Episode 101: ‘Kinktacular Pt 2’ (Folsom St. Fair)

Summary

Bawdy Storytelling – Episode 101: "Kinktacular Pt 2" (Folsom St. Fair)

Podcast: Bawdy Storytelling
Host: Dixie De La Tour
Episode Date: December 12, 2019
Live Event: Folsom Street Fair afterparty at the Verdi Club, San Francisco

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Episode Overview

This episode is the second half of Bawdy Storytelling’s “Kinktacular” live event, coinciding with San Francisco's legendary Folsom Street Fair, a hub for kinksters and alternative sexuality enthusiasts from across the globe. Host Dixie De La Tour curates a night packed with sex-positive storytelling, comedic musical performance, and celebratory community energy. With stories drawn from real-life sexual experiences, this episode includes tales of kink, self-acceptance, transformation, and the search for connection—often with a hilarious or poignant twist.

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Key Segments & Story Highlights

1. Setting the Scene: Kinktacular After Folsom

• [02:15] Dixie De La Tour: Shares her excitement at the overwhelming turnout and the unique energy brought by Folsom Street Fair's audience:

  • “There was latex, there was leather, there were furries… every single kind of pervert in the world in that room packed into the Verdi Club for our sold out show.”
    (03:06)

• Dixie reflects on reaching Episode 100 and the feedback:

  • “This was the best Bawdy Storytelling I’ve ever been to in nearly 13 years.” (03:34)

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2. Musical Performance: "Unicorn" by Rachel Lark

• [07:42] Rachel Lark: Performs a satirical song about the “unicorn” hunt (finding a bisexual woman for a straight couple’s fantasy).

  • Mocks expectations placed on unicorns: “I want a girl who’s attracted to me and my wife equally… mentally stable but emotionally available, good abs and able to fuck us for days.” (12:00)
  • On couple privilege and the fantasy: “She’ll be the best sex toy, I mean person that we’ve used, I mean been with, I mean…” (14:12)
  • The crowd responds with laughter and knowing groans, recognizing the tropes and fantasies in poly/kink circles.

• Memorable Moment:
  “I’ve seen it work on TV. Come on, baby, work for me and be my unicorn!” (14:23)

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3. Story: "The Boots & Bondage Dream” by Noreen Mechanique

• [19:13] Noreen Mechanique: Shares a detailed, humorous, and candid journey of discovering her kink identity. Themes of fetish (boots), ethical porn, and becoming a performer:

  • Differentiates between foot fetishism and her own boot/heel attraction: “I like the aspect of the boot or heel being a piece of armor, something that’s protecting the person that wears it, and an object of desire for someone who may want to put their face on it.” (19:40)
  • Discovers kink.com and the bondage subculture, especially inspired by performer Claire Adams.
  • On shifting from fantasy to reality, she applies to perform for kink.com:
    • “All these positions that they put performers in… are made for that specific model. And that position is likely not reused for a very long time. So this is sort of a one-moment shot.” (27:28)
  • Describes three elaborate bondage scenarios involving latex, suspension, orgasm denial, and pain/pleasure:
    • First scene: Kneeling, strappado, face-fucked with a dildo; distracts herself by admiring Claire’s boots.
    • Second scene: Mid-air, spread eagle, exposed—all about forced orgasms and endurance.
    • Third scene: Backbend with nipple clamps, her masochistic pleasure (“I do like a little bit of pain…” (32:04)).
  • The pinnacle:
    • “She slowly raises her right foot and plants the full tread of her boot on my throat. And I was no longer in that room. I was on a slip and slide of eroticism.” (32:40)

• Notable Quotes:

  • “Pay for your fucking porn. Pornhub looks cool, but pay the people that make the art, right?” (21:58)
  • “I found an exception to the rule. And her name was Claire Adams.” (31:41)
  • “It was a job. It didn’t suck. It was an important variation on a theme.” (34:02)

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4. Story: “Pony Play and Self-Acceptance” by Mollena Williams-Haas

• [38:16] Mollena Williams-Haas: Renowned BDSM educator and performer, tells a transformative story about her journey with “pony play.”
  • Early kink exploration; faces rejection for controversial race-play fantasies:
    • “I immediately discovered that… some of the shit I wanted to do was really unacceptable, even to perverts.” (38:30)
  • Initial pony play experience at a Fetish Flea event—puts on a pony mask and “suddenly, I realized I was getting shitloads of attention for doing nothing. I could just exist and be awesome.” (41:05)
  • Experience in Sweden being led as a “pony,” tapped into performing and nonverbal acceptance:
    • “Because I don’t speak Swedish, I got to experience what it probably is like to be a horse among humans.” (43:33)
  • The climactic story: Negotiates a “pony at the vet” scene (hinting at potential horse-dildo play), but finds fulfillment instead in being adored, not penetrated.
  • Emotional connection:
    • “I realized that I felt beautiful. And that was not something that happens to me very often in my life.” (46:46)
    • Her handler/friend cries with memories of a first horse.
    • “This is the thing that’s so beautiful about what we do as kinky people. We take journeys… It might lead to you getting a 12-inch horse cock up your ass, or it might lead to you having a tiny, pure moment of love and joy.” (51:23)
    • “Dressing up like a fucking horse taught me to stop and stand still in my body, and be.” (51:58)

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5. Listener Reflections & Community Impact

• [17:36] Ian (listener voice message):
  Shares his gratitude for Bawdy’s impact on his life—the courage to share shame and joy, and its effect on his relationships.

• [35:15] Sintray (listener message):
  Credits the podcast for inspiring them to begin a graphic memoir about their queer/kink journey.

• [52:44] Noreen Mechanique (with Rachel Lark):
  Affirms: “You have made my sex life better at home… when I listen to your stories, it helps me love my body and love pleasuring him and myself, every single time with no abashed embarrassment.” (53:03)

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Notable Quotes & Moments

• On being present in kink:
  “You’re supposed to… just be present and appreciate the journey as it unfolded.”
  — Mollena Williams-Haas (49:33)

• On community:
  “Bawdy Storytelling is a chance to come together in a room with other people who are more like you than you think. It’s a chance to feel less alone in the world.”
  — Dixie De La Tour (53:33)

• On creative sex products and ‘boob-related injuries’:
  Dixie relates how demoing three kinds of motorboats for fans left her boobs “broken” after a particularly enthusiastic show:
  “Somehow I hit somebody in the face with my tits so hard you could hear the slap… I woke up in the morning and realized I had broken my boobs.” (05:57)

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Timestamps for Major Segments

• [02:15] Folsom Street Fair context and audience
• [07:42] Rachel Lark performs "Unicorn"
• [19:13] Noreen Mechanique’s "Boots & Bondage" story
• [36:03] Introduction to Mollena Williams-Haas
• [38:16] Mollena’s "Pony Play" story
• [52:44] Listener and performer testimonials about Bawdy’s impact

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Episode Tone and Takeaways

• Tone: Irreverent, celebratory, candid, and sex-positive with an emphasis on humor and vulnerability. Speakers are frank, funny, and unpretentious.
• Themes:
  • The importance of community and being seen/accepted for true sexual selves.
  • The intersection of fantasy, reality, and the unexpected lessons kink delivers.
  • Self-acceptance through experimentation and storytelling.
  • The joy (and absurdity) of sexual adventures—whether they end in fantasy fulfilled, unexpected emotional resonance, or just a great story.

For anyone unfamiliar with Bawdy Storytelling, this episode is a testament to the power of truth-telling, the diversity in sexual expression, and the communal laughter and understanding that come from sharing sex and kink stories in a safe, enthusiastic space.

Transcript

[Dixie DeLaTour]

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[Rachel Lark]

All of my life I've never fit But I won't complain and I won't quit I am enormous get used to it. Everyone tells me I'm too much maybe it's just you're not enough for me can't you see I'm the kind of woman I'm supposed to be? Hey. My vagina is eight miles wide. Absolutely everyone can come inside. If you're ever frightened, just run and hide My vagina is eight miles.

[Audience Member / Interjection]

Whoa.

[Dixie DeLaTour]

Hey everybody.

[Noreen Mechanique]

Welcome back.

[Dixie DeLaTour]

Hi there. I am sexual folklorist Dixie Delator, and this is episode 101 of the Body Storytelling Podcast. As I said last week, I can't believe we made it to episode 100. It didn't seem like we were going to make it for the longest time and we made it before the end of 2019. So that means 2020 is going to be off the charts, don't you think? I got so much great feedback from the stories the live show that we put out on last week's episode and this week is going to be part two, the second half of the show with even more music and some of the stories that had people telling me at the end of the night. This, this, this was the best body storytelling I've ever been to in nearly 13 years. People were saying this is the one and I am full of self doubt all the time. But I walked away pretty much in agreement because the storytellers were just so lit up by the enthusiastic audience who had flown in from all over the world. Folsom Street Fair is this huge kink event that we have in San Francisco, and for the very first time ever, we did Bawdy storytelling the night of the street fair. I don't know what's wrong with me, why I never did that before, but it made so much sense. The audience was tired from walking around a street fair in their leather. The audience looked amazing. Oh, my God. The fucking. Oh, wow. There was latex, there was leather, there were furries, There was every single kind of pervert in the world in that room packed into the Verdi Club for our sold out show. I'm so glad you get to listen.

[Audience Member / Interjection]

To it this week.

[Dixie DeLaTour]

So this is part two of a whole show. All the songs, all the stories. Episode 100 was the first half of our kinktacular show. And this is part two, the second half of the show. Before we get into the episode and all the energy in that room, I wanted to catch you up on a couple of things. You may know that we just launched a line of merchandise. This is our first merchandise. In all the years I've been doing this, it's never happened till now. And last week at the Seattle Body storytelling show, we rolled out the brand new Body Got me laid line of perfume and body butter and lube. And we had them at the show. And we did this special thing where if you bought the deluxe gift box, it came with a free motorboat. There were instructions on how to motorboat. I don't know if you know that there are actually three ways to motorboat. So I let people choose which motorboat would be the one that they received. I motorboated a lot of people, and this has never happened to me before. I woke up the next morning and my boobs were broken. Somehow I hit somebody in the face with my tits so hard you could hear the slap. The whole audience because I was demoing the three kinds of motorboats on stage. The final one, I somehow slapped the demo person, who is one of our Patreon supporters. I'm like, will you be my demo? You're gonna get extra motorboats. And she was definitely in, but the final motorboat hit her in the face with my tit so hard that there was this echoing slap.

[Audience Member / Interjection]

She.

[Dixie DeLaTour]

And I burst out laughing and I was like, are you okay? That sounded. The audience just gasped from the sound and I thought it was amusing until I woke up the next morning and realized I had broken my boobs. So I'm not sure if I'm going to be giving out motorboats at the December 18th show or not. I'm going to check and see if they're okay because my boobs are pretty important to my Business. I kind of need to make sure I keep them as long as I can. So we gave away motorboats as an incentive to buy the gift package with all of the complete line of Body Got Me Laid products. People loved it. Everybody in the room, including people who don't like fragrance, were saying, this stuff smells so good. And I chose it myself. I'm very proud of myself. I think that you're gonna love it too. If you go to bodystorytelling.com merchandise, you can see the line of products and, yeah, I don't know how to do a long distance motorboat. Maybe I can just, like, you know, do a quick bonjoro message where I just rub my boobs on my camera screen or something like that. I don't know. But I hope you like the smell of the new line of perfume. And it's the perfect gift for a body storytelling fan. They can smell like body storytelling. All that energy, all that sexy. All those people going commando because they put their panties on the table for a sniff test.

[Rachel Lark]

Mmm.

[Dixie DeLaTour]

Yeah, that's a good smell. So we're about to get into part two. It's a long episode. Settle in. Put your earbuds in. And here we go.

[Rachel Lark]

There's no parking lot. All right, friends, so I'm just gonna. I'm just gonna address, you know, the elephant in the room, which is, like, sometimes you come here with your straight partner and you think you're gonna find, like, a bisexual woman to, you know, be your, like, third, right? And, like, it's hard. It's hard. And people aren't talking about it. They're not talking about the plight of the straight coup all over Folsom. You know, it's just queer, queer, queer. And it's like. So, you know, I just. I thought I would, like, try to bring a spotlight to this issue. It's just not getting enough attention. And this song is dedicated to all those unicorns out there. I've been looking all my life for that special someone who fits just right Y' all know what I'm talking about. I feel I deserve it. I've done a lot of therapy. It's clear as day that this would work for me I've talked it over I've thought it through I know what I'm looking for there's just one thing to do I'll tell my wife we need a unicorn, unicorn, unicorn A unicorn in our lives we need a unicorn, unicorn, unicorn to help our sex life survive It'll be a dream for everyone involved Just us three writhing In a loving ball of kinky sex that we'll all be good at. Just cause there's more of us, it'll improve. Yeah. A writhing, sweaty ball of sex that's hot to look at, no one left out. Cause we're all in the groove. I've seen it work on tv. I've seen it work on tv. Come on baby, work for me now my wife's on board.

[Noreen Mechanique]

Yes.

[Rachel Lark]

And we've got our list of rules and attributes and of course her politics. That's very important to me. We'll meet at Polly Happy Hour on Thursday at 4. And when we meet her there, we'll lay down the street. Yeah. Cause you know, I don't want just like some basic unicorn. I need like the perfect one that's gonna fit in with what I already got going on, you know? Let me break it down for you. I want a girl who's attracted to me and my wife equally. So it works out 50, 50 every time. Mentally stable, but emotionally available. Good, absent, able to fuck us for days. I want. Who's a gymnast? Why not? She has her own amazing friends, but she doesn't date any of them. She finds our remarks extremely wise. Laughing at our jokes and saying, oh my God, you guys. If she volunteers with orphans, that's cool. Pursuing her PhD in global finance, her sweat tastes like rainbows and her nipples are stars. We never have to argue she's emotionally smart. A what? A girl who's available not next Wednesday, but the Wednesday after from about 2 to 4:30 and preferably somewhere in the mission, because that's where I work. But actually, you know what? While I'm thinking about it, if she could just like meet me at work, maybe that would add like 15 minutes of hangout time. That would work. Just getting to wherever it is we're going. Yeah. And when we spring it on her that New Year's should really be just us, she'll be like, totally. That's fine. Thanks for taking care of yourselves. And when we tell her that we feel she hasn't been putting in the work, she'll be like, totally. You guys are everything to me. I understand that your relationship is the focus here, so I will do my best to adapt. Just please keep fucking me. And then we were. Yeah. So now we're seeking the unicorn of our dreams. But we haven't really been impressed with what we've seen. Just regular people everywhere we viewed. And poly message boards have frankly been rude. They call us rookies. They call us naive. Well, I think they're Jealous they don't like what they see. They don't want us to have our unicorn. Unicorn, unicorn, unicorn all our own they wanna hide us from their unic. Unicorns, unicorns, unicorns. But we want one that we can bring home. It'll be a dream. Stroking her unicorn hair. She'll sleep in the guest room. Cause she knows it's hard to sleep when she's there. She'll be the best sex toy. I mean, person that we've used. I mean, been with. I mean, it'll be great. We can show her off when we're in the right context. And then when we're not, we'll just have sex and skip the date. I've seen it work on tv. I've seen it work on tv. Come on, baby, work for me and be my unicorn. Rachel Lark.

[Dixie DeLaTour]

Ho, ho, ho, you naughty reindeers. Christmas is almost here and I caught Mommy kissing Santa Claus because Daddy has a hairy bush. That's right. It's holiday season, so it's time to buy gifts for you and your partner. I am talking about the manscaped Perfect Package 2.0. But first, if you don't know about manscaped and the importance of manscaping, then it's time to hop on the trend. Revolutionary company Manscaped has redesigned the electric trimmer and called it the Lawnmower 2.0. Their Lawnmower 2.0 has proprietary advanced skin safe technology so this trimmer won't nick or snag your man's nuts. Snagging your nuts. Holy shit, that sounds terrible. The Lawn Mower 2.0 comes inside your perfect package 2.0, which makes for the perfect gift this holiday season. It's literally everything your partner needs to keep him trimmed, cut free, and smelling really nice down there. Speaking of smelling nice, let's be real. We've all smelled stinky balls before.

[Noreen Mechanique]

Whew.

[Dixie DeLaTour]

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[Ian]

Hey Dixie, this is Ian in Los Angeles. You've been asking people to share their stories about what body storytelling means to us, so here's mine. I'd been a longtime listener to your podcast and been to a couple of live shows when you were here in la. My wife flew up from LA that afternoon and then that night with her and a friend I'd made in your workshop, sitting in the front row, I got up in front of 250 people and shared about the shame that had dogged me for decades. How I overcame it in my mid-50s and discovered my power to deliver pleasure to my partner, and how that power was symbolized by the image that I had gotten permanently put on my body just hours before getting up on stage. And it opened up a conversation that has led to a connection and a new relationship. After being a fan for many years, that's what body storytelling has meant to me over just the last seven months. Thanks.

[Dixie DeLaTour]

Before I introduce the first story of the second half of the show, math is fucking hard. You know it. Okay. Really excited about this storyteller. You've heard her on the Body Storytelling podcast. She is a pervert and a kinky chef. She's got a sense of humor, kind of tilts toward the macabre. And she's a great storyteller. Remember, make a fuck ton of noise for Noreen Mechanique.

[Noreen Mechanique]

Hello. Nice to see all of you again for the first time. Of all the perverse things that I've wrapped my brain around as an adult over the years, the one thing that stands tall is the concept of footwear. Whether it's an industrial platform boot covered in chains and spikes, or a neck breakingly tall stiletto heel, or a perfectly greased pair of work boots, there is nothing so innately fascinating for me as the thing that a person can protect their feet and calves with as they navigate the world feeling their sexiest. I'm not a foot fetishist, though there's a difference. I like the aspect of the boot or heel being a piece of armor, something that's protecting the person that wears it, and an object of desire for someone who may want to put their face on it. Getting back to the subject of feet, however, I personally don't get into the concept of sucking toes. Some people do and that's awesome. I've had my toes sucked and that's great. I also don't get excited by the idea of burying my face into a vajinkle. But some people probably do that. And that's fucking awesome, right? So as a young kinky pervert in Philadelphia, I luckily was of the generation where I had Internet in my dorm room. And as a willful and curious person, I stumbled upon the great kink.com, which is, you know, an empire of sorts from here in the Bay Area. And the first website that I found was waterbondage.com and I romanticized that website up and down. I thought that the idea of being tied up and put in water tanks and having pressure hoses stuck up in all your holes was just the coolest fucking thing you could possibly do. And I had this pipe dream in a way of.

[Rachel Lark]

Yeah.

[Noreen Mechanique]

Pipe dream in a way of getting to experiencing that where, you know, maybe it was with a partner just in the bathtub or maybe if I were to ever live in California, that could be a cool thing to apply to do. Like, why not, you know? And there was a particular performer for that website named Claire Adams. And I found Claire Adams to just be this very stunning, curious person. I don't know where her name came from, but she was in my mind the perfect juxtaposition of Claire Danes, pale red headed and with a cool headed, sort of dark humor attitude a la Wednesday Addams. So it kind of worked for me, right? And so I just thought she was a very fascinating person to be putting herself, you know, through these paces. And as the years would go on, she became a bondage rigger in her own right. Had her work shown in like Vogue Italy and just like all these amazing things, right, in terms of, of erotic art and porn that involved bondage. And it was also her that inspired me to pay for my porn. Pay for your fucking porn. Pornhub looks cool, but like pay the people that make the art, right? Otherwise they don't fucking get to live anymore where they want to live. So do that for me and for just people in general, right? Support your local artists. So all that being said, lived in philly from like 2002 to 2006. Shortly thereafter moved to California.

[Dixie DeLaTour]

Who'd have thought?

[Noreen Mechanique]

And the closer I got to San Francisco, and the closer I realized I was in proximity to that big brick building over at 14th admission. I was like, well, shit, maybe I should apply for waterbondage.com like that would be cool, right? So I did. So I applied to be a model. I'd never done any formal porn work before, so I was very Much an amateur, but I knew, you know, I had gumption and I knew I had a lot of interests around this because I considered myself a lifestyle pervert and really into power exchange roles. And so during my sort of like walkthrough interview in the building, I mentioned waterbondage.com and they said, you know, we don't actually shoot for that anymore. We've sort of retired the site. Like we might do like a pitch once in a while, but we're not really using those props or anything anymore. And I was like, okay, fine. So as the years progressed, I actually became sort of a casual figure in the company, both as a once in a while performer, which was really cool, to being an extra in a lot of shoots that were on the upper floor dot com. And as a kinky chef, I sort of cut my teeth on working for a large startup format company here by working in their commissary kitchen and making food for all the full time staff as well as the performers. So I had sort of multiple layers of relationships with the people who helped evolve that company and those websites and it felt really great. So all that being said, do, do, do, do. It was about 2013, so not too long ago, I'm in the kitchen and I'm helping the head chef make lunch. And Claire Adams, who is now a director for the company, walks in to get her vegetarian lunch option. And we talked every once in a while. And it was kind of funny to think that this person I saw on camera a decade prior is someone I'm making lunch for now. Pretty cool. And we talked a little bit about piercings and suspension hooks and all these sort of gratuitous, fleshy moments. And she said, you know, I've been meaning to ask you, I've got a couple more shoots left here. I'm sort of wrapping up my time here at the company. It was well known that she was about to formally retire and she was not much older than me. So I was like really? Like 30 something. You're retiring? That's fucking cool. And she said, you know, I've got a couple more shoots sort of lined up in the next month or so. Would you like to shoot with me for devicebondage.com and I nearly dropped the goddamn plate of food that I was holding for her. I was like, I'm sorry, what was that? Like what? And she goes, yeah, I'm doing a couple sort of spur things. There's a live show, there's like a couple things I want to do. I'd like to have you on. And I know that you're into this in your personal life. I'd like to have check out if that's something you'd like to do. I was like, abso fucking lutely. Yeah, that's great. So if you were to look up Claire's name, you would see her in a variety of bondage positions herself. She in a lot of beautiful photos, wearing stereotypical fetish attire, lots of latex, lots of ballet heels. But as a director, she sort of anonymized herself. She would wear a wide brimmed hat and sort of just matte black clothing and knee high west coast. And while the direction of those shoots were meant to showcase the one on the submissive side in these various compromising positions, that wasn't lost on me that she was wearing these fucking sexy leather boots. So that was sort of in the back of my mind. I was like, yeah, can we. Do you think you could wear those Wescos when we do this shoot? And she's like, don't worry, I got you. So for those of you who might not know, device bondage required a lot of technical skill on everyone involved. Not just for the endurance of the person in these various poses and being penetrated all different ways, but also just the technical knowledge and ability for understanding human anatomy was something that she had really mastered in the days before this shoot that I did with her. I went in and after just a general tests and things that one does in the industry, I had all of my measurements taken. And by all of them I mean elbow to wrist, diameter of wrist, diameter of forearm, diameter of neck, width of shoulders, length of torso. Four different positions down my torso, thighs, calves, knees, ankles, everything was measured. The reason for that is because I was going to be immobilized with steel pipe and bolted into the floor or wall or ceiling, depending on the aesthetic of the shoot that they wanted to create. All of these positions that they put performers in for device bondage are made for that specific model. And that position is likely not reused for a very long time. So this is sort of a one moment shot. And so the format of this shoot was three scenes. The first scene was me kneeling, wearing latex elbow length gloves in a strappado sort of position and being face fucked with a dildo on a stick. And that in and of itself was pretty objectifying and emotionally sort of stressful. And I was like, how is this gonna look good? I really wonder how this is gonna edit in post. And it took a while to really kind of get into it like, okay, I just need to open my mouth a little wider. And then I'd sort of look off to the side and I'd see how nice that toe cap looked just a, you know, foot or two away. And I was like, God damn, that's really. Those are really fucking hot boots. So I'm distracting myself in the moment. Right. Second position was a bizarre magazine or like Willie style bondage tribute in that I was spread eagle about as much as I could possibly do because I'm not particularly limber, held midair. So my legs were sort of triangulated and put akimbo so that everything was exposed. And that was when we got to do a forced orgasm, orgasm denial experience. So I'm hanging midair with my legs apart, completely wrapped in pipe and just sort of hanging from a suspension point. And you're welcome to look this up, fucking pay for it. Don't scalp it. You can totally do that. But I won't think highly of you if you do. But. So the second position was pretty interesting, kind of being in midair, but also being encased in this very semi permanent thing. And the third scene was a back bend where I was kneeling, stretched, sort of like this. Not too much of an extreme position, but I had my legs apart just. Just enough so you could see all of this here. And completely nude. She brought out this contraption that was a leather sort of hourglass piece studded with little silver studs, with a metal bar that looked like a screw and two nipple clamps hanging off of it. And she sets this as I'm already bolted into this wood planking floor with my head back, with a pipe against my head. And she puts this thing on my sternum right below my decolletage and gets my nipples in it so that they're pulled tight as I'm in this pose. And I'm starting to get into it because I do like a little bit of pain. I am a bit of a masochist. And she kind of does the usual paces of caning and teasing me out with a Hitachi. And then all of a sudden I feel this thunk sort of sensation right up against my cunt. And I realized that she's kicked me with the toe cap of her west coat. Now being hit in my cunt is one of my least favorite things. I fucking hate being caned, but I would rather take a good caning than having someone slap me or kick me in my box. I found an exception to the rule. And her name was Claire Adams. So she's you know, very softly kicking my now glistening cunt with the top of her oil tanned boots. And I'm in heaven. I'm like, this is fucking great. I'm in this awesome pose. I feel sexy. This is, you know, it's not just a job. This is like really, you know, evaluating the things that I've, you know, looked at as a young pervert as being an ideal. And then she takes her boot away from my cunt and I'm like, okay, okay, what's happening now? What's going to happen next? And, you know, I get a couple more canes, I'm like, ow, okay. And then she walks up alongside me and I'm looking up at her and she doesn't really say a word. She just has a stoic look on her face. And she really slowly raises her right foot and plants the full tread of her boot on my throat. And I was no longer in that room. I was on a slip and slide of eroticism. I was on tetanus friendly bondage that was just water sporting its way to making a huge mess of that whole set. And I didn't care because I didn't have to clean it up in that unique circumstance. It was not part of my job. So she's got her Wesco on my throat and I'm in heaven. And I don't care if she's going to let me have a formal orgasm or not, because at this point I have had the experience of not only witnessing this wonderful artist in the original media that she evolved herself in, but I got to help hold her up for that brief moment. Now, she might not have looked at it that way because. Because I don't even know she would appreciate me telling this story now that she's no longer in the industry, but to have this femme Persona and this femme identified person who'd really come full circle in her own mind about what it meant to have a career in this sort of scenario. We got to have that shared experience where we knew we were both into it and it wasn't just a paycheck. That being said, at the end of that shoot, we didn't have aftercare. I wiped the messed up makeup off my face. We more or less shook hands and did my exit interview and I took a shower and I went home, right? There wasn't any cuddling, there wasn't the like call the next day. It was a job. It didn't suck. It was an important variation on a theme. But on my way home, the thing that kept sticking out in my Mind aside from how fun it was to get to ride the top of her boot, when I did was how much she must have liked that grilled mushroom sandwich I made for her two weeks prior.

[Rachel Lark]

Neren McKenney.

[Dixie DeLaTour]

Body Storytelling's Patreon supporters get incredible rewards. You can get ad free episodes. You can get special storytelling coaching time or just Q and A with me. Wherever you are, we can do it on the Internet and you can even have your own body storytelling for you and your friends. And support us at whatever level you can because that's what keeps this podcast going. Your Patreon support is funding the growth of this podcast. It's funding these weekly episodes. I never thought I'd be able to do it, but the costs that are incurred, like web hosting, podcast editing engineers, all of those things, you're paying for them through Patreon. If it's possible this holiday season, the best gift you could give me is to support me even the tiniest amount. So go to P-A-T-R-E-O-N.com bodi and thanks in advance for your support.

[Noreen Mechanique]

Hey, Dixie, this is Sintray. I heard my first episode of Bodi Storytelling exactly a year ago today. So yeah, happy bodyversary. I really wanted to just thank you for inspiring me. You've definitely helped me change my outlook on just how important stories are. I've actually, I've started working on a graphic memoir about growing up queer and my, you know, journey and journey into kink. Thank you and happy bodyversary.

[Dixie DeLaTour]

Our final storyteller tonight is an author, a BDSM educator, a performer, an actress, star of the documentary the Artist and the Pervert, which is a story of her and her husband, composer Georg Frederick Haas. And you can also see Body Storytelling her stories in that documentary as well. She has flown all the way from New York to tell a brand new story for you here tonight. I'm going to ask you to get up out of your chairs and please welcome to the stage Molena Williams Haas.

[Rachel Lark]

Sam, Looking for a partner, Someone who.

[Audience Member / Interjection]

Knows how to ride without even falling off. Got to be.

[Rachel Lark]

Girl when I freak.

[Audience Member / Interjection]

You out I promise that you won't.

[Rachel Lark]

Want to get on.

[Dixie DeLaTour]

Me.

[Audience Member / Interjection]

Keeping your.

[Noreen Mechanique]

Ste.

[Rachel Lark]

Just once if I have a.

[Audience Member / Interjection]

Change the things I would do to you. I started officially doing kinky shit deliberately and with purpose in about 1994. 95. And so because I like to do things halfway, of course, I jump into a full time 247 formal leather household with multiple slaves, because God forbid I should just try getting Spanked first. I immediately discovered that despite the fact that I thought I had finally found my family, that some of the shit I wanted to do was really unacceptable, even to perverts. I said, well, you know, I'm a black woman. I'm doing kinky stuff. Is there anything wrong with me wanting to pretend to be Aunt Jemima? Spoiler alert. Yes. Very, very wrong. So the first year or so of my exploring kink and sm, I took a lot of heat for the things that I thought would bring me closer to other kinky people. So I tried to be chill and I tried to be cool. And then about a year into my kink life, I went to what was called the Fetish Flea. And I don't know if any of you local perverts remember that the fetish Flea market was in the main gymnasium area of the women's building. And it was a cornucopia of crazy shit. And I remember walking through, and there's paddles and there's whips and there's chains, and in one corner is a table with horse masks. And I said, well, what the fuck is that? What is that? Oh, pony play. And I thought, well, that doesn't really make any sense. Why would you. Why would you pretend to be an animal? But they were beautiful, and I'm a performer, and I appreciate a good costume. So as I was walking away from the table, a friend of mine ran over and said, oh, my God, you would look so cute dressed like a pony. And I was like, oh, I couldn't possibly. And strapped on a nose and ears and a huge flowing mane. And in 10 seconds, she flipped out the reins over my head, jumped on my back, and said, giddy up. Really, bitch? So I'm walking through the Fetish Flea, thinking, okay, fine, I'll humor her. And someone comes up to the two of us, looks at her and says, oh, can I pet your pony? I'm sorry, you don't ask someone else if you can touch me. And as she's saying, why, yes. And suddenly, this person is scratching me behind the ear. And suddenly I'm thinking, well, that just really feels nice. That's just pleasant. And we kept walking, and more. More and more people were coming around. Can I pet the pony? Can I give you a snack? I have an apple. And I realized that as I was walking around, I was getting shitloads of attention for doing nothing. I could just exist and be awesome. And for someone who was always an overachiever and felt like she always had to earn her place at the table. This was kind of fucking revolutionary. But then I had to put the mask back, and I realized it was 8 or $900 and I could never afford that. And also, who needs more shit to carry around? Being a pervert is already hell on baggage fees.

[Noreen Mechanique]

The last thing I.

[Audience Member / Interjection]

The very last thing I need is more shit to lug around the world. A few years later, I was in Sweden teaching and lecturing, and I met a woman, Rebecca, who was Pony Mistress Rebecca. And she'd literally written the book on pony play. And she and I hit it off. She was super delightful. And she said to me, you know, I'm short of pony this weekend. Would you mind? Well, you know, it's not my thing, but okay. So we went to a dungeon party that was in a bunker in Sweden, because During World War II, they had carved out all of these mountains so that people could go and hide. And so the party was in this hollowed out mountain, and someone had lent Pony Mistress Rebecca their cart. And I was hooked to the cartoon cart, and I had my little ears, and I didn't have anything except the ears because I wasn't prepared to be a pony. And she said, you know what? It doesn't matter. It's a mindset, okay? And so we made our grand entrance into the party. And I'm trotting around and everyone is applauding and speaking in Swedish to each other and coming up and petting the pony. And what was amazing is that because I don't speak Swedish, I got to experience what it probably is like to be a horse among humans. They offered me snacks, healthy snacks, because they are very humane. And the evening was amazing. And Rebecca decided that my pony was named Oracle. And Oracle was beautiful and fantastic and amazing. And still I said, you know what? I just can't do it. It's too weird. I have too much weird shit on my plate already. I don't need any more freaky, fucked up weird fetishes to add to the list. But I'll be damned if I wasn't looking at some inappropriate Japanese fucking anime or apparently having sex with horses is just fine. I was invited to go and teach at an event that was out in the woods at this camp, Ramblewood in the Southeast. And I showed up. And the week before the camp, I had been talking to a friend of mine who I knew was into pony play, and she knew I kind of was into pony play, but neither of us had really talked about it because we were super shy about it because she was an actual dyed in the Wool Horse Woman. And she felt a bit weird playing with, you know, trans ponies. I mean, not with CIS ponies. So we were chatting back and forth, and I finally worked up the nerve to say, would you maybe be interested in doing a scene with me that perhaps is a little bit inappropriate? And she said, what do you mean by inappropriate? And I said, well, you know, I mean, what if the pony was going to the vet and you had to give her an exam and you had to check out all of her parts? Would that be appropriate? And she said, well, it may or may not be appropriate, but I have a dildo that happens to be shaped like a horse's penis. I wasn't quite sure what I should do with it. And I said, I'm not sure either, but we can maybe find out. So the day came, and we're at Ramblewood. And at this point, I had acquired some ears and a very small, simple tale of which I was very proud. And so we met and we negotiated and talked about the scene. And she laid out all of her toys and all of her vet examination stuff. And at the end of the line was the horse cock just sitting there waiting. And she took me out of the stable because there was a little stable they had set up for all the ponies. And we trotted around and she started grooming me. And suddenly I realized that I was just not thinking. And if you know me, you know that that is not some shit that ever fucking happens. It's all a mindset. Yeah. And as I was led around and more and more people came up and said, God, you're such a beautiful pony. And I realized that I felt beautiful. And that was not something that happens to me very often in my life. I don't often feel beautiful. I don't often feel like I can just stand in my skin and be. And be worshiped and adored and fed snacks. And she led me around and she had me trotting. A bitch does not trot. I don't even run for a fucking bus in Manhattan. I wait for the next goddamn bus. And yet here I was, being lunged in circles, trotting. And then when I got sweaty and super hot, she unclipped me and was like, go ahead, oracle, roll. And I'm rolling on the grass and kicking my feet up in the air and having the best time. And then the scene was over, and she brought me back to the shower. And I'm coming down and I'm pulling weeds out of my afro, and I'm like, what the was I on the ground. I don't fucking nature, y'.

[Rachel Lark]

All.

[Audience Member / Interjection]

I grew up in Manhattan, in East Harlem. We looked at some shit in Central park and then went the fuck back home. And she said, oh, yeah, you were having a great time. And as I came down, I realized that the horse cock had never entered into the equation. And I was a little disappointed. But you know how it is when you're kinky. You're supposed to not turn to the person and say, why didn't you do that, motherfucker? You should just be present and appreciate the journey as it unfolded. And I'm sitting there in my little blanket and she's patting me with a comb and being very sweet. And she finally turned to me and said, you know, I hope you're not angry that I didn't break out the horse dick. And I said, well, things you never thought you'd heard your friends say. And I said, well, I kind of missed it. And she looked at me and she said, don't laugh, but there was one moment where you turned and the way that you moved and the way that you looked at me reminded me of my very first horse. And suddenly I was just back learning to lunge, and I was 12, and my pony and I were together, and it was the first time I realized that I truly loved horses. And she just started crying and she said, I didn't want to disappoint you. I'm so sorry. And I said, no. This is the thing that's so beautiful about what we do as kinky people. We take journeys. You might not know where the journey's gonna lead to. It might lead to you getting a 12 inch horse cock up your ass, or it might lead to you having a tiny, pure moment of love and joy that I was able to provide for my friend because Pony Oracle was there for her. And I. I, for me, started to learn and understand that I am enough. Dressing up like a fucking horse taught me to stop and stand still in my body and be. And accept love and to accept myself and my kinks, no matter fucking what. It took me 10 years to finally put on these fucking hooves and these ears. But when Oracle and I are together, we are so fucking beautiful.

[Rachel Lark]

Thank.

[Noreen Mechanique]

You.

[Dixie DeLaTour]

Dixie.

[Noreen Mechanique]

You have to know that you have.

[Rachel Lark]

Made my sex life better at home.

[Noreen Mechanique]

Because every time I listen to your.

[Dixie DeLaTour]

Stories, I'm able to think about that when I'm in bed with my loved one.

[Noreen Mechanique]

And it helps me love my body.

[Dixie DeLaTour]

And love pleasuring him and myself every single time with no abashed embarrassment.

[Rachel Lark]

So thank you Dixie de La Tour. I love you.

[Dixie DeLaTour]

This episode is sponsored by Open, the sex positive dating app for the open minded. If you're looking to make new friends to hook up for relationships for dates, Open is unique and that you can create a solo profile, a partnered profile, or both. And if you identify as polyamorous, a swinger, as straight, as gender, non conforming, as lgbtqia, as kinky, you name it, Open is a place where you can truly be yourself. They have more than 20 options for gender and sexual orientation to choose from and just as many options for relationship styles. And I love that. Open donates a dollar to Planned Parenthood for every new profile created on their site. Go to open.com bawdy b a w D Y to download the app today. Don't wait. Go to open.com body and start making authentic connections today. The episode you're listening to includes just part of a live body storytelling Body Storytelling is a chance to come together in a room with other people who are more like you than you think. It's a chance to feel less alone in the world. So here's your next chance to feel more connected and less lonely. Our last bawdy storytelling of the year is on Wednesday, December 18th. That's next week. The theme is Best gift ever and the show is at the Verdi Club. This is kind of like the Perverts holiday party. I bet Santa's gonna have something special in his sack for you. We're also gonna have some some dirty Spin the Dreidel, a special bango card. It would be the best gift ever if you were there too. Then in January, we're back on Thursday night, January 9th in San Francisco, January 16th in Seattle. Tickets go on sale next week, by the way, for our big 13th anniversary show on Saturday, February 22nd. And this year we've added front row VIP seating with gift bags. And they're going to go fast. You know, our gift bags are pretty spectacular. Book your travel now to see Bodies flagship show. Oh wait, it's two shows because one has invited superstars. And then there's our infamous Best of Bodie show. You vote on the storytellers and the winners end up on stage at our second show of the night. And both shows will feature the spectacular Rachel Lark, our musical muse. Tickets for all of our shows are on sale at our [e-mail] and you'll find the link in the show notes. Pretty spectacular episode, right? I was so proud of that show. I hope you love it too. Give me an email. Let me know what you think. I love it when you send me voice memos telling me what you think too, so I can can hear your voice when you say your words. And it's the end of the episode, so it's time to say thank you to the people who made this possible. Thank you most of all to podcast producer Marty Garcia. I had this vision in my head for how episode 100 would go and sat there and stalled and went, oh, my God, I hate the sound of my voice. I hate everything about the this, because it's not going to sound as good as it does in my head. Marty is incredible at making things sound like I imagine they will sound. Thank you, Marty, for making my live show podcast episode Dreams Come True. Thank you to project manager Dana Hanna, thank you to video archivist Joe Moore. Thank you to sound engineer David Grossoff, who shows up at every San Francisco show to make us sound good. And thank you to you. I would love to hit the next level in 2020. This podcasting thing. I'm figuring it out, and somehow I've won a whole bunch of best ofs and I've gotten press from places like the New York Times and Forbes and Bloomberg, and I never knew any of this was possible for a pervy storytelling show. The world is changing, and I'm hoping 2020 is going to be our biggest year ever. A great way to do that is to go to Apple Podcasts and write us a review. Stars are great. I'll take all the stars you can give me, but I want people to read your words. You're a big deal and they believe you. So writing why you love this podcast that can make everything change. I'm so ready for a change. Thank you so much for listening. Thanks for telling one friend. I'll take five. But one friend about this podcast that helps us grow. I am sexual folklorist Dixie delator, and here's a peek at what's next. I finally felt strong enough to move forward with my lower surgery. You know, not everybody who's trans decides that's right thing for them, but for me, it was. And I, you know, let's say I exchanged my Audi for an innie. Well, after that, I only had one thing on my mind. I wanted to get laid. Yeah.