Podcast
Bad Dads Film Review
Hosted by Bad Dads · EN
Several years ago 4 self confessed movie fanatics ruined their favourite pastime by having children. Now we are telling the world about the movies we missed and the frequently awful kids tv we are now subjected to. We like to think we're funny. Come and argue with us on the social medias.
Twitter: @dads_film
Facebook: BadDadsFilmReview
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www.baddadsfilm.com
62episodes
Episodes
Newest firstAll episodes
England & The Brothers Grimsby
Jun 2600:58:34Tap to summarizeOn this episode of Bad Dads Film Review, the team reviews The Brothers Grimsby — also released as Grimsby — Louis Leterrier’s 2016 spy-action gross-out comedy starring Sacha Baron Cohen and Mark Strong.In this episodeEngland week, recorded in the heat with the dads trying to finish before England kick offPete’s return to the podcast, Dan’s absence, and Reegs charging the show with bringing the game into disreputeTop 5 England, interpreted very loosely and therefore correctlyEnglish stereotypes in film: bad teeth, bad food, villains, tea, class, accents, and mayonnaise in every supermarket sandwichFawlty Towers, Basil Fawlty, “Don’t mention the war”, John Cleese, Connie Booth, and only needing 12 episodes to become immortalSidey’s childhood Morris dancing, complete with bells, sticks, pagan energy, and possible darknessCris’s first memory of England via Italia ’90, Gary Lineker, black-and-white TV, Romania after the revolution, and the schoolboy joy of Lineker’s unfortunate bowel incidentDave England from Jackass, yellow snow cones, giant hands, Bam Margera, and whether Jackass has run its courseReegs on Chris Morris as a great English exponent of absurd, shocking satire with moral integrity: The Day Today, Brass Eye, Jam, Nathan Barley, Four Lions, and The Day Shall ComeFilms and figures with England / Englishness attached: This Is England, The English Patient, Hugh Grant, Sting, Guy Ritchie, Lock, Stock, Snatch, Sherlock Holmes, Blackadder, London black cabs, fake taxis, and World Cup songsCris nominating James Bond as the foreigner’s English archetype: classy, gadget-heavy, car-driving, womanising, and very stereotypicalReegs choosing The Impossible Job, Graham Taylor, Ronald Koeman, “Do I not like that?”, and English football’s appetite for destroying managersPete inflicting Grimsby / The Brothers Grimsby on the groupThe dads’ expectations going in, Sidey deliberately avoiding it, and the reputation of the film after the Rebel Wilson allegations around Sacha Baron CohenLouis Leterrier’s action credentials: The Transporter, Now You See Me, The Incredible Hulk, and the surprisingly strong action staging hereScott Adkins appreciation, the “Ukrainian Ben Affleck” / Boyka chat, and calls to do an Undisputed movieThe opening sex-in-a-bed-shop gag and the film immediately declaring its level of subtletyNobby’s Grimsby life: 11 children, one grandchild called Django Unchained, a son called Skeletor, and the “Luke because he’s got leukemia” jokeMark Strong as Sebastian, MI6’s most lethal agent, and the very good first-person action sequence influenced by Hardcore Henry director Ilya NaishullerIsla Fisher, Ian McShane, Penélope Cruz, Rebel Wilson, Gabourey Sidibe, Johnny Vegas, Ricky Tomlinson, and Daniel Radcliffe / Donald Trump legal-disclaimer jokesThe brothers’ backstory: orphaned, separated in childhood, and Nobby sacrificing his own future so Sebastian can be adoptedThe movie’s attempt at sincerity, and why it is mostly undercut by everything else being relentlessly stupidThe poisoned dart sequence, the “left testicle” escalation, and Mark Strong playing total nonsense completely straightThe pre-ejaculate callback and the point at which Pete’s wife apparently started laughing properlyThe South Africa section, heroin detour, seduction misunderstanding, and blocked toilet gagThe elephant sequence: foreshadowed by National Geographic, then pushed to an absolutely filthy breaking pointPenélope Cruz’s villain plot: a “World Cure” scheme that is actually a eugenics / population-control virus targeting the poor via the World Cup finalThe dads questioning the film’s attempted class satire when so much of the movie has already made working-class Grimsby the punchlineThe pitch invasion climax, fireworks, the virus in the rockets, and the brothers taking one for the teamThe hospital ending, elephant semen as accidental antidote / skin-elasticity miracle, and the pan-pipe gagWhether the film is actually good, or just so committed to its stupidity that it becomes funnyBad Dads consensusSidey: Expected to hate it, laughed much more than expected, and lands on a strong recommend despite admitting the film probably is awful in many obvious ways.Pete: Also gives a strong recommend, arguing that while lots of it is preposterous and eye-rollingly stupid, the bits that hit deliver proper belly laughs.Reegs: Notes that it is not nearly as sharp satirically as Borat or Brüno, and that the class satire is muddled, but agrees the extremity and straight-faced delivery make it work more often than expected.Cris: Enjoys the ridiculousness and joins in the disbelief at just how far the film pushes each gross-out set piece.Final takeThe Brothers Grimsby is not elegant, subtle, or especially coherent as satire. It is, however, a film with surprisingly solid action, Mark Strong treating absolute filth like a serious spy thriller, and Sacha Baron Cohen pushing every joke past the point of taste and into a kind of horrible inevitability. The dads feared the worst, laughed anyway, and somehow ended up recommending it.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
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Midweek Mention... This Is England
Jun 2500:32:56Tap to summarizeOn this episode of Bad Dads Film Review, the team reviews This Is England (2006), Shane Meadows’ raw, semi-autobiographical coming-of-age drama starring Thomas Turgoose, Stephen Graham, Vicky McClure, Joe Gilgun, Andrew Shim, Rosamund Hanson, and Jack O’Connell.In this episodeRecording outside the man cave in brutal heat, with England playing later and possible background birdsReturning to Shane Meadows after the dads’ love for Dead Man’s ShoesMeadows writing from lived experience and Shaun Field as a loose version of the young Shane MeadowsThe film’s 1983 setting: Falklands aftermath, Thatcher-era mood, working-class Midlands anonymity, and immaculate period detailShaun’s grief over his father’s death and the brutal school bullying around his clothesThe infamous Mini joke, the playground fight, and Reegs’ detour into the real-world Mini passenger recordWoody’s gang as surrogate family: underpass tea, derelict-house “hunting”, haircuts, boots, braces, and the gifted Ben ShermanSkinhead culture before the racist takeover: ska, soul, punk, clothes, belonging, and styleSmell, the shed snog, New Romantic fashion, and the very awkward age-gap discussionCombo’s entrance from prison and the immediate tonal shift from funny coming-of-age story to something threateningStephen Graham’s performance as Combo: vulnerable, pathetic, charismatic, manipulative, racist, and terrifyingCombo gaslighting Woody, exploiting Shaun’s Falklands grief, and splitting the gangThe National Front meeting: respectable presentation, simple blame politics, Frank Harper’s speaker, and Gadget’s “NASHNIL” spellingShaun’s corruption under Combo: racist intimidation, the corner-shop robbery, and the stolen language of national prideLol rejecting Combo and the emotional humiliation that turns outward into violenceMilky and Combo bonding over music and roots before Combo’s jealousy eruptsThe brutal beating of Milky, Shaun being forced to watch, and Combo’s immediate collapse into remorseShaun throwing the St George’s flag into the sea as a rejection of the racist version of EnglandThe continuing relevance of the film’s politics from 1983 to 2006 to nowStrong recommendations for the follow-up series: This Is England ’86, ’88, and ’90Bad Dads consensusSidey: Strong recommend — sees it as at least a 9/10 and reads the final flag moment as Shaun rejecting the National Front’s corrupted version of England.Pete: Strong recommend — praises the film’s lived-in authenticity, performances, and the follow-up series; still holds Dead Man’s Shoes as a 10/10 comparison point.Reegs: Strongly positive — highlights the bleakness, the current relevance of the racist rhetoric, and Stephen Graham’s frighteningly layered work.Cris: Engaged with the period detail, humour, and discomfort of the film’s tonal shift, particularly once Combo arrives.Final takeThis Is England begins as a warm, funny, scruffy story about a lonely boy finding friends, then slowly reveals how easily grief and poverty can be weaponised by people offering simple enemies and ugly certainty. It is beautifully observed, brilliantly acted, deeply uncomfortable, and still horribly relevant.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
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Motorcycles & The Motorcycle Diaries
Jun 1901:15:09Tap to summarizeThis week the Bad Dads ride across South America with The Motorcycle Diaries, Walter Salles’s 2004 drama starring Gael García Bernal as young Ernesto Guevara and Rodrigo de la Serna as Alberto Granado.Before the main feature, the Dads count down their favourite movie motorcycles, from Arnie’s shotgun-reloading Harley in Terminator 2 to Tom Cruise going full Cruise in Top Gun and Mission: Impossible, the Easy Rider chopper, Indy’s sidecar, Tron’s light cycles, Dumb and Dumber’s scooter, John Wick’s katana bike fight, Fonzie’s Knucklehead and Dan’s beloved World’s Fastest Indian.What We CoveredTop 5 Motorcycles: a surprisingly rich category covering choppers, scooters, sidecars, sci-fi bikes, stunt riding and Tom Cruise’s apparent allergy to helmets.La Poderosa: the battered Norton 500 that carries Ernesto and Alberto until it absolutely cannot, giving the film its comic engine and its road-movie shape.Memory vs rewatch: Sidey remembers seeing the film at the cinema and discovers he had misremembered the pair as having one bike each.Ernesto and Alberto: the Dads enjoy the friendship, the teasing, the appetite for adventure, and Alberto’s role as a funny, earthy foil to Ernesto’s more serious awakening.A journey through inequality: miners, indigenous communities, poverty, illness and exploitation gradually turn the trip from lads’ adventure into political education.The leper colony: the San Pablo section becomes the emotional centre of the film, especially Ernesto’s refusal to accept easy divisions between people.Che without the T-shirt: the group discuss how the film shows the conditions that could radicalise someone without reducing Guevara to a poster, slogan or merch logo.Show, don’t tell politics: Sidey praises the film for making its points quietly; Reegs notes the documentary-like authenticity; Cris reflects on education, knowledge and the ability to imagine different power structures.Travel as transformation: Dan highlights the idea that any journey like this, at that age and through those conditions, would inevitably change you.Final images: the airport farewell, the real Alberto, the closing text and the real photographs give the film a wistful, reflective ending.Key Quotes / Moments“I thought they had a motorcycle each.”“I need your clothes, your boots and your motorcycle.”“Top five motorcycles. I’m amazed that we’ve not done this before.”“He’s not the same me anymore.”“It doesn’t ram his ideology down your throat.”“A strong recommend all round.”VerdictA strong recommend from the Dads. The Motorcycle Diaries is praised as warm, funny, beautiful and quietly powerful — a road movie about friendship, privilege, poverty and the moment a person starts to see the world differently.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
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Midweek Mention... Akira
Jun 1700:25:09Tap to summarizeThis week the Bad Dads take on Akira, Katsuhiro Otomo’s 1988 anime classic: part cyberpunk biker movie, part psychic apocalypse, part body-horror nightmare, and still one of the most influential animated films ever made.What We CoveredThe motorcycle connection: Sidey picked Akira partly off the back of motorcycle week, with the famous “Akira slide” still instantly recognisable decades later.Neo-Tokyo and the set-up: The Dads discuss the opening destruction of Tokyo, the rebuilt dystopian city, biker gangs, riots, unemployment, militarised politics and general “not a happy place” energy.Kaneda, Tetsuo and the Capsules: Kaneda’s iconic red bike, Tetsuo’s resentment, the gang hierarchy, and the way their childhood friendship feeds the film’s final emotional punch.The psychic test subjects: Takashi, the other child-like espers, the hospital experiments, telekinesis, hallucinations, and the film’s blend of sci-fi plot with surreal nightmare imagery.Tetsuo’s transformation: From headaches and glass-of-water Force powers to satellite lasers, a metal arm, body horror, and a final monstrous collapse into flesh, pain and chaos.Akira himself: The reveal that Akira is not really “the guy on the bike”, but a dissected psychic force preserved in jars under the Olympic Stadium.The animation: Reegs praises the film’s restless visual movement; Dan says the craft makes you forget any resistance to animation; Sidey calls the full-mutant Tetsuo sequence incredible.Influence and legacy: The gang spot echoes and connections to The Matrix, Drive, Watchmen, 2001, Clockwork Orange, The Warriors, Godzilla destruction, and later anime/body-horror culture.Subtitles vs dubbing: Dan finds an English version in the “depths of the internet”, while others stick with Japanese and subtitles.Cris watch status: Cris did not get to the film because he could not find it properly and refused to watch it on a phone — fair, frankly.Key Quotes / Moments“There’s very little ball content in Akira.”“The Akira slide… one of the most famous shots in animation.”“It’s like the Force, but way more destructive.”“I’m in the revolution, mate. I’m busy.”“SOL Campbell” as the orbital laser gag. Obviously.“It wasn’t quite Dogtanian.”VerdictA strong recommend from the Dads. Sidey calls it a great gateway into anime, Dan enjoys it more than expected and finds the animation absorbing, and Reegs loves the film’s kinetic craft and cultural footprint. Cris remains technically unconverted, but tempted.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
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Holidays & Aftersun
Jun 1201:14:13Tap to summarizeOn this episode of Bad Dads Film Review, the team reviews Aftersun (2022) — Charlotte Wells’ quietly devastating father-daughter memory piece starring Paul Mescal and Frankie Corio.In this episodeTop 5 Holidays: package holiday dread, cancelled flights, family trips, airport memories, and British holiday behaviour at its absolute finest/worstSidey’s Malta anxiety and the curse of relatives who “mog” every conversationWhat the dads watched this week, including Spider-Noir, Is This Thing On?, Heat, and other pre-main-feature detoursWhy Aftersun plays less like a traditional plot and more like an adult trying to decode childhood memoryAdult Sophie watching old camcorder footage of her holiday with Calum in TurkeyThe recurring rave/strobe imagery and Sophie trying to reach the father she only half-understoodCalum’s hidden depression: cigarettes, self-help books, Tai Chi, money worries, shame, and emotional withdrawalThe cheap holiday resort details: rep bus, room mix-up, wristbands, dinner run, pool tables, scuba mask, karaoke and tourist entertainmentThe expensive rug as a possible attempt to leave Sophie something tangibleThe brutal karaoke scene with Losing My ReligionThe final dance to Under Pressure and the airport departure endingHow the film handles male depression and implied suicide without spelling everything outPaul Mescal and Frankie Corio’s performances, and why the film rewards intense viewingBad Dads consensusReegs: Loved it — brilliantly made, emotionally precise, dreamlike, and rich in detailSidey: Strong recommend — hugely powerful, very well made, but absolutely not a fun watchDan: Strong recommend, with caveats — found it genuinely hard to sit with because it stirred up memories and difficult emotionsCris: Did not meaningfully watch it — put it on, went for a wee, fell asleep, and woke up when it was doneFinal takeAftersun is one of those films the dads admire deeply while also warning listeners to choose their moment carefully. It is quiet, ambiguous and emotionally bruising — a film about memory, parenting, depression, guilt, love and what children only understand years later.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
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Midweek Mention... Abigail
Jun 1000:34:06Tap to summarizeOn this episode of Bad Dads Film Review, the team reviews Abigail (2024) — a gleefully gory vampire horror-comedy from Matt Bettinelli-Olpin and Tyler Gillett, starring Melissa Barrera, Alisha Weir, Dan Stevens, Kathryn Newton, Kevin Durand, Angus Cloud, Giancarlo Esposito, and Matthew Goode.In this episodeWhy the poster and streaming artwork spoil the film’s big vampire revealUniversal’s monster-movie legacy, from the failed Dark Universe to The Invisible Man, Renfield, and AbigailThe heist-movie setup: anonymous criminals, Rat Pack aliases, a creepy manor, and a 24-hour ransom jobAbigail’s Swan Lake opening and the early clue that she may not be as young as she looksThe crew: Joey, Frank, Sammy, Rickles, Peter, Dean, and LambertGiancarlo Esposito airport-chat, Terry Waite hostage tangent, and the inevitable Bad Dads detoursKristof Lazaar as the film’s Keyser Söze figureDean’s pantry death, the Valdez misdirection, and the vampire reveal everyone at home probably already knew was comingFailed vampire defences: holy water, crucifixes, garlic/onions, stakes, sunlight, and general criminal incompetenceThe corpse pool, puppet-dancing, flying vampires, exploding bodies, and the increasingly messy final actDan Stevens as Frank, Alisha Weir’s excellent monster-child performance, and Melissa Barrera grounding the whole thing as JoeyParent-child horror: Joey’s absent-mother guilt versus Abigail’s desperate need for her father’s attentionBad Dads consensusSidey: Strong recommend — enjoyed the daftness, gore, performances, and vampire lore playDan: Strong recommend — expected something scarier, but found it funny, silly, and much more enjoyable than fearedReegs: Positive overall — liked the craft and cast, compared it to From Dusk Till Dawn, but felt the ending dragged and got messyCris: Not a recommend — thought it was too long, not funny enough, and stranded between comedy, horror, and thrillerFinal takeAbigail works best as a polished, knowingly ridiculous locked-house monster movie: criminals in a mansion, vampire ballerina on the loose, and enough exploding blood to repaint a stately home. It is not subtle, and the ending overstays its welcome, but for most of the dads the cast and energy carry it.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
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Plants & Toscana
Jun 501:08:43Tap to summarizeOn this episode of Bad Dads Film Review, the team reviews Toscana (2022), Netflix’s Danish-Italian comfort drama about a stressed fine-dining chef who inherits his father’s restaurant in Tuscany and slowly rediscovers rustic cooking, unresolved family memories, and a wildly inconvenient romance.In this episodeThe tragic walking football update: a playoff final lost on penalties, after Sidey chose love and anniversary plans over footballDan’s gardening-inspired Top 5 theme: plants in film and televisionThe Day of the Triffids, Audrey II, Ents, Leon’s plant, Martian potatoes, Interstellar corn, Attack of the Killer Tomatoes, Batman’s blue flower, Cheech and Chong’s marijuana van, Tomacco, Swamp Thing, Groot, and Moriarty’s dead plantsReegs’ full crop of plant-film puns, including Chive Angry, Kill Dill, Mulch Ado About Nothing, Full Petal Jacket, and music by Sage Against the MachineSidey’s essential full English breakfast rules: beans on the plate, fried bread as gold standard, black pudding welcome, hash browns firmly under suspicionToscana’s dubbed-language confusion before Sidey realises the film is Danish, Italian and EnglishTheo Dahl’s sterile Danish fine-dining kitchen, tweezer food, a lost €9m investor, and a full meltdown at the passCris calling out the fantasy of a top chef personally cleaning the kitchenTheo’s inheritance trip to Tuscany, his battle with rustic food, suspect ice cubes, and unexpectedly excellent olive oilSophia, Pino, the wedding catering deal, and the film’s very convenient emotional geographyThe €500k/€900k sale gamble and Theo’s professional pride kicking inThe romance problem: Sophia is engaged, Pino seems perfectly sound, and Theo spends much of the film behaving like a potatoTheo rediscovering cooking “by feel” rather than by gram-perfect controlThe ending: sale completed, buy-back arranged, Danish chefs shipped to Tuscany, Sophia returns, and everyone apparently embraces rustic restaurant lifeBad Dads consensusScenery: gorgeousRuntime: painless and breezyPlot: extremely predictableFood content: oddly less visible than expectedRomance: not especially believablePino: treated very harshly by the filmTheo: hard to root for, despite the intended redemption arcOverall: watchable but thin — Dan and Cris found it easy to sit through, while Sidey wanted more charisma, chemistry and actual cookingYou can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
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Midweek Mention... Jonah Hex
Jun 300:24:03Tap to summarizeOn this episode of Bad Dads Film Review, the team reviews Jonah Hex (2010) — DC’s supernatural western starring Josh Brolin as the scarred bounty hunter, John Malkovich as revenge-villain Quentin Turnbull, and Megan Fox as Lilah/Tallulah, depending on which bit of the film you believe.In this episodeDan’s late pick and the argument over whether Jonah Hex counts as the midweek movie“Johan Hex” and the accidental Scandinavian spin-off nobody asked forThe brutally rushed origin story: dead family, branded face, Native American resurrection smoke, and crow-adjacent powersJonah Hex as a supernatural bounty hunter who can temporarily revive corpses for informationThe horse-mounted Gatling guns and the film’s steampunk Wild West weaponryMegan Fox’s immaculate Wild West prostitute character and the noble-prostitute tropeMichael Fassbender’s bowler hat, neck tattoo, Irish accent, and career-survival appearanceJohn Malkovich’s oddly flat Turnbull performance and his plan to attack America with glowing cannonball super-weaponsThe confusing resurrection sequence, crow-from-the-mouth imagery, and anticlimactic final showdownComparisons with Ghost Rider, Cowboys & Aliens, Wild Wild West, Preacher, The Crow, The Dark Knight, and The Outlaw Josey WalesThe film’s disastrous box office: around $47m reported production budget versus around $10.5m worldwide return, before marketingBad Dads consensusRuntime: mercifully shortCast: bizarrely stackedPlot coherence: extremely questionableVisual ideas: occasional flashes of something betterPerformances: mostly phoned in, with Brolin just about surviving itBest feature: it ends quicklyOverall: not a recommend, though Dan resists calling it one of the worst ever and Cris may still watch it out of sheer curiosityYou can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
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Gypsies & Apex
May 2901:07:31Tap to summarizeOn this episode of Bad Dads Film Review, the team reviews Apex (2026) — a stripped-back survival thriller set in the Australian outback starring Charlize Theron, Taron Egerton, and Eric Bana.In this episodeGarden-recording vibes, warm-weather chaos, and the usual Bad Dads preambleTop 5 Travellers/Gypsies segment before the main reviewSetup: remote climbing trip gone wrong after a devastating opening lossTone shift from survival drama to psychological hunter/prey thrillerBen’s “helpful stranger” act and the slow reveal of what’s really going onKey tension moments: camp, cave, traps, cliff climb, and escape sequenceCannibal reveal and why that pushes the film into darker territoryPerformances: Charlize’s physical lead work and Egerton’s menaceRuntime/pacing: lean, effective, and mostly free of bloatBad Dads consensusTension and atmosphere: strongPerformances: very strongPredictability: some broad beats are readable, but execution landsRewatch value: good if you like survival thrillers with edgeOverall: Strong recommend (all three)You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
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Midweek Mention... Saipan
May 2700:27:12Tap to summarizeOn this episode of Bad Dads Film Review, the dads review Saipan (2025), a dramatization of one of the most explosive moments in modern Irish football history.In this episodeWhy this story still matters: Ireland’s 2002 World Cup buildup and the Keane/McCarthy falloutThe core tension: perfectionist, win-first standards vs “get the job done” tournament pragmatismCamp preparation issues and why they became the flashpointClub-vs-country politics in the background (including pressure dynamics around Manchester United)Performances: thoughts on the Roy Keane portrayal and Steve Coogan’s grounded McCarthyWhether the film feels fair to both sides or leans into dramatized caricatureThe wider football question: was Keane right in principle but wrong in approach?Bad Dads consensusStory relevance: highPerformance quality: strong, with mixed reactions on specific portrayal choicesHistorical accuracy: debatedRewatch value: good for football fans and sports-drama watchersOverall: **Strong recommend**You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads
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