Transcript
Dr. George Zheng (0:04)
One doctor asked me to take his eyeballs. When I looked at him, I saw fear in his eyes. His eyelids were moving. He was alive.
Raymond Zhang (0:20)
The boy killed in this film for his organs was a 17 year old army soldier.
Janje Kellogg (0:27)
In this episode, I sit down with award winning filmmaker Raymond Zhang, the director of State Organs, a powerful new film exposing the brutal realities of forced organ harvesting in China.
Yun's Sister (0:39)
My sister loved singing and danced well. My sister was kidnapped by police.
Raymond Zhang (0:50)
It was finding the original recording of Yun that inspired me to start as a film at the very beginning.
Janje Kellogg (0:59)
It's a story of redemption of a surgeon who once participated in these crimes.
Raymond Zhang (1:05)
This omnipresent fear and the never ending pressure suddenly vanished. He felt like he found a form of redemption.
Janje Kellogg (1:17)
It's the powerful journey of a victim's family from grief to strength.
Yun's Sister (1:22)
When we get to heaven, we will see each other again.
Raymond Zhang (1:28)
On the spiritual level. The further you distance yourself from the CCP and the closer you are to the divine, the safer and happier your life gonna be.
Janje Kellogg (1:41)
This is American Thought Leaders and I'm Janje Kellogg.
Interviewer (possibly Janje Kellogg or another host) (1:47)
Raymond Zhang.
Janje Kellogg (1:48)
Such a pleasure to have you on American Thought Leaders.
Raymond Zhang (1:51)
Thank you for having me, Yang.
Interviewer (possibly Janje Kellogg or another host) (1:53)
So you actually have made three documentaries. Two of them have been focused on forced organ harvesting. The first, of course, was Human Harvest. It won the Peabody Award, which made it the darling of the Canada Media Fund. And then it also had this incredible reach through an online film festival where literally millions saw it. The second film was particularly close to my heart. It's the film Avenues of Escape. And that's because the film is about this underground railroad that was bringing Chinese prisoners of conscience out from China through the Golden Triangle to Bangkok so they could get UN refugee status and get resettled in free countries. My wife and I, back in 2005, 2006, were actually working on this railroad. So it was wonderful to have documentation of that in a documentary. Very powerful and I'd recommend that to everyone. So. So tell me briefly how going through the process of making those first two documentaries inspired state organs.
