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Kevin Plank
Audible subscribers can listen to all episodes of Business wars ad free right now. Join Audible today by downloading the Audible app. It's summer 2005 in Baltimore, Maryland. Under Armour CEO Kevin Plank is staring out the window of his office as he waits for someone to pick up the phone. The sky outside is bright blue with a hazy shimmer from the humidity. Plank knows that within seconds of stepping foot outdoors, he'll be dripping in sweat. For years, sweat was his biggest nemesis as a linebacker for the University of Maryland. The cotton T shirts he wore under his football pads would get soaked, becoming heavy and clingy, slowing him down on the field. So he set out to fix the problem. Nearly 10 years ago, plank created a shirt that wicked sweat away from the body, the cornerstone product that became the foundation of a company he named Under Armour. Now, that company is one of the fastest rising sportswear brands in America. A receptionist finally answers his call and Plank asks to speak with Edward Stack. A moment later, Stack comes on the line.
Edward Stack
Kevin, how are you? Those new running shirts are selling like hotcakes.
Kevin Plank
That's great to hear. Hey, do you have a minute to chat? Stack is the CEO of Dick's Sporting Goods, the retail chain founded by his father in 1948. It's one of the largest retailers of Under Armour products, and over the years, the two men have become close. Sure.
Edward Stack
What's on your mind?
Kevin Plank
Well, you know how we're preparing to take Under Armour public?
Edward Stack
Uh huh.
Kevin Plank
Well, I just got off the phone with one of my bankers and he says that VF Corporation wants to acquire us before the ipo. If I accept, I'll never have to work again.
Edward Stack
But something's holding you back.
Kevin Plank
I know I should be thrilled and I'm grateful, don't get me wrong. But I wanted to get your take. I'm sure you and your dad have entertained offers over the years, but you've never sold.
Edward Stack
Well, look, this company is your baby. And if you sell it to VF Corp, it won't be yours anymore. So you got to ask yourself, why did you get into this? Was it just for the money?
Kevin Plank
No, no, no, no, no. Not. Not just the money.
Edward Stack
No, you did it because you believed in what you had. You believed in your product. You believe because you enjoyed the challenge, right?
Kevin Plank
Yeah, that's true. I just don't want to make a huge mistake and walk away from a pile of money that could change my life. Stack is quiet for a moment.
Edward Stack
Hey, let me tell you something. As a retailer, I would love to see a company out there that could really rival Nike. Now, from my perspective, the more great products we can offer our customers, the better. And of all the athletic wear companies I have ever seen over the years, you're the one that can take them on.
Kevin Plank
Wow. You really think so?
Edward Stack
Now, I'm not saying it'll be easy, but the quality of your products and the brand loyalty you've fostered over the years, I gotta tell you, I've never seen anything like it before.
Kevin Plank
Wow. Well, thank. Thank you. Thanks a lot. That really means a lot.
Edward Stack
But when I say you, I mean you. Under Armour needs you at the helm. So think about it, all right? Are you done writing Under Armour story,
Kevin Plank
or do you want to see how
Edward Stack
far you can take it?
Kevin Plank
Plank looks out the window again. Ten years ago, he built a shirt to fight sweat. Now he's about to pick a fight with one of the most powerful brands in sports. He hangs up the phone. He's made up his mind. He's not selling. Instead, he's gearing up to do something almost no one in sports has done before. Beat Nike at its own game.
Mary Zofries
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Kevin Plank
Adobe Acrobat, your new foundation. Use PDF spaces to generate a presentation. Grab your docs, your permits, your moves. AI levels up, your pitch gets it in a groove. Choose a template with your time. This cool. Come on now, let's flex those two. Draft, design, deliver, make it sing. AI builds the deck so you can build that thing. Do that, do that, do that with Acrobat. Learn more@adobe.com do that with Acrobat. From audible originals. I'm david brown, and this is business wars. In 1995, Kevin Plank was still a football player at the University of Maryland when he created a new kind of T shirt that didn't get soaked with sweat. The next year, after graduating, he used savings from odd jobs to launch a company built around his new T shirt. He called it Under Armour. The brand pioneered what would become known as performance wear apparel designed to wick away moisture and regulate body temperature. Under Armour became a hit, its products popular with both professional athletes and weekend warriors. As it grew in popularity, the company set out to do something audacious take on Nike. For a decade, it looked like Under Armour might actually pull it off. But building a challenger brand is one thing. Staying on top, that's another. In an attempt to keep up, Under Armour expands aggressively, adding more and more products and chasing technology plays. But the more it veers away from its core, the more the company risks losing the singular focus and brand cache that made it special. And the question? The question won't be whether Under Armour can catch Nike. It'll be whether it can stay true to itself while trying. This is Episode one Sweat Equity. It's a sweltering Summer Day in 1995 in College Park, Maryland. University of Maryland football player Kevin Plank stands on the sidelines wringing sweat out of a cotton T shirt. His helmet and shoulder pads lie on the ground next to him. He's been playing football since he was a kid, but it still blows his mind how much sweat these T shirts can retain. He once weighed a sweat soaked shirt after practice and discovered it weighed three pounds. He's pretty sure the heavy, soaked shirts slow him down. There's a reason people don't play football with three pound medallions around their necks. Plank gives his shirt one final squeeze and tosses it into his bag. Next to two other sopping wet shirts, he pulls out his last dry one. Although he knows it'll be drenched within minutes, he wishes he had a shirt made out of the same material as the synthetic compression shorts he wears. When he changes those at the end of practice, they're still dry and they weigh the same as they did at the start. Plank stares out at the field. Why doesn't someone make a shirt out of that material? He can't be the only athlete who hates the way cotton T shirts get soaked with sweat. Athletes put so much thought into their other gear, like their shoes and equipment, why not their clothing? Planck's mind starts racing. First, he'll need to see if anything like this already exists. If not, he'll get to work. But he'll need to get fabric samples, make prototypes, test them, and pitch them to potential customers. That'll be a lot of work, but it feels doable. A coach barks from across the field. Break time is over. Plank snaps back to reality. He pulls his pads back on and jogs out. But his mind is still on that shirt. In the days that follow, Plank starts sketching designs. He wants to combine the fit of the Hanes cotton T shirt he typically wears with a synthetic fabric that will wick away sweat. Plank has always had an entrepreneurial drive. Growing up outside Washington, D.C. he mowed lawns and shoveled snow to make money. He's continued to earn cash in college through a variety of side hustles. He's parked cars, sold friendship bracelets and T shirts at Grateful Dead concerts, and delivered roses for Valentine's Day. His roses business is so successful that he installs a credit card reader in his dorm room and hires other students to help with deliveries. By senior year, he saved several thousand dollars, enough to take a shot with his new shirt. So Plank heads to the fabric store and picks out a lightweight, stretchy synthetic material similar to the fabric that compression shorts are made of. The sales representative tells him this material is frequently used for women's undergarments. Plank smirks. He probably won't mention that when pitching his new shirt to his football teammates. Next, he takes the fabric to a tailor near campus and asks for seven prototypes based on his designs. Over the next several months, Plank asks various players on his team to test the new shirt and jots down their notes on the length, the weight, and the collar. By the spring of 1996, as Plank's senior year winds down, he feels confident he's created a superior shirt. After graduation, he heads up to New York City's garment district and pays to have 500 shirts made. Then he moves into a family owned townhouse in Washington, D.C. and turns the basement into the headquarters for his new company. Plank names it Under Armour, choosing to spell Armour the British way, with a U. This allows him to secure the phone number 1888 for Armour, which he finds visually pleasing. In the basement, Plank and a friend from college spend their days cold, calling every equipment manager on the east coast, pitching them on the shirt and sending out samples. But the shirt isn't selling, so Plank decides to take the show on the road. He loads up his Ford Explorer with samples and drives around the country, stopping at schools where he knows players or coaches. Through his years of playing elite football, he has a lot of connections in the sport. Some of his friends are still playing at universities, and there are even a few who have gone pro. He hands out samples to anyone who will take them. But still, sales are slow to come. By the end of 1996, Planck has burned through his savings and is on his way to amassing thousands of dollars in credit card debt. His best hope is that an athletic director will place an order to outfit their entire football team in Under Armour shirts. But even with his connections, Planck knows that athletic directors are hesitant to place a large order from what looks like a fly by night operation. So he decides to make his company seem bigger than it is. He hopes this will help athletic directors take the leap. And in late 1996, he gets to test his theory when he walks into the office of the Georgia Tech athletic director carrying a briefcase. Thank you so much for taking the time to meet with me. Before we get started, let me give you my business card. Plank reaches inside his jacket pocket and pulls out a metal business card holder. On the left side are cards that identify him as the president and founder of Under Armour. On the right are cards that identify him as a sales representative. He pulls out a sales rep card and hands it to the athletic director. The director glances at it, then sets it on his desk. I understand you have a new type of shirt that'll boost performance. Yes, sir. Let me show you. Plank pulls out a shirt from his briefcase and spreads it across the desk. These shirts have been tested by some of the best college football players in this country. We perfected the fit and the material to ensure that athletes are able to perform at their absolute peak. The athletic director rubs the fabric between between his fingers. Hmm, this wicks away sweat. Yes, sir. This is a quick dry fabric that'll keep your players both cool and dry. Well, it's a good idea. As you could probably guess, playing in the south, heat and humidity are big issues for our players. Yes, sir, I know. I used to be one of those players at Maryland. There were practices where I'd have to change my shirt multiple times. It was a drag. Literally. Soaked cotton gets heavy and it definitely slowed me down. I used to dream about having a shirt like this. The director studies the shirt for another moment. Well, I'd be interested in trying some to see how our players like them. Would it be possible to cut some kind of deal? Maybe get a bulk order discount? Plank is so close to making a sale, he doesn't want to mess it up. But he knows the school can afford to pay the full price he's asking and he needs the money, so he shrugs apologetically. Well, if it were up to me, I would definitely do it. But the big guy back at HQ won't let us cut any deals. A light sheen of sweat shines on his forehead. He hopes the athletic director can't tell that he's bluffing. Plank is the big guy in HQ and he could cut any deal he wants. But he doesn't want to seem too eager. A founder doing his own sales reeks of small time desperation. The athletic director feels the fabric again. Well, it does seem like a really good product. Plank leans forward, waiting for the director to finish that thought. All right, we'll take a chance. I need to look at my budget and talk to my coaches, so we'll be in touch with exactly how many, but we're in. Plank bites his lips so he doesn't let out a triumphant whoops. Fantastic. You're not going to regret this. Plank walks back to his Ford Explorer in the parking lot. The windshield is cracked and the inside smells of old french fries, coffee and sweat. He's logged thousands of miles in this car, but this trip was worth it. He finally made his first team sale. By the end of his first year, plank has sold $17,000 worth of shirts. It's a start, but he's still deep in debt and he'll need a lot more schools to take the same chance Georgia Tech just did. If Under Armour is going to survive. Xfinity Tech Support how can I help? I can't get Jurassic park back online without oh, you just need Xfinity. Plug in your gateway and you're good. All set. Luckily, Xfinity has reliable self healing WI fi that keeps you safe from threats.
Edward Stack
Wow.
Kevin Plank
You can even boost speeds to your most important devices.
Mary Zofries
Get reliable WI fi at one price for five years guaranteed Xfinity. Imagine that. Watch Jurassic park with Xfinity restrictions apply.
Kevin Plank
Select plans only.
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Kevin Plank
Over the course of 1997, Kevin Plank keeps growing Under Armour. After the breakthrough sale to Georgia Tech, he lands deals with other colleges, including Arizona State. Along the way, Plank employs a variety of tricks to make his small company seem a lot bigger and more successful than it really is. He continues to hand out business cards that identify him simply as a sales representative, not the founder or president. And he frequently stretches the truth about how many teams he's signed. When he has three teams on board, he tells other potential customers he has five. When he has five, he says there are 10. His hustle pays off. Word begins to spread that Under Armour shirts are more comfortable and boost an athlete's performance. More and more teams sign on. Plank knows he can't rely on just one product, so he starts developing more. The original sweat wicking shirt is targeted at athletes playing in heat, so Plank develops a cold weather version. He uses a different type of synthetic fabric that keeps players warm without weighing them down. He also designs gear that will protect players playing on artificial turf and a line of hats and visors. By the end of 1997, Under Armour has made deals with 12 colleges and 10 NFL teams. In 1998, the company is finally bringing in enough money that Planck is able to move the headquarters out of his grandmother's townhouse in Washington, D.C. and into an office building in Baltimore, Maryland. But if under Armour is truly going to grow the company, Plank can't just sell to college and pro athletes. He also needs the rec league players, the couch to 5K runners, and the aerobics class enthusiasts. There's just one problem. Retailers aren't carrying the brand yet, and Plank can't afford a major advertising campaign to drive direct sales. It's a classic chicken and egg dilemma. But then Under Armour gets extremely lucky. In 1998, a friend calls Plank with some news. He's been hired as an extra in a movie called Any Given Sunday, starring Jamie Foxx, Al Pacino, and Cameron Diaz. It's directed by Oliver Stone and follows the struggles of a fictional NFL team fighting to make the playoffs. There will be several scenes set in the locker room, which means the cameras will show what football players wear under their uniforms. The friend says that if Plank can convince the costume designers to outfit the actors in Under Armour, this could be his big break. It would be the equivalent of millions of dollars in free advertising. The friend passes along the name of the costume designer, and Plank quickly sends off samples of Under Armour shirts. And then he waits. Costume designer Mary Zofries arranges outfits on a portable clothes rack in her office. She smooths fabric, adjusts collars, and carefully reviews each item, making sure everything is displayed just right. She's preparing for a meeting with director Oliver Stone. He's known to be obsessive about every detail of his films. So she wants to make sure she's presenting each piece in its best light. The door opens and Stone marches in. His dark brown hair is unkempt and his white button down shirt is rumpled as if he slept in it. Stone looks at his watch.
Edward Stack
Sorry I'm late.
Kevin Plank
It's been a crazy day.
Mary Zofries
Oh, no problem at all. This stage of pre pro is always
Kevin Plank
crazy hectic and I've got another meeting in 15 minutes, so we'll need to make this quick.
Mary Zofries
Yeah, of course. I'll jump right in.
Kevin Plank
Zophryz grabs a hanger from the rack.
Mary Zofries
So this is the first option. A T shirt and compression shorts made by Nike.
Kevin Plank
Stone wrinkles his nose. It looks kind of average. The whole conceit of this movie is that these football players are gladiators. I don't think the cut of this T shirt says Warrior.
Mary Zofries
Understood. Let me show you another option.
Kevin Plank
She pulls a hanger holding Reebok clothes and presents it to Stone. But he's not pleased with those either. These all feel so basic. I want something futuristic, something new. Zofries nods and moves through a few more options. But Stone isn't happy with any of them either. Finally, she pauses.
Mary Zofries
There is one other option. It's from a relatively new company, so it won't feel as familiar as the other ones.
Kevin Plank
That sounds promising. Show me. Zofries goes to her desk and pulls out a large padded envelope. She removes a cropped T shirt with a high collar. On the collar is a logo that looks like an arch overlapped with the letter U. She holds the shirt out to Stone.
Mary Zofries
This sample showed up a few days ago. It's by a company called Under Armour. Their letter says that several NFL teams have bought their shirts. So if we do use them, it will still have the authenticity I know is important to you.
Kevin Plank
A small smile spreads across Stone's face. I like this. It looks high tech. Befitting of someone who's leaving it all on the field.
Mary Zofries
Great. I'll reach out to Under Armour and let them know.
Kevin Plank
Stone checks his watch. I gotta run, but this was a good meeting. I'm excited about Under Armour. He rushes out already. Moving on to the next thing, Plank strikes a deal to provide apparel and accessories for any given Sunday. The production company tries to argue that Under Armour should provide their clothing for free in exchange for exposure from the movie. But Plank plays hardball and insists that Under Armour be paid for its product. In the end, he secures around $40,000. It's a huge win for a company with fewer than 20 employees. Still, the production company isn't wrong. The exposure alone could be priceless. And Planck is determined to capitalize on it. There's just one problem. Any given Sunday is a fictional movie. The team at the center of the story, the Miami Sharks, doesn't exist in real life. Under Armour's brand recognition is. Planck worries audiences might assume his company is just as fictional as the Miami team. The obvious solution would be running a national advertising campaign that could show consumers that Under Armour is a real company with products they can buy. But Under Armour doesn't have the kind of cash needed to invest in this kind of campaign. So Planck comes up with a workaround. He believes in it. He's just not sure how his employees will react. It's fall 1999 in Baltimore, Maryland. Kevin Plank walks into the conference room in Under Armour's headquarters carrying a VHS tape. His entire staff is gathered around the table for an all hands meeting. If Planck has his way, they won't all fit into one room for much longer. But for that to happen, he needs to ask them for a big favor. A TV and a VCR are set up at the front of the room. Plank slides in the VHS tape. Hey everyone, thanks for coming today. Warner Brothers just sent this over. I think you'll get a kick out of it. He hits play and the video starts. Lightning strikes over a football field. There's an excited murmur in the room as everyone realizes they're watching the trailer. For any given Sunday, Al Pacino's raspy voice fills the conference room. The trailer continues and Pacino, who plays the team's coach, gets into a heated argument with Cameron Diaz, the team's owner. The aging quarterback, played by Dennis Quaid, gets injured and is replaced by a young hotshot QB played by Jamie Foxx. And then for a split second, Jamie Foxx appears on screen sporting a shirt with the Under Armour logo. The room erupts. When the trailer ends, Plank looks out at his team. Pretty cool, right? Everyone around the room nods. This is obviously great exposure for us, but exposure doesn't automatically turn into sales. The only way to make sure that happens is to advertise. Now, after careful consideration, I've decided that our best bet is to run a half page ad in ESPN Magazine. It'll go straight to our target demo. Young men who are passionate about sports. Plank reveals a mock up of the ad, which features a broad shouldered football player in a helmet with Under Armour emblazoned across his chest. There are impressed murmurs around the table. Yeah, here's the catch. The ad cost $25,000, and we don't have that. Planck looks down and then takes a big breath. So I'm asking all of us to take a gamble on this company. If we can all sacrifice our paychecks for just a couple of weeks, we can pay for this ad. If I'm right, the combination of the movie and the ad will generate enough sales to make it worth it. But I know it's a lot to ask. Plank glances around the room, making eye contact with everyone. Okay, so let's put it to a vote. Who's willing to forego their salary so we can run this ad slowly, one by one? Everyone raises their hands. Planck nods, moved by his employees sacrifice. The ESPN ad runs in December 1999. Timed the film's release in just three weeks. It generates 8,000 direct response calls and over $800,000 in sales, a huge amount of revenue for a company that made 1.3 million total the year before. Retailers take notice as well. Sporting goods catalog East Bay starts carrying the brand, and almost immediately Under Armour becomes their leading soft goods seller. Other retailers follow suit. By the end of 2002, Under Armour is in more than 2,500 stores, and more professional sports teams sign on, including NHL and MLB teams. Under Armour is now successfully serving both professional athletes and more casual fitness buffs. The company continues to expand its product line, including branching into women's Apparel. Then, in 2003, Under Armour launches its first TV ad. It stars professional football player Eric Obagu, who stands in the center of a huddle packed with players decked out in Under Armour clothing. Will you protect this house? I will, I will. Under Armor the commercial pushes the company's desired image of authenticity and grittiness and implies that people who buy Under Armour are real athletes now. Pay special attention here because a lot is about to change for Under Armour, and fast. In the real world, as you're building out a company, you're always asking yourself, what's next, right? But there's really a deeper question bubbling up to the surface for Planck, who's come so far in such a short span of time. After almost 10 years, Planck's reached not so much a moment, but a nagging, inescapable need to get real again, to touch grass. Try to put yourself in Planck's place Here you find yourself getting up in the morning, staring into the bathroom mirror and asking yourself, why am I building this company? Is it enough to be a player, to be successful and continue to grow? Or do I really want to dominate. Well, how would you answer this question? In 2004, Under Armour's sales hit $200 million. And in 2005, Planck decides to take the company public. It's not an obvious decision. The stock market has been soft following the terrorist attacks of September 11th and the bursting of the early 2000s tech bubble. More than half of IPOs in the first quarter of the year fail to meet their target share prices. But Plank believes going public is just the fuel his company needs. A fresh influx of cash to continue growing the company. Shortly before the debut, Planck gets a call from his banker. VF Corporation, which owns companies like Vans and the north face, has offered $850 million to acquire under Armour, and the banker is confident he can push them up to a billion dollars if Plank wants to sell. Planck doesn't know what to do. It's an almost unfathomable amount of money. But selling would mean giving up control of his company, and he's not sure he's ready for that either. Plank consults with dozens of people, including Edward Stack, the owner of Dick's Sporting Goods. Stack tells him something that shifts everything for Plank. He tells Plank he thinks Under Armour could be the company that surpasses Nike. It's a striking observation. Nike is the largest sportswear company in the United States, bringing in close to $14 billion in revenue in 2005, dwarfing Under Armour 280 million. But it's a goal that appeals to Planck's hustler mentality. He wants to be the one to try. Plank turns down VF Corporation's offer and goes all in on the ipo. He just hopes he hasn't made a huge mistake and walked away from the safest billion dollars he'll ever see.
Edward Stack
Foreign.
Mary Zofries
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Kevin Plank
Under Armour goes public in November 2005. On its first day of trading, the share price doubles, and Under Armour is considered one of the hottest IPOs in years. The company raises $157 million. And many analysts start saying the thing Planck has been dreaming of, that Under Armour is a legitimate competitor to Nike. Over the next two years, the momentum continues among consumers aged 10 to 24. Under Armour clothing actually outsells Nike at several retailers. Some analysts describe the brand loyalty consumers have to Under Armour as cult like. But there's one category where Nike still has a huge shoes. In 2006, Under Armour introduces football and baseball cleats, and they perform well. The football cleats become the official shoe of the NFL and capture 23% of the market within their first year. And their baseball cleats grab 11% matching Adidas share. Starting with cleats was a strategic decision. They're a specialty shoe with a relatively small market, giving Under Armour a controlled way to test the waters without going head to head with Nike in running or basketball. And the test works. So in 2007, Under Armour makes its move into sneakers, and this time, they're betting big. Now, let's consider their pivot for just a moment. They start out with textbook category testing. Cleats are niche performance driven close to Under Armour's existing football identity. Lower cultural risk, Lower SKU complexity. Manageable inventory exposure. Good, good, good. In business, it's smart to test the waters, but you know when you win early, there's always the temptation to capitalize on things too quickly, to assume that adjacent markets will behave the same way, or that you have the capacity to deliver on what you promise. If you misread the room, things could get ugly. It's 2008. Under Armour founder and CEO Kevin Plank circles a conference table covered in prototypes of the three cross trainers the company plans to launch in the coming months. One of the shoes designers nervously watches as Planck picks up a prototype called the Proto Evade. It's aimed at people who do a lot of lateral movement, like anaerobics or weightlifting. Plank deliberately decided to start with cross trainers. They were popular in the 80s and 90s, but their sales have dropped off since then. Rather than attack Nike in categories it owns, like football or basketball, Under Armour is trying to revive this overlooked category. Still, getting into sneakers is a risky move. Investors are already nervous that the company is overextending and that its costs are outpacing its revenue. Under Armour's stock has been shaky lately, but Plank feels in his gut that this is the smart move, if they can get the shoe right. He lifts the Proto Evade up to the light and studies it from all angles. Then he slips a hand inside and feels the cushioning. Plank shakes his head, displeased. I can feel the stitching that's going to rub against people's feet and cause blisters. No, we can't have that. The designer furiously scribbles down a note.
Mary Zofries
Yep, understood. We'll be sure to fix that.
Kevin Plank
Plank sets it down and picks up another prototype. I can't emphasize enough that we need these shoes to be absolutely perfect.
Mary Zofries
Absolutely.
Kevin Plank
Nike has all sorts of ways to quash our entry into the sneaker market. They can outspend us on advertising. They can cut their prices. The one thing we have is performance. People believe our products are better, so we need to make sure they stay better.
Mary Zofries
I understand. We'll make sure the shoes are perfect.
Kevin Plank
Plank nods and picks up the next shoe, the Protospeed. It's not technically a running shoe, but it is designed for people who prioritize quickness. Plank inspects the shoe and then presses into the cross cushioning. This time he nods approvingly. Yep, this one's looking good. Cushioning's in the right place. It's light. The designer smiles, and Plank feels a bit of the tension he's carrying in his shoulders start to ease. A lot is riding on these shoes. Under Armour spent several million dollars on an upcoming super bowl ad to announce their entry into the sneaker market. Plank believes that in the long run, shoes will outsell apparel. But this is a major shift for the company, and first impressions matter. Under Armour's three different cross trainers hit the market in early May 2008 as part of their prototype line. The reviews are mostly positive. Some critics knocked the design. One reviewer even calls their look dorky. But most generally praise the shoe's comfort, support and snug fit. Nike responds by releasing a new version of their cross trainer and marketing it heavily. And despite positive reviews, sales of Under Armour's cross trainers are disappointing. Analysts criticized the decision to run a Super bowl ad in February, three months before the shoes became available. By the time they hit stores, many customers had forgotten about the hype. Just three weeks after the cross trainers go on sale, Under Armour holds its annual investors Day. There, Plank announces something bold that a running shoe is coming in early 2009. But those sales are even worse. By 2010, Under Armour controls just 1% of the athletic shoe marketplank isn't deterred. He still believes Under Armour can dominate the shoe market and take on Nike. He orders his marketing department to stop positioning Under Armour as an apparel company. From now on, it's a performance company. Then, in the fall of 2010, Under Armour releases its first basketball shoe. It's a bold move. Nike controls around 95% of the US basketball ball shoe market, and they're willing to spend big to protect their share of it. In 2009, Nike's marketing budget was three times Under Armour's total sales. Analysts warn that another failed shoe could damage Under Armour's entire brand. But Plank insists he's learned from past mistakes. He hires several former Nike executives with deep expertise in the basketball shoe category. Instead of another splashy super bowl ad, he gives limited numbers of the shoe to prime retail locations to build demand. By 2011, a year after the basketball shoe debuted, there are signs of progress. Under Armour shoe sales are up 27% from the previous year. But perspective matters. Nike remains miles ahead of them, controlling 42% of the American athletic shoe market, while Under Armour is still hovering around 1%. One of the problems is that Under Armour shoes still aren't seen as cool. In fall 2011, the company provides shoes to two teams playing in the finals of a high profile youth league in New York City. The championship game is held at Madison Square Garden. These are some of the most promising teenage basketball players in the country. Even though the young athletes seem to like playing in their Under Armour shoes, as soon as the game is over, almost all of them change back into their Nike Air Jordans. And that's what Under Armour decides it needs to boost its cool factor. A hot young basketball star to build a signature shoe around. Now, just one problem here. When you start chasing cool, you risk cooling off what made you hot in the first place. Under Armour won by obsessing over performance. Function over flash. But basketball isn't just performance. It's culture, status, style, identity. So when they moved into sneakers, especially hoops, they needed to attack a different problem. Not does it work? But how's it look walking into the gym? The danger here is losing sight of a basic lesson. The skills that win you your first market are not always the skills that'll win you the next one. In 2013, Under Armour learns that Golden State warriors star Steph Curry is unhappy at Nike. He feels overlooked and like Nike, isn't paying enough attention to him. There was also a disastrous meeting where Nike executives mispronounced his name and accidentally used another player's name in a PowerPoint presentation. If under Armour can sign a star of Curry's caliber and poach him from Nike, that would send a powerful message that Under Armour belongs. But it won't be easy to convince Curry to take a chance on a company that's so new to the basketball ship market. Hey, remember our series on Gatorade, how they chased down Michael Jordan and plied him with Cuban cigars, special dinners, the rock star treatment here's the thing. Curry already knows he's got the cool that Under Armour needs. The trick is convincing him he won't be squandering that capital by signing with Under Armour. The key challenger brands don't win by matching the incumbent. They win by making their partners feel bigger than they would inside the machine. So Planck and the other Under Armour executives come up with a creative plan to pique Curry's interest, one that involves Curry's locker neighbor, Kent Bazemore. It's 2013 in Oakland, California. Golden State Warrior point guard Steph Curry is pulling his jersey over his head when a shoebox tumbles out of Kent Bazemore's locker. Bazemore laughs and picks up the box, struggling to shove it back into his locker, which is overflowing with shoeboxes, shirts, hoodies and more. Curry asks him what all of that is. Bazemore shrugs. It's from Under Armour, his sponsor. They keep sending him gear. When he first joined the team, Under Armour sent 19 boxes of merchandise to his apartment. He looks at Curry and says he can't imagine how many boxes Curry must get from Nike. He's a real star. While Bazemore is just a rookie and an undrafted one at that. Curry gives Bazemore a curt nod. He receives the merchandise Nike is contractually required to send him, but he certainly isn't showered with product the way Bazemore seems to be. As Curry heads towards the trainer for a pre game stretching session session, he makes a mental note to ask his agent to call Under Armour. They seem like they'd pay attention to him in a way that Nike doesn't. In fall 2013, Under Armour and Steph Curry announce they've signed a deal. The company promises that a Curry signature shoe akin to Nike's Air Jordan will be released soon. Under Armour is now seen as a major player in the basketball shoe market, and a year later, in 2014, the company surpasses Adidas to become the number two sportswear brand in the United States. But Nike still looms far ahead, with a market cap that is five times bigger. And in Under Armour's relentless pursuit of Nike, there's a growing risk in trying to become bigger. They just might forget what made them great in the first place. From Audible Originals this is episode one of Under Armour's attack on Nike for business wars. A quick note about recreations you've been hearing. In most cases, we can't know exactly what was said at the time. Those scenes are dramatizations, but they are based on research and if you'd like to check out more, we recommend Under Armour CEO Kevin Plank and His Underdog Horse Farm by Monty Burke, published in Forbes. Also Under Armour Gets Serious by Daniel Roberts, published in Fortune and a half court shot for Under Armour by Matthew Townsend, published in Bloomberg. I'm your host, David Brown. Austin Rachlis wrote this story. Voice acting by Chloe Elmore. Our senior producers are Jenny Bloom and Emily Frost. Our producer is Tristan Donovan of Yellow Hand. Karen Lowe is our producer Emeritus. Our Managing producer is Desi Blalock. Fact Checking by Gabrielle Jolais. Kyle Randall is our lead sound designer. Sound design by Josh Morales, Executive Producer for Audible Jenny Lauer Beckman, Head of Creative Development at Audible Kate Navin, Head of Audible Originals North America Marshall Louie, Chief Content Officer Rachel Giazza Copyright 2026 by Audible Originals, LLC Sound Recording Copyright 2026by Audible Originals, LLC. Follow Business wars on the Audible app or wherever you get your podcasts. You can listen to all episodes of Business wars ad free by joining Audible.
Date: March 18, 2026
Host: David Brown
Publisher: Audible Originals
This episode kicks off a new season focused on the corporate battle between Under Armour and Nike—two giants fighting for dominance in the athletic wear industry. Through dramatized conversations and detailed narration, host David Brown explores Under Armour’s meteoric rise, its founding by Kevin Plank, the company’s fight for legitimacy, and the bold decisions that put it on a collision course with sportswear titan Nike. The story covers the journey from founding to IPO, challenges of breaking into footwear, high-stakes marketing moves, and the pursuit of both mainstream and cultural “cool.”
Oliver Stone (via Mary Zofries, costume designer):
“These all feel so basic. I want something futuristic, something new.” (22:12)
“I like this. It looks high-tech. Befitting of someone who’s leaving it all on the field.” (23:10)
Cultural Impact:
Plank leverages the film cameo by funding an ESPN Magazine ad, asking employees to defer paychecks to finance it.
Result: $800,000 in sales from one ad—over half of previous year’s revenue.
| Segment | Timestamp | |-----------------------------------------------------|-----------| | Kevin Plank’s founding insight | 08:24 | | Early hustle and first sale | 14:25–15:35 | | The “Any Given Sunday” deal and ESPN ad | 21:41–25:15 | | “Protect This House” ad and culture-building | 29:30 | | Turning down billion-dollar buyout | 01:47–03:45, 31:50 | | The gamble into footwear | 33:50–38:00 | | Recruiting Steph Curry & focus on “cool” | 41:00–44:00 |
Edward Stack:
“Of all the athletic wear companies I have ever seen over the years, you’re the one that can take them on.” (03:02)
Kevin Plank:
“I just don’t want to make a huge mistake and walk away from a pile of money that could change my life.” (02:36)
David Brown:
“The skills that win you your first market are not always the skills that’ll win you the next one.” (39:57)
Narration on brand shift:
“From now on, it’s a performance company.” (38:40)
The narration is energetic and detailed, blending dramatized dialogue with crisp, engaging storytelling. The tone is both inspirational and cautionary, highlighting both the hustle and hubris behind Under Armour’s rise, and the peril in losing sight of what made it special.
This episode launches a saga not just of market competition, but of vision, grit, and cultural transformation. Under Armour’s journey—from sweat-soaked sidelines to Nike’s challenger—shows the high risks and greater ambitions that define business warfare. The final segments set up future episodes: will Under Armour keep its edge, or will pursuing Nike cost the company its authenticity?
Ideal for:
Listeners interested in entrepreneurship, business strategy, brand-building, sports culture, and dramatic real-life rivalries.