Barrie Craig and Rogue’s Gallery

Summary

Podcast Summary: Case Closed! (Old Time Radio)
Episode: Barrie Craig and Rogue’s Gallery
Release Date: November 21, 2024
Host/Author: RelicRadio.com
Duration: Approximately 60 minutes

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Introduction

In this riveting episode of Case Closed!, RelicRadio.com transports listeners back to the golden age of radio with two enthralling crime stories. Hosted by RelicRadio.com, the episode features Barry Craig, a Confidential Investigator portrayed by William Gargan, in the story "Death Buys a Bedroom," followed by a thrilling adventure with Richard Rogue, a private detective voiced by Dick Powell, in "Rogues Gallery and Murder with Muriel."

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Story 1: Death Buys a Bedroom

Aired: July 27, 1954
Character: Barry Craig, Confidential Investigator
Actor: William Gargan

Overview

Barry Craig, a seasoned confidential investigator, finds himself embroiled in a perilous situation aboard a train heading towards the Adirondacks. What begins as a seemingly routine journey quickly escalates into a life-threatening encounter involving murder, deception, and a mysterious envelope.

Detailed Summary

00:00 - 01:16:
The host introduces Barry Craig, played by William Gargan, setting the stage for "Death Buys a Bedroom." Barry reflects on murderers being human, occasionally needing a break from their grim activities:

Barry Craig: "Murderers are human just like anybody else. Every once in a while, their work begins to tire them. They need a vacation, which isn't too much of a change for them. They kill time instead of people."
(00:37)

01:16 - 03:00:
Barry describes his plans to escape the bustling New York City for a week of fishing in the Adirondacks, despite his disdain for fishing:

Barry Craig: "I was going away from it in the general direction of the Adirondacks. And a week's fishing. I rarely catch any fish, which makes two parties of the deal very happy. The fish and me. And I hate fish."
(01:16)

03:00 - 06:35:
In the club car, Barry encounters Claire Roberts, who discreetly hands him a small envelope. Suspicion arises when Barry notices the waiter tampering with Claire's drink. An altercation ensues as Wiley, a menacing figure armed with a silencer-equipped revolver, confronts Barry over the envelope:

Barry Craig: "I spotted the waiter dropping something into your drink when he was bringing it. Oh, no. Hold it. A little accident, sir."
(03:12)

Wiley: "Mr. Craig, you may be under the impression that this gun I'm pointing at you is merely for display purposes. It isn't."
(05:12)

Wiley demands the envelope, threatening Barry with deadly force if he doesn't comply. Barry, realizing the gravity of the situation, recalls Wiley's description and uses his investigative skills to deduce Wiley's motives and connections.

06:35 - 15:54:
As tensions escalate, Barry navigates through deceit and hidden agendas. He learns that Wiley is connected to James Bryan, an escaped convict, and that the envelope contains crucial information leading to an attempted murder. Barry's quick thinking allows him to outmaneuver Wiley on the train, ultimately hiding the envelope in a seemingly safe spot. However, the plot thickens as multiple cab drivers and hidden agendas come into play, revealing a web of betrayal and greed.

15:54 - 28:00:
Barry's journey continues to unravel as he interacts with various characters, including Claire Roberts and James Bryan. The storyline reaches a climax with a dramatic confrontation at the Shady Glade Motel, where alliances shift, and true intentions are exposed. Barry leverages his wit and resourcefulness to bring the culprits to justice, ensuring the safety of Claire and recovering the vital envelope.

Notable Quotes

• Barry Craig: "Murderers are human just like anybody else."
  (00:37)

• Wiley: "The only sound this gun will make when fired would resemble a cough."
  (05:13)

• Barry Craig: "I didn't rush to revive her with things to be done first. One of them was to get her suitcase over."
  (10:00)

• Wiley: "I would rather have that envelope from you alive. But I am prepared to forego my preferences and take it from you dead."
  (05:59)

Conclusion of Story 1

"Death Buys a Bedroom" masterfully intertwines mystery and suspense, showcasing Barry Craig's determination and cunning. The story concludes with Barry successfully navigating the treacherous situation, apprehending Wiley and Brian, and ensuring the safety of all involved parties. The host hints at the next week's story, "For Love of Murder," promising more thrilling tales.

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Story 2: Rogues Gallery and Murder with Muriel

Aired: October 25, 1945
Character: Richard Rogue, Private Detective
Actor: Dick Powell

Overview

In "Rogues Gallery and Murder with Muriel," private detective Richard Rogue, portrayed by Dick Powell, becomes entangled in a complex web of deceit, murder, and hidden treasures. This story delves into Rogue's encounter with Muriel Scott and the pursuit of a buried fortune, leading to unexpected twists and perilous confrontations.

Detailed Summary

30:00 - 34:07:
The episode transitions to the world of Richard Rogue, who is engaged in a routine task at his desk. The plot thickens as Rogue interacts with his colleague, Joe Layton, highlighting the undercurrents of tension and deceit in their professional environment.

34:07 - 38:12:
Rogue receives a mysterious call from Muriel Scott, urging him to meet at the Rialto Theater. Suspense builds as Rogue's investigation leads him to the Shady Glade Motel, where he confronts Muriel and her accomplices, Wiley and Joe Layton. The search for a buried treasure map intensifies, revealing Muriel's ulterior motives.

Muriel Scott: "Please meet me there as soon as possible. Please hurry."
(35:46)

38:12 - 44:52:
The narrative delves deeper into the dynamics between Rogue, Muriel, and Wiley. Schemes unfold as they attempt to secure the hidden treasure, culminating in violent confrontations and strategic maneuvers. Rogue's detective skills are put to the test as he navigates treacherous alliances and unforeseen betrayals.

44:52 - 56:37:
As the hunt for the treasure reaches its zenith, Rogue finds himself face-to-face with the true mastermind behind the scheme. A dramatic showdown ensues, leading to the unraveling of the plot and the resolution of the characters' conflicting agendas. The story concludes with Rogue asserting his dominance, ensuring justice prevails.

Notable Quotes

• Joe Layton: "I'll take a drive out into the valley for 1100 skins anytime."
  (34:46)

• James Bryan: "It's a matter of life and death, Mr. Rogue, I'm afraid."
  (35:50)

• Waiter/Muriel: "I love girls, especially girls with Muriel's gifts."
  (48:26)

• James Bryan: "Put up your hands. I'm gonna get that map if I have to kill you."
  (46:19)

• Waiter: "This little girl helped to kill Joe Layton."
  (56:41)

Conclusion of Story 2

"Rogues Gallery and Murder with Muriel" captivates listeners with its intricate plot and dynamic characters. Richard Rogue's unwavering pursuit of the truth leads to the exposure of Muriel Scott's schemes and the ultimate downfall of the antagonists. The story emphasizes themes of trust, betrayal, and the relentless quest for justice, hallmark traits of classic detective narratives.

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Final Thoughts and Teasers

The episode seamlessly blends two classic crime stories, each offering unique challenges and showcasing the protagonists' prowess in solving intricate cases. The host closes by teasing the next episode's story, "Photo Finish," intriguing listeners with promises of more suspense and mystery.

Host: "Next week's story for love of murder... Good night, folks. See you next week."
(27:29)

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Additional Content and Advertisements

Throughout the episode, listeners are treated to advertisements and promotional content for products like Fitch's Shaving Cream and Dandruff Remove Remover Shampoo, characteristic of the old-time radio format. These segments, while not part of the main narrative, add authenticity and period charm to the listening experience.

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Conclusion

This episode of Case Closed! offers a nostalgic journey into the golden age of radio dramas, presenting two compelling stories that blend mystery, suspense, and detective ingenuity. Fans of classic crime stories will find "Death Buys a Bedroom" and "Rogues Gallery and Murder with Muriel" both engaging and evocative, capturing the essence of timeless storytelling.

For more episodes and a vast collection of old-time radio dramas, visit RelicRadio.com and enjoy the rich tapestry of classic crime tales brought back to life.

Transcript

[Host]

Welcome back to Case Closed. One hour of mystery and crime from the golden age of radio. Every Wednesday@ Relicradio.com our first story comes from Barry Craig, Confidential Investigator. This week we'll hear Death Buys a Bedroom. That one aired July 27, 1954. After that, it's Rogues Gallery and Murder with Muriel, from October 25, 1945.

[William Gargan]

William Gargan stars as Barry Craig, Confidential Investigator.

[Barry Craig]

Murderers are human just like anybody else. Every once in a while, their work begins to tire them. They need a vacation, which isn't too much of a change for them. They kill time instead of people.

[William Gargan]

The National Broadcasting Company presents William Goggin in another transformation transcribed drama of mystery and adventure with America's number one detective, Barry Craig, Confidential investigator.

[Barry Craig]

Barry Craig speaking. The office where my license as a confidential investigator hangs is on Madison Avenue. Madison Avenue is in New York City. New York City in the summertime is a good place to go away from. I was going away from it in the general direction of the Adirondacks. And a week's fishing. I rarely catch any fish, which makes two parties of the deal very happy. The fish and me. And I hate fish. I was in the club car looking admiringly at a Plantis Punch when company came.

[Claire Roberts]

Would you have any objections if I sat here?

[Barry Craig]

Well, would anybody object to Santa Claus dropping in?

[Claire Roberts]

Thank you. What's your name?

[Barry Craig]

Barry Craig.

[Claire Roberts]

I'm Claire Roberts. What are you drinking?

[Barry Craig]

I haven't started yet. It's almost too pretty to drink. It's a Planter's Punch. Mm.

[Claire Roberts]

Looks wonderful. Would you mind?

[Barry Craig]

No. Oh, wait a. Yes, sir? One of these for the lady. A platter's punch, sir? Right away.

[Claire Roberts]

Where are you going, Barry?

[Barry Craig]

The Adirondack.

[Claire Roberts]

They're very tall mountains.

[Barry Craig]

Well, I don't intend to climb any. What I had in mind was a small amount of fishing.

[Claire Roberts]

Well, that's a wonderful coincidence.

[Barry Craig]

It is?

[Claire Roberts]

I'm going fishing too.

[Barry Craig]

What?

[Claire Roberts]

Fish.

[Barry Craig]

Oh, fine.

[Claire Roberts]

Barry, before the waiter gets back.

[Barry Craig]

Yes?

[Claire Roberts]

Will you keep this for me?

[Barry Craig]

This?

[Claire Roberts]

It's only a small envelope. Please, Barry.

[Barry Craig]

Well, why do you give it back to me? Oh. Your drink, madam.

[Claire Roberts]

Thank you.

[Waiter]

Will there be anything else, sir?

[Barry Craig]

Not right now. Thank you, sir.

[Claire Roberts]

What did you do with the envelope?

[Barry Craig]

My breast pocket.

[Claire Roberts]

You're very sweet. And now let's drink the blank. Watch out. You knocked the glass out of my hand. Yeah, well, I suppose accidents will happen.

[Barry Craig]

No accident.

[Claire Roberts]

What?

[Barry Craig]

I spotted the waiter dropping something into your drink when he was bringing it. Oh, no. Hold it. A little accident, sir. That's the way it looks. I'll get the lady another drink. Don't bother. The lady isn't thirsty anymore. Thank you, sir. Come on, Clare. I did want that drink, even if it was poisoned. I could have been wrong. Maybe all the way to dumped into the drink was a pinch of nutmeg or something. I didn't think so, though.

[Claire Roberts]

I've taken a bedroom. Here it is. Would you like to come in for a bit?

[Barry Craig]

Sure.

[Claire Roberts]

You're wondering about me, aren't you, Barry?

[Barry Craig]

A little.

[Claire Roberts]

Was it nice?

[Barry Craig]

It was puzzled.

[Claire Roberts]

Oh, you mean the envelope and the drink. I'd like to tell you what's in the envelope, but I don't dare.

[Barry Craig]

Why not?

[Claire Roberts]

Because then you might become one of them.

[Barry Craig]

One of who?

[Claire Roberts]

One of the people who want me to die.

[Barry Craig]

She didn't go on to explain. There wasn't much conversation after that. She said she was tired. I said good night and went on to my bedroom. Hmm. I've been careless and left the lights on.

[Wiley]

Ah, but you didn't leave the lights on.

[Barry Craig]

I didn't, huh?

[Wiley]

I put them on.

[Barry Craig]

Why?

[Wiley]

I'm afraid of the dark, shall we say?

[Barry Craig]

If you like.

[Wiley]

Now, Mr. Craig, if it wouldn't trouble you too much, may I have the envelope Ms. Roberts gave you?

[Barry Craig]

It would trouble me too much.

[Wiley]

I was being polite, but only superficially. The envelope, if you please.

[Barry Craig]

I don't have it.

[Wiley]

Mr. Craig, you may be under the impression that this gun I'm pointing at you is merely for display purposes. It isn't. It's a rather deadly weapon. If I must employ it on you, I shall.

[Barry Craig]

Aboard a train filled with people.

[Wiley]

Oh, come now, Mr. Craig. Surely you know enough about firearms to recognize a silencer, don't you? The only sound this gun will make when fired would resemble a cough.

[Barry Craig]

I don't have a cold. You were pleased to make a jest.

[Wiley]

I have smiled. Now, the envelope.

[Barry Craig]

I haven't got it.

[Wiley]

I'm not a child, Mr. Craig. I know Ms. Roberts gave it to you.

[Barry Craig]

You must have been snooping.

[Wiley]

I would rather have that envelope from you alive. But I am prepared to forego my preferences and take it from you dead.

[Barry Craig]

Well, stick to your preferences. Would you like to search me? Take your jacket off. Okay. And toss it to you.

[Wiley]

Oh, no. Just drop it at your feet, Dion. Now move back against the wall.

[Barry Craig]

A careful boy.

[Wiley]

An explanation of why, in my profession, I am still alive. Your jacket.

[Barry Craig]

No envelope.

[Wiley]

No envelope, Mr. Craig?

[Barry Craig]

Yeah.

[Wiley]

Where is it?

[Barry Craig]

I don't remember.

[Wiley]

Very well. You have exactly five minutes in which to remember what you did with that envelope, five minutes in which to remember or die.

[Barry Craig]

The gentleman with the silencer on his revolver was a tired looking man, beautifully dressed. Right down with the gloves he wore. It occurred to me they'd never find his prints on the gun he was getting ready to use on me. I felt bitter about that. I also began wondering how smart I'd been hiding Claire's envelope in Claire's bedroom.

[Wiley]

You haven't very much time left.

[Barry Craig]

I haven't got the envelope either. But before you knock me off, maybe it would be more polite if you mentioned your name.

[Wiley]

It's Wiley, if that helps you any.

[Barry Craig]

Wiley doesn't help at all. I come right in.

[Claire Roberts]

Don't tell.

[Barry Craig]

Sorry, Mr. Craig. I'm Craig. I have a telegram for you. Fine. You'd better wait. There might be an answer. Mr. Wiley here is leaving anyway.

[Wiley]

Yes, of course. Leaving your bedroom, Mr. Craig, not the train.

[Barry Craig]

Hmm. Well, let's get at the telegram. Hey. Nothing here but a blank sheet of paper. That's right, Mr. Craig. Maybe it's right, but it isn't usual. Well, I thought it would be the best excuse for getting the other gentleman out of here. Any excuse would have been the best. I don't understand how you come in on this, though. Ms. Roberts sent me. For what? The envelope she asked you to hold for her. She would like to have it now, of course. Oh, a conductor. Yes. Well, what time is it? Let me see. 1050. Thanks. Now, if you'll give me the envelope. That's a nice costume you're wearing. Costume? Sure. I've never seen a real conductor wear a wristwatch before. He must have had a glass jaw. It went down and out quietly and quickly. I worried for a couple seconds. Maybe conductors had started wearing wristwatches. But then I stopped worrying because after I went through his pockets, I found out his name was James Bryan. His shoulder holster told me he preferred a.32 caliber revolver with its serial number filed off. And the haircut under the borrowed conductor's Cap said that Mr. Bryan had very recently been a guest at a penitentiary. I left the phony conductor in my bedroom and decided to visit Claire Roberts and hers. It was maybe time I found out exactly what was in that envelope. It was a vestibule between the car she had her bedroom in and mine. The vestibule? It was occupied by a club car waiter who tried to drive all poisons by a lottery. A waiter who'd finished with waiting, though somebody had buried a knife in his back. Who is it? Barry Craig. Just a minute.

[Claire Roberts]

It's Pretty late.

[Barry Craig]

I've been keeping in touch with the time.

[Claire Roberts]

Has anything happened?

[Barry Craig]

Quite a lot has happened. You better let me in.

[Claire Roberts]

Of course.

[Barry Craig]

Thank you.

[Claire Roberts]

You still have the envelope?

[Barry Craig]

No, Barry. Don't worry. I know where it is.

[James Bryan]

Where?

[Barry Craig]

In a safe place. Claire, what's inside that envelope?

[Claire Roberts]

I can't tell you. It's not my secret.

[Barry Craig]

I wonder if you realize exactly what kind of a secret it is.

[Claire Roberts]

I'm not sure I know what you mean.

[Barry Craig]

It's led, among other things, to an attempt on my life. It has also led to imposture, led me to knock a man down, and finally, very finally, it led to the death of a man.

[Claire Roberts]

Which man?

[Barry Craig]

The waiter who tried to gimmick your drink.

[Claire Roberts]

But the waiter. But I didn't even know him.

[Barry Craig]

Maybe not, but he knew you.

[Claire Roberts]

I. I can't help that.

[Barry Craig]

You can tell me what's inside the envelope.

[Claire Roberts]

I can't. Believe me.

[Barry Craig]

Barry, could you tell Mr. Wylie about it? I see you recognize the name.

[Claire Roberts]

He's the head of them, the people after the.

[Barry Craig]

The what?

[Claire Roberts]

Barry, he's evil. He's terribly evil.

[Barry Craig]

So is that lion. Claire, would it interest you to know that among those aboard this train is the next convict named James Br. I didn't catch her as she fell. I let her fall. She hit pretty hard. Which told me at least one thing. Paint was genuine. I didn't rush to revive her with things to be done first. One of them was to get her suitcase over. I did. There were clothes in it. Maybe I was a cat intruding on a beautiful girl's privacy. Any thoughts I might have had about that didn't last long. For a girl who was going fishing, Claire Roberts had packed the wrong thing. A couple of silk dresses, sweaters, odds and ends of nylon and a number of high heeled shoes. So I shut the suitcase. It would have been fun thinking of how Claire would look in various clothes she was carrying. But I didn't have time for fun. One thing was pretty obvious. With the clothes she'd brought, whatever she was going fishing for, it wasn't fish. Barry. Yes.

[Claire Roberts]

I must have fainted.

[Barry Craig]

You did. Here, I'll give you a hand up.

[Claire Roberts]

Thanks. Was silly fainting.

[Barry Craig]

My feet. It was genuine. Who's James Bryant?

[Claire Roberts]

I don't know.

[Barry Craig]

Just the mention of his name made you faint.

[Claire Roberts]

Well, I meant I don't know what he's doing on this train. He's a gangster, Barry.

[Barry Craig]

Uh huh.

[Claire Roberts]

He kills people.

[Barry Craig]

In which case he ought to be in jail. Why isn't he?

[Claire Roberts]

Well, he was in Jail?

[Barry Craig]

Barry.

[Claire Roberts]

He must have escaped.

[Barry Craig]

That's not legal.

[Claire Roberts]

You're sure he's on this train?

[Barry Craig]

Very sure. He's the Jedi knocked out a little while ago.

[Claire Roberts]

Where is he?

[Barry Craig]

In my bedroom. You're about to suggest I get a half a dozen conductors together and rest Brian? No, no.

[Claire Roberts]

Well, I mean. Well, of course he's an escaped convict and all that, but. The door. Something's open.

[Barry Craig]

That light put it out. The shots missed Claire. They miss me. They were, after all, shots in the dark. They did wake a lot of conductors, though. These were genuine conductors. They all carried night's big watches, which made them helpful so far as giving us the right timing. But beyond that, they didn't have any good ideas, so they left.

[Claire Roberts]

Barry.

[Barry Craig]

Yes?

[Claire Roberts]

You didn't tell them about the envelope I gave you.

[Barry Craig]

Neither did you.

[Claire Roberts]

You didn't tell them about the dead waiter, either.

[Barry Craig]

Waste of time. They all came through the vestibule where I'd seen him.

[Claire Roberts]

But they didn't mention anything about our dead waiter?

[Barry Craig]

No. Which means he isn't with us anymore.

[Claire Roberts]

Somebody threw him off the train.

[Barry Craig]

Has to be Brian. That's a question Brian could answer better than I. I think I'll go look him up.

[Claire Roberts]

I don't want you to leave me.

[Barry Craig]

There's a conductor on watch outside this bedroom. You'll be safe enough.

[Claire Roberts]

Maybe, but will you?

[Barry Craig]

I didn't waste any time thinking up an answer to that question. I couldn't think of a good one anyway. I did hesitate for a minute outside my bedroom door and then decided that he who hesitates is A. Hesitated. Mr. Brian. I discovered at last. Maybe I should have been sorry about that. I wasn't. Time was 20 past midnight. In a few hours we'd be reaching the Adirondacks and the fishing lakes that Claire was heading for, according to her. I wondered if going to sleep was the smart thing to do. Well, I could brush my teeth anyway, I decided. It's good for your teeth. By the time I got my toothbrush out, though, I changed my mind. I'd packed a blue one. The one I found in my suitcase was yellow. I lifted it to my nose and put it right down again. The bristles had been thoroughly soaked in something I strongly suspected was a deadly poison. Poison that gives off the odor of almond. Come in. I'm sorry I have to barge in on you so late, but. Well, that's all right, Mr. Great. As head conductor on this train, you might be able to help. Anything else happen? No. But it was intended to. That's unimportant though, there's a Mr. Wiley on this train. Could you tell me where he is? Well, if he's reserved a compartment or bedroom. Yes. Give me a moment. Sure. Those shots at you and the lady are dreadful. Well, they're not so bad. They all missed. Mr. Thomas Wiley has a compartment B in car 437. Thanks. Is that all you wanted? It'll have to do for right now except we're on our way to Martindale. Have they had anything exciting happen up there recently? Martindale?

[Wiley]

Well, it seems that the postmaster's wife.

[Barry Craig]

And the grocery clerk. Oh, I didn't exactly mean along those lines. I. I meant any crimes, hold ups or. Whoa. Oh, I see. Well. Well, yes, yes, there was something. It. It happened several weeks ago. Well, what was it? A payroll robber. It seems to me a man killed too. The watchman? Any criminal? Well, the police are still looking for them. As far as I know they worked pretty quick. The reason I remember about it is the train was held up for a couple of hours while the police went through it looking for the payroll money. Would they find it? No, they didn't. They couldn't hold anybody either. There was no proof, you see. Large payroll. Well, it's one of the lumber concerns back in the mountains. Pretty large. I'd say. Too large to get into a small envelope. Oh yes. Well, thanks a lot. Well, I've been glad to answer your questions. That's great. I wonder if Mr. Wy will be. I had plenty to think about while finding compartment B, car 437. By the time I found it, I stopped thinking.

[Wiley]

Who's there?

[Barry Craig]

Barry Craig.

[Wiley]

I wasn't really expecting you.

[Barry Craig]

Weren't you? Better take your hand out of that pocket before I come in.

[Wiley]

I.

[Barry Craig]

There's a conductor in this car. He wouldn't approve of shooting passengers.

[Wiley]

Very well, I'll disarm for the moment.

[Barry Craig]

There.

[Wiley]

Guns out of the way. Come in.

[Barry Craig]

Thanks.

[Wiley]

Now, to what do I owe this visit?

[Barry Craig]

The fact that I didn't brush my teeth.

[Wiley]

You're being obscure.

[Barry Craig]

Blunt.

[Wiley]

Someone tampered with your toothbrush.

[Barry Craig]

You did.

[Wiley]

You have proof of that?

[Barry Craig]

Enough to satisfy me, among other things. How did you know it was the toothbrush, not the toothpaste that had been tampered with?

[Wiley]

Lucky guess.

[Barry Craig]

Maybe not so lucky. Wiley, did you know that James Bryan is on this train? He is?

[Wiley]

I find that of no interest.

[Barry Craig]

You're a liar. Have you seen that waiter recently? The one you bribed to drug Claire Robert's drink?

[Wiley]

You're making quite a number of unfounded Assumptions?

[Barry Craig]

No, assumptions. Not unfounded. Have you?

[Wiley]

I don't choose to spend my time with waiters.

[Barry Craig]

Too bad you didn't spend more time with this one.

[Wiley]

Oh, why?

[Barry Craig]

You might have talked him out of testifying against you. You're lying. You really think so?

[Wiley]

I don't know what the waiter may have told you, but whatever it was, it's not true.

[Barry Craig]

He.

[Wiley]

He's a blackmailer.

[Barry Craig]

That could be. Roberts and I were shot at less than an hour ago.

[Wiley]

Well, I've been in this bedroom for the last two hours.

[Barry Craig]

Got any witnesses to prove that?

[Wiley]

No, you could hardly expect.

[Barry Craig]

True enough. Mr. Wylie, how do you feel about payrolls?

[Wiley]

I have no particular feelings about them.

[Barry Craig]

We're reaching Martindale in a few hours. You're getting off there?

[Wiley]

Why should I be traveling there otherwise?

[Barry Craig]

For the same reason that Claire Roberts is or James Bryan is.

[Wiley]

And that reason being the payoff.

[Barry Craig]

I left Mr. Wylie. His conversation lacked frankness. I wandered through the train looking for Mr. Bryan. I didn't think he'd be out in public view. He wasn't. I returned to my bedroom, shaved and twiddled my thumb. The only result of that was that half hour before arrival, I almost sprained my left thumb.

[Claire Roberts]

Barry.

[Barry Craig]

I was hoping you wouldn't be asleep.

[Claire Roberts]

I couldn't come in. Barry, I'm frightened.

[Barry Craig]

You've got reason enough. Someone's tried to drug you and to shoot you.

[Claire Roberts]

I know.

[Barry Craig]

You haven't asked me for that envelope again.

[Claire Roberts]

I think maybe you better keep it.

[Barry Craig]

Until when?

[Claire Roberts]

Where are you going to be staying?

[Barry Craig]

The Green Lake Lodge.

[Claire Roberts]

Do you know what the phone number is?

[Barry Craig]

Green Lake, 465.

[Claire Roberts]

465. I'll phone you after we get in, as soon as I think it's safe and then we can meet.

[Barry Craig]

And you're sure you'll phone me?

[Claire Roberts]

Well, of course. I want that envelope after all I've gone through because of it, you know.

[Barry Craig]

Okay, then you'll phone me? Well, looks like we've arrived on time.

[Claire Roberts]

Yes.

[Barry Craig]

I think maybe I better get that envelope now.

[Claire Roberts]

Get it?

[Barry Craig]

Yeah. I slipped it behind the seat cushion here.

[Claire Roberts]

What?

[Barry Craig]

Uh huh. Untouched.

[Claire Roberts]

You hid it here?

[Barry Craig]

Sure. Safest place for it. The last place anyone would think of my hiding it in after they'd seen you give it to me in the club car.

[Claire Roberts]

Barry, you are clever.

[Barry Craig]

Now, you better leave first. I'll follow after a while. And Claire? Yes? Give me a ring sometime, huh? Claire got off the train and I watched. Wiley got off immediately after she did. He didn't follow. Brian also must have left the train. But he didn't show in the open. However, he didn't follow Claire either. Nobody it was seen was interested in where she was going. But when I got into a cab, it was a different proposition. Mister. Yeah? Ain't none of my business, but there's a cab following us. There is there? You're right. Matter of fact, it's even more complicated than that. It is? Yeah. There's another cab following that one. It added up neatly enough. While he was trailing me, Brian was trailing Wiley. I didn't think the hotel management would care for either of them. Therefore, cab. A cap. Pull over to the curb. Okay. Wait for me. Hookeep. Craig. Craig. Have fun following me.

[Wiley]

Oh, look here, Craig.

[Barry Craig]

I suggest you look back. Back.

[Wiley]

Brian.

[Barry Craig]

Yeah.

[Wiley]

Brian, what are you after?

[Barry Craig]

Stop kidding.

[Wiley]

You're not the only one who has a gun. You dirty.

[Barry Craig]

Take it easy, boys. You've got too big an audience for fireworks. Three cab drivers. Me, they don't bother me. You don't either. Even if I owe you something for that sock on the jaw. But we'll forget it the minute you.

[Wiley]

Hand over the envelope.

[Barry Craig]

You can have it.

[Wiley]

Now, wait a moment.

[Barry Craig]

You can have it too, Mr. Wylie. Both of you can have it. One condition, though. What's that? That it's open here and now. No, no, no envelope.

[Wiley]

Don't be a fool, Brian. He could have opened it at any time if he'd wanted to. We've got nothing to lose.

[Barry Craig]

Well, okay. Thanks. This is the envelope given to me by Claire Roberts.

[Wiley]

So it would appear.

[Barry Craig]

I. Yeah? Ain't been opened. Fine. I will now open it. And we discover, to somebody's surprise maybe, that the envelope was empty. Right.

[Wiley]

Goodbye, gentlemen.

[Barry Craig]

Hey, wait. Great.

[Wiley]

How can I be sure you didn't open it before I.

[Barry Craig]

You can be sure because Mr. Wy is leaving. Yeah, you must have figured. So long. Right. Goodbye. Or maybe only till we meet again. I went on to the hotel, checked in, looked at the lake and went to sleep. I slept for quite a while. No phone call disturbed me. Towards evening, I got up and performed a couple of errands. One took very little time. The other consisted of crawling under the baggage counter at the railroad station. The baggage clerk understood.

[Claire Roberts]

Clerk.

[Barry Craig]

Yes, miss?

[Claire Roberts]

Will you get my bag for me, please? Here's the check.

[Barry Craig]

Oh, thank you, miss. Get it for you right away. They ought to build higher counters.

[James Bryan]

Barry.

[Barry Craig]

Hello, Clare.

[Claire Roberts]

What are you doing here?

[Barry Craig]

Waiting for you to phone me about the envelope.

[Claire Roberts]

Oh, I did phone several times.

[Barry Craig]

The line was busy, honey, because there's no such number.

[Claire Roberts]

You still have the envelope?

[Barry Craig]

No, no, I, I turned it over to Wiley and Brian. Oh, don't look so hopeful. They opened it right away. The baggage check you just handed the clerk wasn't in it, as Wiley and Brian had thought.

[Claire Roberts]

I, I admit I hope they'd go after you for the empty envelope.

[Barry Craig]

They did. I'm a fair sized decoy, Claire, but not made out of wood. I realized the envelope you gave me was empty. I also realized after I had had a look at your suitcase that you weren't coming up here for the fishing. You were carrying the suitcase as a blind. You came here for only one thing. Here's your bag, babe.

[Claire Roberts]

For that, you know what's in it?

[Barry Craig]

Sure. A payroll clam.

[Wiley]

Okay, baby, hang it over.

[Barry Craig]

Brian, you didn't think I was so dumb I couldn't figure the hell out on a baggage check? No, I, I.

[Wiley]

Give me that bag.

[Barry Craig]

I already killed a couple of guys for it. The waiter on the train among them. I had to make sure Claire didn't pass the baggage check to him. Don't worry. This confession ain't gonna do you much good. The large gun you have there, large enough to take care of you and the clerk. Now hand over that bag, Claire. Once I was dope enough to pass you the bag of check when the cops was after me. Not anymore.

[Claire Roberts]

All right?

[Barry Craig]

I don't think so. My hands are below the level of the counter. Brian, what'd you think I was doing while I was waiting for Claire and you to show up? What, practicing this? Funny, they never realize that the guns they use on other people can be used on them. Oh, don't go away, Claire. You've got a date. It didn't take the police long to arrive. They took Claire with them. And Brian. Brian wasn't badly hurt. He'd be in perfect health by the time they got around to electrocuting him. As for me, I went back to the lodge. I was a little sorry about Claire. The way it turned out, all I was going to wind up with was fish. The next week's story For Love of Murder. The jail cell built for two becomes a honeymooners cottage when a prisoner of love squares a triangle by simply eliminating the competition. Good night, folks. See you next week.

[William Gargan]

You have a listening to William Gargan in another exciting transcribed mystery drama from the adventures of Barry Craig, confidential investigator. Tonight's story, Death Buys a Bedroom was written by John Robert. Next week it's the strange story of For Love of Murder, about which Barry Craig has this to say in next.

[Barry Craig]

Week'S story for love of murder. The jail cell built the two becomes the honeymooners cottage when a prisoner of love squares a triangle by simply eliminating the competition. Good night, folks. See you next week.

[William Gargan]

The National Broadcasting Company has just brought you an NBC Radio Network production with William Gargan starring as Barry Craig, Confidential Investigator, directed by Arthur Jacobson. Also heard were Betty Lou Gerson as Claire, Byron Kane as the weather waiter, Jack Moyles as Wiley, Lou Krugman as Brian and Victor Rodman as the conductor, Eddie King.

[Barry Craig]

Speaking.

[William Gargan]

Here's a word about the daytime listening NBC has in store for you Monday through Friday. It's a refreshing schedule with quiz music, news and heartwarming drama. A well balanced lineup for your summer day. For quiz fun, there's Strike It Rich, the quiz show with a heart, and the Phrase that Pays, a program that can mean prizes for listeners at home as well as the studio audience. For music, there's the Bob Smith show, with plenty of laughs blended in with the melody. The drama is supplied by a series of longtime favorites programs like Stella Dallas Young, Widder Brown, the Woman in My House and many more. And for news, NBC is your best bet all through the day for keeping well informed. You'll hear commentators and reports like Alex Dreyer, Pauline Frederick Morgan Beatty, Ray Henley and many others who bring you the latest news as it happens and take you behind the scenes for the inside stories. For the very best in daytime radio entertainment, stay with NBC. There's another exciting Dragnet adventure tonight on the NBC radio network.

[Dick Powell]

The F.W. fitch Company presents Dick Powell as private detective Richard Rogue in Rogues Gallery.

[Waiter]

Rock speaking well, tonight we meet a sort of an unusual girl. Her name is Muriel, and she's quite a personality. The name of the story is Murder With Muriel. But before we get into our story, here's Jim Doyle, the man from the Fitch Company.

[Dick Powell]

Are you looking for a smooth shave, men? Then try Fitch's no Brush Shaving Cream. It'll give you the kind of shave you want because 40 years of experience have gone into the making of this product. Fitch's no Brush contains a special skin conditioner ingredient that takes the work out of shaving. You won't have to struggle and scrape against stubborn whiskers because the skin conditioner prepares your face beforehand. It holds the whiskers up so your razor can zip them down closely and quickly. Even against the grain of a tough beard, your razor will glide swiftly, never nicking or scraping pitches. No Brush is a boon to sensitive faces because it lubricates gently, keeping that tender skin from Being irritated. After this quick, easy shave, your skin will feel cool and refreshed, wonderfully smooth. And if you prefer a lather cream, try Fitch's Brush Cream. It forms a rich, abundant lather when.

[Waiter]

Applied with a brush.

[Dick Powell]

This lather stays moist all during the shave. Fitch's Brush Cream also contains the special skin conditioner for sensitive faces. Fitch's Brush and Fitch's no Brush Shaving Cream are available in handy 25 and 50 cent sizes. For a shave you like, switch to Fitch.

[Waiter]

Thank you, Jim. Now I'd like to tell my story.

[Dick Powell]

Okay, here's Dick Powell as private detective Richard Rogue in another personally conducted tour through Rogues Gallery.

[Waiter]

I was sitting at my junior executive type desk one day a few months ago. Trying to get a studious gander at the racing forum. For the next day, I had planned to attend and contribute a quick 48 bucks outside to the improvement of the breed of thoroughbreds racing at the track. 48 bucks. That's six across the board. Eight races. Six eights? That's right, 48. Well, anyway, I was working on a case for an insurance company. And they had assigned a big company detective with his brains at his feet to help me. His real job was to watch me, and he did. His girl was mad at him, and he spent all his time writing torchy poetry to her. I didn't mind that, but the big goon read it to me. That made it personal.

[Joe Layton]

Hey, listen to this one, will you, Rogie?

[Waiter]

Oh, no, I'm busy. Can't you see, Joe?

[Joe Layton]

This will put her in her place.

[Waiter]

Listen.

[Joe Layton]

Gee, Cupid stupid. His dart in my heart I trusted. Now my heart's busted. He sent me an Aphrodite who's awful righty. Don't trust Cupid. He stooped. That's a deli, ain't it? I'm gonna send it to Rose special delivery.

[Waiter]

That ought to bring her right back to you with a club in her hand. Why don't you give the dame up, Joe?

[Joe Layton]

Oh, you don't understand, Rogie.

[Barry Craig]

I love her.

[Waiter]

I'm looking for Richard Rogue. Yeah, what do you want?

[Dick Powell]

I've got a message for you. I want to talk to you privately.

[Waiter]

Okay. Okay. Come on in here. Look, I'm a busy guy today. What do you want? What's your name?

[Dick Powell]

I'm Joe Layton. Have you had a letter from Duke Dickerson?

[Barry Craig]

Nope.

[Dick Powell]

You know him, don't you?

[Waiter]

Well enough to lend him money. That answer your question?

[Dick Powell]

Well, he needs some dough, tough.

[Waiter]

He still owes me.

[Dick Powell]

He's got some stashed in a tin box out in the valley. He wants it. He wants us to get it for him.

[Waiter]

Go on.

[Dick Powell]

He's planted the dough out in the valley.

[Waiter]

Yeah. Get to the point.

[Dick Powell]

Well, he's mailed half of a map to me and the other half to you. A map showing just where the doe.

[Barry Craig]

Is buried, where to go.

[Waiter]

Get it together.

[Dick Powell]

I get the 2500 he owes me and you get the hundred he owes you. Plus a thousand for the job and Duke gets the rest.

[Joe Layton]

Okay?

[Barry Craig]

Sure, sure.

[Waiter]

I'll take a drive out into the valley for 1100 skins anytime. But I haven't got the map yet. Well, he mailed a day before yesterday. It should be here. Well, it isn't. Drop around about noon tomorrow. Maybe it'll come in the morning mail.

[Dick Powell]

The Duke needs the dough pretty bad. He's got himself in a bit of a jam in Kansas City. We'll get that dough tomorrow.

[Waiter]

There's something about money I like. I think maybe it's the feeling of power it gives me when the rent is paid. Anyway, this. This spook shoved off and I went back into the outer office where Joe Black was poison penning some more poetry. The phone rang and I thought twice.

[Dick Powell]

Before I answered it.

[Waiter]

It was almost 6 o'clock and I had plans for that evening. But I finally gave in to its yammering. Rogue. Detectives. Richard Rogue speaking.

[James Bryan]

Hello, Mr. Rogue. I must see you right away.

[Waiter]

Mm, sorry.

[James Bryan]

It's a matter of life and death, Mr. Rogue, I'm afraid.

[Waiter]

What's the matter? What's your name?

[James Bryan]

Muriel Scott. Please come to the Rialto Theater. I can't be seen talking to you. I'm in the aisle seat, center aisle. Three rows down from the rear of the theater on the right hand side out the center aisle. The seat next to mine is vacant. Please meet me there as soon as possible. Please hurry.

[Waiter]

Okay.

[Barry Craig]

Wait there.

[Joe Layton]

Who was that?

[Barry Craig]

Rogie?

[Waiter]

Oh, now look, Black, it was private business. Why don't you run along home now and get some rest?

[Joe Layton]

Oh, no. The boss told me to stick with you and that's what I'm going to do. You're tricky, you know. We don't trust you.

[Waiter]

Oh, look, I. Oh, hello. How are you doing here, Urban?

[Barry Craig]

Just dropped in to ask you a few questions, Rogue.

[Joe Layton]

Good evening, Lieutenant Urban.

[Barry Craig]

Hello, Blackie. Go wait in the hall. I want to talk with Rogue.

[Waiter]

Yes, sir. Now, what's on your mind?

[Barry Craig]

You know a guy by the name of Layton? Joe Layton?

[Waiter]

Hmm. Name sounds familiar.

[Barry Craig]

Why, he just left here, didn't he?

[Waiter]

Well, he's been here. What's that to you? What do you want to see about? I don't see how that could possibly affect you. Old man came to see me on private business. That's all the talking I'm gonna do. How'd you know he was here anyway?

[Barry Craig]

I just took a card off him. He had your name and address on it. What did he want to see you about, Rogue?

[Waiter]

He didn't mention your name. How come? You'll be shaking Joe Layton down? Is he pitched?

[Barry Craig]

No, no, he isn't in any trouble with the police, Rogie. I picked him up about a block from here a while ago. He'd been robbed and murdered.

[Waiter]

Well, this was a for Joe Layton to get dead just when he met. Eleven hundred bucks to me. I went down to the morgue with Urban to look at the body. What I really went for was a quick look through his personal effects. There was no sign of half a map. That's all I wanted to know. Urban put me on the fire for a while, trying to get me to tell him all I knew about Layton. But I didn't crack, and I left about 10:30 to drive back to my office. My shadow Blackie was right behind me. When I walked into the office, the phone was ringing.

[Barry Craig]

Rogue.

[Waiter]

Detectives. Richard Rogue speaking.

[James Bryan]

Mr. Rogue, you didn't come to the theater.

[Waiter]

Oh, I'm. I'm sorry, Muriel. Something else came up that demanded my immediate attention.

[James Bryan]

But I must see you right away. It's a matter of life or death.

[Waiter]

No, but I can't.

[James Bryan]

There's a $500 fee waiting here for you for just a few minutes. Work, please, Mr. Rogue.

[Waiter]

Huh?

[Barry Craig]

Oh. Where are you?

[James Bryan]

I'm at the Shady Glade Motel out in the valley. You know where it is?

[Waiter]

I'm sure. Sure. I've passed it a thousand times.

[James Bryan]

Will you come right out, please? Cabin number four.

[Waiter]

You say there's $500 waiting there for me? You got it there?

[James Bryan]

Yes. Please hurry. I'm frightened to death.

[Waiter]

Well, I just had 1100 skins shot out from under me, and I decided I couldn't afford to be too temperamental about a sure 500. So I ran down the stairs to my car and took off for the Shady Glade Motel and the lady with the seductive voice. It was a long drive from my office, and I spent my time trying to figure out how I was going to get in touch with Duke Dickinson and deal myself back in on that buried treasure. Deal. I couldn't tell whether Blackie had managed to tail me on this trip or not. There was so much traffic on the passengers. Well, anyway, I pulled up at the Shady Glade and knocked at the door of cabin number four.

[James Bryan]

You're Mr. Rogue?

[Waiter]

Yeah.

[James Bryan]

Come in.

[Waiter]

Well, get it off your chest.

[James Bryan]

Lady, please sit down.

[Waiter]

Okay, but I'm in a kind of a hurry. Let's make this as brief as possible.

[James Bryan]

All right. Would you care for a drink?

[Waiter]

I'd love one. But look, you were tearing your hair out a half hour ago. I got here as soon as I could by breaking a few speed laws. Now, before we get social, what's the deal?

[James Bryan]

I'm in trouble, Mr. Oak.

[Wiley]

I'll take it from here, Muriel.

[Waiter]

Huh? Oh, a reception committee with artillery, huh? Well, how about giving me a quick rundown on what's the deal? What do you want from me?

[Wiley]

You know a man by the name of Joe Layton?

[Waiter]

Yeah. I knew him, and I know what happened to him.

[Wiley]

You wouldn't want it to happen to you, would you?

[Waiter]

I don't insist on it.

[Wiley]

Get out of here, Muriel.

[James Bryan]

I'll stay.

[Wiley]

Get into the other room. Go on.

[James Bryan]

All right, Shep.

[Wiley]

All right, now, Rogue, let's get down to business. You had company today, didn't you? Layton was up to see you.

[Waiter]

That's right. Everybody seems to know that.

[Wiley]

What do you mean?

[Waiter]

The cops came to see me later. Took me down for a little questioning. You see, they knew Leighton. Called on me, too. Yeah? When you shook him down for that map, you should have taken that card with my name and address off of him.

[Wiley]

And he can't think of everything. I want your half of that map, Rogue.

[Waiter]

I don't have it.

[Wiley]

Don't lie to me, Rogue. Just give me your hair for the map.

[Waiter]

I don't have it. But even if I did, name me a reason why I should give it to you.

[Wiley]

Where is it?

[Waiter]

I don't have it. That's all I know.

[Wiley]

I'll give you $5,000 for it. Rogue, huh?

[Waiter]

Why should I sell it to you?

[Wiley]

I had to kill a man for half that map. I don't want to have to kill you unless it's absolutely necessary, believe me.

[Waiter]

I hope it won't come to that. Now, look, pretty boy. I don't have the letter. And killing me or keeping me here won't make you much of a score.

[Wiley]

Where is the letter?

[Waiter]

Why should I tell you? Let's face it, chum.

[Wiley]

Is it in your office?

[Waiter]

I haven't received it yet. It'll probably be in the morning's mail tomorrow. This is not getting anybody someplace.

[Wiley]

I'll do the Worrying about that.

[Waiter]

Yeah. Well, while you're worrying, take a look behind you. You got company. No, no.

[Wiley]

I'm surprised that you try to run that old bluff like that on me.

[Waiter]

You think it's a bluff? Hey, Blackie.

[Joe Layton]

Drop that gun.

[Barry Craig]

Mister.

[Waiter]

I couldn't miss you from here. You better drop it, pretty boy. My friend Joe Black is a very nervous type.

[Barry Craig]

Yeah. Drop it.

[Wiley]

Okay.

[Waiter]

That's a nice guy. Look, Blackie. I'll hold a gun on this citizen. There's a girl in the bedroom. Go get her.

[Barry Craig]

All right, Rogie.

[Wiley]

What are you gonna do with me, Rogue?

[Waiter]

I haven't made any plans yet. You'll be taken care of. Don't worry.

[Wiley]

Why don't we keep this to our south, Rogue? There's plenty.

[Joe Layton]

There's no Damon here, Lance. The window's open and she's gone. I. I heard a car pull away just as I came in here.

[Waiter]

Oh, that's fine. That's great.

[Barry Craig]

Well.

[Joe Layton]

Well, it isn't my fault, Rogie. I. I did what you told me to.

[Wiley]

And Uriel got away, huh?

[Waiter]

That's right. She got away. But we've still got the main attraction. That's you.

[Wiley]

Look, Rogue, there's no reason why we can't make a deal. I'm perfectly willing to cut you in for half the money.

[Waiter]

How big of you? You have to watch those generous impulses, Shep. Next thing you know, you'll be giving away the sleeves out of your vest. Hey, Blackie.

[Joe Layton]

Yeah?

[Waiter]

You just declared yourself in on five bills. Okay.

[Barry Craig]

Sure.

[Joe Layton]

What do I do?

[Waiter]

Shake him down. I want half of a hand drawn map.

[Wiley]

There's no point in us working against each other.

[Waiter]

Route.

[Wiley]

Yeah, I'll get it for you.

[Waiter]

Keep your hands away from your pockets.

[Joe Layton]

Yeah, just keep them up in the air and I won't have to break your thick skull.

[Waiter]

Toss me as well as Blacky.

[Joe Layton]

Quit squirming, you. Hey, Rogie. On a nice wallet it is too. Maybe you let me have it, huh, Rogi? After you've taken a map out, of course.

[Waiter]

That's what I love about you, Blacky. You have such big ideas. Ah, well. Quite a bit of dough here and a driver's license. Glad to see that you're a law abiding citizen chef. Oh, now here it is. A little piece of paper worth 25 grand.

[Wiley]

Now look, Rogue. Suppose I work with you? Just cut me in for five grand.

[Waiter]

A little late for that, Shep. Blackie.

[Joe Layton]

Yeah?

[Waiter]

I'm afraid our friend Shep might be a burden. You better put him to sleep.

[Wiley]

For a while.

[Joe Layton]

You mean like this?

[Waiter]

Oh, you're so enthusiastic, Blackie. Now, let's get him tied up and slip him under a bed until we need him again, shall we?

[Joe Layton]

Of course. Hey, hadn't we better call in the cops, Rogie?

[Waiter]

Well, I didn't want the cops in on this deal yet. They get so inquisitive about murderers. I knew the chap was as safe as a royal flush against three deuces. So I left him there all tied up like a bow tie. I gave Blackie the slip and went to my apartment to get a little sleep. I opened the door and walked in into a surprise party.

[Barry Craig]

Hello, Rogie. Where you been?

[Waiter]

What are you doing in my apartment, Urban?

[Barry Craig]

Waiting for you to get home.

[Waiter]

You got a warrant?

[Barry Craig]

Oh, now, Rogie, are we going to get technical?

[Waiter]

What do you want?

[Barry Craig]

You decided to tell me what you know about the killing of Joe Layton.

[Waiter]

No.

[Barry Craig]

You might be making a mistake, Rogue. You know, sometimes you need a guy like me. What are you working on?

[Waiter]

I don't report to you, Urban. Go away.

[Barry Craig]

I've known you for a long time, Rogie. You're declaring yourself in on Leighton's murder. I don't think you did it, but I think you know more than you're talking.

[Waiter]

Look, I've got a stake in this case. If I crack it, I'll let you know. In time to get your picture in the papers. Will you settle for that?

[Barry Craig]

You're on the level, aren't you, Rogie?

[Waiter]

Well, you know I am. I've worked with you this way before, haven't I? Have I ever given you a bump pitch?

[Barry Craig]

No.

[Waiter]

Good night, Lieutenant.

[Barry Craig]

Good night, Richard. You have any ideas of slipping me a double cross, Rogie? Forget it. I've got a cell waiting for you. And I'm not above framing you.

[Waiter]

Remember that. I knew Urban wasn't kidding. And I had an impulse to call him back and tell him about the murder I had put away for him in that moment. But I thought better of it. As the door closed behind Urban, I heard another door open behind me.

[James Bryan]

Hello, Mr. Rogue.

[Waiter]

Muriel. Why, honey, this is.

[James Bryan]

Put up your hands. I'm gonna get that map if I have to kill you.

[Dick Powell]

We'll return to our story in just a moment. But first I'd like to tell you that glamorous women the country over. Are using Fitch's saponified Shampoo for greater hair beauty. Here's what lovely Bess Myerson. Recently awarded the title of Miss America of 1945. Told us in an interview a long.

[James Bryan]

Time Ago, I discovered that part of being beautiful was being clean. So I keep my hair clean by shampooing it as often as I feel it needs it. I use Fitch's to polyfy shampoo because it does not dry my hair or make it difficult to manage no matter how often I shampoo it.

[Dick Powell]

Yes, beautiful women everywhere use Fitch's Saponified Shampoo. It does not dry the hair because it's made from mild vegetable and coconut oils. Even in hard water, it gives lots of rich, fragrant lather. It cleanses efficiently and gently. And here's a feature all women will cheer. Fitch's Saponified Shampoo contains its own patented rinsing agent. This rinsing agent works with the plain rinse water to make your hair sparkling clean. No particles are left to dim the luster and highlights of the hair. Best of all, you won't need to bother with a special after rinse, give your hair a treat. Use Fitch's Saponified Shampoo. You can get a professional application at your beauty or barbershop. Or ask for an economical bottle at your drug count. Richard Rogue is involved in an affair concerning $25,000 in buried treasure. There's a girl in the affair named Muriel Scott. And right this minute, the lovely Muriel is an uninvited guest in Rogue's apartment where she's holding Rogue at the end of a.45 automatic.

[Waiter]

I love girls, especially girls with Muriel's gifts. She had the kind of a figure that you'd like to add to your income tax. And a little baby face that made me want to hold her on my lap and tell her a story. But that gun changed everything. It ruined the intimate, romantic atmosphere that I would have preferred.

[James Bryan]

Take your revolver out of the holster and drop it. Come on. I know how to use this gun.

[Barry Craig]

Okay, okay.

[James Bryan]

Now back away from it.

[Waiter]

You know, I have a strange feeling that you've lived through this before.

[James Bryan]

I have. Keep backing.

[Waiter]

Okay, now what?

[James Bryan]

Sit down, Clanks.

[Waiter]

How'd you get in here?

[James Bryan]

Through the window. The one in the fire escape. Now, what time is the first mail delivery at your office in the morning?

[Waiter]

Oh, it's about 9:30.

[James Bryan]

I heard you tell Shep that the map would be there in that mail.

[Waiter]

I'm expecting it.

[Wiley]

Good.

[James Bryan]

I'll get it then. What did you do with Shep?

[Waiter]

He's okay.

[James Bryan]

He's in jail.

[Waiter]

No, he isn't. I want my hands on that dough before I yell for the cops.

[James Bryan]

I want my hands on that dough too. And I'm gonna get them there.

[Waiter]

Are you comfortable?

[James Bryan]

Yeah, don't worry about me.

[Waiter]

Look, baby, I. I want some coffee.

[James Bryan]

How about you just stay where you are?

[Waiter]

Oh, but look beautiful. It's only 11:30. It's 10 hours before the mail arrives.

[James Bryan]

I can stay awake 10 hours at $2,500 an hour, easy.

[Waiter]

That's too bad. You're so hard to get along with. A very beautiful dame. You know it?

[James Bryan]

Yeah, I know it. Just keep your seat, Mr. Rogue.

[Waiter]

I don't know whether you're gonna like coffee the way I make it or not.

[James Bryan]

Muriel, it'll be all right.

[Waiter]

Are you sure you don't want me to hold the gun while you make the coffee?

[James Bryan]

Go ahead, make the coffee and stop talking.

[Waiter]

Okay, okay.

[Barry Craig]

Beautiful.

[Waiter]

Yeah, but you'd better listen to my proposition.

[Wiley]

We could do a lot together with 25 grand.

[Waiter]

Ever been to Rio? More toast?

[James Bryan]

Thanks, Reggie. You know, you make pretty good coffee.

[Waiter]

And you make pretty good toast, Angel. Lots of butt hair. And you know that costs points.

[James Bryan]

We won't need them in Rio, will we?

[Waiter]

No. We're gonna make beautiful music together, baby. You know it. How did you ever get mixed up in a deal like this anyway?

[James Bryan]

Oh, he came through Pittsburgh.

[Waiter]

I know the town well.

[James Bryan]

He spent a lot of money on me and I thought I was living.

[Waiter]

Ah, you're too nice a girl to go around pointing guns at people. What did you do with that cannon anyway?

[James Bryan]

I left it on the kitchen table.

[Waiter]

You comfortable?

[James Bryan]

A few more hours. No. Go pick up that money, huh, baby?

[Waiter]

Yeah, 25 grand.

[James Bryan]

You know something, honey?

[Barry Craig]

What?

[James Bryan]

I can just barely remember shape.

[Waiter]

That's 9:00, honey. Let's get going, shall we?

[James Bryan]

We'll just about make it, huh?

[Waiter]

Yeah.

[James Bryan]

I hope that maps in the morning meal, don't you?

[Waiter]

Well, it will be. Don't worry. Come on, I'll help you with your coat. Hey, where'd you get it? It's a nice mink.

[James Bryan]

Shep stole it for me. He was a petty larceny guy, wasn't he?

[Waiter]

Ah, let's not think about him, Angel. Come on. We are on our way to the office in that letter.

[James Bryan]

And Rio?

[Waiter]

Could be. Well, we're here now. You stay in the car. I don't know if there'll be any cops up there or not. And if I'm not back in five minutes, shove off. And I'll meet you in the lobby the Hotel Bellevue in an hour.

[Claire Roberts]

No.

[James Bryan]

You're not going to take me to the office with you?

[Waiter]

No.

[James Bryan]

Then leave me the half of the map you took from ship. I Want to know you're coming back.

[Waiter]

Oh, sure. Sure, baby. Here you are. Now, are you happy?

[James Bryan]

Yes, I'm happy. Hurry, though, will you?

[Waiter]

I'll be back in a minute, beautiful. If I'm not, remember what I told you to do, huh?

[James Bryan]

I'll be in the lobby of the Bellevue if you aren't back in five minutes. Right.

[Waiter]

If that's letter was in my office, I had this case whipped like Simon Legree had Uncle Tom. Then my wishbone was in my throat as I rode up to my office. The elevator had always seemed slow, but this morning it seemed to be going backwards. With just a few more breaks now, I'd be back at home, home base like the Third Fleet. I walked into the office, and there sat my shadow, Joe Black. I pitched him some fast double talk about ditching him last night. Ran through the mail, found the letter from Duke Dickinson with a map. While I was jumping up and down and clapping my hands, I told Blackie what I wanted him to do. And then Muriel and I took off for the treasure hunt with a spade.

[James Bryan]

Are you sure this is the right path?

[Waiter]

Sure. I got the map right here, haven't I?

[Barry Craig]

Look.

[Waiter]

Look up ahead. There's the big rock he's got on.

[Dick Powell]

See?

[Waiter]

There's the tree.

[James Bryan]

Look, Roggy.

[Waiter]

Oh, the gun. Here, put it back.

[James Bryan]

If you have any plans about taking this money yourself.

[Waiter]

Oh, well, you cut it out. Put that rock back.

[James Bryan]

Just want you to know I've still got it and I can use it.

[Waiter]

Oh, but look, baby, remember me?

[James Bryan]

Oh, I suppose I'm a champ. I'll put the gun away just for you, you big, handsome cutthroat.

[Waiter]

Well, I pasted off the location of that hidden treasure just like it said on the map. Feeling a little like Captain John Silver as I did it. And then I exposed my poor aching back to the unaccustomed labor of making a hole in the ground with a spade. I will never be a fan of digging. I like my spades five at a time, preferably running from the ace down to the 10 with a lot of dough in the middle of the table instead of in the middle of the pasture. But I dug.

[James Bryan]

Are you sure you're digging in the right place?

[Waiter]

Sure. We sighted in on that tree in that big rock. If that petty, licensey crook of a Duke Dickerson thinks this is funny, I'll personally hit. Hey, hey, hey. Pay dirt. Hear it? Yes.

[James Bryan]

Hurry, Roby.

[Barry Craig]

Dig it out.

[Waiter]

Well, do you want this shovel? I'm digging as fast as I can.

[Barry Craig]

There it is. See the Top of it.

[Claire Roberts]

Be there.

[James Bryan]

Be there. 25,000.

[Waiter]

Wow, baby, there it is. 25 grand.

[Wiley]

You want to count it?

[James Bryan]

Let me have it, Rogie.

[Barry Craig]

Here, baby.

[Waiter]

You take care of it for a while, huh? Put it in your bag and let's get back to town and celebrate. Beautiful.

[Joe Layton]

All right, just hold that close, both of you.

[Waiter]

Hold it.

[Barry Craig]

Hey.

[Waiter]

Hey, what is this?

[Joe Layton]

Get up. Give me your bag, lady. Come on, lady. I don't want to have to shoot any holes in that pretty dress you're wearing. Come on, give me that bag.

[James Bryan]

No, I won't.

[Joe Layton]

Next time I slap you with this rod. Now give me that bag. Get your hands away from that coat. Down, mister. Thanks, March.

[Waiter]

You look familiar to me, tough stuff.

[Joe Layton]

Yeah. Maybe I'd better put you away, huh?

[Waiter]

Duke Dickinson must have sent out a bulletin to all his friends.

[Joe Layton]

Shut up. Lay down on your faces, both of you.

[Waiter]

Now.

[Barry Craig]

Shut up, lady.

[Joe Layton]

I just shot a couple of holes in your tires, that's all. Now just take it easy and don't move until I'm out of here. Thanks for the dough.

[Waiter]

Come on in the office, baby. Now, buck up and stop crying.

[James Bryan]

I don't suppose you're gonna pay any attention to me now that the money's gone. You probably forget me as soon as you can.

[Waiter]

Ah, baby. Oh, hiya, Urban.

[Barry Craig]

Hello, Rogue.

[James Bryan]

Who's this?

[Waiter]

A cop.

[James Bryan]

What's he doing here?

[Waiter]

He's here after you, baby.

[James Bryan]

Oh, Richard. He wouldn't turn me into the.

[Barry Craig]

Hate to interrupt, but what's the score, Rogue?

[Waiter]

This little girl helped to kill Joe Layton. The guy who worked with her is under the bed at cabin number four at the Shady Gladen Motel.

[James Bryan]

How could you do this to me after all the things you said?

[Waiter]

It's. Well, it's. It's not easy. But you see, baby, I don't approve of murder, especially not in this neighborhood. Gives a block a bad name.

[James Bryan]

Oh, no, no, Richard.

[Waiter]

Better take her away, Urban, before I take her away from you. He's a beautiful girl, isn't she, Richard?

[James Bryan]

Richard. Richard.

[Waiter]

Well, that's the story. Of course, you recognize my old friend Joe Black as a hold up man. You see, I figured that when Muriel and Shep went on trial, I would have less explaining to do if they thought some stranger had finally come up with a 25 grand. I gave Jo Joe his 500 like I said I would. He beefed a little, but he took it. Then I took the hundred Duke owed me and a thousand for the job that was agreed on. And then I took the 2,500 that Joe Layton was supposed to get and sent it to Muriel's mother. Layton didn't have any use for it in the morgue, and I sent the rest to Duke in Kansas City. Made a nice score altogether. But I still wake up in the middle of the night when I dream of Rio and Muriel and that trip we were going to take. The money spent, but the dreams linger on. They're wonderful. This is Dick Powell again, ladies and gentlemen. Hope you noticed that I didn't get hit on the head in tonight's story. It was nice for a change. I hope you like the yarn. Ray Buffum wrote it. Lee Stevens composed and conducted the music and D. Engelbach produced and directed. I want to remind you to make a date with us the next Thursday night. We're going to get mixed up in a strange affair about a photograph. We call it Photo Finish. Be on hand for the developing, will you? Thanks for listening and good night all. Now here's Jim Doyle.

[Dick Powell]

Don't forget to tune in again next Thursday, same time, same station, when you'll again hear Dick Powell as Richard Rogue in Rogues Gallery. Remember, if dandruff is your problem, ask for Fitch's Dandruff Remove Remover Shampoo removes dandruff the first time it is used. Fitch's Dandruff Remover Shampoo is the only shampoo whose guarantee to remove dandruff is backed by one of the world's largest insurance companies. This statement can be made by no other shampoo. Ask for Fitch's Dandruff Remover Shampoo at your drug counter, barber or beauty shop. Fitch is spelled F I T C.

[Waiter]

H.

[Host]

There's more from Barry Craig, Rogues Gallery, Case Close Closed and all of the other relic radio shows@ Relicradio.com. you'll find our Shout Cast stream there as well, with even more Old Time Radio lots to listen to, all made possible by your support. If you'd like to help out, visit donate. Relicradio.com or click on one of the links on the website. Thank you as always, for helping out. Thanks for joining me this week. We'll talk to you again next Wednesday with another hour of Case Closed.