
Hosted by Rupert Fordham and Charlie Fordham · EN
Book In is a podcast in which brothers Rupert and Charlie Fordham discuss all things English Literature. From Chaucer to the present day, covering drama, novels and poetry, they cover all the classics and much more, from the UK, Ireland, the US, Europe and the rest of the world. Informative but lighthearted, Book In is suitable for all readers, and will be helpful for students doing GCSE, A-Level and university English degrees as well.
Both Rupert and Charlie have been keen readers all their lives and both studied English at university. For many years Charlie taught English at GCSE and A-level.

Around the 8th century BC, the inhabitants of Greece began to write things down. Amongst these were some of the poems telling of ancient times which bards had passed from generation to generation, and the greatest of these poems were the Iliad and the Odyssey. The Odyssey tells of the adventures of one of the Greek heroes, Odysseus, as he returned to his home in Ithaca from the Trojan War. His journey took 10 years, and included adventures which are famous to this day, including his encounter with the one-eyed Cyclops, and negotiating the twin dangers of Scylla and Charybdis. When he finally reaches Ithaca, he has to deal with the suitors who are occupying his palace and trying to persuade his wife Penelope that he is dead and that she should marry one of them. Attributed to a man called Homer, the true authorship of the work is unknown. But it asks questions which resonate with us now. What is home? What is a hero, and how should men behave? Why is the journey itself so important? What makes a great leader? How does a son find his own identity when he has a powerful father? Is adultery justifiable? How should you behave towards strangers? Told in beautiful poetry, the descriptions of Odysseus and his men sailing across the wine dark sea haunt our imaginations today as they would have done for the Greeks who heard these stories so many centuries ago. Join Rupert and Charlie as they look at this extraordinary and magnificent work of literature, which has influenced almost every great writer since, and which is the first expression of the western consciousness that we have.

By the mid 1980s, Kingsley Amis was generally considered to be finished as a novelist. Devastated by the collapse of his marriage to Elizabeth Jane Howard, he was hugely overweight, drinking far too much and renting a basement flat from his first wife and her third husband. But in 1986, he published what his son Martin regarded as his masterpiece, The Old Devils, which won the Booker Prize. Set in the south Wales in which he had spent the first 15 years of his professional life, it follows the lives of several couples who have known each other since childhood and are now in their 60s. Their world is thrown into turmoil by the return from London of Alan Weaver and his beautiful wife Rhiannon. Alan is a minor TV celebrity who has built a career on being a professional Welshman; on his return, old relationships are rekindled and long dormant affairs restarted. In a haze of alcohol and cigarettes, Amis portrays the reality of physical decline, the pathos of remembering past and lost love, and the sense of imminent death with humour and sensitivity. His satire of Welsh nationalism and the excesses of Welsh cultural figures like Dylan Thomas is merciless, and yet there is a warmth and tenderness in his descriptions of characters with whom he shared so many physical and emotional qualities. Join Rupert and Charlie as they discuss this fine novel, which was the start of a late renaissance for Amis’ career.

What really happened in the Marabar Caves? This is the central mystery of A Passage to India, EM Forster’s most celebrated novel, set in colonial India in the early 20th century. An Indian doctor, Aziz, wants to show some English visitors the real India, and takes them on an expedition to the strange caves which are a short trainride from the city of Chandrapore. He goes into one of the caves with Adela Quested, a young woman recently arrived from England. But Adela suddenly flees from the cave and accuses Aziz of attempting to rape her. The incident creates a crisis between the communities, and forces the central characters to confront existential issues about themselves and their lives. Forster explores the relationship between the career soldiers and administrators who nominally run India, and the various classes of Indians, and through this prism asks some fundamental questions: what is the nature of friendship? Can it transcend racial divides? What is the real India? And how do characters like Mrs Moore cope when everything they have believed in sems suddenly worthless? Forster never wrote another novel after this one, although he lived for nearly 50 more years. Join Rupert and Charlie as they discuss this most subtle and sensitive of writers.

Graham Greene’s novel The Quiet American is set in Vietnam in the 1950s – the French are trying to hold on to colonial power and are supporting the south in its struggle against a communist insurgency in the north. America is not yet involved militarily but is taking an interest. The novel tells the story of an American agent called Pyle who is supplying advice and explosives to a shadowy group who he believes can provide a “Third Way” for the country. Pyle meets a British journalist, Fowler, and it is through Fowler’s eyes that the story unfolds. His voice is to a large extent Greene’s voice – jaded, cynical and weary, but he retains the capacity for love and hope. He has a beautiful Vietnamese girlfriend called Phoung, who the idealistic Pyle falls in love with. How does this triangle play out? Who is Pyle really and what is he trying to achieve? Why doesn’t Fowler want to go home? And how does Greene’s Catholicism play out in the entangled lives of these three characters? Join Charlie and Rupert as they discuss this most subtle and nuanced of novels by one of the masters of 20th century British fiction.

At Book In, we continue our discussion of Evelyn Waugh’s wonderful novel Brideshead Revisited. We look at the characters of the Marchmain family - the children Sebastian, Julia, Bridey and Cordelia, and the parents, Lord and Lady Marchmain, and at how Charles Ryder interacts with them, and we also talk about the extraordinary creation of Anthony Blanche who is so important both as a friend of Sebastian and as a commentator on the Flyte family. And we look at the humour in the book - as always, Waugh is a brilliantly writer and the scenes with Charles and his father are amongst the funniest he wrote. Why do the Flytes all fall in love with the slightly dull and passive figure of Charles? Why does Julia fall in love with the brash, heartless Rex Mottram? Why does Lord Marchmain come back to Brideshead to die? And does the 1981 TV series of the book stand up today? Join Rupert and Charlie on Book In to find out.

Brideshead Revisited is Evelyn Waugh’s most famous novel. Magnificent but flawed, he wrote it while recovering from an injury during the Second World War, and the lush, sumptuous world of Oxford in the 1920s which he portrays is in stark contrast to the drab reality of life in the army. He later said that he regretted the richness of the language he had used, and declared that the novel was about the “operation of divine grace on a group of diverse but closely connected characters”. The Catholicism is of course central to the novel, as it was to Waugh’s own life, but despite his somewhat disingenuous revisions, the power of the book continues to come from the vividly described memory of happy times that had passed, and love that had died. In the first episode of a two part podcast, Rupert and Charlie look at Waugh's own life and conversion to Catholicism, and discuss how the Catholic faith affects the Marchmain family. Why can’t Julia be with Charles? Do we blame Lord Marchmain for leaving his wife? And why is Waugh so rude about Hooper? Join us on Book In to find out.

Another from the archives while Rupert is away scaling mountains. We'll be back soon!Emma is one of only six novels that Jane Austen completed, and yet she is among the very greatest of all English writers. How did an obscure spinster living in a modest house in Hampshire come to create these extraordinary books, and what is it that is so special about them? Rupert and Charlie look at arguably the greatest of them all, the story of Emma Woodhouse. Set in the modest provincial town of Highbury, and charting the day to day lives and concerns of ordinary people, she explores the very depths of human nature, and how we relate to each other. But is Emma a sympathetic heroine or a manipulative schemer? Why can’t she see that the man for her isn’t the smooth chancer who dazzles her for a while, but the solid and kind friend who has always had her interests at heart? And why is she so rude to poor old ladies on picnics? Charlie will explain it all.

Our first ever episode re-released: Rupert and Charlie discuss The Great Gatsby, Scott FitzGerald’s wonderful novel of love, loss and broken dreams. Published 100 years ago, the book is extraordinarily modern and speaks to a contemporary audience as powerfully as it did to the jazz generation of the 1920s. Charlie talks about the multi-layered nature of the book with its time shifts and multiple viewpoints. Was Gatsby really a good guy who lost his way? Is Daisy a murderess? Did FitzGerald himself really believe in the American dream? Are the film versions accurate? And is The Great Gatsby the elusive Great American Novel? Join Charlie and Rupert to find out.

Two brothers live in a squalid bedsit in west London. The room is crammed with junk. They befriend Davies, who is homeless and a tramp. He moves in with them, and they offer him a job as a caretaker for the property. But the job falls through, because Davies can’t get his papers, which are in Sidcup. Harold Pinter’s brilliant play tells the story of these three lost men, and how power shifts between them over time. They are hopeless and damaged, but they variously have dreams of getting a job, refurbishing and letting out the property and engaging with life in a normal manner. Pinter explores issues of homelessness, mental health, dealing with trauma and male relationships in a way which was groundbreaking for its time and resonates strongly today. He was a remarkable man - he came from a humble Jewish background to win the Nobel Prize for Literature, and his marriage to Lady Antonia Fraser propelled him into the highest echelons of British society. He loved cricket and parties, and mixed freely with the establishment of the time, but nonetheless remained resolutely attached to left wing causes and campaigned against what he saw as American imperialism throughout his life. Join Charlie and Rupert as they discuss this fascinating man and his early masterpiece, The Caretaker.

Tom Stoppard was glamorous, charismatic and brilliant, and his plays are among the finest written in English since the Second World War. Perhaps his most accomplished work is Arcadia, first performed in 1993, with a stellar cast including Rufus Sewell, Penelope Keith, Harriet Walter and Bill Nighy. The play contains two separate groups of people, one from the early 1800s, and the other from the present day, but performing in the same room in a country house in England. Stoppard explores a multitude of themes including mathematics and chaos theory, landscape gardening, entropy, the nature of knowledge, and literary criticism. It is dazzling, funny, witty and deeply moving, and the connections between the two groups are revealed as the play unfolds. But is it too clever by half? Can Stoppard's unashamedly intellectual exploration of ideas come across as all artifice and no heart? What role does Byron play in all this? And has there ever been a better name for a tortoise than Plautus? Join Rupert and Charlie as they discuss Stoppard's great play and celebrate his long and distinguished life.