Adam Scott Returns

Summary

Armchair Expert with Dax Shepard Episode: Adam Scott Returns Release Date: January 20, 2025

In the latest episode of Armchair Expert with Dax Shepard, host Dax Shepard welcomes his longtime friend and esteemed actor, Adam Scott. Joined by Monica Padman, Dax delves deep into Adam's experiences, career milestones, and personal reflections, offering listeners an intimate glimpse into the actor's journey both on and off the screen.

---

Adam Scott's Return and Career Highlights

The episode kicks off with Dax expressing excitement over Adam's return to the podcast, marking his seventh appearance. They reminisce about Adam's past roles and his impact on various hit shows and movies.

• Dax Shepard [00:39]: "Big Time Parks and Recreation, Step Brothers, Big Little Lies, Party Down the Good Place. And alas, arguably the greatest show on television, which returns to Apple TV plus on the 17th. Severance."

Adam highlights Severance as his most spectacular project to date, praising its depth and the collaborative process with creators Dan and Ben.

---

The "Severance" Show and Its Themes

A significant portion of the conversation revolves around Adam's role in Severance and the unique circumstances during its production.

• Adam Scott [43:15]: "I sort of just decided, I'm gonna figure this out. But the show is about grief."

Adam shares how his personal loss, the passing of his mother, intertwined with his character's journey in Severance, allowing him to process his grief through his work.

• Dax Shepard [45:02]: "So then the memorial gets kicked all the way to December or something."

The discussion highlights the show's exploration of isolation, grief, and the quest for understanding oneself amidst personal turmoil.

---

Personal Reflections and Grief

Adam opens up about his struggles with grief, detailing how the pandemic and his mother's death influenced his portrayal of his character in Severance.

• Adam Scott [44:01]: "I needed to find a way towards grieving and defining what this is and what happened. And I really did it through the show."

Dax relates by sharing his own experiences with loss, emphasizing the profound impact parental relationships have on one's identity.

• Dax Shepard [48:02]: "They're one of your most tethered relationships."

---

Annual Trip with Jimmy Kimmel

Transitioning to lighter topics, Dax and Adam discuss their cherished annual trip hosted by Jimmy Kimmel.

• Dax Shepard [24:32]: "Dinner every night... probably 40 people."

This gathering is depicted as a highlight of their year, filled with fascinating conversations and the camaraderie of a diverse group of friends.

---

Overused Words in Pop Culture

Monica introduces a segment on the overuse of certain trendy words in today's vernacular, sparking a spirited debate among the trio.

• Adam Scott [07:00]: "Atelier, which I learned this from Monica. This is like a small, bespoke, handcrafted luxury item."

They critique terms like "artisanal" and "atelier," arguing that their excessive use can come across as pretentious or snobbish.

---

Filming "Severance" During the Pandemic

The conversation shifts to the challenges faced while filming Severance amidst the COVID-19 pandemic.

• Adam Scott [42:08]: "Then we flew home and then everything happened. So we didn't start shooting till October..."

Adam recounts the stringent safety protocols on set, including mask mandates and isolation measures, which inadvertently fed into the show's themes of separation and introspection.

---

Future Projects and Collaboration

As the episode nears its conclusion, Dax and Adam express their admiration for Adam's dedication to his craft and discuss potential future collaborations.

• Dax Shepard [71:23]: "They're both beautiful. The way they play it is just impossibly perfect."

They reflect on the synergy between Adam's past projects and his current work, underscoring the actor's versatility and commitment to storytelling.

---

Closing Thoughts

In their final moments together, the trio shares heartfelt acknowledgments and anticipates the release of Severance's new season.

• Dax Shepard [76:30]: "Watch Severance. It comes out on Apple TV on January 17th and the podcast comes out on January 7th."

Adam expresses gratitude for the platform Armchair Expert provides, allowing him to share personal narratives and connect with listeners on a deeper level.

---

Notable Quotes

• Adam Scott [07:00]: "Atelier, which I learned this from Monica. This is like a small, bespoke, handcrafted luxury item."

• Dax Shepard [44:01]: "I needed to find a way towards grieving and defining what this is and what happened. And I really did it through the show."

• Adam Scott [42:08]: "Then we flew home and then everything happened. So we didn't start shooting till October..."

• Dax Shepard [76:30]: "Watch Severance. It comes out on Apple TV on January 17th and the podcast comes out on January 7th."

---

Conclusion

The episode masterfully balances professional insights with personal vulnerabilities, offering a comprehensive look into Adam Scott's life and career. Through candid discussions and shared experiences, Dax, Monica, and Adam create an engaging narrative that resonates with both fans of the actor and listeners seeking authentic storytelling.

Transcript

[Dax Shepard]

Wondry plus subscribers can listen to Armchair Expert early and ad free right now. Join Wondry plus in the Wondry app or on Apple Podcasts, or you can listen for free wherever you get your podcasts. Welcome, welcome, welcome to Armchair Expert. I'm Dan Shepard and I'm joined by the Duchess of Duluth.

[Monica Padman]

Hi.

[Dax Shepard]

Hi. Our sweetest friend Adam Scott is here today. Yeah, we discovered. Which I would have not guessed. Yeah, I forget now. But in seven, in the interview, we realize he was his seventh guest.

[Monica Padman]

It does feel like it's been a long time since he's come on, but not that long.

[Dax Shepard]

No, I just didn't think he was that early. I felt like we were up and running for a while and I reached out.

[Monica Padman]

Me too.

[Dax Shepard]

But yeah, so this is his second trip. Oh, this will be good. Because I remembered this. There's a point in the interview where I go, weren't you super into hip hop?

[Monica Padman]

Yeah, you did.

[Dax Shepard]

And he's like, no.

[Monica Padman]

Yes.

[Dax Shepard]

And I was so discombobulated by that because I'm like, I know. I remember this.

[Monica Padman]

Okay.

[Dax Shepard]

And it hit me after this interview and I text him and I was like, oh, my God. You know what I think I'm confusing is, were you obsessed with do the right Thing and Spike Lee and started wearing African gear and he's like a hundred percent. So that's what it was. I knew he went through a phase.

[Monica Padman]

Oh.

[Dax Shepard]

And he was wearing like the tri color Africa shirts and it was do the right Thing.

[Monica Padman]

Oh, I'm not.

[Dax Shepard]

I wasn't totally insane there. There's some connective tissue.

[Monica Padman]

Got it. That makes sense.

[Dax Shepard]

Yeah, yeah, yeah.

[Monica Padman]

And also lends itself to him being a cile.

[Dax Shepard]

Yes. Big Time Parks and Recreation, Step Brothers, Big Little Lies, Party down the Good Place. And alas, arguably the greatest show on television, which returns to Apple TV plus on the 17th. Severance.

[Monica Padman]

I can't wait. So excited.

[Dax Shepard]

It's so good. It's so, so good. And I got to do the severance podcast that they're doing, which is really, really fun.

[Monica Padman]

That's great.

[Dax Shepard]

Yeah. I do recommend. It's been three years. I have a pretty good memory. I don't remember anything. It is so worth starting it from the get go. It's so enjoyable. I had forgotten so many great things about it.

[Monica Padman]

Me too. I rewatched it as well.

[Dax Shepard]

Oh, you did?

[Adam Scott]

Yeah.

[Dax Shepard]

I mean, it's just. What a show.

[Monica Padman]

It's fantastic.

[Dax Shepard]

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[Adam Scott]

He's an object.

[Dax Shepard]

He's an option. Steal yourself. Is that the expression?

[Monica Padman]

Oh my God.

[Adam Scott]

Steady steel.

[Monica Padman]

Okay.

[Dax Shepard]

Thank God there's no buttons on your slacks. Like Camilo Anthony.

[Adam Scott]

I wonder what it is I'm supposed to be looking at.

[Monica Padman]

Yes, this is very nice.

[Dax Shepard]

You're fucking hot as hell. Hold on, Adam. You're 1000% sexy as fuck.

[Monica Padman]

What is this from?

[Dax Shepard]

I've always known you've had good hair, like enviable hair. But this photo, I can't do things like. Like you can take big swings with your hair. Would you acknowledge that?

[Adam Scott]

And I would say that's a big sw. You think it might be a bit of a miss?

[Dax Shepard]

No. Oh my God.

[Adam Scott]

The whole thing just feels a little stupid.

[Dax Shepard]

No, Adam, listen to me. You can own this. Can I hold this up? Can you see that, Rob? But look at this. This is great.

[Monica Padman]

You do have great hair.

[Adam Scott]

Fuck. You have good hair.

[Monica Padman]

You're welcome.

[Dax Shepard]

I'm stealing this from Arnett. He would call it the 40 yard stare. Like that Vietnam?

[Adam Scott]

Yeah, the like middle distance stare.

[Dax Shepard]

Yeah, like am I seeing a sniper in the background? That you're not.

[Adam Scott]

Right. Me and Pratt used to do it works. It would be saying something stupid to each other and then just kind of breaking into and it's like, what are you. What Exactly. There is this middle distance where it's so clear. I wasn't looking at anything. It was just. Look over there. Yeah, that's maybe part of why it's embarrassing.

[Dax Shepard]

No, no, no, no.

[Monica Padman]

You're so self deprecating. It's a gorgeous picture.

[Dax Shepard]

I don't think I'm just gorgeous.

[Monica Padman]

It's absolutely gorgeous.

[Adam Scott]

By the way, it's so different in here than where we are. Oh, sure.

[Dax Shepard]

You know, let's take a second to process this.

[Adam Scott]

How long have you been in here? Three months. I listened to the show. I don't watch it, so I would. I don't know.

[Dax Shepard]

Yeah, take it in. First of all, Rob did all this.

[Adam Scott]

It's really nice. Can you believe homey?

[Monica Padman]

Thank you.

[Adam Scott]

And well designed. I know you have impeccable taste, Rob.

[Monica Padman]

Thank you. But this wasn't me. This was all Rob.

[Adam Scott]

It's really lovely.

[Dax Shepard]

Yeah. You can almost forget, right? That's the dream.

[Adam Scott]

It's nice. And you got the camera sort of hidden. It's really nice.

[Dax Shepard]

Well, we have overs in this podcast which people don't have over. They line up in a line.

[Adam Scott]

Overs. It's so good. You're a director. You know these things.

[Dax Shepard]

What if I said I'm a director at heart?

[Monica Padman]

Ew, that's gross.

[Adam Scott]

I'm a storyteller at heart.

[Monica Padman]

That's worse.

[Dax Shepard]

I'm even scared to admit out loud how much I hate that because so many people I love. I've heard use that term. I know, and it's true. We are story animals.

[Adam Scott]

Stop it. Just cut it out. Since the dawn of man, we gathered around the fire. We tell stories. We can stop. Stop saying that.

[Monica Padman]

Yeah, I would like to stop.

[Adam Scott]

Yeah.

[Dax Shepard]

You've seen people you love say it, right?

[Adam Scott]

Of course. Yeah, I'm sure I've said it.

[Monica Padman]

I mean, Jesus, I'm pulling for the fact. Check both of you.

[Adam Scott]

Saying it a thousand times a stream. Is there any other current words that piss me off? Yeah, nomenclature. That's rubbing you the wrong way.

[Dax Shepard]

I have too much of it to the degree that I'm not proud of myself.

[Adam Scott]

Too much of what?

[Dax Shepard]

I am hypersensitive to words people are using in pop culture to the degree that I have to be a little self reflective and go like, this is the kid in high school. Like, I'm still looking for reasons that all the popular kids have their code.

[Monica Padman]

You feel left out.

[Adam Scott]

I got that.

[Dax Shepard]

I think that's why it's such an acute because Monica will tell you I've called out words like artisanal. The second artisanal. I said, you watch, that's going to be on a fucking Arby's sign. It wasn't on Arby's, but it was on subway. My current one I'm tracking is atelier. This is the new Word.

[Adam Scott]

Wait, I don't know this one.

[Dax Shepard]

Great. You're getting in on the ground floor.

[Monica Padman]

You do know it. It just means like a shop.

[Dax Shepard]

You don't know it.

[Monica Padman]

It just means a nice shop.

[Adam Scott]

Apoth bubbled up a few years ago in the wrong places.

[Dax Shepard]

Yes. Atelier, which I learned this from Monica. This is like a small, bespoked, handcrafted luxury item. And it's the studio for it, which I'm fine with those Italians having their ateliers, or French, whatever it is.

[Monica Padman]

It's where the designer actually makes the items. It's a real word.

[Adam Scott]

Sure. But we don't use it to describe the sandwich shop in Beverly Hills, which is coming.

[Dax Shepard]

I just started hearing atelier a little too much. And I was like, monica, you watch the Gap's gonna have in a two. Okay. So we have storytellers. That's rough for me.

[Adam Scott]

It's rough.

[Dax Shepard]

And again, so many people. I love it. I see. You sure? I don't think people can get through an interview without saying it these days. Holding space. Can't you just do that without talking about. Does that trigger you at all?

[Monica Padman]

Never said it. I do think it's rough.

[Dax Shepard]

This is where the left is losing people, by the way.

[Adam Scott]

Yeah.

[Dax Shepard]

Stuff like that.

[Adam Scott]

100. Because it's cultural and rhetorical. That's it. Of the two parties, there's one that actually helps out the working class. And it's not the one that won. It's one that rhetorically and culturally don't know how to talk to them. Right.

[Dax Shepard]

Yeah.

[Adam Scott]

So it's shit like that. 100%. But wait, holding space means I'm just creating space for myself?

[Dax Shepard]

Well, I think it's more often used in, like, I just want my husband to be able to hold space for me to have my emotions. Or hold space for a co worker or a friend.

[Adam Scott]

Right.

[Dax Shepard]

It sounds a little too sanctimonious.

[Adam Scott]

I think I tuned that one out.

[Dax Shepard]

So I use one that probably people hate. I will say often, my story. My story about you and I is this or my story about losing that job. That to me, feels a little more honest, which is, I know. I'm a storyteller.

[Adam Scott]

Yeah.

[Dax Shepard]

And it's just.

[Adam Scott]

It all comes back to storytelling, you guys.

[Dax Shepard]

This is a story.

[Adam Scott]

Monica's visibly uncomfortable.

[Dax Shepard]

We thought our pants were going to explode, but they've retracted. Were you wearing three belts when you walked in? I didn't notice.

[Adam Scott]

Isn't it funny in movies where they flash to the future and you see them taking stabs at what will happen Fashion wise. In the future. I think in Back to the Future people have two ties in the future.

[Dax Shepard]

Right. In 2015, which, by the way, you would have known that already.

[Adam Scott]

That's right.

[Dax Shepard]

You know what no one's playing with which they should be, is that as we see drugs like Ozempic become ubiquitous and people will more and more have the same body shape, it's almost interesting that no one's projected that in the future, everyone just virtually. There'll be like three versions of people.

[Monica Padman]

Also with Botox and fillers and all of those things. Yeah, people's faces are starting to just look like one thing. I mean, young teens are doing Botox and filler.

[Adam Scott]

I know.

[Dax Shepard]

I wish I was alive when they were 90 so I could see how perfect they look. I bet it's really going to work, lady.

[Monica Padman]

To say I'm against it, but I am.

[Dax Shepard]

You are.

[Adam Scott]

Even though you're for kids.

[Monica Padman]

Honestly, for like an 18 year old, you don't even know what your face is yet.

[Adam Scott]

But also you're not done forming.

[Monica Padman]

Exactly.

[Adam Scott]

Growing. I have two teenagers, so they're always on TikTok and Instagram stuff. And yeah, there's a lot of perfection and redefining perfection. It's all really crazy.

[Dax Shepard]

It's very sci fi. It does make. Did you ever have these days when you were in elementary school, I'm plagued with a lot of cowlicks. I don't have the head of hair. You do back to your hair cowlicks, you know, where your hair juts this way and then that way. It's all scandiwompus and back. I have a swirl. So the middle part with a feather when you and I were kids was king.

[Adam Scott]

Totally.

[Dax Shepard]

You had to have that hairdo. Bowen Luke Duke had it and I just couldn't get it down the middle. It was always off to one. It was like a 60, 40 split. And so occasionally I would have a morning like in fourth grade where I would feather it. It would look great. And I would make this weird promise to the deities. I would say, like, I commit to this hair for the rest of my life. If you can keep it looking this way.

[Adam Scott]

If it can remain this perfect, I will keep this parted down the middle feathered construction for the rest of my days.

[Dax Shepard]

Okay, now, did you ever do any dumb thing like that in front of the mirror?

[Adam Scott]

I remember my brother had the little lead figurines for Dungeons and Dragons. They were made out of lead.

[Dax Shepard]

Yeah.

[Adam Scott]

And as a kid I heard lead is poison, so you need to be careful. I Used to just steal all his shit and look at it. He's older than me, so I remember one day taking one of these little lead figures and just sticking my tongue out and just touching it and then just being like, what am I doing? And I remember looking into the mirror in our living room. There was a mirror hanging there and just going, I don't want to die thinking that it was imminent.

[Dax Shepard]

Okay. What you stumbled upon right there is called the call of the Voice. Do you know this term?

[Adam Scott]

Yeah.

[Dax Shepard]

So the call avoid is very, very common for people experiences. You're on an extremely tall building, you're looking over the edge, and the voice is going, jump, you pussy. For some reason, it's taunting you.

[Adam Scott]

Yes.

[Dax Shepard]

And that's what licking that lead was. And I would have done the exact same thing.

[Adam Scott]

Like, whoa. It's pretty powerful.

[Monica Padman]

Powerful. That's what it is.

[Dax Shepard]

But you got to be on the other side of answering the call, the void, which is. You laughed.

[Adam Scott]

I did it.

[Dax Shepard]

And it sounds like you had immediate regret.

[Adam Scott]

Yeah. It was a stupid thing to do.

[Dax Shepard]

Did you think in your mind at that time you thought you'd be dead before day's end?

[Adam Scott]

I thought I would drop dead any second. Were you, like, touching your t. Getting under the faucet? On Instagram, I'm constantly shown, you know those kids that are now climbing skyscrapers all over the world without any equipment? What?

[Dax Shepard]

Yo, they're just free balling it and they're running and jumping. They're not, like, being careful.

[Adam Scott]

Oh. They're getting up to the top of, literally, the Empire State Building and balancing on one leg, taking some pics. Yeah. They have their drone up there, and they're just like, what's up?

[Dax Shepard]

Some toss them a beer.

[Adam Scott]

Crazy. And there's a documentary on a couple that do this in Eastern Europe on Netflix. Their whole group of friends are traveling the world doing this. And they die often, of course, because they fucking fall.

[Dax Shepard]

Yes. Yes.

[Adam Scott]

But I'm on that algorithm on Instagram, and I'm constantly being shown these. This is because there's nothing that I enjoy more than watching these people on the edge of the fucking skyscraper. And I love it.

[Dax Shepard]

Yeah. It makes my hands sweat so profusely.

[Adam Scott]

I get butterflies and I get an adrenal rush, I think, watching them. And then I have to just put it down and not look anymore.

[Dax Shepard]

Sure.

[Adam Scott]

Yeah.

[Dax Shepard]

Look in front of the mirror and.

[Adam Scott]

Say, I don't want to die. It's like, well, it's just a video. You're fine.

[Monica Padman]

Were you a really good kid? It sounds like you were a really good kid. That extent of mischief.

[Adam Scott]

Yeah, yeah, I must have been a good kid.

[Dax Shepard]

I can really relate to being the younger brother who. He'd leave the house to go do something fun and I would run to his bedroom like a chimp. Just like hold his objects 100% covet them.

[Adam Scott]

Oh yeah, look at chimp, your little possessions.

[Dax Shepard]

His idols. I felt like I was holding special idols.

[Adam Scott]

I remember once he came home when I was in the midst of one of my archeological digs. And I hid behind a chimney that came through the middle of his room. And I just hid there for 15, 20 minutes while he just sat on his bed reading a comic book or.

[Dax Shepard]

Something I was seeing at my grandparents roadside motel in the summertime. And I had an Uncle Rob who was five years older than my brother. So this guy was on top of the world. He had a 68 Camaro. He played the guitar very well. He had a dirt bike. And I got into his room when he was out and I found just a treasure trove of firecrackers.

[Adam Scott]

Oh.

[Dax Shepard]

I was like, this motherfucker's got major power movement in here.

[Adam Scott]

Firepower.

[Dax Shepard]

I was like, oh, there's 60 of these. I'm gonna steal one black ca. And then later I was out in a field next to motel and I lit him off. And I was like very scared and excited. And I just hear, they're loud, aren't they?

[Adam Scott]

Oh fuck.

[Dax Shepard]

And I turned around, it was Uncle Rob. And he fucking called me red handed. Just like the cool uncle. You'd guess. He didn't mind too much. Yeah, he understood what was going on.

[Monica Padman]

The other day you told me you've never stolen.

[Dax Shepard]

I didn't say that.

[Monica Padman]

Yes, you did.

[Dax Shepard]

No.

[Monica Padman]

Yes, you did.

[Adam Scott]

No.

[Monica Padman]

Then I said, yeah, you tried to steal a parking meter. Parking meter.

[Dax Shepard]

Yeah, I did steal. And then I said, no, I did steal a parking meter.

[Monica Padman]

Yeah, you said. Then I tried and I tried to. I had a different compartment cause I was drunk. But now. Here we go.

[Adam Scott]

It sounds like. Sounds like he was in his right mind when he stole these fireworks.

[Monica Padman]

It does.

[Dax Shepard]

I was pretty hammered.

[Adam Scott]

What is that?

[Dax Shepard]

That's a nicotine spray. You've certainly seen me use these.

[Adam Scott]

Yeah, yeah, yeah, yeah.

[Dax Shepard]

On our yearly vacation.

[Adam Scott]

Yeah, I've got.

[Dax Shepard]

Yeah. What are you rocking? Zins. Yeah, yeah, that's right. You're a Zinn, man.

[Adam Scott]

So stupid.

[Monica Padman]

What's a Zinn?

[Dax Shepard]

A Zinn is like a little pouch of chemicals. It's kind of like a skull band.

[Adam Scott]

Hit, except it's Non tobacco. Or maybe Skull Bandits are non tobacco.

[Dax Shepard]

No, they're tobacco.

[Adam Scott]

Okay. These are non tobacco. It's just nicotine.

[Dax Shepard]

Bandits are made in an atelier in Raleigh, Durham.

[Adam Scott]

So are Zams.

[Dax Shepard]

They're made in one by one gorgeous.

[Adam Scott]

Atelier in Terre House, Indiana.

[Dax Shepard]

Very bespoke, very tisnal. And they fold each packet bespoke.

[Adam Scott]

That's another one.

[Dax Shepard]

That one doesn't bother me.

[Adam Scott]

Agents started using it describing different kinds of movies and shows.

[Dax Shepard]

By the way, that's a great source for trigger words is agents. Because agents kind of like Silicon Valley bros. There's a lexicon and you gotta stay abreast.

[Adam Scott]

And political talking heads. There's always a new word kind of cycling through. A few years ago it was crossing the Rubicon. So and so is going to cross the Rubicon into.

[Dax Shepard]

You're so right.

[Adam Scott]

This cycle, it was something else. But yeah, it's annoying.

[Dax Shepard]

Okay, now I gotta go all the way back because when I talked about your hair. So basically we're getting into this era where the Faustian promise couldn't be. We're nearing a technology that at 8, I could have injected myself with something and my hair would have looked like that for the rest of my life. That's where I was going with that entire story. Like, the notion of freezing your face at 16 is kind of interesting. I don't have a moral judgment on it quite yet. Maybe I have to move it over.

[Monica Padman]

This has gotten better over time. So that would have been a big mistake.

[Dax Shepard]

Mine too. Is yours improved?

[Adam Scott]

I think so. I look at photos of me when I was 30 and I'm like, what's going on? And it might just be the way you perceive yourself. It's hard to gain perspective on that. I just saw the substance, which was super interesting.

[Monica Padman]

Yes.

[Adam Scott]

So good. But remember when the kid in the doctor's office introduces her to the idea and that kid's perfect face?

[Monica Padman]

Yeah, but creepy.

[Adam Scott]

Very creepy. That's what I immediately think of when you say there'll be like three different kinds of faces. Or if you have the power to just freeze your face. Everyone starts kind of morphing into a face like that. To me, that looks like a YouTube tutorial face. Like, it's just weird. And it's become this standard that people are looking at on social media.

[Dax Shepard]

It's hard to say what's better or worse. Is that better or worse than you and I thinking, you gotta look like Brad Pitt and there's no chemicals or I can't freeze my.

[Adam Scott]

There's nothing you can Do?

[Dax Shepard]

No, I'm not sure if it's getting better or worse. Yeah, okay. But my sci fi fantasy is this. So if we just think really quickly that your cells divide and they make perfect copies of themselves.

[Adam Scott]

Yeah.

[Dax Shepard]

So there's this great mystery. How then does your body evolve and look differently? If it's making perfect mirror copies of each cell, what is this aging process? How are the cells changing? And there's a lot of science that's getting close to figuring that out. So let's just say there is a future in which you take it and then that's it. You're arrested. Exactly where you're at. From now on, your cells will just duplicate as they should. That's an interesting sci fi movie where everyone is 28, the wise elders are.

[Adam Scott]

28, and everyone is immortal, probably, unless.

[Dax Shepard]

They get hit by a car. Unless some kind of accident happens, their cells are just gonna make perfect copies of themselves. So that would be an interesting sci fi movie where everyone's 30, one guy's.

[Adam Scott]

130 and one guy's 30.

[Dax Shepard]

Yes.

[Adam Scott]

But they look exactly the same.

[Dax Shepard]

And it just makes me wonder like status wise and how you treat people at a grocery store and all this weird stuff. If everyone was the same age, what would that do?

[Adam Scott]

That would be really weird.

[Monica Padman]

Also it would make the first, first 30 years of your life, or 28, whatever number everyone shut it down.

[Adam Scott]

Yeah.

[Monica Padman]

You'd like be living in a bubble because you have to protect yourself until you get to 20. Yeah. So you don't get messed up or.

[Dax Shepard]

Well, I did think of that as. Once you get the procedure, it'll heighten your fear of accidental death because you're not gonna die of any diseases.

[Adam Scott]

People would be so much more accident phobic. And also there would probably be some sort of celebration when you hit 30.

[Dax Shepard]

Or 28 or whatever it is at 27. That's when they always say you just start going downhill from there.

[Adam Scott]

Is that right? Is that like the peak? That's when you remember Looper, one of the great sci fi movies of the last 20 years or so. Rian Johnson.

[Dax Shepard]

Yeah.

[Adam Scott]

They have that party when you close your loop and you know your death date. Is that what it was? They throw a party and it's a really dark, weird thing. But that's the great thing about really good sci fi is when you drop in and you see kind of the customs of this new altered environment. And when it's pulled off well, like in Looper, it's really kind of mind bendy.

[Dax Shepard]

Yeah, that's the fun stuff to think about is not the actual actual big.

[Adam Scott]

Juicy tech cultural reverberations.

[Dax Shepard]

Like if a guy that's 130 is dating an actual 30 year old woman, but they look the same, do we throw out that whole thing we care about?

[Adam Scott]

And what are the apps that would be created to catch you up on what a 30 year old is into your fucking 430.

[Dax Shepard]

What if. Okay, we got to get back to reality after this.

[Adam Scott]

No, but listen, dating a 430 year.

[Monica Padman]

Old though, then it's like they're mature, right? That's cool. I don't know.

[Dax Shepard]

What if. Okay, so the. These new meta glasses, they have a speaker right behind. Yeah, whatever. The arms. I'm told that you could be in China and you can have the AI be translating what someone's telling you in Mandarin and you'll hear it in English. I think we're really close to the Star Trek. Like we're wearing glasses, a Chinese guy is wearing glasses and we're just communicating. So knowing that, that's close. Now what if back to the 300 year old, let's call it a woman dating a 30 year old man.

[Monica Padman]

That's safer.

[Dax Shepard]

Yeah, that's safer. We like that. Yeah. And then the 30 year old man goes, I loved this new show, Tobique Crossing.

[Adam Scott]

It's a great show, by the way.

[Dax Shepard]

It is a good one. And then the woman in her ear hears, I'm watching this new show, Dawson's Creek. The AI knows where this reference is going, so they can communicate.

[Adam Scott]

They can have the conversation.

[Dax Shepard]

Different references. Do you understand what I'm saying?

[Monica Padman]

Sort of. But they're still living in the same world.

[Dax Shepard]

Like you'd be talking about Taylor Swift. Like, let's say you and I were on a date. You'd be talking about Taylor Swift and how great she is, but I'd be hearing Madonna so that I understood it's.

[Adam Scott]

A cultural equivalent, translator cultural. Have the same emotional interaction and just be on the same level at all times. So all cultural references become the same too? Yes, Everything evens out so there are no obstacles anywhere.

[Dax Shepard]

No, it's just emotion. I'm conveying an emotion. That's right.

[Adam Scott]

You say you like Raiders of the Lost Ark and I hear Tron. Tron 3D.

[Dax Shepard]

Yeah.

[Adam Scott]

I mean, that just made me sound so much older than I intended.

[Monica Padman]

These aren't real relationships. You're just hearing what you want to hear. Because what if you didn't like Taylor Swift objectively, and I'm talking about Taylor Swift and you're hearing Madonna, something you do, it's just translating into what you like.

[Dax Shepard]

No, no, no. See, I mean my version of this cultural translator, you're saying Taylor Swift. And my equivalent of that was Madonna. Now I actually feel about Madonna however I felt then. Right. So maybe I thought she was. I don't think this. Well, I just think she was a stage show. She wasn't really an artist. Let's just say that's what I thought.

[Monica Padman]

We don't. We're not.

[Dax Shepard]

That's not what I think.

[Adam Scott]

None of us think.

[Monica Padman]

We also just. We don't say that.

[Dax Shepard]

So I'm hearing you talk about who's a perfect comp. And then I feel the way about. And then I go, she's not for me. I don't like.

[Adam Scott]

But your AI would be so attuned to you that it would know if you say Taylor Swift to perfectly translate that to someone I love. It's not Madonna. Maybe it's Emmylou Harris. It's attuned to you and your taste. If the objective is to get along with this person you're talking to and create an emotional connection and get rid of any snags along the way, it'll just provide equilibrium for everything.

[Dax Shepard]

So in your version, like a liberal and Democrat are wearing the glasses, and the liberal goes, I'm so afraid the earth's going to catch on fire. And the person hears, I'm so afraid of immigration.

[Adam Scott]

Yeah.

[Monica Padman]

And everyone's like, I know, I know.

[Dax Shepard]

Terrify.

[Adam Scott]

I totally agree. Yes.

[Dax Shepard]

I'm scared, too.

[Adam Scott]

Oh, that's wild.

[Dax Shepard]

Okay, this actually brings me to a real question. First of all, and I told you this privately, so I'm not just fluffing your pillows now that we're in public.

[Adam Scott]

Fluffing your pillows. I like that.

[Dax Shepard]

Not a really common colloquial. We go on this trip every year. It's the funnest trip of the year for us. Yes.

[Adam Scott]

So fun.

[Dax Shepard]

Our friend Jimmy Kimmel hosts all of us in the most generous possible capacity.

[Adam Scott]

The loveliest.

[Dax Shepard]

And there's a lot of things you could say were the bells and whistles of it. The location, the accommodations, the activities. But for me, it's dinner every night.

[Adam Scott]

Yeah, it's a giant table. How long would you say this table is?

[Dax Shepard]

40Ft?

[Adam Scott]

Probably 50 people. 40 people, would you say?

[Dax Shepard]

Yeah, that feels right.

[Adam Scott]

Everyone is terrific. And every year there's additions and people can't make it and someone else arrives. And it's always, always just fascinating group.

[Dax Shepard]

So you can't miss, no matter who you're seated next to. But. And I don't want to rank. It's not polite to rank. But if you and I get seated next to each other, I'm like, this is going to be the greatest three hour dinner. You're the funnest person to talk to. I love talking to you.

[Adam Scott]

That is so flattering. And when you texted that to me, I immediately went and got Naomi and told her. Because my immediate reaction when finding a seat at that dinner is if I'm sitting across from you or next to you, I'm like, I really don't want Dax to feel like he has to talk to me.

[Dax Shepard]

Oh, my God. And I'm trying to engineer getting seated across from you.

[Adam Scott]

And I love sitting with you too, because you're an inherently interested person and you're so fun to talk to. And I've always felt that way about talking to you, even when we didn't really know each other that much. You can just drop in with you and talk about stuff and you always have something to say. And you telling me that was a huge deal because I also feel comfortable sitting across from you, sitting next to you, like, I'm immediately at ease.

[Dax Shepard]

Same. So, so much of our conversations. And this is where one of my questions comes in. We have a lot of nostalgic conversations. We have a lot of the same favorites from the 80s and 90s. We did, I don't know, 90 minutes on against All Odds.

[Adam Scott]

Oh, you had Jeff Bridges.

[Dax Shepard]

I did. And I brought up the car chase scene and I asked how much of the driving he did. Questions only you and I would want answered.

[Adam Scott]

Yeah.

[Monica Padman]

Yeah. If I'm wearing the glasses, I to turn now and then maybe.

[Adam Scott]

That's a pretty good comp.

[Monica Padman]

Okay.

[Adam Scott]

Yeah.

[Dax Shepard]

He talked about that being the first movie he started physically training and how it created a lifetime interest in exercise.

[Adam Scott]

That's so interesting. I was watching a behind the scenes thing on Temple of Doom and they're like, Harrison really had to bulk up for this one. And it shows him at like a shitty gym. Just like doing bench presses with those.

[Dax Shepard]

Plastic weights filled with sand.

[Adam Scott]

Yeah, like nothing.

[Dax Shepard]

He did some bench press, not nothing.

[Adam Scott]

He's definitely exercising, but gyms have changed a lot. There's no trainer there. He's just by himself.

[Dax Shepard]

No squats, no deadlifts. Just a bench and some curls.

[Adam Scott]

And then a couple of beers.

[Dax Shepard]

Yeah, a couple of beers and a doobie and let's get to set. Yeah. But I guess what I was wondering is you have this deep nostalgia. I want an explanation for It. And I'm wondering, do you think we're just that way, or is there something about childhood that was so comforting you would recognize you're more encyclopedic about that whole era than most people you talk to.

[Adam Scott]

Yeah.

[Dax Shepard]

You always blow me way out once we start talking. Yeah. You've watched the behind the Scenes of Temple of Doom. I have.

[Adam Scott]

Right. In the last three months, I've gone.

[Dax Shepard]

And looked at that.

[Adam Scott]

It's so comforting to think about that era. And I think movies in that era in particular were geared for us.

[Dax Shepard]

Yeah.

[Adam Scott]

When I referenced Temple of Doom, that is my favorite movie. I was 11 when that came out. That and Goonies and E.T. i know. It's kind of tired now because our generation has beat the nostalgia to death a little bit. Back to the future. Those movies, at least for me, they meant everything.

[Dax Shepard]

Yeah.

[Adam Scott]

I ask myself that a lot. Why did this stuff mean so much to me, at least for me, that whole period of time, from 82 to 88, when I started getting interested in beer and just a social life, hip hop, for me, it was like the dead.

[Dax Shepard]

Why do I think you had a crazy hip hop phase in high school?

[Adam Scott]

I didn't.

[Monica Padman]

I think you're thinking of Macklemore.

[Dax Shepard]

Oh, I don't know if I am.

[Adam Scott]

If I could count the amount of.

[Monica Padman]

Diet, I bet all the time. I know.

[Adam Scott]

Oh, my God.

[Dax Shepard]

That's why we wanted to do this on video, to be honest with you.

[Adam Scott]

To see if Macklemore and I. Because he's not here. So you don't know.

[Monica Padman]

But is he?

[Dax Shepard]

But I think people would think it was Macklemore posing as Adam.

[Adam Scott]

Probably you're right. It's a particularly positive, potent period of time.

[Dax Shepard]

Stay tuned for more Armchair expert, if you dare. We are supported by Lenovo and Intel. If your computer could use an upgrade, we've got your solution. Lenovo and intel have joined forces to engineer the best laptops in the industry. Cool, quiet, thin and powerful. Lenovo Aura Edition AI PCs boast best in class, battery life and astonishing graphics. They've thought of everything so you can focus on things that you actually want to do. Working in a cafe. Shield Mode guards your privacy. Taking a meeting. Collaboration Mode optimizes your camera. They also have a Smart Share feature, which lets you transfer photos from your phone to the Lenovo Aura Edition PC with a simple tap. No more waiting for uploads. You'll get that photo on your computer in seconds. How cool is that? And if you need Support, they offer SmartCare. Elite support teams will help rapidly resolve any issues and they're available 24365 days a year. Whatever you want to create, it's possible on your Intel AI PC. Learn more about Lenovo Aura Edition AI [e-mail] Aura we are supported by Tropical Smoothie Cafe. Do you know what time it is? Well, at Tropical Smoothie Cafe it's always tropic time. That's because when you take a break and taste the tropics with their made to order smoothies, bowls and wraps, every sip and bite feels like a little tropical trip to a tropic resort. I love this idea of tropic time. It's that bit of brightness and refreshment we need when the days are shorter and darker during the winter months. Transport me to a tropical beach with the sun shining and the sound of ocean in the background. What a dream. And Tropical Smoothie Cafe just released two brand new tropic bowls. The Dragon Fruit bowl with Goji berries and the Acai bowl with Nutella. Try them today and get ready for some tropic time. Visit tropicalsmoothicafe.com to find a cafe near you. We are supported by Quint when it comes to winter, cozy is king. For the ultimate cold weather necessities made from premium materials, you've got to check out Quint. With Quint you can treat yourself to true quality at an affordable price like something everyone needs in their closet. Quince's Mongolian cashmere sweaters which start at just $50. For real cashmere, that's a great deal. Or their super soft fleece sweatpants which are a major upgrade to those sweats you've had forever. No matter what you're looking for. All Quint's Items are priced 50 to 80% less than similar brands and they use premium fabrics and finishes for that high quality feel in every piece.

[Monica Padman]

I saw some of these items appear on a very very trusted gift guide from a friend.

[Dax Shepard]

Oh really?

[Monica Padman]

Yeah, the sweatpants are on there. People love the sweatpants and really great for travel.

[Dax Shepard]

Yeah, I'm eyeing those sweatpants. Luxuriate in co coziness without the luxury price tag. Go to Quince.com Dax for 365 day returns plus free shipping on your order. That's Q-U-I-N-C-E.com Dax to get free shipping and 365 day returns. Quince.com Dax okay, last thing I will say about this. Then I started watching this Brat Pack documentary.

[Adam Scott]

That's another chapter of that same period of time those movies Hit me so hard. Pretty in Pink. Oh, my God.

[Dax Shepard]

Oh, my God. Pretty in Pain and the Psychedelic Furs and how that was making me feel. But I was watching the Brat Pack doc and I was having the realization like, oh, we also lived in a very peculiar time where five of the biggest movie stars alive were 21 years old. I think of that now. And of course that would seem crazy that there would be this cadre of enormous stars, but that was a unique thing that was happening when we were kids that we didn't know was unique. They're green lighting like 12, 15 teen.

[Adam Scott]

Movies a year right from that period. They still don't look that young to me. And I think it's because they were six years older than me or something.

[Dax Shepard]

They looked sophisticated and adult. Like, of course, they were driving a Porsche and dressed nice and had a.

[Adam Scott]

Big apartment and they were 21.

[Monica Padman]

Yeah.

[Dax Shepard]

Did you have that, Monica? My wrong about that. That's a unique aspect. You didn't have that when you were 12.

[Monica Padman]

Oh, the 21 year old.

[Dax Shepard]

Yeah. It was like a whole crop of movies every weekend. Zac Efron a little bit before. I'm sorry. Laughter I'm not calling you a bab.

[Monica Padman]

Yeah, I'm a big girl.

[Adam Scott]

Harry Potter stars.

[Monica Padman]

No, I was like the Friends era. They were young. I guess they were young too, but yes, older than me. But I was going to say nostalgia, I think exists because it's the things that you consumed before everything got complicated.

[Adam Scott]

That's right.

[Monica Padman]

And also before you started wanting things for real, chasing things and deciding, I want to do this with my life. It was just pure. And there's only a very small amount of time. You get it in life of purity.

[Adam Scott]

Totally. And that window for us happened to be during this Spielberg era where Elliot in ET Indiana Jones, the kids in Goonies, Michael J. Fox in Back to the Future. These were heroes.

[Dax Shepard]

Luke Skywalker changing the world.

[Adam Scott]

Yeah. And they were all scrappy nobodies.

[Dax Shepard]

And divorce was making its way into these movies, which I like.

[Adam Scott]

ET Is a very divorce driven movie.

[Dax Shepard]

I was in a divorced family on my maybe second stepdad, feeling like I want to just be in the world on my own a bit. Yeah. And all these kids, these protagonists in these movies were just kind of on their own.

[Adam Scott]

The parents weren't figuring prominently into any of these things. No.

[Dax Shepard]

And I think that was really appealing.

[Adam Scott]

It sure was.

[Dax Shepard]

Get them out of here and let me run the show a little bit. Let's see what we can do.

[Adam Scott]

Because those kids in ET Were just like, yeah, okay, Mom. And they were just going to leave.

[Dax Shepard]

This alien on our own.

[Adam Scott]

Dude, we're going to outrun the cops.

[Dax Shepard]

So when I went back to consult your previous episode, I would have not guessed this. What number do you think Adam was?

[Adam Scott]

Early.

[Monica Padman]

I think really early. Maybe 32.

[Dax Shepard]

Right. I would have gone 40s. What would you say first? Five, seven.

[Monica Padman]

Stop.

[Adam Scott]

Seventh guest that you had.

[Dax Shepard]

Yes.

[Adam Scott]

I remember it being early, but I was kind of taking a flyer by saying five, seven.

[Dax Shepard]

Yeah, seven. Not only seven, but Monica. As I listened to it, the episode starts with how Housekeeping. And it's me explaining, Monica's a part of the show. She's gonna talk and she's not interrupting. Like I read in comments that she's a integral part of the show. Like, it's me explaining.

[Monica Padman]

Oh, boy. Oh, I just got like sweaty.

[Dax Shepard]

Yeah, I got sweaty listening to the whole thing.

[Adam Scott]

Oh, how long ago was that?

[Dax Shepard]

Seven years ago in February. Wow.

[Adam Scott]

Congratulations, you guys.

[Dax Shepard]

But obviously so much has happened since then.

[Adam Scott]

Yeah, seven years.

[Dax Shepard]

What I learned in a bunch of interviews I listened to of you today, one was I heard you on Fresh Air saying, which I thought was really funny, that you were just obsessed, singularly on TVs and movies. And that's all you thought about.

[Adam Scott]

Yeah.

[Dax Shepard]

And I was thinking, if you go into acting, that was a great use of time. But if you're just an average person that says no. All I've ever thought about and obsessed about was TV and movies. Somehow that sounds like a losery endeavor. Yeah, right. I was thinking like just by the fact that you landed in, it means that it was totally, totally justified. And what a great thing to be focused on your whole life.

[Adam Scott]

I think in the low points of trying to do this, that certainly crossed my mind. Like, what have I done with my life? Because it's all I thought about and talked about.

[Monica Padman]

99% screen time.

[Adam Scott]

Right. And here I am with nothing to show for it and no practical skills of any kind. There was a real low Point in 2000 when I had not gotten six feet under. I tested for that with Michael C. Hall. Thank God he got it because he was incredible. And I was not ready to do that.

[Dax Shepard]

Well, that's heartbreaking. And then you're watching it.

[Monica Padman]

Oh, yes. Hefty role.

[Adam Scott]

A hefty role and a hefty show.

[Dax Shepard]

But you played his lover ultimately, didn't you?

[Adam Scott]

Yeah, I did play his boyfriend for a couple episodes.

[Monica Padman]

So they brought you back. That's.

[Adam Scott]

Yeah, they did, but before it was even on tv. And when I did not get the role, it was after a series of blows, work wise, just not having worked in six months or, you know, one of those. We all went through it and I was nowhere. I had been at it at that point for like seven years or something and was at square one. Because when you're living like guest spot to guest spot and indie movie, you never hear from those people again.

[Dax Shepard]

To remind people, you and I were in one of those together. Hair shirt slash. Too smooth.

[Adam Scott]

Too smooth.

[Monica Padman]

This is when you were Vomiteer.

[Dax Shepard]

I was Vomiter. But do you know what his role was? I don't know if you knew your role. The last Bar fan at Bar.

[Adam Scott]

Fan.

[Dax Shepard]

Almost worse than guy at Bar.

[Adam Scott]

It is way worse. It's far more humiliating. And who were you?

[Dax Shepard]

Vomiter at party.

[Adam Scott]

What does vomiter mean?

[Dax Shepard]

Someone who vomits at a party.

[Adam Scott]

Are you on camera vomiting?

[Dax Shepard]

Yeah, I think so. Oh, man, I hope so. That's what was promised.

[Adam Scott]

Never seen Too smooth.

[Dax Shepard]

You haven't seen it?

[Adam Scott]

Hair shirt. Have you seen it?

[Dax Shepard]

I've seen it. I don't want to get bogged down in that. But you want to know who else was in that movie that I doubt? You know?

[Adam Scott]

Was it Rebecca Gayhart?

[Dax Shepard]

Rebecca Geheart? Nev Campbell? Of course. Course. And then our two leads, which I looked at the poster this morning. Our poor two leads are in the deep, deep background. And Nev and Rebecca are front and center. And they maybe had like, I don't know, three scenes.

[Adam Scott]

Nev was playing like a big star.

[Dax Shepard]

Hence you being a fan.

[Adam Scott]

Fan at bar.

[Dax Shepard]

At bar, yeah. And me being momenteer at party.

[Adam Scott]

That's right.

[Dax Shepard]

Alfonso Cuaron was in that movie.

[Monica Padman]

What?

[Adam Scott]

I remember he and Dean were good buddies.

[Dax Shepard]

Yeah, he played a director in the movie.

[Adam Scott]

That is so wild.

[Dax Shepard]

So you and I have been in a film with Alfonso Cuaron.

[Adam Scott]

Absolutely. We are colleagues of Alfonso Cuaron. We are peers with Alfonso Cuaron. That's really, really funny.

[Dax Shepard]

So obviously since then you have done a ton of stuff, but severance is the most spectacular thing. And as you know, because Chris and I sent you voicemails almost after every episode, I'd like to play a couple of these.

[Monica Padman]

Oh, hey.

[Dax Shepard]

So we're in bed and we just had a quick question.

[Monica Padman]

Hi. We just had a quick question.

[Dax Shepard]

Are you guys fucking drawing this season? Is that what's taking so long?

[Monica Padman]

What in the God damn hell is taking so long?

[Dax Shepard]

These are the kind of messages you would receive after every. Son of a. You wanted the compliments. Where? Here comes the complaints. Belle and I just sat Here on the edge of our seat waiting to find out what happens when you guys come to.

[Monica Padman]

You prick.

[Dax Shepard]

You piece of prick. And that goes for Ben, too.

[Adam Scott]

Losers.

[Dax Shepard]

Oh, buddy, are we pissed that this episode just ended when the switches were thrown. So you wanted the cake and now you gotta take the rat poison tooth, you piece of. Okay, so that's kind of an.

[Adam Scott]

Was that for the finale?

[Dax Shepard]

It was, I think, one before.

[Adam Scott]

Oh, the one. Right. Yeah. Yeah.

[Dax Shepard]

This ended up being three. Oh, another thing. It's gonna be a long week for us and for you. Yeah. Because we're waiting. So either block my number or get used to this, you piece of. Okay, and then the last one. Big update you'd probably find funny. My wife just ran through a plate glass window off the second story of our home and was rushed to the hospital. You probably want to know if she's still alive. I will tell you next week.

[Adam Scott]

I have all those on my phone as well.

[Dax Shepard]

I want to play one of your responses, which is so good, you can't.

[Adam Scott]

Imagine how much pleasure it gives me to have the both of you over a barrel like this.

[Dax Shepard]

I may as well tell you now.

[Adam Scott]

That the entire season was created just to frustrate and destroy the both of you.

[Dax Shepard]

Eat shit. You're so fucked.

[Adam Scott]

Oh, yeah, yeah, yeah.

[Monica Padman]

That's cute.

[Dax Shepard]

But you went into severance, and I learned this from you. I don't know if this is secret or not, but you were involved, and then maybe you weren't involved for a minute and then you were involved. So doesn't start on the firmest footing. Maybe, or I don't know what you go through before you end up there. Yeah, but you go right at really what point in the pandemic?

[Adam Scott]

Well, we were scheduled to start the end of March 2020, or beginning of April, something like that. And actually went and did a table read March 7th or something. And then I was going to go home, get all my shit and come out. And at the table read, they passed Purell around. We were like, this pandemic thing is. This is Weir. And then as I was there, just for like two days, shit was contracting in New York, and I was like, maybe I should go get Lysol wipes for my room. Like, what's going on? Then I flew home and then everything happened. So we didn't start shooting till October, but even that.

[Dax Shepard]

But that was early.

[Adam Scott]

We were one of the only shows actually shooting. So a lot of shows were doing this where you have a mask, a plastic thing in front of your face, and all that shit for the actors. The only time we saw people. People's entire faces was when camera was rolling. We would rehearse with all that stuff, and there was a special person with your own box to put your mask and all your equipment in. Yeah.

[Monica Padman]

Oh, my God.

[Adam Scott]

All that to say the isolation from each other and in general, because I would wake up in my apartment, go down to the van that took me to set that had a plastic sheet between me and the driver.

[Dax Shepard]

Oh, my God.

[Adam Scott]

Then go to my room. Where you weren't allowed to have anyone in your room. Suffice it to say, the. The only real human contact was after action. Right. So it kind of fed into the show.

[Dax Shepard]

I didn't know this. That your mom had died as well right before. I guess it would have been that.

[Adam Scott]

Table read two days before the table read.

[Dax Shepard]

I think the most interesting part of this is. So then the memorial gets kicked all the way to December or something.

[Adam Scott]

December of 21.

[Dax Shepard]

Okay. So very far away. But what immediately happens after she dies is you go into quarantine with your family, and it's like. Like groovy. Right? You're with your family. I think in particularly a time like that where there's the loss of this person, but at least you're connected to the fact that the whole thing just carries on. And that's comforting and maybe misleading. And then you get completely by yourself in an apartment in New York in this very lonely situation already, and I'm imagining everything. Kind of must hit the fan at that point.

[Adam Scott]

Yeah, it really did. And it really was sort of from the moment I walked into the apartment and closed the door, and it was dead silent. And I was like, oh, okay. I need to come to terms with. At that point. She had died six months before. But like you said, I was cocooned with my family, with the people who love me the most, and was insulated, which is, I guess, one of the things love is for is to make you feel better. And they suffered a loss as well. But obviously I was the one who was going to be grappling with it in sort of a unique way from my kids in the Emmy. So I'm in that apartment, and I needed to find a way towards grieving and defining what this is and what happened. And I really did it through the show. I mean, I sort of just decided, I'm gonna figure this out. But the show is about grief.

[Dax Shepard]

I hate say it was a good coincidence, but, my God, if you have to go through this, the fact that you got to play someone who's grieving the loss of somebody and you're lonely as fuck in real life.

[Adam Scott]

Yes.

[Dax Shepard]

Yeah.

[Monica Padman]

You don't have to act. Really.

[Adam Scott]

Yeah. Just gliding right into it and very directly letting it out and processing it in the show. There's a scene in the show actually where we were on the side of the road at the site of my wife's car accident in the seventh episode. And just by sheer coincidence, because we shot the whole season at once. It was on the one year anniversary of my mom dying.

[Dax Shepard]

Oh, wow.

[Adam Scott]

And I didn't realize it till that day. And so there were things like that where I could pretty directly process.

[Dax Shepard]

When you shut the door to the apartment and you go, we got some dealing to do, are you overcome with fear for that process? What's your reaction to knowing that, oh, we're going to go through some stuff now and we're going to be by ourselves and we're going to get in. Into this.

[Adam Scott]

I'm a person who tries to compartmentalize and push things to a later date.

[Dax Shepard]

Yeah.

[Adam Scott]

And so I busied myself with getting ready for the show and the election was about to happen. And so I was preoccupied with that. And so I closed that door and was like, oh, shit. And really felt the loss right there. Like there is a giant elephant in this room with me. But it'll be there. I'm here for eight months or whatever.

[Dax Shepard]

We'll get to that.

[Adam Scott]

I'll be fine. And eventually, after a few weeks and just hours of alone time because no one was socializing really. And restaurants, you know, it was so weird that I really did have to figure it out there. And I didn't talk to a therapist while I was there. And I really should have. I did in a way, sort of come to terms with it and come to terms with the fact that grief is something that is a flat circle in one way or the other. It stays with you. And sometimes it feels like it happened 10 minutes ago and sometimes it feels like it happened 50 years ago.

[Dax Shepard]

Yeah.

[Adam Scott]

And sometimes it's surreal that that person is no longer in your life. It's just like unbelievable.

[Dax Shepard]

It's really hard to imagine someone exists and they don't. As dumb and simple as that is to say, it is so weird that you can exist and then not exist.

[Adam Scott]

Yeah. And someone that is so instrumental in who you are. You know, this thing that I'm doing for a living. When she was gone, I realized that part of the reason I was doing this in the first place was for her to see it.

[Dax Shepard]

Yeah. Yeah.

[Adam Scott]

You know.

[Dax Shepard]

Of course. Yeah.

[Adam Scott]

And so when that was gone, I was sort of like, who am I going to impress?

[Dax Shepard]

Yeah.

[Adam Scott]

So I had to straighten that out and sort of come to terms with the fact that these feelings and this love that you have for a person and their love for you doesn't go anywhere. It's still here.

[Dax Shepard]

It's kind of what you're made of.

[Adam Scott]

Yeah.

[Dax Shepard]

The structure of you is.

[Adam Scott]

That's right. And a parent dying, it's like part of the sky going away or something. It's sort of a big thing.

[Dax Shepard]

Well, it's the thing you're most tethered to.

[Adam Scott]

Yeah.

[Dax Shepard]

So when my dad died, I had these conflicting feelings of like, a. He had become a dependent of mine.

[Adam Scott]

You were taking care of him, supporting him.

[Dax Shepard]

So, unfortunately, a lot of our conversations over those last few years were like, I need this. It's just not a great dynamic.

[Adam Scott]

Yeah.

[Dax Shepard]

And then, you know, I lived with my mom primarily my whole life when he was dying. It was a lot of work for me. So I. I had this conflicting. I felt a sense of relief when he died, and I was like, okay, this battle's over. We got him through it without too much carnage. That's a win. I had a misleading sense of relief for a few months and then opened up the door to like, oh, I'm never going to chat with him again, or, he's not going to see anything I do. But through all of that, I was like, also, thank God it's not my mom, because my mom, for me, is the thing you're talking about. Like, Dax wants to live in the woods and be a nice annihilated drunk all day. And anything I've ever done positive was because my mom believed enough that I was a good boy and I needed to make her happy. And so I've often thought, if she's not around for me to even think, what would she think? That feels like a very scary place for me to be in. I really rely on her to almost be my super ego.

[Adam Scott]

Just like in the back of your head, your mom is this very unique station.

[Dax Shepard]

It's so fucking thankless. Do you watch Naomi and I watch Kristen. I go, my God, what the.

[Adam Scott]

Go through. And meanwhile, I'm walking around like, I know.

[Monica Padman]

They're like, dad.

[Adam Scott]

Yeah.

[Monica Padman]

You know that Nick Kroll special where he's just like, moms are annoying. Yes, they are. Why? It's so unfair.

[Adam Scott]

Because they know you so well.

[Monica Padman]

Yep.

[Adam Scott]

In a way that no one else does. Not your dad, no one. They just know they were in your.

[Dax Shepard]

Well, they're who you are able to be scared in front of. Vulnerable.

[Adam Scott]

Yeah. Even as an adult, something would happen. I would call her. No matter how embarrassing. You know that that call is there.

[Dax Shepard]

Yes. You know, to your point, guaranteed I'm feeling better when I get off the phone with my mom.

[Adam Scott]

100%.

[Dax Shepard]

She'd somehow find the silver lining.

[Adam Scott]

That's right.

[Dax Shepard]

Horrific.

[Adam Scott]

And give you the kernel of whatever it is, at least for me. Part of a son's journey. And I'm sure it's the same for no matter what gender you are, there is a period of time where you and need to peel away and show that you don't need your mom. You've got this. You're good.

[Dax Shepard]

You're a big boy now.

[Adam Scott]

Yeah, that's right. And I already know anything you're gonna say anyway because I'm a grown up now. But thinking back on that stuff is painful. But I think also just being a parent now, you just know. You don't care.

[Dax Shepard]

No.

[Adam Scott]

Anytime. My kids are shitty to me ultimately, I don't really give a. I almost.

[Dax Shepard]

Think good for you.

[Adam Scott]

Yeah.

[Dax Shepard]

Sometimes like when they tell me off, I'm like, for you got some backbone.

[Adam Scott]

Yeah. Not bad.

[Dax Shepard]

You're supposed to hate me from time to time.

[Adam Scott]

That's right. It would be weird if you didn't roll your eyes and slam the door right now.

[Dax Shepard]

Yes.

[Monica Padman]

If you're lucky, you get two sources of unconditional love. And then when that starts going away, it's so scary. What's left.

[Adam Scott]

It is scary.

[Dax Shepard]

We have the great luxury and gift of. I think what you do with that is you just turn it on your kids. It's like, I don't have that thing. I miss. Miss that thing. I'm never going to have that thing. But I have this thing.

[Adam Scott]

Yeah.

[Dax Shepard]

Imagine when you don't have kids and you go through the loss of a parent. It's got to be really destabilizing because you're kind of now not tethered to really anything.

[Adam Scott]

I can't imagine. Monica, are both of your parents with us?

[Monica Padman]

Yes, they are. I live with so much fear of something happening to them. And I think part of it is that I don't really have a place to channel it. But in some ways I think, not that it's a cop out, but like you said in the pandemic, you could sort of channel it with your family.

[Dax Shepard]

We're all.

[Monica Padman]

All ultimately by ourselves really. And so when you really sit with it, you are going to have to Process it anyway at some point. Yeah. And the kids aren't really going to be the answer to that. They probably don't deserve to be the answer to that.

[Dax Shepard]

They're going to bail like every other kid does.

[Adam Scott]

My son's in his senior year in high school, and that's going to happen in less than a year.

[Monica Padman]

That's awful.

[Adam Scott]

Oh, my God, it's so awful.

[Monica Padman]

Why? Why is life structured like this? It's crazy.

[Adam Scott]

So wild. And you were so kind, too. He came over and interviewed you for his film class, and boy, oh, boy, was that a feather in his coat. Doing a little mini doc on cars and Dax Shepard's in his feather.

[Monica Padman]

That's pretty cool.

[Adam Scott]

He's so smart and such a kind, lovely person and into really cool stuff. It's the best. But it's going to be incredibly sad when he fucking leaves.

[Dax Shepard]

Oh, God. Yeah.

[Adam Scott]

Jesus.

[Dax Shepard]

Well, yeah, you shut the door to an apartment near York, and that had some justification, but the notion that you'll be shutting your door to your home when Frankie leaves and you'll go, we're gonna have to deal with this.

[Adam Scott]

Yeah. Now we just have each other.

[Monica Padman]

Yes.

[Adam Scott]

Jesus.

[Monica Padman]

Maybe they'll come back. My brother went back home for a while.

[Adam Scott]

Really? Like, after college or.

[Dax Shepard]

Okay. He just recently left.

[Monica Padman]

Yeah.

[Adam Scott]

Wow.

[Monica Padman]

So you never know, you know?

[Adam Scott]

Good for him.

[Monica Padman]

I was panicking for my mom, because that's even worse. It's like, then you have a really long time. I think you probably trick yourself into, this is forever.

[Dax Shepard]

Great.

[Monica Padman]

He'll live here. This is just the way it's gonna go. She gets to make sandwiches for him every day, and now he's really gone.

[Adam Scott]

Did she have to go through the grieving all over again to YouTube instead or.

[Monica Padman]

She likes YouTube.

[Adam Scott]

I think she's just watching YouTube.

[Monica Padman]

She's dealt with a ton of shit, and she's figured it out.

[Adam Scott]

Where do they live?

[Monica Padman]

Georgia. So anyway, I was like, oh, no. And also, she just lost her dad. And I was like, oh, my God, my brother's leaving. And that's happening and this is a disaster. Disaster. But she's.

[Adam Scott]

Well, you know what? When that happens, sometimes the second time.

[Monica Padman]

They leave, instead of this middle ground, maybe it's like, okay.

[Adam Scott]

I remember when I came back in between years at school, I had only been gone for eight months. And I remember moving back into my mom's house. And she was a little like, huh, okay. Yeah, you're here now.

[Dax Shepard]

She had processed.

[Adam Scott]

She had already moved on. And so there was some adjustments.

[Dax Shepard]

The baby boomers did it quicker they knew how to get through something really bad.

[Adam Scott]

That's right.

[Dax Shepard]

Okay, now back to severance. So those are kind of unique circumstance in which you are filming the first. And so here's what happened. As you know, it's my favorite show. Told you non stop. We got six screeners for the upcoming season.

[Adam Scott]

Oh, you did.

[Dax Shepard]

Which we were ecstatic about. I came in and I lured these few things I get over because Kristen has access to everything in the world. I'm never offering something cool. And I'm like, guess who's got six episodes of next season. So, so excited. Sign in to watch them. And I go, let's watch the recap. I wonder if you've done the same thing.

[Monica Padman]

I had the same crisis of morality where I was like, I want to so bad, but I don't think I should. And mainly actually because I want to be watching it while the world is watching it. There's something about you being like, we have to wait a week. That's makes fun. Really fun.

[Dax Shepard]

But that's not why I didn't watch the new ones. I watched the recap and I was like, hun, are you remembering this?

[Adam Scott]

Yeah.

[Dax Shepard]

Yeah. And she's like, not as much as normal. And Kristen can really remember a TV show. Monica will tell you come back from Game of Thrones. She still remembers. Yeah. So I was like, I'm inclined to start over. Which I've done. I can't recommend this enough to people. You should start right now. In anticipation.

[Adam Scott]

I'm doing the same thing because Ben and I are hosting a podcast which.

[Dax Shepard]

I hope to be on.

[Adam Scott]

Yes. Where we go through every episode of the first season. Then we'll be doing a weekly thing for season two.

[Monica Padman]

I love that.

[Adam Scott]

And rewatching the show. I hadn't seen it in a long time and it's been three years. So we're encouraging people to rewatch the whole season.

[Dax Shepard]

I can't believe how much I forgot about it. And I can't believe how much I'm enjoying rewatching. I think more than I've ever enjoyed rewatching there. A lot of it that feels like I'm watching it for the first time.

[Adam Scott]

Oh, that's great.

[Dax Shepard]

I think because of the gap between seasons.

[Adam Scott]

Long time.

[Dax Shepard]

But then also the density of it and the subtlety of it. And it's interesting watching it, knowing more about it. I think you get more from it. But anyways, all that to say I didn't watch any of the new season because now I'm on episode four. Kristen Went out of town. I already decided, fuck her. I'm going on without her. Which is another rare. I don't do that.

[Adam Scott]

That's a tough decision to make. Whether or not you're going to be honest about it or rewatch those episodes, pretending it's the first time.

[Dax Shepard]

You have three viewings before we.

[Adam Scott]

Yeah, that's right. That's right.

[Dax Shepard]

I guess my fear, because I love the show so much is what do you do with a second. Second season? How long did that take for them to crack that? Also, Dan, Is that the writer creator's name?

[Adam Scott]

Yeah.

[Dax Shepard]

The only thing he had ever written for before this was Lip Sync Battle.

[Adam Scott]

Yeah, man.

[Dax Shepard]

Do you know this story he wrote for Lip Sync Battle? He sent the pilot for severance as a writing sample to redhour.

[Adam Scott]

Yeah. And Nikki Weinstock and Jackie Cohn at redhour read the script and thought it was great and brought it to Ben. And so, yeah, it was more of a sample, like, hey, I'm a writer. But they were like, what about this as a actual thing? And Dan was working at a door factory when that sample was sent to Red Arrow.

[Dax Shepard]

Really?

[Monica Padman]

Yeah.

[Dax Shepard]

In what state? In California.

[Adam Scott]

Here somewhere.

[Dax Shepard]

Good for us. We're manufacturing doors. I thought that was more of a.

[Adam Scott]

Concept without doors collapse. He's just the coolest guy and brilliant, obviously. And he and Ben just started working on this and developed. Developing it. And Jackie and Nikki. I'm sure Dan was kind of scooped up from nowhere, having no real credits. It's fun talking to him about the show and where it can go and stuff. And he has it all in his head. And also when he's thinking of something new, it's really fun to hear him sort of go, oh, yeah, that's cool. And then little cul de sacs and roads he goes down. He always takes an unexpected strange direction. But also, as far far as the kind of language of Lumen, there is no one who can really crack it and write it like he can't. It's a really particular thing that he invented and has a real direct line to is the strange phrasing and nomenclature of Lumin and Kier and this whole world. It's really fun.

[Dax Shepard]

How much of Ben's fingerprint is. Is on it directorially because, and I'll admit this, I had not seen Escape from Dannemore or I saw the first one. I don't know why I didn't continue. But we just watched it, I don't know, three weeks ago and fucking loved it.

[Adam Scott]

It's amazing. I just rewatched it too, last week.

[Dax Shepard]

And did you see the parallels? Yes, it's a similar thing. You're, like, trapped in a world. You don't have your autonomy. You're trying to escape. I don't know. It's interesting.

[Adam Scott]

Yes. I really zeroed in on this time watching Dannemora, how art figured in their lives, because John Turturro and Christopher Walken's characters, particularly John Irv, his life is really connected to art and the paintings and the rules and all of the sort of culture of the world is really important to him. And the guys in Dannemora, Benicio Del Toro and Paul Dano's characters, you know, when you have very little, your sort of stimuli is really cut off. These things become really important.

[Dax Shepard]

And in severance, it almost seems dangerous. You're looking at all those hallways that are stark white. They're meaningless. And then the painting that he hangs up, it's like the most exciting. It's like the fucking sphere in Vegas in that world.

[Adam Scott]

Totally. And when Christopher Walken's delivering the new tote bags for the manual, that's a huge deal. Yeah, it's an event.

[Dax Shepard]

Could you see all this stuff when you read the script?

[Adam Scott]

Not like this. The tone of it was really found during the first season. And I think, do you know, usually when you go back and watch the first season of any show that you know and love the first few episodes, it's like, okay, they're figuring it out. Since we shot the season all at once, we were still shooting the first episode ten months in. So something that worked in our favor is us finding our sea legs was spread out over the season.

[Dax Shepard]

There's no moment you can detect that.

[Adam Scott]

And that's to Ben and Dan's credit.

[Monica Padman]

Were you guys worried? Were you, like, maybe we should put masks on and maybe we should redo the COVID experience while we shoot season two to keep it calm.

[Adam Scott]

Right. To keep our eyes. Isolation.

[Monica Padman]

Because that was magic. And that's scary.

[Adam Scott]

It's scary going back to anything that worked or works.

[Dax Shepard]

As much love I have for the show as I have anxiety about how we perpetuate this world in a way that ends up being satisfying logically. It's a big endeavor.

[Adam Scott]

You know, when we started season two, it was like, there is this steep mountain in front of us. Holy shit. Okay, let's go.

[Dax Shepard]

Should I do Pulp Fiction too, dude?

[Adam Scott]

Yeah. And just the enormity of it, it's so much to do, and I love that. I love getting in and chipping away. And I love working with Ben. Something we have in common is we don't want to stop until we get it right. I completely trust his taste and his eye. And that's something that you have to have in a director, is complete trust. And how often is that? But I do with him.

[Dax Shepard]

I have no business saying this, evaluating his career in this way, but I'm going to. So it's like he did Tropic Thunder. He made that movie so big and glossy and actiony, which is cool. He showed he could do that. I was watching Dannemore. I was like, okay, so this is him saying, like, I don't have to with comedy. I know exactly how to do drama. And I feel like severance is the beneficiary of him having proved he can do everything and now letting in some of the comedy and the weirdness. This, to me just feels like the total synergy of all the previous work.

[Adam Scott]

That's really interesting.

[Dax Shepard]

There's just like a confidence. It can be anything because the show's often hysterical, I think. And it's just all things now.

[Adam Scott]

Yeah.

[Dax Shepard]

Stay tuned for more Armchair Expert, if you dare. We are supported by Better Help. The start of the new year brings you 365 blank pages waiting to be filled. What do you want your 2025 story to be? Maybe you're ready for a plot twist, or maybe there's a part of your story you've been waiting to revise. Think of Therap as your editorial partner, helping you write new chapters and become the author of your own life. I know for me, I want 2025 to be filled with a lack of codependency.

[Monica Padman]

That's nice.

[Dax Shepard]

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[Monica Padman]

It'S effective, it's efficient and highly functional.

[Dax Shepard]

Yes. Head to squarespace.com for a free trial and when you're ready to get started, go to squarespace.comdax to save 10 off your first purchase of a website or domain. That's squarespace.com Dax to get started today. We are supported by Liquid IV. New Year's resolutions are often about creating new rituals for yourself. Mine is sprinting this year.

[Monica Padman]

Yeah, that's a good one. I'm starting to journal more journaling, sprinting.

[Dax Shepard]

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[Monica Padman]

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[Dax Shepard]

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[Adam Scott]

I did because we had so many scenes together with Walken in season one. Didn't really have all that much time with Him. I had a couple scenes and it was incredible to just be anywhere near Christopher Walken. I couldn't fucking believe it. Yeah. Actually on my first day shooting with both of them, it was like six weeks into the shoot and they both were starting on the same day. And I was so excited and actually took a picture of the call sheet and sent it to my friend. Stu. Was like, guess who I'm working with tomorrow, bro.

[Monica Padman]

It's so fun to still be that excited.

[Adam Scott]

Oh, my God. I was so excited, but couldn't get to sleep because I was so excited. Stayed up to like four.

[Dax Shepard]

Oh, boy.

[Adam Scott]

Woke up not because of my alarm, but because of pounding on my door. I was supposed to get in the car at probably 6:00am and it was 8:30.

[Monica Padman]

Oh, no.

[Dax Shepard]

Oh, my God. Two and a half hours sleeping.

[Adam Scott]

Set was an hour away.

[Dax Shepard]

Oh, no. Now it's rush hour.

[Adam Scott]

My assistant was pounding on the door, which means he had time to drive from set all the way down to Tribeca and pound on my door. This was the first day with John Turturro and Christopher Walker.

[Dax Shepard]

After you'd brag to your buddy the night before.

[Adam Scott]

Yes. Which is the kid kiss of death. Right.

[Dax Shepard]

You're showing up feeling great about, oh.

[Adam Scott]

My God, I let him in and was running around the apartment crying, trying to get all my together. Because usually I wake up with at least an hour of just time to drink coffee and read the whatever.

[Dax Shepard]

Okay, so you finally show up on set. Presumably you know these two legends who you can't wait to work with. They've been told our lead actor.

[Adam Scott]

Yes.

[Dax Shepard]

We can't find him.

[Adam Scott]

I just had to go apologize.

[Dax Shepard]

And what did you say?

[Adam Scott]

I said, I am so sorry.

[Dax Shepard]

I just flew in from China.

[Adam Scott]

The thing that really sucked about it is that I knew no matter what I say, it's going to sound like bullshit. No matter what I say. Yeah.

[Dax Shepard]

You're a guy who just slept in two and a half hours.

[Adam Scott]

I now have put myself in a position where I have to earn it back with these two guys who I don't know. And I've been working on this first impression now for a while, and I am starting at a serious deficit.

[Dax Shepard]

Yeah, you're in a hole.

[Adam Scott]

No matter what I say, no matter how gracious they are, they're gonna be like, dick. The number one on the call sheet ends up being an asshole.

[Dax Shepard]

I might have been tempted. I don't know if this manipulative, also just dead honest. I probably said to them, you're to blame. I was so excited to work with both of you that I couldn't go to sleep till 4am that would have.

[Adam Scott]

Been a good move.

[Dax Shepard]

Maybe bury it in some flattery. But also that might have sounded like, God, this guy's a pathological liar on top of being these guys. A drug addict, probably. That's what it is.

[Adam Scott]

Just immediate went to. Is that what you immediately think everyone is thinking about you is this guy's.

[Dax Shepard]

Drug addict guy relapsed?

[Adam Scott]

Turturro was just like, oh, happens to everybody. Happened to me in the 70s. Yeah, right.

[Dax Shepard]

I have so much curiosity about both those gentlemen. They're in a similar category for me where there's this group of actors where I'm like, they're so intrinsically interesting and unique and different that I almost can't believe they can also act. They're so genuinely authentic.

[Adam Scott]

I can't believe that Christopher Walken finishes work and then goes home and makes himself something to eat and watches television and goes to sleep. Like, what?

[Dax Shepard]

Or he's behind a guy at the parking garage arm who can't get his credit card to work. He's just there for 12, 15 minutes. Should I get out and try to help him? Yeah, he's dealing with that.

[Adam Scott]

Christopher Walken.

[Dax Shepard]

No.

[Adam Scott]

So to see him in the makeup chair looking at his phone, I'm like, oh, my God. Yeah. Turo is similar for me. I went to see his directorial debut opening night in 92 Mac. Anyway, I held all that back till I got to know him a little bit and then eventually kind of unleashed it all on him.

[Dax Shepard]

And did he like it?

[Adam Scott]

Yeah, he's the coolest and such a sweet.

[Dax Shepard]

Who is he?

[Adam Scott]

He would be such a great person to have on.

[Monica Padman]

We're trying.

[Adam Scott]

Oh, I love a fascinating guy and one of the great actors that we have. I mean, he is a beautiful actor. Yeah, that's another word I feel is overused. More so, like 10 years ago. But beautiful. Everything's beautiful.

[Dax Shepard]

I like you describing him as beautiful. And I have often described that. That whole storyline on Severance, it's hard to imagine that show without it.

[Adam Scott]

I know.

[Dax Shepard]

It's really the heart of the show.

[Adam Scott]

It really, really is. It's beautiful.

[Dax Shepard]

It is fucking beautiful. They're both beautiful. The way they play it is just impossibly perfect.

[Adam Scott]

They're really close friends and have been for a long time. And it was John's idea to have Christopher walk that part. You can just see the love there that they have for each other. And he was really taking care of Chris on set. Not that he needs to be taken care of. But he would come in for a scene every few weeks. It was just so sweet and lovely. And that's a rare thing to have someone who is that kind of embedded in our consciousness.

[Dax Shepard]

I'm gonna put you in that category, which is, I think, the most impressive thing about those two from the outside. Not knowing them at all is just going, yeah, man, these two are still starving to make art. Like, they're still dying to express themselves. I don't have that as much, sadly, but I see that you have that a ton. I think that'll be you as long as you want it to be you.

[Adam Scott]

That's very kind of.

[Dax Shepard]

I'll close on this.

[Adam Scott]

But you're doing that here.

[Dax Shepard]

I'm doing a different version, I guess. Yes, yes.

[Monica Padman]

Well, we're all storytellers.

[Dax Shepard]

I mean, we're just three.

[Adam Scott]

Should be a fire right here, you guys.

[Dax Shepard]

The last thing I'll close with is just an interesting conversation that we had this summer. And I've played it back in my head a few times to double check. It didn't at all offend you, but we were talking about the people that recognize you. I don't know if you remember this conversation. And there is an enthusiasm people have towards you that you have a hard time accepting, I think, as we all do. But I was trying to explain to you why I understand it very much so, in regards to you, which is, I think you are for people what Nicholas Cage was for me, which is, this guy isn't the high school quarterback. He's one of us. And he did it. He got invited to the big party and he's the star of the big show. And I see myself in him. And I think that's a rad space to occupy. And I don't know how you took that, but I know that's how people feel about you. That's how I feel about you. I'm like, oh, yeah. The dude I was making jokes with in the classroom about the popular people, he somehow is there.

[Adam Scott]

I keep thinking about Nicholas Cage walking out on that talk show and doing those kicks. Oh, yeah, that's on Instagram all the time.

[Dax Shepard]

Have you gone down the full YouTube rabbit hole of his compilations of talk show appearances?

[Adam Scott]

No, I should.

[Dax Shepard]

He's number one of time, the best. I'm just going to tell you. He's talking to Letterman about. He goes, you know, Dave, you know, I have this king cobra. It's Daryl or whatever his name is. You know, I just love getting home from work and I Go over to see how Daryl is. And I, I put up the sheet and Daryl just kind of like, he looks at me and he's saying hi, and then all of a sudden he just says, you n Cage screaming at Letterman. He's doing attacking the Cage.

[Monica Padman]

The fact that you thought he was attainable is.

[Adam Scott]

Yeah, that's amazing.

[Dax Shepard]

I thought I could get that wild on dude.

[Adam Scott]

I could see the direct line from Dax to Nicholas Cage. And I'm sure Letterman loved that. Yes, well, I'll say that that is so kind of you to say, and I'll accept it just as much as I did this summer when you said it to me, which is not really at all, but I appreciate it and you're kind and lovely to say so. And I think that this show, as a fan, is so great and it is where you're able to funnel and express yourself in a really direct, important way. And I think you being so actualized and you journaling every morning is a really important thing. And the fact that there are as many people listening to this as there are hearing, hearing that healthy behavior from you, because listening to you talk about that makes me want to do it. I'm like, yeah, that makes sense. And without being preachy or self helpy about it, you're just talking about yourself and how you're living your life. And I think that that is incredibly important. And you're doing a lot of good just by sharing yourself in a more direct way than you would have been able to by acting. You're really kind of sharing your insides here, and that's really hard to do. So I'm grateful that you're doing this.

[Dax Shepard]

Well, thank you, Adam.

[Adam Scott]

And I'm grateful that you're doing this, Monica.

[Monica Padman]

Thank you.

[Dax Shepard]

From episode 7 to episode 807. What a gap.

[Monica Padman]

807.

[Adam Scott]

807.

[Dax Shepard]

That would be incredible, Rob, what would it be?

[Monica Padman]

Oh, damn.

[Adam Scott]

Oh, my God. That's a lot of episodes.

[Dax Shepard]

So I just don't want you to let 832 episodes go by between.

[Adam Scott]

For sure. Wow, that's a lot.

[Dax Shepard]

All right, everybody. See Severance. It comes out on Apple TV on January 17th and the podcast comes out on January 7th. Two episodes initially and then weekly as the show unveils.

[Adam Scott]

Yeah, two episodes initially and then one episode per day until season two premieres on the 17th, and then season two, we'll have one episode per week.

[Dax Shepard]

Okay, wonderful.

[Adam Scott]

That's a complicated schedule.

[Dax Shepard]

I just gotta say, this new season we also add Alya Shawkat, who we were obsessed with. Love her Merritt Weaver, who I loved on Nurse Jackie. Gwendolyn Christie Brienne of Tarth.

[Adam Scott]

Oh, wow.

[Monica Padman]

Oh, this is so exciting.

[Dax Shepard]

These casting choices are as good as it gets.

[Adam Scott]

Yep.

[Dax Shepard]

All right, that's all. I love you. Can't wait for our next chit chat.

[Adam Scott]

Thank you, everyone.

[Dax Shepard]

Watch Severance.

[Adam Scott]

Thank you, Monica.

[Dax Shepard]

He is an armchair expert, but he makes mistakes all the time. Thank God, Monica. Cuz here, she's got to let him have the facts.

[Monica Padman]

New shirt.

[Dax Shepard]

Old shirt. New attitude.

[Monica Padman]

Oh, boy.

[Dax Shepard]

Oh, wow.

[Monica Padman]

I got a new who's rockin motocross racer.

[Dax Shepard]

Oh, was that you, Rob? Oh, okay. Did you take a little fall? Almost.

[Adam Scott]

In the split.

[Monica Padman]

Even though you haven't done them before, apparently you can still do them. It's your New Year's resolution.

[Dax Shepard]

Great segue to talk about. Don't die that doc. Because he was working so tirelessly on his splits, which I guess he had identified as something that was youthful.

[Monica Padman]

Yeah, well, limber.

[Dax Shepard]

Limber.

[Monica Padman]

You want to be limber and flexible. That is. That's important. That's why people stretch and stuff.

[Dax Shepard]

Yeah. It's just so such a specific goal, the split. I can see myself making one like that because like, lot of my goals aren't totally logical.

[Monica Padman]

Well, remember, it's Max's New Year's resolution.

[Dax Shepard]

To do this flit.

[Monica Padman]

Yeah. And you said scary. I don't think he can. Because if you don't learn by a certain time.

[Dax Shepard]

I think there's an anatomic reality to all this.

[Monica Padman]

But maybe I'm according to Don't Die guy. Ryan Johnson.

[Dax Shepard]

That's nice. You remembered his name.

[Monica Padman]

I didn't think I had it, but I do.

[Dax Shepard]

For people who don't know, it's a doc about a guy who has sold an Internet company and has some $400 million or something and is spending two and a half million million dollars a year to reverse his aging and try to live as long as possible.

[Monica Padman]

Yeah, he's doing it with this company where they have steps and it's all in like. It's wild. His diet, the exercise, it's. It's his whole life. It's just devoted to that. Yeah. And I didn't finish.

[Dax Shepard]

Oh, you didn't finish?

[Monica Padman]

No, I got. Okay. I got to a part that was a critical part of the story where I think it explains a lot of his backstory and perhaps what led him here. But then I stopped and then I forgot to pick it back up and then I remembered we were probably going to talk about it, so I thought, oh, I should finish it. But then I watched Conclave instead.

[Dax Shepard]

I did too. Not in that order, but I did see Conclave last weekend, which is not the type of movie I'm going to run towards because it's. It's the Catholic Church.

[Monica Padman]

Sure.

[Dax Shepard]

But I'm going to get derailed by that. I'm a little bummed you didn't finish because again, there's so many knee jerk immediate things you want to say about this. And I was just kind of wading through those and trying to resist that urge. And you're watching all these pundits who just, they have vitriol for this man, like hatred. They're so mad at this man for doing it, which I. Who, who cares ultimately, if someone, yeah, he made this money, he can spend it any way he wants. If any, he's dumping it right back into the economy. So maybe they should be delighted about that. But there's some obvious things. First and foremost, you're right. It. It appears, at least from the doc, that is, it's his entire day.

[Monica Padman]

Yeah.

[Dax Shepard]

And then so, yeah, the first question begged for me is like, well, what's the point of being alive if the only thing you do while you're alive is try to stay alive? Which I think is semi relevant. But then also, no, that implies there's some qualitative way to measure how one's spending their time. I'm choosing to spend my time one way that would not be pleasurable for me to do it his way. So yeah, for me that would be a bad cost benefit. But for him, I. I think he, like, he's very, very lonely.

[Monica Padman]

That doc is kind of sad and sweet. It's sweet. And his house looks like it's so nice, but it looks empty and cold and cold.

[Dax Shepard]

It's very modern.

[Monica Padman]

It's probably supposed to be cold because I think you're supposed to keep your body kind of cold.

[Dax Shepard]

Sure.

[Monica Padman]

And you probably shouldn't have too much color because maybe that's bad for your eyes or something.

[Dax Shepard]

I thought about him this morning. I was like, I am incredibly envious of his 30 days in a row of a 100 sleep score.

[Monica Padman]

Yeah, that's that he's dialed it is. But then for what I know. Then you don't. The energy you're saving is used to just like do the rep. Get a better therapy. And yeah. However anyone wants to live their life if it's not causing harm to somebody else is fine. But I did think spoiler. This is sort of where I stopped. But I got some information that he was Mormon.

[Dax Shepard]

Oh, yeah. Yeah. You weren't really, towards the end. I think you're about halfway through.

[Monica Padman]

Yeah, that's probably right. He was raised Mormon and had a Mormon family before he left the church.

[Dax Shepard]

Yes. And his mom and dad got divorced, and the dad was. Had his own struggles.

[Monica Padman]

Yeah.

[Dax Shepard]

Coke, which made me like, the dad right away.

[Monica Padman]

Sure.

[Dax Shepard]

And was in jail. He was a drinker.

[Monica Padman]

Yeah. You know, he's set up on all of these fronts to need a lot of control in his life.

[Dax Shepard]

This overlaps nicely with the Aaron Rodgers doc, which I keep bringing up because he was raised in, by his account, a very, very constrictive, dogmatic version of Christianity that he found very, very cumbersome. And you weren't allowed to question things and all. All the normal pushback. But there does seem to be a little bit of a pattern where people who are raised in that and escape it find their way back into another version of it. Just missing the deity.

[Monica Padman]

Yeah, of course.

[Dax Shepard]

Yeah.

[Monica Padman]

Discipline. You don't shed your personality that much. I mean, that. This is, like, such a dumb anecdote, but when I was home, my brother is, like, always sick at the holidays, and he was staying at the house, and he, like, came downstairs and he was like, I feel that thing in my throat where I'm definitely about to be sick.

[Dax Shepard]

Yeah.

[Monica Padman]

And we were like. And I was like, maybe not, you know, maybe it's just a little scratch. You're probably fine. And then he was like, well, I know. I know what this feeling is. And then he went, but whatever. The next morning, I came downstairs and I asked my mom about. I was like, is he sick? And she was like, you know, if he was sick. And I was like, what? What do you mean? And he was. She was just saying, like. He's just very vocal when he's sick. He talks a lot about it. He needs a lot.

[Adam Scott]

He needs.

[Monica Padman]

And she said, you have never been like that. You just went to sleep. Always since you were little, if you were sick, you just went away and just went to sleep.

[Dax Shepard]

Right.

[Monica Padman]

And I was like, huh, I guess I still kind of do that when I'm sick. And she was like, yeah, people don't change that much.

[Dax Shepard]

Yeah, right, right, right.

[Monica Padman]

And like a mom can see from day one till whatever. You could do fast math if you.

[Dax Shepard]

365, 36. That's a biggie.

[Monica Padman]

37.

[Dax Shepard]

37. 13,505.

[Monica Padman]

Thank you. That's.

[Dax Shepard]

No, it's more than that. 365. 37 is only. What, 13,505.

[Monica Padman]

That seems like it's not that many.

[Dax Shepard]

I did it in my head, so I might be wrong. Did it my head. That's some. Aaron Rodgers can do insane amounts of math in his head.

[Monica Padman]

Oh, whoa.

[Adam Scott]

Yeah.

[Dax Shepard]

Like, his one kink is he can square anything real time. You can throw any number and he can square it, which is cool. But at any rate, he has a very militant. And some would applaud, and I have no actual opinion on it, but he is. He's in a five day silent room with no light. He's on ayahuasca, a trip every few months. He's.

[Monica Padman]

I didn't know that.

[Dax Shepard]

If he's not playing football, he is pursuing this spiritual path he's on, but with a veracity that just feels very. Still religious.

[Monica Padman]

Yeah.

[Dax Shepard]

And then I, of course, I'm like, yeah, I don't believe there's a guy in the sky. I understand why you're rejecting that. But then there's also a lot of angles of this ayahuasca thing because you get to see him practice it a lot where it's, you know, to me, it's just as, you know, you got to play drums and do the whole thing and the incense and. And I'm like, you're just out in another. On another ledge. Yeah.

[Monica Padman]

And it has similar things, rituals and all the same things that religion has.

[Dax Shepard]

Yeah. I guess you really just. Communities. The. The religion community is the superpower, the magic power, the deity, anything. When people get together and they agree on something and practice, in a way, it's whatever.

[Monica Padman]

Yeah.

[Dax Shepard]

So he's back to the dude. So, yes, he was raised Mormon. And so in some ways that he brings that same dil and work ethic to this pursuit.

[Monica Padman]

Yeah.

[Dax Shepard]

But what gets really sweet and sad about it is he's very, very lonely. He, you know, he had this really bad experience with this one woman after he had been divorced, who he broke up with when she had cancer.

[Monica Padman]

Oh.

[Dax Shepard]

And she sued him and said he should support her forever because he's rich. And you know, I'm like, you don't get a severance package when you date someone. It's just not even the person's rich. That's how dating works.

[Monica Padman]

You're not.

[Dax Shepard]

You don't get a severance.

[Monica Padman]

You're not. Ow.

[Dax Shepard]

Yeah. So the guy. But very publicly got sued by this woman. And of course, people, just because he's rich, he's the oppressor and she's the oppressed. Forget the other stuff.

[Monica Padman]

But also because she had cancer, that's a Tricky. That's tricky for I think for anyone to hear that is a little like, you left her during that.

[Dax Shepard]

Well, again, you assume they left because the person had cancer.

[Monica Padman]

Well, no, but the problem is when you leave someone in their time, Time of need, regardless of how bad they are, personality, I mean, this get. Just gets. It gets complicated.

[Dax Shepard]

It's a bad look.

[Monica Padman]

It's a bad look, but you can't.

[Dax Shepard]

Imagine you've been with someone for a year, you're already on the verge of breaking up, and then they get a cancer diagnosis. You're like, I was already out. There's no way I have the capacity to now care for you for two years when I was already not wanting to be with you. I don't know. Anyways, let's not get. Hang on. But he's Longlean. He has this boy and his son and him are so, so close. And his son also had left the religion, so he's dealing with the same. They can relate on that. And the kid's gonna go to college and you can tell he's really, really scared about losing his buddy.

[Monica Padman]

Yeah.

[Dax Shepard]

And all that's really touching. And by the end, I liked the guy, I guess, is what I'm saying.

[Monica Padman]

That's nice. Yeah.

[Dax Shepard]

Yeah. So he does have a company that's helping him, but he also. He's going down to this little. You know, there's a smidgen. It's called like Opportunity Land or something. Down in Honduras, they've carved out this little Prosperia, I think it's called.

[Monica Padman]

Geez.

[Dax Shepard]

The government granted this little area on a peninsula and basically total free market. Everything you don't have. There's no fda, there's. So there's a lot of experimental medicine happening down there. There's a lot of, like, crypto, weird financial stuff happening. It's just free for all. It's a free for all.

[Monica Padman]

Wow.

[Dax Shepard]

And he goes down there and he gets this gene therapy which is just not allowed anywhere but Prosperia. So it's like he has got a company and a protocol, but he also.

[Monica Padman]

He's going rogue a little.

[Dax Shepard]

He goes, rog. And when you enter a path like this, I don't know if you can help but go rogue. Because, yeah, I'm on the ladder somewhere. Like, I'm doing things with the goal of living a long time to see my grandkids. And I'm doing a lot more things than other people do.

[Monica Padman]

Yeah.

[Dax Shepard]

And they likely think I'm spending too much time doing that or whatever.

[Monica Padman]

Yeah, maybe.

[Dax Shepard]

And for Me, it feels completely normal and it's not taking over my life.

[Monica Padman]

And yeah, again, I think whatever people are doing for themselves to get through life, if it's not.

[Adam Scott]

Not.

[Monica Padman]

And they're not hurting anyone, I think people, maybe rightly so, maybe not. I don't know. It's a scale of luxury. Right. Like this guy gets to because of his work. Like, you know, he created this thing and he made this money, got divorced.

[Dax Shepard]

Over worked non stop.

[Monica Padman]

Because of that, he has the luxury to devote his life to living forever. And I think for a lot of people who watch that, they might say like, oh, that's crazy. But there's probably an element of, well, why does he get to devote his time to living forever? And I don't. I have grandkids or, you know, I want to live to see my grandkids and I have to work a 9 to 5. I could never do that. And so there's just. It just gets hard.

[Dax Shepard]

I would like to do something very self serving, but I don't really know how else to get the message out. I desperately need a tattoo artist in la. Oh, I don't want to fly anywhere. I don't want anyone to have to fly here. I want a, a good tattoo artist who is open to. This is a total transaction. Going in and altering all of my tattoos enough that it is now an original piece of work. And then sign me over the rights to that and I will pay for that so that I own my art and can go short sleeve and commercials again.

[Monica Padman]

Got it.

[Adam Scott]

Someone experiencing coverups?

[Dax Shepard]

Okay, that's a good way. Instant cover ups.

[Adam Scott]

Yeah.

[Dax Shepard]

If you could hit me in the comments of this episode and I'll, I'll find you. But I, I definitely need sit down and have someone go through and alter every single thing so I can have my arm back. That was self serving, but I've been meaning to. I don't know how else to solve that.

[Monica Padman]

Yeah, great. Okay.

[Adam Scott]

Anything else?

[Dax Shepard]

You. Any appeals to the audience you want to put out there? You looking for any specialists in any categories? No, no, not Conclave. What a movie.

[Monica Padman]

Conclave was great.

[Dax Shepard]

Please see it.

[Monica Padman]

I think it's like, yeah, a hard sell. Just based on the genre. Genre. It's. It's a pope movie kind of. It's really not. It's about the process of electing a pope.

[Dax Shepard]

Yeah.

[Monica Padman]

And it's so much more complicated and human. It's so human.

[Dax Shepard]

Yeah.

[Monica Padman]

At the end of the day, even though it's supposed to be godly and you know, above us, it's not. It's people making these decisions. There's ambition, power.

[Dax Shepard]

The things I liked right away is they are encased in traditions. Down to the tiniest things. Like the way it starts in the way you went. You take the ring off the Pope and there's a device that already exists. You put the ring in this thing, you chisel off this one piece and like that instrument exists, and then the wax press and every single thing has a way of doing it and an order to it and all these little devices that go along with. With it. I think to add validity and credence to the whole thing. I mean, I think it's very calculated, but I. There's something I loved about watching all these little weird customs that go along with this whole process.

[Monica Padman]

It's really good.

[Dax Shepard]

Shout out to Tucci. He was phenomenal.

[Monica Padman]

Stanley Tucci was in it. Love him so much. Double Rose product. Friend of the Pod.

[Dax Shepard]

Yes. Ray Finds is good, too.

[Monica Padman]

Oh, my God, he's so good.

[Dax Shepard]

Can you explain to me why Ralph Finds is Ralph Fiennes? That still is a big mystery to me.

[Monica Padman]

I'm just not sure.

[Dax Shepard]

Okay, but his name is R A L, P, H. Fines.

[Monica Padman]

Yes.

[Dax Shepard]

And you pronounce that Ray Fines?

[Monica Padman]

Yeah.

[Dax Shepard]

That's a huge mystery to me.

[Monica Padman]

Yeah, I guess maybe his parents made that up. I don't know. Because, you know, his brother Joseph.

[Dax Shepard]

His brother, I think, is. Is Ralph Fine spelled R A Y. It's apparently a UK tradition.

[Monica Padman]

Is it?

[Dax Shepard]

Oh. Pronounce Ralph as Rap.

[Adam Scott]

Ra Ra.

[Dax Shepard]

Strange English quirk where something is pronounced entirely different than how it's spelled.

[Monica Padman]

Well, his brother, the other, the actor, Joseph. Joseph Finds. He doesn't have a fun one like that. He doesn't get to go by like, Zoe.

[Dax Shepard]

Right.

[Monica Padman]

People do sacrifice a lot for what they believe to be bigger than them. Not everyone does, but a lot of people do.

[Dax Shepard]

I'm a little more cynical. I think a lot of people try to do it and then there's just cracks everywhere. Anywhere in pursuit of that.

[Monica Padman]

Yeah, that's probably true. I mean, again, it's back to the don't die. Like, I think that's fine. Like, that's their decision.

[Dax Shepard]

Yeah.

[Monica Padman]

I actually think it's a fairly noble one. Whether it's possible or not, I think the person.

[Dax Shepard]

Can I ask what's noble about it? Why is it good to not have had sex with a woman?

[Monica Padman]

That's not it. It's giving up your life to the service of something else.

[Dax Shepard]

Got it.

[Monica Padman]

Not having sex part is a piece of that. That They've decided.

[Dax Shepard]

Yeah.

[Monica Padman]

That I didn't grow up in that. So I can't speak to it, you know, but they, whatever, have their own reasons for it.

[Dax Shepard]

And it's a weird one to pick.

[Monica Padman]

Speaking of giving up your life for your sacrifice, you know, sacrificing, I remembered during the fight, you know, the fires are still happening, but they're getting contained. More and more contained, which is really good. My hot professor.

[Dax Shepard]

Yeah.

[Monica Padman]

He was a firefighter before he was a professor. Yes. And I just. It just like a occurred to me when I was walking and I was like, oh, yeah, of course.

[Dax Shepard]

Scotty had it all.

[Monica Padman]

I know.

[Dax Shepard]

He had the brains, he had the brawn and the firefighting skills.

[Monica Padman]

He had it all.

[Dax Shepard]

By the time this airs, I'll have gone to see the Lions play. Oh, fun. Which I'm so excited about.

[Monica Padman]

Oh, that's great.

[Dax Shepard]

Oh, yeah. Yeah.

[Monica Padman]

Is it a playoff game?

[Dax Shepard]

Yeah.

[Monica Padman]

Nice.

[Dax Shepard]

They had a bye week, so they got to sit out the first round of playoffs. And now we commence.

[Monica Padman]

That's very exciting.

[Dax Shepard]

They're going to play the Washington Commanders. Commanders.

[Adam Scott]

Yeah.

[Dax Shepard]

Okay. Were they not. So they were the Washington Redskins.

[Adam Scott]

Correct.

[Dax Shepard]

Which is a no. No. For obvious reasons. So they. They got rid of that name. But weren't they for several years, Rob just called like Washington football team. Yeah, yeah.

[Adam Scott]

A lot of sports.

[Dax Shepard]

There's like a hockey team like that right now to. That's just the hockey team.

[Monica Padman]

Oh, that's kind of cool.

[Adam Scott]

They take a little while to name.

[Dax Shepard]

And brand everything, so there's like two or three seasons occasionally where they're not a real team yet. It's just so funny. Are you going to go to the wash? The Washington football team game doesn't have.

[Adam Scott]

A great Utah Hockey club right now.

[Dax Shepard]

The Utah Hockey Club. That sounds so triple A or it does sounds really far down. It doesn't sound like NHL.

[Monica Padman]

Yeah, that's true.

[Dax Shepard]

Hockey club Hockey friends. Detroit Hockey friends.

[Monica Padman]

Well, that's very exciting.

[Dax Shepard]

Yes. I mean, I'm taking my boyfriend, Aaron.

[Monica Padman]

Fun. Oh, that'll be great.

[Dax Shepard]

We also get to be on the field during warm up and stuff.

[Monica Padman]

Oh, cool. Yeah, that's very.

[Dax Shepard]

Oh, I'm very excited.

[Monica Padman]

You're gonna be like the McConaughey.

[Dax Shepard]

I mean, I don't deserve to be the McConaughey. Nobody can be the McConaughey. But of course I would love to be be the McConaughey. And I haven't earned being the McConaughey. McConaughey has not missed Longhorn's game. I think in 30 years, he has left vacations. You know that incredible story I told that Kutcher told me that he heard him partying very late at night in the Bahamas at 4 in the morning. Then when he woke up at 9 and turned on the football game, Makan was magically standing on the field.

[Monica Padman]

He knows how to teleport. He's the only one.

[Dax Shepard]

Yeah. So I just. I don't even do deserve that, but. And I'm also wondering if I'll bump into other Detroiters. Like, will I see Sam Richardson? You know, I see any of these folks.

[Monica Padman]

That's very fun.

[Dax Shepard]

Well, I see Eminem, who I've never met.

[Monica Padman]

If they go to the super bowl, are you gonna go?

[Dax Shepard]

No.

[Monica Padman]

Where is the Super Bowl?

[Adam Scott]

New Orleans.

[Dax Shepard]

New Orleans? New Orleans at the Caesar Superdome.

[Monica Padman]

You've been to the Super Bowl?

[Dax Shepard]

I've been twice for work. I went once for Ellen and once wants to promote chips. And as I said, it's the only two times in my life I've been nervous somewhere.

[Monica Padman]

Yeah.

[Dax Shepard]

I just don't like what kind of target it.

[Adam Scott]

I don't know.

[Dax Shepard]

I just start ruminating and then I enjoy the super bowl so much. Being at home and eating the snacks and being able to actually follow the game. This was even a decision when I was like, do I go to one of the early playoff games or, you know, God willing, they'll go all the way. Do I go to a later one? And I was like, no. As it's getting more and more intense, I actually need to be at my house watching play by play with a closeup and hearing the calls and all this stuff because I can't follow things all that well in person.

[Monica Padman]

Yeah.

[Dax Shepard]

I'm not great at that. A little distracted.

[Monica Padman]

I feel like football is a newer interest and that's fun.

[Dax Shepard]

Yeah. That's not my sport. I watched two or three games throughout the year, tops.

[Monica Padman]

Yeah.

[Dax Shepard]

But I do generally watch the playoffs because I want to be very excited about the Super Bowl.

[Monica Padman]

Sure, sure.

[Dax Shepard]

Because I love the super bowl just as a holiday.

[Monica Padman]

Yeah. And.

[Dax Shepard]

And I feel like I can amplify it if I actually know the stakes and who went through what to get there.

[Monica Padman]

Yeah.

[Dax Shepard]

So I generally will start watching and maybe the second round of the playoffs. But the Detroit thing adds a whole new thing. I watched a ton of Detroit games. I put it as a season pass. And I actually watched all the games.

[Monica Padman]

I know. I think it's fun to have a new, new interest as we get older.

[Dax Shepard]

For sure.

[Adam Scott]

Yeah.

[Dax Shepard]

I think you got to fight the inclination to stop being interested in anything. I think that's a natural arc of life. We get interested in less and less things. Stay tuned for more Armchair expert if you dare. We are supported by skims. We love skims here on the pod. Monica, you just got some goodies from skims, right?

[Monica Padman]

I did. And in fact, I was just talking about this last night at a girls dinner. We were talking about bras and. And I was really pushing skims bras. Everyone who has them loves them.

[Dax Shepard]

Yeah, you're always raving about them.

[Monica Padman]

They're comfy.

[Dax Shepard]

They couldn't be more comfortable.

[Monica Padman]

I'm told skims has incredible bras. Pretty much. I'm wearing one every day. Specifically, the Fits Everybody T shirt bra is my absolute favorite. So if you are in need for a new bra, go for the Fits.

[Dax Shepard]

Everybody T shirt Bra Shop, Skims Best intimates, including the Fits Everybody collection and [e-mail] and skim stores. After you place your order, be sure to let them know we sent you. Select podcast in the survey and select our show in the dropdown menu that follows. Have you seen the coach, Dan Campbell? Dan Campbell's bigger than all of the players. He is an enormous. He's an ex player.

[Monica Padman]

Oh, cool.

[Dax Shepard]

And he just has an enormous head and neck and shoulders. And it's really encouraging for your leader to look bigger than the players.

[Monica Padman]

Yeah.

[Dax Shepard]

Like, yet at any moment he might pad up.

[Monica Padman]

I like a coach that knows the game, walks the wall personally. Like at Waffle House, when they have to work at a Waffle House in order to be the CEO.

[Dax Shepard]

Oh, they do.

[Monica Padman]

Yeah.

[Dax Shepard]

They have to serve some time.

[Monica Padman]

Yeah. Walk through the. Do all the jobs, break up a.

[Dax Shepard]

Couple thousand fights at 2:00am Exactly.

[Monica Padman]

Okay. J.J. redick, the Lakers coach, isn't he?

[Dax Shepard]

We're putting Rob to the test. You know, the funny thing is Rob knows fantasy football. Is that fair to say? Rob? Yeah. Yeah. Like, he doesn't have any coach on his roster.

[Monica Padman]

I know in fantasy. So there's no reason I still expect you to know all of it.

[Dax Shepard]

I did win Charlie's league this season. You had. You had Gibbs though, right? Yeah, I had Gibbs and a lot of Bengals players. So the running back right now for the Detroit Lions is absolutely, absolutely insanely talented. And he got four touchdowns in the Viking games, which was a Lions record. I mean, he is young, very tiny, and unstoppable.

[Monica Padman]

That's awesome.

[Dax Shepard]

Yeah.

[Monica Padman]

Okay, I'm right about J.J. redick. He's the head coach of the Lakers. And this is a sad thing. But I. I didn't know that. And I saw he popped up on my Instagram because he lost his home.

[Dax Shepard]

Okay.

[Monica Padman]

But I was looking at him, and I was like, this is the coach. He looks so young.

[Dax Shepard]

Oh, okay. This is now the age Brack you've entered.

[Monica Padman]

Yes. Now I'm at this point where I'm like, what is going on? But he is 40. He. Which is better.

[Dax Shepard]

I thought.

[Monica Padman]

I thought he was younger than me when I saw. And I got very.

[Dax Shepard]

Well, you're unnerved. I think you can measure your age in this very predictable way where it's like, for a long, long time, all the players are older than you. Then you have a moment in your early 30s where you go, oh, geez, I'm older than all the professional athletes. And that's startling.

[Monica Padman]

Yeah.

[Dax Shepard]

But then you still have the coaches.

[Monica Padman]

Yeah.

[Dax Shepard]

And now I am at the age Monica. Where I am older than quite a few of the NFL coaches, which seems impossible. Those growing up, those were all old, old men.

[Monica Padman]

Is part of it also that they are hiring younger?

[Dax Shepard]

I think they are. They are.

[Monica Padman]

Okay. Yeah.

[Dax Shepard]

Yeah. Speaking of age. Because we were really trying to figure it out while we were watching it. Nate and I had an impromptu dinner last night. Fun at Morton's, our home base. He was saying how much he liked watching the clips of Brolin.

[Monica Padman]

Oh.

[Dax Shepard]

And just how masculine Brolin is. He just kept talking about, how could there be anyone more masculine? Then we were talking about no country for Old Men. And then I was like, we got to watch that shit. We still watch Once Upon a Time in Hollywood together. And then I just had this moment of. Of recklessness. And I go, should we go right now and watch no country on a school night?

[Monica Padman]

Wow.

[Dax Shepard]

And we did. We came back here and we watched no country for Old Men.

[Monica Padman]

Sleepover.

[Dax Shepard]

Damn near. He left it, like, 11:30 at night on a week night. But Brolin is 38 in that movie.

[Monica Padman]

Oh.

[Dax Shepard]

But he carries himself like he's a little over 40. We concluded, okay, you know, he looks like a man that's been around for a while, and then Javier Bardem.

[Monica Padman]

Love him.

[Dax Shepard]

What a performance. I mean, he won the Academy Award for it.

[Monica Padman]

That was in 2007.

[Dax Shepard]

2007.

[Monica Padman]

That's so long ago.

[Dax Shepard]

It's so long ago. Woody Harrelson's very young in it. Brolin's 38. Great movie. Very unsatisfying ending, but great movie.

[Monica Padman]

I am accumulating a list of rewatches I would like to rewatch Minority Report.

[Dax Shepard]

Interesting. Okay. Tom Cruise and Spielberg yeah, I'm going.

[Monica Padman]

To watch it tonight. Remember to watch it tonight. Well, this is. We're talking about movies because Adam Scott loves movies.

[Dax Shepard]

He's a movie file.

[Monica Padman]

A cinephile.

[Dax Shepard]

A cinephile.

[Monica Padman]

Oh, also, we did talked about words that have entered the zeitgeist, that people atelier, you know, things people are saying too much. Really. There's a new one.

[Dax Shepard]

Oh, there is.

[Monica Padman]

Yeah. I learned. I learned that elevated is out. People say elevated a lot. Like, yeah, it's this, but elevated.

[Dax Shepard]

High end.

[Monica Padman]

Yeah.

[Dax Shepard]

It means high end.

[Monica Padman]

Yeah.

[Dax Shepard]

But no one says that now.

[Monica Padman]

No, we're not. People say it too much.

[Dax Shepard]

Oh, oh, oh. I was thinking you were saying it was canceled. And I couldn't wait to hear the connective tissue between elevated.

[Monica Padman]

It's like atelier. It's like everyone's just saying it, but.

[Dax Shepard]

I don't think so. Elevated's already a little pedestrian, though.

[Monica Padman]

What do you mean?

[Dax Shepard]

It's not foreign? Elevator, Elevated, atelier, and artisanal. Those have the, you know, appeal of being foreign and very exclusive.

[Monica Padman]

We were just talking in general about words that are just overused. He even you said beautiful. When people are like, ugh. Like, it's so beautiful. Like using beautiful. Beautiful a ton.

[Dax Shepard]

Yeah.

[Monica Padman]

And elevate. I learned it's. Somebody said they were so annoyed by that word, and I was like, I do hear it a lot.

[Dax Shepard]

My trigger isn't there. You say about glimmer.

[Monica Padman]

Glimmer.

[Dax Shepard]

That was the thing that came up in comments a while back when we were saying there should be a positive version of triggered.

[Monica Padman]

Oh.

[Dax Shepard]

And a lot of people wrote, oh, There is a term for it, and it's glimmer.

[Monica Padman]

Huh?

[Dax Shepard]

Yeah. It's when you're activated. Like, if you're triggered, you're activated by a word.

[Monica Padman]

Yeah.

[Dax Shepard]

And it's negative way, generally. But a glimmer is something that activates you, but in a very positive way.

[Monica Padman]

Oh.

[Dax Shepard]

Because some fact checks ago, I was talking about being triggered in a really good way. Oh, right. But I was like, the word feels wrong. And then I learned there is a term, and it's glimmer or glimmered. And I like that. Yeah. But my specific trigger about atelier and artisanal. Artisanal is it feels elite. Ist. It feels like it's someone trying really hard to sound super sophisticated. And so that's my trigger. It. It reeks to me of. Of being a snob. Whereas elevated doesn't do that for me.

[Monica Padman]

Sure. You know, I get it. Yeah, I get that. But they're ironically, they're not trying to be a snob. They're trying to be elevated.

[Dax Shepard]

Sure. Which is a little bit of snobbery.

[Monica Padman]

All right, where are. Where Skull manufactured Raleigh, Durham. Its corporate headquarters are located in Richmond, Virginia, and it maintains factories in Clarksville and Nashville, Tennessee, Franklin Park, Illinois, and Hopkinsville, Kentucky. Copenhagen and Skull are the company's bestselling brands, and each represents more than $1 billion per year on retail sales.

[Dax Shepard]

This is a little bit tempting for me to get back on chewing tobacco. The notion that I could be getting it fresh off the line in Nashville is very tempting. Fresh.

[Monica Padman]

Yeah.

[Dax Shepard]

Minutes old.

[Monica Padman]

You could get it minutes old.

[Dax Shepard]

Brings me back to the time we put the roof on the hot dog and hamburger bun factory in Detroit, and we got to have hot dog buns that came right out of the conveyor belt. And they were one of the most delicious things I've ever had in my life. You can't imagine how good they are a second after they're made.

[Monica Padman]

Are they or. But is it. It's so hard to know what's mental. It's really hard to know.

[Dax Shepard]

I guess. But then you're kind of getting into placebo effect.

[Monica Padman]

Sure.

[Dax Shepard]

Which is real.

[Monica Padman]

Yeah. Remember when. When we went to the Hawaiian sweet roll? Hawaiian sweet roll factory.

[Dax Shepard]

King's Hawaiian Sweet. That.

[Monica Padman]

And we got them straight off the bell.

[Dax Shepard]

And what do you think? How did those taste?

[Monica Padman]

Of course they taste amazing. But I also know. I don't. I know what I don't know. And I can't. Can't know if that's placebo or not. I mean, hot one is just that.

[Dax Shepard]

It'S hot, but it's like it's not even set yet. Like, the molecules haven't even totally formed. The thing that also made that King's Hawaiian Sweet Bread Factory tour so awesome is that at this tasting station where we're eating them right off the conveyor belt, there was a block of butter the size of that refrigerator. I've never seen a block of butter that big in my life. It must be what they dump into the mix. And we just had these spades that we were just carving off huge chunks of butter and slathering it all over.

[Monica Padman]

You know, butter sculptures are a thing now.

[Dax Shepard]

No.

[Monica Padman]

Yeah. People are getting into butter sculptures.

[Dax Shepard]

Oh.

[Monica Padman]

And so they should use that big butter and make it into some sort of.

[Adam Scott]

Yes.

[Monica Padman]

Chisel branded.

[Dax Shepard]

Every part. That's not David.

[Monica Padman]

Okay.

[Dax Shepard]

Now.

[Monica Padman]

Okay. Is 27 the age you start going downhill between 25 and 30. Physically physical. Physically physical peak between 25 and 30. That's not to say you shouldn't keep working on your exercise and your physique. As you said, you've never been in better shape.

[Dax Shepard]

Yes, I'm. I think I'm Superior to my 27 year old.

[Monica Padman]

Yeah.

[Dax Shepard]

4, 7. 11 chili dogs a day and 12 pack of beer at night and pack and a half of Camel Lights.

[Monica Padman]

But I guess in some ways you were at your physical peak because now if you did all that, you die.

[Adam Scott]

I.

[Dax Shepard]

This morning, when journaling, I'm like, I. What is going on? Like, I couldn't sleep for longer an hour last night.

[Monica Padman]

Yeah.

[Dax Shepard]

I woke up with a headache and my body's so sore. Like, what happened?

[Monica Padman]

Nothing happened to me.

[Dax Shepard]

Sprinting's not helping for sure.

[Monica Padman]

Yeah. And the air is bad. I mean, we all have headaches.

[Dax Shepard]

I'll leave this to you to decide if this is too gross for the fact check. It is, but I. At the same time, I am proud as a peacock about this. As you know, and maybe I've shared in the past. A weird hobby of mine is, is I do like to weigh myself in the morning right before I go evac.

[Monica Padman]

Sure.

[Dax Shepard]

Because I'm curious.

[Monica Padman]

You want to see?

[Dax Shepard]

I want to know how much that weighs.

[Monica Padman]

Yeah.

[Dax Shepard]

And I have been doing that for a year or two.

[Monica Padman]

What's the biggest?

[Dax Shepard]

It's never above a pound and a half.

[Monica Padman]

Okay.

[Dax Shepard]

There are times I look and I go, well, buckle up, we're going to. This is. Okay.

[Monica Padman]

Okay.

[Dax Shepard]

Never been a more than a pound and a half. I swear to God. This was four mornings ago. Three mornings ago. I couldn't even finish journaling. I had to go evac. And it had been. I didn't have a couple good days prior to that.

[Monica Padman]

Oh, okay.

[Dax Shepard]

The first round was robust. Then I was doing some posting, then round, round, round, round, round, round, round, round, round, round, round, round, round, round, round.

[Monica Padman]

Are you going back and forth or you just stay.

[Dax Shepard]

I'm in there for probably 30.

[Monica Padman]

I just read. I just read. That's really, really bad.

[Dax Shepard]

People hate that. They're convinced I'm going to get hemorrhoids.

[Monica Padman]

Yeah, but. Which you've had.

[Dax Shepard]

And they can have a good laugh if I get them, but I haven't yet.

[Monica Padman]

I thought you've had them.

[Dax Shepard]

No, never had a hemorrhoid, thank goodness. Anal fissure.

[Monica Padman]

Anal fissure. Yeah.

[Dax Shepard]

I wouldn't believe this if I told. If someone told it to me. I got on the scale, I was 197.8. I was on there for a half hour. It's not an experience I never had in my Life. Got on one 193.8.

[Monica Padman]

No. Yes, it's part of it. Water, though.

[Dax Shepard]

No, because I'd already peed a bunch.

[Monica Padman]

But did you have.

[Dax Shepard]

Very little pee came out.

[Monica Padman]

Was there diarrhea?

[Dax Shepard]

What do we call diarrhea? It was like water. It wasn't water, but. But it was mud.

[Monica Padman]

Then there's water in there.

[Dax Shepard]

Whatever the case.

[Monica Padman]

Okay.

[Dax Shepard]

I3x my previous. I thought about that every 20 minutes the whole rest of the day.

[Monica Padman]

Yeah.

[Dax Shepard]

It's like, hard to compute four pounds. Like at your body weight, that's almost 5% of your total mass in 30 minutes. I've never had an experience like that.

[Monica Padman]

That is a lot.

[Dax Shepard]

It was wild.

[Monica Padman]

Did you feel much lighter after?

[Dax Shepard]

I felt so much better. I'd woke up that morning, cranky, headache, body achy. Got all the poison out.

[Monica Padman]

Yeah.

[Dax Shepard]

And I felt good. I Then I did my sprints that day.

[Monica Padman]

Were you much faster?

[Dax Shepard]

There's no way for me to know. Run as fast as I can. I'm just clicking my clicker. My clicker.

[Monica Padman]

So John Turo, he said ma first movie, 1992. Now in the wonder plus, I said he was wrong and he's not wrong.

[Dax Shepard]

Oh, interesting.

[Monica Padman]

Yeah.

[Dax Shepard]

This is really.

[Monica Padman]

I actually think speaks to the.

[Dax Shepard]

How hard it is to get facts right.

[Monica Padman]

No, I actually think if we go back. So I said, he's right. Mac 19:1992. Oh, wait, he's wrong. Like, I read the same thing. I'm reading.

[Dax Shepard]

Yeah.

[Monica Padman]

But I think my brain will. Definitely wasn't working that day, but I was like, no, it's Illuminata, 1998. So I think in my head, 1998 was before 1992.

[Dax Shepard]

Okay. But six years after.

[Monica Padman]

But actually, upon reflection. Yeah, yeah. So.

[Dax Shepard]

So he's right.

[Monica Padman]

He's right. Mac 1992, first film he directed.

[Dax Shepard]

I'm not surprised he's right. Not because I think you're prone to be wrong, but just he is such a steel trap with these.

[Monica Padman]

I agree. I was surprised that he was wrong. And turns out we didn't need to be surprised because he was right.

[Dax Shepard]

Yeah.

[Monica Padman]

What's the name of Nicholas Cage's king cobra? He has two Sheba and Moby.

[Dax Shepard]

Great names.

[Monica Padman]

They're really good names for a king cobra.

[Dax Shepard]

Yeah. I already can't compute. Let's get some of the animals that live outside to live inside our house. Although I caveat to that. There are three birds that going on now four months. It used to drive me a Little crazy because I'll be in bed journaling. I hear whapping on the window.

[Monica Padman]

Yeah, sure.

[Dax Shepard]

They fly out of the tree and then they try to sit on a little piece of the window. There's a little green guy. He's a little guy. He's about this big and he's green. And he sits there and he, like, pecks at the window and he flaps his wings. Then he goes back in the bush and he comes back up. Then we have these two larger birds with a big red crest and long tail feathers. They are also on this one, there's something about this window into the bathroom, and I can't decide if they want to come in or they're just curious or they're confused. I don't know what's going on. But we have a veritable aviary just outside the window now.

[Monica Padman]

That's exciting.

[Dax Shepard]

Yeah.

[Monica Padman]

Are you putting out food and stuff?

[Dax Shepard]

No, I was kind of laughing at that. Like, the amount of effort I put into getting. Getting crows to woo crows and to no avail. And I'm doing nothing for these three birds. And they want to get involved.

[Monica Padman]

It's a life lesson. Hard to get.

[Dax Shepard]

Play hard to get. Yeah.

[Monica Padman]

No one wants availability.

[Dax Shepard]

They don't. No.

[Monica Padman]

Jesus. All right. That's it.

[Dax Shepard]

That's everything.

[Monica Padman]

Yep. That's it for Adam.

[Dax Shepard]

Well, I sure do love that boy.

[Monica Padman]

What a lovely man he is.

[Dax Shepard]

He is the loveliest man. I'm just delighted I got to meet him.

[Monica Padman]

And we're sorry that the crickets came in the middle of his sweet moment.

[Dax Shepard]

Was it audible in.

[Monica Padman]

I didn't hear it.

[Dax Shepard]

Okay.

[Monica Padman]

But if you heard it, we apologize. All right.

[Dax Shepard]

All right. Love you.

[Monica Padman]

Love you.

[Dax Shepard]

Follow Armchair Expert on the Wondry app, Amazon Music, or wherever you get your podcasts. You can listen to every episode of Armchair Expert early and ad free right now by joining Wondry plus in the Wondry app or on Apple Podcasts. Before you go, tell us about yourself by completing a short [e-mail] survey.

[Adam Scott]

New year, new resolutions. And this year on the Best Idea yet podcast, we're revealing the untold origin stories of the products you're obsessed with. And we promise you have never heard these before. Ever wonder how the iconic Reese's peanut butter cup was invented? Because it was by accident. HB Reese, a former frog salesman.

[Dax Shepard]

True story.

[Adam Scott]

Stumbled upon the idea after accidentally burning a batch of peanuts. Classic. Proving that sometimes our best ideas arise from what seem like our biggest mistakes. And Jack, did you know there's a scientific explanation why humans crave that surprising combo of peanut butter and chocolate. I didn't, but it sounds delicious. It is delicious. So if you're looking to get inspired and creative this year, tune in into the best idea yet. You can find us on the Wondery app or wherever you get your podcasts. And if you're looking for more podcasts to help you start this year off right, check out New Year, New Mindset on the Wondery App. Who knows? Your next great idea could be an accident that you burned. This is Nick and this is Jack, and we'll see you on the best idea yet.