← All Of It with Alison Stewart
All Of It with Alison Stewart
"Adolescence" Explores The 'Manosphere' and Teen Violence
00:28:34
"Adolescence," the limited series that premiered on Netflix last week, has become a global hit.
Loading summary
Transcript49 lines
- [00:00]
Progressive Insurance Ad
All of it is supported by Progressive Insurance. Do you ever find yourself playing the budgeting game? Well, with the Name youe Price Tool from Progressive, you can find options that fit your budget and potentially lower your bills. Try it@progressive.com Progressive Casualty Insurance Company and affiliates Price and coverage match Limited by state law not available in all states.
- [00:24]
Nick Qua
Listener Supported WNYC Studios.
- [00:37]
Kusha Navadar
This is all of It. I'm Kusha Navadar in for a vacationing Alison Stewart. We are very happy that she's getting to go on vacation. Hey, thanks for spending part of your day with us. I'm grateful you are here. On today's show, we'll continue our conversation about women in music with in Production with Carrie Kais. We'll talk about spring books with all of it producer Jordan Lof and we want to know what you are reading. Plus we'll send you into the weekend with some ideas of what to do from both us here at All of it and your fellow listeners. So get ready to call in and tell us your weekend plans. All right, so that's the plan for today. Let's get this started with the new Netflix series Adolescence. Last week Netflix dropped a four part drama series from the UK with very little fanfare. Within four days it got over 24 million streams, putting it on track to break the streamer's record. It's called Adolescence. It follows the arrest of a 13 year old boy for the murder of a classmate. Each episode is shot in one take, building attention more often experienced in theater. The show examines the crime from several perspectives, including the police investigator, the psychologists and the kids at his school. It also explores the online radicalization of young boys and the manosphere, the justice system and how all of this affects both schools and families. It was created by and stars Stephen Graham, the award winning actor American audiences might know from Matilda, Peaky Blinders and Boardwalk Empire. It also stars Ashley Walters, known for his role as Duchenne in Top Boy. Slate calls it the best show of the year, while Forbes describes it as a technical masterpiece. Vulture critic Nick Qua, who we normally have on to talk podcasts, recently wrote a piece about the show and why it hasn't been such a why why it has been such a runaway hit. It's titled Adolescence doesn't have the Answer and he's here to unpack why it's getting so much buzz. Nick, welcome back to all of It.
- [02:50]
Nick Qua
Good afternoon. Thanks for having me.
- [02:52]
Kusha Navadar
Absolutely. It's great to have you here listeners. We would love to hear from you too. Have you watched Adolescence what are your thoughts about how they handled the discussion about the INC and Red Pill movement? Tell us your first impressions of the show. Just remember, no spoilers. Call or text us at 212-433-WNYC. That's 212-433-9692. And if you're a parent, especially to young boys, are you worried about the kind of people they are following online? How do you monitor what comes across their feed? Call or text us. We're at 212-433-WNYC. That's 212-433-9692. So, Nick, I want to know, how about the show Adolescence?
- [03:34]
Nick Qua
It was pure word of mouth. I first heard about it through a text. A couple of friends of mine were watching it and I saw some chatter online. And like you said, it was one of those things where Netflix just dropped the whole thing over the weekend, largely without fanfare. Stephen Graham is currently, like, you can find him on another show on Disney right now called A Thousand Blows. And so when I think about Stephen Graham, right now I'm thinking about that show, I did not know he made this with Jack Thorne, directed by Philip Barentini. And almost out of nowhere by Monday, I log into work on Slack and everybody's talking about it. And it does feel like one of those grassroots, like both the power of the Netflix algorithm, but also the power of a really buzzy show that's tackling a very specific thing that's on everybody's minds.
- [04:20]
Kusha Navadar
Yeah, I guess the most obvious question here is what is it about this show that's drawing in so many people that's creating all that buzz?
- [04:27]
Listener
Right.
- [04:28]
Nick Qua
There's a couple of layers to it.
- [04:29]
Kusha Navadar
Right.
- [04:29]
Nick Qua
The sort of very immediate buzzy layer is the sort of modernity angle of it. It's ultimately about a show that tries to grapple with, I suppose, the dangers of boyhood and real dangers of violence within boyhood and an age of toxic podcasts in soul culture, online radicalization more broadly, and alienation more broadly. So there's this sort of modern element that we're all sort of still grappling with well after the pandemic and well after the effects of the 2024 presidential election. We're still sort of in an age of very specific kind of masculinity. But it also, I think, brings you back to very core eternal anxiety, which is, as a parent, like, is the fate of your children, is the fate of the sons that you raise, is their behavior, their future, their relationships with other people. Is any of that, like, that's always out of your control for, you know, forever and more. But it feels expressly out of control and subject to forces that you are really afraid of right now with the Internet. And right now in an age where it just feels like we're more disconnected.
- [05:40]
Kusha Navadar
From each other than ever, it's interesting that you bring up the idea that this topic, specifically the challenges that young boys, young men are falling into, that is persistent. You're saying it has existed well after the pandemic, well after previous presidential elections, in terms of that coverage in stories we see on streamers in the media, less about the news, but more just like the stories that we consume. Do you feel like this is kind of new territory that the show is breaking through and covering, or do you feel like it's been covered before, the show's doing it differently? What do you make of that?
- [06:14]
Nick Qua
Well, you know, this particular modern feel of it, right? The sort of coming of age within the age of the Internet in its very specific form right now, which is full of darkness and full of unknowability in an age of, we don't quite know when young kids log on to YouTube, what exactly they're watching. That's the specific unknowability of the way we live online right now. It feels like we're crossing in the threshold. And it feels like this show is a very good first wave of really grappling with that question, but the sort of larger question of what's up with the boys? What's up with men? It's been an issue that's been reflected and grappled with in pop culture for as long as there is the sort of archetype of the bully, the archetype of the sort of violent young man. You can think about it all the way back to Taxi Driver, right? Robert De Niro's sort of alienated young men who. Who eventually gets into his head that he should assassinate a political figure. But there's a real relationship that you can draw across history between these two kind of archetypes. But right now, this feeling, this feeling of this location because of the Internet, this is new. And that's kind of what Adolescents, I feel, is pretty good at disturbing and grappling with and feels pretty sort of novel and fresh for doing so.
- [07:31]
Kusha Navadar
Is that what motivated you to write about it?
- [07:34]
Nick Qua
What, you know, what motivated me was the phenomena of it. Like I, I.
- [07:40]
Kusha Navadar
The Slack Channel that blew up on Monday.
- [07:41]
Nick Qua
That's, you know, I look, this is a job, you know, like, I know what my job is. But I have been thinking a lot about, you know, the prospect of, like, what does it mean to raise a boy? You know, my partner and I are in the very early stages of our sort of journey towards parenthood. And one of the things that I'm reflecting on is that if we do end up having a boy, like, I do not feel particularly equipped or ready for the journey, especially now more than ever. And as things change so quickly.
- [08:07]
Kusha Navadar
Yeah, it's a great point that you bring up about parenthood. I'm sure that there are many parents listening right now who have probably heard about the show, tried to watch it. I'm seeing some texts come in. I'm seeing some calls come in. Listeners, we're talking about a new four part drama series on Netflix that follows the investigation that occurs after a 13 year old boy murders his classmate. That series is called Adolescence. We're having a watch party right now with culture critic Nick Qua and we're taking your calls. So listeners, we'd love to hear from you. Have you watched Adolescence? What are your thoughts about how they handled the discussion about the incel and red pill movement? Tell us your first impressions of the show. If you're a parent, especially to young boys, what's your take on it? Are you worried about the kind of people that your kids might be following online? Give us a call, send us a text. We're at 212-433-WNYC. That's 212-433. Got a good text here. It says, as A mother of 12 year olds, I'm too scared to watch it with a crying emoji there. We've also got a couple callers on the line. Let's go to Maggie in Irvington, New York. Hey, Maggie, welcome to the show.
- [09:20]
Maggie
Hi.
- [09:21]
Listener
Thank you. Well, I think adolescence is by far the best television I've seen in years. And there are many reasons why. First of all, the complexity of emotions is so well portrayed by every actor in the program. And it's, I can't get over it. I'm going to watch it again. The third episode, I'm a psychologist. The third episode is breathtaking. And you know, the, the feelings for the boy. I forget his name. James. No, I can't remember. But Jamie, Jimmy, Jamie. I can't. Yeah, yeah, yeah. He is going to be. His acting was also breathtaking. The father who created the show, the emotions of every single actor, there are few, few actors in it. And you really get a sense of what they're going through deep, in a very deep way and how they create that, how they created that, I don't know. But I, you know, it's interesting. I've told a few friends about it, they felt the same way I did, but I haven't told some friends about it.
- [10:53]
Kusha Navadar
Maggie, thank you so much for that call. We really appreciate it, especially the fact that you're a psychologist and saying that you found these performance so moving. And I think this is a great moment, Nick, to bring up some of the performances and hear your take on it. The show stars actor Stephen Graham, who worked with Philip on Boiling Point and helped write the series alongside Ashley Walters as a detective and Aaron Doherty as a child psychologist. Tell us among those, because I want to get to the actor who plays Jamie as well later. But among those that I just mentioned, tell us what stood out to you about those performances.
- [11:27]
Nick Qua
They were all uniformly excellent and there is sort of a social realism to the project that each individual actor kind of really roots into what feels like a very much of a lived experience. These feel like actual sort of human beings who go in and out between the sort of in between moments of day to day life and these sort of big traumatic things that's happening on them and it continues to impact them on a day to day basis. One thing that we should talk about and I don't think we talked about yet is the sort of formal conceit of the show. Yes, each episode is shot in one take or assimilate in one. My understanding is that they did shoot it in one take. Maybe they cheated here and there, I'm not quite sure yet.
- [12:08]
Kusha Navadar
I was trying to figure that out while I was watching this and I could not see any other splicing as a part of it. It's very impressive.
- [12:13]
Nick Qua
There is a chase sequence in the second episode where Ed. It feels like the camera moves out through the window with the characters and it was quite fascinating. But there's a purpose to the oner, which is what that sort of one shot take is called. And a colleague of mine FR wrote a really good piece about it over at Vulture. Please read it. But with the one or what you're simulating here is the experience of the ins and outs of how you would actually process an experience like this. So in the first episode you follow Jamie Miller, the 13 year old boy, as he's processed by the system. And when you're stuck in the claustrophobia of that experience, you go in and out of a certain humanity in that process. And in that third episode which the caller talked about, it is, I believe, this sort of major set piece. And it's the make or break moment for the series where Jamie Miller, played by a young Owen Cooper, I believe this is his first project, I'm not terribly sure, but he is quite a revelation in this show. He's visited by a therapist played by Aaron Dougherty. And it plays out like an extended theater sequence because for the most part you're with these two characters and the therapist is there to essentially evaluate Jamie for his upcoming trial. And there is this multiple layers of balance here. Owen Cooper plays Jamie Miller as a 13 year old boy who's gravitating, oscillating between aggression and being a 13 year old kid. And he is also now several months by that point into being processed into the juvenile system. And so he is confused. He's developmentally, I guess, worsened by his experience there. And he's exhibiting these behaviors as a 13 year old of all the, of all these sort of toxic masculine traits that we, that we come to fear from the archetype of young boys, boys and young men who get radicalized by intel culture and Red Bull culture in the manosphere. Aggression, sexual aggression. And again, he's a 13 year old boy expressing these things to a much older adult female. And there's this dynamic within adolescent male sexuality that the show really stirs into and that Owen Cooper's performance really kind of lands. It's a remarkable episode. There are aspects of it that's worth critiquing, but from a sheer performance standpoint.
- [14:29]
Kusha Navadar
He really nailed it.
- [14:30]
Nick Qua
Really nailed it. There's nothing quite like that. That episode, really.
- [14:33]
Kusha Navadar
Wow. Well, listeners, we're talking with Nicholas Quah, the Vulture critic, about the new Netflix series Adolescence. It's a four part drama series. We're going to take a quick break, but when we come back, we're going to do a few things. First, we're going to hear some clips from the show. We're also going to take more of your so if you have seen adolescents or if you are a parent of a young boy and you have thoughts about the whole incel red pill movement, we're here to take your calls and your texts. Give us a call at 212-433-WNYC. That's 212-433-9692. Gonna take a quick break. We'll be right back. Is all of it on wnyc? I'm Kusha Navadar and we are talking about adolescence. It's the four part drama series which released Thursday, March 13th on Netflix. It follows the investigation that occurs after a 13 year old boy murders his classmate. We're having a watch party with vulture critic Nikwai. We're also taking your calls. Listeners, give us a call if you have first impressions, if you've watched the series and you have thoughts what you thought about it. We're at 212-433-9692. That's 212-433-WNYC. Nick, I'm gonna go through some texts that we got during the break. Here's one that says I finished it last night and was shaking as I felt the parents pain. In my core, I loved the show and thought it was brilliantly done, acted and how the narrative was more about the why behind it rather than just another whodunit. That's from Juliana and Nick. You were mentioning that kind of how this is talks about archetypes that we've talked about for a long time, but in a new modern way. Here's another text. As a parent, I know that I can only control what is in my grasp. I can monitor what my children watch and who they follow. However, once they walk out the door, I can no longer control who they talk to and what they discuss with their peers. If they have parents that have been sucked into the manosphere, I can't stop them from sharing those ideas with my children. What's a parent to do? It's a big question. I think that last question, what's a parent to do? Is something that the show tries to look at through the experiences of those parents. I'd love to play a clip from the show, Nick and get your take on it. So the series opens with a casual conversation between detectives Luke Boscombe, who's played by Ashley Walters, and Misha Frank, who's played by Faye Marseille. And they're about to raid a North England home. The police tell the entire family, the mom, the dad, the sister to get on the ground while 13 year old Jamie wets himself. And he's presumably afraid and shocked by the police entering his home in such a manner. Let's listen to a clip. This is Jamie in the police van on his way to the police station after the raid.
- [17:24]
Nick Qua
I, I, I haven't done anything.
- [17:26]
Kusha Navadar
I haven't.
- [17:26]
Caller
Hey, hey, hey. We'll get into that conversation when we get to the station, okay? This is not the place to be speaking about anything like that, all right? Save all of this for when we get there and say another word. I'm going to suggest something. When asked, you ask for a solicitor, okay? And you can speak to your parents about it when you get to the station. It won't make you seem more guilty. Just for your best interests. All right? Jamie, this is Derek. Derek will be your appropriate adult for the purpose of this arrest. All right? Hey, Jamie. I'm from Doncaster Social Services. All right, Once you get there, the custody sergeant is going to ask you whether you want to keep Derek on or whether you want someone else or you can even have one of your parents. It'll just be for your searches, bloods, anytime you're talking to your solicitor, that sort of thing. Okay. It won't prejudice your case. Whatever you decide, mate.
- [18:24]
Kusha Navadar
All right, so it's quite intense. Nick, what are the first 10 minutes of this series reveal about the detectives and the crime that's been committed?
- [18:33]
Nick Qua
It reveals no spoilers, right?
- [18:37]
Kusha Navadar
Yeah, no spoilers.
- [18:39]
Nick Qua
I don't know. First of all, I don't think this is a show that functions on spoilers. Right. I'll just say it because I think knowing this is actually really important going into the show and how to process the show. By the end of the first episode, it's unambiguous, like the kid did it. And that's why the show is less a whodunit. And it's not even a why done it kind of situation. And in that opening sequence in that first episode, it kind of sets up sort of the genre trick of the show. You go into it. You've seen many, many true crime e crime drama shows before, countless of them. We kind of have grown up in a TV culture that has so many of these tropes, and you go in and expecting something about maybe a twist, maybe something about this kid was wrongfully accused, that there's a larger sort of system at play. And by the end of the first episode, nope, there is security footage. And now what the show really revealed its hand to be, which is just asking the sort of larger questions, then prompting this conversation about how we feel about it and how these sort of characters feel about it, how these representations of presumably real experiences feel about it. And in that opening episode, it kind of establishes the thesis that this is a visceral watch and you're going to be in for quite a ride.
- [19:57]
Kusha Navadar
How about on the detective side? What do you think those first few minutes? I mean, we hear in this clip we have the detective kind of flipping, trying to play. I don't know if it's him playing like good cop or being very humane with this child right now. What's your take on it?
- [20:10]
Nick Qua
Well, it established the fact that this is A juvenile case that he is 13 years old and a 13 year old who is accused and then later proven to have murdered a classmate. And there is a real delicate line that the justice system and that specific scene that the detective has to walk, this is still a kid, he wet himself, he is crying, he's afraid. But we come to also learn that he did this. And the delicate sensitivity of that situation kind of pulls the show into a very specific place when we think about perpetrators of, of violence and perpetrators of murder. And that's what I believe. The sort of first 10 to 20 minutes and then all through the processing that Jamie experiences in the police station, it kind of always reminds me of this. A kid like he goes through the system and he's eventually given police supply cornflakes to eat. And when his father, played by Steven Graham, comes in, he's still young enough for his dad to be like, eat your cornies. You need to keep up your strength. And it kind of consistently reminds you that this is still a kid ultimately, but a kid who's done the greatest, worst possible thing possible.
- [21:20]
Kusha Navadar
Let's go to K from the Bronx. K sounds like you just started watching the series. What's your take?
- [21:28]
K
Yeah, I just actually started watching it this morning. Like three in the morning. I couldn't sleep and I scrolling and I'm like, oh, yeah, I keep hearing this, this movie. So I started watching and my first impressions was, I don't know if you guys remember this thing back in the days called Scared Straight where, you know, kids, I guess go to the prisons and they realize, oh my gosh, I never want to get arrested, I never want to go to jail. Well, that's the type of impression I was getting for the first because I only watched it for the first half an hour, hour. And they bang your door down. He takes him out, the guy, the kid is just terrified. And I'm thinking this is a great show for every adolescent to watch just for that sheer understanding of what you go through. You know, that would scare any kid to be like, yo, I never want to get arrested. I never want to do anything bad.
- [22:21]
Kusha Navadar
Yeah, it felt really lifelike to you then, right? Yeah. So, Kay, thanks so much for that call. We really appreciate it. Happy watching. I mean, happy. I don't know if that's the right word, but hope you keep watching it, finding something valuable out of it. Let's go to Carol in Lido Beach, New York. Hey, Carol, welcome to the show.
- [22:38]
Maggie
Hi, thanks for having me on. And thanks for having the show again. I watched I listened to the one last week and they said if it, if it was anything, it's not relaxing. And boy, was that true. It's just incredible. I watched it with my 15 year old granddaughter because we like mysteries and we were riveted and we still have the fourth episode to watch together when we get together, so. But I did want to say about the directing, it was, it was really intense. I mean, that scene with this strip search, the father's face, it was uncomfortably long but necessary in that scene. And you just got such a sense of depth to these characters. It was just amazing. Including the touches on humanity, of the kindness of some of the officers that they showed. That touched me too.
- [23:33]
Kusha Navadar
Carol, thank you so much for that call and for that insight. Here's a good text. Nicholas, I want to read to you and then I want to go talk about the manosphere a little bit. As the mother of two adult sons, honestly, I think we had it easier as a generation because of Sesame Street, Zoom and Children's Television Workshop in the US My second son was exposed to video games and thankfully we were able to balance reward, academic rigor and access. I was very lucky. Neither of my son's fathers were exposed to toxic male figures whom in turn did not negatively affect our boys. My perspective now is an adult woman of men and of sons, after seeing adolescent adolescence, is to watch carefully and with great sensitivity, as was the archetype of the patient, good, nurturing mother figure in the series, whom, beyond her capabilities and her own needs, held her husband, son and daughter together despite the past and present history of both father and son. It was heartbreakingly and breathtakingly acted. Thank you so much for that thoughtful text. And Nick, I want to touch on that a little bit by talking about the manosphere, because adolescence acknowledges this much larger discourse around manhood that's happening online. It references figures like the controversial influencer Andrew Tate, who is facing charges in Romania, including human trafficking and sexual intercourse with a minor. Can you explain the Manosphere a little bit, what this movement is and their ideas for listeners who are unfamiliar?
- [24:54]
Nick Qua
Well, it's less a movement and more sort of a descriptor for a very it's a kind of show or kind of platform usually spearheaded or mounted by a very specific kind of toxic male. Jordan Peterson is another person that you could associate with the manosphere. Joe Rogan has often been associated with the manosphere. The podcaster Jordan Peterson is sort of this Canadian, somewhat academic who is now kind of writing these very, I feel, reprehensible sort of discourses on what masculinity looks like it should be. And they tend to be pretty archaic in many senses. But it's usually this. It largely corrals around this sort of response, reactionary response to what has largely been sort of derided as woke culture today. They often believe that boys and men are being feminized. They often believe that brute traditional masculinity, crude masculinity, is a thing that should be prized, seem to be really extreme responses to the modern like shapes of what we've been sort of talking about as a culture over the past couple years. And of course, it has manifested in a generation of young boys and men who often feel quite angry, often are responding to the dislocation of what they feel to be the dislocation of society these days in very extreme ways. And they often exist and are online and young men and boys are accessing these ideas and interfacing with these platforms, not just when they walk out the door away from the purview of the parents, but when they log onto the computers and when they pull up their phones. It is, I think, one of the bigger talking points for any parents these days of how to deal not just with dear boys who are being exposed to these platforms, but also how to protect everybody else around them.
- [26:55]
Kusha Navadar
Yeah, I'm really glad you brought that point up because I'm looking at the clock. We got a wrap here. But I want to ask you a question about and I want to lead in with some texts that we got, which I find very interesting. Here's one text that says in this tragic event, this young white boy is going through. If he were black or Latino, the emotional feeling would be totally different. That's from Arnold. Arnold, thank you so much for that text. We also have the pain of the parents in the final episode realizing how they have passed on their generational trauma really gutted me. I'm a 39 year old woman who has gone through a decade of therapy to unlearn that trauma in my own life. And I want to protect my parents from the pain of the knowledge of their faults like Jamie's parents, parents experience. So, Nick, final wrap up question here for you a little briefly. What do you think is the takeaway for parents, especially to young boys that are watching this show?
- [27:46]
Nick Qua
The thing that's. It's kind of embedded in the headline of my piece here that adolescence doesn't quite have the answer because that's not the thing that's going for. The thing it's going for is to start this conversation the the thing it's going for is to tackle this question head on as a public, as a collective, in a way that really sort of raises the question of we should be talking more in terms of policy, we should be talking more in terms of how we sort of model parenthood. Because ultimately the show, even in that fourth episode, the parents are really torn about whether they could have done anything differently, how they failed their kid, and ultimately what the show seems to evoke. And maybe there are multiple readings of this, but this is what I took away from it, is that like some extent, none of this is in your control, but you try your best anyway, right? You try your best anyway because even without the online radicalization, even without the Internet, it's a miracle that anybody survives childhood, let alone life. But you try your best as parents to create the best possible probabilities.
- [28:48]
Kusha Navadar
Nicholas Kwa is a vulture critic Adolescence is a four part drama series released Thursday, March 13 Nick, thanks so much for hanging out with us. Really appreciate your thoughts.
- [29:00]
Nick Qua
My pleasure. Thanks for having me.
- [29:01]
Kusha Navadar
Absolutely.
- [29:04]
Progressive Insurance Ad
Spring's here. Flowers are blooming, birds are singing. And allergies. Yeah, they're back too. Sneezing, watery eyes. When they hit, you need a tissue fast. That's where Kleenex Ultra Soft Tissues comes in, whether you're at home or on the go. Kleenex Ultra Soft Tissues, have you covered Allergist approved Kleenex Ultra Soft Tissues are gentle on your eyes and nose so you can power through allergy season without missing a beat. Because while allergies are unpredictable, staying prepared is easy. For whatever happens next, grab Kleenex.
- [29:35]
Ira Flato
This is Ira Flato, host of Science Friday. For over 30 years, the science Friday team has been reporting high quality science and technology news, making science fun for curious people by covering everything from the outer reaches of space to the rapidly changing world of AI to the tiniest microbes in our bodies. Audiences trust our show because they know we're driven by a mission to inform and serve listeners first and foremost with important news they won't get anywhere else. And our sponsors benefit from that halo effect. For more information on becoming a sponsor, visit sponsorship.wnyc.org.