Transcript
Matt Tamminini (0:01)
Welcome to Today on Broadway for Friday, January 24, 2025 on Broadway Radio's Matt Tamminini.
Grace Aki (0:07)
And I'm telling me on a Sunday.
Matt Tamminini (0:08)
Podcast, Grace Aki, Grace, as we dive into the news, the biggest thing happening in the world of theater on Thursday, and I know it was big because it was Broadway Briefing confirmed, was that AKA has a new director of influence, marketing and creative lead for the Arts Insider. Congratulations. You got a nice little promotion there, didn't you?
Grace Aki (0:29)
Well, that's very sweet. Yes. I'm very excited to honestly keep on keeping on and like, yeah, just like working with people and creators and just talking about the arts industry that we all love so dearly and making it much more visible and modern for our current times. So thank you. That's a very sweet shout out. Thanks.
Matt Tamminini (0:49)
Well, I mean, Broadway Briefing official, like makes it a big deal. They only put really important stuff in there. So you are by definition very important. All right. But the other big news, the second big news on Thursday was the fact that we had the first Broadway opening of 2025 happening over at the Todd Hames Theater. And this is the long awaited Broadway debut of Sanaz Tusi's Pulitzer Prize winning play English. It had made its Off Broadway debut at the Atlantic theater in 2022. That production and this production are directed by Knud Adams and has the exact same cast. That cast includes Eva Lalizarzida, Pooha Mohsini Mehran Neshat and Hadi Tabal. The show got pretty much all of the awards in the Off Broadway circles during that season. The show centers on an English class in Iran for people who are looking to learn English to somehow better their lives, whatever that is, to come to the United States or to get a better job or whatever. And it obviously has taken on some fairly different context over the last few days, past few weeks, as of recording time. Did they like it has not yet put together its review roundup. So if that gets done before we post this, I will, I will have that link in the show notes. But overall the reviews were very positive. I'm going to go through them very quickly because, Grace, you have seen the show, I see it on Saturday and I know you wanted to share some of your thoughts on the play. So I'm going to go through just a handful of reviews fairly quickly. But we'll start with Jesse Green of the New York Times, who did make the show a critics pick. He said, quote, the Broadway transfer of Sanaz 2C's English, which opened on Thursday at the Todd Ham's theater is the consummate consummate. Even more so than when it debuted off Broadway in 2022 and won the Pulitzer Prize in Drama in 2023. It strikes me as a work of uncommon discipline, despite its big and occasionally easy laughs. Without ever releasing a tight grip on its theme. Or perhaps because of that tight grip, it suggests a world of small tragedies and smaller compensations. Adam Feldman of TimeOut New York gave the show five out of five stars. A rare thing for Adam. He said, quote if Toosie's thoughtful and searching play has things to teach us about character, culture, post colonial identity, it does so through immersion. We first see Mehran's classroom from the outside through a window, but Marsha Ginsburg's boxed set soon rotates to invite us inside. It keeps turning throughout the play to give us new angles, and Toosie does the same. Like any grammar, English has rules and structures that it carefully maintains, but enough exceptions and variations to provide character and texture. It unfolds fluently but not glibly. Its choices of word have purpose and care. Gloria Oladipo, writing for the Guardian, said, quote english Sanaz Tusi's stunning Broadway debut is a precious study of language's significance. The 2023 Pulitzer Prize winner slyly presents as a comedy about studying a foreign language, but eventually blooms into an evocation of grief and assimilation. And finally, Tim Tieman of the Daily Beast said, quote this critic's advice is as simple as it was in 2022. Book a ticket Right now, an exquisitely written, beautifully acted and mountain 1 hour and 45 minutes of theater awaits at this moment. With immigration and attacks on immigrants rights at the top of President Trump's agenda, the play assumes a raw, urgent precision. Grace, we knew that all of these were going to be very positive reviews because it is so similar to the 2022 production off Broadway. But I'm interested your thought? I don't believe you saw it off Broadway, but correct me if I'm wrong, but what are your thoughts having now seen it at the Todd Haymes Theater from the Roundabout Theatre Company?
