FBI In Peace And War and Mr. District Attorney

Summary

Case Closed! - Episode Summary

Featuring: "FBI in Peace and War: The Dream Men" & "Mr. District Attorney"
Aired: March 11, 2026 | Host: RelicRadio.com

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Episode Overview

This episode of Case Closed! revisits two classic radio crime dramas, "FBI In Peace And War: The Dream Men" and a case from "Mr. District Attorney." Each segment delves into intricately plotted criminal cases—one focusing on a federal investigation into a narcotics ring, the other on a seemingly perfect murder-for-insurance scheme. The episode unearths the methods, motives, and moral quandaries at the heart of these old-time radio stories, serving up suspense and period-authentic dialogue.

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FBI In Peace And War: "The Dream Men" (00:10–18:00)

Main Theme

An undercover investigation by the FBI into a Bay City narcotics ring leads to deception, betrayal, and murder. Agent Reynolds infiltrates the gang, with his contact Agent Steve aiding from the outside, culminating in dramatic confrontations and confessions.

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Key Discussion Points & Insights

1. Opening and Setup

• A moody introduction sets the 1940s crime scene atmosphere—Frank receives a drink from Norma, but this is a front for something darker. (00:56)
• Norma is revealed to be working with Lon, setting Frank up for a deadly double cross. (01:22)

2. The Murder and Undercover Operation

• A federal agent (Frank Bailey) is murdered, linking to a larger narcotics investigation in Bay City. The undercover plan: Agent Reynolds pretends to be a drug addict to infiltrate the ring. (02:25)
• Secret communications between Reynolds and Steve capture the tension and danger of going undercover:
  • "Hello, I'm calling from a drugstore. I'll have to make it fast. ... I made a contact today in the Bar and Grill." – Agent Reynolds (02:38)

3. Inside the Criminal Organization

• Reynolds is introduced to Joe Maury, a small-time dealer, through staged trust-building and rough interrogations. (03:55–06:11)
• The gang's hierarchy and ruthlessness emerge, including discussions of pushing drugs to school children and how internal relationships (Norma, Joe, Lon) fray under pressure. (07:29–08:43)

4. Dangerous Intimacies and Betrayal

• Norma attempts to seduce Reynolds and recruit him to the ring, all while plotting and keeping secrets from her husband, Joe. (11:06–12:21)
  • Quote: "When men look like you, I forget the missus. ... How would you like to make a few easy dollars for yourself?" – Norma, to Reynolds (11:41)
• Tensions mount as Joe becomes suspicious, setting the stage for violent confrontation.

5. The Trap and Take-down

• Norma, suspecting Reynolds’ true identity, attempts to confirm it by eavesdropping and calling Lon. (13:35–14:10)
• The ring confronts Reynolds, who is revealed as a federal agent through a staged phone call and quick thinking.
  • "You called the FBI, didn't you? ... Federal Bureau of Investigation!" – Lon, exposing Reynolds (14:44)
• In a dramatic reversal, Joe chooses to protect Reynolds and turn his own wife in, frustrated by his long-standing grievances:
  • "I'm letting Dave out of here, that's what. And then I'm turning you in to the cops." – Joe, to Norma (17:07)

6. Resolution

• The FBI arrests the ringleaders, with the case wrapped up thanks to Joe’s cooperation and taped confessions.
• The outcome is spelled out: Norma is convicted for murder, Lon receives 20 years, and Joe gets a reduced sentence for cooperation. (17:54–end segment)

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Notable Quotes & Moments

• "We had an idea she’d eavesdrop. Steve, was it enough? Plenty. Hillary got the whole thing down on tape." – Agent Reynolds & Steve (17:48)
• "I didn't do it because of you. Not because of you at all." – Joe, to Reynolds, expressing a bitter sense of agency (18:05)

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Important Timestamps

• 00:56–01:54: Setup and double-cross by Norma
• 02:25–03:55: Introduction of undercover operation and criminal ring
• 07:29–08:12: Debate over selling drugs to children
• 11:06–12:21: Norma’s attempt to seduce and recruit Reynolds
• 13:35–14:10: Norma attempts to confirm Reynolds’ true identity
• 17:07–17:27: Joe's startling betrayal of Norma for justice
• 17:54–18:05: Arrests and epilogue

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Mr. District Attorney Case File (18:00–~44:00)

Main Theme

A district attorney investigates the murder of a service station operator, uncovering a web of insurance fraud, professional killers, and the manipulation of legal and emotional alibis. The DA’s relentless pursuit exemplifies the era’s belief in justice and resourcefulness.

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Key Discussion Points & Insights

1. The Murder Set-up

• The crime is introduced with a chilling exchange: two men (Fred and Benny) kill Mr. Wade, an innocent gas station operator, for insurance money—an act orchestrated by his wife, Estelle. (22:30–23:43)
  • "No, Mr. Wade, it's not a gag. Would you think it was a gag when she took out the insurance policy last year?" – Fred, to Wade before killing him (23:32)

2. Investigation and Interrogation

• The District Attorney, Paul Garrett, methodically questions Mrs. Wade, piecing together financial irregularities that suggest motive. (25:48–27:28)
• Mrs. Wade is cold and evasive, insisting upon her innocence and accusing the DA of harassment.
  • "You seem to have selected me as some sort of a target to hide your inefficiency." – Mrs. Wade (26:49)
  • "Suppose your husband had lived out a normal lifespan…Did you intend to keep borrowing premium payments for 40 years?" – DA Garrett (27:56)

3. Insurance & Money Trail

• Evidence is laid out: a suspiciously large life insurance policy, borrowed premiums, and $10,000 in missing withdrawn funds. (27:28–28:44)
  • "You made a withdrawal of $10,000 in cash. That's a large sum, Mrs. Wade. Where is it?" – DA Garrett (28:23)

4. Criminal Conspiracy Unveiled

• Mrs. Wade’s double life and connections to a shady, disbarred attorney, Max Kraft, are revealed through surveillance and intercepted phone calls. (31:00–32:05)
• The DA and his team tie Kraft to the killers and the insurance payout, suspecting him as the intermediary. (32:05+)

5. The Sting Operation

• To expose the murder-for-hire scheme, the DA invents a ruse: his secretary, disguised as Mrs. Miller, "hires" the killers to murder her husband (actually Harrington, an investigator), setting an ambush. (36:59–39:23)
  • "I'm going to have somebody hire them to kill you." – DA Garrett, recruiting Harrington for the sting (36:31)
• A dramatic drive-and-shootout ensues, with Harrington feigning victimhood and the killers caught red-handed. (39:23–41:31)
  • "How dead do I have to get to make this thing work?" – Harrington, wryly (36:55)

6. Confession and Legal Reckoning

• The killers, Fred and Benny, implicate Max Kraft and Mrs. Wade. (41:31–42:42)
• Kraft pleads for a deal, but is stymied by the DA’s forethought—his key witness is actually the DA's own secretary. Justice is served, and all conspirators are convicted of first-degree murder. (43:15–end)

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Notable Quotes & Memorable Moments

• "Dead men don't pay alimony. No, but insurance companies do." – Mrs. Miller (undercover) & Max Kraft (38:41)
• "The law clearly states that the person who engages a professional killer...is fully as guilty as the hireling who wields the murder weapon." – David Bryan, closing message (43:50)

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Important Timestamps

• 22:30–23:43: Service station murder
• 25:48–30:00: DA’s interrogation of Mrs. Wade
• 31:01–32:05: Mrs. Wade’s secret call to Max Kraft
• 36:31–39:23: Sting operation to entrap hired killers
• 41:31–42:42: Killers’ confession links back to Mrs. Wade and Max Kraft
• 43:15–44:00: Denouement and legal commentary

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Episode Tone & Language

The language and tone are authentic to their period—the dialogue is brisk, occasionally hard-boiled, set against a backdrop of noir atmosphere, frank conversation, and dramatic moral choices.

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Conclusion

This episode of Case Closed! masterfully showcases the suspense, clever plotting, and moral clarity of golden-age radio crime. Both stories explore how greed and deception unravel, with law enforcement persistent in rooting out corruption no matter the cost. Listeners relive the tension and drama of classic radio, with lessons about justice that resonate as clearly now as in their original broadcasts.

Transcript

[A]

This is Case Closed Crime Stories from the golden age of radio. The FBI in peace and war. Another great story based on Frederick L. Collins copyrighted book. The FBI in Peace and War. Drama, thrills, action. Tonight's story, the Dream Men.

[B]

Here we are, Frank. Double scotch and a finger of H2O.

[A]

Thanks. Here's to you, Norman.

[B]

Both of us, honey. Down the hatch.

[A]

I needed that.

[B]

Me too. Why don't you pour us another while I go change into something more comfortable?

[A]

Okay, why don't I.

[B]

Photographs right there. Say something nice and romantic.

[A]

Don't keep me waiting long.

[B]

Couple of minutes, honey. Be right with you. Hello, Lon, this is Norma. He's here.

[A]

Good work, Norma. How'd you swing?

[B]

How do you think he did the town, then wound up here for a nightcap? Look, Lon, are you sure about this? The guy doesn't look.

[A]

Of course I'm sure. Now stop asking questions and take care of them fast. I'll have two of the boys come by for the rest.

[B]

Okay, Lon, I'll take care of them.

[A]

Ah, nice and romantic, Norma. How do you like it?

[B]

I don't like it, Frank. I don't like it one bit. Copper.

[A]

In the early part of last year, the Federal Bureau of Investigation was advised by the Treasury Department that one of our special agents had been murdered in the vicinity of Bay City. The Treasury's Narcotics Bureau had been investigating a large scale ring in the Bay City area. Our agent, Frank Bailey, though working independently on an extortion case, had inadvertently stumbled on the narcotics situation. As soon as this information reached us, Agent Reynolds and I were assigned to the case. It was agreed that Reynolds would proceed to Bay City as a man addicted to drugs and that I was to be his outside contact. Hello, I'm calling from a drugstore. I'll have to make it fast. Go ahead. I made a contact today in the Bar and Grill. Good work. Name of the place is Maurice. Fourth Avenue off State Street. Bartender's the contact. He's going to introduce me to a seller. Bartender? Yeah, Taylor. Find out everything you can. Hey, albeit. Thanks, Mike. I'm a hatch. Right. Hey, Dave. Yeah? I spoke to that fellow you asked me about. I told him you were okay. Hey, thanks, Mike. When can I. Right now. Come on. He's in the back room. Okay, let's go.

[B]

Hey, Mike. How's for a little service we love with you, Claire?

[A]

You two. Pete, I threw hit. Mike? Yeah. Who is this fellow? You can tell me now, can't you? He's Joe Maury, owner of this place. If you Ever open your yard? Don't worry about me in this door here, huh? Hi, Joe. Want you to meet Dave Reynolds. He's the guy I was telling you about. How are you, Dave? Little edgy, I guess. Mike's been telling me. I told him you could accommodate him, Joe. That's right, Dave. I can. Sid. Mike, grab him. Just take it easy, Dave. Sid, hold that on him. That's it, boys. Keep him nice and still. Hey, what is this? Shut up. We'll ask the questions. Briscoe. Sid. Mike. Where'd he say he was from? Detroit. Mm. Who's your contact in Detroit? I contact? You heard me. Bartello. Ed Bartello. Nothing on him, Joe. Ed Bartello and who else? Nobody else. What about Nick Seaver? I don't know him. Don't lie to me. I'm not lying, Sid. Our friend's having trouble with his memory. Help him. Hey, what about Nick Seaver? I tell you, I don't know him. Maybe you don't know Ed Barcelo either. What color hair's he got? Light or dark? Neither. Ed's ball is a billiard ball. Minute ago, Mike. Glad to know you, Dave. Welcome to Bay City, huh? Sorry for the rough up, Davey. You understand we can't take any chances. We'll make it up to you, starting right now. I said I could accommodate you, Dave, and I can. Whatever you want. From here on, Dave, all you gotta do is name it. Hello? I'm calling from the drugstore again. Go ahead. I bought my first pack of dust today. The seller's name is Joe Mori. He's only small fry, but he may lead to bigger. Okay, I'll check on him and let you know what I find.

[B]

That you, Joe?

[A]

Yeah. Yeah, that's me. Where are you?

[B]

In here, honey. Come on in. We gotta visit it.

[A]

Okay, be right there.

[B]

I expected so early. Thought you were driving over to Kings Beach.

[A]

It's too hot. I thought I'd just come home and. Hello, Joe. How about you?

[B]

Yeah, Juan. Just dropped in for a cool glass of beer. I've been showing him my new summer things. Here, honey, sit down, Relax. See what you think of him.

[A]

She looks real cute in that bikini, huh, Joe? Like fresh out of those movie mags, like your honey? No, ma'. Am. Where'd you get the money for those things?

[B]

Well, don't you like them, Joe Lawn?

[A]

Where'd you get the money, Norman?

[B]

What's the difference where? You want your wife to look her best for you, don't you, Norma?

[A]

I gave her the money, Joe. And I took it out of your next month's cut. You what?

[B]

It's not Lon's fault, Joey. I made him do it. You don't mind, do you?

[A]

You know I mind. We've been spending and spending. We're way over our heads.

[B]

Oh, honey, a few little summer.

[A]

Ah, it's not that, Norm. It's the whole crummy deal. Listen to him. Crummy? Wasn't so crummy when you first come to me, crawling, begging. You do anything but dove. Okay, okay. Anytime you want to back out of this crummy deal, all you have to do is say so. You know that. I said okay.

[B]

Nobody's backing out of anything. Mom, if it's only money Joe's worrying about, he knows how he can fix it.

[A]

Why, sure. Like I told you, Joe, there's a great market in these high school kids. Why, we haven't even scratched the surface. I'm taking Norma out for dinner. We want to get dressed.

[B]

No.

[A]

Okay, I'm on my way. I can take a hint.

[B]

No. You ought to be ashamed of yourself. No friend like Lana. I'm sorry.

[A]

All right. I was going along anyway. I just dropped by to tell Joe the boss is up in percentage on all sales to school kids. That's all. Five percent more.

[B]

Did you hear that, Joe? Five percent.

[A]

Yes, I heard. As far as I'm concerned, he can keep it. I'm not putting any kid in a spot like that. I don't care if I starve for it. Well, have it your way, Joe, and I guess I'll be shoving along.

[B]

I'll see you at the door.

[A]

All right. So long, Joe. Much obliged for the pier. What's he so sore about anyway?

[B]

Who knows? His general sweet disposition.

[A]

It isn't that federal guy. You didn't tell him about that, did you?

[B]

Of course I didn't tell him.

[A]

What if he starts adding to him, too?

[B]

Don't worry.

[A]

Well, I don't mean a friend. Two and two. Lon and Norma.

[B]

He won't.

[A]

What if he does?

[B]

You tell me.

[A]

What? There's ways of handling things like Joe. If he gets to be trouble.

[B]

I tell you he won't.

[A]

Well, I was just saying if he does, there's ways of handling him. So long, blue eyes. Whether Joe says it or not, I say you look real great in that bikini. I began a surveillance of Joe Mori, and it was soon evident that the Ring had planned its operation as carefully as the Narcotics Bureau had advised. Each night after closing, Maury was seen leaving with a small package handed to him by the bartender presumably containing money received from users. Each afternoon, he stopped at a filling station to fill up another package, undoubtedly containing new quantities of drugs. However, since the filling station was only a drop, and since we were after bigger game than a seller of narcotics, Agent Reynolds and I decided on an increased plan of action. This plan called for him to establish closer relations with Maury. And there was one best way to do that. Hiya, Davey. Pierre. Not today, Mike. I got business with Joe. Very important. He's in the back. Right. Joe? In here. Hello, Dave. Glad you listen, Joe, I'm not being nosy. Have you got a package on you today? If you have, give it to me. What? I don't ask questions, Joe. Give me the package. Now. Look, Joe, there's no time. There's a couple of cops coming in here any second. Cops? Plain clothesman, treasury boys. I heard them asking the Boot Black. Where is this place? How do you know that? I served time once for selling moonshine. One of these guys testified in court, I'd know his face anywhere. Now, give me that package, Joe. Okay, Joe. Okay. Okay. Here you are. All right now? Yeah, sure will, Joe. Thanks a lot. See you later. Yeah, Dave, see you later. Pardon me, gentlemen. Oh, sure. Sorry, Mr. Maury. I told him you were busy. That's okay, Mike. What is it? Gentlemen, what can I do for you? Mr. Maury, this is Agent Hillary of the Narcotics Bureau. My name is Stevens, FBI. We'd like to ask a few questions and have a look around. Why, sure, gents. Look around all you want. I've got nothing to hide. Nothing to hide. I like that, Joe. I kind of like that myself.

[B]

Joe, honey, go in the kitchen, make a few drinks for our guests, huh?

[A]

Oh, sure. Thank you. Sit down, Dave. Make yourself at home. I want you two to get better acquainted. Entertain him, huh, Nora?

[B]

I'll try. You smoke, don't you, Mr. Reynolds?

[A]

Thanks, I do.

[B]

Right.

[A]

Right here.

[B]

Thanks. Joe tells me you recognize those two men. You did a little time once, Joe says.

[A]

A little, Mrs. Maury.

[B]

Norma, when men look like you, I forget the missus. I see what I mean. How would you like to make a few easy dollars for yourself?

[A]

Well, I'm open to offers. What do you have in mind?

[B]

Friend of mine represents the syndicate Joe works for. I say the word and he puts you on as a contact man at the high school.

[A]

Friend? What friend?

[B]

Mm. Mind you asked what I had in mind, that's what.

[A]

What else?

[B]

We'll wait and see.

[A]

What else does Joe know about this Norman?

[B]

Does he have to? Well, after all he told me to entertain you, didn't he? Told us to get better acquaintance. That's what I have in mind, Dave. And you.

[A]

One week after Norma Moray suggested that she and Agent Reynolds get better acquainted, he phoned me from his hotel with pertinent information. At least I think it's pertinent, Steve. He's had plenty of drinks and feels like talking. Good letter. But Dave, be careful. You're playing with dynamite. Don't I know it. I'll be careful, Steve. So long. Well, that's taken care of. The boy will be right up with some ice and more soda. Sorry to keep you waiting.

[B]

I have an idea it'll be worth it. You have a nice apartment.

[A]

Thanks to you and Lon Nevin. You should have seen my old place.

[B]

No thanks. I like it like this. Some place the girl could powder a nose.

[A]

Right through the bedroom on your left.

[B]

Keep you waiting long.

[A]

Have an idea? It'll be worth it.

[B]

Through here?

[A]

Uh huh.

[B]

Operator. Hello, operator. Mr. Reynolds is busy. He asked me to call back the party he just spoke to. Could you get them for me? Certainly, miss.

[A]

Just one moment.

[B]

That was Bay City 9970. Yes, that was it. Would you ring it, please? Surely.

[A]

FBI field officer. Hello? Hello,

[B]

Operator. Operator, would you get me Mr. Lon Nevin here in the hotel? I believe he's in suite 6839. Hurry up, please.

[A]

Ah, that'll be the ice. Just a minute, son. Pardon me, Norman.

[B]

I'm just beginning to enjoy this.

[A]

I just set it down over there. Hello, pal. Ron. I didn't expect to see you. I bet you didn't. Mike. Joe, this way.

[B]

Joe.

[A]

Joe. Listen, you fellas can't come in here. Who says we can? You don't get me. You see, I'm entertaining a young lady and she happens to be my wife. Huh? Get out of our way, Dave. Joe, I can explain this. I said get out of our way. All right, so you're here. So Mrs. Mori and I were having a friendly drink together, but it isn't anything like you might think. I didn't come here to discuss your private life, Dave. That's for Joe to worry about. I come here to discuss those calls you made today. Calls? Yeah, to the State Building. Mike, what's the use of stalling? Let him know we found out. Well, I did call the State Building to talk to a lawyer. I recalled a talk to the FBI, didn't you? What? You heard him. FBI? Federal Bureau of Investigation. You called them. Who said I called them? Didn't you I don't know what's got into you guys. Don't throw me, Dave. I don't like it. You did call him. Well, sure, I call him lots of times, but only to ask for any new pamphlets. You're lying. He's lying, Lun. Mike, I swear to you. Joe. You believe me? You're my friend. Will I lie to you? Yeah, through your teeth you'd lie. We got a reliable part, he says. Then he's the one lying. Not this party. She's most reliable. She?

[B]

I've got pertinent information, Steve. She's had plenty of drinks and feels like talking.

[A]

A most reliable party, Norma.

[B]

Sorry to eavesdrop, Dave. Or do I say Agent Dave?

[A]

Lord G. You've got this wrong, Joe. What about that time I helped you out in the back room of the bar. You've got this wrong. The only thing we got wrong is you. And we're taking care of that right now. What? We're going to teach you government snoops to stay out once and for all. Same way we taught Frank Bailey. You killed Bailey. Oh, you admit you know it. You killed Frank Bailey. No, not me. Our reliable party took care of that. I'm sorry, Norman. Joe knows. I had to tell him, or he could have got a wrong slant on why you're here. You killed him, didn't you, Norma?

[B]

What if I did? Get it coming? Didn't he?

[A]

Yeah. She hates cops, Dave. You wouldn't be breathing now if this hadn't been your own apartment. Come on, let's get it over with. Mike's car's outside. No, Lon, listen. Come on. He said you went for a ride in that car. No, he isn't. Let go, Mike. Dave isn't going anywhere with you.

[B]

Joe.

[A]

Joe, where'd you get that.45? No, Ms. Closet. I looked for it right after your phone.

[B]

Put that thing down, Joe. What do you think you're doing?

[A]

I'm letting Dave out of here, that's what. And then I'm turning you into the cops.

[B]

You what?

[A]

I'm turning you in. Like Lon said, your private life is my worry. Why? You shot Happy Sniveler. Who do you think you are? I'm Norma's husband. Lon. It's about time I showed you that. I'd only showed you before. Maybe all this wouldn't have happened. Dave. Go on, get out of here. Okay, I'm getting.

[B]

Don't let him. Don't be a fool.

[A]

Why should I stop now? I've been a fool about you and Lon. Long enough. I don't know about the others. Keep going, Dave. Keep going. He doesn't have to, Maury. Nice work, Dave. All of you stand facing that wall, hands overhead. That means you too, Norma. Joe, I'll take that gun. Norma. You idiot. He set the whole thing up. That's right, Lon, I did. We had an idea she'd eavesdrop. Steve, was it enough? Plenty. Hillary got the whole thing down on tape. And the gun wraps it up.

[B]

No.

[A]

Okay, the lot of you, let's go. We'll have that ride in Mike's car after all, Dave. I'll bring Maury, Steve. Right. Go on. Go on. You ready, Joe? Yeah, I'm ready. I'm glad you did what you did. I'll show my thanks in court. You can save your thanks. I didn't do it because of you. Not because of you at all. No, I guess you didn't at that. But I'm glad anyway. All right, come on, let's go. With Joe Mori as cooperative witness and with the tape recording and murder gun as corroborative evidence, the Treasury Department and your Federal Bureau of Investigation presented a complete picture of the Bay City narcotics operation to a federal grand jury. Norma Maury was indicted for murder, brought to trial, convicted and sentenced to life in women's prison as an accessory. Lon Nevin was given a 20 year term. A score of lesser members of the ring went to prison, among them Joe Maury. Although Agent Reynolds personal testimony earned him the clemency of the court. Thus reality finally came to the dream men. In tonight's story. Elspeth Eric played the part of Norma Mowry. And Frank Reddick was Joe Maury. This radio dramatization for the FBI in Peace and War was written by Jack Anson Fink. These programs are produced and directed by Betty Mandeville. We pause now for station identification, Mr. District Attorney. Starring David Bryan. Mr. District Attorney, Champion of the people, defender of truth, guardian of our fundamental rights to life, liberty and the pursuit of happiness. And it shall be my duty as District Attorney not only to prosecute to the limit of the law all persons accused of crimes perpetrated within this county, but to defend with equal vigor the rights and privileges of all its citizens. This is David Bryan. In a moment, we'll bring you another case from the files of Mr. District Attorney. But first, a word from our sponsor. And now, here is our star, david bryan as paul garrett. Mr. District attorney. In order to prove the guilt of a murderer, a district attorney must establish a motive. But a motive is sometimes Hard to prove. Especially when the killer and his victim are total strangers to each other. This case started late one night at the service station on the outskirts of the city. Sorry, fellas, but I'm just closing for the night. We need some gas. I've already locked the pumps. There's an all night place about two blocks up. Big truck stop. You can't miss it. Hear that, Fred? Yeah, Benny, I heard. Men don't want to wait on us, Fred. I didn't say that. I said I'm closed. He's laughing at us, Benny. He thinks it's funny that he don't want to wait on us. There's no point in getting out of the car. I'm not gonna wait on you. Hear that, Fred? This is a real nasty guy. Yeah, no wonder his wife don't like him. What's that supposed to mean? You know, Benny, this guy ain't very bright. Yeah, maybe his wife never told him. Maybe she didn't want to hurt his feelings. What are you guys up to? What's in the. Get inside the office. Hey, what the. He said get inside. Gun. Huh? Might have known. This chump just don't know enough to. Shut up, Benny. If this is a stick up, you're out of luck. All the money's in the safe and the day man has the keys. Hey, he thinks it's a hold up, Fred. I don't know. Why, Benny, you got a nice honest face. Could it be me? Nah, you got an honest face, too. It's like his wife says he's a dope. What is this, some kind of a gag Estelle is pulling? Oh, no, Mr. Wade, it's not a gag. Would you think it was a gag when she took out the insurance policy last year?

[B]

Why?

[A]

I don't understand you guys. Step into the accident room, Mr. Wade. You heard me. Get in the storeroom. No, no, listen to me. Get in there. Well, now we have got it nice and private. Don't be crazy. You guys will get caught. You'll go to the chair. You know, she was right, Benny. This boy's a very dull talker. Yeah. Grab the tire iron, Fred. No, no, let me call Estelle. Let me talk to her. But only Borer. Go ahead, go ahead, give it to him. What do you. You can't. Well, that did it. Let's get out of here. Hope this wife don't get nervous collecting that insurance money. Then why should you? She got a perfect dollar buy you spend the evening with her mother in law, you mean. You know something, Benny? Oh, what I'm hungry. So stop when we get to town. Let's eat.

[B]

I'll be with you as soon as I Finish this paragraph. Mrs. Wayne. Thank. Sorry to keep you waiting. That's all right. That's all I've done for a month. Wait. What does Mr. Garrett want to see me about this time? I'm afraid that's something he'll have to tell you, Mr. Garrett.

[A]

Yes, Ms. Miller?

[B]

Mrs. Wade is here.

[A]

Thank you. Come in, Mrs. Wade. Go right in and have a seat. Call Heineken, Ms. Miller. Ask him to come in.

[B]

Yes, sir.

[A]

I'm sorry to have to call you in again, Mrs. Wade.

[B]

I'm sorry too, Mr. Garrett. My husband's been dead for almost five weeks. I want to get away someplace by myself and forget about it, but you won't let me.

[A]

You want to help us find out who murdered your husband, don't you?

[B]

Of course I do, if I can. But I wasn't with him when it happened. I was spending the evening with my mother in law.

[A]

Yes, I know. As a matter of fact, that's the only time your mother in law saw you in more than a year. Except for your husband's funeral, of course.

[B]

What of it?

[A]

When you hadn't been speaking that you paid her rather a sudden visit at what turns out to be a very strange time.

[B]

What are you insinuating?

[A]

I'm not insinuating anything, Mrs. Wade. Just stating a fact.

[B]

I might as well tell you, Mr. Garrett. I don't like your way of stating things. I certainly.

[A]

Come in, Harrington. Hello, Chief. Afternoon, Mrs. Wade. Sit down. Pardon the interruption, Mrs. Wade. I'd like Hank to hear this, too.

[B]

You don't seem to be able to find my husband's murderer. So you seem to have selected me as some sort of a target to. To hide your inefficiency. Well, I'm not going to stand for any more of it. The insurance company was perfectly satisfied. They paid me, despite your investigation.

[A]

They paid you because I suggested they pay you.

[B]

Is that supposed to be amusing, Mr. Garrett?

[A]

I hope it was, because this isn't going to be ready to report, Harrington. Be glad to. You got a check for $40,000 last Thursday, Mrs. Wade. Double indemnity payment on a policy on your husband's life taken out 11 months ago.

[B]

What else is new?

[A]

Don't be impatient, Mrs. Wade. It gets more interesting. Go ahead, Harrington. During the 11 months the policy was in force, you borrowed the money to pay the premiums from friends, girls you used to work with before you got married.

[B]

Is that a Crime?

[A]

Your husband's salary didn't warrant that kind of insurance, Mrs. Wade. The agent advised you against it when you bought the policy. Both he and your husband wanted to write it for a smaller amount.

[B]

And fortunate for me, I didn't let them.

[A]

Suppose your husband had lived out a normal lifespan of 70 years, Mrs. Wade. Did you intend to keep borrowing premium payments for 40 years? Go ahead, Arrington. Mrs. Wade deposited the insurance company check in her bank on the day it was issued. But the next day, Mrs. Wade, you made a withdrawal of $10,000 in cash. That's a large sum, Mrs. Wade. Where is it?

[B]

I am not obliged to answer that.

[A]

In other words, you haven't got it anymore.

[B]

I had some bills to pay.

[A]

Might I see your receipts?

[B]

Personal loans from friends.

[A]

How about a list of their names, then we can ask them.

[B]

I won't have you embarrassing me.

[A]

No, and I'm sure you would be embarrassed if we could find out who got that money and why.

[B]

I don't have to listen to this. I'm leaving.

[A]

You do and I'll have you brought back on a warrant.

[B]

All right. I'll listen to you for one more minute. But the next time you call me in here, I'm going to bring an attorney.

[A]

I advise it. Because the next time I call you in, you may need one. Do you know what these are? No reports on your husband. No criminal record, no dubious associates, no enemies. Well liked by all who knew him. Except you. Do you know what reports like this in cases like this always make me think.

[B]

I'm not a mind reader.

[A]

They make me think of professional killers. Killers hired by somebody who can profit by the murder but be shielded by the safety of a perfect alibi. Do I make myself clear?

[B]

Too clear.

[A]

What did you do with that $10,000?

[B]

None of your business. If the lecture is over, I'll leave now.

[A]

Misses Wade?

[B]

Yes?

[A]

A word of advice. Don't make any attempt to leave this state. If you do, I'll have you arrested at the border. That's a cold tomato, Chief. Ice cold. Where did you post Hennessy? He's waiting in a phone booth in the drugstore on the street level. Call him. Tell him she's on the way out. From now on, I want her under 24 hour surveillance. It. Alone.

[B]

Kraft.

[A]

Yes, Stella.

[B]

I just left Garrett's office.

[A]

What did he want this time?

[B]

He. Wait a minute. Can't you find another booth to wait for? I'll be sometime. Hello?

[A]

What was that?

[B]

It was nothing. Crafter. Somebody waiting for the booth.

[A]

What about Garrett?

[B]

He Asked a lot of questions about the 10,000 I gave you to. You know.

[A]

Let him ask.

[B]

What if they happened to pick up those. Those boys you hired for the job?

[A]

They're strangers in town. They never heard of the grease ball you were married to. Who's even gonna ask them? All right, now, don't get nervous.

[B]

I waited a long time for this money. I want to enjoy it.

[A]

Don't worry. Have a ball.

[B]

Goodbye.

[A]

How did Hennessy find out it was Max Kraft? She called. He was coming out of the drugstore to Taylor after we called him, but when she came off the elevator, she headed for a phone booth herself. So he tagged. He pretended to be waiting for the booth, too, to see if he could hear any of what she said. That's a lucky break for us. Let's hope Max Kraft actually has a hand in this. How do you know he'll be at the Cameo Restaurant, though? It's his hangout. Goes there for dinner every night about 8. Sticks around until midnight or later. Listening to himself talk, he gets quite an audience. Too true. You know thugs, hoodlums. You know the kind that place draws. Well, here we are. We'll have a good show for his audience tonight when you start asking him questions. Well, there he is. Corner booth with those two guys. Great. Into the alcove before he sees us. Before he sees us. You came down here to talk to him, didn't you? Not now. Not after seeing who was with him. Take a look. Yeah. You recognize them? I've seen them on a hundred wanted bulletins. They've done time and half the pens in the country. Benny Fox and Fred Lesser. Yes, Benny Fox and Fred Lesser. The only two members of the Black Sash Gang the Detroit Police didn't put away for good. They were with the Black Sash Gang? That's right, Harrington. The Black Sash Gang. Alias the Murder Syndicate. And now back to david bryan, starring as paul garrett. Mr. District attorney. A man had been brutally murdered and his widow, with a perfect alibi, had profited handsomely. We suspected professional killers hired for the job. But the only link between the widow and the killers seemed to be a disbarred attorney. Harrington and I had traced to a midtown restaurant. They're getting up to leave, Chief. Yes. Benny and Fred seem to be unhappy about something. Have they ever seen you? Would they know you by sight, Benny and Fred? No. Max Kraft knows me, though. I don't want the others to see you. Not just yet. You stay here undercover. Ah. What are you going to do? Say hello to the gentlemen. Here they come. Next time you got something to tell us, Max, we can tell us by phone. You worry too much, Benny. I like to worry, Max. Well, hello, Paul. Hello, Max. Paul, I'd like you to meet a couple of friends of mine. They're from California. Mr. Evans and Mr. Johnson. Gentlemen, this is Paul Garrett, our district attorney. Nice meeting you, Mr. Garrett. Yeah, real nice. Your friends don't happen to be in the stolen car business, do they, Max? Paul, these gentlemen are in the real estate business. Yeah, yeah, real estate. Thinking of opening offices here. I've been telling them about you. About how nice and clean you keep this county. Then tell them I intend to keep it clean of automobile thieves. Good evening, gentlemen. Come on, Max, let's get out of here. Sure. Good night, Paul. Good night. Hey, does he think we're dumb or something? Cheap. Yes, Harrington. I'm afraid he does. What was that stolen car business all about? Just a throw off to make him keep on thinking as he does. Why didn't you want them to see me? Because you're going to be part of a little scheme, Harrington. A scheme to draw them out into the open. Oh, How? Oh, to be brief, I'm going to have somebody hire them to kill you. Well, how nice for me is our only chance, Hankin. If we could catch Benny and Fred red handed, they might open up on Max. And if Max gets trapped, he'll dump anybody overboard trying to get himself out. That's right. Let's. You know, there's. There's just one thing about it that bothers me, though. What? How dead do I have to get to make this thing work? Just dead enough to make it convincing. Convincing who? Them or the undertaker? Harrington, you worry too much. Who's gonna hire them to kill me? Ms. Miller. And from now on her name is Mrs. Miller. And you're Mr. Miller, her husband. Any objection? No. Just make sure of one thing. What's that? I'd. I'd like my maiden name back. When you order the tombstone. Yes?

[B]

Are you Max Craft?

[A]

That's right.

[B]

I phoned you yesterday, Mrs. Miller.

[A]

Oh, yes. Come on in. What's so important that you couldn't talk about it over the phone?

[B]

My husband was around and I didn't want him to know yet. I want to divorce him.

[A]

I see.

[B]

I want you to handle it.

[A]

I can't.

[B]

Why not? You're an attorney.

[A]

A disbarred attorney. Let me make a call. I'll get somebody for you, but I

[B]

want you to handle it. I've read so much about you. I remember so many of Your cases. You were always so clever.

[A]

Well, I didn't know I had such a good looking family.

[B]

Please, you can find some way to do it.

[A]

Well, maybe I could work behind the scenes. Sit down, won't you?

[B]

Oh, thanks. I. I can't pay you too much, though.

[A]

Even if I get you a nice

[B]

slice of alimony from my husband, he'll never have a dime. The only way I could get any money out of him would be if he dropped dead.

[A]

Dead men don't pay alimony.

[B]

No, but insurance companies do. All you ever thinks of insurance.

[A]

How's your husband's health?

[B]

Too good. I wouldn't be here. Why?

[A]

I don't like to see young ladies rush into a divorce without thinking of all the possibilities.

[B]

I've thought of all of them.

[A]

Have you? Let me think about it. How about having dinner with me tomorrow night?

[B]

Then you will help me?

[A]

Maybe after we get to know each other better, I. I can help you a lot.

[B]

Are you as clever as everybody says you are?

[A]

You'll find out tomorrow night.

[B]

Where?

[A]

The Cameo. Eight o'. Clock.

[B]

If I can get away, I'll be waiting. Goodbye.

[A]

Hello, Benny? Yeah, Kraft. You get my letter? Yeah, we got it. You burn it? Of course we burn it. What do you think, we're stupid? No. Just make sure you remember the instructions, though. We'll remember. You just tell us when he goes bowling tomorrow night. Eight o' clock sharp. Yeah. He'll leave the house carrying a bowling ball. As soon as he leaves, his wife will go next door to play bridge. Do it when he's on his way back home from the bowling alley. Okay. Is Fred there? He's across the street, eating again. I'll go tell him. Goodbye. They still out there, chief? Yes. Hennessy says they're parked in the far corner of the parking lot. Almost 11 o'. Clock. You can get ready to go. You know what to do. Drive straight up Franklin Avenue. There are unmarked prow cars at every intersection. As soon as they gun you, we'll get them. I hope that car was as bulletproof as you think. It is. Don't worry, it is. When they open fire, break, skid, run into a building. Make it look good. The inside of the car is covered with crash padding. You won't get hurt? If I don't, it's a cinch nobody else will. Well, here goes nothing. Here, you forgot your bowling ball. Oh, thanks. I wish my head was this hard. Just for tonight. He's not gone very fast, Bunny. Just fast enough to make the lights without stopping. The time for 25 miles an hour. Street up ahead looks good. Yeah. Street light in the middle of the block. I'll pass him on the outside just as he gets to it. No, no, no. Not too fast. Look, I know how to drive, okay? Okay. Well, you gonna roll your window down or you plan to shoot right through it? I'm rolling it down. Happy? Yeah. Then speed it up if you're gonna pass at the light. Now, how's this? Perfect. We're coming up just right now. You got him. It was sweet, Giddle, and fast. There isn't another car in sight. Hey, Benny. Benny. Benny. Benny. Up ahead, two cars blocking the intersection. Back up. Turn around. It's no good. Other cars coming from back there. Red lights flashing. It's police cars, all right. Pile up. Don't know you men. Oh, no. That'll get you no place. Give myself a Hunsy, go all over their heads. The next burst will be five feet lower. They'll chop us to ribbons with that thing. Benny. All right, drop your gun. Hey, we give up. We drop that gun. That's better. Looks like we got to you a bit too late to save that man you killed back there, though. Who tipped you to this? His wife got cold feet at the last moment. I've seen you two before, haven't I? With Max Craft. I told you, Benny, we were crazy to trust Max. Shut up. Shut up. Nut. He was so sure his name wouldn't crack up. Oh, no, he tells us. Iron nerves. Just like The Wade dame. Mrs. Wade? The wife of the service station operator who was killed? Who else? Max and his bright eyed. I told you to shut up. You shut up. If I get the chair, I'm gonna make sure of one thing. Max Kraft is gonna be sitting there right in my lap when he turned the juice on you. Max hired you to kill Wade. That's right. And he got the payoff from Wade's wife, Estelle out of the insurance money. You hear that, Harrington? Yeah, Chief, I heard. Hey, this guy ain't dead. Not because you didn't try. You see what you're blabbing did, Fred? They had nothing on us until now. All right, boys, take them in. Go ahead. All right, quit your shove. All right, Harrington, bring your bowling ball and let's roll for the spare. Mrs. Stell, Wade and Max Craft are all set up in the middle alley. All right, Mulligan, open. Go ahead, Mrs. Wade. Lock it up. Mulligan. Down that way for you. Craft. Mulligan. Okay, lock it. Um, Garrett. What do you want, Manx? How about me turning state's witness, Paul. Want to make a deal? I don't want to and I don't have to. Don't be too sure, Paul. When it comes to courtrooms, I know a few tricks. You'll need them because I've got a surprise witness who might be too much for you. Who? Mrs. Miller. She knows your whole operation. Don't kid me, Garrett. Why would she testify and incriminate herself? Because she isn't Mrs. Miller. She's Ms. Miller. And she happens to be my secretary. You see, Max, I know a few tricks, too. This is David Bryan. I hope you enjoy this case. From the files of Mr. District Attorney. I'll be back in just a moment after this message from our sponsor. Now here is the star of Mr. District Attorney David Bryan with a word about the program you have just heard. The law clearly states that the person who engages a professional killer for a homicide is fully as guilty as the hireling who wields the murder weapon. Estelle Wade, Benny Fox, Fred Lesser and Max Kraft were all found guilty of murder in the first degree. There were no recommendations for clemency. Now, this is David Bryan inviting you to join us when we present our next case. Based on the facts of crime. From the file of Mr. District Attorney. Mr. District Attorney was originated by Phillips H. Lord. Sam.