Host-Read vs. Producer-Read and Why It Matters to You
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Lisa Laporte
Hi, this is Lisa Laporte, I'm the CEO of Twit TV and this is my partnership podcast host Red Ads. So now that twit is 20 years old, I want to explain the diverse sponsorship offerings we have on our network at this time. It's 2025 and our offerings may change in the future. But here is what we are doing now. So first is our first tier interstitial podcast ads that are host read done live when we record our show episodes and our both audio and visual ads in which our hosts take the time to properly introduce brands to our audiences. These ads remain in our content in perpetuity and can be between one to five minutes long because our hosts take their time in these ads and we do not have time constraints on our host. So second is our first tier billboard ads that our host read done live when we record our show episodes and are both audio and visual ads in which our hosts take up to one minute to introduce brands to our audiences. These ads appear at the top of every show and are sold in weekly chunks. Plus just like our interstitial ads, they remain in our content in perpetuity. Third, we have our partners at Libsyn Ad sell our residual audio inventory on our six public facing shows via via dynamic ad insertion known as dai and they have full exclusivity in selling the audio release of our Club Twitch shows too. These audio ads are 15, 30 or 60 seconds long and we approve categories that they can sell and exclude categories we do not want inserted in our shows such as ads for religion, politics, guns, drugs, et cetera. If you hear our hosts we read a DAI ad then that means we approved the brand. If you hear a producer read ad it means we did not approve the brand directly, only the category. However, we do trust our partners at Lipsyn Ads to only sign high integrity brands. But as I already said, we did not approve these brands directly if they're producer read ads. Libsyn Ads also sells dynamic ad insertion billboard ads that can be inserted in back catalog content and the same rule applies if the ads are read by our hosts, then the brand was approved directly by us. Lastly, we also allow Spotify and YouTube to insert video ads in the content of our shows and we do not approve these brands either. Therefore, if you see an ad on these platforms that are not host red, please know we did not directly approve the brand. So we have diversified our offerings over the last five years because when the pandemic hit our our network almost shut down because we only had one revenue stream. Our Host Red Ads. We need these multiple revenue streams and Club Twit to remain viable and to grow our network. So please help us out by downloading and subscribing to our content and supporting all of our sponsors who appear on our network, either through Host Red Ads or through Producer Red Ads. So thank you for listening and have a great day.
Podcast Information:
In this episode, Lisa Laporte, CEO of TWiT.tv, delves into the diverse sponsorship offerings available on the TWiT network as the platform celebrates its 20th anniversary. Recognizing the evolving landscape of podcast monetization, Lisa outlines the various advertising tiers and strategies adopted to ensure sustainable growth and support for the network.
Lisa begins by explaining the first-tier interstitial podcast ads, which are host-read and delivered live during show recordings. These ads are both audio and visual, allowing hosts to provide a personal and engaging introduction to the brands.
Key Features:
Notable Quote:
"Our hosts take their time in these ads and we do not have time constraints on our host." [00:00]
The second tier introduced is billboard ads, which differ slightly in format and placement from interstitial ads.
Key Features:
Notable Quote:
"These ads appear at the top of every show and are sold in weekly chunks." [00:00]
Lisa then discusses the collaboration with Libsyn Ads, which manages dynamic ad insertion across TWiT's six public-facing shows.
Key Features:
Notable Quotes:
"If you hear our hosts read a DAI ad then that means we approved the brand." [00:00]
"We did not approve these brands directly if they're producer read ads." [00:00]
Beyond audio, Libsyn Ads also handles billboard ad insertion into back catalog content, following the same approval protocols.
"If the ads are read by our hosts, then the brand was approved directly by us." [00:00]
Lastly, Lisa touches upon video ad insertions through platforms like Spotify and YouTube.
Key Features:
Notable Quote:
"If you see an ad on these platforms that are not host read, please know we did not directly approve the brand." [00:00]
Lisa emphasizes the importance of multiple revenue streams for TWiT's sustainability and growth, especially highlighted by challenges faced during the pandemic when reliance on a single revenue source nearly led to the network’s shutdown.
Key Points:
Notable Quote:
"We have diversified our offerings over the last five years because when the pandemic hit our network almost shut down." [00:00]
In closing, Lisa urges listeners to support TWiT by downloading and subscribing to content and supporting sponsors across all platforms, whether through host-read or producer-read ads.
Key Points:
Notable Quote:
"Please help us out by downloading and subscribing to our content and supporting all of our sponsors." [00:00]
This episode provides a comprehensive overview of TWiT.tv's strategic approach to sponsorship and advertising, highlighting the balance between maintaining content integrity and ensuring financial sustainability. Lisa Laporte's detailed explanation showcases TWiT's commitment to quality advertising partnerships and adaptability in a changing media landscape.