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From premieres April 19th on MGM. In a small, inescapable town, understanding the monsters may be the only way out. Desperate hope may lead residents toward even darker truths. I think they're doing it to make us afraid.
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Well, then it worked.
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Something ancient is feeding off of their suffering, and it won't stop. Survival will demand impossible choices. From season four, premieres April 19th on MGM.
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This is all of it on wnyc. I'm Alison Stewart. We continue our show with the latest novel by Emma Straub. American Fantasy is the book's name. It's also the name of a cruise ship where the action takes place in the course of three days. The American Fantasy is setting sail on a themed cruise ship that is centered around a 90s fictional border band. Like this, Or maybe like this. In American Fantasy, the band is called Boy Talk. They were big in the 80s and 90s. They're aging and so are their fans. But the band members make good money doing this annual cruise and it's an opportunity to keep their fan base emotionally invested. Boarding the ship is Annie, a newly divorced woman. The trip was planned by her sister, so she's not really a super fan of Boy Talk, so she feels a little bit out of place. But she forges connection with a member of the band who is lonely and just needs to be seen. American Fantasy is out today. Emma Straub will be in conversation with Lin Manuel Miranda tonight at 7pm at First Unit Church in Brooklyn. But she's here now in studio. It is so nice to see you.
B
Hi, Alison. I'm just trying to bring back your MTV youth with the Boy Band. You know what I mean? This is all for you.
C
You saw me dancing. Let's get this out in the open. You went on a cruise with New Kids on the Block. What made you go on the cruise?
B
I mean, why would you not go on the cruise, really is maybe a better question. I mean, I went for research, sure, I went for research, but the reason that I wanted to write a novel that took place on a boy band cruise is because that's what the inside of my heart sounds like.
C
Cause you're just feeling it, right? Oh, my goodness. What surprised you about the cruise?
B
Oh, so many things. I had never been on a cruise before, and so, I don't know. The smell of antiseptic cleaning products surprised me. The scope of the buffets surprised me. The crowds, the people, the noise. I packed about 17 different forms of motion sickness medicine, but I didn't need any of it because cruise ships are extremely, extremely Stable.
C
Okay. Hotels on their side.
B
Exactly. But yeah, I guess what surprised me the most was really that it did feel like a transcendent experience.
C
You know, it's interesting because this sort of fandom you're writing about, it's a super fandom. It's a very specific kind of fandom. What made you want to write a little bit about these people who were so dedicated to a boy band that they would go on a cruise?
B
Yeah, well, I think that, you know, I just, I'm interested in getting older. You know, I'm interested in aging because we're all doing it right. And I'm interested in what happens to, you know, like these bands like this. You know, you start out, you're playing to crowds so big that you can't have an individual relationship with any of those people. Like if you're playing at Madison Square Garden or MetLife or whatever, you're just playing to a sea of people. But as the years, as the decades go on, that crowd gets winnowed and winnowed and winnowed until you're left with just like the hardcore people who love you the most. And, you know, you've all aged together and so it becomes less of like a parasocial relationship and more like a symbiotic one. So I was interested in looking at that.
C
That's so interesting. The story is told from the point of view of three people. Sarah, a 30 year old who works for the company that stages events on ships. Keith, one of the Boy Talk singers, and Annie, who was a fan when she was in her teens, but she's really on board only to please her sister. Let's talk about Annie. Where's Annie when we meet her?
B
So Annie is. Annie's not thrilled. Annie's not thrilled. She was supposed to go on this ship with her sister, but her sister has broken her leg and can't travel. And so Annie's on her own. She is recently divorced, recently empty nested. She's, you know, like having troubles at work. She's, she's struggling. She's struggling, I think in a way that a lot of women do in middle age. When you've checked all the boxes that you sort of anticipated checking in one's life, you know, professional career, family life, et cetera. And now she's finding herself, I mean, not to do this, but a bit at sea, you know. I'm sorry, I'm so sorry, listeners that I, that I did that.
C
It's okay. I've recovered from that. Let's talk about Keith he has a strange relationship with fame. He's had it for a really long time. How would you describe his relationship with Boy Talk and with Fame?
B
Yeah, I mean, I think that one of the things that I was really interested in sort of playing with or thinking about in this book is, is that, like, what happens? How does. How does that feel? Like, if you've been famous since you were a teenager, like, what does that do to your brain? What. What does that do to your relationship, to your sense of self, your relationship to strangers, to your fans? Yeah, Keith is. I mean, I think that there are things that Keith really enjoys about being in Boy Talk. Like he actually likes to sing, you know, and he likes to give people this pleasure. But I don't think he likes living under a microscope and certainly not being trapped on a boat with his biggest fans.
C
And Sarah. Sarah's just trying to get her job done.
B
Right.
C
How would you describe what Sarah has to do on a regular basis?
B
Yeah, so Sarah's like the, you know, the big cat wrangler, basically. She's trying to Siegfried and Roy this thing. She's got to get the musicians from their room onto the stage and back. She's got to make sure everything goes smoothly. She is an extremely capable young woman and actually quite likes boy talk. Or at least Keith. She likes Keith. But yeah, Sarah's like the voice of reason on this ship.
C
I'd say we're talking to Emma Straub. Her new novel is set on a cruise ship designed for fans of a 90s era boy band. It's called American Fantasy. You're gonna read a little bit from the book. What are we gonna hear?
B
All right, let's see. All right, so this is. This is from Annie's point of view. It takes place at 7:42pm on deck three. Catherine, that's Annie's sister. Catherine wanted pictures, and so Annie was taking pictures. She took pictures of women's outfits, of the sexy sunrises. Those are alcoholic beverages. Of the red velvet chairs in the theater, and of the five men on the stage. Myra was taking pictures, too. Her phone never left her hand and her hand never dropped. It made Annie's arm feel tired just watching. On stage, the guys were dancing around in their matching outfits. So many matching outfits. And everywhere they went, women screamed. Shawn pointed to whatever corner of the crowd he wanted to scream the most. And they did. Annie did. Keith hung toward the back of the stage, and she watched him with interest. The faces he made, the way he wiped his sweat on his sleeve. She'd let it all go the cloak of indifference she'd been holding on to. Reluctance, propriety, shame. When she heard their voices, Annie was young again, unencumbered. Myra lit a cigarette right there in the middle of the crowd and passed it to Annie, who took a quick drag and handed it back. Maybe she was young again. Full stop. For a split second Annie thought, I could do this forever. This exact moment. Everything complicated left on land and nothing but delight at sight. Two years ago Annie had gone to her 30th high school reunion. It was an absurd number, but the older she got, the smaller 30 sounded. She'd been happy to go and sit in the gymnasium, to eat crudite and drink bad white wine and look for people she used to know inside the bodies of people she no longer did. There were some people she was glad to reconnect with. A nerdy girl who'd become a stage actor and had a shelf full of Tony Awards. A boy she'd kissed once and wished she'd kissed again. Who was there with a pretty wife who looked not unlike Annie. So many different kinds of lawyers. Events like that were tricky, though, to be confronted with who you'd been on the outside and the inside, with friends you'd lost for reasons neither of you could remember. You sat across the table from someone and wondered what they saw, who they saw. Boy talk was different. The beauty of a one sided relationship was that there was no disappointment, no holding oneself accountable for mistakes, no thinking about what could have been. There was only her own love rushing back. It felt like watching a wave reach a tide pool, the water easily gliding back over where it had once been. Catherine, that smart little so and so she had known. Annie turned her phone around to take a picture of herself, her eyes closed with the stage behind her, and sent it to her sister. She was happy she'd come. She was happy she'd come alone. Even a thought that Annie had thought was physically impossible. No one understood better than the talkers what it meant to push pause on everything else in your life and to make a choice for yourself. That was what Sean meant at the very beginning when he told them that they were going to have the best weekend of their lives. It wasn't a joke.
C
That was Emma Straub reading from her new book, American Fantasy. It's so interesting. How's the cruise ship? How has it become a place where a woman of a certain age, I can say as a woman of a certain age, how a woman of a certain age can be free?
B
Oh yeah. Well, I mean, first of all anytime. I mean, just imagine being in a crowd, like a, you know, shoulder to shoulder, elbow to elbow, and it's all women and you've had 14 slushy beverages, alcoholic beverages, and it's 2 o' clock in the morning and you feel totally safe. You know, I think that's part of it, that it's, you know, sort of mostly women, but I think it's also like it's all mostly middle aged women. So everyone is showing up as they are, as they are now, ready to enjoy themselves. So there's no sort of compare and despair. There's no like, oh, I Wish I was 20 pounds lighter or I wish I looked like I did when I was, you know, 30 years old. It's really about enjoying yourself.
C
Now, in that passage you read, you talked about Myra and this turns to be Annie's roommate who's kind of like, just like a rule breaker. She lights a cigarette, she feuds with other talkers. What does Annie like about Myra?
B
I mean, we all like the bad girl friend, you know, Like, I mean, those are, those are, those are the fun ones. Those are the fun ones, the girls who break the rules. And I think that that's true when you're in high school and I think it's true in your 50s. You know, it's good to have someone who's, who's like breaking the rules just a little bit.
C
We're talking about American Fantasy. It's out today. My guest is Emma Straub. Okay. We've talked about Keith. Who are the other boy band members?
B
Okay, so there's, there's Keith's older brother Sean, who is like the really the boss, the boss of it all. There's Terence, who's the creep. Terence is a creep with a ponytail. There's Scotty, who has, since the band was popular, come out of the closet. He sells vitamins on the Internet. Wait, who else? How many did I name so far?
C
Sean. Keith.
B
I did Sean, Keith and then, oh my God, who else? I feel like I'm forgetting someone.
C
Terrence, right? Terrence with a ponytail.
B
Okay, we've got Terrence. We've got. Oh, my God, this is horrible. This is public. This is live radio.
C
We'll come back to it. I can't remember either. Hey, we're three women of a certain age. We can't remember the fifth member. It's interesting though, but Keith has. He has a weird relationship with his brother.
B
Yes. I mean, I, you know, I think that, I think that it's, it's, it's impossible to imagine working with one's sibling, I think. And especially Corey. Corey West. Corey. I. You know what? I think Corey deserves it, though. Corey deserves it. Because the thing about Corey west is that he's the one who, like, broke out on his own and had the biggest stard. And he is the one who would be most upset at this situation.
C
Timberlake in it.
B
He's timber liking it. You know, I will say, like, I don't want. You know, you played both New Kids on the Block and NSYNC at the top of this segment, and I think that's good, because I don't want anyone to think that this is just about one boy band. It's not. It's totally fictional. But I will say, when the body cam footage of Justin Timberlake getting arrested came out, I did think about Kori West. I did think about Corey West.
C
I'm laughing. We're laughing. Because the book, it has jokes. You got lots of jokes. Annie describes herself as not being, quote, ready to slink off into the corner of an Eileen Fisher until her desiccated bones start to disintegrate. Or. It seemed impossible that it was only two days ago that three drinks had felt like a lot of drinks. Why was it important to make the book funny?
B
Oh, God, don't we need it? Don't we need it right now? I just. I. This project, for me was all about giving. Was all about pleasure. It was about giving myself pleasure while writing it and about giving the reader pleasure in. In some distant future. You know, I just. I wanted to make myself laugh. And, I mean, it is inherently funny to me, the setting, you know, like, these poor men trapped on this ship with all these women who have been obsessed with them for decades. Like, you know, you could go one of two ways. It could be hilarious, or it could be like a horror movie. And, you know, this is the direction that I went.
C
It's interesting on your book tour because you're having sort of like, two people in conversation. You're gonna talk to Lin Manuel Miranda on Friday. You'll be on talking to Susannah Haas from the Bengals. What does a format like that allow you to do on a book tour?
B
Oh, it's so fun. I mean, that's the best part of a book tour, is being like, okay, who can I talk to in this city that will elicit, you know, a different conversation? And I mean, both. I talked to Lynne quite a lot as I was writing this book, and Susanna Hoffs, who I only know because she wrote a novel.
C
Really good novel.
B
Yeah. This bird has flown. She's a great novel. Novelist, which should be no surprise because she's a fabulous writer. But she, I interviewed her, I guess you could say, too. About what? Like, what does it feel like? What does it feel like to write a song that 30 years later, people are still, people still want to hear, like, are you happy to sing those songs? You know, so I'm, I'm, I can't wait to have that conversation with her at the bookstore.
C
And also, we should point out, you did actually speak to a member of a boy band. We won't say his name if you don't want to. What was one piece of information that he gave you that helped you write this novel?
B
I'll say his name. It's Joe McIntyre. He let me put him in the acknowledgments. So I, so it's, so it's all right. I mean, he was really very generous with me and answered so many questions that I had just about, you know, I don't know, what does it feel like to grow up in this way? It's such an unusual childhood and young adulthood and now, you know, middle age. So, I mean, he, he was extremely generous to me and he talked to me all about cruise, the cruise lifestyle and what it, what it feels like on the other end.
C
The name of the book is American Fantasy. Tonight, Emma Straub will be in conversation with Lin manuel Miranda at 7pm at the first Unitarian Church in Brooklyn. Emma, it is always nice to see you.
B
Thanks for having me. Allison. WNYC's journalism and storytelling is heard by millions of passionate listeners. Sponsors of our programming gain our listeners attention and their respect. Learn about how your organization can support WNYC and wnyc studios@sporship.wnyc.org.
Podcast: All Of It with Alison Stewart – WNYC
Episode Date: April 7, 2026
Guest: Emma Straub, novelist
Host: Alison Stewart
Episode Theme: Exploring Fandom, Aging, and Identity through the Fictional Boy Band Cruise Novel "American Fantasy"
This episode centers around Emma Straub's new novel, American Fantasy, set aboard a cruise ship dedicated to superfans of a fictional ‘90s boy band called "Boy Talk." Straub joins Alison Stewart in-studio to discuss the genesis of her story, the interplay of fandom and aging, her research (including a real-life boy band cruise), and how her characters navigate identity, nostalgia, and freedom in middle age. The conversation is lively, humorous, and reveals both the book's thematic depth and Straub’s playful, insightful take on culture.
"That's what the inside of my heart sounds like." (02:24)
“It becomes less of like a parasocial relationship and more like a symbiotic one.” (04:18)
“She was happy she'd come. She was happy she'd come alone. Even a thought that Annie had thought was physically impossible.” (10:51)
“Everyone is showing up as they are, as they are now, ready to enjoy themselves." (11:49)
"It could be hilarious, or it could be like a horror movie. And, you know, this is the direction that I went." (15:19)
"He was really very generous with me and answered so many questions that I had just about, you know, I don't know, what does it feel like to grow up in this way?" (17:34)
The episode offers a rich, nuanced conversation between Alison Stewart and Emma Straub about the intersection of pop culture, aging, fandom, and female liberation, all wrapped in the joyful absurdity of a boy band cruise. Straub’s humor, research, and heartfelt take on her characters create both an entertaining and insightful listen—reminiscent of the communal, cathartic pleasures found in the best of pop culture experiences.