Sexton Blake, Detective and Sherlock Holmes

Summary

Podcast Summary: "Case Closed! (Old Time Radio)" Episode: "Sexton Blake, Detective and Sherlock Holmes" Release Date: October 23, 2024 Host/Author: RelicRadio.com

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Introduction

In this episode of "Case Closed!," RelicRadio.com delves into two classic detective tales from the golden age of radio: "The Sin Eater" featuring Sexton Blake, Detective, and "The Logic of Murder" starring the world-renowned Sherlock Holmes. The episode masterfully revisits these timeless crime stories, bringing to life the intrigue, suspense, and intellectual prowess that define these iconic characters.

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Part 1: Sexton Blake - "The Sin Eater"

Overview

"The Sin Eater" is a riveting episode from the Sexton Blake series, originally aired on August 31, 1967. Sexton Blake, portrayed by William Franklin, is a renowned detective accompanied by his loyal assistant Tinker (David Gregory) and secretary Paula Dane (Heather Chasen). This particular case unfolds in a quaint village where mystery and danger intertwine.

Key Plot Points

1. Mysterious Playing Cards ([01:50] - [02:16])

   • Sexton Blake receives a set of playing cards bearing cryptic messages. At [01:50], he examines the cards: "10 Knave, Queen, King of spades. Almost a royal flush."
   • Upon closer inspection, Blake deciphers the encoded message: "Seek for the ace at the stairs between two gates. Ask for the black zambomba, says the sin eater." ([01:55])

2. The Sudden Murder of Mr. Quexley ([04:20] - [05:52])

   • Shortly after receiving the cards, Blake's acquaintance, Mr. Quacksley, is found dead, shot twice through the chest. The tragic event is detailed at [05:50] with Blake lamenting, "Poor Mr. Quacksley."

3. Investigation and Clues ([06:54] - [10:34])

   • Inspector Hedges interrogates Blake, suspecting the message on the cards pertains to Quexley's death. Blake remains skeptical but committed to unraveling the mystery.
   • The investigation leads Blake and Tinker to Quexley's old friends and acquaintances, ultimately revealing connections to the Mafia and the enigmatic "Sin Eater."

4. Confrontation with Jasper ([23:20] - [25:28])

   • Blake confronts Jasper, the landlord, uncovering his ties to the Mafia and his role in the murder of Quexley.
   • A showdown ensues, culminating in the revelation that the Mafia intended to eliminate Quexley to secure the secret embedded in the playing cards.

Notable Quotes

• Sexton Blake ([01:55]): "Seek for the ace at the stairs between two gates. Ask for the black zambomba, says the sin eater."

• Inspector Hedges ([06:54]): "Have you any idea what the message on the cards means, Mr. Bright?"

• Sexton Blake ([22:21]): "Most of the staff don't even know the name of the chap along the passage or what his job is."

Insights and Themes

• Cryptic Communication: The use of playing cards as a medium for encoded messages showcases Blake's intellectual challenge and the complexity of the case.

• Mafia Involvement: The plot highlights the pervasive influence of organized crime during the golden age of radio dramas, adding depth and danger to the narrative.

• Deduction and Investigation: Blake's methodical approach emphasizes the importance of logic and perseverance in solving intricate mysteries.

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Part 2: Sherlock Holmes - "The Logic of Murder"

Overview

"The Logic of Murder" is a captivating Sherlock Holmes adventure that originally aired on November 7, 1948. This story intertwines the legendary detective's unparalleled analytical skills with a chilling exploration of the concept of the "perfect murder."

Key Plot Points

1. The Perfect Murder Conundrum ([28:20] - [36:22])

   • Dr. Nelson Forrest presents Holmes and Dr. Watson with the concept of an "ideal murder"—a crime so meticulously planned that it leaves no traceable evidence. At [28:22], Forrest explains, "Our objective was to construct a murder so ideally committed that it was absolutely impossible to know how the victim had died."

2. Introducing Professor Roberts ([36:22] - [38:08])

   • Holmes and Watson meet Professor Edward Roberts, a master logician and chess enthusiast, suspected of having solved the perfect murder puzzle. Roberts, portrayed as a highly intelligent yet obsessive individual, becomes the prime suspect.

3. Discovery of Suspicious Behavior ([38:08] - [46:31])

   • Edith Marshall, Roberts' niece, grows suspicious of her uncle's erratic behavior and secretive actions. Between [43:00] and [46:31], Edith confronts her uncle, uncovering his sinister intentions to test his perfected murder technique on her.

4. Climactic Confrontation ([46:31] - [51:21])

   • As Roberts attempts to execute his plan, Holmes and Watson arrive just in time to thwart the murder. Through quick thinking and deduction, they save Edith and expose Roberts' treacherous scheme.

5. Resolution and Burning of the Perfect Murder Technique ([51:21] - [26:12])

   • In the aftermath, an envelope containing the details of the perfect murder is inadvertently destroyed, leaving the ultimate secret unresolved. Holmes muses, "That is something I must try desperately to forget."

Notable Quotes

• Dr. Nelson Forrest ([28:25]): "Our objective was to construct a murder so ideally committed that it was absolutely impossible to know how the victim had died."

• Professor Roberts ([36:22]): "The perfect murder is an illusion. It defies the infinitely petty scope of the human mind."

• Sherlock Holmes ([36:40]): "I always choose to follow the scent of murder, professor, however faint and elusive."

• Edith Marshall ([47:06]): "I have been thinking about how to commit the perfect murder ever since that afternoon."

Insights and Themes

• Philosophical Exploration of Murder: The narrative delves into the ethics and feasibility of committing a flawless crime, posing questions about morality and the human psyche.

• Obsession and Madness: Professor Roberts embodies the fine line between genius and madness, illustrating how intellectual pursuits can spiral into destructive obsessions.

• The Limits of Logic: Holmes grapples with the concept of the perfect murder, highlighting that even the most logical minds have limitations when confronted with ethical dilemmas.

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Conclusion

This episode of "Case Closed!" successfully transports listeners back to the golden age of radio, presenting two enthralling detective stories that combine intricate plotting with deep psychological insights. Whether unraveling the Mafia-linked mystery in "The Sin Eater" or confronting the chilling possibility of a perfect murder with Sherlock Holmes, the episode offers a rich tapestry of suspense, intellect, and timeless storytelling.

Credits

• Sexton Blake Characters:

  • Sexton Blake: William Franklin
  • Tinker: David Gregory
  • Paula Dane: Heather Chasen
  • Mr. Jasper: James Beck
  • Inspector Hedges: Ronald Badley
  • Mrs. Glibber: Betty Hardy

• Sherlock Holmes Characters:

  • Sherlock Holmes: John Stanley
  • Dr. Watson: George Feldman
  • Professor Edward Roberts: [Actor not specified]
  • Dr. Nelson Forrest: [Actor not specified]
  • Edith Marshall: [Actress not specified]

• Production:

  • Sexton Blake series devised by Philip Ridgway and produced by Alastair Scott Johnston.
  • Sherlock Holmes story written by Howard Merrill with special music by Alfred Berman and produced/direct by Basil Lockridge.

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Additional Information

Listeners interested in exploring these classic tales further can access the "Case Closed!" podcast on Spotify through the Relic Radio Network. With over 17 years of broadcasting experience, RelicRadio.com continues to bring the charm and mystery of old-time radio to modern audiences.

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This summary captures the essence of the "Sexton Blake, Detective and Sherlock Holmes" episode, highlighting the major plot developments, character interactions, and thematic elements that make these stories enduring classics in the realm of detective fiction.

Transcript

[Narrator]

This is Case close to your weekly hour of mystery from the golden age of radio. Every Wednesday@ Relicradio.com. our first story comes from Sexton Blake, Detective. This week we'll hear the August 31, 1967 episode titled the Sin Eaters. After that, it's Sherlock Holmes and the logic of Murder. That story aired November 7, 1948. The history of crime detection has produced.

[Sexton Blake]

No more famous name than that of Sexton Blake. We present William Franklin as Sexton Blake. With David Gregory as his assistant Tinker. And Heather Chasen as his secretary, Paula Dane in a series of case histories by Donald Stewart. I live here in a cottage in the village. Your whiskey, Mr. Quakesley, sir. Thanks. This is on me. Here, my landlord. Take for the sandwiches as well, will you?

[Narrator]

Right.

[Sexton Blake]

Thank you, sir. Cheers. Funny thing, Blake. You must be psychic. I was going to ring you. Sudden nostalgia after nearly three years. No, just a queer thing. I can't explain. Your change and the sandwiches, sir? Oh, thanks. Sorry. Quickly. Take a look at these playing cards. 10 Knave, Queen, King of spades. Almost a royal flush. Been playing poker?

[Narrator]

No.

[Sexton Blake]

You see that line of writing on each card? Now, if you take them in order of value, you get a message.

[Narrator]

Yes, I see.

[Sexton Blake]

Seek for the ace at the stairs between two gates. Ask for the black zambomba, says the sin eater. What's it mean? You tell me. How did you get these cards? My post. Altogether? No, no.

[Narrator]

Separately enclosed in cheap envelopes.

[Sexton Blake]

The address was all right, but I've no more idea than the man in the moon who sent them or what they mean.

[Tinker]

What's a black zambomba?

[Sexton Blake]

It's a child's toy. A kind of musical instrument. Spanish origin. What was the postmark?

[Narrator]

Maidstone.

[Sexton Blake]

I don't know anybody in Maidstone. Quite an intriguing little puzzle. Could be some sort of advertisement, I suppose, or a joke.

[Tinker]

What's the point?

[Sexton Blake]

A little obscure, I'll admit. Well, I'm afraid we must be off quick. Oh, no. You'll have another drink. Sorry, old man. I have an urgent appointment in London. And we shall only just make it. We only stop because Paula's stomach was screaming for nourishment.

[Tinker]

But I'm only halfway through these sandwiches.

[Sexton Blake]

Bring him with you. You can have mine as well. I'll keep in touch with you, Quexley.

[Narrator]

Fine.

[Sexton Blake]

Can I take these cards?

[Narrator]

Of course. Oh, here.

[Sexton Blake]

You better have my phone number. Got a pencil somewhere? Use this. Thank you. And don't forget to ring. I won't. So long, old man. Sorry to have to rush off.

[Tinker]

Good night. Mr. Quacksley.

[Narrator]

Bye.

[Sexton Blake]

Bye, Miss Dane. Bye, Blake. Look forward to hearing from you. Jasper. Yes, sir. Bring me another large Scotch, will you? Now, hop in. We'll have to step on it.

[Tinker]

Well, it's been quite a day.

[Sexton Blake]

Yes, nice to see old Quexy again. Pity we had to rush away. Like to have had a chat over old times.

[Tinker]

Can you make any sense out of the message on those playing cards?

[Sexton Blake]

He said I must be psychic, but I can assure you I'm not.

[Tinker]

What's it he neater when he's at home?

[Sexton Blake]

What? Oh, in the old days, he was a chap who, for a small fee, was supposed to take all the sins of a recently dead person to himself by eating bread beside the corpse.

[Tinker]

Charming.

[Sexton Blake]

Doesn't help much to explain the message on those cards, does it? Now, why don't you finish eating the sandwiches you're clutching so desperately?

[Tinker]

I wonder how many sandwiches I'd have to eat to take up all your sins. Or is that just a polite way of telling me to shut up?

[Sexton Blake]

I want to think over this Crexley puzzle. Oh, all right.

[Tinker]

I'll be as dumb as an oyster all the way back to Berkeley Square.

[Sexton Blake]

Sexton Blake speaking. Blake. Blake, I've been shot. Quixley. What? Listen.

[Narrator]

Not much time.

[Sexton Blake]

They broke in those playing cards. Quickly, can you hear me? Quickly, quickly, quickly. Come on, come on. Operator. Listen, this is urgent. Connect me with the police station at Larkminster. Lockminster? No, I don't know the number. Never mind about the supervisor. Get me through as quickly as you can. A man's life may depend on it. Go on, hurry. Tinker. Tinker, wake up.

[Narrator]

Come to my room.

[Sexton Blake]

It's urgent. I can't stop to explain. I'm on the phone. Hello? Hello? Dammit. Why didn't they get a move on? Hello, Lockminster police. Listen, Sergeant, this is Sexton Blake speaking. Send around at once to Mr. Quexley's house. Mr. Quexley? He's been shot. Take a doctor with you. Don't talk, man. Get busy. It's serious. I'm coming down straight away. I'll answer any questions when I get there. Hurry. You say that Mr. Quexley's been shot, Governor? Yes. Get dressed as quickly as you can. How did happen? I'll tell you all I know on the way. Hurry up, Tinker, and get the car. It's just after 2:30. We ought to get to Lockminster about 4. 45.

[Narrator]

Quexley was dead when we got Acer.

[Sexton Blake]

Shot twice though the chest.

[Narrator]

Both bullets pierced his lungs.

[Sexton Blake]

The doctor said he practically drowned in his Own blood. Poor UN Quexley. They've made a pretty thorough mess of the place, Inspector Hedges. They certainly have. Looking for those playing cards? There's little doubt that was the objective. Mr. Quexley surprised them and they shot him. Have you any idea what the message on the cards means, Mr. Bright? Not at the moment, Inspector. What do you think? That Mr. Quexley was telling the truth when he told you that he didn't know anything about it or who sent him? Yes, I'm fairly sure he was. How well did you know Mr. Quexley, sir? We were old friends. Quexley was a journalist. Political stuff, mostly. Foreign affairs. He was attached to the Chronicle for a number of years. Then he came into a bit of money on the death of an uncle, I believe, and I lost track of him until I ran into him at the pub last night. I see. He didn't say anything at all that might help to explain this business, sir? There wasn't time to talk much. I had an appointment with the Home Secretary and had to dash away to get back to London in time. If I'd known what was going to happen to the poor child. Didn't it strike you that there was anything serious about the message on the cards? Would it have struck you, Inspector?

[Narrator]

Whoa.

[Sexton Blake]

No, sir, I can't say it would.

[Narrator]

More like a sort of crossword puzzle.

[Sexton Blake]

We may find some sort of clue when we go through all this litter. But of course we can't touch anything until the photographers and fingerprint chaps have been. I doubt if you'll find anything. I must be getting back to London. I'm leaving my assistant to have a prowl around the village. Any special object, Governor? No, just a picker up of unconsidered trifles. Quexley must have made a few friends when he came to live here. See if they can tell you anything. I thought you were sure that Mr. Crexley didn't know anything about the playing cards. Doesn't necessarily mean that someone he knew didn't and doesn't. Use your common sense. Goodbye to the present, Inspector.

[Narrator]

Goodbye, Mr. Blake.

[Sexton Blake]

I'll let you know if we get onto anything. I'll do the same. Yeah, Governor. If you're going to take the car, how do I get back? Hire a car from somewhere. Or you might try hitchhiking. Though I hardly think you've got the right sort of legs to be very successful.

[Tinker]

Mr. Blake isn't available at the moment. No, I've no idea. I'm sorry, but I can't give you any information at all. Yes, I understand that I. I'll give Mr. Blake your message. Yes, I'll make it quite clear. Goodbye.

[Sexton Blake]

I'm back, boy. Anything important?

[Tinker]

They've been ringing up from the Home Office all morning. They don't sound a bit pleased.

[Sexton Blake]

It's the starch in their diet.

[Tinker]

You said you'd let them know this morning if you would undertake that.

[Sexton Blake]

I know, I know. You got my note about for Quexley?

[Tinker]

Yes. I'm terribly sorry. Did you find out anything at Larkminster?

[Sexton Blake]

Nothing. Tinker's still there making inquiries. I doubt whether they'll amount to much. Did you get on to Chief Inspector Coutts?

[Tinker]

Yes, he's ringing back.

[Sexton Blake]

Good. What about any other Quexley? It's an unusual name. There can't be many of them.

[Tinker]

I've got Nichols onto that. Oh, if that's a Home Office again, what do I say?

[Sexton Blake]

The first thing that comes into your head. It's a language they understand.

[Tinker]

Oh, very fun. Mr. Sexton. Blake's residence. Oh, hold on a second, please. It's Chief Inspector Coutts.

[Sexton Blake]

Hello, Cootes. Omar. Nothing at all, eh? I thought it was just possible there might be something in CRO. It would take too long to explain now. I'll tell you all about it when I see you again. You always are in a hurry. Take it a bit more easily. You'll be getting stomach ulcers. So long, John. Thanks for your trouble.

[Tinker]

There's no record of anyone called a Sin eater.

[Sexton Blake]

No. Give Mrs. Bardell to make a pot of coffee, will you, Paul? I'm very strong.

[Tinker]

Yes, of course.

[Sexton Blake]

I don't want to see anybody.

[Tinker]

Don't worry. I'll cope.

[Narrator]

Oh.

[Sexton Blake]

Anything the matter, Paula?

[Narrator]

Just as you told mister. This bird's gonna get her face sliced. Pete, we don't want no trouble.

[Tinker]

Don't let me go.

[Narrator]

You.

[Sexton Blake]

Who are you? What do you want? We want those playing cards, mate, that's all. Just them cars. This man came in after Mr. Quexy left the pub last night. Landlord? That's right. He wanted to know Mr. Queckley's address. Actually, he didn't come in because I was just closing up. You gave him the address? Well, I didn't see any arm in it. He was a pleasant sort of chap. Stoutish, rather red faced. Of course, if I'd have known. You couldn't, could you? You'd never seen this man before, I suppose? No, sir. He was a stranger to me. Had he got a car? Yeah. I didn't see it, but I heard it. Would you recognize him again if you saw him? Yes, I'm sure I would. He got a large mole on the corner of his mouth just about here. That may be helpful. You're a Londoner, aren't you, Mr. Jasper? That's right, sir. Only took over the lark a year ago. Be quiet after the smoke, eh? Yeah, you're right there, sir. This is the first bit of excitement we've had. I suppose robbery was the motive. Was anything valuable stolen? Well, the police are still checking up. Oh, they get whoever did it. You know that chap didn't look like a burglar. Well, there's no evidence that he was.

[Narrator]

Except that it's a queer thing he.

[Sexton Blake]

Should come here asking for the address on the same night that it happened. Don't you think so, sir? You may be able to explain that when we find him. Maybe you're right, sir. Is there any place I can hire a car to get me back to London? Not in the village. The nearest place you get anything like that would be Retford. It's just over seven miles. Seven miles?

[Narrator]

Here.

[Sexton Blake]

Just a minute, sir. When do you want to go? As soon as possible. Miss Joan will be driving up to London in about 20 minutes. She'll take you, I'm pretty sure. Miss Joan? Miss Joan Clements. She's the vicar's daughter. This is her day for going up to London. Why don't you pop round to the vicarage and see her? She'd take you willingly. I can but try, can't I? Well, Thanks a lot, Mr. Jasper. You're welcome, sir. You'll find it'll be all right.

[Narrator]

The vicarage is just along the road and it's next to the church.

[Sexton Blake]

I know. I passed it on the way here.

[Narrator]

Well, goodbye and thanks again. Now, look, Clippy, we ain't got the rest of the blast of the week.

[Sexton Blake]

Chuck her with them cards.

[Narrator]

What cards? Shall I give her a chigger with a nasty. No.

[Sexton Blake]

If you hurt that girl, what can you do, eh?

[Narrator]

She'd lose half her face before you could blink.

[Sexton Blake]

Ain't that right, kid? That's right, mate. I ain't touchy yet, darling. You don't want to start singing before you got something to sing about. Who sent you here?

[Narrator]

Oh, what it did. Was it the Duke of the Archbishop?

[Sexton Blake]

I can't remember now, can you? I thought it was His Royal Highness. I haven't got the cards you want.

[Narrator]

Don't push the bird's luck, mate. Tradition.

[Sexton Blake]

For a bit of fun with his knife. The police have got them. Where should I start the carving?

[Narrator]

Steve, what about a bit of No.

[Sexton Blake]

I don't like spoiling a pretty thing like you. Sweetheart, listen, I have not got those cards.

[Narrator]

I'll give you just one minute to hand them over or the bird gets it good and proper.

[Sexton Blake]

Don't ask it.

[Narrator]

Let it ring.

[Sexton Blake]

That's it. Let it ring.

[Narrator]

What do you mean?

[Sexton Blake]

If that call isn't answered, it'll be automatically transferred to the porter's office downstairs. So what? The porter knows that both Ms. Dane and myself are in. We always tell him when this flat is left empty so that the switchboard girl can take incoming calls.

[Narrator]

We couldn't care last night.

[Sexton Blake]

But you will. In my profession, one has to take precautions. The porter has instructions to notify the police if he suspects anything. He'll be suspicious when he knows that we are in but haven't answered the phone.

[Narrator]

He's bluffing.

[Sexton Blake]

Steve. This building will be full of police in about 1 minute 30 seconds. You'll find it difficult to get away unless you go now.

[Narrator]

Come on, Ted.

[Sexton Blake]

I ain't risking it. Oh, I'll leave the birds here, you fool. Come on. Put Rogers on the house phone, Ms. Baker. It's urgent. All right, Paula.

[Tinker]

Oh, well, just a little shaky.

[Sexton Blake]

Rogers. There are two young thugs on the way down. Usual type. I want them followed.

[Tinker]

They believed you about the porter and the telephone.

[Sexton Blake]

I was afraid the phone would ring again and spoil it. I didn't do anything. With that knife at your throat?

[Tinker]

He'd have loved to have used it.

[Sexton Blake]

Yeah. Drink this brandy. It'll pull you together. I wonder who that phone call was.

[Tinker]

From the home office again.

[Sexton Blake]

Probably their uses after all.

[Tinker]

Do you want me to.

[Sexton Blake]

Yes, I see. Well, it can't be helped.

[Narrator]

You did.

[Sexton Blake]

Well done. Yes. All right, Rogers. They got away. Went off like the wind on motorbikes. Rogers got the number of one of them.

[Tinker]

Well, we can check up on that.

[Sexton Blake]

Yes, do that, Paula. Here's the number. How would you enjoy a breath of sea air?

[Narrator]

Sea air?

[Sexton Blake]

Health giving ozone. Clean and invigorating. Be ready to leave in 15 minutes.

[Tinker]

Are you serious?

[Narrator]

Very.

[Sexton Blake]

Going to follow up the message on those playing cards. We're going to find the ace and I hope the black Zambomba.

[Tinker]

All right. I'll see you downstairs in 15 minutes.

[Sexton Blake]

Well, here we are. The stairs between two gates.

[Tinker]

Broadstairs.

[Sexton Blake]

Exactly. It lies between Margaret and Ramsgate. Simple.

[Tinker]

When you know. How did you know?

[Sexton Blake]

Correlation of ideas. Those two young thugs. Healthy tans, fights at seaside towns. Margate. The whole thing clicked.

[Tinker]

Very clever. And what next?

[Sexton Blake]

We look for the ace. I imagine that it's some place called the Ace of Spades or something of a kind.

[Tinker]

There's a restaurant over there. Perhaps ed know.

[Sexton Blake]

Paula, you're not hankering after food again, are you? It's becoming a fetish.

[Tinker]

It may have slipped your memory, mister, but I haven't had anything to eat since my breakfast.

[Sexton Blake]

Well, you'll have to wait. Here's the police station. That's the most likely place to find out. In here, Paula. Ah, good afternoon, Sergeant. My name's Sexton Blake. I'm looking for somewhere in Broadstairs called the Ace. Ace of Spades, something like that, perhaps. Any ideas? Well, I don't know of any place called the Ace. Not round here.

[Narrator]

Mr. Blake.

[Sexton Blake]

Is there anything perhaps with the initials ACE, Sergeant?

[Narrator]

Not that I can recall, sir.

[Tinker]

It could be a guest house or a bungalow, perhaps.

[Narrator]

I haven't heard of anything of that kind, miss. You could try a directory.

[Sexton Blake]

Here, hold on a minute.

[Narrator]

There's the almshouses.

[Sexton Blake]

Almshouses?

[Narrator]

Yes, the Anne Codrington Estate, sir. They was built by a wealthy old lady, Miss Anne Codrington. Got a stone plaque over the front.

[Sexton Blake]

With her name and the date 1902. How do we get to them?

[Narrator]

Oh, it's not far, sir. Just off Stone Road on the way to North Foreland.

[Sexton Blake]

Well, thanks for your help, Sergeant. We'll get along.

[Narrator]

You're welcome, sir. I hope it's what you're looking for.

[Sexton Blake]

Yes, so do I. Oh, one more question. Do you know of anyone in the district who's called or known as the Sin Eater? The Sin Eater?

[Narrator]

Queer sort of name, sir. No, I'm afraid I don't. I'm sorry.

[Sexton Blake]

Oh, never mind, Sergeant. Thanks again. Come on, Paula.

[Tinker]

There you are, Mr. Blake.

[Sexton Blake]

The Ann Cottage and Estate.

[Tinker]

Four quite attractive little cottages. Which one do we choose?

[Sexton Blake]

We might try number one. The Ace stands for the highest or the lowest value.

[Tinker]

Shall I come with you?

[Sexton Blake]

As long as you don't chunter on about food. Come on. Oh, is it? Can I speak to you for a moment, madam?

[Tinker]

If you're saying something, I don't want it. If you want something, I ain't got it. That seems to cover everything.

[Sexton Blake]

If I could just have a word with you.

[Tinker]

What do you want? If it's about the telly, I ain't got one.

[Sexton Blake]

I've called about the black Zambomba.

[Tinker]

Oh, is that it? Or you better come in.

[Sexton Blake]

Thank you.

[Tinker]

They're always trying to sell you something. That is round here. If it ain't that, it's collecting. It gets on your nerves.

[Sexton Blake]

I'm Sure. I must be very trying. Mrs. Gliber.

[Tinker]

Agnes Gliber. I was in the middle of getting me supper. You'll be Mr. Quexley, I suppose?

[Sexton Blake]

I'm acting for Mr. Quexley.

[Tinker]

Oh, he said I was to give it to Mr. Quexley.

[Sexton Blake]

The sin eater.

[Tinker]

What?

[Sexton Blake]

The sin eater told you to give the Black Zambomba to Mr. Quexley.

[Tinker]

Oh, I don't know nothing about no sin eater. Who are you? You ain't Mr. Quexley. So what do you know about it, eh?

[Sexton Blake]

Mrs. Glibber, I think I ought to tell you that this is a very serious business. A man has already been murdered.

[Tinker]

Oh, Lord, a mercy. Not Carlo.

[Narrator]

Was it Carlo?

[Sexton Blake]

Carlo who?

[Tinker]

Carlo Rossi. Mr. Blake.

[Narrator]

That's a minute.

[Sexton Blake]

Yes, all right, Paula. Mrs. Glibber, please tell me everything you know about Carlo Rossi.

[Tinker]

Well, I don't know.

[Sexton Blake]

I'm sure it'd be easier to tell me than the police, wouldn't it?

[Tinker]

The police? Was it Carlo what was murdered?

[Sexton Blake]

Why should you think it was?

[Tinker]

Well, he never come back. You see. It worried me, it did, but I didn't rightly know what to do.

[Sexton Blake]

You know Carlo Rossi?

[Tinker]

Well, he's my nephew. My sister married an Italian during the first World War. It was. He's dead now. Only she was younger than me. I never met her husband. And I'd only met young Carlo once before he come here.

[Sexton Blake]

When did he come here?

[Tinker]

Well, it'd be about two weeks ago. Oh, that'll be the kettle. I was just going to make a cup. I'll make it for you, shall I?

[Sexton Blake]

Yes, do that, will you, Paula?

[Tinker]

The tea's already in the pot, miss.

[Sexton Blake]

Now, Mrs. Glibber, your nephew, Carlo Rossi came here to see you two weeks ago.

[Tinker]

That's right. He wanted to know if he could stop there for a couple of nights. They got the jitters of yet. I could tell he was in some sort of trouble. Up and down like a monkey on a stick. And he kept looking out of the window when young Johnny knocked. He would never go to the door until he called out who he was.

[Sexton Blake]

Who's young Johnny?

[Tinker]

Oh, he's the son of a lady friend. What does Evans for me now and again. Oh, thank you.

[Narrator]

Me?

[Sexton Blake]

Go on, Mrs. Glibber, did Carlo Rossi tell you what was worrying him?

[Tinker]

Well, he said it was nothing. His nerves was upset that I wasn't born yesterday. Scared Tiffy was or something. If you asked me, somebody was after him.

[Sexton Blake]

What happened next?

[Tinker]

Well, I give him a bed in the spare room, but he didn't sleep much walking about Half the night he was. And when he come down in the morning, he looked shocking. I've got to be on my way, Aunt Agnes, he said. And that's when he give me that thing.

[Sexton Blake]

The Zambomba?

[Tinker]

Yes, that's right. It was a funny looking thing, like a black jam jar with the top covered over by a bit of parchment stuff. It's got to stick through the middle. He told me to keep it somewhere safe as it was very valuable. If he didn't come back, I was to give it to a man named Quixy who'd come for it.

[Sexton Blake]

And then he left.

[Tinker]

Well, not till the evening. No. He give them letters to Johnny and he asked him to post them.

[Narrator]

Four of them.

[Tinker]

There was the playing cards.

[Sexton Blake]

What you say? Never mind. Go on, Mrs. Glibber.

[Tinker]

Well, Carlo told him not to post them all at the same time and not anywhere in the district. Give Johnny three pounds, he did. Johnny's got a married sister what lives at Maidstone. He give them to her at a post. It was all addressed to Mr. Quakesley.

[Sexton Blake]

I know. Could I have the black sand bomba?

[Tinker]

Well, I suppose it's all right. I got it in the back room. I'll fix it. I can't get about very quickly these days. It's me arthritis.

[Sexton Blake]

It's beginning to gel, Paula.

[Tinker]

They're going to get a shock at the home office.

[Sexton Blake]

Do them good.

[Tinker]

Talk about killing two birds with one stone. I bet you never expected the home office job would link up with this, did you?

[Sexton Blake]

Mrs. Glibber's coming back.

[Narrator]

Here it is.

[Tinker]

It don't look all that valuable, do it?

[Sexton Blake]

Well, it depends on what's inside. Let's open it carefully, Paula.

[Tinker]

It's packed full of cotton wool and there's something hard in the middle.

[Sexton Blake]

A child. Glass. Marble. Hello, Paula. Where's the Governor?

[Tinker]

I don't know. Playing marbles with the home secretary, probably.

[Sexton Blake]

Doing what? Oh, I get it. You're talking about the marble in the Zambomba thing. Has the governor found out what it means?

[Tinker]

I wouldn't know. He's being a bit oysterish.

[Sexton Blake]

We like springing a surprise. It gives him his kicks.

[Tinker]

I've got a little surprise I'm going to spring on him.

[Sexton Blake]

It's difficult to surprise the governor. He usually knows all about it already. Oh, here he is now. You two gossiping as usual.

[Tinker]

I've got Nichols report on the Craigslist.

[Sexton Blake]

It doesn't matter now. You'll never believe what I'm going to tell you. You know about the Quexley we wanted? Yes, he's been working as a rather obscure civil servant in a department of the Home Office. Bango's the little surprise caller, eh?

[Tinker]

Oh, never mind. Have you seen this Quexley?

[Sexton Blake]

No, he's away on leave. A walking tour in Scotland or something. Just shows how these government departments are run. Most of the staff don't even know the name of the chap along the passage or what his job is. What's Quex's job? From what I can gather, he initialed forms which were then passed on for somebody else to read. However, he doesn't matter very much.

[Tinker]

But I thought he was the man to whom Carlo Rossi intended to send the card.

[Sexton Blake]

Oh, yes, he was, but he doesn't know anything about it. By the way, how did you get back from Lockminster? Tinker managed to hire a car. I hitchhiked. The vicar's daughter gave me a lift to London and she did have the right legs. Fine. Well, what's the next move? Gu. Masterly inactivity until this evening.

[Tinker]

And what happens then?

[Sexton Blake]

We tie everything up neatly and call it a day.

[Narrator]

Quite a nice problem.

[Sexton Blake]

It was, really, when you come to think of it. Why are we stopping at the Parker? Out you get.

[Tinker]

You're too late for a drink. It's closed.

[Sexton Blake]

There's still a light in the bar. Perhaps we can get the landlord to open up for us.

[Tinker]

I do wish I knew what you were up to.

[Sexton Blake]

Same here. Who is it? Good evening, Mr. Jasper. Remember me? Sexton Blake. I'm sorry, sir.

[Narrator]

We're close.

[Sexton Blake]

I don't want to drink. I just want to ask you a question. Can we come in? Well, yes, come in, sir. What was the question, sir? Mr. Jasper, what have you done with Carlo Rossi? I don't know what you mean, sir. Perhaps I should have said the body of Carlo Rossi. Mr. Blake, this is my home and I. Keep your hand away from that drawer, Jasper. This gun is small, but it's very.

[Narrator]

Effective, I tell you.

[Sexton Blake]

I know. I'll do the talking. You're a member of the Cosa Nostra, better known perhaps as the Mafia. So was Rossi, until he got sick of all the killings and the violence. What a blaze are you talking about? I know nothing about Mafia. Don't like any of their members getting out. They liked it less in Rossi's case because he knew the name of the man who was head of the British organization. All this has got nothing to do. That is you, Jasper. You're talking. Rossi came to England with a Mafia hot on his heels. He was badly frightened, but he was determined to get his information into the right hands. During the war, he worked with the Resistance movement in France. The liaison officer was a man named Quexley. Not the Quexley you murdered. Another Quexley.

[Narrator]

Another Quexley.

[Sexton Blake]

Rossi's code name was the Sin Eater and communications were written in code on playing cards. Rossi knew that anything he sent on playing cards to Quexley, particularly if it included the name Sin Eater, would be understood. But he sent them to the wrong Quexley. That was a shock for you, Jasper, when this one showed me the cards in the bar. But you didn't know I had taken them. You were called away to the other bar and when you came back, I'd gone. You shot poor Quexley, but it wasn't until you couldn't find the cards that you realised that I'd got them. There's not a word of truth in all this. You sent those two thugs to get the cards from me. Steve Munt's been pulled in and he'll talk. So will Ted when the police get hold of him. You can't connect me with any thugs, Mr. Blake. I don't know anything about him. Will you go, please? I'm tired and I want to go to bed. Open the door, Tinker. Right, Gupp. I'm sure Inspector Hedges is getting tired of waiting. The police are going to tear this place apart, Jasper, and there's nothing you can do about it because they have a special Home Office warrant. I'll carry on, Inspector.

[Narrator]

Right, then.

[Sexton Blake]

I'll keep an eye on Mr. Jasper. Right here. Oh, dear.

[Tinker]

I don't know how I'm going to get through a day's work tomorrow.

[Sexton Blake]

Today. You would come, Paula.

[Tinker]

Well, I wasn't going to meet.

[Sexton Blake]

You didn't. Anyway, there's enough on Jasper to keep him out of circulation for a good many years. And we've got a list of all the Mafia who have infiltrated into the country. That'll please the Home Office. And the body of Carlo Rossi in that barrel in the cellar.

[Narrator]

How did you know Rossi would be there?

[Sexton Blake]

No, I didn't. It was a long shot. He must have decided to come down and keep an eye on Jasper himself. Or more likely, he was brought down for Jasper to question by one of the Mafia who were trailing him.

[Tinker]

Well, the Home Office asked you to find Carla Rossi and you found them.

[Sexton Blake]

They were getting worried about the Mafia starting up in England in a big way. Rumors had reached them that Rossi knew the man in charge. That's why they asked me to look for him. What put you wise about Jasper Guff? Rossi, how the marble in the black Zambomba. How the dickens does that link up with Jasper? Jasper in French signifies marble. Strictly speaking. Jaspe to face with marble. Like a fireplace or something like that. It was the nearest Rossi could get, but it was good enough.

[Tinker]

Oh, I do hope we haven't got a busy day. I feel like sleeping for a week.

[Sexton Blake]

You needn't come in till after lunch. Think you can look after anything urgent? Oh, look, guv, I want a rest too. I've got to be freshened this evening. Why particularly? I've got a date.

[Tinker]

Not with a vicar's daughter.

[Sexton Blake]

Why not? She's an absolute smasher. She's got everything, including a vicar for her father.

[Narrator]

All right.

[Sexton Blake]

Good luck, old chap. That story in our Sexton Blake series was called the Sin Eater and was written by Donald Stewart. William Franklin was Sexton Blake. David Gregory Tinker and heather Chasen.

[Narrator]

Paula.

[Sexton Blake]

Mr. Jasper, the landlord of the Morning Lark was played by James Beck. Daniel Quexley and Ted Clint by Henry Stamper. Inspector Hedges by Ronald Badley. Steve Mundt and the police sergeant, Norman Mitchell. And Agnes Glibber was played by Betty Hardy. The series was devised for radio by Philip Ridgway and produced by Alastair Scott Johnston.

[Narrator]

From New York City, the makers of Clipper Craft, clothes for men and more than 1200 leading retail stores from coast to coast presents Arthur Conan Doyle's immortal character, the world's most famous detective, Sherlock Holmes. Starring John Stanley. This week's adventure, the Logic of Murder. You're going to die within the next few seconds. But before you die, you will have the privilege of seeing a technique in murder never before used in the history of man. I should start now. This will be the perfect murder. And the simplicity of it will astound you. Look, all I have to do. All I have to do is this. Too expensive. Can't afford it now. If you didn't know otherwise, that's what you might think when you see the new fall suit or Clippercraft. To be sure, Clipper Craft rich looking fabrics have a well deserved reputation for long wear. And you can see for yourself how superbly Clipper Craft suits are tailored, how perfectly they fit. Expensive looking? Yes, but you'll pay only 40 or $45. That's what happens when more than 1200 of this country's finest independent stores concentrate their purchasing power. That brings about production and distribution. Savings that are passed along to you. That's why you can enjoy the extra long wear of Clipper Craft Handsome worsted suit at only $45 at the Friendly independent store in your community that sells clipper craft. See the selection of top coats and overcoats too. You just can't find values to beat clippercraft. Compare Clippercraft with clothes selling for many doll. Well, Dr. Watson, I'm. I'm curious to know what you mean by the logic of murder, Mr. Harris. This adventure began one autumn evening in 1896 when Holmes and I were in our flat at 221B Baker Street. We'd had an unexpected visitor. He was a lean, pale chap, abnormally tall, with penetrating eyes. As he explained his grotesque mission, my amazement grew each moment. My name is Forrest, Mr. Holmes. Dr. Nelson Forrest. Most distinguished name, sir. One with which I am quite familiar. May I present my friend and colleague, Dr. Watson. How do you do, Dr. Watson? Don't you occupy a chair of medicine at Oxford, sir? Indeed I do, but my civic duties prevent my being very active at the university. I'm also chief toxicologist at the coronate office, Bors Hill, adjacent to Oxford. And the purpose of your visit, Dr. Forrest? I performed the duties of a Coroner for decades, Mr. Holmes. I perform more than 6,000 autopsies. I'm something of an expert on causes of death. Intriguing background. Pray continue. I have two associates. Chief Justice Wickham. Yes, I know him well. Professor of Jurisprudence and Professor Edward Roberts. Ah yes, one of the world's foremost experts on logic. We were enjoying a pleasant afternoon tea some weeks ago, the three of us. The conversation turned to the ancient problem of the perfect murder. I've spent many a long evening ruminating over that problem. The conversation became most spirited. Each of us made contributions. Wickham, a veritable genius on evasions of the law, made a few superb suggestions. I contributed too, on the basis of my knowledge of causes of death. And Roberts Roberts, our master of logic, fitted each step of the perfect murder into its proper place with breathtaking precision. You mean to say, Dr. Forrest, that your trio has created the perfect murder? Astonished? No gentlemen, not quite. Our objective was to construct a murder so ideally committed that it was absolutely impossible to know how the victim had died. And impossible to identify the killer. Good Lord, if anyone knew how to commit such a crime. Why, I think someone does. Dr. Watson. Really. We solved every problem for the would be killer except once. The final step called for a staggering feat of logic. It was a puzzle fit for our greatest minds. Well, RT ended. Wickham and I forgot the problem. We felt it could never be solved. And Professor Roberts, the logician? Precisely why I've come to you, Mr. Holmes. I've known Roberts intimately for years. He has an insatiate passion for such things. He spends every minute of his spare time playing highly advanced forms of chess. Shogi, the Japanese version. Cylindrical chess, three dimensional chess. He has solved retrograde problems in chess that have been riddled since the 6th century. Persians, you mean. Doctor, you believe Roberts may have solved the last step of this perfect crime? I do. It's a horrible accusation. Once knowing that last step, Roberts might commit murders endlessly without ever fearing that he be caught. Why are you so certain that Roberts has solved it? Mr. Holmes, that man could not solve sleep, could not eat, could not keep his sanity if he did not solve such a problem. But even if he can commit the perfect murder, why should he attempt it? The temptation is too powerful to resist. Dr. Watson, you're a man of science, sir. Surely you appreciate the ruthless driving force of the scientific mind. Professor Roberts would have to know if the murder were really perfect. He'd have to try it. And what do you expect of me, Dr. Forest? I am a physician, sir, not a criminologist. I believe the menace is great. I've hoped you might see Professor Roberts. You might try to learn if he can commit the ideal murder. Have you asked him yourself if he solved the puzzle? Yes. He denies having thought of it since that tea, but his whole being is dedicated with a religious fervor to visiting weird, unexplored areas where the human brain has never ventured. He could not resist embarking upon so magnificent an odyssey of the mind. I see. I accept the invitation, Dr. Forrest. Watson and I shall see your professor. It's simple to find him. He lives with his young niece Edith at a cottage in Boar's Hill. Come, Watson. We shall attempt to learn if Professor Roberts has become the one human being on earth who knows the technique for an absolutely perfect murder. I'm delighted to have so renowned a guest, Mr. Holmes. Welcome. Thank you, Professor Roberts. I trust we're not imposing. No, no, no, no. Quite the contrary. I have plenty of time. Matter of fact, I was just leaving for a few days vacation with my niece. I've all sorts of spare time these days. Are you comfortable there, Dr. Watson? Very, professor, very. For a gentleman with so many demands upon his services, surely this is a. This is of vital importance. It is, Professor. I'm at your service, sir. Professor, you entered into a discussion with two faculty associates of yours some weeks ago. Dr. Forrest and Justice Wickham. Well, I see them so frequently. To which discussion do you refer? It was A delightful afternoon tea. And the subject was murder, professor, the flawless murder. Oh yes, I recall it. Evidently it made a lasting impression upon them. Who spoke to you about it? Dr. Forrest. Professor, one step in logic remained. One problem was unsolved to arrive at the ultimate ideal technique for committing the murder. Is that correct? It is. Did you give the problem further thought? No, no, no, none whatsoever. The problem was impossible even for one of your gifts. Mr. Holmes, surely you must know that the perfect murder is an illusion. It defies the infinitely petty scope of the human mind.

[Tinker]

Uncle Edward, the luggage is ready. It's by the dawn. Oh, I beg your pardon.

[Narrator]

Oh, this is my niece, Edith Marshall. Edith, Mr. Sherlock Holmes. Dr. John Watson. How do you, Doctor? He's been preparing us for our little vacation. Is everything ready, my dear?

[Tinker]

Yes, Uncle Edward.

[Narrator]

I haven't the time to clean the house, though I dislike leaving it so dusty. There's dust all about on the bookshelves.

[Tinker]

In your chess set on the mantel.

[Narrator]

Oh, let it be, let it be, child, we shan't care. Mr. Holmes, was it solely because of that discussion you mentioned that you came here solely? I certainly do hope you won't take offense, but it strikes me as rather a fool parent. Does it? Dr. Forrest is sometimes more of a nervous old woman than a professor of toxicology. I always choose to follow the scent of murder, professor, however faint and elusive. What's wrong, Uncle Edward? Nothing, nothing at all, Edith. Mr. Holmes and I were just chatting. That absurd problem of the perfect murder. If they're often a vacation home, perhaps we'd better. Oh, we don't want to rush you. It's quite all right. Of course this isn't entirely a vacation for Uncle Edward. Why not? Because you must read the minutes of the Board of Prosthese meeting last week. You should have gone. I'm taking them along. Oh, that task. We'd best dash along home. I regret that your mission was not more fruitful, Mr. Holmes. It's been enlightening. Professor Roberts. Good afternoon, Sir. Good afternoon, Ms. Marshall. Doctor. Uncle Edward. Yes, my dear? Please don't be upset. But what is it? You did tell Mr. Holmes the truth, didn't you? The truth about not having worked out a way to commit a perfect murder. Of course I tell the truth. I wish you'd never discuss it with Wickham and Forrester.

[Sexton Blake]

Why?

[Narrator]

Well, ever since you did I've had an awful feeling about it. Really?

[Tinker]

The kind of shadows fallen over the cottage.

[Narrator]

I was never afraid to stay here.

[Tinker]

Before, but last night I couldn't Sleep.

[Narrator]

I kept wondering if you'd solve the problem. I kept wondering what you might do. Oh, dismiss it from your mind, Edith. Even if by some odd chance I should find the answers. What of it? I don't know. I saw you in the garden yesterday at twilight. It was very cold outside but you were standing there without a coat or hat and there was perspiration on your face. Just your imagination. No, I saw you quite clearly. I couldn't help but think. Yes? Never mind I'm being foolish. You've been working hardy this year? 10. We're both a bit bored. The atmosphere is oppressive. As soon as we reach the cottrells of beautiful hills you'll relax. I hope so. I have been overwrought. All because of that stupid conversation and that gruesome problem. Shall we fetch our things? And we. By all means. Well, Holmes, for once I do believe you've taken us upon a futile journey. Not that I mind this carriage ride and the train back to London. I rather it. Holmes. Are you paying the slightest bit of attention? No, my dear Watson. You're not convinced by Professor Roberts protest of innocence, are you? One mixes the various elements in the retort, Watson. One lights the flame and soon the brew against the bubble. There were elements in our few moments with the professor of logic that should soon produce a fascinating compound. I didn't notice anything peculiar. Didn't you? The professor of logic was most illogical. Was he given a moment for further contemplation? I shall have crystallized my thoughts. I want to think fast. If the professor knows how to commit the perfect murder, he may be tempted to try it at any moment. You have it home. Turn back driver. Back to Boar's Hill to the professor's house where you found it. Quickly, quickly. Do you believe the professor starved at home? I'm sure of it. How do you know? He remarks that he had a great deal of spare time. Yes, yes. Previously Dr. Forrest informed us that Professor Roberts has a fanatic interest in advanced forms of chess. Yes, so he did. Yet with all this spare time, Edith, his niece, observed that his chest set was covered with dust. It had gone unused for a considerable period. Why Watson? Why would an incurable addict of chess abandon it completely when he has ample time? Then consider the minutes of the trustees meeting. The minutes? Yes. Edith reprimanded the professor for failing to appear at the meeting so that he's now obliged to read the minutes. Although we have so much time, the professor neglected a vital appointment. Why? What? Only one answer is conceivable. He's been so consumed by the desire to solve the riddle of the ideal murder. Yes, you're right, Holmes. We must confront him with your conclusions. But while you've the evidence that he's been struggling with the riddle, how do you know that he's found the answer? Think, Watson. If he were innocent, if he were considering the problem merely as an exercise in mental gymnastics, he would have admitted to working on it, would he not? Quiet. However, he lied. He pretended to have ignored that afternoon tea once it had ended, he could only have attempted that camouflage. If he had an insidious motive, I should say he knows how to commit the perfect murder and he intends to try. I should say he would choose for his victim a trusting individual who's quite handy. In short, his lovely young niece, Edith. Driver. Can't your horses do better? Hurry man, Hurry, hurry. This is the time for a new topcoat or overcoat. Naturally you'd like a really expensive looking coat. And with the cost of living so high, its price should be kind on your pocketbook. So your Clipper Craft dealer gives you rich looking fabrics that are hard to wear out. And superbly tailored topcoats and overcoats with made for you fit yet the most luxurious of all Clipper Craft coats will cost you only $47.50. But you can own a distinctive Clipper craft coat for as little as $40. The huge concentrated buying power of more than 1200 of America's finest independent stores makes these sensational values possible. No wonder America is so proud of Clipper Craft values. Ask to see the new lightweight clippercraft zipper topcoat that has taken the country by storm until days just dip in the lining and brave the wind in warm comfort. Ideally light in weight and wonderfully light on your budget. That's why men who know insist on Clipper Craft clothes. So be sure to visit the Clipper Craft store in your city. These leading stores in the metropolitan area are proud to add their names to Clipper Craft. In your suits, topcoats and overcoats. In Manhattan, Saks, 34th Broadway. At 34th, John Wanamaker Men's Stores, Broadway at 8 and 67, Liberty street in Brooklyn, Abraham & Strauss in Newark, NJ Boulevard. Men's Shop, Kresge, Newark. And in Jamaica, the B and B Clothes Shop, 16408 Jamaica Avenue. Dr. Watson, we're most impatient to return to your story. Well, Mr. Harris, with the shocking realization that Professor Roberts knew how to commit a perfect murder and was probably about to try it upon his young niece, Holmes and I raced in our carriage back to the professor's cottage at Boar's Hill. The godhead professor answered so quickly when we first called on him. Not once more, Watson. You know he may have done away with Edith after we left. Now he's vanished. If he has, it'll be the first act of murder I shall never be able to prove. Watson. Merely indicting him on the basis of chatter at a tea party will be of no avail. We shall not be able to establish the cause of death, the motive, nor anything else. Refuses to answer. Well, this door is flimsy. I think we have enough strength to force it. Right, you are ready? Ready. Once more, Holmes. There we are. Professor Robert. Professor Roberts. Search the other rooms, Watson. Yes, sir. No one in the bedroom. Not in this kitchen. Study is empty too. They've gone, Watson. The professor of logic has made off with his niece to use her as his victim. Could we possibly find them homes? They said they were going on a vacation. Yes, but where, Watson, where? We must look at every corner of this cottage for a cl. About Ransacked the whole place, Holmes. Yes, and no indication of where he's taken the girl. There must be one. A human being cannot quit his porters for a prolonged period without leaving tracers. See, they might have gone to Bournemouth for fishing. Or to Wales. Wales for the mountain air. They might have taken the waters and mauled them. Perhaps they just dashed over the Cotswolds. You know, there are many small hotels. There are many possibilities. But we've no time at all and we must know exactly where. I've gone through the closets, through his books, his desk, Denise's bureau. We haven't emptied the waste paper basket, Watson. Capital notion, Holmes. I'll do it. See here. Notes, cancelled check and advertisements. Ah, that envelope. Just a corner of an envelope. The rest has been hopelessly torn away. Just the last portion of where the return address was printed. Matthew E, R S E P S H I R. Ersetshire. What word ends of ersetur? You know, Holmes, this letter might have been written to the professor for any purpose whatsoever. Yes, Watson, but if it should happen to have come from a well established resort, we might reasonably assume it was correspondence involving a reservation for the professor and his niece. Well, one of the vacation spots I can think of ends in Hershey. The word that ends that way is Somersetshire. The Cotswold, the nearest and most popular holiday resort in this area. Will do just as well by carriage as we stopped to wait for the train. Certainly have. Fetch a cab. Run, Watson. Run. The countryside here in the Cotswold is.

[Tinker]

Exquisite, isn't it, Uncle Edward?

[Narrator]

Oh, yes, yes, Edith, it's enchanting.

[Tinker]

You don't seem to be enjoying it.

[Narrator]

Oh, but I am, my dear, I am. You seem distracted. Do I? You haven't been thinking of that awful problem, have you? Perhaps, Uncle Edward. A great weakness, Edith. Problem I can't solve becomes an absurd. You should know that. I become tantalus, thirsting in hell up to my chin in a pool of water which recedes when I attempt to drink. You must use your will pie.

[Tinker]

You must forget it.

[Narrator]

It's too late. What do you mean? I did lie to Holmes.

[Tinker]

You what?

[Narrator]

I lied. I have been thinking about how to commit the perfect murder ever since that strange afternoon. It seems almost unreal now, almost as if part of it were a drink. I have been thinking of it since I sat there in the sun with the two professors of tea idly chattering, never realizing what seeds were being planted in my mind. Did you solve the puzzle, Uncle Edward? Do you know how to commit a perfect murder? Do you know? Do you know Anthony? Anthony? Yes. Yes I do. What do you intend to do about it? Will you tell Mr. Holmes? Will you tell Wickham or Forrest to the police perhaps? Let me be, Edith. I've been under a great strain all these weeks. I've hardly slept. Go back to the hotel. Leave me. I want to walk by myself in this cool air. Very well, Uncle Edward. But you can't keep this terrible secret to yourself. What do you intend to do about it? I shall do nothing for the moment. Well, our carriage is coming into the Cotswolds house. Of course, one difficulty remains. Difficulty, Watson. There must be some 15 or 20 hotels, camps and other places where the professor may have taken his niece and these hills. Now how do we determine which spot that he's chosen for the murder? There'll be a way, Watson, there'll be a way. Confounded holes. If you've an idea of how to find this killer, then tell me. This is hardly the time to play cat and mouse. Calmly, Watson, calmly. There must be a way of learning their whereabouts. We're not too late to save a girl's life already? Clark. Yes, ma'am?

[Tinker]

Does this hotel send telegraphic messages for his guests?

[Narrator]

Certainly, ma'am. I should like to send this message immediately. Can you read my handwriting? Mr. Sherlock Holmes, 221B Baker Street, London. Uncle Edward has solved the riddle. Urgent you come here. We are in the Cotswold St. George Hotel. Do not lose a second. That's right. Send it now would you and put the charges on my bill. Yes Ms. Marshall. Thank you Doc. Oh Clark. Yes? Oh Professor. Robert. I saw my niece here at the desk. Did you do what she wanted? Yes, I. I'm sending the telegram for her now. Telegram? May I see it please? Here it is Professor. Oh it isn't necessary to send that. Just tear it up. Oh but Professor. I said tear us up. Anything you say sir. Stop here driver. Well this is the Cotpool district Holmes. Now where to? I shall make an inquiry at this first hotel, Watson. What sort of inquiry? I shall ask which hotel in this area is equipped with health bath facilities. What on earth? Do you remember when he first visited the cottage at Boar's Head? Idiot. Said their luggage was ready and standing by the door. Yes, quite. I saw it. My dear Watson, you saw but you did not think you should have noticed that the Professor's luggage was covered with labels from hotels he'd been to previously? I saw the labels too. As you and I have been writing I run quickly through the labels I'd seen. I realized instantly that every hotel the professor had visited in the past was equipped with health bath facilities. Obviously a preference of his. The remainder of our problem is negligible. We shall dash into this hotel and ask which spot in these hills has a Turkish bath and similar equipment. Wait for us coachman. Don't leave your post.

[Tinker]

Here's the ice for your head Uncle Hedrick.

[Narrator]

Feeling better? Oh yes, yes it is much better. So kind of you to bring it to my room. I wrapped it in this towel I found in your bathroom. There you are. Oh it feels good. Litting headache. You must take a nap.

[Tinker]

I'll leave you.

[Narrator]

I don't think you can leave Edith.

[Tinker]

Why not?

[Narrator]

I've locked the door. You what? I've locked the door. Why did you do that? I didn't want you to go Uncle Edward. Don't get up. Stay in that sofa. You're not well. There isn't a thing wrong with me. But you asked me to bring the ice. You set a headache. A very cheap dream. Deception it is but practical enough. I locked the door to be sure you wouldn't run off. You see I've not only worked out how to commit the perfect murder but I cannot resist the temptation to see if my theory is correct. You're playing a game with me. No, no, not at all. Try the door Edith. Tis off isn't it? You've done that. I fought this temptation Edith. I did not want to know the answer. To the problem. I was afraid I'd want to try it once I knew. And then I found it. I'm convinced the chances of anyone's learning the cause of your death. My death? Yes, yes dear. The chances of their learning the cause of your death or of ever accusing me of it are non existent. There is a way to kill you that fulfill the dose seemingly impossible. Require.

[Sexton Blake]

Let me out.

[Narrator]

Let me out of here. Perhaps you didn't notice. I selected a room in an abandoned section of this huge hotel in a distant town. You couldn't do it. You couldn't. I thought that myself. But can you appreciate what an achievement this will be for me? Can you understand how I had to know the answer? And now that I do, how I must come. They'll find me here in your room. Oh, will they? Sherlock Holmes knows I went off with you. It's a long way from that proving I did away with you. You forget this is the ideal murder he did. There are steps I shall take after you are dead. I know. The window. I get out that window. You can't open it. I tended to death. You'll also notice that before you came I cleared the room. Nothing is available for you to use as a weapon against me. You're going to die, Edith, within the next few seconds. No, no. But before you die you will have the privilege of seeing a technique in murder never before used in the history of man. I should start now. The simplicity of it will expound. All I must do. All I must do is. You'll do nothing, Professor. Robert. I brought the law with me. Seize him, officer. Come on, Professor. He was going to kill me, officer. Don't try any tricks, Professor. No, no, you'll never do, professor. Fall through the window. Well now, Holmes, now that we've returned to Baker Street, I say we should enjoy a well deserved rest, eh? Oh, now who could that be? Come in. Mr. Short? Holmes? Yes. My name's Briggs. I'm councillor for the estate of Professor Roberts. Buried in this morning, you know. What brings you to Baker Street, Mr. Briggs? Oh, I'm sorry. This is Dr. Watson. I do, I know business with him? Just with you. We found this envelope here in a steel box with the late professor. It says no one is to open it but you. So go on, open it. Let's be done with it. Very well. As soon as I remove this sealing wax. Aha. What's it say, Hill? What's it say? Ho, Watson. Professor Roberts writes that he bequeathed his technique for committing the abstract absolutely perfect murder to me. He Wrote this to be read by me should he die before I did. He wishes to be remembered by posterity as the creator of this technique. The first in all recorded time to discover it. He describes how to commit the perfect murder. Just three sentences. The most surprising three sentences I've ever read. And he's right. He's 100% right. What are the. Holmes, what does the paper say? Nothing, Watson, nothing. Be careful, Mrs. Holmes. You hold that play with too close to the fireplace and you'll burn it. Exactly what I intend to do, Mr. Briggs. They are erres. But Mr. Holmes, you burnt it. We'll never know what the paper says. Oh ho. How do you commit the perfect murder? That, my dear Watson, is something I must try desperately to forget. And something about which the world must forever wonder. Well, Dr. Watson, and did Mr. Holmes ever reveal that secret? No, Mr. Harris, never. Oh, well, you have a revelation you must make though, Doctor. Do I? Mr. Harris, you must tell us a bit about the adventure you've planned for next week. Well, next week, Mr. Harris, I shall relate to you the Adventure of the Ancient Queen. It involves the crooked knife, a statue's fifth and a certain society. And I'm quite sure you'll enjoy it. Makers of Flipper craft clothes and more than 1200 stores from coast to coast have brought you another in the new series of broadcasts featuring the world's most famous detective, Sherlock Holmes. Our stories are based upon the character Sherlock Holmes created by Sir Arthur Conan Doyle, and the program is produced and directed by Basil Lockridge. Sherlock Holmes is played by John Stanley, Dr. Watson by George Feldman. This week's story was written by Howard Merrill with special music by Alfred Berman. If you don't know your Clipper craft dealer, write ClipperCraft, 200 Fifth Avenue, New York City. Be sure to listen next week from Sherlock Holmes in the Adventure of the Ancient Queen. This is Ty Harris speaking for Corporate Craft. Hold. This is the Mutual Broadcasting System that's case closed for this week. You can find Case Closed on Spotify. Now there's a link in the show notes or search for relicradio.com on Spotify and you'll find the Relic Radio Network podcast, which is just off of the shows in one feed. You can also find more Old time radio@ Relicradio.com. our shoutcast stream is up and running 24 hours a day, seven days a week, with more Old Time radio to listen to. And while you're there, give that donate button a click. Your support makes all of this possible. It has for 17 years. I'd like everything to continue, please consider a donation. And as always, thank you to those who have donated. Thanks for joining me this week. Be back next Wednesday with another another hour of Case Closed.