Every comic book reader remembers the first time they encountered Bill Sienkiewicz. Whether it was in Moon Knight, The New Mutants, Elektra: Assassin, or a recent variant for Absolute Batman, Sienkiewicz’s art smacks your eyeballs and demands your attention. You probably weren’t sure about it at first, but as your eyes refused to leave, you discovered new wonders capable in this medium called comic books. Like the first time Sienkiewicz saw a Neal Adams Superman instead of a Curt Swan Superman, his art stirs discomfort in those who’ve stewed in the routine.

This week we return from San Diego Comic-Con International, and we’ve brought Bill Sienkiewicz with us. The convention premiered the trailer for his new documentary, That Polish Guy, directed by Remsy Atassi and produced by Sal Abbinanti. We were granted a sneak peek at an early edit, and it’s jammed with creators expressing their admiration for Sienkiewicz.

Sienkiewicz exploded on the scene and has continued to evolve his style to this very day. We excitedly spoke to him about his relationship with comics, how discomfort is part of the deal when it comes to a lifelong passion for comics, whether you’re on the artist’s side of things or the reader’s side, and how That Polish Guy attempts to shape his story.

In an effort to relate our San Diego Comic-Con experience beyond our own perspective, we also invited Badr Milligan, host of The Short Box, onto the show to explain the convention’s particular vibe from a newbie's viewpoint. This is a recap, not of the news and exclusives, although there’s some of that, but of the show’s emotional pull. Make sure you subscribe to The Short Box and follow Badr Milligan on Instagram and Bluesky.

To learn more about That Polish Guy and when it will be available to watch, sign up for updates on the Sienkiewicz Art website. And follow Bill Sienkiewicz on Instagram and Bluesky.

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