A fascist femboy, a Baltic count, an orientalist white supremacist, editor of the first anthology of gay literature, painter of a 30-meter cyclorama featuring 90 androgynous twinks disporting themselves in the nude in a fantasia of the four seasons, devotee of Adolf Hitler, founder of a new religion, and poet: it's Elisar von Kupffer.

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SOURCES:

Marhoefer, Laurie. “Queer Fascism and the End of Gay History.” NOTCHES (blog), June 19, 2018. https://notchesblog.com/2018/06/19/queer-fascism-and-the-end-of-gay-history/. Marhoefer, Laurie. “Was the Homosexual Made White? Race, Empire, and Analogy in Gay and Trans Thought in Twentieth-Century Germany: Race, Empire, and Analogy in Gay and Trans Thought in Twentieth-Century Germany.” Gender & History 31, no. 1 (March 2019): 91–114. https://doi.org/10.1111/1468-0424.12411.

Miller, Ben. In Search Of Lost Time: Primitivist Homomythopoetics and the Self-Invention of the White Gay Man. (Dissertation: Freie Universität Berlin, 2024).

Miller, Ben. “Rejecting the Klarwelt: How Elisàr von Kupffer Complicates Queer History.” In To Be Seen: Queer Lives 1900-1950, edited by Miriam Zadoff and Karolina Kühn, 62–75. Munich: Hirmer, 2023. Our intro music is Arpeggia Colorix by Yann Terrien. Our outro music is by DJ Michaeloswell Graphicdesigner.

Elisar von Kupffer

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