Transcript
Rebecca (0:02)
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Jeff (0:23)
All right, we're gonna talk about We Do Not Part, the new novel from 2024, Nobel Prize Laurie in Literature, Hong Kong, best known for the Vegetarian came out in 2018, which I read right after. And I have to remember, I have to admit that I remember more the vibe than the plot of the Vegetarian. I went back and looked at it six years. I'm getting older. Be easy on me, folks. Let's see what preview stuff we want to do in terms of setting the stage. So a South Korean writer, I guess you say it aloud. We got. Was it Patreon comment. People talking about weird. Weird girl lit is like a big thing.
Rebecca (1:04)
Yeah. Vegetarian is one of the recommendations.
Jeff (1:07)
I kind of get it.
Rebecca (1:08)
Okay.
Jeff (1:09)
I think I understand. It is strange. I think it's fair to say creepy, elusive with an A, not an E. That's easier to distinguish between in print than in my bad pronunciation and my mumbliness that comes with this particular unit I was born with. And that Vegetarian was much more. It felt like this is a small book, but it breaks into a wider cultural context and historical context. The Vegetarian felt smaller to me. It felt both of them are quite fable like, like dark, feeble, strange. Before we get into it, Rebecca, what was your experience of reading? We do not part sort of in a general big picture.
Rebecca (1:54)
I really liked it. I guess just to start straight off from the top, the last Hong Kong I read was Greek Lessons. And that's a short little book. It is very quiet. It has like, it doesn't have any dream elements, but it has kind of a dreamlike feel.
Jeff (2:12)
I think she remedied that with the next book.
Rebecca (2:14)
Yes, we do not part Has a lot of dreamy kinds of.
Jeff (2:19)
Maybe. I mean.
Rebecca (2:20)
Yeah, yeah. I had heard, you know, we try to go into books. I think both of us try to go in knowing as little as possible. I want to be untainted and kind of have the pure experience that the author is trying to give me. But I had heard that this was bringing to light a lesser known horrible thing that happened in South Korean history. And as a person who doesn't have a huge or very robust world history background, that kind of synopsis can put me off of a book or make me a little like am I going to get it right? Like if I don't know about this.
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