Transcript
Dixie de La Tour (0:01)
The podcast you're about to listen to is explicit and graphic and for adults. And that's why you're here. I know, but I just wanted to let you know. So now you know.
Opening Performer (0:20)
All of my life I've never fit but I won't complain and I won't quit. I am enormous.
Dixie de La Tour (0:30)
Get used to it.
Opening Performer (0:35)
Everyone tells me I'm too much. Maybe it's just you're not enough for me. Can't you see I'm the kind of woman I'm supposed to be? Hey, my vagina is eight miles wide. Absolutely everyone can come inside. If you're ever frightened, just run and hide. My vagina is eight miles.
Dixie de La Tour (1:13)
Hi there and welcome to the Bawdi storytelling podcast. I am sexual folklorist Dixie de La Tour and this is episode 92. How's your week going? I want to tell you this tour thing, wow. I want to say maybe a bad idea, but I am loving seeing all the people who listen to the podcast in person and getting to hug them. Hello. The travel has been exhausting, the story coaching has been exhausting, but it's also really like, I feel like I'm running on pure adrenaline right now and it's because it's so nonstop. So one of the things that happened this past week was I had done a sold out show in Seattle, I'd done a sold out show for Folsom in San Francisco, and within the same week I had to fly to LA and do a show in la. My first show in LA in several years. But, you know, this should be easy because I'd already dealt with this venue. I used to be there when I was monthly in LA a few years ago. And when the time came, I contacted the person who'd been my contact before, got a date on the books four months after we originally had a conversation, got everything, you know, we had a live conversation. We agreed on a lot of things, added a lot of special things like the cocktails with caged heat cocktail syrups and a lot of little extras that I wanted to bring to the show. We had plenty of time. It was totally gonna work out, right? So when we had an issue and we had to change the musical act, the replacement musical act, who was somebody who used to perform for me all the time when I was in la. Windows to sky. Love their music. It's like having a mini orchestra performing dirty songs for you. They contacted the venue through regular channels to say that they wanted to be able to get into the green room early to rehearse, to get ready to perform because they were on a tighter timeline than originally planned. So the show is supposed to be on Thursday and on Tuesday night at about one o' clock in the morning, I get a text message from Joseph, the leader of Windows Disguise that says, dix, check your email. And I check my email and he has forwarded me an email from the venue. The person who was my contact is no longer there. They typically have about five shows a week in their big ballroom. The big the place where we had booked this show. They had nothing on their calendar for body storytelling and they didn't know what we were talking about. I said, I've been talking to so and so. And they went, that person doesn't work here anymore. I had been wondering why I wasn't hearing back, but it wasn't unusual. I dealt with this person plenty of times before. So I had a full on panic attack. I was getting on a plane at 6am the next morning, it's 1am and I had no venue in Los Angeles. I mean, this is what storytelling is. I could tell you the pretty story or I could tell you the true story. And this is what actually happened. I call them hysterically right before they close. At 2am in the morning, I begged to get on the phone with the person who had answered my email. We clarified that sometimes these things happen. They had no idea I was coming. The ballroom had not been reserved. But by some incredible stroke of fortune, they did not have a show booked on Thursday night. It's booked most nights, but somehow on a Thursday night nothing was booked. So they said, don't worry, we're gonna take care of you, it's gonna work out great and we are going to go above and beyond to apologize for this misunderstanding. I can tell you by the time I got on stage Thursday night, I had not slept in two days because of trying to make everything work that had suddenly fallen apart. But I had the most enthusiastic audience. I had people who were so thrilled that we were back in la. I had a musical act that loves to create pervy music for my show. I had Christopher Ryan from from Sex at Dawn who told a great story. I had Tristan Taormino from the Sex Out Loud podcast blowing us away with this huge finale story. And in between, we let people put their name in the hat and they got on stage and we had some amazing first time storytellers get on the stage to tell their own bawdy story. So it was a really great show. After not sleeping for two days, it was really surprising how well it went. And I believe I woke up the next morning to find out that I had been written up by Hustler magazine. Now, Hustler had contacted me a while back, and they had asked me for pictures. But you know what? I've got big boobs, so that's not unusual. No, I'm kidding. And I was like, you want my pictures for Hustler magazine? Okay. And I had done an interview, like, a month before. You never know when interviews are going to go up. When Hustler posted about us, one of their quotes was, dixie Delator is elevating dirty talk to an art form. And when I was being interviewed by T.S. farley, the guy who interviewed me on the phone, he's expecting me to say boobs and butts and, you know, vagina, or. He was like, you can use any language you want. I'm like, good.
