks. And it's like, could you please say just one thing about the fucking fire bitch?"

The hosts discuss the broader implications of permitting processes on small, minority-owned businesses and express skepticism about the administration's priorities, questioning the effectiveness of current policies in addressing both immigration and local community needs.

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2. Frustration with Transportation Modes

Rant Against Two-Wheelers and Other Vehicles

Transitioning from political issues, Adam and Alicia engage in a humorous yet pointed rant about their annoyance with various modes of transportation, particularly focusing on cyclists, motorcyclists, and scooter users.

• Adam Carolla candidly shares his growing disdain for all two-wheeled vehicles, declaring at [16:35]:

  "I think I hate everything on two wheels. Oh, I'm now angry at all two wheelers."

• They humorously dissect the nuisances of motorcycles and cyclists, discussing behaviors that disrupt their daily lives. Alicia adds her observations about scooter riders, while Adam extends his rant to include three-wheelers and six-wheel vehicles, ultimately favoring four-wheeled transportation and expressing frustration with increasingly unconventional vehicle designs.

This segment showcases the hosts' ability to blend humor with genuine grievances, resonating with listeners who share similar pet peeves.

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3. Interview with Stephen Kalinich

Journey Through the 60s Music Scene and Encounters with Iconic Figures

The centerpiece of the episode is an engaging conversation with Stephen Kalinich, a distinguished poet and songwriter with deep roots in the Laurel Canyon music scene of the 1960s. At [70:00], Stephen joins Adam and Alicia to share his rich experiences.

• Early Career and Beach Boys Collaboration

  Stephen recounts his move from Binghamton, New York, to California, where he immersed himself in the peace movement and began his journey in the music industry. He details his introduction to Brian Wilson of the Beach Boys through Jim Critchfield and his subsequent work with them. At [70:56], he mentions:

  "I wrote Little Bird with Dennis. And Brian wrote the Bridge. Never took credit for it."

• Meeting Charles Manson

  In a candid revelation, Stephen discusses his brief encounter with Charles Manson during his tenure with Dennis Wilson. Reflecting on the unsettling experience, he notes at [76:31]:

  "He had red, like I said, really red, bloodshot eyes... I didn't see it as to the extreme, but she saw it instantly that they were mentally off."

  This encounter left a lasting impression, leading Stephen to reevaluate his associations within the music industry.

• Work at Motown and Further Collaborations

  Moving beyond the Beach Boys, Stephen shares his time at Motown, collaborating with legends such as Robert Gordy and Mary Wilson of the Supremes. He highlights his songwriting prowess, contributing heartfelt and poetic lyrics that contrasted with the more mundane themes common in mainstream music. At [80:24], he elaborates:

  "I wrote everything. Was saying Only you Love song Lasts with the Hugh Massakela flugelhorn solo."

• Philosophy on Songwriting and Activism

  Stephen emphasizes the importance of meaningful lyrics and the necessity of pairing artistic expression with tangible actions to foster real-world change. He reflects on his growth from believing in the power of "good thoughts" to understanding the imperative of proactive engagement. This philosophical stance aligns with the hosts' call for substantive efforts beyond mere rhetoric.

• Legacy and Modern Collaborations

  Discussing his ongoing work, Stephen mentions collaborations with contemporary artists like the Lemon Twigs and maintaining friendships with industry stalwarts like Joni Mitchell and Cameron Crowe. He underscores the timeless relevance of poetic lyrics and their impact on both personal and societal levels.

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Notable Quotes

• Alicia Krause [02:13]:

  "I talked about Mayor Bass's faux empathy towards illegal criminals versus... women and girls and minorities that are in... MacArthur Park."

• Adam Carolla [02:48]:

  "Every time she takes to Twitter, it's something to do with ICE and fear and standing by the folks. And it's like, could you please say just one thing about the fucking fire bitch?"

• Adam Carolla [16:35]:

  "I think I hate everything on two wheels. Oh, I'm now angry at all two wheelers."

• Stephen Kalinich [70:56]:

  "I wrote Little Bird with Dennis. And Brian wrote the Bridge. Never took credit for it."

• Stephen Kalinich [76:31]:

  "He had red, like I said, really red, bloodshot eyes... I didn't see it as to the extreme, but she saw it instantly that they were mentally off."

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Conclusion

This episode of The Adam Carolla Show masterfully intertwines pressing political commentary with a nostalgic exploration of the classic Laurel Canyon music scene. Through spirited discussions and an enlightening interview with Stephen Kalinich, listeners gain valuable insights into both contemporary urban challenges and the rich tapestry of 1960s American music. The blend of humor, critical analysis, and heartfelt storytelling ensures a captivating listening experience for both regular fans and newcomers alike.

Transcript

[Adam Carolla]

Well, in this episode we'll do the news with Alicia Krause and also poet and songwriter, very interesting guy, knew all the guys from the Laurel Canyon days, worked with the Beach Boys, all that stuff from back in the day. Stephen Kalinich is going to join us and we'll do all that right after this. Hey, this is Adam Carolla from the Adam Carolla Show. Betonline continues to be your number one source for all your sports betting action. Baseball's in full swing, football is right around the corner. And Betonline's got you covered with the latest odds, breaking news and live scores. Betonline even has live in game betting. While the games are being played real time, from MLB to UFC to tennis to NFL futures, bet online that that's the place to play. And between games, hit up the Betonline casino packed with top Vegas style games, poker and live casino. Betonline has it all. Sign up now and score big with VIP rewards, level up bonuses and weekly cash bonuses. Bet online. The game starts here.

[Dawson]

From Corolla One studios in Glendale, California, this is the Adam Carolla Show. Adam's guest today, poet and songwriter Stephen Kalinich. Plus the news and trending topics with Alicia Krause. And now he'll never be on the Epstein list. Not because of the underage girl thing. He's just not good enough to fly.

[Adam Carolla]

Drive it, Adam. Yeah, get it on, got to get it on. No choice but to get on your mandate. You get it on now. Thanks for tuning in. Thanks for telling a friend. Love that about you. Alicia Krause is joining me. She's got her weekly op ed for the Washington Examiner. What's the subject of your last op ed, Lisa? Sorry, Lisha.

[Alicia Krause]

That's okay. That's what they call me at Starbucks when they can't pronounce your name. I know. Lisa. The cappuccino for Lisa. I talked about Mayor Bass's faux empathy towards illegal criminals versus, I don't know, women and girls and minorities that are in and around the vicinity of MacArthur park that have been assaulted and, you know, harassed for years now. She does has done shit about it, right? But then I shows up and quote, unquote, terrorizes illegal immigrants and she goes down there with crocodile tears. That was my Saturday op Ed.

[Adam Carolla]

Yeah, well, I guess we know where everyone stands now. My thing is your city essentially burnt to the ground with a once in a generation fire that took out thousands of structures and some of the most populated and affluent. And as well as Altadena, every, every group has been affected by this. And every time she takes to Twitter, it's something to do with ICE and fear and standing by the folks. And it's like, could you please say just one thing about the fucking fire bitch? Something about permitting or like, something, something. An update or something.

[Alicia Krause]

Permitting is a huge one. What about the small businesses that are majority, minority owned in and around MacArthur park that are leaving now? Like, no, those minorities don't matter. Just the ones being rounded up by ice.

[Adam Carolla]

It's so weird. And you know what? I'll tell everyone who's outraged about this stuff, but I do it all the time, okay? The people that are outraged about this in particular as a group would tend to like Canada and like Trudeau and like their policies. I know, but as a group, they're in the same group. If you heard that Canada was a building a wall between us, this country and their country, we're building a border.

[Alicia Krause]

Wall, I'd be like, so what? Who cares?

[Adam Carolla]

It's their country. They get to do what they want.

[Alicia Krause]

You didn't wanna go up there anyway. It's really cold, right?

[Adam Carolla]

But if you do, there's a border passing and you can go through it and you can have your passport or do whatever. I've done plenty of work in Canada. You fly in, you have to go through classes.

[Alicia Krause]

They let you speak up there. Cause they don't. That's the First Amendment, like we do.

[Adam Carolla]

They wanna. Well, they got a lot of questions about what you're doing there and all. One of the funniest things. I was going through customs in Canada. They're dicks over there, by the way. Me and Jimmy were going there for the Man Show. This always reminds. I don't know why I tell this story once every three years, but go through Canada, they pull me out of line. They just go. They're taking the customs office and they just punish you.

[Alicia Krause]

Oh, man.

[Adam Carolla]

And they basically go, what are you doing here? And we were going there, Jimmy and I, to sell the man show to Canadian tv. That's all I remember.

[Alicia Krause]

Like cbn?

[Adam Carolla]

Yeah. I really don't. All I remember is the man show was going to Canada and we needed to show up there. So I had this itinerary of all the shows, and we had to go by this affiliate and that station, and they were gonna pick us up in the morning and take us over to this. The usual. The. The stuff everyone did. And I was told by everybody, look, when you're there, when you go through customs and they ask you what your business is, you just go Vacation. Because if you tell them you're there for business, then that's when they really start grinding on you.

[Alicia Krause]

Oh, no.

[Adam Carolla]

So I was told 15 times by my manager at the time. It was Canadian. Jimmy was too. You just say, pleasure. What are you here for? Pleasure. See the sights, go out to dinner.

[Alicia Krause]

Same answer you give when you're going to Vegas.

[Adam Carolla]

Right, right. Just for pleasure. But at least in that case, you mean it. So I said, pleasure. Just to look around, have a good time. And then they look through my whole briefcase and they pull out the itinerary.

[Alicia Krause]

Oh, no.

[Adam Carolla]

And itinerary is like every 20 minutes, the car picks us up, takes us to another place. Car picks us up, takes us to another place.

[Alicia Krause]

Clearly, like media related.

[Adam Carolla]

It's all, yeah, go to this station, go to that station, meet with this guy, do this show, do that show. So the guy goes, so you're just here for fun? What is this? What is this? 8 page itinerary with 3 days of 15 things packed into it.

[Alicia Krause]

This is where I would have been like, I'm an American and work is fun.

[Adam Carolla]

Work is fun. I know.

[Alicia Krause]

I like money.

[Adam Carolla]

Want to go on a holiday?

[Alicia Krause]

Capitalist.

[Adam Carolla]

You want to go on holiday? Yeah, well, that would have caused more problems. So I said to the guy, I go, look, it looks like a lot of work to you, but I don't get paid for any of it. It's just appearances. You show up, you do the person's radio show, you do your promotion, but you don't get paid. So there's nothing to declare. I'm not getting paid. They're worried you're gonna get paid and not pay them.

[Alicia Krause]

Got it.

[Adam Carolla]

And he goes, well, it looks like a lot of work to me. And it looks like there's many, many you don't get paid. Look at this. Look at all you have to do. I go, listen, I pulled what I thought was the most famous Canadian at the time out of my ass. I go, michael J. Fox. When he goes on the Tonight show, he doesn't get paid. He's doing it for promotion. And he goes, who's Michael J. Fox? And I went, what? And now we're on another argument. Now we're having another separate Michael J. Fox. He called himself a Canadian. My whole point is this. If Canada said, we want to build a wall, I'd go, okay, it's your country. Do what you want. And if some young guys from Indiana or Arkansas float over the border before the wall gets built and start working at a place making hockey pucks at a Factory and we come in, we're sending them back to Arkansas.

[Alicia Krause]

Driving Zamboni.

[Adam Carolla]

Driving Zamboni. Servicing Zambonis. Fulfilling part orders for Zambonis, custom paintings, ambodis, all the myriad of jobs involved. But here's my whole point. As an American, I'd go, okay, some guy from Indiana ended up in Quebec. Yeah, send him back. It's your fucking country. You get to do what you want. And by the way, nobody here would have a problem with that. They wouldn't say, that guy's got a right to pick pot in Quebec.

[Alicia Krause]

Mayor Bass would not be going to Vancouver and crying crocodile tears.

[Adam Carolla]

Right. So she is focused very closely on her constituent. It's a weird thing, which is your voter bloc. Like your constituents are illegals who are from other countries who get shit, who get all kinds of free shit from us. That's a weird constituency for a politician.

[Alicia Krause]

Well, because it's. I think she has her sights set much like Newsom does. Her sight set on something more federally.

[Adam Carolla]

Yeah, I get it. It's a weird, It's a weird group. Like, I mean, here's what I'm saying as a politician, historically. Yeah, you go like, who's your group? And they go, well, the Teamsters, that's my group, you know, all right, guys who drive trucks and their union. Yeah, get them, vote for me. What's your thing? You know, like the teachers unions. The teachers unions. I support the teachers unions, so I can. Whatever. Ok, I get that. And what's your thing? I'm running on lower taxes, but fine, but you're running on supporting people that are breaking the law, that are in this country illegally.

[Alicia Krause]

Especially when we can't even support the people. The unhoused, since that's the word we have to use now. Like the American citizen, mentally ill, drug rattled, like drug riddled, unhoused.

[Adam Carolla]

Yes.

[Alicia Krause]

In MacArthur park, for example, that probably need to be put in a facility because they are not fit to take care of themselves and they are attacking innocent people 100% that are her actual voters.

[Adam Carolla]

This thing where they go, well, you can't tell these people, listen, you can't tell anyone anything. But if you want to go to a public space and you want to defecate in it and you want to slam drugs. And yes, we can tell you what to do. You can't walk into my living room and tell me what to do. Although you try and there's versions of it. But what I'm saying is we're telling them what to do, cuz they're in A public space doing what they're doing and they're taking drugs. All right. So that gave way dovetails nicely to. I sent out a tweet and it just went nuts. It was been up for two hours and it got to a million views in literally two hours. And I was gonna say, yeah, if you reboot it, Andrew, it goes up like 25,000 every like four minutes or something. It just went.

[Alicia Krause]

There you go. Over a million views.

[Adam Carolla]

It just went nuts.

[Alicia Krause]

I mean we talked about this last time I was on. Like it's past the six month mark and nothing.

[Adam Carolla]

The reason why is because I woke up on Monday and I said, you know what? It's the. The Monday following the six month anniversary. And Monday morning means work. That means work. And construction starts at either 7 or 8am I was out there at 10:30 in the morning. I scanned the whole coast. There's not one truck. There's not one drop of lumber. There's not guys surveying stuff. There's nobody measuring anything. There is no movement. Zero. Zero movement. And six months plus. So I have no fucking idea. But I would like Karen Bass.

[Alicia Krause]

To.

[Adam Carolla]

Speak about this stuff. Yes. Yeah, I know, it's so weird and sad. On that note, fire note. That's interesting. I'm interested in the science of the rebuild and how it works. And I've been talking a lot about wood houses and wood framed houses. And the few, the very handful that are getting rebuilt in the Palisades are just wood frame. They're just skinning them with plywood, two by fours.

[Alicia Krause]

Which seems crazy.

[Adam Carolla]

It does seem crazy.

[Alicia Krause]

Like it's like you're asking for. So a girlfriend that lost her home in Altadena. They were literally in the process of getting a new roof and they were getting the fire. They were using like the fire retardant material. Roofing. It's the only thing that survived.

[Adam Carolla]

Oh, is that roof.

[Alicia Krause]

Car burned, house burned. Like some new construction burned. The new roofing was sitting in the pallets. The plastic was like I thought it.

[Adam Carolla]

Was on the roof. I was like, how did that work?

[Alicia Krause]

Hadn't been installed. And so now her thing is they love their community. They're trying to rebuild and it's incredibly hard and expensive to do so. But they're trying to tell their neighbors like, hey, when we rebuild, let's rebuild with these newer materials so this doesn't happen again. And you'd think that people in the Palis states would be doing the same.

[Adam Carolla]

Well, I'm gonna modify some of my earlier thoughts and I'll Explain. The houses that I saw were wood framed. And then once you're done framing the roof, roof rafters and, you know, studs, stud walls outside and everything, then you sheath it with half inch plywood or osb, which is oriented strand board, and you nail it off. So you skin it. Skin the whole house. Then you used to do it that way, but you have to do it for earthquake now.

[Alicia Krause]

Okay.

[Adam Carolla]

And it's called shear walling. So the house is all wood and all framed. Then you skin the roof with plywood and you skin the sides with plywood. And essentially now you have a house and it looks like it's made out of plywood. Now all of that is combustible. But you take a roof rafter. Well, if you can't get a spark inside of the attic, then.

[Alicia Krause]

Or the insulation. Right. Is really flammable, right?

[Adam Carolla]

No, probably not now, not as much. But if you can't get fire in there, I mean, like I'm saying, your sofa's flammable, but if you can't get fire inside of your unit, then your sofa's fine. You know what I mean? So what they're gonna do, I presume, is they're gonna build a lot of these houses in conventional ways, which I don't agree with. I would go with steel or cement or. But let's just say they do. They do. Then they use a non combustible roof. And I met a guy on Saturday who was doing cement raft or tails, meaning the part of the house that sticks. The problem is the part of the house that sticks out.

[Alicia Krause]

The eave.

[Adam Carolla]

The eave, yeah, the fascia and the eaves. That stuff catches on fire and then it goes up, up and in.

[Alicia Krause]

Yeah.

[Adam Carolla]

They can simulate all of that out of cement, basically. Now looks like oak. You know, they can do the wood grain and everything.

[Alicia Krause]

Paint it or make it look like something else.

[Adam Carolla]

Well, picture the new trend of all these porcelain tiles that looks like a hardwood floor. Now that's. It's tile, but it looks like wood, you know.

[Alicia Krause]

Interesting.

[Adam Carolla]

So they're gonna do the fireproof roof, they're gonna do the rafter tails and the eaves and everything all out of that stuff. And then the side will be stucco and glass. So even though it's framed with combustible materials, they can't get the outside paint catch.

[Alicia Krause]

That makes sense. And that would be something that, if I were a fan of the Coastal Commission, which I'm not, you would think that they'd be like, hey, guys, if you're going to rebuild we will give you the permit, but can you show us, like, how you're going to try to prevent fire in the future?

[Adam Carolla]

I shouldn't, but I shouldn't. Part of me kind of like, but I'm assuming that's what they're going to do. But I.

[Alicia Krause]

It's not. Bureaucracy never makes the right decision. There.

[Adam Carolla]

I agree with you. All right, so then now there's this. I. I came up with a thought. I'm trying to work it out. I want to know where you're at with it. Okay, I was walking. I've been going up and down Pacific coast highways. You can see quite a bit. I walk. I walk to the coffee shop.

[Alicia Krause]

Get your 10,000 steps in a day.

[Adam Carolla]

And there's two annoying groups on pch. It is only two. I mean, there's subgroups, but these are the two main groups. It's motorcycle guys just making as much fucking noise as humanly possible up and down and up and down.

[Alicia Krause]

20 over in splitting lanes, right?

[Adam Carolla]

Fine. I used to split lanes. I used to ride. But it's louder than shit. I don't care, okay? And by the way, there's subgroups of motorcycle guys. There's the Rice rocket guys. They're the Harley guys. They're all loud, and I hate all of them. I just don't like them. And I know they're douchebags. Those big Harley guys, they're always throwing ravs. Blah, blah, blah. Okay? Then when I'm in the coffee shop, the guy, the cyclist guy comes in.

[Alicia Krause]

And he's got the little shorts on.

[Adam Carolla]

He's got the shorts, he's got the jersey, he's got the cleats. This guy's a pink headband. He's comical comic central casting.

[Alicia Krause]

He's wearing, like, a racing shirt. And you're like, you've never done the Tour de France.

[Adam Carolla]

You're not sponsored by Campari. You know what I mean? You have no sponsor. But anyway, they come walking in like they're sponsored.

[Alicia Krause]

You know, they have their shoes on and they're like, click, click.

[Adam Carolla]

They love. I've realized they love the cleat because the cleat they're working out. You know, these guys, they ride 100 miles a day, and they just go home. They stare at their calves, you know, and the shoe with the cleat in it pushes the front of your foot up and it kind of flexes your calves. So you get to walk around with your foot flexed, calf everywhere. And this guy's just sitting there, and I go, God, I fucking Hate this guy. And it was some bitch the other day when I was driving through Century City, was doing that thing where she was like in the middle lane doing like, I'm part of traffic too. It's like, bitch, you're holding everybody up.

[Alicia Krause]

It's also really dangerous. I do have a death wish.

[Adam Carolla]

If I were her dad, I'd be like, do not fucking do this. I will pay you not to do this. But they do that. Hey, I have just as much right to the. And they're dickheads. They're dickheads who think they're better than you. But then the motorcycle guys I fucking hate too. And then I started thinking about being in Salt Lake City a couple of months ago and every 14 year old's on a fucking zipper scooter and they're just buzzing. Buzzing, right? And then I realized I think I hate everything on two wheels. Oh, I'm now angry at all two wheelers.

[Alicia Krause]

What? You know the people I'm the most annoyed at? The ones in like the faux cars. Yeah, it's like the two wheels up front and the one the back.

[Adam Carolla]

Well, now we're getting to it.

[Alicia Krause]

Uh huh.

[Adam Carolla]

So I thought, okay, I'm angry at everything on two wheels at this point. The bike, the cyclists are bugging the shit out of me. The motorcyclists are waking me up every fucking morning. They're obnoxious. These kids on these fucking scooters zipping down the sidewalk, going up your ass.

[Alicia Krause]

You're very like, very like, get off my lawn vibes.

[Adam Carolla]

Yeah, get off my sidewalk. So I hate them. And I was like, all right, I hate the two wheel people. And then I thought, well, what about the four wheel people? And I was like, well, I'm going to do a car race this weekend. So I like the four wheel people. That's good. I'm a four wheeled person. Then I thought, what about three wheel? Like, no, don't like the three wheel. Don't like the guys on the slingshots cranking up the shitty rap music and going around like the shit doesn't sting. I don't like three wheels.

[Alicia Krause]

They're always like vaping. And then sometimes they have a helmet, sometimes they don't. And I'm like, are you in a car or on a motorcycle?

[Adam Carolla]

They don't know. They have helmets or they have no helmets. It's catch as catch can. So then I started really trying to break it down. I was like, I'm pretty much done with all two wheels. I don't want anything to do with you.

[Alicia Krause]

And your two wheels, no Segways, no scooters, no.

[Adam Carolla]

Two wheel. If you want to do motocross and you want to ride out in the desert on your Honda 250, that's your fucking business.

[Stephen Kalinich]

It's a lot of fun.

[Adam Carolla]

And that's fun and I appreciate it. And you're not waking me up in the morning, but the two wheel, yes, okay. The scooters, all that. Okay. I'm all done with all that.

[Alicia Krause]

Also, they're written off. You're done.

[Adam Carolla]

I don't know. How much transportation do you need? You see like a 15 year old and he's just buzzing by. It's like, just walk three fucking blocks and go to your stupid Starbucks and walk back. How much roll and you're fat.

[Alicia Krause]

See, I actually, my husband and I had a conversation about this the other day because we saw a group of, like, teenage boys riding those, like, in a. In a parking lot. And I was kind of annoyed at first. And then he brought up a good point. He's like, yeah, but so many people in their generation aren't driving. Like, they're not getting their driver's license, they're not doing anything. And so he's like, it's kind of good that they're doing that shit instead of other shit that they could be in, right?

[Adam Carolla]

Yeah, I.

[Alicia Krause]

It's like I'd rather have them doing the scooter for three blocks to go get their coffee than joining Ms. 13 and tagging public property.

[Adam Carolla]

I don't know that it's just a binary decision. I don't know that it's have a scooter and terrorize me in Salt Lake City or join trend a ragua or whatever. That fucking bad. I don't think it's binary. If it was binary, I would agree with you. I'd say definitely 120 life. All right, let's get serious for a second. High blood pressure is the number one risk factor for mortality. Let that sink in. Yeah, number one. So it's a stat that's gonna make you sit up. One in two adults has high blood pressure. That's a coin flip. Could be you. Could be me. Well, it is me because I've been checking and it's high now, 120. Life isn't just for high blood pressure. If you've got diabetes, listen up. Managing your blood pressure helps with that too. Two birds, one stone. This stuff's legit. It's a powder. I drink it every day. Just mix it in with your water. Whatever you're drinking over 750 doctors recommend 120life to help manage blood pressure naturally. Not some fly by night operation. Plus 120 life actually tastes good. It's a blend of super fruit juices. Refreshing flavors, not like those other health drinks that taste like lawn clippings. I've been using mine. I've been on for about three weeks now and I've seen the positive effects because I monitor my blood pressure. They're so confident they're going to give you a risk free trial. Try it out. You can try pack out if your blood pressure doesn't improve or you just don't like it. They have a money back guarantee. So nothing to lose, right?

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[Alicia Krause]

Okay, but so two wheels done.

[Adam Carolla]

Two wheels out.

[Alicia Krause]

Racing vehicles, fine.

[Adam Carolla]

Four wheels fine. Cars, Trucks. Me. Cars race good. So I like four. Two's out, three's out. I don't like three. I hopped up to six, which is those obnoxious guys who get the Mercedes G wagon with like the six by thing. And I'm like oh, fucking hate those guys. I fucking hate those guys. And no reason for it. It's not like they needed an extra axle in the back cause they're going to Home Depot to pick up a bunch of concrete.

[Alicia Krause]

So you're fine with like a big old pickup truck with extra wheels. Like you know, like a dually. Like a dually. Like where I'm from like you get like cowboys.

[Adam Carolla]

I have a dually. I have a dually.

[Alicia Krause]

So you'll allow it?

[Adam Carolla]

Well, those wheels are sort of inner and outer next to each other. I'm still going to go with like. Like if you have a dually and it's. And it's four wheel drive. And you, you would go four wheeling in it. You wouldn't go six wheeling in it.

[Alicia Krause]

Got it.

[Adam Carolla]

So they, they get by. They get on a technicality.

[Alicia Krause]

Okay.

[Adam Carolla]

Those guys work. They haul race cars. They work on construction sites. Dually's fine. But you're right, technically, there's two rear wheels. I'm talking about a third axle. I don't like those.

[Alicia Krause]

I saw one of those the other day. It was like somebody took like an old expedition and they gave it three axles and then six doors.

[Adam Carolla]

Obnoxious. Unnecessary. They'll do it in the stupid limo where they put the hot tub in the back. So I don't like any of those people. I really am thinking about the Mercedes g wagon. Like six by whatever. It's like 550k. You've never been near a Home Depot on that thing. There's no job site, there's no nothing. You're just a total jack off. All right, so six wheel out.

[Alicia Krause]

Okay.

[Adam Carolla]

Four wheel good. Three wheel out, two wheel out. I had to do some soul searching on one wheel. I ride a unicycle. Oh, yeah. Not for transportation. Although I used to.

[Alicia Krause]

Wait, how did I not know this?

[Adam Carolla]

Well, evidently I've never seen a little boutique show on deep cable called Dancing with the Stars.

[Alicia Krause]

No, I did, though. I didn't watch every episode.

[Adam Carolla]

On your own? Oh, shit, Sherlock.

[Alicia Krause]

But wait a second. Did you come out to like, Dee dee dee dee dee dee dee dee.

[Adam Carolla]

How dare you. No, what I did is I. I'm.

[Alicia Krause]

Gonna YouTube this afternoon with the greatest.

[Adam Carolla]

Dignity, dressed up like Zoro the Gay Blade and came out on a unicycle. Well, we have it. It's on the. Put it on the thing somewhere.

[Alicia Krause]

I'm sorry. This is amazing. So you're okay with unicyclists?

[Adam Carolla]

I appreciate the skill.

[Alicia Krause]

Unicyclists, yeah.

[Adam Carolla]

I appreciate that balance, skill, coordination.

[Dawson]

Good.

[Adam Carolla]

Doesn't make silent. And there's no stupid uniform for it where you can come bug me when you walk into the star.

[Alicia Krause]

Helmet or no helmet, though. Are you doing the helmet or.

[Adam Carolla]

No, I would never do a helmet. But. But I suppose if there was a good reason. If there ever was a reason to wear a helmet, it would be on a unicycle.

[Alicia Krause]

I'm just imagining you, like, coming here on a unicycle. On a unicycle. And I feel like every time I see a unicycle in the wild, unless they're on the boardwalk, they have to eventually stop at a crosswalk and they do this weird little ring, ring, ring, ring. Where they're kind of moving but not moving because you can't stop while you're waiting for the light to change.

[Adam Carolla]

I'd say. I don't think most guys. I don't know, it's tough to stay in one place on a unicycle.

[Alicia Krause]

That's what I mean by doing this weird little dance.

[Adam Carolla]

Most people would probably jump off it or step off it and wait.

[Alicia Krause]

Yeah. I never thought I was laughing because I was envisioning you coming to the studio.

[Adam Carolla]

I wish I could stay in one place and tread water for the amount of time it takes to have a light change. Cause it's hard to stay in one place. It's easy to move.

[Alicia Krause]

Yes.

[Adam Carolla]

All right, we'll play this. Sorry. Just so you can marvel dancing the pasadoni.

[Alicia Krause]

Oh, that's a hard dance.

[Adam Carolla]

And his partner, Julianne Huff. Oh, yeah. I don't know. This is the wrong music, but doesn't really matter. Maybe it's the Internet. Does this to you, doesn't it?

[Alicia Krause]

Oh.

[Adam Carolla]

Oh, yeah, babe. Get an eye full of the aceman on his unicycle and watched it dismount. Very graceful. And a circle. Cape flying and then a very.

[Alicia Krause]

Oh, you even spun it.

[Adam Carolla]

I spun it. All right. We don't have to watch the rest of the dance. So I like one wheel. So one wheel good.

[Alicia Krause]

I'm gonna watch that at home.

[Adam Carolla]

Two wheel bad.

[Alicia Krause]

I'm gonna show my kids three wheel.

[Adam Carolla]

Bad, four wheel good, six wheel bad. And then we're up to 18 wheelers, you know.

[Alicia Krause]

Well, those are necessary.

[Adam Carolla]

Yeah, yeah, those are good. Those are good.

[Alicia Krause]

I prefer it when they stay in the right and don't, like, clog up the passing lane and stuff. But necessary and good for society.

[Adam Carolla]

Okay.

[Alicia Krause]

Good for free trade, you know, those kinds of things.

[Adam Carolla]

All right, so we're simpatica.

[Alicia Krause]

Okay.

[Adam Carolla]

Other thing. I don't know if we have film of this, but it's an interesting thing. Well, has to do with wheels.

[Alicia Krause]

Do men just have an obsession with, like, wheels? I do because I think, you know, I have three girls and then a boy, he just turned two. He is obsessed with any kind of wheel. Like, any kind of wheel.

[Adam Carolla]

I am obsessed with wheels.

[Alicia Krause]

Stroller wheel, like, bicycle wheel cars, random cars everywhere.

[Adam Carolla]

Yeah, I. I'm. You have no idea how into rims and tires I am.

[Alicia Krause]

So if you believe in reincarnation, like, could you. Could have. Could you in a past life have been like, the caveman that invented the wheel? Or do you think maybe it was.

[Adam Carolla]

One of your ancestors, I'm pretty sure was an uncle of mine. Yeah, a very great. I love wheels and tires, and I know so much about them, and it's insane. And I wouldn't even bore you with what I know about wheels and tires.

[Alicia Krause]

It's just. It's interesting to me. I don't ever think about it unless I'm like, oh, my car just dinged that I might have a flat. And then I take it to the tire guy.

[Adam Carolla]

It's like a race car thing for me. But they all. Because it becomes a big part of your life because they tell you what kind of tires you can run and what the compounds are and stuff like that.

[Alicia Krause]

And then you understand what it actually does to the mechanisms of the vehicle and how it operates. We're like, I don't get that.

[Adam Carolla]

Well, if you're dealing with race car tires, it's pretty important what tire you have on your car. And they're super expensive. But anyway, I was thinking about this new trend with a new rim. As long as we're talking about rims, this show, they're called floaters. They put them on like a Rolls Royce, and it looks like the car's never rolling. Cause it's, like weighted and it's balanced, and it essentially just rolls along as if it's not rolling.

[Alicia Krause]

So it looks like it's just floating or something. Yeah, tires aren't moving right.

[Adam Carolla]

Which is interesting because the last. And we'll show you a clip. It looks like a Rolls Royce is being just pushed out.

[Alicia Krause]

That's crazy.

[Adam Carolla]

It's rolling forward, but the rims look like they're standing still. It looks like the car. It looks like you have the brakes on and someone is pushing the car, dragging the car out. So that's fine. And I like it. And I think it's a step. I think it's a breakthrough for the black community. And the reason I say that is they love rims. Me and black people love rims. We love rims. I don't know what it is. We don't agree on everything, but we agree on our love of rims. And in the past, Dawson, you can probably find the 1780s guy. This custom rims, I think was. It reminds me of. I always like this guy. Anyway, so here's what I'm saying. In the past, 20 years ago, the black man would use spinners.

[Alicia Krause]

I've seen those.

[Adam Carolla]

Spinners is the opposite of floaters.

[Alicia Krause]

So it's like, as you're stopped, there's. When you stop, I'VE seen that. Yeah.

[Adam Carolla]

So floaters look like you're stopped when you're going, and spinners look like you're going when you're stopped.

[Alicia Krause]

Yeah.

[Adam Carolla]

And I said back then, that is a horrible idea for the black community.

[Alicia Krause]

Why?

[Adam Carolla]

Because cops are already nervous walking up to the car. Oh, and now with the spinner, he looks down and he thinks the guy's taking off next, you know, shots fired, very dangerous. Not good for the law enforcement community and the black community, who are already having issues with cops walking up to the car with the illegal tint on it. The guy's already on his last nerve. Floater. Makes sense. Floater. You could take off and the cop would still be standing there. He wouldn't know what was going on. As a matter of fact, I think that's why they invented them. So I endorse the floater. I'm against the spinner.

[Alicia Krause]

Okay.

[Adam Carolla]

And I think, you know, and all for the.

[Alicia Krause]

All to help the black community.

[Adam Carolla]

All to help out the black community. But I think you could. I think if you're in your Rolls Royce with the illegal tint on it with the floaters, and the cop came walking up, you could just slowly roll away. He'd be staring at the rim going, everything fine. Oh, we have 1780s guy. Oh, no. This reminded me of 1780s guy. So big floater fan.

[Alicia Krause]

Okay. I don't think I've seen that out in the wild. I've seen it, like, on Instagram and stuff. Also seen it in the wild.

[Adam Carolla]

I've just saw it on. Yeah, I saw it on Whatever, Twitter, whatever. Also. Also, spinners. Spinners are more dangerous for the black community, but a much better band than the floaters. So when it comes to music, I am down with the spinners and not down with the floaters. But when it comes to law enforcement, the black community, I'm down with the floaters and not with the spinners.

[Alicia Krause]

Got it. Okay.

[Adam Carolla]

And one wheel good. Two wheel bad. Three wheel bad. Four wheel good. Six wheel bad. Okay.

[Alicia Krause]

Unless it's a dually.

[Adam Carolla]

Yeah. Well, I never really think of them as six wheel, but it is a dula.

[Alicia Krause]

Okay. For the girl.

[Adam Carolla]

Yeah, that's a good.

[Alicia Krause]

And maybe in the audience, that's what I instantly went to because I feel like growing up in southeastern Oklahoma, like, every cowboy had one.

[Adam Carolla]

Yeah. I gotta have a duly. Because they're.

[Alicia Krause]

You gotta put the big old round.

[Adam Carolla]

Bale of hay on the back, and they're trail. It's good for hauling trailers. Trailers and trailers need the dually.

[Alicia Krause]

Yep.

[Adam Carolla]

All right, here's Meeks. Here it is. And now Adam explains to 1780s guy.

[Unknown]

Custom rims.

[Dawson]

So even when this horseless carriage is.

[Adam Carolla]

Not in motion, the wheels appear to keep spinning. Yeah. And why does this delight the Negro? That was Adam explained's custom rims to 1780, but now we have floaters. That guy passed away, but he was a great guy.

[Alicia Krause]

You gonna redo that?

[Adam Carolla]

But with the floaters, we're gonna have to reboot 1780s guy, but this time.

[Alicia Krause]

I'm getting to be 1780s girl. So you have to do extra explaining.

[Adam Carolla]

No, we need a minute man looking. You know, we need that guy mixed with the founding father to try to explain where we went wrong with society.

[Alicia Krause]

If you dress up like Betsy Ross and you can try to.

[Adam Carolla]

It's just not gonna work.

[Alicia Krause]

Okay.

[Adam Carolla]

All right. Do you have some news? I do you wanna get to.

[Alicia Krause]

I do have some news. So this is kind of fun. And we got some correlating video for this, so. By the way, my husband played, like, college soccer, and he said. I pronounced. Is it FIFA or FIFA?

[Adam Carolla]

I don't care. FIFA.

[Alicia Krause]

It is FIFA. The guys are telling me it's FIFA.

[Adam Carolla]

Yeah, it's FIFA.

[Alicia Krause]

So President Trump was at MetLife Stadium, where Chelsea F.C. apparently trounced Paris's St. Germain F.C. and what the president aptly described as, quote, a bit of an upset. He's been friends with the FIFA president for a really long time, and so that's why he ended up going to the game and sitting with him. Melania looked like fabulous as always, by the way. And he said he took great pleasure in watching the soccer boom in the United States and hopes that soon it will match the country's other standings on the world stage.

[Adam Carolla]

This country.

[Alicia Krause]

And then a reporter apparently asked him, hey, would you officially sign an executive order renaming soccer football in the United States? And he said, I think we could do that.

[Adam Carolla]

He would answer that to any question.

[Alicia Krause]

But look at him. He stayed up on stage with Chelsea when they got the trophy.

[Adam Carolla]

Yeah, okay, listen. I don't know.

[Alicia Krause]

He's just up there. Like, look at him. That's the most he's ever moved other than when he's done the Trump dance. He's so excited.

[Adam Carolla]

I don't know why people care about soccer. I hate soccer. I bet people have been trying to get me to care about soccer for 50 years in this country. I don't give two shits about soccer. It's fine if you don't have football, but if you have football, then we don't Need. We don't need soccer. That's. It's. It's the.

[Alicia Krause]

Well, Trump is saying that maybe we should call it football. So then how are we going to. Are we going to call it, like, American football versus I don't.

[Adam Carolla]

I disagree. I don't want it called football. I don't even like flag football to have the word football in it. It's not football. I hate soccer. It's a weird thing because the two biggest sports internationally are F1 and soccer. And F1. I'm like, yeah, ready to go. I love F1. And then soccer's like, no. And it's weird because, I don't know, it's like they got F1 right and they got soccer wrong. Soccer was invented to keep poor people busy without equipment. Rich people play hockey because it costs. I was literally.

[Alicia Krause]

It costs so much money to play hockey and by the way, costs so much money now to play, like, baseball and stuff.

[Adam Carolla]

I was talking. Oh, my God. I was talking to somebody on Saturday about playing hockey. He said, I was gonna play. I go, we didn't know anyone who played hockey. We couldn't play hockey. You couldn't play hockey. I go, how much are your skates? He goes, well, my skates are $1,400. Holy crap. I go, yeah, no. And he goes, but you could get them for 300. Yeah, but the foot would grow a size every year, your 9 year old. Not to mention all the equipment. You have to have all your own equipment. So hockey, I'll bet you smells Dawson or Andrew, you could look this up. I'll bet you if you took hockey nations versus soccer nations, there'll be a little. You would, in general see that the hockey nations are much better nations than the soccer nations, the ones that have more corruption and crime and drug lords and honor killings and shit like that. No, hockey. Hockey's gonna be. It's all like Finland and Sweden and shit like that.

[Alicia Krause]

So I think that actually, outside of the United States, the. The greatest, like, country that's giving us NHL players, like, professional NHL players now. It used to be, like, Russians. Yeah, it's actually Finnish.

[Adam Carolla]

Oh, interesting. So there's more Finnish, Canada, Russia, U.S. now, you know, whatever. Like, if you said, look. If you said to me, look, Adam, there's a place you gotta move to, and I'm not telling you anything about what this place is. I'm not telling you anything. It's kinda like said, there's a school. I want your kids to go to this elementary school, okay? The closest Starbucks to that School has no code for the bathroom door. They're on the honor system. I'd go send the kids to that school because that means the neighborhood's great.

[Alicia Krause]

Yep.

[Adam Carolla]

Okay, here's how you measure. Do you manufacture one or more high quality automobiles from your country?

[Alicia Krause]

Oh.

[Adam Carolla]

Do you have a variety of good sandwiches? A variety of sandwiches.

[Alicia Krause]

Key point we've talked about.

[Adam Carolla]

And do you export hockey players? You have a lot of young people playing hockey. I'd go, I'll fucking live there. Because you give me. Loves hockey. That means affluence, parents that care raising kids, blah, blah, blah, blah, blah, blah. You give me a large sandwich variety and you give me manufacturers, a number of high end automobiles. I'll live in that country.

[Alicia Krause]

But. But I do have to say I agree with Trump. He went on to tell an outlet that we were doing very badly as a country. Just imagine this in Trump voice that I'm not even going to try to imit because it's hilarious and very Trump when he was talking about football and like, or soccer and how it's growing here, quote, we were doing very badly as a country in an incompetent administration, obviously referring to Biden. And now we have a hot country. It's really hot. And I think the soccer is going to be hot here too. So I do have to say I agree with potus because I think that soccer players are generally hotter than other sports stars.

[Adam Carolla]

Well, I'll tell you why.

[Alicia Krause]

Like, they're just good looking.

[Adam Carolla]

I'll tell you why.

[Alicia Krause]

Got good stamina.

[Adam Carolla]

Whoa.

[Alicia Krause]

I married one.

[Adam Carolla]

Oh, just saying. Biggest ice hockey countries, Canada, United States, Russia. But they don't do a good car. Russia, Sweden, Finland and the Czech Republic.

[Alicia Krause]

Interesting.

[Adam Carolla]

Full set of top gear for a kid now. And hockey is between 2 and $3,000.

[Alicia Krause]

Holy crap.

[Adam Carolla]

That's a used car one. You can get one soccer ball and keep an entire village occupied. Entire village of poor people occupied.

[Alicia Krause]

But I feel like that's. I'm not gonna poo poo on that. I think that that's kind of a cool thing.

[Adam Carolla]

Yeah, no, it's invented out of necessity.

[Alicia Krause]

I'd rather them do that than join trend.

[Adam Carolla]

Well, there's only one or two choices. We're at a crossroads, people, here. No, you're right. All right, so there's that. I don't think Russians have a large sandwich variety either.

[Alicia Krause]

No, I mean, I can't see that most communist dictatorships.

[Adam Carolla]

Yeah, not a full deli spread. Not great over there. All right, so screw soccer. But fine. But I want to be called football.

[Alicia Krause]

It would be really confusing. I think that Trump obviously was just being very Trumpy. We can't have two different types of football. How are you gonna differentiate?

[Adam Carolla]

I don't care about soccer and I hate the USA women's soccer team. Those are the worst shrews in the.

[Alicia Krause]

World, the faux feminists.

[Adam Carolla]

Oh, God, they're the worst. What's her name?

[Alicia Krause]

Megan Rapinoe.

[Adam Carolla]

Rapinoe. Yeah, whatever. Fucking hate her. Go to. Go to Canada. I hate her.

[Alicia Krause]

Blame Canada. Go to Canada.

[Adam Carolla]

O'Reilly Auto Parts. Yeah, O'Reilly Auto Parts. You know the jingle, I don't know if I did it justice. Oh, oh, oh, O'Reilly. Yeah, it's a good tune. It's a finger, finger popping music, as they used to call it. They're in the business of keeping your car on the road. O'Reilly Auto Parts offers friendly, helpful service and the parts knowledge you need for all your maintenance and repairs. Always use these guys. Always have used these guys. I could tell you where the locations are in my neighborhood. So whether you're a car aficionado or an auto novice, you'll find the employees at O'Reilly Auto Parts are knowledgeable, helpful, and best of all, they are friendly. So stop by O'Reilly Auto Parts today or you can visit us online@o'reillyauto.com Adam that's o'reillyauto.com Ad Adam.

[Unknown]

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[Alicia Krause]

So a judge in New York City has blocked the NYPD's attempt to force dozens of unqualified officers to resign after faulty hiring standards. Did you hear about this?

[Adam Carolla]

Well, there's an issue. There's gonna be an issue as we go. Whether it's the fire department, the military or the NYPD or whatever, police department, whatever. Pd you go, look, all we have now is a bunch of fit white guys doing this job. And what we have over here is a bunch of fat people and women who also wanna feel like they're represented with the community in the fire department or police department. So at some point they go, well, all right, just have the fat guy and the chick or the fat chick, just have them be able to do, you know, you gotta do 20 pushups in 90 seconds or clear this. Be able to climb an eight foot fence or whatever it is, carry a.

[Alicia Krause]

You know, 150 pound man from a burning building.

[Adam Carolla]

Right. And then they go, well, the chicks and the fat people can't really do that. And then what I would say is, well, they should come back when they can. But that's not our new world order. The new world order goes, well. Hmm. All right, well, what if we just lower the fence from 8ft to 4ft, and what if we did 10 push ups in 90 seconds instead of 20 push ups in 90, and before you know it, you have a bunch of fat chicks working at the police department and then they're in fucking trouble. But do you see this one in England who got punched in the face?

[Alicia Krause]

Well, their cops don't even carry weapons.

[Adam Carolla]

She had like, mental meltdown.

[Alicia Krause]

Yeah.

[Adam Carolla]

And it's like you just got a knuckle sandwich, baby. That happens.

[Alicia Krause]

It sucks.

[Adam Carolla]

It sucks. But it's part of this job. It comes with this territory. And I used to box. Your husband was a hockey goon and enforcer. Is he the guy who beat the shit out of the guy on the golf course?

[Alicia Krause]

No, I said you were a soccer player.

[Adam Carolla]

It was an argument to be proud of soccer. It was a goon. The whole point is this. I'm used to being punched in the face. I got punched in the face a bunch of times. Young guys get punched in the face. This woman. Now, look, don't get me wrong, don't punch a cop. I don't like it.

[Alicia Krause]

But cops don't punch women and don't punch cops. Like, in that order.

[Adam Carolla]

Actually, cops being 130 pounds and having a mental breakdown because someone in a crowd punched them. That's not really what you want in a cop, is what I'm saying. This is her, by the way, and she's.

[Stephen Kalinich]

Calm down.

[Alicia Krause]

You call.

[Stephen Kalinich]

I'm.

[Adam Carolla]

I'm just saying you gotta get some Kleenex, you gotta clean up, you gotta get a ride to the hospital or whatever you gotta do. But you can't have an entire mental breakdown.

[Alicia Krause]

It's also like, I don't care. I'm sure the percentage is much less. But that is kind of like a fight or flight kind of symptom.

[Adam Carolla]

Yeah.

[Alicia Krause]

That, you know, if you know people that are Delta Force or Navy seals or whatever. Part of, like, going through really, really tough training.

[Adam Carolla]

Yeah.

[Alicia Krause]

For SWAT team and other things in the FBI is like, you. They want to see what your fight or flight reflex is. So male or female. We'd be laughing if it was a dude having a freak out like that. I think understand differently when it's a woman.

[Adam Carolla]

If I was.

[Alicia Krause]

It's like we should be testing everyone for that, for that reflex. And like, what do you get punched in the face? You punch them back.

[Adam Carolla]

Can I tell you how to do without in the testing without punching anybody with my Delta Force guys. Cops the fight or flight the reflex. I mean, this. I go, look, we're going on a hike. We're going on a jog today, fellas. I get to group like 30 guys and I go. We go chugging, right? And I go, okay, we're going to go up this street, we're going to turn right and we're going to go through that tunnel. And when they're all chugging through the tunnel, when they get to the middle of the tunnel and they're just jogging, I come behind them in a 71 VW camper bus and I do a little rev and a downshift and I throw a backfire, an old school backfire. These guys right behind him right before they can see me and they're jogging and you hear this huge pop, huge backfire right in the middle of the tunnel. Any cadet who flinches or hand flies up or ducks or anything, you're out. You're out. I need the detuned wiring. I need detuned. I don't need little yappy dog. I need big lab wiring, mellow wiring. She got punched in the face and she had an emotional meltdown. She's out.

[Alicia Krause]

Yeah, like, you need the adrenaline and like the fight to keep that.

[Adam Carolla]

I need that for pilots, too.

[Alicia Krause]

Oh, yeah.

[Adam Carolla]

I don't want them freaking out because there's something, an indicator comes on and that dash.

[Alicia Krause]

So my dad was a pilot for 20 years, a corporate military pilot for 20, and then corporate pilot for 20. And I often, like, I so judge flight crews.

[Adam Carolla]

Oh, good.

[Alicia Krause]

Now because of. And whenever I get like a snippy flight attendant, male or female, that seems like they're unwilling to like, do something or sacrifice themselves, I'm like, you signed up for the wrong job.

[Adam Carolla]

Yes.

[Alicia Krause]

Because if we have to emergency land in the Hudson.

[Adam Carolla]

Yes. Solely.

[Alicia Krause]

Right. Then you need to be able to get your shit together and help everybody else and not have a freak out.

[Adam Carolla]

I agree. So look, if you take a bunch of people, whether it's the fire department, the cockpit or the police department, and you shove them in these positions or where they don't belong, or it's vice President of the United States or it's Supreme Court justices, if you go, we need this, and you shove it professors of feminine be prepared for dumb people. Sotomayor's dumb when she gives her. When she was.

[Alicia Krause]

Not as much as I think she.

[Adam Carolla]

Ketanji's dumber than she is. But Sotomayor is dumb, too. She was like 10 minutes ago. She was pushing for everybody to be regulated and vaxxed. She wanted to force vaccinations on every American. That was her plan.

[Alicia Krause]

Forget the Constitution, the things she vowed to uphold.

[Adam Carolla]

And then she went on to lay out a bunch of inaccurate information about kids being on ventilators and in hospitals. She's either stupid or she lies. But either way, you're going to get that. And then eventually, whether you're in the airplane or subject to some idiot's vax mandate, then you will be the recipient of it. Yep.

[Alicia Krause]

Yep.

[Adam Carolla]

Okay. That's not where I want to live.

[Alicia Krause]

Well, now this judge is saying that it wasn't fair. It wasn't very fair that these 30 cops and cadets that were hired between 2023 and 2024 were not meeting the qualifications also. And apparently they were told that they had 24 hours to resign or be fired because they didn't meet the qualifications. And all these people are suing the NYPD and saying, well, that's not fair, because we thought we did. Also, by the way, the qualifications have been lowered consistently, like you said.

[Adam Carolla]

Well, also, if you're gonna have cops get buckets of water dumped on their head and urine bottles tossed at them and every motherfucker's fighting and calling them pigs and cussing them out, you're not gonna get a robust group of people trying to sign up for the next academy. The numbers are going to get junkies and desp. You're gonna have to lower the standards because you're not gonna get the cream of the crop because those people are going somewhere else.

[Alicia Krause]

It's down 14%.

[Adam Carolla]

Yes.

[Alicia Krause]

Recruitment for the NYPD is down 14%, by the way, here in LA. LAPD numbers are abysmal as well.

[Adam Carolla]

Wait till the Communists takes over in New York. Wait till that douchebag takes over. Cops are just all gonna leave. They're just gonna.

[Alicia Krause]

I mean, they did it in Seattle, they did it in Portland, they're doing it in la.

[Adam Carolla]

Him and his fucking retarded dad show up and start making policies over there, the cops are just gonna leave. Yeah, why wouldn't you? By the way? Forget about cop. Let's just say people don't want to.

[Alicia Krause]

Be safe walking down the street.

[Adam Carolla]

Let's just say you're a welder. You Had a trade and somebody went, well, it's a bitch being a welder in Los Angeles. Cuz it's fucking. They hate you and they're so shitty to you and everyone drives by and fuck flips you off and stuff like that. And it's dangerous. They put you out. But in Indiana, they love welders. I'd go, well, fuck it, we're moving to Muncie.

[Alicia Krause]

Yep.

[Adam Carolla]

Because we're gonna go somewhere where I can weld and people appreciate it and they like me.

[Alicia Krause]

Yep. Treat you with, I don't know, some dignity and respect.

[Adam Carolla]

And then Florida go like, hey, welders, $10,000 bonus to relocate from Los Angeles where they hate welders, in New York where they hate welders. Come, we'll give you 10,000, we'll relocate you. I'd be, pack your bags, go to Florida.

[Alicia Krause]

This happened during COVID during the BLM riots and stuff. It happened a little bit after the antifa, like Occupy Wal Wall street, where liberal cities like cops are like, I'm done dealing with this shit and they're going to more red cities. But then it happened again. An influx of cops leaving places. We have a friend left. Seattle was like I could get spit on and punched in the face and I could like not retaliate or do anything. I couldn't cuff the guy. My hands were tied by the city and like law enforcement leadership. They moved to Phoenix.

[Adam Carolla]

Yeah.

[Alicia Krause]

And got a job with a small little, you know, suburban town outside of Phoenix where they can actually enforce law. Not abuse their power, but enforce the fricking law. More people are gonna do it.

[Adam Carolla]

More people. Well, first off, that's just how it works. That's how humans work. You just kind of go somewhere. Like I said, welder sounds weird, but that's how welders would work. There'd be no welders. And then we'd have to go, well, look, we used to have a high standard to be certified as a welder in Los Angeles. Now we got this retarded kid with a blowtorch, but he's in. And because we can't fill these jobs. And then we get the British chick, by the way, that chick, look at, she weighed 125 pounds soaking wet.

[Alicia Krause]

Like, why are you dealing with a mob at an airport?

[Adam Carolla]

I completely and 100% reject this notion of we need cops or firemen or anybody to look like the community. They whatever. I don't need them to look like me at all. They can just be good.

[Alicia Krause]

I, you know, I'd be Curious to read some data on that because even in, like the Giuliani administration with the broken windows theory, you know, that helped turn New York City around and how. I think that we need to do a lot of that here in LA and other cities in the country, I do think that sometimes they did see positive things. Like if you sent a black cop to the black community in New York, they were more receptive to have that show of force there when it was somebody that looked like them broadly.

[Adam Carolla]

Oh, well, I do believe the blacks are that way. I don't. Whites are not. Not.

[Alicia Krause]

Okay, so you're saying you're talking about, like the. The vast majority. Not like specific communities and the communities that need it the most.

[Adam Carolla]

Yeah, yeah.

[Alicia Krause]

Communities that, like, need the show of force from law enforcement. So there aren't drive bys happening every single night.

[Adam Carolla]

Yes. All right, let's do what's next.

[Alicia Krause]

All right, we're going to talk about girly things. A Birkin bag. Like the og, I think. Birkin bag.

[Adam Carolla]

Yeah, I heard this story.

[Alicia Krause]

You heard about it? Cause you have a daughter. That's why you heard it.

[Adam Carolla]

No, no, no, I know the story. Which is a model from the time. Maybe her name was Birkin or the Birkin guy made it for the model.

[Alicia Krause]

It was Jane Birkin.

[Adam Carolla]

The model.

[Alicia Krause]

Yeah, she like made it famous.

[Adam Carolla]

Right. But that model was on a flight and she was carrying her stuff in like a basket or something. And a guy who makes leather and bags and stuff said, for herme.

[Alicia Krause]

Is that how you say it?

[Adam Carolla]

The guy from the family.

[Alicia Krause]

Yeah.

[Adam Carolla]

He said, why don't you have a nice purse? And then she said, I don't know. And he said, well, I'll make you a purse. And I guess in the 60s or early 70s, and he made her a Birkin bag. I mean, he made the Burk their messaging.

[Alicia Krause]

He was trying to impress a supermodel.

[Adam Carolla]

He was trying to get laid. Yeah. But we got a bag out of it.

[Alicia Krause]

A bag that, like every single celebrity has a bajillion versions of.

[Adam Carolla]

And so she has the number one serial number one prototype Birkin bag, or her bag with her name on it. And then I guess she just walked around and used it.

[Alicia Krause]

Yep. And beat it up. According to the picture we have stuffed, scratched, and stained, this black leather Birkin bag just sold for a whopping 10 million, becoming the most expensive handbag to ever sell at auction. And I guess it. Yeah, it fell at a winning bid of 8.2 million. So with taxes and fees and all that fun stuff, it's over $10 million.

[Adam Carolla]

Yeah. The vig is usually about 10%, but it could be. Could be more. So 8 million? If something's 8, you got to tack another 800 grand at least on there. But it might be 15. But yeah. So it comes in at 10 million.

[Alicia Krause]

Bucks apparently, by the way, 10 million bucks in 10 minute bidding war.

[Adam Carolla]

Oh, really?

[Alicia Krause]

Could you imagine? That's some really good ROI, man. Ten minutes at Sotheby's, you can make $10 million. Well, it was purchased by a private collector. An anonymous private collector, I would say.

[Adam Carolla]

They're always anonymous. They're always anonymous because if you find out who it is, right?

[Alicia Krause]

Oh, yeah.

[Adam Carolla]

Cause you know this guy's got some loser brother who's gonna like, come up to him and go, hey, man, I just read on my feed you spent 10 million bucks for a used fucking purse. Could I borrow 40 grand? And he'd go, you don't have 40 grand. You just spent $10 million on a fucking purse.

[Alicia Krause]

Yep.

[Adam Carolla]

Yeah.

[Alicia Krause]

Okay. Apparently the original Birkin has changed private hands more than once since Birkin herself sold it in 1994 to benefit AIDS research.

[Adam Carolla]

Wow.

[Alicia Krause]

Which, by the way, you know, here she. She. I guess like once something sold, it sold, but she donated it to charity, and now it's like private collectors making money off of it. Like, I would kind of have a thorn in my side about that. Like, if I had something fancy that I donated and I wanted to help charity. And then like 20 years later, 30 years later, somebody's like, I'm gonna go make $10 million off of this, I'd be slightly annoyed.

[Adam Carolla]

Well, let me break it down and figure it out. What'd she sell it for in 91? That's the part that should annoy you.

[Alicia Krause]

No, it doesn't say what it sold for in 94.

[Adam Carolla]

Well, listen, if somebody. All right, let's just say. Oh, 94. Sorry. Let's just say I went to the AIDS auction. Okay.

[Alicia Krause]

Yeah.

[Adam Carolla]

And in 94. And I just paid 500k for this bag.

[Alicia Krause]

Yeah.

[Adam Carolla]

Well, the AIDS auction still gets to 500k.

[Alicia Krause]

True.

[Adam Carolla]

And the person who donated it, the model, still knows that she created $500,000 worth of whatever. And then I sit on it for 30 years, 31 years, then I get to sell it. But the auction still got their cash back in the day. I mean, that's what it could sell for.

[Alicia Krause]

Yeah. So, like, my capitalistic side agrees with that. But my judgmental annoyed, I'd be like.

[Adam Carolla]

Well, I don't think the person bought it to sell it. 31 years later, the person would probably had their heart.

[Alicia Krause]

It could have changed hands a few times and then some shitty step kid wanted to sell it.

[Adam Carolla]

Probably. But I'm not following your logic here. You go to the AIDS auction in 94 and you give them 500k for a bag, and the AIDS auction got 500k for their bag. And then you bring the bag home and then you sit with it for 31 years, carry it around, scuff it up a little bit. Carry it around or use it, and at some point you want to sell it. Who's. I don't get.

[Alicia Krause]

No, I'm not saying it makes any sense and I'm not even saying somebody is at fault. I'm just saying that if it were me and it were my donation to charity originally, and then somebody else went and made a bajillion times more.

[Adam Carolla]

If you're the model.

[Alicia Krause]

If I'm Jane Birkin.

[Adam Carolla]

Yeah.

[Alicia Krause]

And that's my bag. Like the OG bag that was made for me.

[Adam Carolla]

I think if they flipped it. But 31 years later.

[Alicia Krause]

Well, it has changed hands more than once. So we don't know how frequently. Other bags by the way of hers or other Birkin bags. Like a diamond encrusted crocodile bag. I've gone for like over $500,000.

[Adam Carolla]

Well, look, this is the ladies version of a baseball card or a comic book. And I frown on that as well. No, because how dare you. Remember, four wheels good.

[Alicia Krause]

Four wheels good. Baseball card's bad.

[Adam Carolla]

A classic car can be used like the baseball card in a comic book. You can't touch, you know, the bag you could use, but you can't. Cause it's worth 2 million bucks. You can't leave.

[Alicia Krause]

I mean, celebrities that have 20 of them use them.

[Adam Carolla]

They're not worth millions.

[Alicia Krause]

True. The ones that the Karjenners have, like, aren't worth like. Yeah. 10 million bucks a pop.

[Adam Carolla]

If you go out, you know, I'll go to pebble beach this year and there'll be tens of millions of dollars worth of cars out there. Some cars will be worth 80 million bucks or whatever, but the person will be driving it on the tour before they go to the beach. And they'll have their wife in it and whatever, their kids or whatever it is. And then I'll go the track and they'll have millions of dollars worth of cars there. But they're racing.

[Alicia Krause]

Yeah.

[Adam Carolla]

Like they're actually physically doing it.

[Alicia Krause]

They're enjoying the thing that they spend all that money on. Yeah, we're Like a baseball card.

[Adam Carolla]

Well, I would also say that. All right, let's break this down as well. A baseball isn't inherently worth anything. It's worth about $4 and a baseball card is worth 30 cents. And a comic book's worth $1.50. And that bag is physically worth $19 worth of leather tooling on it. Right. Or the cow or whatever. But because of whatever it is worth.

[Alicia Krause]

This, the process that it went through and who and the name and.

[Adam Carolla]

Right. Well, this baseball Babe Ruth hit out of the ballpark in 1927. So now it's worth. But, but. And that's what I don't like about junky American cars being worth a lot versus cool Italian cars being worth a lot.

[Alicia Krause]

Oh, really? So you don't like a classic American car?

[Adam Carolla]

No.

[Alicia Krause]

Really?

[Adam Carolla]

No. American cars, classically usually junk people. People like them, but that they're stupid. Mainly. Like, okay, Steve McQueen's Mustang from Bullitt sold for like over $4 million. It's a piece of shit. Okay, but if you had the Ferrari California Spider from Ferris Bueller's Day off, that car was thousands and thousands of dollars when it was new. Yeah, that is not a piece of shit. Yeah, that's got a 12 cylinder, four cam engine. Probably not independent rear suspension.

[Alicia Krause]

What would any of those things mean?

[Adam Carolla]

Probably disc brakes, not drum brakes. Okay, don't get me. I'm just saying.

[Alicia Krause]

So you wouldn't spend $10 million on a Birkin bag. Should take my Swiss wish list from Adam.

[Adam Carolla]

Somebody spent at that auction and we.

[Alicia Krause]

Don'T know, an anonymous buyer from Japan.

[Adam Carolla]

No, no. At the, at the 94 hours, like AIDS benefit, somebody bought a Birkin bag in 94. Did they pay over a million dollars for it? I don't think so, no. Well, we don't know.

[Alicia Krause]

Yeah, but the assumption based on other Birkins, like this is the OG Birkin, but like other Birkins more recently at auction have gone for under a mill. So I don't think that in 94, even the original one would have gone for a mil.

[Adam Carolla]

Yeah, that's what I'm saying. I think it's under a million bucks.

[Alicia Krause]

Yeah.

[Adam Carolla]

So if somebody said, look, I got a plastic Ralph's bag. It says Ralph's on it. Okay.

[Alicia Krause]

Signed by Ralph.

[Adam Carolla]

Not anything. It's just a Ralph's bag. Okay. Would you like to spend $872,000 for it? And in 30 years it'll be worth $10 million? Then you'd go, yeah, okay, I'll do that. And then someone would go, why would you spend $872,000 for a Ralph's bag? Well, if it's gonna be worth 10 million bucks, then my kids will have a nice life with it.

[Alicia Krause]

Yeah.

[Adam Carolla]

So that's baseballs. Baseball cards. And people do that all the time. They go, who's got $5 million to spend on a baseball from Babe Ruth? Well, if it's gonna be worth $10 million in 14 years, then yeah.

[Alicia Krause]

But also. So this person that spent $5 million on the baseball probably has like $500 million. So that's nothing for them.

[Adam Carolla]

They usually. That's usually not their last five mil.

[Alicia Krause]

Yeah, exactly. They've done it before and they can do it again.

[Adam Carolla]

All right, we're gonna talk to Stephen. Let's see if I can pronounce his last name. Kalinich. I think I said that right. Interesting guy. Been there, done that. But worked with some of the greats like Brian Wilson and all that back then. I want to know if he ever came across Charlie Manson, part of the whole Laurel Canyon music scene in the 60s and all that. Alicia. We will give a plug to you newsmakers on the Washington examiner and the op eds out. Look you up there, aliciacrause.com the website. We'll do that. Talk to Steven right after this. HIMS HAIR all right, summer's here. It's hot out. Let's not let hair loss make you sweat even more. HIMS is here to help you regrow hair so you can see thicker, fuller hair in just three to six months. Be honest. Are you wearing that ball cap? Is that because you like your team or are you just hiding that thin in hair? HIMS offers prescription treatments, chews, oral meds, serums, sprays, all with ingredients that actually work. We're talking doctor trusted stuff like finasteride and minoxidil, clinically proven to stop hair loss and regrow hair fast. It's all online. Fill out a quick intake form, connect with a medical provider and find out what's right for you. Your treatment ships free straight to your door. Right, Dawson.

[Dawson]

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[Adam Carolla]

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[Dawson]

Dawson, go to hometitlelock.com and use promo code ADAM. That's hometitlelock.com, promo code ADAM.

[Adam Carolla]

Adam.

[Dawson]

It's time to check Adam's voicemail.

[Alicia Krause]

This man.

[Adam Carolla]

This is Apple, formerly of North Kakalaki. Now I'm in Tucson, Arizona. But listen, I was listening to the new Dropkick Murphy's album, and they got a song on there called the Big Man. It's about Fletcher from Pennywise, and it mentions your name in the opening verse. That's right. You got to check it out. Awesome song, awesome album. Get it on.

[Dawson]

You can leave us a message at 888-634-1744.

[Adam Carolla]

Oh, yeah, Dicky from the Boss Tones told me that he texted me that the other day. I got to text him back. I screwed that up. All right, Stephen Kalinich is here. He's 83 years young. He's been there. He's done that part of the Laurel Canyon music scene from back in the day.

[Stephen Kalinich]

Well, yeah, before that, but I was in that scene, too. And I know a lot of those people still, some of them that are left.

[Adam Carolla]

Who was part of that Laurel Canyon scene from back in the day?

[Stephen Kalinich]

Well, when I started, to be honest with you, I didn't know anyone. I came from Binghamton, New York. I hitchhiked to California. I didn't know what I wanted to do. I was kind of poking poetic type of soul. I was into the peace movement at that time, and somehow I was living at the Hollywood Y and I met a guy named Jim Critchfield who was assistant to the guy that created Roadrunner Jay Ward.

[Adam Carolla]

Now, the cartoons.

[Stephen Kalinich]

Yeah, and he took me into the studio to meet Jay. And Jay was. I would sing for him, or not that I'm the greatest singer. And I would recite poems. And he said, you should meet Brian Wilson. He started a new record company, Brother Records. So he.

[Adam Carolla]

What year was this?

[Stephen Kalinich]

66 or 67. I'm not exactly accurate.

[Adam Carolla]

The Beach Boys were up and running at that point.

[Stephen Kalinich]

Yeah. And the first album I was on was Friends. And I wrote Little Bird with Dennis. And Brian wrote the Bridge. Never took credit for it. And Be still, which I got the idea from the Bible. Be still and know that I'm God. But I made it more for everyday people. So if you don't believe in something, you still could learn to be still. It was before meditation, so that was my. And Brian signed me. Even though I wasn't really a songwriter yet. I really didn't have any kind of career, except that I would go around to clubs and maybe recite poetry.

[Adam Carolla]

So who was up in Laurel Canyon later on?

[Stephen Kalinich]

Later on, The Mamas and Papas. There was a group called Sons of Adam that played at the Whiskey a lot around a little before the time of the Doors. And many of the Joni Mitchell and all those people, I met them later, but I wasn't in that initial batch there. But I knew a lot of them.

[Adam Carolla]

So Laurel Canyon. Well, I lived on the other side of Laurel Canyon. There's the valley side of Laurel Canyon, where it didn't attract many artists. It was more.

[Stephen Kalinich]

And now they all live there. A lot of them do.

[Adam Carolla]

A lot of comedians came here and rented apartments in North Hollywood, like Adam Sandler and guys like that. There was a lot of musicians and comedians. There used to be a lot of recording studios in North Hollywood. But be all that as it may. So you're there with the Doors, the Mamas and the Papas, the Birds, the Rascals.

[Stephen Kalinich]

Yeah. I went to school with Felix Cavalieri. That was in the Rascals, Syracuse University. We weren't that close, but we had the same. You know how you have Big Brother in colleges and a big football school?

[Adam Carolla]

Rascals, who used to be the Young Rascals, are one of the most underrated bands, I would say. And so there's two bands that don't get their due. One is the Hollies, and one is the Rascals. And the reason the Hollies and the rascals. See, every U2 song sounds the same. So you always know it's the band U2. And you could say that way with the Red Hot Chili Peppers or the Beastie Boys or any shitty band. But the Rascals had so many different songs, and the Hollies had so many different songs that you didn't know. He Ain't Heavy, He's My Brother and Long Tall Woman in a Black Dress were the same band because the song sounded completely different. So in a way, they don't get their due.

[Stephen Kalinich]

I agree with you. A lot of bands don't get their due.

[Adam Carolla]

Oh, a lot of comedians don't get their due. A lot of artists, painters, poets. That's baked in.

[Stephen Kalinich]

And I remember going to the Whiskey all the time. You could go in there besides seeing the acts you'd see. Like all the movie stars used to go to the Whiskey in those days. Like Anthony Quinn you'd see sitting at a table or different people like that. And Johnny Rivers and the Doors had that long stay at the Whiskey.

[Adam Carolla]

You probably.

[Stephen Kalinich]

Are you young enough to remember that one or not?

[Adam Carolla]

I couldn't. No, I'm not young enough or too old or too young or something. But also, I couldn't go anywhere because my parents were poor and everyone was poor. And so while people go, oh, we'd go to these concerts or that concert or this concert. I couldn't go to any concerts. I didn't have money. I didn't even know how to buy the tickets. I wouldn't know how to get there, you know, if I did buy the ticket.

[Stephen Kalinich]

So, no, I was poor, but maybe you were poorer than me.

[Adam Carolla]

Well, we were poor and downtrodden, which is like, you can be poor, but let's just say you're poor, but your dad loves barbecue. You're gonna eat barbecue.

[Stephen Kalinich]

That's it. That's it.

[Adam Carolla]

Or you're poor, but your dad loves Frank Sinatra or Elvis or something. You will go to a concert, or.

[Stephen Kalinich]

You find a way to do things.

[Adam Carolla]

You find a way.

[Stephen Kalinich]

You find a way that you have to be a bus. I did busboy, guest, all that kind of stuff. I don't know if you ever.

[Adam Carolla]

We were poor, and my dad didn't like anything. So that meant no swinging by the Whiskey. But worked with. Did you ever come across Charles Manson in this whole era?

[Stephen Kalinich]

I met him when I was working with Dennis. I haven't always wanted to talk about it because I. I didn't want to give power to that. But it is something that exists.

[Adam Carolla]

Well, he's dead now.

[Stephen Kalinich]

After I wrote Little Bird and Be still on the Friends album one time at Dennis house on Sunset, 14400 Sunset Blvd.I did pull into the driveway. One day, Dennis invited me over and he was there with those girls. And I just had gotten married with.

[Adam Carolla]

The Manson girls, Squeaky.

[Stephen Kalinich]

And some of them, I didn't. This is way before any problems. And Dennis said, oh, I told him about you, Stevie. Maybe you want to write or do something with them. I said, I definitely do. Not the girls and Manson, mostly Manson, he wanted me. And he introduced me to him. And he came out of the shower, he had a towel around him and he said, I'm Charlie, you know. And my wife said immediately on the way home, she said, that guy, there's something wrong with that guy. And I was a peace and love guy. Then I learned the hard way. So I didn't see it as to the extreme, but she saw it instantly that they were mentally off.

[Adam Carolla]

How did you know that you didn't want to work with Charles Manson before that, though?

[Stephen Kalinich]

I got a lot of things with people. Gut level, I call it. And I'm sure you have that. I've heard you on the show. That's pretty gut level. You just get a feeling inside that is disruptive. And shortly after, I broke my contract with the Beach Boys. Shortly after that. I'm not saying that's the only reason, but I was feeling a negative energy and they tried to keep me and I broke it.

[Adam Carolla]

So there was like this story of Melinda Gates. Basically says the first time she saw her husband hanging out, Bill Gates at the time with Epstein. She said, I had this feeling about this guy. I don't want any part of this guy. Whatever. Women are usually more tuned in.

[Stephen Kalinich]

My wife was for sure.

[Adam Carolla]

So she just saw Charles Manson once and was like, this guy's bad news. Cuz you could sort of see it in his eyes. It looked like a psycho.

[Stephen Kalinich]

I think that he had red, like I said, really red, bloodshot eyes. I mean, one of my songs, that was a lyric. You're looking at life through red bloodshot eyes. You don't see the true colors and you don't see the skies. That was a kind of. That was somebody like Charlie.

[Adam Carolla]

So you knew he was bad news. And this is several years before the whole LaBianca and Tate murders.

[Stephen Kalinich]

I would say a year or two before. I just had no clue about all that was gonna go down. But I think I could have been with them or. Or I could have been at the house or whatever. I just feel the universe pulled me. What seemed like a bad move, leaving the beach boys in my 20s, early 20s, and like starting out, working a gas station, doing everything Just to survive, to get back in there.

[Adam Carolla]

How were the Beach Boys? I mean, I know that dad was pretty overbearing, right? I know Brian Wilson definitely had his issues.

[Stephen Kalinich]

Later on, I met the dad a few times. Dennis would take me out there with me. He was fine, but you hear all the stories. But when I was there, he didn't show those kind of emotions, feelings to me. Only thing is, once he tried to offer me advance if I would sign on his side for something, and I refused it.

[Adam Carolla]

So he wanted to cherry pick you or headhunt you from the Beach Boys?

[Stephen Kalinich]

Not necessarily, but he wanted me to, I think to sign something. I don't know if it was a publishing. They never really explained to me, but I had a gut level. I do a lot of gut level stuff. I imagine you do, too, and I didn't. And I ended up not being able to get a job. And then later, a couple years later, I got A and M to sign me as a staff writer and then Motown.

[Adam Carolla]

Who'd you work with at Motown?

[Stephen Kalinich]

I worked with Robert Gordy, Barry's brother, Jay Lowy, you probably know him. Robert Gordy.

[Adam Carolla]

What artists did you work with?

[Stephen Kalinich]

Randy Crawford. I wrote Only youy Love. I wrote everything. Not the flip side of everything. Was saying Only youy Love song Lasts with the Hugh Massakela flugelhorn solo. And I wrote a song with Mary Wilson of the Supremes called you'd Dance My Heart around the Stars. And Gus Dudgeon produced. It was Elton John's producer.

[Adam Carolla]

Hugh Masakelo. Is this Sal Masakela's father? I was gonna say the guy does the extreme sports.

[Stephen Kalinich]

Oh, no, it's not the same guy. It's the. You know, the one that played with all those people. Beautiful Flugel Cornpleo.

[Adam Carolla]

His dad, right? I think it's his dad.

[Stephen Kalinich]

His dad was in sports?

[Adam Carolla]

No, no, no. His son. He has a son. His son has his name and he does something. His dad is the guy you're talking about.

[Stephen Kalinich]

He was a lovely guy, too.

[Adam Carolla]

Yeah. Flugelhorn. My dad played flugelhorn.

[Stephen Kalinich]

It's a difficult instrument.

[Adam Carolla]

Oh, he made. Yeah. My dad made it look difficult.

[Stephen Kalinich]

You'd think that, but the sound can be amazing.

[Adam Carolla]

Same guy, right? Yeah, yeah. Sal's his son. Sal does the extreme game stuff and his dad is that guy. So you're at Motown. Were you there? Did you visit?

[Stephen Kalinich]

I was going there to the office on Sunset, when they moved to California, and we had offices in there. But a lot of times you'd write at the person's House. And I got to meet a lot of people and I became good friends with Mary Wilson and Smokey. I worked with and did a couple things with him and a lot of great people at Motown.

[Adam Carolla]

How would it work? Like, if you're working. I love Smokey Robinson. But you would go there and you'd be working on the lyrics.

[Stephen Kalinich]

Yeah. Or I'd give them a lyric and let them put a melody to it. Or I'd go their house. It wasn't always. They had a demo studio, which I didn't really care about that. They'd do demos and they'd put me with different people to work with.

[Adam Carolla]

You know, when you think about those songs, like, one of my favorite pop songs of all time is Tears of a Clown.

[Stephen Kalinich]

Beautiful song.

[Adam Carolla]

Beautiful song.

[Stephen Kalinich]

Very touching.

[Adam Carolla]

It's touching. And when you hear the lyrics to it, they're pretty. Pretty elaborate, you know, they're not just mailing it in.

[Stephen Kalinich]

No, he's very. He's a very gifted. I think he's like a street poet. Like, a lot of people would criticize Mike Love because of the everyday lyrics. The car, the hamburger stand out. But to me, that is more the everyday American than a lot of the esoteric stuff of the people that they liked a lot more. Yeah, I think that there's a certain element of what is your poetry? Are you elitist? Are you everyday poet? Do you care about. How do you. What do you want to convey in your lyrics? I think they're all valid. Just depends what your viewpoint is.

[Adam Carolla]

Yeah. Like I said. Yeah. If you break down Tears of a Clown, the song is great. But the lyrics are good.

[Stephen Kalinich]

It's amazing.

[Adam Carolla]

And they're touching. Homes.com Some might say homes.com is the best home shopping site and maybe homes.com's super comprehensive and transparent agent directory. Or Maybe it's that homes.com is the only site that always directly connects you with the listing agent who knows the home the best. Perhaps it's because homes.com has the most in depth neighborhood content of any home shopping site that's extensively researched to highlight the personality of each neighborhood. Well, I think it's all the above. That's why I go to homes.com homes.com goes above and beyond to bring home shoppers the in depth info they need to find the right home. Yeah, homes dot com. That's homes dot com. We've done your homework.

[Unknown]

This summer, Pluto TV is exploding with thousands of free movies. Summer of cinema is here. Feel the explosive action all summer long with movies like Gladiator Mission Impossible, Beverly Hills Cop, Good Burger and Dark of the Moon. Bring the action with you and stream for free from all your favorite devices. Pluto tv Stream now pay Never.

[Adam Carolla]

By the way, on the flip side of that, I was listening to Little Lover boy on the 80s station. Coming in. Worst lyrics. Lover Boy's the worst. You want a piece of my heart? You gotta start from the start. But every one of their songs is the junkiest. Them in scandal, shooting down the walls of heartache. Bang, bang, I am the warrior. I mean, some songs are just insulting. And I don't think people are insulted enough by bad lyrics. I can't stand bad lyrics. They ruin a song for me if.

[Stephen Kalinich]

The music lets them dance in days, the dance was a lot a part of it. Can I get someone to dance?

[Adam Carolla]

I think most people are too dumb to appreciate good lyrics.

[Dawson]

Well, speaking of someone who did great lyrics and was also a part of the Laurel Canyon sound, Steve, I'm wondering if you ever hung out with Lowell George and Little Feet.

[Stephen Kalinich]

I knew him a little, but I never hung out with him. I never had that opportunity, that option. It would have been great. I love Little Feet.

[Adam Carolla]

Yeah, I don't know why. Speaking of Little Feet, I don't know why, but they had a comeback, and then they sort of came back, sort of. When the Grateful Dead had their comeback. Touch a Gray thing. But I was just listening to Touch a Gray, and there was that sequence where they go, the cow's giving kerosene, the boy's 15, he can't read, or whatever it was. It was like this whole run on, and I was like, oh, yeah, that's funny. And it was, like, smart, and it was interesting. Like. Like it was a. We're on Bad Times and here's all of it. And I love John Hyatt because John Hyatt.

[Stephen Kalinich]

John Hyatt had a lot of incredible songs and maybe underrated. What a great, great songwriter.

[Adam Carolla]

100% underrated. Or. I don't. I don't even know. See, should we call John Hyatt underrated or underappreciated? Or maybe it's both.

[Stephen Kalinich]

Maybe both. I would say both. I think a lot of people know him from my generation, but. But I don't know if all the newer people love him.

[Adam Carolla]

He's not underrated by anyone who's heard his stuff. Probably.

[Stephen Kalinich]

You're right.

[Adam Carolla]

Should have been played on the radio more than Lover Boy or than you two.

[Stephen Kalinich]

Of course.

[Adam Carolla]

God. Junk.

[Stephen Kalinich]

I was gonna say Eagles.

[Adam Carolla]

Heard another crappy Eagles song on the way here lately.

[Stephen Kalinich]

I've had the good fortune to work with sometime younger groups and younger people. And also. So I got the fortune. John Tiven produced an album with and Frank Black from the Pixies. Charles Thompson did a couple of my lyrics on the Pixies, but he did it as Charles Thompson on my record called Scrambled Eggs, which is obviously a take on the market. It's more of a rock and roll record. Rolling Stones record. But I did a duet with him on that record.

[Adam Carolla]

I was driving last night and the Pixies, Here Comes your Man came on and I thought, they're fantastic. This is a great pop song.

[Stephen Kalinich]

He's a great. I think he's a great pop artist. Charles is one. And he's a great person.

[Adam Carolla]

From the Pixies.

[Stephen Kalinich]

Yeah.

[Adam Carolla]

Never met him, I don't think. But Here Comes yous man is a great.

[Stephen Kalinich]

Yeah, he's great pop star. And also the one. What was the one in Fight Club or the. That song that. Whatever Happened to My Mind.

[Adam Carolla]

Yeah, there you go.

[Stephen Kalinich]

I don't know if you like that one, but I listen.

[Adam Carolla]

I like anything that's interesting. I don't like boring songs, and that's why I don't like bad lyrics. And I don't like lazy songs where they just repeat the same crap. It's like for dumb people, essentially. It drives me nuts.

[Stephen Kalinich]

Are you open to a poetic type of lyric? If you like it or you're not? Are you more wanting rock and roll? Or what do you feel in your body or your mind as you listen?

[Adam Carolla]

Well, I'll know it when I hear it. But when I hear, like. I like to sort of have a picture drawn in a weird way. Like when John Hyatt says, there was a life I was living through some cracked rear view where no future was given For a heart untrue I go, oh, yeah, he's living his life looking behind him in a cracked rearview mirror. And I thought, that paints a picture, you know? And I always liked that. That kind of stuff.

[Stephen Kalinich]

And can you relate to, like, if a lyric is somewhat poetic but is powerful to you? Do you like things like that Sometime?

[Adam Carolla]

I don't know. I'll tell you the best lyric ever. I think Papa Was a Rolling Stone.

[Stephen Kalinich]

That's a great lyric, too.

[Adam Carolla]

Getting back to that. Wherever he left his hat was his home. And the greatest lyric, when he died, all he left us was alone. That's the greatest. If you want to know, somebody said, tell me about your dad in 14 words. And someone just said that to you, you'd go I know exactly who your dad is.

[Stephen Kalinich]

Well, I remember and it's okay if it doesn't resonate with you. But I remember when I met Brian in 60s or whenever it was. And they pulled me into a room and he said, let me hear one of your poems. And the first one that he sent music to was called the Magic Hand. It's on the World of Peace album. And one of the lyrics in that at the end is on the other side of death is life and life is loving. And zombies who gather together in congregations and mass strangulations feel the bubble is bursting because their soul is thirsting. Thirsting for a touch of the hand. The magic hand. That with fingers finer than pure gold, fingers not made of flesh or bone, fingers that are all things. Echo is a symbol in every land. That itself, it is a part of every woman, every child and every man. The magic hand.

[Adam Carolla]

That is definitely not a lover boy lyric.

[Stephen Kalinich]

So I might not be your cup of tea, but that.

[Adam Carolla]

No, I like. Listen, I like anything interesting. Smart, you know, does it greatest. I'll tell you. Let's try to figure out what are the greatest lyrics from pop songs. Now you can't pick songs no one's heard of.

[Stephen Kalinich]

You can't. How about Bob Dylan?

[Adam Carolla]

You can pick a Bob Dylan song.

[Stephen Kalinich]

I like a lot of Bob Dylan lyrics too. I like Leonard Cohen too. A lot of Leonard's lyrics.

[Adam Carolla]

Well, I'm trying to think. There is a. All right, I'll try to figure this one out. I think. Now the thing about lyrics is it's good if they rhyme. It's good if they're smart because whatever.

[Stephen Kalinich]

They don't always have to rhyme.

[Adam Carolla]

They don't have to rhyme, but it's good. It's good if they sort of flow. But the reason papa's a rolling stone and when he died all he left us and because you think he's gonna say an old beat up Chevy, but it says alone. It's a twist.

[Stephen Kalinich]

That's intentionally good.

[Adam Carolla]

It's a twist, right. So that's smart. Now there's. Oh, God. Trying to. There's look up. So Victoria Williams.

[Stephen Kalinich]

I love her.

[Adam Carolla]

Yeah, I love her too. Who was, I think connected to or dated one of the Jayhawk guys. I love the Jayhawks. Great lyrics as well. She had a song called Wild Eyed Mary or Crazy Mary, whatever that Pearl Jam. I think Pearl Jam covered this song. Yeah, she was able to do a lyric in Crazy Mary where she spelled out the word loitering and rhymed it by spelling it out. There's a part where she goes down along the road past the Parsons place the old blue car we used to race Little country store with the sign tacked to the side said no L O I T E or I can't read it from here. Sorry. Ing, ing allowed Underneath that sign always congregated quite a crowd.

[Stephen Kalinich]

That's great. That's. Yeah, that's a great.

[Adam Carolla]

That's a great. I mean that took. That took some doing.

[Stephen Kalinich]

And each note had a syllable. It's very. It's brilliant. Yeah.

[Adam Carolla]

Oh, it's brilliant.

[Dawson]

I'm curious if Steve, if you have any thoughts on. On some modern day lyricists like. I've always been fascinated by the lyrics of Adam Duritz and Counting Crows and Rob Thomas in Matchbox 20.

[Stephen Kalinich]

I like both of them. But if it's okay. There's a young group that I've had the good fortune to do a couple songs with and I don't know if you guys have heard of them. The Lemon Twigs?

[Adam Carolla]

No, knew the Lemon Heads, but not the Lemon Twigs.

[Stephen Kalinich]

New young guys. And they followed a lot of the Beach Boy patterns. But I had the good fortune of doing a couple songs with them this last year. And I do like the groups you mentioned. To me that already seems like a long time, but maybe.

[Adam Carolla]

Yeah, it is. Nah, the new groups are old, they're in their 20s.

[Stephen Kalinich]

Even these guys that maybe are the Lemon Twigs. Yeah, yeah.

[Adam Carolla]

Wow.

[Stephen Kalinich]

And on Brian's new album, I have two songs that I wrote the lyrics to. It may not be your cup of tea, but you can listen. But I try and wanna find lyrics that will fit a good melody. But I wanna make them a little bit different. Even if they might be touching, but they might be harsh.

[Adam Carolla]

So you kind of a Bernie Taupin type. I mean, as far as I know. I mean there's been other lyricists, but I just mean like. Like he's probably the most famous. Doesn't really works with Elton John. And does the lyrics.

[Stephen Kalinich]

I would say probably closer to just like a spoken word artist, like a Leonard Cohen or something like that. But with my rock and roll stuff, I've done duets with the guy from the Pixies and a couple other groups. And I don't know what you would say. I would say I'm more of a person that likes to do words. And I started maybe not even being a poet, but just wanting to create world peace. And my new album that. I don't know if they sent you one or not.

[Adam Carolla]

No, I haven't got it. I love my Life.

[Stephen Kalinich]

Yeah, I got one in my pocket, so I'll give you guys one, please. And Todd and Willie produced it. Willy Aaron.

[Adam Carolla]

Todd who?

[Stephen Kalinich]

Todd.

[Adam Carolla]

We don't know everyone twice.

[Stephen Kalinich]

Oh, I'm sorry.

[Adam Carolla]

Well, I didn't even know Todd Lawrence. It.

[Stephen Kalinich]

Yeah, he was an artist. Is an artist known. I'll always say his name wrong. They always crack me up. Milo Forman. No, the director. No, Milo. Milo Binder. I'm sorry, I always say his name wrong. So I did it again on this show. But Milo Binder, he would open for Van Morrison people and they produced this album. And one of the songs that I did on it is called I Love My Life. And there's songs on it and then every other one they make. I did a poetic, not a poem, but a reflection off one of my videos. And they picked the ones that were on there.

[Adam Carolla]

You mentioned off the air that your dad was a professional golfer.

[Stephen Kalinich]

Yeah, my dad was head pro of Brookline Country Club and other courses too. And he hosted a US Riders cup in the.

[Adam Carolla]

What years were these?

[Stephen Kalinich]

Oh, my God, you're pinning me on. I'd have to look up the years. It's by 60s, something like that.

[Adam Carolla]

60S.

[Stephen Kalinich]

Way back.

[Adam Carolla]

Right. But. So I was thinking of is golf is very different than poetry.

[Stephen Kalinich]

No, no, that's what I was going to tell you. The same rhythm. I used to love sports, but I was too short. I could really shoot baskets. And I loved baseball and the whole feeling of connecting with a baseball being super good in auto racing or boxing, I would write these inspiration totally different. Like, you know, you are the trigger. You activate the flow. You got like more like motivational so they could use it with boxing. Like that. So what I try to do is to bring to my spoken that kind of energy that I got from sports. Like connecting, swishing a ball through the hoop, if that makes sense to you.

[Adam Carolla]

No, I do. When I'm saying golf and spoken word are not connected per se because there's nobody who golfs who also does poetry. And there's nobody. There's poems who call poets who call. But I'm saying your dad. When somebody's son says, I want to be a poet, then a lot of dads might say, whoa, whoa, whoa, let's learn a trade or get your college degree.

[Stephen Kalinich]

I think they wanted. I think both. They did. They split up when I was fairly young.

[Adam Carolla]

Your parents.

[Stephen Kalinich]

Yeah.

[Adam Carolla]

Yeah, but your dad's.

[Stephen Kalinich]

No, my dad wouldn't have liked it. He would have thought it soft.

[Adam Carolla]

No, I get it. But he's a professional Golfer, which is a low percentage job. Yeah, so he, you would think would understand. Another low percentage job, which is poet.

[Stephen Kalinich]

He did. I don't think he did, but I can't. I wasn't inside his mind and I didn't get a chance to talk it all over with him, but I just remember how relevant sports were for me. I'm not saying everyone. And I've tried to explain it a few times, and I think that the unusual rhythms are the things that might come out, like you noticed in that song, could come out from having a mind that wants to enjoys winning, that enjoys being a champion, that enjoys connecting with a ball, swishing it through a hoop. Like I said, whatever. You even probably hockey. I'm not a great hockey player. Does that make any sense?

[Adam Carolla]

Yeah.

[Stephen Kalinich]

So that's. I would say that's what I drew from there.

[Adam Carolla]

So your dad not a fan of what you want to do?

[Stephen Kalinich]

I don't think so.

[Adam Carolla]

Will you stop talking to him? Or he passed away?

[Stephen Kalinich]

No, he's passed away. But. But we didn't have a lot of communication after they split up.

[Adam Carolla]

Oh, your parents?

[Stephen Kalinich]

Yeah.

[Adam Carolla]

Oh, okay.

[Stephen Kalinich]

Sorry about that.

[Adam Carolla]

And your mom have any thoughts about being a poet?

[Stephen Kalinich]

She liked it.

[Adam Carolla]

Oh, she liked it.

[Stephen Kalinich]

Yeah, she was like a hippie for her day. I don't know if they did marijuana, but they smoked leaves before there was even marijuana. I think whatever they could find. But she was like in that generation.

[Adam Carolla]

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[Dawson]

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[Unknown]

This summer, Pluto TV is exploding with thousands of free movies. Summer of cinema is here. Feel the explosive action all summer long with movies like Gladiator, Mission Impossible, Beverly Hills Cop, Good Burger and Transformers. Dark of the Moon. Bring the action with you and stream for free from all your favorite devices. Pluto tv Stream now, pay Never.

[Adam Carolla]

Yeah, so the. The Laurel Canyon scene, people just go down the hill, go to Sunset, turn right, and there'd be Ghazares and there'd be Whiskey, and there'd be all these.

[Stephen Kalinich]

Other clubs, all kind of clubs that would go dancing to see these people. And the Doors were like, you know, the house act at the Whiskey. And they were great. I had the good fortune of doing a few shows, mostly for people that were on hospice or different things, with John Densmore, who's a good friend of mine.

[Adam Carolla]

Oh, yeah.

[Stephen Kalinich]

And he's a wonderful, wonderful artist and a credible guy.

[Adam Carolla]

What are some of the bands you remember from back in the day that we would have heard of where you would go, wow, those were great live, like the Doors.

[Stephen Kalinich]

The Doors were fantastic live. I thought Johnny Rivers was quite good for a time. I don't know if you were into that thing and like, Queen, the whole.

[Dawson]

Did you ever hang out with Crosby, Stills and. Or Nash and Young?

[Stephen Kalinich]

I hung out with some of their kids and I knew some of them when I worked with the Tribe a few times, but I wasn't really good friends with them. But Joni Mitchell, I had a couple, like, long hours and hours talks with her, and I talked a lot with a good friend of mine that has become a friend, that Cameron Crowe, the director that knows a lot about music. He was a music journalist.

[Adam Carolla]

Oh, he married Hart. Right. One of the Wilsons.

[Stephen Kalinich]

Right. And now he's got. He's. They're not together anymore, but he did marry. And she's lovely, too, and I'm.

[Adam Carolla]

Yeah, she's great.

[Stephen Kalinich]

She's lovely. Her sister's lovely. I love them, too.

[Adam Carolla]

Yeah. I just saw Cameron Crowe on the Jaws 50th anniversary documentary, which I would highly recommend.

[Stephen Kalinich]

I haven't seen it, but I. Oh, it's good.

[Adam Carolla]

You can't go wrong with it.

[Stephen Kalinich]

He's one of the nicest guys. But he tells it like it is. When he says almost Famous, like all the people. I mean, it's almost. But you're not quite there. But you always wanted to be.

[Adam Carolla]

But you got to see Queen back in the day.

[Stephen Kalinich]

Yeah. And I've done a couple songs with Ryan May. He's a wonderful guy, too.

[Adam Carolla]

He seems Nice. And then the who. What was your what? When you saw the Queen, like the first time. Like, what was your takeaway?

[Stephen Kalinich]

I just was overwhelmed with Queen. Just like the first time I saw a who concert, I went with my friend's daughter. She was 15 and it was like. It was amazing. And Earth, Wind and Fire were great to see live. Like at one of the basketball stadiums or something out here. You've probably done that.

[Adam Carolla]

Well, later. The first concert I went to was the Cars because my friend.

[Stephen Kalinich]

Oh, they're great.

[Adam Carolla]

Elliot, tickets for it drove and like I didn't go to buy tickets and had a car, otherwise I wouldn't be able to do it.

[Stephen Kalinich]

I like Elliot. I still hear from him once in a while. He's a great artist and great guy.

[Adam Carolla]

I will say this about the Cars. Kind of a bad lyric band, but not Lover Boy bad. But they're sort of bad. They're crap lyrics, but their songs are all interesting.

[Stephen Kalinich]

They have catchy too.

[Adam Carolla]

They're catchy with kind of. They're just bad lyrics. She's so beautiful now she doesn't wear her shoes. It's like I don't even know what the fuck that means. Their lyrics are always shit. If you listen to the Cars, they're shitty lyrics, but they're good songs that could have used you. The Cars could have used you.

[Stephen Kalinich]

I wish more people would.

[Adam Carolla]

And the songs are interesting. And I'll definitely say that Loverboy has shitty lyrics and shitty songs. Their songs are boring. Their lyrics are bad. Everything is just worst is probably poison, I guess. Trying to think. There's some really bad hair bands out there.

[Stephen Kalinich]

Do you like any of the hip hop stuff or not your type of thing?

[Adam Carolla]

Some of it's good, but not really good lyrics have good lyrics. I just hate the Beastie Boys, but other than that I don't really have any connection to that world.

[Stephen Kalinich]

We were honest about it. At least that's a good.

[Adam Carolla]

Well, I don't like any band. I don't like any band that doesn't possess talent, I guess is.

[Stephen Kalinich]

I think that's a good way to put it. And there are a lot of them don't have much talent. A lot of them copy each other and you get a lot of the redundancies. And some people are heralded geniuses that you say, oh my God, I want to throw up. I mean there's all kind of things like that.

[Adam Carolla]

Yeah, I would say in a list of people I never need to hear ever again. I got the Eagles at the top. I got Fleetwood Mac. Somewhere up there, John Cougar Mellencamp is pretty close to the top. I keep a list of.

[Stephen Kalinich]

So you don't want to hear them again.

[Adam Carolla]

I don't want to hear any of it. Again. I don't hear any. I've lived in a small town. We're born in a small town. Everyone's got a small town. Yeah, you married a model. You moved to Manhattan. You did rails of coke. Okay. But anyway, it's something about a small town. I'll listen to John Hyde if I want good music about a small town is what I'm saying. I want to hear any more about Jack and Diane. I don't want to hear. I don't want to hear those songs anymore. I don't want to hear another shitty Eagles song. I'm tired of it. I want to hear some good music.

[Stephen Kalinich]

Well, you got a strong sense of your own opinion, and that's a good thing to have.

[Adam Carolla]

Well, my opinion is universally correct. That's the problem. It's just nobody understands it. The Eagles have way more shitty songs than they have good songs. And John Cougar Mellon. We just. It's not interesting. We don't need John Cougar Mellon King Camp. It's for dumb people. But dumb people get angry when I tell them that. So that's how it works.

[Stephen Kalinich]

People try to defend their positions. And what I've learned, it's not always easy to follow, is that if you listen, even if you don't totally agree, you might learn something. And then if you want to respond, and if you don't want to respond, you don't.

[Adam Carolla]

Well, to me, it's not John Cooger Mellencamp's fault that the radio plays his shitty songs so often, or the Eagles fault that the radio plays their shit. It's the program directors who play their shit over and over again. That's all.

[Stephen Kalinich]

Is it bringing revenue from the sponsors? Is that why they do it?

[Adam Carolla]

Dumb people like familiarity and repetition.

[Stephen Kalinich]

I could never. We were talking about it before today with another friend. The reason I'm glad I'm not going on the road. And that way, even with my spoken word, if I did have something that was a huge hit or someone else did it, I'd rather have someone else do it. I wouldn't want to go out and do the same song, the same thing, even if it was a number one record. I want to go on to something new, something challenging. I just draw on a list of what I did, and I learned one thing from this project. It may be Relevant to you? It may not. When I did the World of Peace with Brian, he was very encouraging and I was very encouraged that by thinking peace and like that, Brian Wilson was.

[Adam Carolla]

How was he when you recorded with him?

[Stephen Kalinich]

With me, he was wonderful and incredible. And I don't think I had a friend that was kinder and sweeter to me. I didn't see all that because I didn't do drugs, believe it or not. I just never got into it. I don't know. I had asthma or something. I had an excuse, but I never got into it. I was getting high on the poetry and what I was doing. But the one thing I learned from that period and in general about music, what you're talking about, is that I used to think world peace, you know, that's a good thought. And the reason it took me 60 years to realize you can't just think good thoughts. You have to do actions in the world. You have to be active. That's why I did this new record. I realized it's not enough to write pretty lyrics or even poetic and be a showboat or whatever you are able to do.

[Adam Carolla]

I agree. That's why I hate the song Imagine.

[Stephen Kalinich]

I can understand how you don't like it. I think he. That's one of the reasons I've probably written songs close to that, but maybe not that universally because I always leave the window open. That I learn now you have to translate into actions you have to stop, like evil and things like that. You have to do things in the world.

[Adam Carolla]

I agree. But you can't. You just imagine a world with no borders and no heaven and no possessions. Like your work's not done. You gotta go figure out how to implement it.

[Stephen Kalinich]

Yeah, yeah. But also you have to implement to make a more peaceful world. And means sometime you have to stand up against the other forces.

[Adam Carolla]

I agree, but what you don't get to do is just sing about it.

[Stephen Kalinich]

No, no. To say songs are like that are worthy of the kind of accolades they get. Actions are worthy that translate into something good.

[Adam Carolla]

I agree. And I don't know, that's first off, everyone I hate loves that song. So I know. I hate you if you love that song. But it's not that interesting a song either. It's kind of a blowhardy song. I mean, I'm just angry because it's become an anthem for guys. I don't like that much.

[Stephen Kalinich]

I like elements of it. It makes me feel certain things. But as I grow older, as I say when I more realize that you have to have action. I think when I was younger, I just thought by thinking good thoughts, you could bring good into the world.

[Adam Carolla]

World. I come from those people. They think a lot of good thoughts, but they don't do anything.

[Stephen Kalinich]

Yeah. And at some point you want to demand action.

[Adam Carolla]

I demand action. I want to know. I want to see a schematic of no possessions. I don't want to just imagine. I'd like to imagine no borders and no crime and no possessions either.

[Stephen Kalinich]

How about with the money you do have of sharing it more in ways that could help people that really need it?

[Adam Carolla]

Well, let's talk about this. That I get taxed basically 50%. So I give 50% of my money away. I get what you say to the government. So my feeling is like if you make $10 million a year and you live in California and you're given 5 of it to the government, then you are doing something as opposed to being working at Trader Joe's where you make 50 grand a year and you get give 20 to the government.

[Stephen Kalinich]

Do you trust the government?

[Adam Carolla]

No.

[Stephen Kalinich]

So they're not using the money the way you want it to. So even though you're giving, so sometime you might want to give to something that you can personally contribute to. You don't have to agree, but that's.

[Adam Carolla]

I agree. I was at an event on Saturday and a guy came up to me and he goes, hey, Adam, I remember you. And I said, where do you remember me from? He said. I said, from the Catholic Big Brother program. And I said, oh, yeah? And he goes, how's? He said, I dated the sister, older sister of your Catholic little brother. And I said, oh, yeah, her. And we went through some of the names back in the day. And then he said to me, hey, you did that before you were celebrity. You just did it when you were poor, right? And I said, yes, yeah. And he said, good job. And I thought, yeah, I feel good now. It wasn't a thing where I was trying to, you know, a PR thing or anything like that.

[Stephen Kalinich]

Yeah, you could use it that way if you wanted. All of a sudden, Adam gives million dollars to something, then it'd be a big write up.

[Adam Carolla]

I did that shit when I was a civilian and I was poor and I was fine, and I felt good about it for a second, but, yeah, no more. No more Mr. Nice Guy.

[Stephen Kalinich]

I understand that.

[Adam Carolla]

I just feel like I pay taxes, I play by the rules, and I'll try to help. I'll try to create jobs. That's what I'll. I will. That's your way, try to create jobs.

[Stephen Kalinich]

Yeah, that makes.

[Adam Carolla]

I understand what you're saying and that'll be good. But I like that versus imagining things I would create something.

[Stephen Kalinich]

I think you hit a point. But I think my point when I meant that is that when I thought imagine, I realized 60 years later maybe that I was off in my mind then thinking that that could create it, but it can't. That's all I'm saying.

[Adam Carolla]

No, I agree. And it's an interesting thing because it's a cyclical thing because the hippie movement, or whatever you want to call it, beatnik or whatever might come from those people and they thought they could change things with good vibes. You know what I mean?

[Stephen Kalinich]

That's what I say. You can't change them with good vibes alone.

[Adam Carolla]

And we're now revisiting this where people are saying, look, everyone deserves to be treated with dignity and have a seat at the table and everyone deserves world class healthcare and an education and no child should go to bed hungry. Yeah, I know, but now you gotta do something. You can't just talk about it.

[Stephen Kalinich]

I agree with you on the action. Pardon? Is there a way that we all could get together and have more action? That's what I would like to know.

[Adam Carolla]

I agree. Steven, let me give a plug out to the new album that's available as we speak. I love my Life and the one with Brian Wilson that got a World of Peace must come redone as well. You can find that where you find finder Altons. Oh, thank you. Thanks for the. Thanks for the cd. I am going to be at Zany's tomorrow in Rosemont, Illinois doing, doing stand up and then I'm all over the place. I'm gonna be in the Milwaukee Pabst theater coming up July 20th on a Sunday. Go to amcord.com for all the live shows there. Stephen, thanks for coming by. Interesting conversation.

[Stephen Kalinich]

God bless you and thanks for having me on.

[Adam Carolla]

My pleasure. And until next time, it's time for Alicia Krause and Stephen Kalinich and myself across sand.

[Dawson]

Mahala, pick up your phone and leave us a voicemail. The number is 888-634-1744. And make sure you check out the Ace man live on stage. Tickets available@adam corolla.com.

[Unknown]

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