
This week on Case Closed, The Ambitious Widow, from This Is Your FBI is up first. That story aired August 22, 1947. (29:20) Nick Carter, Master Detective brings us our second story with, The Body On The Slab, his story from November 3, 1943. https://traffic.libsyn.com/forcedn/e55e1c7a-e213-4a20-8701-21862bdf1f8a/CaseClosed1009.mp3 Download CaseClosed1009 | Subscribe | Spotify | Support Case Closed
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Ted
This is case Closed Crime stories from the golden age of radio.
Narrator/Announcer
The equitable life assurance society presents this is your FBI. This is your FBI. The official broadcast from the files of the Federal Bureau of Investigation. Presented as a public service by the Equitable Life Assurance Society of the United States and the Equitable Society's representative in your community. Rain isn't the only thing that can ruin a summer vacation. Worry is another worry about the financial future of your family. Well, why not slip some of that burden onto the broad shoulders of the Equitable Life Assurance Society? The Equitable shoulders have the combined broadness of nearly 4 million members who have joined forces to protect one another. For the peace of mind the that only well planned life insurance can give. See your Equitable Society representative. He'll arrange to give you a lifelong vacation from worry. Tonight's FBI file. The ambitious widow.
Narrator
There have been many wise and practical suggestions offered to your FBI and to every other law enforcement agency on methods of curbing the current serious crime wave. Most of those suggestions had merit. But of them all, only one was an absolute preventative. That one was eternal vigilance. Law abiding citizens have a tendency to forget that crime, like many other things, runs in cycles. Let one crime seem to be successful and there will be a series of such crimes. Then, because the gap has been filled, those crimes cease and another type will begin. But there's no way of knowing which new trend will begin. That is why your FBI tells you that there's only one way for you, the citizens, to help fight the crime wave. That way to repeat is eternal vigilance. Tonight's FBI file opens on a rainy day in a quiet cemetery near a large Midwestern town. Two of the mourners are talking as in the background a solemn prayer is being intoned as the casket is about to be.
Hank
Poor Lou.
Ed
Yeah.
Ted
You know, Hank, I still can't believe he's dead.
Ed
Yeah, I sure would.
Ted
I saw him the day before he died. Never looked healthier to me. It was a nice guy. I liked working for him. Yeah, Lou was okay. Yeah, one good thing about it. He went out legitimate.
Hank
No guns or nothing.
Ed
I wonder who'll take over now. Hank.
Hank
Hank, that ain't no way to talk.
Ed
Why not?
Ted
Lou ain't even buried yet.
Ed
He's dead, ain't he?
Ted
I know.
Hank
I've been working with Lou for better than 10 years.
Ted
Hank, let's talk about it later. Ashes to ashes and dust to dust.
Patsy
Amen.
Ted
Amen. Now let's go over and see Nan.
Ed
Okay. Hello, Nan.
Nan
Hello, Hank.
Ed
Ed, we want to tell you how sorry we are.
Ted
Yeah.
Nan
Thank you.
Ed
If there's anything we can do, just say the word.
Nan
You're very sweet.
Ted
You still gonna live at the hotel?
Nan
No, I bought a boat.
Ed
Are you gonna live on it?
Nan
Yes.
Ted
Hey, that's a good idea. You can get away for a while. Help you forget.
Nan
I don't plan to go away.
Ed
Where is the boat?
Nan
Right up at the foot of 14th Street.
Ed
You gonna keep it there?
Nan
Yes.
Ed
What for? Hang, Hang.
Ted
Lay off the question.
Nan
It's all right, Ted. I'm keeping the boat at 14th Street, Hank, for very good reason. So many piers near there to steal from.
Ted
Hey, Hank, there's a lot of boats tied up here.
Ed
It's a public dock. Anybody can come in.
Ted
How do you tell which one is Anne's?
Bill
Ted.
Ed
She told me the name. It's the Dolphin. And there it is.
Ted
Where?
Ed
That black job down at the end, see?
Narrator/Announcer
Oh, yeah.
Ed
Hey, that's a big boat.
Nan
Yeah.
Ted
Hey, I don't see Nan.
Ed
We'll hail her.
Bill
Oh, hi there.
Ed
Anybody aboard?
Bill
Hey, there she is.
Nan
Jump aboard, boys.
Bill
Okay.
Ed
Tying, Nan.
Nan
Hello. So nice of you to come down to see me.
Hank
Soon as we got the word you
Ted
were looking for us, we came right over. It's quite a boat.
Nan
Well, I think it should be good to work with. You know, when Lou and I were first married, we spent our honeymoon on a cruiser like this. Oh, it stole enough to make us rich. Stole what? Stuff off piers.
Ed
And then. Is that what you plan to do again?
Nan
Yes.
Ted
That's kind of tough for a dame, innit?
Nan
Well, I'm really depending on Lou's friends to carry me through.
Ed
Is that why you sent for us?
Nan
Yes. You're the last two boys on my list. I've talked to all the others. They're all coming along with me.
Ed
You got definite plans for action?
Nan
Yes. Would you please care to join it?
Ed
Okay.
Nan
Good. How about you, Ted?
Hank
Anything you say is good enough for me.
Nan
Fine. Come on down to the cabin. Then I'll tell you about our first job.
Ed
When is it?
Nan
Tonight. Hank, please cut the motors.
Ed
Right.
Nan
We'll drift in just right.
Hank
Hey, look at those crates of silk.
Nan
We should be able to load all of them onto the boat in 10 minutes.
Ed
What about the watchman?
Nan
We always stay the front.
Ed
You case this thing pretty good.
Nan
We've always said it pays to be careful.
Ted
How much is that silk worth, man?
Nan
It ought to be about $30,000 in that load. That much surely looks back on the market. But it's still difficult to get here. We are. Tie us up. Hank, Ted, you and the boys start working.
Ted
All right.
Bill
Okay, boys. Up you go.
Ed
Wait a minute. Duck, you guys.
Nan
What is it?
Ed
Someone is coming down the pier.
Nan
Can you handle this?
Ed
Sure.
Hank
Hey, what's going on here? What are you doing in that boat?
Ed
Well, I'll tell you, mister. We sprang a leak, and it looks
Nan
like this p.
Ed
Okay, let's finish loading and get out of here.
Narrator
The next morning, in the field office of your FBI, Special Agent Jim Taylor enters his office to find Elliot Sheridan waiting for him.
Hank
Hello, Elliot.
Elliot Sheridan
Hi, Jim. Look like you've done a hard day's work.
Ed
I have.
Hank
I've been climbing all over Pier 27.
Elliot Sheridan
I was hoping you'd come into the office before you went out there.
Hank
Oh, why?
Elliot Sheridan
Well, when I checked in this morning from Salt Lake City, I finished my report. The boss assigned me to work with you.
Hank
Hey, that's fine. We. Well, there's plenty of work for both of us to do.
Elliot Sheridan
What's the story?
Hank
It's a theft from an interstate shipment.
Elliot Sheridan
Done with a boat.
Ted
That's right.
Elliot Sheridan
What was stolen?
Hank
Over $30,000 worth of silk.
Elliot Sheridan
Any clues?
Hank
No, we can't tell yet. Watchman was slugged, but he may be able to help us.
Ted
How?
Hank
Says he got a pretty good look at one of the men on the boat. He's almost certain he can identify that man.
Elliot Sheridan
Where's the watchman now?
Hank
He's down at police headquarters looking over pictures. If he finds the man he saw, they'll call us.
Ted
What's the next step?
Hank
Well, I've alerted all dock owners to be doubly careful. Keep their goods well guarded at night.
Elliot Sheridan
Any chance of locating the stolen silk?
Hank
I've already contacted every silk wholesaler in town.
Elliot Sheridan
No luck?
Hank
Well, none yet, but they're going to call in if they come across any of the loops.
Elliot Sheridan
What do we do now?
Hank
Well, there's nothing much we can do, Elliot, but wait until we hear from that watchman.
Ed
Jack.
Bill
Oh, hi, Hank.
Ted
Come on, have a drink.
Ed
You buying?
Bill
Sure.
Ed
Okay.
Mrs. Wallace
Hey, Matt.
Ted
Couple of ryes.
Ed
Where you been?
Ted
I went to the boat. Oh.
Ed
Did you get paid?
Bill
Sure.
Ed
How much?
Ted
Huh?
Ed
How much did nan give you?
Ted
5 bills.
Ed
500. No wonder she wanted to pay everybody off one at a time.
Hank
What are you talking about?
Ed
I spoke to the other guys. They got a hundred a piece.
Ted
Is that all?
Ed
Yeah. That's 800 for them and five for you. That's 1300 she's paid so far. Out of 8000.
Ted
She told me she only got 2000.
Ed
I checked up. She got eight G's in cash. Well, I'll tell you one thing. She ain't gonna pay me off in the dark. I did a lot of work. I arranged for the trucks to pick up the stuff off the dock. I even arranged for the fence to get rid of it.
Ted
Well, I guess there's always trouble when you work for a dame.
Ed
They don't have to be. Not if you handle them right.
Ted
How much are you gonna ask for?
Ed
25%. That's two GS.
Ted
She won't go for that.
Ed
I am. Come on over with me. I'll show you.
Ted
I can't go right now.
Ed
Why not?
Ted
I got a date. Look, you go on down to the boat.
Narrator
I'll meet you later.
Elliot Sheridan
Hi, Jim.
Hank
Hello, Elliot.
Elliot Sheridan
Any news from the watchman?
Hank
Yes. While you were out, police headquarters called. The watchman definitely identified a man named Henry Davis, alias Hank Davis.
Ted
What's the record on David?
Hank
I've got it right over here.
Ted
Here it is.
Hank
Take a look at it.
Ted
23 arrests starting.
Hank
You'll notice, when he was 15.
Elliot Sheridan
See, one of these arrests was for hijacking. That would tie him in with this kind of a job.
Hank
There's an even stronger tie in than that down there. See that arrest back in 34. It's down at the bottom.
Elliot Sheridan
34? Yeah, here it is. What about it?
Hank
I thought I remembered that job, so I checked up on it.
Narrator/Announcer
Find anything?
Nan
Mm.
Hank
Along with Davis, the police also arrested a man named Lou Mercer.
Elliot Sheridan
The one who died last week?
Hank
Same one. And at that time, Mercer had a gang of river pirates stealing stuff on both sides of the river.
Elliot Sheridan
That is a strong tie engine.
Hank
Now all I have to do is find Davis. Oh, by the way, you pick up anything down at the docks?
Nan
No.
Elliot Sheridan
I spoke to the watchman on the adjoining dock. They didn't see anything.
Hank
No clues of any kind?
Ted
Not a thing.
Elliot Sheridan
Looks like they must have glided up to the pier with their motors off. They weren't even heard.
Arthur Burnett
Yeah.
Hank
Guess that's the way they would operate.
Ted
There's. Oh, excuse me, sir.
Hank
Special Agent Taylor. Yes, Sergeant. Oh, yeah, that's fine. Wait till I get a pencil and
Ted
I'll write that down. Give me that pencil. Sure.
Patsy
Thanks.
Hank
Okay. Go ahead, sergeant. 721 Oak street, room 129.
Ted
Got it? Yeah.
Hank
Thanks very much, Sergeant.
Elliot Sheridan
Something on Davis?
Hank
Yes, that's the call we've been waiting for. We've got Davis's address. I'm going over there now.
Bill
Ahoy there.
Hank
Anybody aboard?
Nan
Who's there?
Bill
It's me, Nan Ted.
Nan
What do you want?
Ted
Ted, I was supposed to meet Hank here.
Nan
Come aboard.
Ted
Okay.
Ed
You see Hank?
Nan
Yes. Came down here very angry.
Bill
Yeah, I know.
Ted
He was sore when he left me.
Nan
Did Ace tell you what he wanted?
Ted
Yeah, more dough.
Narrator
And I gotta admit, he had a
Ted
point there and then.
Nan
Why'd you say that?
Ted
Well, after all, he did a lot of work. Me did too.
Nan
I got the bow.
Ted
Yeah, I know.
Nan
And I lined up the job. Sure, but how can you say that? You boys did so much worse.
Ted
Well, I should have got more than 500, man. After all, you got 8,000 for the stuff.
Nan
Supposing I did. What about it?
Ted
I want a bigger cut.
Nan
How much?
Ted
Same as Hank.
Nan
You know what he asked for?
Ted
Yeah.
Hank
25%?
Nan
That's right.
Ted
Did you give it to him?
Nan
No.
Ted
What did Hank do?
Nan
Tried to use violence. Cut me around.
Hank
What happened?
Nan
Come over to the cabin. Look there on the floor.
Ted
Thanks. He looks dead.
Nan
He sure he is.
Narrator/Announcer
We will return in just a moment to tonight's case from the files of your FBI. See that happy looking chap over there? He's a professional worry lifter. You mean he goes around cheering people up, giving them good advice and so on? He does more than that, Ed.
Ted
He's a specialist.
Narrator/Announcer
He lends a sympathetic ear to people in trouble, sure, but he also lends a helping hand. He not only acts, but he talks as well. Oh, sounds like a man everybody ought to know.
Ted
No, he is.
Narrator/Announcer
He's your Equitable Society representative. If fear about your family's future is destroying your peace of mind, you'll find that your Equitable Society representative really knows the answers. For instance, right now you may be doing some unnecessary worrying simply because you haven't heard of readjustment income. As a matter of fact, I never did hear of it. The Equitable Society's readjustment income plan provides extra income for the widow during the two toughest years. The two years immediately following her husband's death. Years in which he is adjusting the family way of life to a lowered income. You know, expenses can't be reduced overnight. It takes time. And that's why every life insurance program should provide readjustment income for extra help during the two toughest years. Hey, this readjustment income plan sounds okay to me.
Ted
Is it expensive? Why, it may not cost you a cent.
Narrator/Announcer
It may require only a simple rearranging of your present life insurance program. In any event, the man to see is your professional worry lifter, your Equitable Society representative. Look in the phone book for the Equitable Life Assurance Society. That's E. Q U, I T A V L E. Or send a postcard care of this station to the Equitable Life Assurance Society of the United States. And now back to the FBI file. The ambitious widow.
Narrator
It is not the purpose of tonight's case from the files of your FBI to tell you that the mobs of criminals operating in this country today are being run by women. Nothing could be further from the truth. And yet women are active participants in the current crime wave. That fact has become more obvious as each year's records are studied. And it is an actual statistic that in the past year women were so active that of all arrests made for criminal homicide in the United States, the number of women arrested exceeded 10%. One other fact emerges from a study of that same table of arrested persons. And that is that there is virtually no crime or method of operation too difficult for the lady criminal. Yes, in this field, too, women have definitely proven that they are not the weaker sex. Tonight's file continues in the FBI field office. Special Agent Jim Taylor has just returned from a search of Hank Davis apartment.
Elliot Sheridan
Jim find anything up at Davis's place?
Hank
No, not a thing.
Elliot Sheridan
Any of his neighbors able to help?
Hank
I wouldn't if they could.
Elliot Sheridan
That kind of a place?
Ted
That kind. One thing that bothers me, though. Oh, what's that?
Hank
Davis didn't show up all night. I checked this morning before I came in.
Elliot Sheridan
He couldn't have gotten in the back way, could he?
Nan
No, no.
Hank
We've had the building under complete surveillance.
Elliot Sheridan
You don't suppose he found out he'd been identified by the watchman, do you?
Ted
Why not? See how he could have? He skipped town.
Hank
I believe he's still around.
Ted
What's the next step, Jim?
Elliot Sheridan
Do we wait for Davis to show up?
Hank
No, no. On the way in, I asked the file room to send up that copy of Davis record. We might get the names of some of his friends from that. Start checking on them. Alfie. I'll get Special Agent Taylor. Oh, yes, Sergeant.
Ted
Well, you have.
Hank
Yeah, thanks for calling.
Ted
We'll be right down.
Hank
That was the morgue, Elliot. They've just identified a body down there. It's Mr. Hank Davis.
Bill
Nan.
Nan
Ahoy there. Nan. That you, Ted?
Bill
Yeah. Okay to come aboard?
Nan
Come ahead.
Hank
I thought you might still be sleeping.
Nan
No. Been up for hours.
Hank
Did you get rid of the package?
Nan
What package?
Hank
Hank.
Nan
Oh, yes. Tied some weights on him. Dropped him overboard. Right here, Surely. Why?
Ted
Suppose he comes up?
Nan
Didn't you ever hear of a current? Oh, dead. Stop worrying, okay?
Ted
Do any of the other guys know about Hank?
Nan
No.
Hank
Well, Suppose they find out?
Nan
Well, they might not like it. I'm afraid they'll have to like it. Teach them that a woman can be efficient, too. Did you call that number I gave
Ted
you off the truck? Yeah.
Hank
He'll be here at 6 in the morning.
Nan
Good. I called the rest of the boys. They're ready. Will we go tonight at midnight?
Hank
I hope it ain't too soon after the last job.
Nan
Ted, Just let me do the worrying. Come here. Want to show you something.
Hank
What is it?
Nan
You'll see. Look under that canvas.
Hank
Hey, a machine gun.
Nan
And the way it's mounted, you see, you can swing it to cover any angle.
Hank
What do you want with a machine gun?
Nan
Just in case of trouble.
Hank
Oh.
Nan
This is going to be your job.
Narrator
The gun?
Nan
Yes. You stay back here from the time we leave until we get home.
Ed
Okay.
Nan
And I don't have to tell you what to do. Ted. There's trouble, you use it.
Hank
It's over this way.
Elliot Sheridan
Ellie.
Hank
Body is running here.
Ted
Yeah.
Nan
Here we are.
Ted
Ah, Davis.
Hank
All right. Bullet hole in his head.
Ted
Must have been dead when he hit the water.
Hank
According to the corner, he was. Davis's personal effects are on that table. Let's take a look at him, huh?
Elliot Sheridan
Right.
Hank
Yeah. Sit here.
Narrator/Announcer
In there.
Ted
Okay. I guess these are just the papers
Elliot Sheridan
and money he had on him.
Ted
Yes.
Hank
All of his clothes are over there. He wasn't carrying much money, was he?
Elliot Sheridan
Fellow just pulled a big job.
Hank
That key you've got there won't help us. That Skiwee's apartment? See the 129 stamped into it?
Ted
Oh, yeah. That's his room number, wasn't it?
Hank
Phone number on this slip of paper.
Ted
I wonder what this is. Maybe a girl. Could be.
Hank
Wait a minute. This exchange is in the business district. Elliot, let's get out of here.
Ted
I'm making a phone call.
Hank
See who belongs to this number. Elliot, I call that number.
Ted
It was a trucking outfit.
Elliot Sheridan
Trucking outfit? You could have been in on the job.
Hank
No, I checked up on them down at the office. They're legitimate.
Elliot Sheridan
What did they have to report?
Hank
They picked up some crates of silk from the dock at the foot of 14th Street.
Elliot Sheridan
But who paid for the job?
Hank
They were paid at the warehouse where they delivered the silk. I had the police send a radio patrol car around the warehouse.
Elliot Sheridan
Pick anybody up?
Hank
No, there wasn't anyone at the warehouse, but the silk is there.
Elliot Sheridan
Hey, the office can find out who owns the warehouse and the tax record. It'll probably turn out to be Davis.
Hank
Well, the office is already working on that angle. I Don't think Davis was the head man, though.
Elliot Sheridan
Why not?
Hank
Well, the trucking outfit I spoke to said they got another call just about
Elliot Sheridan
an hour ago with another order.
Hank
That's right. To pick up another load tomorrow morning and at the same dock.
Elliot Sheridan
Why don't we go down to the dock, pick up whoever's anchored there?
Hank
Well, the 14th Street Pier is open to the public. There's always about a dozen boats tied up down there. But I've got an idea. Let's get back to the office and we'll work from there. I know the police will want to join us.
Narrator
On the river that night. There were three large fast boats manned by special agents of your FBI. Boat number one with Special Agent Jim Taylor was idling in the middle of the river. Boat number two with Special Agent Elliot Sheridan aboard was north of 14th Street. Boat number three was of the south. Special Agent Taylor is talking over the two way radio to both of the other boats.
Hank
I see movement aboard a large black boat. There are about 10 men aboard. It's now pulling away from the dock. The boat is headed north. Sheridan. Sheridan on boat two. Have you spotted her yet?
Elliot Sheridan
Yes, Jim. Just pick her up in the glasses.
Ted
Fine.
Hank
Now start up the river yourself and stay in front of her.
Ted
Right.
Hank
I'll follow her from behind and check with you later.
Elliot Sheridan
Jim Taylor.
Hank
Come in, Sheridan.
Elliot Sheridan
You see what she's doing now, Jim?
Hank
She's headed in toward a pier.
Elliot Sheridan
That's right.
Hank
All right, stop your motors and stay where you are. We're going to follow her in. Boats 2 and 3. The name on the boat is the Dolphin. It's pulling into Pier 40 now. Come up behind boat number one and give me some cover. The Dolphin is now tied up to the pier. They're starting to load. We can nail them in the act. Let's start to close in.
Nan
What is it?
Ted
How's it going?
Nan
We've got one more crate to load
Ted
and then we're finished.
Nan
Oh, Ted, why aren't you standing by that gun?
Hank
I wanted to see how it was going.
Nan
Oh, please. Get back there.
Narrator/Announcer
Look.
Nan
Wait.
Hank
What is it?
Nan
Here. Motors. You boys quiet a minute.
Ted
I hear him too.
Hank
There was only a moon we could see.
Nan
They're coming closer.
Bill
Hey, those lights. They're shining right on us. Nan, it's cops.
Nan
Yes.
Bill
What do we do?
Nan
Look.
Bill
There's more than one boat.
Nan
I know.
Bill
They got us cut off.
Nan
Well, they aren't taking us, huh? Get on that gun. Oh, Nan, look, do as I say.
Narrator/Announcer
No dice.
Bill
They're right on top of it.
Nan
I'll handle it myself. Oh. Oh, no, man. Come back here. Nan. They're a long time keep up with this boat.
Bill
Get away from that gun, lady. Jim, look out.
Hank
Sorry.
Bill
Let go of me.
Hank
All right, Elliot, cover the rest of them. I'll bring our lady right over to join you.
Narrator
All members of the hijacking gang were tried and sentenced to serve long terms in the federal penitentiary for larceny from interstate shipments. Nan Mercer was turned over to local authorities to be placed on trial for murder. And thus, another band of criminals was broken up by the cooperative efforts of local police who supplied the launches and of your FBI. Everywhere across America that kind of cooperation is taking place. And as in tonight's case, every means of communication and transportation is being used to narrow the circle around the criminal and to keep narrowing it until he is trapped, arrested and convicted.
Narrator/Announcer
In just a moment, we will tell you about next week's exciting case from the files of your FBI. Just one second, Mr. Keating. I want to check and see if I'm on the beam about the Equitable Society's readjustment income plan. My understanding is that this plan would give my wife extra income during the first two years after my death. You've got it straight, Ed. Extra cash every month for two years to give her time to adjust her expenses to a new standard of living. Sounds like a mighty fine idea to me. Then let me suggest that you get in touch with your Equitable Society representative without delay. Let him show you how little it costs to provide your wife with equitable readjustment income. Call your Equitable representative soon or send a postcard care of this station to the Equitable Life Assurance Society of the United States.
Narrator
Next week we will bring you another colorful story from the files of the Federal Bureau of Investig Investigation. The diamond studded double cross.
Narrator/Announcer
The incidents used in tonight's Equitable Life Assurance Society's broadcast are adapted from the files of the Federal Bureau of Investigation. However, all names used are fictitious. And any similarity thereof to the names of persons living or dead is accidental. Tonight the music was composed and conducted by Frederick Steiner. The author was Jerry Lewis. Your narrator was Dean Carlton. And Special Agent Taylor was played by Stacy Harris. This is your FBI as a Jerry Devine production. This is Larry Keating speaking for the Equitable Life Assurance Society of the United States and the Equitable Society's representative in your community. And inviting you to tune in again next week at the same time when the Equitable Life Assurance Society will bring you another thrilling story from the files of the Federal Bureau of Investigation. The diamond studded, double cross on. This is your FBI.
Narrator
This is abc, the American Broadcasting Company.
Arthur Burnett
What's the matter? What is it?
Nick Carter
Another case for Nick Carter, Master detective.
Narrator (Nick Carter segment)
Yes, it's another case for that most famous of all manhunters. The detective whose ability at solving crime is unequal in the history of detective fiction. Nick Carter, Master detective. Tonight's curious adventure, the body on the
Patsy
slab or Nick Connor and the mystery of the missing husband.
Nick Carter
But Mr. Wallace, people disappear every day
Ted
in a big city like this.
Nick Carter
Such things are really no concern of mine. They're a matter for the police.
Mrs. Wallace
But Mr. Carter, it isn't just anybody who's disappeared. It's my husband.
Arthur Burnett
I'll pay you anything to find him.
Nick Carter
Well, I suppose it could do no harm to listen to the story. All right, Mr. Burnett, where was the last place you saw him?
Vernon Wallace
In a sort of saloon gambling house on west street, down by the waterfront. A two story house, very run down.
Nick Carter
Wait a minute, Bernard. That wouldn't be the place that's run by a one legged soldier they call Bill.
Vernon Wallace
Oh, so you know it, do you?
Ted
Certainly do.
Nick Carter
By reputation at least.
Ted
Here, I want you to look at this picture.
Nick Carter
You recognize it?
Vernon Wallace
Yes, that's the place I'm talking about.
Ted
I thought so.
Nick Carter
Mrs. Wallace, I'll take the case.
Mrs. Wallace
Oh, Mr. Carter, I knew you would.
Nick Carter
Yes, I have a score to settle with that old rat with a wooden leg and this may be my chance to do it. All right, Mr. Bennett, let me have all the details.
Vernon Wallace
Well, Vernon, That's Vernon Wallace, my friend. Vernon and I had been making a night of it and we ended up
Nick Carter
at this Bill's place. How did you happen to go there?
Vernon Wallace
Well, Vernon had heard that it was a great place for a fast poker game and he was determined to try it. I'd heard it was a pretty tough place and I attempted to talk him out of it, but I couldn't do it. So about 1:30 or 2:00 clock this morning we went down there. We were the only ones there. To make a long story short, Vernon and that old guy who owns the
Ted
place got into a game.
Vernon Wallace
And no matter what the old guy did, Vernon won. I was afraid for him in a dive like that.
Ted
And I tried to get him to quit and go home with me, but he refused.
Vernon Wallace
Told me to get out and leave him alone.
Mrs. Wallace
And Vernon hasn't been home since then.
Vernon Wallace
And he hasn't been seen anywhere since then.
Ted
Afraid that he never left that place alive.
Nick Carter
See, the place to start looking for clues is certainly the old soldier's Tavern. I'm going down there tonight. I know enough tricks with cards so that I can be sure of winning. And maybe old Peg Leg will try
Ted
to treat me as he treated Vernon Wallace.
Bill
Well, stranger, I gotta admit I'm licked. You broke the bank.
Ted
Yes. Luck's been with me ever since I sat down here.
Nick Carter
Well, it's getting late. I've got to be getting home.
Bill
How about a drink before you go, stranger? You'll not refuse me that?
Patsy
Why, no.
Ted
I'll have a drink with you, but only one.
Bill
Sure, sure. One'll be okay. Hey, Mike, Two beers and make it snappy.
Patsy
Yeah, coming up.
Bill
You won all my money tonight, stranger. But I don't harbor no ill feelings. You want fair and square, and that's
Ted
all there is to a dish. Appear, stranger. Drink party.
Bill
Excuse me, stranger.
Ted
I'll be back before you can take a stick. That's all right. I'll enjoy my drink while you're gone,
Bill
Stranger. Mike and I've taken a fancy to you. We don't want no harm to come to you. Look, why don't you stay here all night? Mike's got an extra bed upstairs he'll be glad to let you have. Then tomorrow you can go home and nobody'll bother you.
Narrator/Announcer
Well, if you let me pay for
Nick Carter
the use of the room in bed.
Ted
I believe I will, sir.
Bill
Good. You're a smart man, but we couldn't take no money for doing you a favor here. Mike, show the gentleman his room.
Ted
Yeah, sure. Will you follow me, mister? Sure. Go ahead. I want to get to bed.
Patsy
I'm.
Ted
I'm tired all of a sudden. Give me your arm, mister. No, no, no, no. I'm all right. I. I don't need any help.
Bill
Well, I'll come along just to be sociable.
Ted
I don't want to be sociable. I just want to go to sleep. Well, here's your room, mister. I'll leave a candle on the table for you, okay?
Nan
Okay.
Ted
Okay. Thanks very much. Good night.
Bill
Hey, stranger. Sleep tight. Yeah, we'll see you later.
Ted
Yeah, we'll see you later. Yeah, I see you later. Good night. Good night. I got to go to sleep. I'm off tired now. Well, got myself into this easy enough. Hope I'll find it easy. Easy to get out again when the time comes. No light but a candle. Why don't they do to give me a look around instead of this bed? It doesn't look too comfortable, but. Oh, blood. Let's see the man relying on this bed. That blood is just about where a dagger Would go through his heart. The man were drunk enough or been drugged, he'd never know what hit him.
Nick Carter
I wonder what's in this closet.
Ted
Uh huh. Locked. Well that won't keep me out long. Not as long as I still have my keys with me. Try this one. No, this one does it. Well, this is interesting. Old clothes. Here's vest with blood on it. And there's a shirt and a jacket. Both of them bloody. Unquestionably these came from some of the victims. Well, nothing to do now but wait for that one legged scoundrel and his pal to make the next move. I guess I'll be safe if I merely sit on the edge of the bed now. Oh yes, I won't need this candle anymore either. Now to wait for them. There they come. He's asleep all right. I can hear him snoring with the slug I put in his bed. Have to be. This isn't a dead. All right, easy does it. Is he still asleep?
Bill
Yeah. You hold this light while I get your hands up. Both of you. Well I'll be.
Nick Carter
And drop that knife you got in your hand.
Patsy
Bill, how.
Bill
How can you be awake when we really.
Ted
Very simple, Bill.
Nick Carter
Keep those hands up.
Ted
I just poured that drink you gave me on the floor instead of down my throat.
Bill
What are you gonna do with us?
Nick Carter
Gonna turn you over to the police. The evidence of the bloody clothes in the closet. And what other evidence they'll undoubtedly find when they search this place.
Ted
You both should have an interesting time of that.
Bill
Why don't you kill us now and be done with it?
Nick Carter
Because I want some information first.
Bill
Why should we tell you anything?
Nick Carter
Because if you do, I shall probably be able to get your sentence reduced somewhat. If you don't.
Bill
I got you. What do you want to know?
Nick Carter
Last night a young man won all your money.
Ted
He hasn't been seen since.
Bill
You mean that fellow with a little mustache?
Ted
I do.
Nick Carter
You murder him the way you try to murder me?
Bill
I didn't do nothing with him. Maybe I wanted to, but I didn't.
Nick Carter
Isn't it a fact that this chap's friend tried to get him to leave
Narrator
you and go home?
Bill
Yeah.
Nick Carter
And when he wouldn't go, the friend finally went off without him.
Bill
That's a lie. They left here together.
Nick Carter
What you trying to tell me one of them didn't leave before the other?
Bill
No, they went out together.
Nick Carter
You know where they went?
Bill
How should I know? There's a taxi waiting right outside the door here. Need to be waiting for them to come out. Then the guy with the money gets inside and his friend sits in front with the driver.
Ted
Oh, Grant sat in front of the driver, huh?
Nick Carter
But you know that cab if you saw it again?
Mrs. Wallace
Sure.
Bill
It had a big dent in the back of the body painted with red lead. I've seen him around his father's city before.
Ted
I see.
Nick Carter
Well, Bill, as soon as I can turn you and your pal over to the law, I'll have Penny find that
Ted
taxi with a dent in the back. Trail seems to lead direct to him.
Nan
Nick Carter's office.
Patsy
Oh, hello, Betsy. Is Penny there yet?
Arthur Burnett
Penny?
Ted
Who's Penny?
Patsy
Oh, I forgot. Pensy. You were away yesterday when all this happened. Scobby got a rush assignment to cover the Balkan campaign for his paper and I had to leave in a boat to let sail last night.
Arthur Burnett
Scobby gone without saying goodbye to me?
Ted
Well, he couldn't, Patsy.
Patsy
You weren't here. He asked me to do it for him.
Nan
Oh, Nick, I'm going to miss Scotty.
Patsy
Of course, Patsy, we'll both miss him. But while he's away, I'm having Penny Eagles work on my cases with me in Scubby's place.
Nan
Who's with Penny Eagles? I never heard of him.
Ted
Who is?
Patsy
An old friend of mine. Very clever fellow. When he was younger he was an expert forger.
Mrs. Wallace
How did you happen to get mixed up with him?
Patsy
Well, he was accused of a murder he had nothing to do with and he had making him clear. Then he got interested in law enforcement, turned over a new leaf and has gone straight ever since. You like him, Betsy?
Nan
I hope so.
Patsy
Should be any minute now. As soon as he shows up, have him call me at Shermore 31222.
Nan
Shermore 3 1222.
Patsy
Right. I'll wait here for his call. You're right, Penny.
Ted
That's the taxi we're looking for. And I know that driver. You do? Yes. John Hagen, ex convict and confidence man.
Nick Carter
Friend of yours?
Ted
Hardly seen him in court several times but he's never seen me. What's he been doing since you've been watching him?
John Hagen
Well, all afternoon in the early part of this evening, he's acted like any other cabbie, taken whatever fares he could get. The latter part of the evening he's been fussy about who rides in his cab.
Nick Carter
How do you mean?
John Hagen
Well, I've seen several parties try to take his cab, but all he's picked up in the last two hours were
Ted
two drunks and oh, were they pie eyed. I see. I think I know what he's looking for. Benny. I'M gonna give him just the kind of a passenger I think he wants. Wish me luck.
John Hagen
But, Nick, what are you gonna do?
Ted
Well, so long.
Bill
I gotta be getting home now.
Nick Carter
See you tomorrow maybe, huh?
Narrator/Announcer
Okay.
John Hagen
So long.
Penny Eagles
But don't take any wooden nickels.
Nick Carter
Okay, pal, that's fine.
Bill
Don't take a wooden nickel.
Patsy
I have.
Nick Carter
Hey, taxi, mister.
Penny Eagles
Taxi.
John Hagen
Taxi, mister.
Bill
What do I want a taxi for? I got a car. My friend of yours told me to
Ted
come for you and take you home.
Bill
Oh, friend of mine?
Ed
Yeah.
Nick Carter
Oh, and I saw it.
Patsy
Okay.
Ted
Where's. Where's this going? I can't find. What's the address, mister?
Bill
The address.
Nick Carter
It's the corner of 2nd and 5th. And don't bother me anymore.
Ted
But I gotta get me some sleep.
Bill
Okay, drive on, McDuff.
Nick Carter
Now, Ed, I'll wager it won't be towards Second and Fifth.
Ted
Wait a minute. What's that smell? Perfume. I know. That's ether.
Nick Carter
So that's the stunt. Picks up drunks who are too far gone to know what's happening, then doses them with just enough ether to put them soundly asleep. Well, it won't happen to me if I open one of these windows a little bit.
Ted
That'll keep the air clear.
Patsy
There.
Ted
Now, Mr. Hagen, the next move is up to you. Certainly plenty deserted way out here.
Nick Carter
Wonder how much further we're going. I better get this window shut again
Ted
so we won't suspect anything.
Nick Carter
Ah, so we're near the end of our journey. Very well, Mr. Hagen, I'm ready for you.
Ted
Sleeping like a babe, ain't you? Well, let's see what you got in your pockets. Then I'll dump it.
Nick Carter
Make a move, Hagen, and I'll blow your brains out.
Ted
What the. Who the deuce are you?
Nick Carter
I'm a detective.
Ted
See this? Well, what you want with me?
Nick Carter
I wanted to find out what your scheme was, and I found out. Now, I want you to tell me about the man you picked up at Peg Leg Bill's Tavern down on west street last night, about 3 o'.
Ted
Clock. I don't know nothing about it.
Bill
Oh, no?
Nick Carter
Look, you waited for him outside of Bill's place. He rode in back. His companion rode up front with you. During the ride, you gave him ether through that devilish device you've rigged up in this taxi of yours and made him unconscious.
Ted
If you know all that, why do you ask me?
Nick Carter
Because there are two things I don't know.
Ted
And if you want to avoid further trouble, my friend, you'll tell me now.
Nick Carter
First, who was the man who Rode
Ted
up front with you?
Patsy
I don't know.
Ted
No, no. Well, I've done a few odd jobs for him in the past, but I don't know his name. They call him the Captain.
Nick Carter
He made a deal with me early
Ted
last night to be outside of Bill's place about 2:30 this morning.
Nick Carter
Can you describe him?
Ted
He's sort of an ordinary guy. About my size maybe. Kind of good looking if he didn't have a hunk out of one ear. Burnett.
Nick Carter
Now, what did you do with the man who was in the back?
Ted
After I quieted him, we took him to a friend of the Captain's, other side of town.
Nick Carter
What was the address to which you took the body?
Narrator/Announcer
Hey, there wasn't no body.
Nick Carter
He's just as alive as you or me.
Ted
He took him to 14 Wanton Place. Left him. All right. Get back in your cab and drive
Nick Carter
me to Second and Fifth and I'm through with you.
Ted
Unless you've lied to me.
Ed
You have.
Nick Carter
Keep out of my way or you'll
Ted
go to jail for life. This is where Mrs. Wallace lives, Patsy. Well, I hope she's home.
Nan
But, Nick, what do you expect to find out here?
Ted
I don't know, Patsy. The thing that puzzles me about this case is why Burnett wanted to do away with Wallace. The bell, will you?
Nick Carter
It wasn't the money that Wallace won that tempted Burnett. He could have taken that while Wallace was unconscious.
Ted
Now, there's a stronger reason.
Mrs. Wallace
You hope Mrs. Wallace can throw some light on it.
Ted
I hope so, Patsy. If she can only help in that way.
Mrs. Wallace
Oh, hello, Mr. Carter. Won't you come in?
Penny Eagles
Thank you.
Nick Carter
Mrs. Wallace, may I present my assistant, Patsy Bowen?
Mrs. Wallace
How do you do, Ms. Helen? Please sit down.
Ted
Thank you.
Nan
Thank you.
Mrs. Wallace
Tell me, Mr. Carter, have you found out anything about my husband?
Nick Carter
Well, nothing definite, I'm sorry to say. We have learned, though, that he fell into bad hands. But we don't know what happened to him after that.
Mrs. Wallace
Arthur assured me you'd find out the trut.
Nick Carter
Oh, you mean Mr. Burnett?
Mrs. Wallace
Yes. Yes, he's been so kind to me. He's done so much to cheer me up. Except for his kindness, I'd have gone crazy.
Penny Eagles
You've known him long, Mrs. Wallace?
Mrs. Wallace
All my life. We were brought up together. And then too, he and my husband have been business partners for all the best of friends for years.
Nick Carter
You think a great deal of him, then?
Mrs. Wallace
Yes, indeed, Mr. Carter. At one time, before I met Vernon, I would have married him if he'd asked me. Then I met Vernon and really fell in love with him. But Even after I married Vernon, Arthur continued to be my best friend. I think very highly of him. You're lucky to have such a friend, Mrs. Wallace. But he could never take my husband's place. You must find Vernon, Mr. Carter. If it's possible to find him, Nick will do it.
Ted
Yes, Mrs. Wallace.
Nick Carter
You may rely on me for that. Well, shall we be running along now? Where did you say you're calling from, Penny?
Patsy
I'm at a pay station near the house where Hagan left Wallace that night. It's owned by a queer old character they call the Weasel. He works in a crematory about a mile down the road.
Ted
I see.
Patsy
Well, Hagen's story seems to be straight enough. A couple of guys in a saloon near here says they saw the Weasel and another guy carrying a man sized bundle into the Weasel's place about daybreak a couple of mornings ago. And it hasn't come out again as far as I can find out.
Nick Carter
Did you learn anything about the firm of Wallace and Burnett?
Patsy
Yeah. Yeah, I picked up a lot of rumors, Nick, but not many facts. Here's how it goes. Burnett ruins the firm and throws the blame on Wallace. And those who know don't think that Burnett lost much money when the firm failed. But Wallace did.
Ted
So I was right.
Nick Carter
What else?
Patsy
Well, Burnett was the one who started Wallace gambling and drinking. Wallace is a nice guy, but he seems to be the weak sister. But nobody seems to know what Burnett's got against him.
Nick Carter
By putting together what Mrs. Wallace told us and what you've learned, Penny, I think I begin to see the answer.
Patsy
I think that guy who looks like Banana is going into the Weasel's place.
Vernon Wallace
Good.
Nick Carter
Don't let him get away from you, Penny. I'll meet you there as soon as I can.
Ted
Yep, you're right.
Patsy
You're right, Nick.
John Hagen
They did bring that casket here to the crematory.
Ted
I thought they would. I wish I could get closer and see what they did with it after they carried it inside.
John Hagen
Look, Nick, that window over there is open a little. Maybe we could hear something from there.
Ted
Good idea, Penny.
Vernon Wallace
Come on.
Ted
Quite quiet, but Weasel.
Vernon Wallace
Are you sure they won't be suspicious?
Penny Eagles
Not a chance, Captain. That's why we're doing this tonight. The owners of the crematory are going to make a test of a new heating fixture tomorrow morning. And they told me to have the ovens hot by 10 o'.
Ted
Clock.
Penny Eagles
I'm just getting them hot a little ahead of time.
Vernon Wallace
What do you use when you make
Ted
a test like that?
Penny Eagles
Well, they sent me the body Of a dead calf. It's over there in the closet. But the test we're going to make tonight will be even better.
Bill
Eh, Captain?
Ted
Yes.
Vernon Wallace
How does this thing work?
Penny Eagles
Oh, simple. The body's laid here on its slab and strapped down the way you saw
Ted
me fix this fellow.
Penny Eagles
In the next room, there's a lever attached to the slab. When the lever's pulled, the slab slides into the oven, the door closes behind it, and the destruction of the body begins.
Vernon Wallace
Do we have to watch it burn?
Penny Eagles
You can't see the slab nor the ovens from the room where the lever is.
Vernon Wallace
How long does it take to reduce
Ted
the body to ashes?
Penny Eagles
Six or eight hours. It'll be all over by daylight, even
Vernon Wallace
if the body isn't.
Penny Eagles
You mean even if the body ain't dead yet.
Vernon Wallace
Yes, that's what I mean.
Ted
Then Wallace is still alive.
Penny Eagles
Well, it's a little unusual to cremate a live body, but it works just the same. You never know what happens. It'll be all over in an instant. Well, we got lot more to do here. Might as well go in the next room and wait for the ovens to get hot enough. Then you can pull the lever and slide the body.
Vernon Wallace
You mean I have to pull the lever that sends him into.
Patsy
Sure.
Penny Eagles
He's your friend. Ay.
Ted
Come on, Penny. There's no time to waste. We have to work fast.
Mrs. Wallace
Mr. Burnett to see you, Nick.
Ted
Oh, yes.
Nick Carter
Come in, Mr. Burnett.
Ted
I just want to take enough of
Vernon Wallace
your time to tell you that Vernon Wallace's body was found last night. Really?
Ted
Where was it?
Vernon Wallace
Floating in the river. Mrs. Wallace has identified it by a ring and certain other articles found on the body.
Mrs. Wallace
Must have been a terrible blow to her.
Vernon Wallace
She's badly broken up, naturally. But I hope to be able to console her in part, at least for her great loss.
Ted
I'm sure you will. Will this repay you for your Trouble?
Nick Carter
Oh, amply, Mr. Burnett, and thank you.
Ted
Good.
Vernon Wallace
Good day, Mr. Carter.
Nick Carter
Good day, Mr. Burnett.
Ted
But if you think I'm gonna drop this case now, Mr. Burnett, you're crazy. Nick, Here I am over here. I got here as soon as I could after I got your call, Penny. Brought my new helper, too, as you see.
John Hagen
Yeah, so I see.
Nick Carter
Hi there, helper.
Ted
Hello, Penny.
Nick Carter
I hope I'm gonna be able to
Ted
help you and Nick.
Nick Carter
You'll do all right on this case. Now, what's the deal, Penny? Well, a couple of hours ago, a
John Hagen
taxi pulls up in front of Mrs. Wallace's house. The driver goes into the house. About 15 minutes later, he comes out again with Mrs. Wallace and her maid. They get in the cab, drive away
Ted
with you after him, of course.
John Hagen
That's right. Well, they drive around and finally end
Ted
up way out here.
Nick Carter
There must have been a couple of
John Hagen
guys in the cab when the women got in, because when they got out there, they were both gagged and their hands were tied behind them. Well, they took them in the old house. I found a phone to call you.
Nick Carter
Did they hurt them?
John Hagen
Not so far as I could tell.
Ted
Gee, I wish I could see what they're doing now.
Patsy
I hope they're all right.
Ted
Oh, Milly, this is terrible.
Mrs. Wallace
My mouth is still sore from that dirty old cloth they used for a gag. Where do you suppose we are?
Arthur Burnett
Oh, I don't know, Mrs. Wallace. I never been this far from town before.
Mrs. Wallace
Could you see anything out of the window?
Arthur Burnett
Nothing I recognized.
Mrs. Wallace
Oh, I should have known better than to be fooled by such a simple trick. I might have known that old Mrs. Parker couldn't be so sick she had to see us at once.
Arthur Burnett
Why, I saw her only the day before yesterday. Oh, fooled me, all right, I thought.
Ted
I hope you're comfortable, ladies.
Arthur Burnett
We are not. We certainly are not. What's the idea of bringing us here?
Bill
Well, I'll tell you.
Nick Carter
The chap says as how he's going
Ted
to collect some big dough from you two.
Arthur Burnett
You mean we're being held for ransom?
Patsy
Yeah.
Arthur Burnett
Well, how much money do you want?
Ted
Well, chap says he won't take less than $50,000.
Arthur Burnett
Oh, Mrs. Wallace, we'll never get out of here.
Mrs. Wallace
Nonsense.
Arthur Burnett
He must be insane to expect me to pay him that amount of money.
Nick Carter
Well, he says he won't take us,
Arthur Burnett
but he won't get it. Never.
Ted
And he's a dangerous man.
Nick Carter
You better not get him mad at you.
Ted
I'll be back at 8:00 clock tonight for your answer.
Arthur Burnett
Oh, he'll kill us. I know he will. Be quiet, Millie.
Mrs. Wallace
He won't kill us as long as he thinks there's any chance of getting the money out of us.
Arthur Burnett
But what if we get a man at the window? It's Mr. Burnett. Oh, Arthur. Arthur, I hoped you'd come.
Ted
Are you.
Patsy
Are you safe?
Vernon Wallace
Louise, have they hurt you?
Mrs. Wallace
No, Arthur.
Arthur Burnett
We're both safe. But how did you ever find us?
Vernon Wallace
I just climbed up the porch to the roof, then over to your window.
Ted
Have they told you why they brought you here?
Mrs. Wallace
Yes. They want ransom. $50,000.
Arthur Burnett
They'll kill us if you don't say.
Vernon Wallace
Not while I'm here. I'll see that no Harm comes to
Nan
you, but what can you do? You're only one against the two of them.
Mrs. Wallace
And they're both vicious criminals. I know.
Nan
Do be careful, Arthur.
Vernon Wallace
Louise, if I save you from these
Ted
rats, do you think that you.
Nan
Ask me later, Arthur.
Mrs. Wallace
Not now.
Ted
Very well, if you say so.
Nick Carter
Now, tell me, what time are the
Ted
men coming back again?
Vernon Wallace
Do you know?
Mrs. Wallace
The man we talked to said they'd be here at 8 o'.
Ed
Clock.
Vernon Wallace
That gives us just over an hour. Here's my plan. When they come, I'll be hitting.
Ted
Now, you each know what you're supposed to do, don't you? Sure, Nikki, sure.
John Hagen
You know, this ought to be fun. I haven't played cops and robbers since
Ted
I was a kid.
John Hagen
Same here.
Ted
This should be good. Well, I hope you too aren't disappointed. But you can't tell about these things, so watch your step, both of you. Here they are. Leave everything to me. Well, you made up your mind to
Nick Carter
pay the ransom the camp wants.
Arthur Burnett
We'll pay you nothing, Not a cent.
Nick Carter
You know what that means, don't you? It means that you better get your
Vernon Wallace
hands up, all three of you, if
Nick Carter
you want to live.
Bill
Who are you?
Vernon Wallace
I'm here to save these two ladies from you and your gang.
Ted
Oh, yeah?
Nick Carter
Let them have it, fellas.
Vernon Wallace
Oh, I warned you.
Arthur Burnett
Ah, Arthur, you've killed them all.
Ted
It's their own fault.
Vernon Wallace
I warned them.
Arthur Burnett
Oh, you are wonderful.
Nan
Arthur.
Arthur Burnett
Arthur, are you hurt?
Vernon Wallace
No, Louise. Dear Fortune was with me. I'm not even scratched.
Arthur Burnett
Oh, Mr. Vernetta, I never in my whole life saw anyone so brave as you.
Vernon Wallace
Any man would be brave when defending the woman he loves.
Nan
Please, Arthur.
Mrs. Wallace
You promise?
Ted
I'm sorry.
Vernon Wallace
I'll take you home now.
Ted
Just let me drag these bodies out
Penny Eagles
of the way and I'll.
Nick Carter
Not yet, you won't.
Patsy
You can't. There.
Ted
What's the matter with you men? What's the idea?
Narrator (Nick Carter segment)
Shut up, you.
Arthur Burnett
Arthur, Are you hurt?
Nick Carter
Mrs. Wallace, the time has come to explain a great many things. First, let me remove this beard.
Arthur Burnett
There.
Ted
You recognize me now, don't you, Mr. Carter.
Arthur Burnett
Mick Carter. But, Mr. Carter, what are you doing to Arthur?
Ted
Mr. Burnett, I'll answer that later.
Nick Carter
First, I want you to meet my assistant, Penny Eagles.
Arthur Burnett
Your assistant?
Penny Eagles
Sure.
Bill
How are you?
Nick Carter
The other man is an old friend of yours, Mrs. Wallace.
Arthur Burnett
An old friend of mine?
Mrs. Wallace
Well, I'm sure I don't.
Nick Carter
Perhaps if he took off his makeup, you might recognize.
Ted
There, you know me now.
Arthur Burnett
Oh, Vernon.
Ted
Louise, my darling.
Arthur Burnett
But Vernon, Arthur told me that you.
Nick Carter
That I was dead.
Vernon Wallace
Oh, yes.
Nick Carter
Arthur Burnett told you a great many things that were not true.
Arthur Burnett
But, Vernon, he showed me your ring, your lodge pin. He said he took them off of your dead body that the police found in the river.
Nick Carter
Burnett took those articles from your husband's body right enough, Mrs. Wallace. But it was while your husband was still alive. And it's no fault of his that I'm not dead.
Arthur Burnett
Now, you don't mean that, Arthur.
Nick Carter
That's exactly what I do mean. He's been lying to you for years, Mrs. Wallace. It was he who ruined your husband's business and caused him to lose so much of his money. It was he who first induced your
Ted
husband to drink and gamble.
Nick Carter
And it was he who was responsible for your husband's disappearance a few days ago. But that's a lie.
Ted
Oh, no, it isn't. As a matter of fact, Louise, dear,
Nick Carter
if Mr. Carter hadn't fooled him by putting a dead calf in my place on that crematory slab, Arthur Burnett would
Bill
have been my murderer.
Arthur Burnett
Oh, no. No, that can't be true.
Nick Carter
Furthermore, it was Burnett who arranged for your kidnapping this afternoon.
Ted
Oh, but he did it so that
Nick Carter
he could suddenly appear and rescue you from the members of the kidnap gang, who in reality, men in his employ.
Arthur Burnett
But why should he do all these horrible things?
Nick Carter
Because he's been in love with you ever since he first met you. And ever since your marriage to Wallace, he's been insanely jealous of him. Everything Burnett's done has been to make you despise your husband and turn instead to him. That's a lie. Oh, no, it isn't. Burnett. I can easily prove it. Penny, let me have the gun with this. Burnett shot us during the battle a few minutes ago. Sure, Nick.
Ted
Here you are.
Patsy
Thanks.
Ted
Look here, Mrs. Wallace. This pistol has eight shells in it. Burnett fired five shots at us, but
Nick Carter
there are still three shells left. And here they are.
Arthur Burnett
Why, those are blanks. They couldn't hurt anybody.
Ted
Exactly, Mrs. Wallace.
Nick Carter
And the shells and the pistols that his men were to use in the fights were blanks also. And if I were a beautiful woman in distress and a man came to my rescue with his pistol loaded with blanks, I think I should find it extremely difficult to believe that he was
Ted
being on the level.
Narrator (Nick Carter segment)
That was another strange experience of Nick Carter, master detective, called the Body on the Slab, or Nick Carter and the Mystery of the Missing Husband. Another of the curious adventures of Nick Carter, which are brought to you regularly at the same time by WOR Mutual. And now, Nick, how about a few hints on next week's story.
Nick Carter
It's a story of a body which was washed up in the beach, tied
Ted
up in a sack.
Nan
And the only identifying mark on the
Mrs. Wallace
body was one of Nick's cards.
Nick Carter
I had to solve that murder to prove I didn't do it myself. And I found that the real culprit was the killer who used a clue that pointed directly to him to prove that he couldn't have done it.
Nan
And the killer tried to drown both
Mrs. Wallace
Nick and myself when the chase got
Nan
too warm for comfort.
Nick Carter
But as you can easily see, he didn't succeed. So so long until next week. So long, folks.
Narrator (Nick Carter segment)
And so long to you and Nick Furnell. Patsy in the strange adventure you have just heard, Nick Carter was impersonated by Lon Clark. Patsy by Helen Choate. Original music was played by Lou White. The entire production was written and directed by Jock McGregor. Next week at the same time, listen to another curious expenditure of Nick Carter
Patsy
entitled the Drug Ring Murder or Nick Connor and the Mystery of the Left Handed Killer.
Narrator (Nick Carter segment)
This story is a copyrighted feature of street and Smith Publications Incorporated. The Return of Nick Carter is produced in the studios of Worcester and is broadcast over most of these stations every
Nick Carter
Wednesday evening at 8:30 Eastern.
Narrator (Nick Carter segment)
War time. This is mutual.
This episode of Case Closed! by RelicRadio.com features two classic crime stories from the golden age of radio: an episode from This Is Your FBI ("The Ambitious Widow") and a case from Nick Carter, Master Detective ("The Body on the Slab, or The Mystery of the Missing Husband"). Both stories delve into intricate criminal plots involving theft, murder, and deception, highlighting the era’s fascination with law enforcement heroes and cunning adversaries. With vivid performances and suspenseful storytelling, listeners are transported back to a time when radio reigned supreme as the source of gripping crime drama.
A tale of post-Prohibition river piracy and the shifting roles of criminal masterminds—this time, featuring a woman, Nan Mercer, who steps into the void left by her deceased husband to lead a daring theft operation.
On Leadership and Ambition
On Gender in Crime
On Justice
Detective Nick Carter takes on the case of a missing husband, navigating a labyrinth of betrayal, faked deaths, and life-and-death peril—all leading to a dramatic confrontation with a perfidious “friend.”
On Survival & Cunning
On Betrayal
On Evidence and the Sting
| Timestamp | Segment | Key Event | |-----------|---------|-----------| | [04:59] | FBI | Nan reveals criminal intent at Lou's funeral | | [07:00] | FBI | Silk theft orchestrated by Nan | | [10:13] | FBI | Gang tension over uneven payouts | | [14:42] | FBI | Murder of Hank Davis | | [24:13] | FBI | FBI prepares the sting on the river | | [25:32] | FBI | FBI agents close in; Nan is arrested | | [30:08] | Nick Carter | Mrs. Wallace seeks Nick's help | | [34:56] | Nick Carter | Nick outsmarts Peg Leg Bill's murder attempt | | [42:00] | Nick Carter | Cab driver reveals link to Burnett | | [45:11] | Nick Carter | Nick and assistant tail Wallace to crematory | | [49:44] | Nick Carter | Burnett’s fake sympathy; hidden plot | | [55:00] | Nick Carter | Nick Carter exposes Burnett and the entire plot |
Both segments showcase taut, dialogue-driven crime fiction, marked by sharp exchanges, clever investigations, and classic tropes of golden-age radio mystery. The stories highlight shifting roles (especially women’s criminal agency in “The Ambitious Widow”) and the timeless appeal of cool-headed deductive heroes (Nick Carter, the G-men). The tone is brisk, suspenseful, and occasionally darkly humorous, with no-nonsense lawmen and calculated, ruthless criminals set on a collision course.
This packed episode is a time capsule of classic radio crime drama: you’ll encounter bold criminal plots, period details about law enforcement and society’s anxieties around crime, and larger-than-life personalities. The stories move quickly, with twists and reversals that keep both investigators and audience guessing.
Next Episode Promos:
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