Podcast Summary: "Zakir Hussain On The Tabla And Bringing Indian Music Traditions To The World"
Podcast: All Of It (WNYC)
Host: Alison Stewart
Guest: Zakir Hussain
Date: August 19, 2025
Overview
This episode of "All Of It" centers on the legendary tabla virtuoso Zakir Hussain, exploring his profound influence in bringing Indian classical percussion to global audiences. Through an engaging conversation with host Alison Stewart, Hussain discusses his upbringing in a musical family, the unique qualities of the tabla, the art of cross-cultural collaboration, and his recent Grammy-winning projects. Reflections on tradition, improvisation, listening, and musical evolution punctuate this heartfelt tribute—made even more poignant by the news of his passing at age 74, just two months after recording this interview.
Key Discussion Points and Insights
1. The Tabla: More Than Rhythm
- Distinctiveness in Indian Music (03:46–06:01)
- Tabla vs. Western Drums: Unlike conventional Western drums that mostly keep rhythm, the tabla holds both rhythmic and melodic roles and boasts a vast solo repertoire.
- Solo Table Concerts: In India, it's common to have one- to two-hour tabla concerts focusing on the instrument itself.
“It's not only an accompanying instrument, but also has a solo repertoire and a tradition that has existed for over 300 years... In India, it’s normal to have a one hour or a 90 minute tabla concert or a rhythm concert.” — Zakir Hussain (04:17)
- Physical Expressiveness: The tabla’s technique is compared to piano in terms of finger dexterity, allowing it to simulate various other percussion instruments and provide both harmonic and rhythmic content.
2. The Language and Legacy of Rhythm
- Learning as Language (06:34–08:18)
- Vocalizing Rhythm (the konakol tradition): Zakir’s earliest musical education involved listening to, then vocalizing rhythmic syllables.
“We learn it as a language. And so when we play, we think about it as something that we are telling. It's a story, it's a happening.” — Zakir Hussain (07:36)
- Tradition from Father to Son: Zakir’s father initiated him into rhythm from infancy, making rhythm the first “language” he heard.
- Vocalizing Rhythm (the konakol tradition): Zakir’s earliest musical education involved listening to, then vocalizing rhythmic syllables.
3. Improvisation and the Power of Listening
- Improvisation at the Core (06:01–06:34)
- Indian music, like jazz, is grounded in improvisation, but centers on melodic modes (ragas) rather than harmonic progression.
- Listening as Creative Dialogue (13:28–16:15)
- Collaborative Improvisation: Hussain stresses that careful listening is the foundation of meaningful musical interaction.
“If you are not listening, you're not aware of the conversation. And in improvised form of music, that is an essential part.” — Zakir Hussain (14:56)
- Anecdote about Chaplin: He shares advice passed down from Charlie Chaplin about valuing listening over waiting for your own turn to speak.
- Collaborative Improvisation: Hussain stresses that careful listening is the foundation of meaningful musical interaction.
4. Genre Crossovers and Global Reach
- From Bollywood to Hollywood (02:00–03:29, 16:15–17:34)
- Hussain’s work appears in unexpected places, such as the film "Monkey Man" (dir. Dev Patel), where his tabla features in a martial arts training montage.
- Dev Patel’s Perspective:
“You’re gonna...not speak, but you're gonna speak to me with your instrument and help me tune mine. And then it's gonna kind of explode and get bigger and bigger.” — Dev Patel (16:53)
- Cultural Fluidity in Music (17:56–19:11)
- Zakir attributes the tabla’s universal resonance to the ease of cultural exchange in the modern world and young musicians’ global outlook.
“The acceptance of what somebody does in Japan or in Indonesia or in India...is now a natural progress in being able to speak it, speak that language in a universal form.” — Zakir Hussain (18:11)
- Zakir attributes the tabla’s universal resonance to the ease of cultural exchange in the modern world and young musicians’ global outlook.
5. Grammy Wins and Modern Collaborations
- Recent Accolades (08:18–13:28)
- Hussain reflects humbly on his three recent Grammys, especially with his longtime collaborator John McLaughlin (Shakti) and with Béla Fleck, Edgar Meyer, and Rakesh Chaurasia.
- Making “This Moment” (10:10): The pandemic led to innovative remote collaboration, culminating in an album that commemorated 50 years of Shakti.
- Creating “Pashto”: A tribute to Indo-Celtic musical fusion, inspired by Northern Indian folk, Celtic interaction, and personal familial legacy.
6. Mentorship, Challenge, and Evolving Tradition
- Passing the Torch (19:11–22:07)
- Hussain finds renewed challenge collaborating with Rahul Sharma, son of his mentor Shivkumar Sharma, noting the evolution of Indian musicians toward global perspectives.
- Adapting to Modern Musicianship:
“...Today's young musicians are not just married to this one way of looking at music. They have a universal understanding.” — Zakir Hussain (20:41)
- He sees these new creative dialogues as invigorating, keeping his own artistry fresh and responsive.
Notable Quotes & Memorable Moments
- “We learn it as a language. And so when we play, we think about it as something that we are telling. It's a story, it's a happening.”
— Zakir Hussain (07:36) - “If you are not listening, you're not aware of the conversation... In improvised form of music, that is an essential part.”
— Zakir Hussain (14:56) - “...The acceptance of what somebody does...any part of the world is now a natural progress in being able to speak that language in a universal form.”
— Zakir Hussain (18:11) - “You’re gonna...not speak, but you're gonna speak to me with your instrument and help me tune mine.”
— Dev Patel (16:53) - “You can still be challenged at this point in your career?”
— Alison Stewart (20:38)
“Yeah, I can be challenged because today's young musicians are not just married to this one way of looking at music. They have a universal understanding of music.”
— Zakir Hussain (20:40)
Timestamps for Key Segments
| Timestamp | Topic | | ----------- | ---------------------------------------------------------- | | 00:17-03:29 | Pre-interview, introduction to tabla and Zakir’s legacy | | 03:29-06:34 | The tabla’s musical breadth, roles, and technique | | 06:34-08:18 | Traditions of learning tabla, vocalizing rhythm | | 08:18-13:28 | Grammy wins, creative process, "This Moment" and "Pashto" | | 13:28-16:15 | Listening, collaboration, Chaplin anecdote | | 16:15-17:34 | Dev Patel's "Monkey Man" and filmic use of tabla | | 17:56-19:21 | Cross-cultural relevance and the modern musical landscape | | 19:21-22:07 | Mentorship, evolution, and being challenged anew |
Tone and Atmosphere
The episode is reverent, deeply appreciative, and grounded in curiosity. It alternates between technical insight, cherished anecdotes, and heartfelt tributes, especially poignant after Hussain's passing. Zakir’s humility, generosity, and devotion to musical and cultural dialogue shine throughout.
Conclusion
This episode provides a nuanced, touching portrait of Zakir Hussain’s legacy—as a virtuoso performer, tireless collaborator, cultural ambassador, and generous mentor. Whether discussing the technical beauty of the tabla, the joy of improvisation, the importance of listening, or his role in musical evolution, Hussain’s wisdom reverberates. Listeners come away with a deeper understanding and appreciation of Indian music’s global journey through the hands (and heart) of a singular artist.
