Hosted by Breandáin O'Shea · EN

Three young Australian violinists. One city that changed everything. In this special episode of Tall Poppies, host Brendan O'Shea sits down with Leanne McGowan, Josephine Chung and Harry Ward — three remarkable musicians who left Australia and found a new creative home in Berlin. From Curtis Institute to the Karajan Academy, from the Mahler Chamber Orchestra to a seat in the Berlin Philharmonic itself, each tells a story of ambition, culture shock, and the particular gravity that draws Australian artists to this city. Along the way, the conversation turns to harder questions too — about arts funding at home, the 2023 referendum, and what it really means to carry an Australian identity from a distance. Honest, warm, and full of insight for anyone who's ever wondered what it takes to build a life in music far from home. Featuring music performed by the guests, with pianists Yuki Morikawa and Sarah Watkins. Tall Poppies is produced and presented by Breandáin O'Shea from Berlin, Germany. The podcast relies entirely on listener support. To find out more, visit tall-poppies.com or find us on Patreon.

A special episode is dropping on June 21st. - Far from Home, Close to Music - featuring Josephine Chung, Harry Ward and Leanne McGowan - three exceptional young Australian violinists, all living here in Berlin.

Forty years of the Teddy Award – four decades of queer cinema, courage, celebration, and change. In this feature, we look back at how a small sidebar prize at the Berlin International Film Festival grew into one of the world’s most important honours for LGBTQ+ filmmaking. With reflections on its origins, its cultural impact, and some of the films and voices that shaped it, Teddy Award at 40 is both tribute and timely reminder: representation matters – on screen, and beyond it.

Stolen children. Silenced stories. Unforgettable music. Daughters of Donbas: Songs of Stolen Children blends Ukrainian folk, chamber music and poetry to bear witness to children abducted from occupied territories. As Breandáin O’Shea reports, this is music as testimony — demanding the world listen, remember, and act.

Hidden for centuries, the music of women composers from the Renaissance has largely remained unheard. Musica Secreta is an ensemble committed to uncovering and performing these forgotten works, blending rigorous historical research with a uniquely expressive, all-female sound. And as Breandáin O’Shea discovered, their work reconnects audiences with a vibrant, secretive musical world that has been waiting to be heard for generations.

Few composers have shaped the soundscape of our time quite like Arvo Pärt. Often described as the sound of silence, his music emerged from censorship, inner exile, and spiritual resistance under Soviet rule. Now 90, and the most widely performed living composer, Pärt’s works speak with renewed urgency as Europe once again faces war on its borders. In this feature, Paavo Järvi—who quite literally grew up at the Pärt family table—shares personal memories that reveal not only the composer, but the Estonia that shaped his voice: music of faith, fragility, and quiet defiance.

Matthew McDonald: Between the Bass and the Page Matthew McDonald is widely recognised as one of the world’s leading double bass players — a musician whose warm tone, agility and expressive clarity have shaped the sound of the Berliner Philharmoniker since he became Principal Double Bass in 2009. But behind the orchestral spotlight, another creative voice has quietly been gathering strength: his poetry. Born in Canberra and raised on jazz and rock, McDonald’s journey from Australia to Berlin took him through the Karajan Academy and into the heart of one of the world’s great orchestras. Alongside this remarkable musical life, he completed a Master’s in Creative Writing and founded berlin lit, a digital poetry journal showcasing writers from across the globe. Now, in January 2025, McDonald publishes his first book of poetry — a new chapter in the artistic life of a musician who continues to surprise, expand and explore.

The Birgit Nilsson Prize 2025: A Celebration of Many Voices In 2025, the world’s largest award in classical music — the Birgit Nilsson Prize — made history. For the first time, it honoured not an individual artist or orchestra, but a festival: the Festival d’Aix-en-Provence, one of today’s most vibrant homes for contemporary opera. Aix has become a place where composers, writers, performers and audiences meet to reshape the future of the art form. The jury singled out Kaija Saariaho’s Innocence — a multilingual, deeply human exploration of guilt, loss and connection, premiered at Aix in 2021 — as a defining example of that artistic courage. In this feature, Breandáin O’Shea travels to Stockholm to discover how the Birgit Nilsson Prize celebrates music as a collective achievement. With insights from Paul Hermelin, Susanne Rydén, Sir George Benjamin and Sofi Oksanen, the story reveals how opera thrives when many voices shape its path forward.

Berlin’s vibrant arts scene is under pressure. With major funding cuts looming, even iconic institutions like the Komische Oper, Schaubühne, and the Berlin Philharmonic face an uncertain future. In this episode, Breandáin O’Shea visits the Komische Oper to explore what’s at stake—and why preserving Berlin’s creative heart matters now more than ever.

Discover the fascinating transformation of Meiningen, a small German city with a rich artistic heritage. From 1874 to 1890, Duke George II von Sachsen Meiningen turned the city into a cultural hub, founding the Meiningen Court Theatre and attracting renowned artists. Today, this city of 25,000 residents still thrives as a creative beacon—but it also faces a growing political shift, with weekly protests and rising support for the far-right AFD party. In this feature, Breandáin O’Shea explores how Meiningen’s artistic legacy intertwines with its challenging present.