Casebook Of Gregory Hood and Nick Carter Master Detective

Summary

Podcast Summary: Case Closed! (Old Time Radio)

Title: Casebook Of Gregory Hood and Nick Carter Master Detective
Host/Author: RelicRadio.com
Release Date: January 22, 2025

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Introduction

Case Closed! delivers gripping crime stories from the golden age of radio, reviving tales of detectives, crooks, and mysteries that captivated audiences decades ago. In the January 22, 2025 episode, titled Casebook Of Gregory Hood and Nick Carter Master Detective, listeners are treated to two enthralling narratives: "The Murder of Gregory Hood" and "The Mystery of Hangman's Wood".

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Part 1: The Murder of Gregory Hood

Setting the Scene

The story unfolds on a Monday night in San Francisco, with Gregory Hood working late at his office. The narrative kicks off with a conversation between Hood and his colleague, Sanderson Taylor, setting the stage for a complex murder investigation.

Key Characters:

• Gregory Hood: Owner of Gregory Hood Importers, an amateur detective.
• Sanderson Taylor: Gregory's friend and attorney.
• Sherry Drake: A mysterious woman connected to the case.
• Lieutenant Silver: Officer from Homicide assigned to the case.
• Lem Carter: A murderer with a dubious alibi.

Plot Developments

1. The Jade Shipment: Sanderson reveals a valuable jade shipment from China, including an Archer's thumb ring dating back to 206 BC. Hood declines to purchase it, hinting at financial constraints ([03:04] Gregory Hood).

2. Lem Carter's Release: President Lem Carter, initially accused of murder, is released from San Quentin. Taylor reassures Hood but warns of Carter's vengeful nature ([04:05] Sanderson Taylor).

3. Sherry Drake's Introduction: Sherry is introduced as a pivotal character who claims to have an alibi for Carter's whereabouts during the murder, stating she spent time with him in San Francisco on the night of the crime ([08:12] Sherry Drake).

4. False Alibi and Confrontation: Taylor and Hood confront Carter's alleged associates, leading to a staged attack where Carter is seemingly killed. However, a note arrives posthumously from Carter, indicating foul play and a potential frame-up ([12:24] Sherry Drake).

5. Discovery and Revelation: Lieutenant Silver analyzes the note, revealing it was intended to falsely incriminate Carter, who is already dead. Taylor deduces that Sherry orchestrated the frame to divert suspicion from herself ([16:07] Sanderson Taylor).

6. Final Confrontation: Through clever deduction, Taylor uncovers Sherry's involvement, revealing her attempt to manipulate the situation for personal gain. Hood marvels at Taylor's investigative prowess, humorously reflecting on the intertwined lives of detectives and crime ([25:03] Sanderson Taylor).

Notable Quotes:

• "You mustn't think that all my time is spent gallivanting around San Francisco. I'm quite a hard working man on occasion." — Sanderson Taylor ([02:30])
• "He warned me he'd get me for this. I'll get you." — Lem Carter ([03:51])
• "I am going to enjoy solving my own murder." — Sanderson Taylor as Gregory Hood ([16:07])

Insights & Conclusions

The murder of Gregory Hood intricately weaves themes of deceit, loyalty, and the fine line between amateur sleuthing and professional investigation. Sanderson Taylor's dedication and sharp instincts play a crucial role in unraveling the mystery, highlighting the complexities of trust and betrayal in detective work.

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Part 2: Nick Carter Master Detective - The Mystery of Hangman's Wood

Setting the Scene

Transitioning to the second narrative, listeners are introduced to Nick Carter and his secretary, Patsy Bowen. They are summoned by Professor Markerton to solve a supernatural mystery in the Berkeley hills involving ghostly apparitions and potential criminal activities.

Key Characters:

• Nick Carter: Master Detective renowned for his deduction skills.
• Patsy Bowen: Carter's loyal and resourceful secretary.
• Professor Markerton: An archaeologist investigating pirate caves.
• Dynamite Joe Porter: Notorious English gangster with plans to sabotage a river wall.
• Lieutenant Silver: Local law enforcement officer.

Plot Developments

1. The Ghostly Shadow: Professor Markerton reports seeing the spectral shadow of a hanged man at Hangman's Wood, a site steeped in local pirate lore ([35:05] Dynamite Joe Porter).

2. Investigative Discovery: Carter and Patsy inspect the barn where the shadow appears, uncovering physical evidence of recent tampering, such as disturbed earth and traces of gunpowder, which suggest the shadow might be a ruse for a deeper criminal plot ([39:00] Professor Markerton).

3. Uncovering Dynamite Joe's Plan: Through meticulous investigation, they deduce that Dynamite Joe Porter plans to blow up the river wall to disrupt transport and possibly sabotage government facilities in Annapolis, intending to seize valuable cargo ([50:01] Dynamite Joe Porter).

4. Confrontation and Resolution: Lieutenant Silver and his team intercept Joe Porter as he attempts to execute his plan. Carter's quick thinking and unanticipated sabotage of Joe's gunpowder thwart the explosion, leading to Joe's capture and the prevention of significant damage ([57:00] Sanderson Taylor).

Notable Quotes:

• "The shadow of a man who'd been hanged, but no body to cast that shadow." — Professor Markerton ([35:05])
• "When I saw the shadow was stationary, I knew the answer." — Dynamite Joe Porter ([46:07])
• "You always think of everything, Nick." — Patsy Bowen ([57:27])

Insights & Conclusions

The Mystery of Hangman's Wood blends elements of folklore and criminal ingenuity, challenging Nick Carter to distinguish between superstition and legitimate threats. The episode underscores the importance of critical thinking and adaptability in detective work. Carter's ability to anticipate and neutralize Joe Porter's plans exemplifies his status as a master detective, capable of unraveling complex and layered mysteries.

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Conclusion

This episode of Case Closed! masterfully presents two distinct but equally compelling stories, showcasing the timeless allure of detective narratives. "The Murder of Gregory Hood" delves into personal vendettas and the subtleties of human behavior, while "The Mystery of Hangman's Wood" combines supernatural elements with classic detective work. With rich character development and intricate plot twists, the episode offers an engaging experience for both long-time enthusiasts and newcomers to old-time radio dramas.

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Notable Quotes Compilation

• Sanderson Taylor ([02:30]): "You mustn't think that all my time is spent gallivanting around San Francisco. I'm quite a hard working man on occasion."

• Lem Carter ([03:51]): "He warned me he'd get me for this. I'll get you."

• Sanderson Taylor as Gregory Hood ([16:07]): "I am going to enjoy solving my own murder."

• Professor Markerton ([35:05]): "The shadow of a man who'd been hanged, but no body to cast that shadow."

• Dynamite Joe Porter ([46:07]): "When I saw the shadow was stationary, I knew the answer."

• Patsy Bowen ([57:27]): "You always think of everything, Nick."

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Tune In Next Week:
Next episode promises another thrilling adventure with Nick Carter as he tackles The Haunted Rocking Chair, where eerie occurrences intertwine with fateful deaths, showcasing Carter's unparalleled detective acumen.

For more captivating stories and to support Case Closed!, visit RelicRadio.com or join their shoutcast stream for additional old-time radio shows.

Transcript

[Harry Bartel]

This is Case Closed, your weekly hour of mystery and crime. Every Wednesday@ Relicradio.com our first story comes from the Case Book of Gregory Hood. This week we'll hear the June 17, 1946 episode titled the Murder of Gregory Hood. After that, it's Nick Carter, Master Detective and the Mystery of Hangman's Wood. That story aired May 13, 1945.

[Gregory Hood]

Petri wine brings you the tastebook of Gregory Hood. Tonight, the Petrie family, the family that took time to bring you good wine, invite you to listen to the story of the murder of Gregory Hood. Another exciting adventure from the Casebook of Gregory Hood. And while you're sitting back listening to our story, how about enjoying a glass of America's favorite wine, Port wine. Port is America's favorite wine. And you'll know why when you try your first glass of Petri. California port. Petri Port is a deep, deep red. And when you hold Petre Port up to the light, you can practically see through the glass. That's because Petreport is so clear. One sure sign of a good wine. But the way Petri Port tastes is what really counts. And I can tell you, it's so delicious, you want to sip it slowly so you won't miss a single drop of that marvelous Petri flavor. And you'll want to serve Petre Port to your friends, too, after dinner or anytime they drop in for a visit. And naturally, you can serve Petre Port proudly because those letters, P, E, T, R I spell the proudest name in the long history of fine wine. Well, it's Monday night in San Francisco and we a date with Gregory Hood. A little earlier, Gregory phoned me to say that he was working late at his office. So let's join him there, shall we?

[Sanderson Taylor]

Come in. Hello, Harry.

[Gregory Hood]

Evening, Gregory.

[Sanderson Taylor]

Sorry to drag you over here, but I really was tied up.

[Gregory Hood]

That's all right. I'm quite impressed to see that the head of Gregory Hood Importers has to work late occasionally, just like anyone else.

[Sanderson Taylor]

Oh, yes, Harry, you mustn't think that all my time is spent gallivanting around San Francisco. I'm quite a hard working man on occasion. This afternoon, for instance, we received a particularly valuable shipment from China. Some exquisite jade pieces. I've been examining and cataloging them myself.

[Gregory Hood]

Is this piece on the desk part of the collection?

[Sanderson Taylor]

Yes. Do you want to buy it? Well, what is it?

[Gregory Hood]

Looks like just a chunk of jade with a hole through it.

[Sanderson Taylor]

It is, Harry, but it also happens to be an Archer's thumb ring. 10 period 206 BC how much? In your case, Harry, I'll make a special price. Say, $15,000.

[Gregory Hood]

I'm afraid not. I'm a little short this month.

[Sanderson Taylor]

It's a beautiful specimen, Harry. I must show this to Richard Gump. He's got the finest collection in town. You know, it's funny. This shipment arrived today.

[Gregory Hood]

Why?

[Sanderson Taylor]

Because the story I'm going to tell you tonight concerned the shipment of jade that I received just over a year ago. Only on that occasion, it was foamy jade, and it gave me one of the worst headaches I've ever had. In fact, I done nearly got myself murdered.

[Gregory Hood]

Murdered?

[Sanderson Taylor]

How? Well, it's a salutary tale that proves that being an amateur detective is a foolish and dangerous occupation. I suppose the story really began about six years ago in Lt. Silver's office in Homicide. My old friend was patiently trying to sweat the truth out of a certain gent by the name of Lem Carter, a murderer with what appears to be a perfect alibi. Come on, Carter. You know we've got you cold. Ain't got nothing on me. Copy. Why don't you be smart, plead guilty and take a self defense wrap. Otherwise, it's the gas chamber. Nuts to that. I was in Carmel at the time of the murder scene. I'm sticking to it. Hello, Stan. Hi, Greg. Still at it, eh? Yeah, this is one rat that won't squeal. Greg. I've got a friend outside, Stan. I'd like you to meet her. Look, Greg, I've no time for wenches now. I don't know that I'd call her a wench, Stan. Inflation has set in somewhat, But I think she'll interest you. And you, Carter? I don't know no babes. Funny, she knows you. Her name's Dodo Waring, and she's prepared to testify that she spent an hour with you in San Francisco on the night of the murder. Okay, Gregory Hood. I know who you are and I'll get you for this. I'll get you. It's the last thing I do. As a matter of fact, it was the last thing he did, too. But that comes later.

[Gregory Hood]

How did you round up the girl, Gregory?

[Sanderson Taylor]

I have my contact, Perry.

[Gregory Hood]

I'll bet. What happened to Carter?

[Sanderson Taylor]

Well, he had a good lawyer and got off at manslaughter. Went off to San Quentin, still swearing I'd pay with my life for putting the finger on him. I never gave him another thought. Until one night just over a year ago, when my friend and attorney Sanderson Taylor and I were having drinks at the Top of the mark. I, by an odd coincidence, was waiting there to keep an appointment with an extraordinary feeding. The beautiful young woman. Gregory. Yes, Andy? What's her name? Whose name? The girl you're waiting for. I didn't say I was waiting for a girl. You didn't have to. I know you well enough to recognize the symptoms. The red carnation in your buttonhole and the way you've been eyeing your watch. Tell their own story. What's her name? Sherry Drake. New conquest. This is to be something of a business meeting, Sandy. And I'm sure you use the word business loosely. Don't be cynical, Sandy. By the way, much as I love your company, will you beat a snappy retreat when the young lady arrives? Afraid of competition, eh? You're aging, Gregory. Don't worry. Soon as I finish this last support, I'll be on my way. In any case, I have a wife and two children waiting for me in Berkeley. Hello. Isn't that Lieutenant Silver standing in the entrance there? Oh, sure it is, Stanley. Here he comes. Hello, Gregory. Hello. Evening, miss. How are you, Lieutenant? Gregory, my boy, you're stuck with a guest tonight. I know. She's due any moment. I don't know about a she. You're stuck with me for the evening. Look, Sam, you are a man of irresistible charm. Some of your anecdotes are fascinating and you play a whiz of a game of chess. Another evening we'll have a long session together. But afraid I'm going to have to insist. Greg. What's up? Lieutenant Lamb. Carter got paroled today. Lem Carter? That's the man that you put the finger on five years ago, Greg. Remember he threatened you at the time. I talked to guys who were in store with him, Greg. He's still swearing vengeance. No need to take that very seriously, is there? I think there is. We put a tail on him the moment he got turned loose, but he gave us a slip. And I'm sticking with you, Greg, until he turns up. If he's toting a rod, there's a parole violation and we've got him. But I'm keeping you safe until then. I appreciate your concern, Stan, but I can look after myself. It'd be safer to let the lieutenant stick with you, Gregory. But I've got a date. And free the crowd. Don't you worry, Greg. I can be discreet. Oh, but st. Well, I'm going. I'll leave you guys to fight it out. What's in the package, Lieutenant? A little present for you, Greg. What is it? A wigwam for grinding smoke. No, Greg, it's a lot more practical than that. And it's something we'd better discuss before your young lady shows up. All right, but that's not all we're going to discuss. You. You. Duenna.

[Sherry Drake]

Are you sure we're not boring you, Lieutenant Silver?

[Sanderson Taylor]

Don't worry about me, young lady. But we do worry about you, Stan. We've been sitting here at the top of the mark for nearly an hour, and all you've done is to drink four gigantic orange aids and look gloomy. Are you quite sure you wouldn't like to take a nice long ride on the cable car and meet us somewhere later? Yes, Greg, I'm quite sure. Just carry on. Don't mind me.

[Sherry Drake]

Do you usually have a chaperone when you date girls, Gregory?

[Sanderson Taylor]

Not as a rule. It rather cramps my style.

[Sherry Drake]

And it's quite a style, too. Gregory?

[Sanderson Taylor]

Yes?

[Sherry Drake]

Where did you get my number?

[Sanderson Taylor]

Harry Bartel gave me the idea. By an odd coincidence, he was talking about Sherry the other night, and I thought what a nice name it would be for a girl. So I thumbed through the phone book until I found yours.

[Sherry Drake]

Seriously, Gregory, how did you get it?

[Sanderson Taylor]

Oh, excuse me. Back in the jiffy.

[Sherry Drake]

Don't hurry.

[Sanderson Taylor]

Yes, Dan. Take your time.

[Sherry Drake]

Now, what do you suppose? He's gone.

[Sanderson Taylor]

My dear young lady, let's not pry into his personal life. Let's accept the miracle of his disappearance gratefully and get down to business.

[Sherry Drake]

Business?

[Sanderson Taylor]

Yes, Sherry, I have a little unfinished business that I think you can help me with.

[Sherry Drake]

Oh, this is a new one. Go on, Gregory.

[Sanderson Taylor]

I am an importer, Sherry. Two months ago, somebody switched a shipment of jade on me somewhere between Hong Kong and San Francisco.

[Sherry Drake]

You mean they substituted phony jade for the real stuff?

[Sanderson Taylor]

Yes, Sherry. I've been doing a little private snooping, and I have a hunch that a gent by the name of Hillary Pearson is at the back of it. I found out that you knew him and that's why I called you.

[Sherry Drake]

Yes, I do know him slightly, but I'm sure you're making a mistake, Gregory. Hillary's a straight shooter. I'd bet on that.

[Sanderson Taylor]

I wouldn't. I found out quite a bit about the gentleman in the past few days. He's just about as straight as a Wrigley worm. Good evening, Sheriff.

[Sherry Drake]

Oh, hello, Hillary.

[Sanderson Taylor]

Introduce me to your friend, won't you? Why, yes.

[Sherry Drake]

Hilary Pearson, this is Gregory Hood.

[Sanderson Taylor]

How do you do? How do you do? Hilary Pearson. I was just talking about you. I thought you might be. That's why I came to your table. I think I know what you're doing, Mr. Hood. You're interested in that shipment of phony jade that's dipped by your agent, aren't you? I'd be a mighty poor businessman if I weren't interested, my friend. And you somewhere acquired the curious notion that Sherry knows something about it. Have you ever thought of taking up mind reading? Funny. Very, very funny, Mr. Hood.

[Gregory Hood]

But I warn you, you're making a great mistake.

[Sanderson Taylor]

I might even say you'd live to regret it if I thought it was the least likelihood that you'd live at all.

[Sherry Drake]

Hilary, what are you talking about?

[Sanderson Taylor]

Keep out of this, Sherry. You know what I'm talking about, don't you, Mr. Hood? Oh, sure, sure. I can recognize a threat just like the next man. Listen, Mr. Pearson, we're being chaperoned by Lieutenant Silvers of Homicide. He'll be back in a moment. Why not sit down and wait for him? He'd love to meet you. I have no interest in meeting policemen. Don't forget what I've said, Mr. Hoy.

[Sherry Drake]

He certainly had me. Fool, Gregory, why didn't you grab him? He threatened you.

[Sanderson Taylor]

Oh, he's not dangerous by himself. I'll have Silver to put a tail on him. Maybe he'll lead us to the whole gang. Well, Sherry, do you still think he's a straight shooter?

[Sherry Drake]

He's a rat. I'll never see him again.

[Sanderson Taylor]

Perhaps you can help me nab him, Sherry.

[Sherry Drake]

I'll tell you anything I can, Gregory, but there isn't much. I had a few dates with the guy. Oh, jeepers, here comes the lieutenant again.

[Sanderson Taylor]

Welcome home, Stan. All is forgiven. Anything interesting happen in my absence, Greg? No, no. Just another death threat. You're kidding. I'm not. People are queuing up to kill me. Well, they start a line for anything these days. Come on, Greg, give. Well, a rather oleaginous gentleman by the name of Hillary Pearson just came up to our table. In a voice simply dripping with vitriol, he suggested. Great Scott, Sandys come back. But I'm popular tonight. What's wrong, Sandy? Gregory. I was worried about what the lieutenant told us about Lem Carter, so I drove by your apartment. I didn't get too good to look at the man across the street, but I'm certain it was Carter. Good. We've got him now. Come on. How about me? I'm not not letting go of you. Now, Sherry. Come along and watch the fun. But, Gregory, you can't bring a girl. Look, Sandy, whose murder is this? Yours or Mine. Come on. Come on, everybody. Well, here's the apartment. If there's any shooting. Jerry, drop down in the backseat and keep down.

[Sherry Drake]

Don't worry about me, Gregory.

[Sanderson Taylor]

The guy's still there. See him in the doorway? It's Carter. All right. I'll open the side window a little. I don't want to have to use this rod, but I'll keep it handy. Carter spotted us. He's moving back in the doorway. Let's see if I can talk a little sense into him. Carter, don't be a dope and try to get done. Jerry. Okay, Carter, try this one on for size. You got him, Stan. Come on. He fell down the steps when you winged him, Gregory.

[Sherry Drake]

I think he's dead, Sherry.

[Sanderson Taylor]

He should have stayed in the car.

[Sherry Drake]

I can't feel his false nor his heart either.

[Gregory Hood]

He is dead.

[Sanderson Taylor]

He can't be. I wasn't aiming to kill.

[Sherry Drake]

Here's one of your bullets in his leg.

[Sanderson Taylor]

He must have hit his head as he fell down the steps.

[Sherry Drake]

Yes, that's it. His neck's broken. He must have died instantly.

[Sanderson Taylor]

Sherry, darling, you seem remarkably handy with corpses.

[Sherry Drake]

I was a nervous aide, Gregory. I can take it up.

[Sanderson Taylor]

Oh, I'm so saying she fainted. Okay, Sandy, I've got her. Poor kid. The whole thing's been a little too much for her. It's been a little bit too much for me, too. He's a brave girl, Greg. Yeah. Yes, but this rather spoils the evening, doesn't it? Nothing left to do now but take the lady home and the corpse to the morgue. Oh, Stan. Yes, Greg? Thanks. What for? About Carter, I mean. Well, he was gunning for me. Oh, skip it, Greg. Come on, let's get moving. Well, this is evening. Didn't turn out the way I planned it. Not for me. I should have been back in Berkeley hours ago. Well, speaking for myself, I had a swell dinner. What's obliged to you, Greg. Very welcome, Stan. And I'm obliged to you, Sandy, for driving me home. I'll see you in the morning. Okay. Good night, Greg. Good night. Night, Greg. Wait here until we see your lights go on. Might be someone else waiting for you. Okay, but I think you overestimate my popularity. Go. I get myself into the dynam. TRA gets the casket and my girlfriend's friends. Sandy's got his family. Who's there? Look, I know you're there. Come out of those shadows. Come on.

[Sherry Drake]

Oh.

[Lieutenant Silver]

Gregory.

[Sherry Drake]

Gregory.

[Sanderson Taylor]

Gregory. Practice. I get you. Help me up, will you? Yeah. Thank you. No, I. I'm okay. You See who it was. No, no. They must have escaped by the back stairs. Oh, thank the Lord you brought me that bulletproof vest, Sam. Oh, so that was the present you gave Gregory at the mark tonight. Yes, yes. Lucky thing I didn't take it off after Carter was dead. And even with a steel vest, three bullets in the belly kind of knocked you out. Hello. Here's a note under your doormat. What does it say, Mr. Taylor? I told you I'd get you if it was the last thing I did. Well, and it's signed Lem Carter. But Lem's dead. Oh, I get the pattern now. Somebody who wanted to kill me took advantage of Carter's release to frame it on him, not knowing he was dead already. So it didn't work. Oh, yes, it did, Stan. I was murdered. What? What bright new trick is this, Gregory? I was killed. Or at least we'll let the would be murderer think so. It'll lull him. Good idea, Greg. I'll go ahead with an official of that investigation. Fine, Stan, you do that. And I'll comb the underground in my own way. Speaking as a very recent corpse, I think I may say I'm going to enjoy solving my own murder.

[Gregory Hood]

You'll hear the rest of Gregory Hood's story in a second. Which is all the time I need to tell you about Petri California Muscatel. Have you ever tried Petri Muscatel? I've noticed that it seems to be a particular favorite of a lady. Perhaps that's because Petri Muscatel has such a beautiful golden color, bright as sunshine. But most likely it's because Petri Muscatel has a flavor that comes right from the heart of plump, luscious Muscat grape. Like Petri Port. Petri Muscatel is just perfect. After dinner, as a matter of fact, why not buy a bottle of Petri Port and a bottle of Petri Muscatel? Don't buy one, buy two. But remember, always buy Petri. Gregory, how did it feel to be a walking corpse?

[Sanderson Taylor]

Surprisingly pleasant, Harry. In fact, I'd say that a professional zombie probably has quite a gay life.

[Gregory Hood]

Did you find out who fired those three shots at you?

[Sanderson Taylor]

Oh, yes, yes, but that comes a little later in the story. At the time, my only suspect was Hilary Pierce. After all, he'd threatened my life a short while before. True, but.

[Gregory Hood]

And this is almost heresy, Greg, you know who I suspect?

[Sanderson Taylor]

Who?

[Gregory Hood]

The girl Sherry. And may I say how much I like that name.

[Sanderson Taylor]

You may.

[Gregory Hood]

In fact, I'd like to go a little further and say that, Harry. Okay, but it seemed to me that if this girl was mixed up with the Jade.

[Sanderson Taylor]

But, Harry, don't you see? Because she was with us when Lem Carter was killed, she was the only person who knew positively that she couldn't hope to frame a later killing on him. Guess so.

[Gregory Hood]

Well, Greg, what did you do next?

[Sanderson Taylor]

As I say, Harry Pearson was my only suspect. And I had a hunch it wasn't he. First, it wasn't his style, and second, the time element seemed to rule him out. But fortunately, I had some interesting contacts with the underworld. I knew where to look for further suspects. While Sandy Taylor waited in my apartment, I spent a profitable half hour with some crepe hair and a bottle of spirit gum, giving myself what I thought to be quite a convincing beard.

[Gregory Hood]

Yeah, as an official corpse, I guess you had to disguise yourself. And then Sandy and I drove over.

[Sanderson Taylor]

To a little hideaway on Market Street. A bar known as the Scarlet Dolphin. It has the most persistent jukebox. Oh, poor old Sandy. He was so patient with me that night I just called Mary. Well, Sandy, did you explain your absence satisfactorily?

[Professor Markerton]

Yes.

[Sanderson Taylor]

Mary's wonderfully understanding. Just the same, I can almost see that patient, knowing smile of hers when I tell her I'm going to a bar with you strictly on business. Mary is a very remarkable girl. Incidentally, now that we're here, what are we doing in the Scarlet Dolphin? Waiting to talk to O'Leary. O'Leary? An expert on yodeling, no doubt. Can he help it if he had an Irish father and a Swedish mother? What's his specialty? He's the Winchell of the underworld. Oh, Stanley, this grape hair is driving me crazy. If you must go around being a corpse, Gregory, at least you deserve to be uncomfortable. Here comes Oie now. What'll it be, Mac? We don't want to drink Oie. Just information. Gregory, what are you doing with that chin muff? Being a corp. Oie, can you use a pin? Are you kidding? Come to Daddy. Thanks, Greg. What do you want to know? Did you know Lem Carter was out of Hawk? Sure. Got out this morning. You know his contact? Yeah. Just one, though, Greg. A name. Name and address.

[Dynamite Joe Porter]

Holy.

[Sanderson Taylor]

Ruby Hart. Devonshire apartment on Kirk. Thanks. Holy. Go. Okay. Thanks for the pins. Good luck, Greg. Now, when Ruby comes through the door, Sandy, remember that you're playing this scene. Oh, don't worry, Gregory. I'm not simple minded.

[Gregory Hood]

A child of three.

[Sherry Drake]

Yeah.

[Sanderson Taylor]

Miss Ruby Hart?

[Sherry Drake]

Yeah.

[Sanderson Taylor]

May we come in?

[Sherry Drake]

Who are you?

[Sanderson Taylor]

I'm Mr. Gregory Hood's lawyer. And this is my secretary, Mr. Bunker.

[Sherry Drake]

Gregory Hood's lawyer, huh?

[Sanderson Taylor]

Yes.

[Sherry Drake]

Okay. Come in. Well, what's on your mind?

[Sanderson Taylor]

You may have heard that Lem Carter was killed this evening.

[Sherry Drake]

No, I didn't. My mascaras all run because I was reading a sad book. Now, listen, brother, if you come here to gloat, I'm able to crown you.

[Sanderson Taylor]

Oh, but I haven't. Mr. Hood feels that he is in part liable for Lem Carter's death.

[Sherry Drake]

And he ain't hidden, brother.

[Sanderson Taylor]

He wishes to make some financial contribution. He feels that if Mr. Carter had any close associates or dependents. Lem had me.

[Sherry Drake]

That's all. And that's enough. Or it could have been.

[Sanderson Taylor]

You've known him for some time.

[Sherry Drake]

I've known him no time. Never heard him before he went to San Quentin. But I had a brother. It was a buddy of Lem's there. Lem wrote my letters to Joe. And so he started writing to me. And I wrote back to him. See, that made me come alive all over, that letter writing. So he came out and saw me just once, just today. It was just like his letter, only with flesh and blood in him. And now he's dead. And I got lawyers crawling around me asking about financial dependence and stuff. It was just us, see them. Didn't see nobody else before they got them. All our lives there was going to be nobody but us. And now we're to get this hand hill out of here. I want to go on reading that sad book.

[Sanderson Taylor]

Please believe me, Ms. Hart, when I say that Mr. Hood. Grand.

[Sherry Drake]

Both of you, go on, brother, get moving.

[Sanderson Taylor]

I'm sorry if you think. Yeah, yeah.

[Sherry Drake]

Break your heart, don't it? Good night. I'm sorry that he missed it.

[Sanderson Taylor]

Sorry. That was your job, Sandy. Yeah, me too. Poor girl. I'm sorry for her. So am I, Sandy. I feel like a rather elderly, near white slug about those financial contributions. As Ruby would say, I ain't kidding, brother. Anybody that can find good in Lem Carter deserves all I can do. But this was a dead end. No clues there. What's the next move, Gregory? The Jade Trail and a girl named cherry. It's only 11:30. Not too late to call. Why not? Remove the beard. No, Sandy, no. She's a brave girl. Let's see how she faces up to Midnight Shadow. Incidentally, I'll pay the next scene alone, if you don't mind. I don't mind. I'll wait for you in your apartment. Too late to drive back to Berkeley tonight anyway. If Your wife only knew a smart attorney. She could cite me as good grounds for divorce. Okay, Sandy, wait for me back at the apartment. I have a feeling that the next scene won't take very long.

[Sherry Drake]

Gregory, I'm so glad you came back. See me tonight. Just the same, when you walked in wearing that ridiculous beard, I.

[Sanderson Taylor]

You were down near fainted again, Sherry.

[Sherry Drake]

I should have. Might have been smart, too. I understand that men like a ladylike swoon.

[Sanderson Taylor]

Not to the extent of complete unconsciousness. Sherry. How are you feeling now?

[Sherry Drake]

Fine, Gregory.

[Sanderson Taylor]

Nice place you have here, Sherry.

[Sherry Drake]

It's a modest little Jack, but I like it.

[Sanderson Taylor]

Gregory? Yes?

[Sherry Drake]

You look worried.

[Sanderson Taylor]

Quite frankly, I am.

[Sherry Drake]

What's wrong?

[Sanderson Taylor]

After I left you tonight, somebody tried to ventilate me. With bullets, Gregory? No, they did. Fortunately, I was wearing a tin vest. Otherwise I'd be in the morgue.

[Sherry Drake]

Now, where did it happen?

[Sanderson Taylor]

I was entering my apartment.

[Sherry Drake]

Could you see who it was?

[Sanderson Taylor]

No, no, it was too dark. Sherry?

[Sherry Drake]

Yes, Gregory?

[Sanderson Taylor]

I've got a list of questions a yard long for you. But before I ask them, I. I want to do a little checking. Do you mind if I use your phone?

[Sherry Drake]

Of course not. Go ahead.

[Sanderson Taylor]

You see, officially, I'm supposed to be a corpse.

[Sherry Drake]

Well, I wish you'd stop being one. I don't like bearded men.

[Sanderson Taylor]

Well, I may be able to take it off as soon as I've made this call. Police headquarters. Lieutenant Silver's in Homicide, please. Just a minute. Did Hillary Pearson call you this evening, Sherry?

[Sherry Drake]

Hillary? No, no one's called.

[Sanderson Taylor]

Silver speaking. Excuse me. This is Gregory. Hi, Greg. Did you dig up any leaves? No, Stan. How about you? Nothing yet. Oh, yes. One thing you might want to know about that note we found on your doorstep. The one from Carter? Yes. We had no chance to authenticate the.

[Ken Powell]

Handwriting yet, but lousy with Carter's fingerprints.

[Sanderson Taylor]

What's that? I say the note was lousy with Carter's fingerprint. Does that suggest anything to you? Yes. Yes, it does. It gives me the answer. Thanks, then.

[Sherry Drake]

Learn anything, Gregory?

[Sanderson Taylor]

Yes, I did, Sherry. Maybe everything.

[Sherry Drake]

Well, before you tell me about it, come over here on the sofa. I want to show you my pet view. Moonlight on the bay. We don't need a light, do we? Oh, isn't it beautiful, Gregory?

[Sanderson Taylor]

So are you, Sherry.

[Sherry Drake]

Well, thank you, sis.

[Sanderson Taylor]

You're very beautiful. And you wore gloves this evening, didn't you?

[Sherry Drake]

I don't talk so much, Gregory.

[Sanderson Taylor]

Yes.

[Sherry Drake]

Maybe I could learn to like beer.

[Sanderson Taylor]

You little devil.

[Sherry Drake]

Got this coming in your rack.

[Sanderson Taylor]

A knife? There's only one answer to that, darling. That wasn't a very gentlemanly action, Gregory. I know, Sandy, but my old father used to to say, never strike a woman until she pulls a knife on you. Shouldn't that be unless. My old father always said until. Maybe that's why I'm still a bachelor. Did you have much of a job getting her over to the station? No, she was out cold until Silver's got there. Then she screamed bloody murder and fought like a wildcat. Quite a female. Did you spill anything? Plenty. Hillary Pearson was at the back of it. Silver's is picking him up tonight and in the morning. I prefer charges. And with Sherry on the spot, I don't think it's going to be hard to track down our J I. She was a smart girl to realize you'd guessed her secret the moment you'd talked to Silver. She must have heard him talking about the fingerprints. But it was smart figuring on her part. And on yours too, Gregory. You see, the fingerprints proved the note was genuinely from Carter. He planned to leave it by your body after he'd shot you, I suppose. Instead of which, he was shot first. Therefore the note was stolen from his body. Only Sherry could have done that while she was performing her nurse's aid act with the corpse. The fact that she was wearing gloves kept her fingerprints off the note. She was a smart one down. Smart because she appeared to be the one person who couldn't have framed the dead Carter. She thought the frame up attempt would clear her completely. The double switcheroo. Very neat. And I nearly fell for it. It was quick thinking on your part to piece it all together as soon as you had the phone message. I almost wish I hadn't pieced it together quite so fast. Sand Angel. Why, Gregory? Oh, the man asks why. Sherry was a very beautiful girl, Sandy. And the moonlight was quite potent. Sometime I must tell you what my old father used to say about that.

[Gregory Hood]

Well, Greg, as usual, that story was knockout. You're the most popular corpse I've met in 80.

[Sanderson Taylor]

Yes, Harry, it seems that everybody's just dying to kill me.

[Gregory Hood]

Oh, and that girl Sherry.

[Sanderson Taylor]

You know, Harry, there's one woman who almost got me for life.

[Gregory Hood]

You're not kidding.

[Sanderson Taylor]

Tell me, Harry, if she'd succeeded, would you miss me?

[Gregory Hood]

Greg, how can you talk like that?

[Sanderson Taylor]

Would you really miss our little Monday evening get together? Why, sure.

[Gregory Hood]

I feel a little silly talking about Patsy, Wine and myself.

[Sanderson Taylor]

Oh, I should have known it one track mind, Bartel. I guess you're right. Good detectives are a dime a dozen. But good wine. Ah.

[Gregory Hood]

And when you say good wine. Naturally. You mean Petri wine. Why, the Petri family has been making wine for generations. The art of turning luscious sun ripened grapes into delicious, fragrant wine is their heritage. A heritage handed on down within the Petri family from father to son. From father to son. No wonder Petri wine is so good. No wonder the Petri business has grown and grown so that today the Petri family are America's largest independent winemakers. Yes, the making of Petri wine is a family affair. And the Petri family has every intention of keeping it that way. Because by so doing, they can be sure that every bottle of wine that bears the name Petrie is and always will be good wine. Well, Gregory, what page of your notebook are you turning to next week?

[Sanderson Taylor]

Next week, Harry, I'm going to tell you an odd story that took place in an extremely dense fog in the Berkeley hills. It concerns a disappearing wife, a haunted house and a hot clarinet player. I'll see you next Monday, Harry.

[Gregory Hood]

The Casebook of Gregory Hood is written by Dennis Green and Anthony Boucher. Original music is composed and played by Dean Fossler. Gail Gordon plays the part of Gregory Hood. And Sanderson Taylor is played by Art Gilmore. The Petri Wine Company of San Francisco, California, invite you to tune in again next week, same time, same station. The Casebook of Gregory Hood comes to you from our Hollywood studios. This is Harry Bartel saying good night for the Petrie family for a solid hour of exciting mystery dramas. Listen every Monday on most of these Same stations at 8:00-michael Chain, followed immediately by the Casebook of Gregory Hood. This is the Mutual Broadcasting System.

[Ken Powell]

The Linac show, starring Nick Cotter. Master Detective. Presented by Acme, America's great producer of fine quality paints. This is the story of a man known the world over as one of the most daring and resourceful characters in the history of detective fiction. A man whose name has become a symbol of the triumph of right and justice over the sinister forces of crime and lawlessness. A man recognized as one of the great masters of deduction. Nick Carter, Master Detective. Today's baffling case. The Mystery of Hangman's Wood. Another exciting chapter dramatized from the life story of Nick Carter. In just a moment, we'll hear how Nick Carter discovered what caused the ghostly shadow of a long dead pirate to appear at full moon upon the side of a deserted barn. And why and what he did about it after he found out. You know, mom is a person who's entitled to real consideration. Not only on Mother's day. But the whole year round she deserves the most attractive home, the greatest convenience, the utmost leisure modern living can provide. And now American science has given her the modern shortcuts to happy homemaking. For example, the three great Linax home brighteners. Linax Self Polishing Wax, Linax Cream Polish and Linax Clear Gloss which works such magic in the care of furniture, woodwork and floors. Linax Self Polishing Wax. The amazing new wax product beautifies floors with a satiny yet tough anti skid finish. Linax Cream Polish for fine furniture cleans as it polishes leaving no surface oil to attract dust. And Linax Clear Gloss which is brushed on dries to an elastic transparent surface that protects all wood and linoleum in your home. Give your home a new easy beauty treatment. Now with the three great Linux home brighteners. You will find them all at your hardware, paint or department store, your headquarters. Also for Chemtone, the miracle wall finish foreign. And now for today's exciting case from the life of Nick Carter. As we join Nick Carter and his secretary Patsy Bowen this week, we don't find them in the old house in the corner of 5th and 4th. Instead they're watching the sunset on the terrace of a little inn overlooking the placid waters of the Potomac. But it's only a busman's holiday. They've come in answer to a frantic telegram sent by Professor Markerton. That famous archaeologist is explaining his problem to them in cultured but slightly agitated tone.

[Professor Markerton]

You know, it's extraordinary, Mr. Carter. I might even say fantastic. Never have I come across a more curious manifestation of local superstition. As you know, I've been investigating the so called pirate caves of the Potomac.

[I]

Doesn't sound like a very cheerful thought, doesn't Nick?

[Dynamite Joe Porter]

Well, there have been many conjectures as to the origin of these holes, Patsy. But the most logical explanation is that they served as hiding places for pirates in the times when they preyed on Virginia shipping.

[Professor Markerton]

As we believe, they were also used as hiding places in which to store their loot.

[Dynamite Joe Porter]

But you didn't send for us to discuss these pirate caves, did you Professor?

[Professor Markerton]

Oh good grief, no. I. Mr. Carter, I want to see if you can solve the mystery of.

[Dynamite Joe Porter]

The Specter of Hangman's Wood Spectre.

[I]

That sounds promising, Professor.

[Dynamite Joe Porter]

Hope you're right, Patsy. Now professor, you say it all started night before last. You and your assistant, what's his name had been working later than usual.

[Professor Markerton]

Yes, Mr. Carter. Harvey and I had become so absorbed in our search that we pursued our digging until long past supper time, in fact. The moon was just rising above Hangman's Wood when we emerged into the open air.

[Dynamite Joe Porter]

Look, professor, the moon's rising above the treetops.

[Professor Markerton]

Yes, yes. I had no idea we'd work so late.

[Sanderson Taylor]

Oh, I had.

[Dynamite Joe Porter]

Professor, I'm starving.

[Professor Markerton]

Hungry, you know. So am I, now that you mention it. Well, let's pick up the shovels. We'll be getting back to the Inner. Ah, the moonlight is beautiful, isn't it? Turns the trees to silver. With long, mysterious shadows stretching out below.

[Dynamite Joe Porter]

That's eerie if you ask me, sir. I wonder why they call this place Hangman's Wood.

[Professor Markerton]

Because it was here that they hanged many of the pirates and robbers who waylaid ships coming up the river. That great gnarled and leafless oak that stands over there, Harvey, between us and the deserted barn that's supposed to have held as many as seven bodies suspended from its branches at one time.

[Sanderson Taylor]

No wonder it died off.

[Dynamite Joe Porter]

Out of sheer horror, I'd say.

[Sanderson Taylor]

Good Lord, what's that?

[Professor Markerton]

Oh, just an owl of some kind. Well, as I was saying, Harvey, during the full moon, the spirits of those hardy buccaneers who were hanged there on the gallows tree are supposed to return.

[Dynamite Joe Porter]

Professor. Professor, look over there.

[Professor Markerton]

Where?

[Sanderson Taylor]

Where the shadow of the tree is.

[Ken Powell]

Thrown against the side of that barn.

[Professor Markerton]

There's a shadow of something hanging from.

[Sanderson Taylor]

One of the limbs.

[Dynamite Joe Porter]

It looks like the body of a man.

[Professor Markerton]

Yes, yes, Harvey, it certainly resembles the shadow of a body hanging from a rope with its head bent sharply to one side as if the neck were broken. The interesting thing about it is that there isn't a body hanging from the limb of the tree to cast that shadow.

[I]

The shadow of a man who'd been hanged, but no body to cast that shadow.

[Dynamite Joe Porter]

You investigated, Professor?

[Professor Markerton]

Well, no. As a matter of fact, Mr. Carter, Harvey was rather upset by the whole thing. And, well, I'll admit he didn't have to argue too hard to persuade me to leave the vicinity.

[Dynamite Joe Porter]

You say that local superstition says these manifestations occur when the moon is full.

[Sanderson Taylor]

That's right.

[Dynamite Joe Porter]

But you saw that shadow two nights ago. Wasn't that a bit previous? The moon isn't full until tonight.

[Professor Markerton]

Exactly. That's why I wired you that it was imperative for you to come this evening. I propose to return to Hangman's Wood and see if the phenomenon will repeat itself.

[Sanderson Taylor]

All right.

[Dynamite Joe Porter]

How about you, Patsy? Want to come along? Oh, yes.

[I]

Yes, of course. I'd love to.

[Professor Markerton]

Well, here we are, Mr. Carter. Now, this is the gallows tree, and there Is the old barn on which the shadow appeared. Everything is just as it was the other night.

[I]

I don't see a blessed thing, do you, miss?

[Dynamite Joe Porter]

Wait till the moon rises above the treetops.

[Professor Markerton]

That should be any moment now.

[I]

Yes, yes, here it comes. Shadow of the tree begins to calm on the side of the barn. I don't see any hanging body, miss.

[Dynamite Joe Porter]

There's a breeze rising.

[Professor Markerton]

Yes, it often comes up with the moon, they tell me, Mr. Caller.

[Dynamite Joe Porter]

Ah, yes, the full moon rides clear of the top branches of the old oak tree. The wind freshens, the branches murmur.

[I]

Goodness, Nick, did you hear that?

[Dynamite Joe Porter]

Yes, Patsy. The screech owl.

[Professor Markerton]

And a screech owl in this vicinity, Mr. Carter, is supposed to be a harbinger of ill fortune.

[Dynamite Joe Porter]

I rather suspect that particular screech owl, professor, is even more ominous than that. There. Look at that shadowy shape slowly materializing in the moonlight on the barn door.

[Sanderson Taylor]

Nick.

[I]

It's just as the professor said. The shadow of a man hanging by his neck.

[Professor Markerton]

Yes, and as you can see, there's nothing hanging from the tree which would cause that shadow. Nothing at all.

[Dynamite Joe Porter]

That's not too significant, pet. Professor. The interesting feature of that shadow is that it doesn't sway in the breeze.

[Professor Markerton]

What's that?

[Dynamite Joe Porter]

Yes, this breeze is strong enough to move any object hanging from the limbs of that tree, Provided it were hanging.

[I]

I do wish that bird would go away.

[Professor Markerton]

He's probably got a nest somewhere in that old barn.

[Dynamite Joe Porter]

I think we better investigate that barn, professor. Particularly that door that frames the hanging shadow. Oh, Patsy, while we investigate the barn it rests on, you wouldn't care to climb the gallows tree and see if you can discover the origin of the shadow?

[Sanderson Taylor]

I would not.

[I]

Not that I think there isn't a perfectly normal explanation of some sort for that. That apparition, mind you.

[Dynamite Joe Porter]

Well, then.

[I]

But nobody in his right mind has any business to go climbing trees in the dark.

[Dynamite Joe Porter]

Okay, Betsy. We'll come back tomorrow in the daylight for the tree at the barn door. I think we'd better investigate that right now.

[Professor Markerton]

Very well, Mr. Carter, if you think it best.

[Dynamite Joe Porter]

Let's see. You know, this barn door is interesting. Very interesting. This old lock is rusted with age. The unbroken carb webs cover all the hinges and lintels.

[I]

That means no one's been inside the old relic for a dog day.

[Dynamite Joe Porter]

On the contrary. Fancy someone has been inside, and very recently.

[Sherry Drake]

What?

[Dynamite Joe Porter]

He was driving a horse and wagon.

[Sanderson Taylor]

Look here.

[Dynamite Joe Porter]

The ruts in the soft earth, the ones going into the barn, are rather light. But here, look at these that are superimposed on the first one.

[Professor Markerton]

Yes.

[Dynamite Joe Porter]

Notice how much deeper they cut. How the horse coming away from the barn dug his hoops in as though pulling a heavy load.

[Professor Markerton]

Oh, good heavens, Mr. Carter. You don't mean there's another mystery besides the shadow of the hanging man. Oh, dear. Now we have a horse and wagon that can drive through a barn door that's been locked for years.

[I]

Maybe the driver just said, open sesame, and the door disappeared into thin air.

[Dynamite Joe Porter]

No, the trick is slightly more obvious, Betsy. I'd like to have a look a little higher up, Professor.

[Professor Markerton]

Yes.

[Dynamite Joe Porter]

Bend over so I can climb up your back. I want to stand on your shoulders.

[Professor Markerton]

Like this?

[Dynamite Joe Porter]

Yes, that's it.

[Sanderson Taylor]

All right.

[Dynamite Joe Porter]

Now, steady.

[Professor Markerton]

All right, I've got you. Yes.

[Dynamite Joe Porter]

Yes, I was right. There's a long crack running parallel with the ground. That means the hinges are on the inside. The whole wall swings inward. All right. Steady, Professor. I'm coming down.

[Sanderson Taylor]

Right.

[Ken Powell]

Sure.

[Dynamite Joe Porter]

Now, let's see what happens if we push the bottom of the wall right about here. All right, all together now.

[I]

Oh, Nick, it's swinging up. It's open.

[Professor Markerton]

Say, that's neat. Must work on a system of pulleys and counterweights.

[I]

Gosh, Nick, it's dark in there.

[Dynamite Joe Porter]

Well, it's not too dark when you get used to it. I've got an idea there may be something interesting hidden in here. Something that someone has gone to great pains to keep secret. The hidden door, the body, lashada are all part of the plot to keep interlopers from.

[Sanderson Taylor]

Nick.

[I]

Nick, something swooshed at me.

[Dynamite Joe Porter]

Calm yourself, Patsy. It's only at that old barns are usually full of them. Yes, there's another.

[I]

I definitely don't like that. They get in your hair.

[Dynamite Joe Porter]

Nothing here. Nothing but a bit of old hay in this corner. Nothing in it. Wait a minute. Hold on.

[I]

What is it, miss?

[Dynamite Joe Porter]

There's a hole under the hay.

[Sanderson Taylor]

A hole?

[Dynamite Joe Porter]

Leading down. Give me the flashlight, Patsy.

[I]

Yeah.

[Dynamite Joe Porter]

Thanks.

[Professor Markerton]

Great Scott.

[Sanderson Taylor]

Look there.

[Professor Markerton]

It's the entrance to another pirate hole with a ladder leading down into it. That looks like one of the deeper ones.

[I]

Nick, you don't expect us to crawl down there.

[Dynamite Joe Porter]

No, Patsy. Whatever was hidden down there was removed in the heavily laden cart whose tracks we saw outside the barn. See, here's the imprint of kegs that have been rolled across the soft ground. And here one was stood on end.

[Professor Markerton]

Yes, and look here.

[Dynamite Joe Porter]

One of them sprung a leak. A small trail of blackish powder. What do you make of that, Patsy?

[I]

No sort of acid, Nick. Like gunpowder.

[Sanderson Taylor]

Right.

[I]

Oh, good grief. Professor, put out your pipe.

[Professor Markerton]

What for?

[I]

It's dangerous to smoke a pipe in a place that's bulging with gunpowder.

[Dynamite Joe Porter]

But it's not bulging with it, Patsy. There isn't enough left here to fill a firecracker. Someone's got wind of the fact that Professor Mackert called us in and the whole lot's been removed.

[Professor Markerton]

Yes, but where, Mr. Carter? For what purpose?

[Dynamite Joe Porter]

I wish to heaven I knew. The amount of explosive that was carried away in that heavily laden cart can do a great deal of rather serious damage.

[I]

Nick, what do you suppose they're planning to blow up?

[Dynamite Joe Porter]

I don't know yet, but I hope to find out shortly. First we send off two telegrams. One to the FBI asking for any information they may have regarding Dynamite Joe Porter and his gang.

[Professor Markerton]

Dynamite Joe? Yes, I've heard of him. He's the notorious English criminal who specializes.

[Dynamite Joe Porter]

In blowing up banks and also wrecks railroad trains. If he thinks they're carrying anything that might interest him.

[I]

Where's the second telegram going?

[Dynamite Joe Porter]

To Annapolis.

[Professor Markerton]

But why Annapolis?

[Dynamite Joe Porter]

Because Annapolis, which is a bare five miles up the river, is the site of a government powder magazine. I want to know if they've missed any of their stores lately. Yes, and I think I may even send another telegram to the Port Authority. It's Norfolk. Come on.

[Sanderson Taylor]

You better hurry back to the telegraph office before it closes.

[Dynamite Joe Porter]

There are a great many things to do and too little time to do them.

[Ken Powell]

Well, Nick must suspect that big things are afoot from his reaction to what he found in the old barn. Will he be able to find what these things actually are and put a stop to them before any damage has been done? We'll see in just a moment. If you want new beauty, new protection, new skid resistance for all your floors and linoleum, it's high time you use the new Linax Self Polishing Wax. Until you do, you don't know how different, how perfect a quick drying wax can be for. The formula of Linax Self Polishing Wax is completely new. The result of extensive research by leading chemists. It contains the greatest possible amount of genuine carnauba wax to lend satiny appearance, lasting protection. Real anti skid finish to every floor surface in your home. Yes, the Underwriters laboratories have proved that linoleum, hardwood and rubber tile actually are less slippery after the application of Linax Self Polishing Wax. You can feel the difference when you walk on a floor to which it's been applied. And Linac Self Polishing Wax takes only a jiffy to wipe on. Drying quickly to a Handsome luster without tiresome rubbing. So choose genuine Linax Self Polishing Wax, the finest product of its kind. And when you want the modern finish that's brushed on for even longer lasting protection, get Linax Clear Gloss, which dries overnight to a beautiful gloss finish that protects your floors and linoleum for months. Whether you choose Linax Self Polishing Wax or Linax Clear Gloss, ask for it by name. Linax. And get the finest. You'll find all three great Linax Home Brighteners and Chemtone, the miracle wall finish that dries in one hour at hardware, paint and department stores everywhere. And now back to our storage as we rejoin Nick Carter and his assistant secretary and right hand man, or should we say woman. We find them at breakfast the following morning. They're at a little hotel near the site of Hangman's Wood and it's somewhat later than their customary hour for breakfast. As Nick well known, I knew I.

[I]

Should have ordered another poached egg. I'm hungry as a bear this morning.

[Dynamite Joe Porter]

Must have been the night air. Patsy.

[I]

Nick, I wonder what caused that shadow of the hanging man we saw last night.

[Dynamite Joe Porter]

This neat little device I have here.

[I]

What in heaven's name is that?

[Dynamite Joe Porter]

A little tube I found fastened in one of the lower branches of that dead tree. I took a stroll out to Hangman's Wood before you were up this morning.

[I]

I'm certainly glad you didn't wake me. I hate early morning walk.

[Dynamite Joe Porter]

Precisely why I didn't wake you. This gadget I found out there is an ingenious telescope like lens with a small black silhouette inserted somewhere in the middle. The light of the moon shone through at a certain angle.

[Sanderson Taylor]

Of course.

[Dynamite Joe Porter]

A silhouette was projected, made a shadow on the barn door.

[I]

How could you know what to look for?

[Dynamite Joe Porter]

It had to be something like this, Patrick. Anything hanging from the trees would have moved in last night's breeze. The moment I saw the shadow was stationary, I knew the answer.

[Sanderson Taylor]

I'll pass them up.

[Dynamite Joe Porter]

Good morning, Professor.

[Professor Markerton]

Oh, good morning. The innkeeper gave me these telegrams for you, Mr. Carter. They just arrived.

[Sanderson Taylor]

Oh, thanks. Yeah.

[Dynamite Joe Porter]

Dynamite Joe Porter, released from Sing Sing Prison beginning of last month. We leave to have left the country.

[I]

What makes you think that Dynamite Joe is in back of business?

[Dynamite Joe Porter]

Oh, I just have a hunch that this is one of his jobs. Now let's see what Annapolis has to offer.

[Sanderson Taylor]

24 kegs.

[Dynamite Joe Porter]

Latest super gunpowder missing since Friday week. Have you located it? I wish to heaven I had.

[I]

But what is there in this neighborhood that would interest Dynamite Joe?

[Dynamite Joe Porter]

It has to be something big to tempt that hyena. I know banks worth his trouble. He can't be planning to blow up a train. One keg of gunpowder be more than sufficient for that job. What in this neighborhood would take 24 kegs of the deadly stuff?

[I]

Maybe he's going to blow up a Napoleon.

[Dynamite Joe Porter]

No, no, in that case, he'd have finished the job when he stole the keg.

[Professor Markerton]

Great Scott. Maybe he's going to blow up the Capitol.

[Dynamite Joe Porter]

No, Washington is upstream. He would wouldn't have hidden the dynamite five miles downstream if that was what he had in mind.

[Professor Markerton]

Oh, of course.

[Dynamite Joe Porter]

Besides, neither of those blastings would interest Joe. He only dynamites for personal profit. Now, what could that be between here and Annapolis?

[Professor Markerton]

Well, there's nothing between here and Annapolis, Mr. Carter, but the Smithfield marshes. Rather dreariest stretch in the whole Potomac Valley. As you know, the ocean's tides are still in evidence in this district. And from here to Fort Whitney, the flats or marshes behind the river wall are well below the level of the river at high tide. You know, the last time the river wall broke, the water level of the river dropped so fast that several boats were left stranded on the shoals.

[Sanderson Taylor]

That's it.

[Dynamite Joe Porter]

Of course, the river wall. Oh, what a fool I was not to have thought of it before. There must be some boat coming up the river with a cargo valuable enough to attract Joe's attention.

[I]

But, Nick.

[Dynamite Joe Porter]

Professor, get your hat. Yes, Patsy, Tell the innkeeper to provide us with a small boat suitable for rowing. We'll need two pairs of boards. One for you and one for the professor.

[I]

What are you going to be doing while we roll?

[Dynamite Joe Porter]

I'll be doing the investigating. Now, come on. If only we had a reply to the wire I sent to Norfolk, we might have the answer. But in any case, there's no time to lose. We must keep Joe from blowing up that river wall. Faster, you two, faster.

[Professor Markerton]

I'm pulling as fast as I can.

[I]

If you wouldn't insist on hugging this river wall. It's a nice breeze out in the middle of the stream.

[Dynamite Joe Porter]

No signs of the dynamite yet. Got to find it. Sent for the river patrol to help us, but it'll probably take hours before their speedboat can get here.

[Sherry Drake]

Oh.

[I]

Oh, Nick, I just remembered something.

[Dynamite Joe Porter]

What?

[Sanderson Taylor]

No.

[I]

The telegram came for you while you were seeing about the boat. Must be from Norfolk.

[Dynamite Joe Porter]

Oh, let me have it, please.

[I]

I'm sorry, Nick, but you rushed us off in such a flurry. It went right out of my mind. Here you are.

[Dynamite Joe Porter]

Thanks. The Nancy Conlift Carrying cargo of captured German gold found in salt mines. Due to reach Judith Point at 10:30 this a.m. what? So that's what Dynamite Joe was after. Quickly, both of you, back to your oars.

[Sanderson Taylor]

Right.

[Dynamite Joe Porter]

Now, wait a minute, wait a minute. Here's something. Something in a cylindrical tin container tucked into the side of the wall just above the water line. And here's a wire connecting it to another and another. Professor, this whole section of the wall is mine. You want to set it off by an electrical charge running along this wire.

[I]

What time is it now?

[Dynamite Joe Porter]

1021. That boat is due at 1030. The explosion is due any minute.

[I]

Then let's get out of here.

[Dynamite Joe Porter]

No, Patsy, we gotta go on. Slowly, slowly. There's something I've got to do. Got to find out where this wire leads. Where he's hidden the machinery with which to set off this explosive.

[Professor Markerton]

It seems to lead to that little shack half overhanging the water, doesn't it?

[Sanderson Taylor]

The one over here at the end.

[Professor Markerton]

Of the river wall.

[Dynamite Joe Porter]

Yes. Yes, this is the place. Stop it.

[I]

Okay.

[Dynamite Joe Porter]

Tires passed, so we won't drift away. No granny knots, please.

[I]

You can depend on me, Nick. I used to be a Girl Scout.

[Dynamite Joe Porter]

Let's see now. There's a little trap door on the floor of the shack where it hangs over the river. I hope it's not locked.

[Sherry Drake]

Ah.

[Dynamite Joe Porter]

Open. I'm going to take a look inside. If I stand up, I should just about be able to see. Yes. Yes, this is the place.

[I]

Oh, Nick, you're rocking the boat.

[Dynamite Joe Porter]

I'm going to pull myself up.

[Sanderson Taylor]

You two can follow suit. Steady.

[I]

You next, Professor.

[Professor Markerton]

You'll just give me a hand, Mr. Carter. I'm not as agile as you are.

[Sanderson Taylor]

Oh, thanks.

[Dynamite Joe Porter]

Come on, Patrick. I think we can pull you through between us.

[I]

I can make it myself, eh?

[Dynamite Joe Porter]

Maybe, but I'll give you a hand anyway.

[Sanderson Taylor]

Now up you come.

[Dynamite Joe Porter]

There.

[I]

Well, you didn't have to be so rough about it. I'd have made it right.

[Lieutenant Silver]

Oh, now you're all here. Get your hands up in the air.

[I]

Nick Locke.

[Dynamite Joe Porter]

Yes. This, unless I'm mistaken, would be dynamite. Joe Porter.

[Lieutenant Silver]

Stick him up, as you say, on your side of the ocean.

[Dynamite Joe Porter]

Seems to be determined. All right, Joe. They're up.

[Sanderson Taylor]

Excavior.

[Lieutenant Silver]

What kept you blokes? I've been waiting for you all morning. I hoped you wasn't going to be late for the big event. I wanted to show this Mr. Nick Carter how it's done on our side of the big pond.

[Dynamite Joe Porter]

Well now, that's right, neighbourly Joe. But aren't you going to search us first to see if we're armed?

[Lieutenant Silver]

Not me. In the first place, I ain't giving nobody a chance to do me dirt whilst I'm busy with another chap. Besides, weapons will do you no good. But don't take your hands down because one horse moving, you're a goner.

[I]

What are you going to do with us, Mr. Dynamite Joe?

[Lieutenant Silver]

I got that all planned out, sister. There's a little steamer coming up the river in a few minutes. A Nancy Cunliffe. Not much to look at, but she's got a cargo of gold bars in her. Oh, that'll make me as rich as Mr. Rockefeller.

[Dynamite Joe Porter]

Delightful.

[Lieutenant Silver]

You and me and Mr. Carter here are going to wait right here until this here Nancy Cunliffe runs around the bend. You keep your hands in plain sight all the time, and we don't have no trouble, see? When the boat shows up, I blows up the river wall. The water rushes out across the lowlands, and the boat finds she ain't got water enough to sail in and runs aground. Then my labs have a launch all ready and waiting. He knows what to do. He takes over while I finishes off you nosy snoopers. So you won't never bother no one again. Understand what I'm getting, Ed?

[I]

I'm afraid I do, but I don't quite like it.

[Dynamite Joe Porter]

Maybe something will happen to prevent him from carrying out his unpleasant little scheme. Don't get discouraged yet, Patrick.

[Lieutenant Silver]

Spoken like a man, Carter. You don't disappoint me, you don't. I've heard you was a gaming.

[Dynamite Joe Porter]

Thank you. How much longer do we have to wait for the Nancy Conop to appear?

[Lieutenant Silver]

Only a few minutes more, matey. Just make yourself comfortable while you're waiting. I'd finish you off now, but the boat might even sight in the middle of the execution. And I can't let nothing interfere with that part of the plan. First the boat, then you blokes. That's the way I planned it, and that's the way it goes.

[I]

Nick.

[Dynamite Joe Porter]

Yes, I heard it.

[Lieutenant Silver]

I heard it, too, mates. The time's come when she gets a little further upstream. I'm going to press this here lever in this box, and when I do, it'll be the biggest wreckage you ever heard. All right, now, here she goes. And I can't tell you how happy I am to have you here at the audience. Now then. 1, 2, 3.

[Sanderson Taylor]

What?

[Dynamite Joe Porter]

That something gone wrong, Joe?

[Sanderson Taylor]

What could go wrong?

[Lieutenant Silver]

I'll fix this up myself. It's got to be right.

[Sanderson Taylor]

All Right, Joe.

[Dynamite Joe Porter]

Get your hands in the air.

[Ken Powell]

Fast. Get him up myself.

[Dynamite Joe Porter]

That's better. I'll keep him that way.

[I]

Oh, good for you, Nick.

[Professor Markerton]

Oh, that was excellent, Mr. Carter. I feel much relieved.

[I]

So do I.

[Dynamite Joe Porter]

Now, professor, get that rope over in the corner and tie up this big shot from overseas. I think the authorities would like to take care of him for the rest of his life.

[Ken Powell]

In just a moment, Nick will return to tell us about the clues which enabled him to solve the mystery of the Hangman's Wood. A lovely home adds to the joy of living. And the three great Linax home brighteners add to the ease of keeping your home. Lovely Linax Cream Polish, for example, renews the original gleaming beauty of your fine furniture. The handsome appearance of the wood grain itself, in one quick, easy application for Linax Cream Polish actually cleans as it polishes to save you one whole step in your cleaning day routine. Yes, that cloudy look left by dust and previous polish is erased in one quick process that also removes blurry fingerprints and helps conceal scratches. And what's more, Linax Cream Polish leaves no surface oil for dust to cling to. So do as many wise modern homemakers do, take the streamlined way to furniture care, Linax Cream Polish, which cleans as it polishes. Ask for all three great Linax home Brighteners, Linax Cream Polish, Linux Self Polishing Wax, and Linax Clear Gloss at your nearest hardware, paint or department store, your headquarters also for Chemtone, the modern wall finish that beautifully decorates the average room for only 298. Tomorrow marks the beginning of the mighty seventh Warlone drive. And the most important thing you can do to support our fighting forces is to invest in war bonds. An investment in final victory. An investment in peace. An investment in America's Future. And yours. 85 million Americans hold war bonds, and 85 million Americans can't be wrong. Get your extra bond now. Now let's hear from Nick Carter himself. Well, Nick, that was a pretty close call you and Patsy had.

[Dynamite Joe Porter]

Not as close as you might think, Ken.

[Ken Powell]

No, why, if something hadn't gone wrong with Joe's apparatus, the gunpowder would have gone off and you wouldn't have had as good a chance to capture him.

[Sanderson Taylor]

The way you did.

[Dynamite Joe Porter]

But I knew the gunpowder wouldn't go off.

[I]

But how could you possibly know that, Nick?

[Dynamite Joe Porter]

Well, it was this way. As we rode along the sea wall, I punched a hole in each can of powder with my knife. And as the tide came in, the water flooded the cans and soaked the powder so it wouldn't explode.

[I]

Oh, Nick, you're wonderful.

[Sanderson Taylor]

I'll say.

[Ken Powell]

But suppose the tide had been going out instead of coming in?

[Dynamite Joe Porter]

Wouldn't have made any difference, Ken, because just to be sure, after I punched holes in the cans, I also cut the wire.

[I]

You always think of everything, Nick.

[Dynamite Joe Porter]

Thanks for the vote of confidence, Betsy.

[I]

Nick, tell me, when did you first suspect that it was the work of an English gangster?

[Dynamite Joe Porter]

When we heard the voice of that screech owl, which was the way that Joe's gang warned each other. You see, our screech owls are quite a different species from those in Great Britain. When I heard that peculiar, eerie call, I realized it was an imitation of the British gue child, which is a bird definitely not found in the woods of Virginia.

[Ken Powell]

Well, well, live and learn, I always say. And now, how about a hint or so about next week's story?

[Dynamite Joe Porter]

I don't see why not, Ken. It's a story about one of New England's most famous possessions, the rocking chair.

[I]

Rocking chair has a good homing sound, hasn't it?

[Dynamite Joe Porter]

But this rocking chair only rocked at certain times, certain very definite times, just before some member of the family was to die.

[Ken Powell]

Has a nice homey sound, doesn't it?

[Dynamite Joe Porter]

Well, there was nothing homey about the deaths. They happened in all sorts of ways.

[I]

Until Nick took over the case. Then both the rocking and the death stopped suddenly and for good.

[Ken Powell]

What do you call this exciting story, Nick?

[Dynamite Joe Porter]

I call it the Haunted Rocking Chair.

[Ken Powell]

Nick Carter, Master Detective is copyrighted by street and Smith Publications Incorporated. Lon Clark has starred as Nick with Helen Choate as Patsy. Original music is played by Lou White. The programs are written by Edith Miser, and any resemblance therein to actual persons, living or dead, is purely coincidental. The entire production is under the Direction of Jock McGregor. Nick Carter Master Detector is presented at this time and over these same stations each week by the three great Linax home Brighteners, Linax Clear Gloss, Linax Cream Polish, and Linax Self Polishing Wax, created by Acme, America's great producer of Acme Fine quality paints. This is Ken Powell speaking for the thousands of Linax dealers all over America, saying so long, until next week, this is the Mutual Broadcasting System.

[Harry Bartel]

That's case closed for this week. There's more from the case book of Gregory Hood, Nick Carter Master Detective, this podcast and all of the other relic radio shows@ Relicradio.com. our shoutcast stream is there as well, with even more old time radio, all made possible by your support. If you'd like to help out, visit donate relicradio.com We've got some downloadable sets for certain donation amounts. Thanks, as always, to those who have helped out. Thanks for joining me this week. Talk to you again next Wednesday with another hour of Case Closed.