Transcript
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Scott Wilkinson (1:24)
In this episode of Home Theater Geeks, I answer a question from Jason who wants to know about center channel speakers. I have some answers, so stick around.
Leo Laporte (1:38)
Podcasts you love from people you trust. This is twit.
Scott Wilkinson (1:54)
Hey there Scott Wilkinson here, the Home Theater geek. In this episode, I answer a question from Jason in Phoenix, Arizona who writes, I was wondering whether it's better to have a center channel speaker that's designed as a center channel speaker, or just use a speaker from the same line as the front, left and right speakers in the center position. What are the pros and cons of using a specifically designed center speaker as opposed to just using a speaker from the same line as the front right and left? Also, wouldn't it be better to utilize surround speakers that are the same size as the front left and right instead of a smaller surround speaker design? Well, this is a great question, Jason. Thanks for sending it in. The center channel speaker is arguably the most important speaker in the whole system because it carries most of the dialogue and and that's what you need to understand the story that's being told. In most cases. There are a few examples of movies without any dialogue, but for the most part the center channel speaker carries that dialogue and therefore needs to be really good have good dialogue intelligibility. It's the most important speaker in the system. Now, an ideal situation, the ideal situation is to use three identical speakers across the front for the left, center and right. This is really important because the tonal character of the center speaker needs to match the tonal character of the left and right. Because very often things that make sound pan across the screen. And as they're making sound and panning across the screen, as the sound moves from one speaker to the next, those speakers better have the same tonal character. If they don't, then you're going to hear the difference as the sound moves. That's going to take you right out of the movie or the TV show, no question about it. So they need to match as closely as possible. And one way to do that is to use identical speakers. Now, with floor standing speakers, the only way to do that is with an acoustically transparent projection screen. Because such a screen, you can put the speakers behind it, or at least the center channel, even if the left and right are maybe outside of it, they can be behind it or not. And then the projector puts the image on the screen. It's also the best placement for a center channel speaker to have the sound coming directly from the screen itself rather than above or below. So that works great. If you have an acoustically transparent screen in a projection system. Now with a flat screen tv, LCD or oled, or a non acoustically transparent projection screen, or one of these new microled direct view screens, you can't put a speaker behind it because it's opaque to sound. So you need to put the speaker in most cases below the screen. Occasionally they can be put above the screen, depending on the situation, but they have to be above or below. Now you could do this with three identical bookshelf speakers, put the left and right to the sides and the center bookshelf speaker below the screen, say. But it wouldn't look very good. So you could also put, if you had a bookshelf speaker that was vertically aligned like so, tip it on its side and it would be then horizontally aligned and it would fit better under the screen. But that could cause problems itself because that speaker was designed to be vertical. So manufacturers now design speakers that are supposed to be horizontal. There's center channel speakers that are supposed to be horizontal under the screen. Now these speakers are relatively long and thin and horizontal. They typically put two woofers or mid range woofers on either side of a tweeter in the center, such as this one from Polk. And that's how a lot of center channel speakers are built. Now there's always compromises to the sound one way or another. One of the main problems is something called horizontal lobing, which we can see in this graphic here. The two speakers, the two mid range woofers on either side of the tweeter in the middle are sending out the same signal. And that signal suffers from something called interference. So when waves, you've seen this, if you've dropped two stones in a pond, you see the ripples going out and you see them interfering with each other as they meet in the water. Same thing happens with sound waves in the air. In some locations they interfere what's called constructively and in fact become louder at, at those locations and frequencies. In other cases, in other locations and frequencies, they destructively interfere and become softer. So you get this lobing, this depending on where you are dead center or 10 degrees off axis, 20, 30, 40 in either direction, you can see that some of the frequencies are lower and some are higher. And in this particular graphic, one of the ways to solve that problem is by designing the crossover frequency from the tweeter to these lower mid range woofers in such a way that it minimizes or reduces anyway, this lobing and the, those different graphs were different frequency, different crossover designs and some of them work better than others at solving this lobing problem. Now this is a problem when you take a vertical bookshelf speaker that maybe, maybe has two mid range woofers and a tweeter in the center and just flip it on its side. When you use it vertically as it was designed, you still get that lobing, but it's vertical and the human ear is much less sensitive to it. And when you're sitting at a certain location, it, it's not going to change from position to position. If you've got, if you're sitting with several people and they're all watching the same thing, they're not going to hear different sounds coming out of that center speaker of the right and left. Rather, if it's vertical, if it's horizontal and you're sitting with a bunch of people, the person next to you are two places down could very well hear a different sound because of that lobing. So there are various ways to solve the problem. I mentioned crossover frequencies or crossover designs. There are many different ways to design a crossover and you can do that to minimize that lobing as we saw in that last graphic. So for example, here we see it again, the solid line is what's called a third over third order crossover. And it's got a pretty big bump right at the center and another slight bump at 50 degrees, but somebody sitting at 20 degrees is going to hear a lot less. The second order crossover is the dotted line and that boy, people sitting at 50 degrees are going to hear not much at all. The mixed second and third order crossovers looks like the best solution here. It's the sort of dashed and dotted line that causes the least amount of problems, but it's still not perfect.