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A
It smells like dog food in here.
B
Yep. Rook, Rook, Bobby. I just got here. I yelled at the host for putting the mic stand low. You know how they try to get a laugh?
A
Yeah, yeah.
B
Because I'm small.
A
I've done.
B
I do that. I know. And it makes me so angry. But I won't yell at you. But I went, if you ever do that again, I'll rip you. Oh, I've gotten that from you. Yeah, yeah. The low voice. Because it's. Because it's. It's. It's trying to get a laugh. That I'm sure. Right. But it's not my laugh. It's their laugh. You know what I mean? It's their residue laugh.
A
Yeah. Leftover laugh.
B
Yes, Leftover laugh. Well, they're not even on stage. They try to get a laugh. Yeah. And they're in the back going, but I made that mic store. You know, I bet you Brad gets that Williams.
A
Oh, dude, I do the opposite from when Brad follows me in the store. I put it as high as I can.
B
That's. See, that's the same thing. It's the same thing.
A
But it's funny for you, for all of us.
B
For Brad, it's. For Brad, it's a whole extra thing he has to do.
A
Funny, dude.
B
For me, it's. You know, I mean, I have. I get a laugh.
A
Yeah.
B
But then I have to go, I'm small. Do that face like, well, God made me. Right? And then Brad has to bring it down. Yeah.
A
It's funny.
B
It's for you, for the person before. But it's not our laugh.
A
All right, you know what?
B
We're not going to do any.
A
No more funny.
B
Yeah.
A
No more comedy.
B
Okay.
A
I think we're done with comedy.
B
Yeah.
A
All weekend long. All weekend long.
B
That's not what I'm saying. What I'm saying is.
A
Oh, my gosh. Brad left his toothbrush here at the studio.
B
Yeah. And his. And his pen. Another thing is get it off your chest. When like, one time I was in the OR and Steve Byrne, halfway during myself, grabbed the mic from the side of the stage and walked. Walked up on stage and then goes, let's do a duo. Let's play with the crowd. And that made me so mad.
A
This is very funny. You know, he. At San Francisco, at the last time, I just played Punch. He showed up and he came on stage at the end of my.
B
Did you ask him to come up or did he just come up on stage?
A
He just came up.
B
No. Are you being real?
A
I'm being serious.
B
Yeah. Yeah, yeah.
A
But I welcomed it with open arms. I thought.
B
Yeah. I don't welcome with open arms.
A
You didn't want it.
B
He's half Korean.
A
Oh, he's not a full.
B
He's not full.
A
Yeah. You gotta be a fully to pull that kind of stunt.
B
Yeah, yeah. You gotta be a fool.
A
I actually totally agree. Yeah.
B
Yeah. It. No, because it's like I'm in the middle of a setup and all of a sudden, what's up? Without asking. And it's just like, I don't like that.
A
Also, from us, from a outsider's perspective, it looks like your Korean uncle who's got it together because he wears a suit is coming to like.
B
Yeah, yeah, yeah.
A
Talk you down a little bit.
B
Yeah.
A
Let me do comedy for you.
B
Yeah.
A
Because he wear suits.
B
Yeah.
A
And we wear clothes.
B
Yeah. I also don't like this. I just realized. Right.
A
Give it to me. Give me the idol.
B
I want to give you that. The feature smile.
A
What is it?
B
So what happens is you're. You're backstage. I just played the San Jose improv and Ramsey Badali had a really good set before me. And so there's a curtain and he opens it and he has a smile right at you. Yeah. Like he knows he killed. Right?
A
Yeah.
B
If you do feature smiles again.
A
No feature smiles.
B
No, no. I need a frown. I know how well you did. I heard it.
A
I tell my features. No smiling at all. No comedy. I say go up there, say hello. Yeah. Tell people where you're from.
B
Yeah.
A
Tell them the favorite foods you have.
B
Yeah.
A
And that's it. And then get off.
B
Yeah.
A
Bring up the headliner.
B
And then the last thing I want to just get off my chest.
A
I love stuff on your chest. Pause.
B
Yeah. Are you being real?
A
Yeah. I want you to get it off your chest.
B
Okay. So what? I hate needy hosts.
A
Was that good?
B
Funny? No. I had a local, you know, nice girl. She's already. I already brutally. You know, I mean, verbalize it to her.
A
Well, then. So should we be talking about it?
B
Yeah. Well, I could just be vague about it.
A
It's going to ruminate feelings again. Then for her, she's going to hear this 100 and be like, that's about me.
B
No. Maybe it's going to teach her a lesson.
A
Teach
C
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Hosts: Bobby Lee & Andrew Santino
Date: April 17, 2026
In this episode of Bad Friends, Bobby Lee and Andrew Santino dive into the unwritten rules and etiquette of the stand-up comedy world, using their trademark mix of vulnerability and razor-sharp wit. They share personal pet peeves, recount on-stage interactions with fellow comics, and gleefully roast each other and their peers. It’s a candid look behind the curtain at how stand-up works and why certain “rules” exist, sprinkled with stories about mic-stand jokes, walk-ons, and the unspoken pecking order among comics.
The recurring practice: Comics (or hosts) adjust the mic stand’s height either too low or too high, often as a joke targeting the performer’s stature—especially someone shorter like Bobby.
Brad Williams example:
Bobby’s story (01:34): Recounts when Steve Byrne unexpectedly joined him on stage mid-set.
Andrew’s experience (02:05): Steve Byrne did the same at a recent show, but Andrew “welcomed it with open arms”—highlighting different comfort levels with surprise collaborations.
Cultural angle:
Feature comics giving “the smile” after a killer set:
Andrew’s advice (03:19): “I tell my features: no smiling at all, no comedy. I say go up there, say hello, tell people where you’re from, and that’s it. And then get off.”
Pet peeve:
Andrew’s concern: Critiques discussing local comics on-air, worried it will “ruminate feelings again,” but Bobby defends the honesty as a teachable moment. (03:59–04:08)
Bobby Lee (regarding mic stand jokes):
Andrew Santino (on following Brad Williams):
Bobby Lee (on Steve Byrne’s stage walk-on):
Andrew Santino (on dealing with feature comics):
Bobby Lee (on needy hosts):