
This week on Case Closed, Mr. District Attorney starts us off with The Case Of Spring Fever, from May 19, 1948. (29:39) Our last story is The Fabulous Divorce Payoff Murder Case, from Inspector Thorne. That story aired July 20, 1951. https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/CaseClosed952.mp3 Download CaseClosed952 | Subscribe | Spotify | Support Case Closed Your donation of any amount keeps Case [...]
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Narrator
This is Case Closed Crime stories from the golden age of radio.
District Attorney
I Pan A toothpaste and sal hepatica.
Harrington
Present.
District Attorney
Mr. District Attorney, champion of the people.
Harrington
Defender of truth, guardian of our fundamental.
District Attorney
Rights to life, liberty and the pursuit of happiness. Mr. District Attorney. Is brought to you by. Ipana Toothpaste and Sal Hepatica.
Harrington
Ipana.
District Attorney
For the smile of beauty. Sal Hepatica. For the smile of health. Ipana Sal Hepatica. And in sharing my duty as district attorney.
Harrington
Now.
District Attorney
All the crimes perhaps will figure the rights and privileges of all citizens. One of the real tragedies in some criminal histories, ladies and gentlemen, is the exaggerated role minor circumstances play in the making of a transgressor. In tonight's unusual case of spring fever, for example, it is apparent that insignificant factors, a mood, a normal, impatient yearning for success and a spring night all combine to help make a criminal. We begin at dusk in a large park here in the center of our city.
Mary
Nicki.
Narrator
Yeah?
Mary
Feelographs. Oh, isn't it wonderful? When you run your hand put on. It's almost like film.
Narrator
You'll catch cold lying on your ground like this, Mary.
Mary
No, I won't. Couldn't on a night like this. The city seems a million miles away.
Narrator
Only a block.
Mary
I know, but it seems that way. Hold my hand, Nick.
Narrator
Mary, listen a minute.
Mary
After we're married or when we have children, I'm going to bring them over here. Every night, this same spot.
Narrator
Mary, I saw Deuce Wilton today.
Mary
Mickey. Nicky, you promised. You know what he is?
Harrington
He's.
Mary
Well, he's trouble. He even has a police record.
Narrator
Listen, Mary, you gotta understand this. Deuce Wilton and I, well, we.
Mary
Nicky, tell me. Tell me quick.
Ms. Miller
Scared all over.
Mary
Nicky.
Narrator
Don't get mad, honey. We got some money, that's all. This afternoon. What? Enough for everything. We can get married, fix up your old lady's arm. Take a trip, even. Why, we.
Mary
What did you do? Tell me, Nicky. Tell me now.
Narrator
We stuck up a filling station. Well.
Mary
Is there more? Nick, I want to know it all.
Narrator
More what else? The filling station guy is dead. All right. Brophy, string that line along the driveway. Yeah, that's right. Okay, Chief.
District Attorney
About Herring.
Narrator
Well, we got the ropes up, Chief. This whole side of the gas station is closed to traffic.
District Attorney
Oh, good. Has the lab truck arrived yet, Ms. Bennett?
Ms. Miller
Yes, it has, Chief. Only the medical examiner wants to know if he can take the body downtown.
District Attorney
Yes, I believe so.
Narrator
Okay.
District Attorney
We have all the measurements, haven't we, Harrington?
Narrator
That's right, Chief. In pictures, too. I had Ray shoot from all the angles, Laura.
District Attorney
Then we'll let the lab crew go to work on the driveway here.
Narrator
Why? Did you find something, Chief?
District Attorney
Well, you never know in a case like this. Tire marks, pieces of broken glass, even the oil that dripped out of the car standing here at the pumps. It's just as well to cover everything, Jack.
Narrator
The diagrams ought to be easy, though, Chief. As I see it, the car pulled off the street and stopped right here in front of this gas pump.
District Attorney
Yes, yes, I was just going over there. The attendant was inside the office, wasn't he?
Narrator
Yeah, that's right, Chief. According to the dame across the street, he was.
District Attorney
She's here. Ms. Miller, the witness?
Ms. Miller
Yes, yes, Ted's with her inside.
District Attorney
All right, I'll talk to her in just a moment. We're agreed then, Harrington, the attendant came out of the office, approached the car about here?
Harrington
Yeah, that's right.
Narrator
That's my guess, Chief. One of the men must have got out of the car right here where the chalk mark is, and backed him up to the office door.
District Attorney
Yes, and then opened the cash drawer. Oh, how much did they get, incidentally?
Ms. Miller
Well, Max. Checking the Ledgers, Chief, about $400, he thinks.
District Attorney
As much as that?
Narrator
Yeah, that's right, Chief. It was just before they changed shifts in these stations. You know, the whole eight hours take was in the drawer.
District Attorney
Yes, I. This is the spot here where the attendant was shot down.
Narrator
Where to red chalk his, Chief. I figure he must have made a move maybe toward that phone and maybe the bums got nervous.
District Attorney
Yes, yes, that seems likely. And now, what about that witness, Harrington? Anything at all?
Narrator
Nothing positive on the car, Chief. A black sedan, she says. No make license. She didn't look.
Ms. Miller
She does have a good description of one of the men. There were two in the car and the one was considerably younger than the other, she said.
District Attorney
Well, let's get her story then, Harrington. I want to know where she was standing, what she saw and, oh, yes, if she can point out either of the men in the file.
Ms. Miller
Well, she's waiting, Chief.
Narrator
Good.
District Attorney
We'll get right down to work.
Mary
Mr. Wilson.
District Attorney
Mr. Wilson, wait a second. Little girl. Hey, Nick, get this.
Narrator
Now, get this ending. It's.
District Attorney
Well, deuce.
Mary
Mr. Wilton, you've got to talk to me.
District Attorney
This is your girl, eh, Nick?
Narrator
I told you about Mary Goose. We're gonna get married, are we, honey?
District Attorney
Nice looking kid. Only you made a mistake, Nick.
Narrator
Me? What do you mean? Goose? I'll get you.
Mary
I made Nick keep bringing me here. Mr. Wilton, I want talk to you.
Narrator
All the bright eyes.
District Attorney
Hey, Look, Nick. Look at the tip of my nose. Come on, look close.
Narrator
Yeah. No, I'm Nikki.
District Attorney
Just so you remember, I told you not to bring anybody up.
Narrator
You don't have to hit a guy, Deuce.
Harrington
Mary made me bring her.
Narrator
Yeah? What for, blue eyes?
Mary
Because Nikki's in trouble, that's why. You killed a man this afternoon, didn't you?
Ms. Miller
He isn't.
Mary
I won't let Mickey get mixed up in it.
District Attorney
All right.
Narrator
Well, you shut up.
District Attorney
Lay off, Nick. Go on, little girl, talk some more.
Mary
There's no more to say. I just want you to keep away from Mickey, that's all. Oh, yes, and he's going to give you back his share of the money.
District Attorney
Oh, well, that's real nice of now, isn't it?
Mary
Go on, Nicky, give it back to him.
Narrator
Listen, she's excited.
District Attorney
Clam up.
Narrator
You're just a little late.
District Attorney
You know, little girl, Nick is mixed up with me. Plenty mixed up.
Mary
He didn't kill anybody. You did.
District Attorney
Oh, you know that too, huh? You get more mixed up all the time, Nick. Oh, before I forget, I got a little present for you, Nick.
Narrator
That's a Come, ducifer.
District Attorney
No need to get excited.
Narrator
Nick.
Deuce Wilton
It's for you.
Narrator
What?
District Attorney
Go on, take it.
Mary
Nicky.
District Attorney
Don't take it, I said. And as for you, kid, get a loss. You think the cops don't want you, Nicky, Just because I did the shoot? We're partners, sister, right up to here.
Mary
Oh, Nicky, he can't do this to you. He can't.
District Attorney
Get lost, I said. I got another job lined up, Nick. We'll pull it off as soon as I get the junk case.
Narrator
The gas station? Yeah.
District Attorney
Finch, I figure. Well, what are you staring at?
Mary
This isn't true. It can't be. Nicky, come on.
District Attorney
He ain't going, Mary. As a matter of fact, neither are you.
Narrator
Now, wait.
District Attorney
Don't look so scared, Nick. I just forgot to tell you, that's all. About your girl here.
Mary
How about me?
District Attorney
Yeah, we're putting you to work, bright eyes. Starting with this gas station today.
Narrator
You put on an alert, Harrington citywide, Chief. It was underwire at noon.
District Attorney
We may be wrong, of course, but if experience is right, this pair will try another job soon.
Narrator
Sure, chief. Like that gang a few weeks back, they knocked over four liquor stores. And the fifth one, we nailed it.
District Attorney
Yes, yes, I was thinking of that. Or the Garretson couple. Oh, yeah, John and Kay.
Narrator
Same thing, chief. They specialized in bus drivers.
Ms. Miller
Please excuse me. That artist is here with the first draft.
District Attorney
Oh, thank you, Ms. Butter. Ask him to wait for you, Honors.
Narrator
Chief. What's more.
District Attorney
Well, as per usual, I had one of the men in the drafting room talk to that witness. He's doing a sketch from her description.
Narrator
Oh, good. Everything helps, Chief. Me, I'll just keep looking for bums around filling stations.
District Attorney
Yes, Hello. Now, the woman's hazy on some important details, but I thought we'd try her on a few sketches before we go any further. Then there are the lab reports from the filling station itself. All right, I'll go over those this afternoon. Yes, Ms. Miller, what is it?
Ms. Miller
That was the 19th Precinct.
District Attorney
Yes?
Ms. Miller
They just got a report on the Green Top filling station in their district.
Narrator
Yeah? What report, Ms. Miller?
Ms. Miller
Oh, it's not a hold up, Harrington, but the station attendant was warned this morning. You know, they all were.
Narrator
Well, for Pete's sake, will you get to the point?
Ms. Miller
Well, I'm trying to, Harrington. This attendant says a man has been hanging around his patient since noon.
District Attorney
Harrington.
Narrator
I got you, Chief. If that joint's gonna be cased, we're.
Mary
Mickey, please stop the car.
Narrator
Please. Honey, that's it up ahead, Mary. See the Green Top service station? You said it'd be quiet.
Mary
We can't do this, I tell you. Oh, Nikki, listen to me. Dude isn't here now. We can drive right to the police station and tell him the whole thing.
Narrator
Mary, will you use your head?
Mary
But I don't see what.
Narrator
We can park here. Matt, I still say maybe there's nothing we can do. Don't you understand that I go to the cops? Now, Deuce will say I was with him on the other job, but they might make allowances. Will you listen to me? We gotta knock this joint off and get back to Deuce in one hour. If we don't, he'll.
Mary
He'll.
Narrator
Honey, he wouldn't stop at anything. Take your old lady.
Mary
Mama. What about her?
Narrator
You don't want her to get hurt. Thee. Nicky, you gotta think of things like that. Mary, we ran on Deuce. He might do anything.
Mary
Oh, Nicky, no.
Ms. Miller
Why, Mama's just.
Narrator
Oh, you see, kid? We got it.
District Attorney
Come on.
Mary
I'm scared, Nikki. I don't want to do this.
Narrator
Take it easy, Mary. I'm turning into the station.
Mary
Oh, Nikki, please, can't we try it?
Narrator
Baby, there's the attendant coming out of the office.
Mary
I'm so scared I can't even see.
Narrator
It's funny. Deuce said the guy was just a kid. Here we go, baby. Come on. Open the door and get out. No, nothing's gonna happen. Go on. I'll be right behind you all right? Fill her up, sir?
Harrington
Oh, yeah, yeah, fill her up.
Narrator
Regular or high test? High test. Boy, it's a wonderful day, ain't it? You'll find out, pal. Start backing up, huh? You heard me. Out of the office, buddy.
Harrington
Stand for me, Mary.
District Attorney
Okay.
Narrator
I ain't moving, son. Get in there, I said. Come on. Listen to me, son. Listen hard. We've been waiting for you. You ain't got a chance. Shut up. Come on, Mac, move, I said. Look for yourself, son. Go on.
District Attorney
Look.
Narrator
You see those men on the corner? They're detectives, boy.
Mary
Mickey, look.
Narrator
That's right. The other side too, Nick. See, we've been waiting for you. Why don't you be a good kid and make it easy? Mary, come here.
Mary
Nick, let go, Nick. You're hurting my arm.
Narrator
See this, copper? Got my gun right in this kid's back.
Mary
Oh, Ricky, don't shoot me. Please don't.
District Attorney
Shut up, Mary.
Narrator
All right, copper, start something. Let the girl go, Nick. Go ahead, start.
Mary
Let me go. I haven't done anything. Nicky, let me go, please.
Narrator
Getting back in the car. You understand, copper? Sit. Mary, just come straight back.
Mary
You're hurting me.
Narrator
Please don't be a fool, Nick. Let the girl go.
District Attorney
Drive in the car.
Narrator
If she does it. Now, get this, wise guy. One shot. Get that. I don't see the tires or anything else. One shot and I let her have it. Right here, mister.
Mary
Do what he says. I don't want to get good job.
District Attorney
Understand me, mister?
Narrator
Well, do you.
District Attorney
Ralphie?
Narrator
Hold your fire. Shut the door, Mary.
District Attorney
Slam it.
Narrator
I said.
Mary
I am the king.
Narrator
Jimmy Ned Sullivan. Hold your fire. Letting them get away.
District Attorney
In just a few moments, we will pick up the developments of this interesting case. But first, here's an important question.
Ms. Miller
Tell me, who should know best the difference between toothpaste.
District Attorney
Who should know best the difference between toothpaste?
Narrator
Why, that's easy. Who else but your dentist?
District Attorney
That highly skilled friend of yours whose.
Narrator
Life work is the care of your.
District Attorney
Teeth, the health of your gums. So just ask your dentist about ipenna toothpaste and gentle gum massage.
Ms. Miller
So many dentists recommend massage.
District Attorney
And a nationwide survey shows more dentists recommend I Pana toothpaste than any other dentifrage.
Harrington
And wait a moment.
District Attorney
More dentists personally use ipenna than any other toothpaste. That's right. There's an overwhelming preference for ipenna. You see, I panna followed by gentle gum massage is the modern way to aid the health of your gums and the brilliance of your smile. Help your dentist. Help your smile for Remember, your dentist knows best the difference between toothpaste.
Ms. Miller
Begin now getting your new Ipana smile. Taste the freshness, Feel the cleanness. See the sparkle.
District Attorney
Get I panna toothpaste for your Ipana smile. And now back to Mr. District Attorney.
Narrator
Well, I. I just had to use my own judgment, Chafe. What decided me was the kid himself, this Nicky.
Ms. Miller
How do you mean, Harrington?
Narrator
Well, I'm looking for a murder, Ms. Miller, right? Yes. A guy that looks something like that sketch the chief had drawn up.
District Attorney
Yes, from the description by that witness.
Narrator
Oh, yes. Yeah. Okay. So when this Nicky kid uses the girl as a shield, I think to myself, now, Harrington, if you start something, that little girl might get shot.
District Attorney
Go on.
Narrator
If this Nicky looked at all like the killer, Master Chief, maybe I'd handle it different. But it ain't the same face at all. Well, I let him get away.
District Attorney
It's all right. I agree with you completely. It was the only thing to do.
Narrator
Thanks, Chief. Of course, we got right on it. After the car pulled out, I got every precinct in town alerted.
Ms. Miller
Well, I shouldn't think it'd be so hard from now on, Harrington. The description you gave of Mickey and Mary is in all the papers this noon.
District Attorney
That's what puzzles me, is the new set of people. The first filling station robbery, the murder that is, was done by two men.
Narrator
Sure. And the one that saw one of them sure ain't talking about this Nicky team.
District Attorney
Well, we're making some progress. At least the ballistics report is in on the shooting.
Narrator
Oh, yeah.
Ms. Miller
Oh, Chief, that other report is here, too. The one on the tire mark.
District Attorney
Oh, yes. Thank you. Ms. Merriman. I've got Ted on the files, Carrington. He's checking all the pictures that look anything like the murderer.
Ms. Miller
Excuse me.
Mary
Hello.
Ms. Miller
District attorney's office.
Narrator
Yeah, Chief, what about the ballistics report? Anything in it?
Mary
Speak slowly, please. I can't hear you.
Ms. Miller
Yes, Yes, I have that. Mrs. John Evans. Your daughter, Mary. Oh, in the newspapers? Yes.
Mary
What was that?
Ms. Miller
I'm sorry, I didn't get that, Nikki. What?
Narrator
Oh, for crying. I thought. Let me have that, Ms. Moore. This is what we've been waiting for. It was simple, Deuce. I didn't even shoot at the car.
District Attorney
You ought to get one of these things, Nicky. You can play good music on them.
Mary
Mr. Wilton, you gotta do something. That policeman saw us. They'll be looking everywhere.
Narrator
Lucky you told me to smear the license plates with mud, Deuce. Otherwise I'd have traced a car here.
District Attorney
A kazoo, I think they're called. Ever Play one little girl.
Mary
Mr. Wilton, please listen to us. They'll be looking for Nicky.
District Attorney
You're just humming them, sort of.
Harrington
Listen once.
Narrator
Noose. Will you stop it? We're in trouble, Deuce. You gotta tell us what to do.
District Attorney
You got any money?
Narrator
Just what's left of my share.
District Attorney
Any more?
Mary
I have money. I mean, I can get some. They owe me back pay at the store where I work.
Narrator
You can't go there, Mary.
District Attorney
Somebody recognizes. Why, can't she? You're the only one they'll be looking for. How far is this place, Sister?
Mary
It's the up to the Minute Cleaners. It isn't far, Mary.
Harrington
No, I won't let you.
District Attorney
You'll do what I tell you. Nicky, get your hat on. Mary, go get that dough.
Narrator
Ann, about your daughter, Meredith.
Ms. Miller
District Attorney's office calling. Is this the up to the Minute Cleaners? Well, just a moment, please. The district attorney wants to talk to you.
Narrator
Mary Evans.
Mary
What?
Narrator
Hi, Mary.
Mary
Let me go. Please let me go.
Narrator
Mary. Eve, doesn't the name Mary remember me? What, are you on your way to Nick with that pay envelope?
Mary
I. I don't know what you're talking about.
Narrator
You know, it's funny, but I still think you're a nice kid, Mary. Otherwise, I'd have let you lead me right back to your boyfriend.
Mary
I. I don't understand.
Narrator
You will. I just don't want you to get hurt. Come on, Mary. We better date.
District Attorney
I think you're telling the truth, Mary. Don't you, Harrington?
Narrator
I think she is, Chief.
District Attorney
Don't you see, Mary? It isn't Nick we want so much. It's the other man. Now, there is another man, isn't there?
Mary
Please, I don't know anything.
District Attorney
Let me have that sketch. Harrington.
Narrator
Yeah, right here, Chief.
District Attorney
Now, this is the man we mean, Mary. You know him, don't you? Oh, don't you?
Mary
Please, won't you just leave me alone?
Narrator
Can I try, Chief? Yes, sure.
District Attorney
Of course.
Narrator
All right, Mary. Nick's in trouble. You know that, don't you?
Mary
Yes, sir, I do.
Narrator
All right, Mary, listen to me. Being in trouble is one thing and murder is another.
Mary
But Nick didn't kill anybody on it.
Narrator
Who did?
Mary
I. I can't. I can't squeal on Nick.
Narrator
Mary.
Ms. Miller
Mary, I'm sorry to interrupt, but this is important. One of the detectives you assigned just called in.
Mary
He's located.
Ms. Miller
Yeah. Wait a minute. I got it written down here. 717.
District Attorney
You sure?
Ms. Miller
Ms. Miller's waiting on the phone for instructions.
District Attorney
Harrington.
Narrator
Yeah, what is it?
District Attorney
Everything we need. I hope. Oh, Ms. Miller, call the emergency crew, will you, please? Four cars on the truck right away.
Narrator
The riot squad.
District Attorney
What fort for a killer, Harrington? Come on, let's go.
Narrator
The crews are all station, Chief.
District Attorney
What about the street blockade?
Narrator
All set up. They got traffic stopped for two blocks in every direction.
District Attorney
That's fine. In the back of the building.
Narrator
I put Brophy back there with Squad.
District Attorney
C. All right, then we're ready, I think. Is the public address system set up?
Narrator
Yeah. Here's the mic right here, Chief. Just give me a chance to get up those stairs.
District Attorney
That won't be necessary, I hope. Just keep your eye on that doorway. All right. Let's see. Get this turned on. Hello. Hello. Turn this on, will you, Jack? Thanks.
Narrator
And let's not play with these babies too long, Chief. They're tricky.
District Attorney
Nick Arden. Nick Arden, this is the District Attorney, Ogden. Come out with your hands in the air.
Narrator
Nothing yet, Chief.
Harrington
We know you're in there, Ogden.
Narrator
You and the other man. You haven't got a chance, Chief. They dust the light in the apartment.
District Attorney
You have ten seconds, Arden.
Narrator
A thousand and one.
Harrington
Both of you come out with your.
District Attorney
Hands over your head.
Narrator
Re. One thousand. Four. A thousand and five.
District Attorney
Watch that doorway, Harrington.
Narrator
Yeah, I am, Chief. One thousand. Eight. A thousand and nine. A thousand and ten times and that should change. Crazy bums. They're in that hallway.
District Attorney
Stay down, Harrington. I'll signal the mess.
Narrator
Okay. Get out of my way, Chief. I'm going in.
District Attorney
Not without me. Or not.
Narrator
Come on, now. Watch it, Chief.
District Attorney
There go the tear gas bombs.
Narrator
We can use this car for a shield, Chief. Okay. And, hey, boy, that shoots pretty good. You okay, Chief, there?
District Attorney
Sure. I'll signal the second squad.
Narrator
Hey, Chief, look. Here comes one of them. Watch it.
Harrington
Come and get me, your lazy cat.
Narrator
Feel.
District Attorney
He'S fallen, Herrington. On the sidewalk.
Narrator
Yeah, yeah. Watch a. Chief, there's still one more. I'm coming in to get you, punk.
District Attorney
Hangs and lift up.
Narrator
Shoot your rat. Shoot.
District Attorney
Come on, copper. Come on in and get me.
Narrator
Don't worry, mister.
District Attorney
I'm coming.
Narrator
You couldn't, Harrington. Hey, Chief, Give the signal.
District Attorney
It's all over.
Narrator
Hey, Nicky Herring, you're all right? Yeah, sure, Chief. And you, Nicky Perish, Har Dick. Is that what you want to know? Yeah.
District Attorney
Is he dead, Harrington?
Narrator
Yes, he is. How's the other one?
District Attorney
Yes, same thing. Both of them are all truth. Your district attorney will return in just a moment to explain the capture of Deuce and Nick. But first, a reminder that tomorrow morning a lot of people will wake up.
Narrator
To hear.
District Attorney
And To a lot of people, that sound can mean a wonderful morning with a good day ahead. But to a lot of other people, there's another sound that can mean the same thing. And that's the sparkling sound of Sal Hepatica in a glass of water. Yes, and unlike slow acting laxatives, a sparkling glass of Sal hepatica when you get up brings quick, gentle relief, usually within an hour. That means you don't have to feel dull and headachy all day, waiting until night to take the laxative. You need it in the morning. And if at the same time you're troubled with excess gastric acidity, let Sal hepatica help sweeten your stomach. So keep a bottle of Sal hepatica handy. Then anytime you need a laxative, morning, noon or night, see how much faster you feel better. Thanks to gentle, speedy Sal Hatataka. Now, here is your district attorney. The two sprawled bodies on the sidewalk are the real answers to tonight's case, ladies and gentlemen. The final payment in full for murder. As for Mary, we're quite sure that with proper help, her rehabilitation will be.
Ms. Miller
Complete yet at least she tried.
District Attorney
Yes, she did, Ms. Miller. But for the real solution, we have a great deal of excellent police work to thank. The laboratory technicians, detective crews, research men, they all combine to make the capture of Deuce Wilton and Nick Ogden possible.
Narrator
Yet that call from Mary's mother helped Tucci. When I saw her after, she thought maybe her Mary was the girl in the newspapers. She told me where the kid worked.
Ms. Miller
And then when you found out that she had pay coming, you just waited for her. Isn't that right, Harrington?
Narrator
That's right, Ms. Miller. But it was the chief, though, that led us to Duce's Joint.
District Attorney
Well, thanks to the lab, Harrington, as you know, we made a careful check on every criminal in the files whose face resembled that in the sketch our artist drew up.
Ms. Miller
The one he drew from the witness's report.
District Attorney
Right, Ms. Miller. And one of these men in the file was Deuce Wilton. And in due course, one of the detectives checked at his apartment.
Narrator
Yeah, and his garage, Chief. Don't forget that.
District Attorney
Yes, Harrington and his garage. Well, there you see? Our man found what we were looking for. A rear Left tire, size 717. A tire that fit exactly into the pattern we found on the driveway of the Filling Stick.
Ms. Miller
And when he found that, you knew he'd found the killer, right, Chief?
District Attorney
Exactly, Ms. Merritt.
Narrator
That was that correct?
Ms. Miller
Oh, Chief, don't forget graduation.
Narrator
Graduation?
District Attorney
Oh, yes, indeed. Right. Now, with school graduations at hand, many young people are wondering what life work to take.
Ms. Miller
Do you have the answer?
District Attorney
Well, I want to suggest that these intelligent young folks give careful consideration to teaching as a career.
Narrator
Just what does teaching offer?
District Attorney
Well, teachers enjoy such advantages as security, long vacations, and now a rising standard of pay. But even more important, the teachers hold a unique position of honor and respect in the community. Quite naturally, people look up to a teacher, for it is the teacher who molds the characters and futures of our children and through our children, shapes the future of our country. And that's why I want to say to every young person graduating from school this spring, give a thought, a very serious thought, to a teaching career. Teaching is not only good work, it is a truly great profession.
Ms. Miller
And now, what about next week?
District Attorney
Well, friends, we have another exciting story for you next week in the case of the Deadly Snowflake. Another dramatic episode in our constant war on crime. So until then, thank you and good night. Here it is, man.
Harrington
Yes, here it is.
District Attorney
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Chief
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District Attorney
S E N T R Y Sentry Hair Cream. Hi, Ingram yourself. The names of all characters of the night's dramatization are fictitious in any resemblance to names of living persons or actual places. It's purely coincidental. Our stars with Jay Justin in the title role, Len Doyle as Harrington and vicki va as Ms. Miller. The music was under the direction of Peter Van Steden. The program is produced and directed by Edward A. Byron and written by Robert Shaw. Mr. District Attorney was originated by Philip Sage Lord. Remember, I pan a toothpaste for the smile of beauty. Sal Habatica for the smile of health. Bristol Myers invites you to tune in again next week for Duffy's Tavern and Mr. District Attorney. This is NBC, the National Broadcasting Company.
Chief
And now the National Broadcasting Company presents Inspector Thorne in the Fabulous Divorce Payoff Murder Case. Tonight, the National Broadcasting Company presents for the first time on the air the exploits of the spectacular young Inspector Thorne of the Homicide Bureau, whose investigations rank with many of the most celebrated ones in the annals of crime fiction, an investigator smart enough to claim he is dumb and modest enough to believe it. Tonight, Inspector Thorne turns to the fabulous Divorce, payoff, murder case. Now we look in on the intimate drawing room of Pamela Beekman, heiress to one of the world's great fortunes. Young, beautiful. We see her with the highly publicized Lord Cyril Allerton, whom she is to marry in a few days as soon as her divorce from her present husband is granted. And as she looks fondly at Cyril, we hear her say the words that lead to one of Inspector Thorne's most famous murder cases.
Mary
Silly boy. Always asking me how much I love you. Well, I love you buckets in barrels.
Lord Cyril Allerton
Do you really mean it? Forever and ever and ever again.
District Attorney
Pamela, darling.
Mary
I've paid my husband, Harold a cool million to get rid of him so I could have a divorce and marry you. Cyril.
Lord Cyril Allerton
A big bite he took out of you.
Mary
I weren't utterly mad about you. I wouldn't have stood for it.
Lord Cyril Allerton
Tomorrow is the day your divorce from Harold will be granted, isn't it?
Mary
Yes. Tomorrow and Monday we'll be married, Cyril.
Lord Cyril Allerton
And off to England together in a star studded sky.
Mary
Pamela, my angel, darling, over the clouds in a star studded sky. Cyril, as my wedding gift to you. Wedding gift to me?
Lord Cyril Allerton
Pamela, you're my wedding gift.
Mary
I've instructed my lawyers to make over a part of my fortune.
Lord Cyril Allerton
Oh, I say now, it's not your money, it's you I adore. How much did you say, dearest?
Mary
You know, on our wedding day. Now kiss me, darling.
Narrator
You're divine.
Mary
Nobody ever made me feel like this before. Cyril. Uncle Rufus.
Lord Cyril Allerton
Oh, my word.
Deuce Wilton
Wait until I close the door.
Mary
Well, what's happened?
Deuce Wilton
A husband that you're not quite divorced from is here.
Mary
What? Harold here?
Deuce Wilton
You and Harold are birds of a feather, Cyril.
Mary
Uncle Rufus. What does Harold want?
Deuce Wilton
Wants to see you about the divorce.
Mary
The lawyers warned me not to see him alone until after the decree. That might stop the whole thing.
Deuce Wilton
I'll stay here with you, Pamela. And you, Cheryl, scamper into the library.
Lord Cyril Allerton
All right. Ho.
Deuce Wilton
Now, Pamela, mind what you say to Harold. Come in, Harold.
Harrington
Thanks.
Narrator
Hello, Pamela.
Mary
What do you want here, Harold?
Harrington
We're still husband and wife, you know.
Mary
Not after tomorrow when our divorce comes through.
Harrington
I've changed my mind about the divorce, Pamela.
Mary
I paid you a million to let me get it.
Harrington
I want an extra million. You never miss it.
Mary
What?
Deuce Wilton
Pamela's not made of money, Harold.
Harrington
Stay out of this, Uncle Rufus. I'd hate to tell you what Pamela's made of, what you need.
Deuce Wilton
Shut up.
Harrington
Well, what about it?
District Attorney
Pamela?
Mary
I'd like to kill you.
Harrington
Sure you would. But isn't it worth another Million to marry that dicky bird you're singing love songs with.
Mary
Keep Cyril Allerton's name out of this.
Harrington
You and I both know the divorce.
Narrator
We'Re getting is a cooked up affair.
District Attorney
All I've got to do is say.
Harrington
A few words in court to blow it up.
Narrator
That's not cute.
Mary
But I've already paid you off. I gave you a million.
Narrator
Sure.
Harrington
I've already got it banked. Now I want another million to keep it company or no wedding bells for you and Cyril. Make up your mind, Pamela.
Deuce Wilton
I'll make it up for her, Harold.
Mary
Never mind, Uncle Rufus. Listen, Harold. Give me until tonight to think it over.
Deuce Wilton
All right.
Harrington
I'll come back at 9 and get it into your head.
Mary
It's a hold up, Harold.
Harrington
It's a payoff, Pamela. A divorce payoff.
Chief
And shortly after 9 that night, we see Harold Beekman leaving Pamela's house once again. And as he proceeds jauntily down the street, we hear him say to himself.
Harrington
One little million added to another little million makes.
Narrator
Oh well, there's gold in my heels.
Harrington
What a terrific hunch I had. Say now, what's this?
Chief
Oh, no, no.
Harrington
You Killed.
Chief
And a few minutes later, in a stark and frightening office at the Homicide Bureau, its walls adorned only by pictures of killers he has sent on their way to justice, we see a young man who looks anything but what he is. The spectacular Inspector Thorne of Homicide. As the door opens, he looks up and says.
Harrington
Oh, Sergeant Muggin. What's up?
I
Top draw murder.
Harrington
Who? Where?
I
Harold beekman. Shot down 200ft from his estranged wife's house.
Harrington
More than estranged, Muggin. Her divorce decree was coming through tomorrow.
I
Funny thing, Inspector Thorne. She reported the murder herself.
Harrington
The fantastically rich Pamela Beekman in a murder case. Come on, Sergeant Muggin. We'll get out there. Stay here with the body, Sergeant Muggin. Go through his pockets. I'll go to the house.
I
I'll follow you in a minute, Inspector Thorn.
Harrington
Okay.
Mary
You're Inspector Thorne, I suppose.
Harrington
And you're Pamela Beekman?
Mary
Yes. Please come in. My husband had just left the house when we heard the shots.
Harrington
I understand you and your husband were to get your final decree of divorce tomorrow. Why was he here tonight?
Mary
The sort of last farewell. I invited him to drop in and have a drink with my Uncle Rufus and me and Lord Cyril Allerton.
Harrington
Cyril Ellerton. I read somewhere you planned to marry him when your divorce was final.
Mary
Yes. Monday.
Harrington
Let's get this straight. The husband you were divorcing, the man you were divorcing? Him to marry and you were having a farewell drink together.
Mary
And my Uncle Rufus. The divorce didn't mean anything. We were all terribly good friends. Harold and I had a deep regard for each other as persons. But we couldn't make a go of it as husband and wife. That explains why he was here tonight.
Harrington
It doesn't explain why he was murdered here tonight.
Mary
However, the dreadful shock to all of us, Inspector Thoen.
Harrington
It's at least puzzling.
Mary
Yes, isn't it?
Harrington
I'm puzzled at his being here on the eve of his divorce.
Mary
There's nothing so strange about that. I knew a girl who had her three divorced husbands at dinner with her present husband only last week.
Harrington
And I know where there's divorce, there's usually hate.
Mary
Pamela, I had no reason to hate him.
Harrington
You're booked to marry Cyril Aterton next Monday, aren't you?
Mary
You're not very bright, Inspector. When a girl is being divorced from her husband, she doesn't have to kill him to marry someone else.
Harrington
There's many a slip between the cup and the lip.
Mary
What?
Harrington
Your divorce was set for tomorrow and tonight is tonight. What went on here?
Mary
Nothing, Inspector Thorne, except what I told you.
Harrington
Come in, Muggin.
I
Have a look at what I got off the murdered man's body, Chief.
Harrington
Give it here.
Mary
Who is this man?
Harrington
Sergeant Muggin, Pamela. And he gave me this check.
Mary
Check?
Harrington
It's for $1 million. It's made out to your about to be divorced but now murdered husband and signed by you. What's the answer?
Mary
I don't know.
Harrington
You don't know?
Mary
Great. It's the million I promised Harold for giving me a divorce. I promised to give it to him months ago when we first talked of the divorce.
I
He should have taken his check out of his pocket after you killed him.
Mary
I didn't kill him.
I
Murders have been committed for a lot less than a million bucks easy, Muggin.
Harrington
Let her try to explain.
Deuce Wilton
Perhaps I can explain, Inspector Thorne.
Mary
Oh, on the Rufus.
Deuce Wilton
Don't worry, Pamela. Inspector Thorne. I'm Rufus Spells, Pamela's uncle. When her father, my brother, died, he left her 10 millions. She's been making a fool of herself ever since.
Harrington
It looks like murder this time, Mr.
Deuce Wilton
Spells, step in here. I'll tell you exactly what happened.
Mary
I wonder what delaying. Cyril should have been here by now.
Deuce Wilton
You always say the wrong thing at the right time, Pamela. Come in, Inspector Don.
Harrington
Well, what did happen? Mr. Spells, make it as brief as you can, please.
Deuce Wilton
I'll tell you and let you draw your own conclusions, Inspector.
Harrington
Yes.
Deuce Wilton
Whenever a parasite crosses Pamela's path she sets out to marry him. She was married to one in Harold Beekman. Things were going fine with him blowing her money.
District Attorney
Yes.
Deuce Wilton
Then came a bird of the same feather. That English was Lord Cyril Allison. Nothing would do but pay off Harold so she could marry him.
Harrington
Cyril Allison.
Deuce Wilton
Pamela paid Harold a cold million to agree to a divorce. That was six months ago.
Harrington
This check we found on her murdered husband is dated today.
Deuce Wilton
That's what I'm leading to, Inspector Thorne. After pocketing a million six months ago, Harold came back at Pamela this very afternoon and demanded another million.
Harrington
Another million?
Deuce Wilton
Yes, on the threat that he'd stop their divorce tomorrow.
Harrington
In other words, he'd already got 1 million from her and was playing for a second. What did Pamela say?
Deuce Wilton
Well, the first started flying and then Pamela, always unpredictable, quieted down and told Howard she'd think it over to come back at nine tonight.
Harrington
You've presented a top murder motive for your niece, if nothing else.
Deuce Wilton
Not so fast, Inspector Thorne. This Englishman that she wanted to marry, Cyril Ellerton, he was in the house at the time. This afternoon in another room.
Harrington
Allerton here. What did he do? Tell Pamela to pay off Harold so he could marry the rest of her millions next Monday? Yes.
Deuce Wilton
Then Pamela knocked me off my feet by telling Cyril Allerton that she was going to flatly refuse to stand for the holdup.
Harrington
What?
Deuce Wilton
That was it. Said it might stop her marriage to Cyril altogether. And when that cadger saw himself going on peanuts instead of caviar, he blew up. Darned if Pamela did tell him to come back at 9 tonight too.
Harrington
Did he get here?
Deuce Wilton
No. Now Pamela's out there wondering why Cyril is delayed. Draw your own conclusions, Inspector.
Harrington
Thor, the conclusion I'm drawing is that you're trying to protect your niece from a murder charge.
Deuce Wilton
And the one I'm drawing is that you're not so smart as the papers cracked you up to be. Inspector Thomas.
Harrington
That's right. Fact is, I'm pretty dumb. Except when it comes to catching murderers. That's practically the only subject I know anything about.
Narrator
Here.
Deuce Wilton
Here's Cyril Alison's address. Arrest him and you've got this case solved. Hope he hasn't jumped town. You better start moving. Feather in your cap, Fawn. If you can nab the killer in a big murder case an hour after.
Harrington
The crime was committed, I'll give this address of Aladin's Back to you, Mr. Spells. I don't need it.
Deuce Wilton
Don't need it? What do you mean?
Harrington
Sergeant Muggin, quick.
I
Yes, chief.
Harrington
Hop across the hall and smash open that door where the knob's moving.
Narrator
Gotcha.
Harrington
The man Mr. Spells is sending me to find on a wild goose chase is in that room.
Deuce Wilton
If Cyril Allerton is in that room. I didn't know he was.
Harrington
You kept looking back at that door, Mr. Spells. Daisy.
Narrator
Daisy.
I
Inspector Thorne. Come on, step fast, buddy.
Harrington
You're Cyril Apperton.
Lord Cyril Allerton
Lord Cyril Appleton.
Harrington
It's a thrill to meet the nobility, especially on a murder scene. Watch the lowdown.
Lord Cyril Allerton
This old buffer gave me a dope drink when I got here a little after nine to see Pamela. Then he locked me in that room all doped up. While he slipped out and killed Harold Beekman. It's like one of those American gang cinemas I saw in London before I came to this country. He's trying to put the murder on me.
Deuce Wilton
That's a lie. I didn't know he was here, Thorne. He must have murdered Harold and sneaked back into the house through one of the upper windows. It's a hot night.
Harrington
I think it is.
I
Plenty Waste is trying to slip a fast one over on us, Chief.
Harrington
How so much?
I
Here's the miter gun. I found it in the room he claims he was locked up in. Guns don't walk through locked doors.
Harrington
You're a smart cop, Muggin.
Lord Cyril Allerton
I've never seen that pistol before. I tell you, I was doped by this old buffer.
Harrington
I wonder why.
Lord Cyril Allerton
Don't you understand? It's to plant his crime on me. He's a clever old devil. Who'd expect his fiance's uncle to dope him?
Harrington
I don't think you are. Dope your lordship.
Narrator
What?
Harrington
Sergeant Muggin. Rush his lordship to the nearest hospital. Have his stomach pumped. Find out if he has been doped.
Lord Cyril Allerton
I say, old chap.
Narrator
I protest. Come on, buddy.
Lord Cyril Allerton
In England, a policeman would be reprimanded.
I
You're in the United States of America.
Deuce Wilton
Well, Inspector Thorn, I must say you're not so dumb as you said.
Harrington
I may have pulled a boner there. Mr. Spells boner, my boy.
Deuce Wilton
You've got the case clinched.
Harrington
I remember that when your brother died and left 10 million bucks to your niece. His entire fortune. That you went into the courts and claimed you had an oral agreement with him. That one third was to go to you.
Deuce Wilton
What's that got to do with the murder of the husband that my niece was divorcing to marry that lady, Dar Lord Ellington.
Harrington
You don't know the half of it. Maybe you're as clever as I'm stupid. Anyway, stay here. I want to see your niece Pamela again.
Narrator
Wait a minute.
Harrington
You wait here.
Mary
Spell Inspector Thorne. Did my Uncle Rufus explain everything to you?
Harrington
Yes, but sometimes I'm a little slow getting things through my head. You know, dumb.
Mary
Oh, now you're being very modest.
Harrington
In my slow way. I'm trying to figure out how come this million dollar check was on the body of the husband you were planning to divorce tomorrow.
Mary
The explanation is so simple that if this didn't involve a murder, it might be laughable.
Harrington
I've never seen anybody go to the chair laughing. But anyhow, let's hear the story.
Mary
When I promised Harold a million six months ago to give me a divorce so I could marry Cyril, I delayed giving the check to him until tonight. The night before the divorce.
Harrington
What gives me a headache is that your uncle told me your husband was blackmailing you for a second million and that's what the check was for.
Mary
I'm afraid I fibbed a bit to you, Inspector Fawn. The truth is, Harold did blackmail me for a second million. I was so utterly mad to marry Cyril Allerton, I. I gave Harold what he demanded. That explains it all, doesn't it?
Harrington
It explains this much. You might have yielded to his blackmail, given him the check, and when he left, followed him out and murdered him.
Mary
No, that's not it at all.
Harrington
Isn't it? You're a nice girl, Pamela. Pretty as a picture. I hate like the devil to stop you on the road to the chair.
Mary
Inspector Thorne. This is the most agonizing moment of my life. I know who murdered my husband. But don't ask me to tell.
Harrington
You must tell me. Otherwise.
Chief
Inspector Thorne in the fabulous Divorce Payoff Murder Case will return in just a moment. It's the Silver Jubilee on NBC. We'd like to give you a brief program guide for your future listening pleasure on NBC this Sunday. Be sure to hear the best of the adventure programs, starting off with Tom Conway as the gentleman detective known as the Saint. Next, there's screen actor Lloyd Nolan in the hard hitting role of Martin Kane, Private Eye. Then Carlton Young appears in the double role of Philip Galt. And the Whisperer. As the Whisperer, he is able to enter the underworld and secure information desperately needed to solve the most puzzling cases.
Harrington
Later.
Chief
Sunday evening, there's action with ace Japanese American detective, Mr. Moto as he takes you on adventures designed to bring you plenty of suspense and intrigue. And here's a note about next week's program schedule. Dimension X is now broadcast on Thursday evening. Dimension X brings you stories dealing in time and space and brought to you in future tense for the Very best in dramatic radio entertainment. Keep tuned to NBC. Now back to Inspector Thorne and the fabulous Divorce Payoff murder case. Investigating the murder of Harold Beekman, Inspector Thorne finds he was killed shortly after demanding a second million dollar payoff from his very rich wife, Pamela, in order to let her divorce him to marry an Englishman, Lord Cyril Allerton. Suspects are the three who were near the murder scene. Pamela herself, her Uncle Rufus, and Lord Cyril Allerton, who was found hiding in the house. Now Inspector Thorne continues his questioning of Pamela, who is saying in a frightened.
Mary
Tense voice, I. I know who murdered my husband. But don't ask me to tell.
Harrington
You must tell me. Otherwise.
Mary
All right, I'll tell you. I think it was my Uncle Rufus who killed Herold.
Harrington
Take it easy, Pamela. I know how tough this is for you.
Mary
What makes it so hard is that Uncle Rufus tried to protect me. I'm practically accusing him of murder.
Harrington
Why did he kill your husband? Harold?
Mary
He killed Harold because he didn't want to see a million dollars more of my money. Get away. You see, when my father died, he left all his millions to me. Go on with the provision that if I died, all my money would go to Uncle Rufus.
Harrington
You're pretty good at supplying motives, aren't you? Or am I just dumb getting that idea?
Mary
I don't know what you mean, Inspector Thornton.
Harrington
I mean, you had the same motive as your uncle. A million bucks is not hay. Any way you figure it.
Mary
This is dreadful. I think you are choosing me.
Harrington
Maybe yes, maybe no.
Mary
I wish I hadn't told you anything.
Harrington
Oh, you. Sergeant Muggin back already?
I
I left His Lordship Cyril Allaton, at the hospital with the docs. Get ready to pump his stomach out. You should have heard him squawk when they got out the tool.
Harrington
Why didn't you wait to find out if he'd been doped?
I
Because when I was taking His Lordship to the hospital, a dame followed me in a car and got the doorman.
Chief
And slipped me a note.
Harrington
What?
I
Sure.
Deuce Wilton
And a note.
I
Said she saw the murder with her own eyes.
Mary
Sergeant Muggin did. Did she say my uncle did it? Oh, how terrible.
I
No, Pamela. What she said sort of let your uncle out.
Mary
If she said Lord Seal yet, she's lying.
I
I'm not saying what the dame said.
Harrington
Have you got that woman here, Muggin?
I
No, Chief. I got a cop sitting on her at the hospital waiting for you.
Harrington
Okay, Muggin. That should kill two birds with one stone.
I
Sure, you can pump the dame while the docs are analyzing what they pumped out of His Lordship's barrel. Well, excuse me, I mean, stomach.
District Attorney
Let's go.
Harrington
Leave a couple of cops outside this house to see Pamela or her uncle. Don't make a break.
Deuce Wilton
You don't have to leave any of your cups outside, Thorn, to watch me.
Harrington
No, Mr. Spells.
Deuce Wilton
Old as I am, I've got good ears. I overheard Pamela accusing me of killing her husband. Al that's left for me now is to tell you that Pamela killed him herself. I lied to keep her out of the law's hands. When I said that Cyril Allerton did the job.
Harrington
I'm not so dumb, Spells, that I don't know. Two lies won't add up to the truth. Stay here until I get back. Try to figure out a story between you while I'm gone.
Narrator
Bye.
I
This hospital looks more like a classy hotel than a hospital, Chief.
Harrington
Is that the woman over there, Sergeant Muggin?
I
Yeah, the one next to the cop.
Harrington
Bring her into this room, Muggin.
I
Ms. Jones, come over here.
Mary
Oh, yes, Sergeant Muggin. I suppose the gentleman with you is Inspector thorne.
Harrington
That's right, Ms. Jones. I'm Inspector Thorne.
Mary
For your information, Inspector Thorne, my full name is Heather Jones.
Harrington
Pretty name. Heather Jones. Sounds nice.
Mary
I like it too. It was my mother's idea.
Harrington
Sounds like Scotland to me. Or is it Ireland, where heather grows?
Mary
I really don't know.
Harrington
I understand from Sergeant Muggin that you saw the about to be divorced husband of Pamela Beekman murdered tonight.
Mary
Yes. Harold Beekman. It was the most extraordinary thing.
Harrington
I'm a little slow on the uptake, so I don't catch on to just what you mean, Heather.
Mary
I mean, I just happened to be walking on the other side of the street from the Beekman mansion when I saw Harold Beekman walking along a bit on the jaunty side.
Harrington
I see.
Mary
Then I saw Lord Cyril Allerton sneak out of the house, run behind Mr. Beekman and shoot him down. Oh, it was a horrible experience for me. I don't think I'll ever get over it.
Harrington
Don't get me wrong, Heather, but cop has to ask questions.
Mary
I understand.
Narrator
Lucky break.
Harrington
You knew the murdered man and Lord Cyril well enough to identify.
Mary
But I'm not acquainted with either of them. Oh, Well, I mean, I. I don't know them personally. Only from seeing their pictures in the papers.
Harrington
A girl like you with such a terrific gift for identification ought to be a lady cop.
Mary
You're trying to make a fool of me. And after me tipping you off to who killed the poor gentleman.
Harrington
What part of America were you born in?
Mary
What? Roger? In New York.
Harrington
Sergeant Muggin. Prisca's woman.
District Attorney
Gotcha.
Narrator
Cheers.
Mary
You go of me.
Harrington
This woman isn't what she claims to be. She's from the British Isles. I'd say she's connected with Cyril Allerton.
Narrator
Yes.
I
An English Wembley gun on it, Chief. But not a single shot fired.
Mary
It's not my gun, it's my husband.
Harrington
Who is your husband? Where is he?
Mary
I won't take.
Harrington
Where is your husband?
Mary
I won't tell you. You can't make me.
Harrington
Sergeant Muggin, send this woman in. Hold her for further questioning.
I
Come on, Heather.
Harrington
That's what you think. Excuse me. I must ask you to remember this is a hospital and sick people are being disturbed. I'm sorry, sir. I'm Inspector Thorne of Homicide. I see you're a doctor.
Narrator
Yes, yes.
Harrington
I'm Dr. Conway and I have a report for you on the contents of that Englishman's stomach. Was he doped or was he kidding? Both, Inspector Thorne, both. Well, his stomach contents reveal, let's say, one eight grain of a barbituric sleeping pill. Not enough to make him as dopey as he simulated. That confirms what I suspected, Doctor. The highly suspicious part, however, is that we found this box of sleeping pills in his pocket, indicating he doped himself. To me it looks like a rather stupid criminal's effort to deceive the police. All criminals are stupid, Doctor. That's why they're criminals. What have you got? Lord Allerton? In the next room. Follow me. Inspector Thorne.
District Attorney
Here he is.
Harrington
Inspector, I must leave you now.
Lord Cyril Allerton
This is the most outrageous treatment I've ever experienced, Inspector. It couldn't happen in England. I wonder why I ever left there.
Harrington
Maybe the English cops chased you out, your Lordship. Tough break, old man. But I've got a witness.
Chief
A witness?
Harrington
Yes, a woman. Says she saw you murder Harold Beatman, husband of the ten million dollar heiress Pamela you were inveigling. And marrying you.
Lord Cyril Allerton
Ten million is a packet. But I didn't murder her husband.
Mary
Why should I?
Lord Cyril Allerton
They were being divorced tomorrow. She paid him a million to get rid of.
Harrington
Stop kidding. You know he threatened Pamela this afternoon to stop the divorce unless she gave him a second million.
Lord Cyril Allerton
Well, does that make me a murderer?
Harrington
And you told her to give it to him, didn't you?
Lord Cyril Allerton
Yes, but she refused. So what could I do?
Harrington
Ever hear of a thing called murder?
I
Everything is tied up, Inspector Thorne. That dame Heather is on the way to the who's gal.
Lord Cyril Allerton
Heather Jones. Heather Jones, you say?
Harrington
You guessed right the first time, Sergeant Muggin.
I
Yes, Chief.
Harrington
Take this character back to the Murder House. Hold him there. With Pamela Beekman and her uncle Rufus spelled all night, we've got four first rate murder suspects in the net. I'll see you there early tomorrow morning. And we'll leave together with the murderer.
I
Rakop was always saying he's dumb. You're doing all right, Chief.
Harrington
It looks that way, Muggin. Let's start moving.
Chief
Now it is 10 o' clock the next morning and we see an obviously pleased Inspector Thorne at the Murder House. The home of one of the richest girls in the world, Pamela Beekman. And we hear him say.
Harrington
Well, Sergeant Muggin, I understand you've got our net of suspects in the house.
I
Sure, Chief. You're a Pamela Beekman. A love interest. Lord Cyril allerton, her uncle, Mr. Spells and of course 12. Yeah. Which one do we pinch?
Deuce Wilton
Pinch? My niece, Pamela. She murdered her husband, Harold. Reason? She didn't want to pay him an extra million for giving her divorce so she could marry this panty waist.
Harrington
Lord Allison.
Mary
To think my father could have had a brother like you. Uncle Rufus. I was heartbroken when I told Inspector Thorne. I thought you had killed Harold. No, I'm not sorry I did.
Lord Cyril Allerton
Good girl, Pamela. Monday we'll be married and off in a star studded sky on our honeymoon.
Mary
And I, Lady Allerton, I only hope, darling, we'll both forget my own uncle tried to have me arrested for Harold's murder.
Lord Cyril Allerton
When we're married, Pamela, my sweet, you'll write it off as an unfortunate incident and forget it.
Harrington
I hate to break up a ten million dollar romance, Allerton, but I'm afraid Pamela can't marry you. There's a complication.
Mary
Complication?
Harrington
Heather Jones, Come in.
Mary
Yes, Inspector Jones.
Narrator
Heather. You here?
Mary
You here?
Harrington
Shut up, Allerton. This woman, Heather Jones is your wife.
Lord Cyril Allerton
She's lied to you. She's not.
Harrington
Here's the marriage certificate that proves she is.
Mary
Yes, Cyril. Husband and wife, that's what we are. You and I were butler and parlourmaid at a real lord's house in London. Husband and wife we were. And husband and wife we are.
Lord Cyril Allerton
Pamela, let me explain.
Mary
So you're not a lord, but an impostor? Cyril and I paid out two millions for a divorce to marry you. I hope I never set eyes on you again.
Harrington
You won't have the chance to see him again, Pamela. What you'll be entailed. Charged with murder. You killed your about to be divorced husband and you know you did.
Narrator
Yes.
Mary
Yes, I killed him. I killed him because after I'd given him a million as a divorce payoff. He came back and blackmailed me for another million. And I did it so I could marry this creature, this servant posing as Lord Cyril Allison. I thought I had it worked out so well.
Harrington
You worked it out too well.
Mary
Too well.
Harrington
The slip you made was in giving him the second check for the police to find on his body. You thought it would be evidence that the uncle you so cleverly accused had murdered him. To me, it was a clue that led straight to you.
Mary
You tricked me, Inspector Thorne. I fell for your talk about being slow thinking and dumb.
Harrington
Cops will try trick Spamala. They find it paid. Come with Sergeant Muggin and me. All your money won't save you. Murder is murder and the price is execution.
Chief
And so ends the fabulous divorce payoff murder case. The part of Inspector Thorne is played by Carl Weber. Direction by Kenneth McGregor. The script was written by Eugene Edward Francis from the original story by Frank Hummert. This is Fred Collins inviting you to tune in again next Friday at the same time when the National Broadcasting Company will present Inspector Thorne in the Vacant lot Murder Case Jubilee on NBC. NBC presents a new comedy team consisting of Bob and Ray. Bob Elliott and Ray Goulding. A merry duo who specializes in light satire and nonsense sketches. Bob and Ray have more changes of voice than a 13 year old boy with a hiccup. The lads have been bringing fun to the New England area for quite some time now. They've been called in by NBC to spread their hilarity around on a coast to coast basis. Hear Bob and Ray every weekday afternoon and for a solid hour of laughs every Saturday on your NBC station. Stay tuned now for Mr. Keane, tracer of lost persons on NBC.
Release Date: June 11, 2025
Host/Author: RelicRadio.com
Description: Dive into the thrilling crime stories from radio’s golden age, featuring relentless cops, cunning robbers, and sharp private investigators. Revisit these classic tales as we reopen cases and relive the suspense and drama that captivated audiences decades ago.
The episode kicks off with a gripping storyline centered around a daring robbery at a local gas station, starring the District Attorney as the relentless law enforcement figure and Nick alongside Mary as the perpetrators. The narrative delves into the motivations and consequences of their actions, culminating in a tense confrontation and the ultimate capture of the criminals.
The Robbery Unfolds ([01:08] - [04:00])
"We stuck up a filling station." ([03:19])
Investigation Begins ([04:00] - [10:14])
"This is the spot here where the attendant was shot down." ([05:33])
Confrontation and Capture ([10:14] - [27:00])
"He killed a man this afternoon, didn't you?" ([07:21])
"The two sprawled bodies on the sidewalk are the real answers to tonight's case." ([25:00])
Transitioning into a new narrative thread, the episode introduces Inspector Thorne, a shrewd and unassuming detective tackling the enigmatic Murder Case of Pamela Beekman. This segment showcases Inspector Thorne’s investigative prowess as he unravels the complexities surrounding a wealthy heiress, her impending divorce, and a subsequent murder.
Introduction to the Case ([34:00] - [36:00])
Investigation Deepens ([36:00] - [43:00])
"It's a million I promised Harold for giving me a divorce." ([37:34])
Turning Point and Revelation ([43:00] - [56:16])
"I killed him because ... I gave Harold what he demanded." ([55:56])
Climax and Resolution ([56:00] - [57:01])
"You killed your about to be divorced husband and you know you did." ([56:16])
"Mr. District Attorney and Inspector Thorne" masterfully weaves two compelling crime narratives that highlight the complexities of human motives and the unyielding pursuit of justice. Through meticulous investigation and sharp dialogue, the episode captivates listeners, offering an immersive experience into the golden age of radio crime storytelling.
Key Takeaways:
Author’s Note: This episode stands as a testament to the enduring allure of crime dramas, blending intricate plots with rich character portrayals to keep audiences engaged from start to finish. Whether unraveling a bank robbery or a high-stakes murder case, "Case Closed!" delivers timeless stories that resonate with listeners keen on classic radio mysteries.