Conversations with Tyler 2022 Retrospective

Summary

Conversations with Tyler 2022 Retrospective – Episode Summary

Overview

In this special year-end retrospective, producer Jeff Holmes and host Tyler Cowen reflect on the standout moments, viral interviews, favorite episodes, and unexpected highlights from 2022. They field listener questions, revisit Cowen’s 2012 pop culture picks, and discuss the art of interviewing and podcast production. The conversation ranges from the influence of controversial guests to the nuts and bolts of curating meaningful dialogues, all in a tone that’s candid, analytical, and often self-deprecating.

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Key Themes & Discussion Points

1. Reflections on the 2022 Guest List

• Tyler’s Take: More Irish guests desired; unexpected guests often become favorites (e.g., Roy Foster, Mary Gaitskill). Noting moments that went viral—including misunderstood ones.
• Notable Quote (Tyler, 02:04):
  "Very often the best guests are not the ones who you think will be the best."

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2. Viral Moments: Web3 & Sam Bankman-Fried

• Marc Andreessen/Web3 Question (03:21):
  Tyler’s question about the use case for Web3.0 went viral, but he believes it was overblown. Tyler remains skeptical of Web3.0.
• Sam Bankman-Fried’s “Double or Nothing” (03:30):
  The now-infamous question—“Would you keep playing double or nothing with the world’s population at 51-49 odds?”—became a defining moment for SBF’s worldview.
  Quote (Tyler, 03:30):
  "It did seem that captured something about his approach to many different things that was immortalized in that moment."

Hindsight on SBF and FTX Scandal

• Tyler felt SBF’s risk tolerance was “reckless.” He viewed SBF as underestimating regulatory and operational risk, without foreseeing the later collapse.
• Quote (Tyler, 04:35):
  "Fraud is too simple a word, but let's just say the shenanigans.”
• Brand perception in business: SBF’s admiration for Elon Musk’s ability to build "not Tesla the car, but Tesla the brand” reads differently post-scandal (06:08).

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3. Effective Altruism After FTX

• The fall of SBF affects the effective altruism movement, particularly its fundraising and public image.
• Tyler draws historical analogies (libertarian thinkers in the 1970s) suggesting strong ideas survive funding disruptions.
• Quote (Tyler, 07:29):
  "Sometimes losing some funding can help a movement because what's really strong are the ideas."

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4. Popularity and Format Trends in 2022

• Top Episodes: Most downloaded = Thomas Piketty; viral = Marc Andreessen/SBF. Debate and clash of viewpoints drive engagement (Jeremy Grantham, Byron Auguste).
• Quote (Tyler, 09:16):
  "It was a good episode because you got to see this clash of different points of view, I thought."

“Debate” Format Endures

• Tyler notes that listeners value episodes where guests engage in genuine debate or even friendly confrontation.
• Mary Gaitskill’s authenticity and other guests’ willingness to be "combative" or blunt are appreciated.
• Mary Gaitskill anecdote (10:28):
  Favorite moment: She ends the episode because she’s “really hungry.”

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5. Underrated and Standout Episodes

• Tyler’s Picks: Vaughn Smith (polyglot, carpet cleaner) and Roy Foster (Irish historian).
• Authenticity: Guests less accustomed to the media (Gaitskill, Smith) come across as more genuine.
• Quote (Tyler, 14:15):
  "Being a CEO makes you less authentic... People who are not used to arguing in the media... approach it more innocently in a good way.”

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6. The Art and Challenge of Interviewing

• Differing types of authenticity (e.g., Ken Burns’ rehearsed but consistent presentation vs. more off-the-cuff guests).
• John Adams (composer) cited as “grumpy” but authentic.
• The game Civilization IV introduced a new generation to Adams' music (16:59).

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7. Listener Q&A Highlights (17:55+)

• Hardest topics to predict? Sports and China ("China in general does very rapid shifts that are hard to predict in advance").
• Dream guests stymied by language: Michel Houellebecq, rural Mexicans whose first language is Nahuatl.
• Guests they couldn’t secure: Paul McCartney, William Shatner, Dolly Parton, Werner Herzog, Tilda Swinton.
• Quick Policy Takes (21:47):
  • Ideal tax: Progressive consumption tax, light on capital income
  • Healthcare: Focus on accelerating scientific progress, not incremental changes
  • End the Fed?: Not without a better replacement; gold standard "much too volatile," Bitcoin "a non starter"
• TV & Film in 2022: Likes movies over TV, recommends “Andor” (Disney+) and “Borgen” (Danish series), expressing less interest in most TV.
  • Movie highlights: “Tar,” “Memoria,” “Saint Omer”

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8. Revisiting Tyler Cowen’s 2012 Pop Culture Picks (25:22–39:12)

• Movies:
  • "A Separation," “Jiro Dreams of Sushi,” “Marley," and “Once Upon a Time in Anatolia” praised.
  • “The Dictator” and “Three Stooges” considered to have aged poorly; “Raid: Redemption” still excellent within its genre.
  • Favorite recent films: “Beasts of the Southern Wild,” “Searching for Sugar Man.”
• Books—Fiction:
  • “Gone Girl” (Gillian Flynn), “Dear Life Stories” (Alice Munro) praised.
  • Peruvian novel “The Blue Hour” highlighted as an underrated gem.
• Nonfiction:
  • “Coming Apart” (Charles Murray) considered prescient; other strong picks included “The Idea Factory” (John Gertner) and “Restless Empire” (Arne Westad).
• General conclusion: most picks have aged well by his own standards, if not universally.

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9. The “Production Function” Segment (39:05–42:11)

• Tyler deliberately decreased the frequency of asking guests about their “production function” as a way of keeping the show dynamic and avoiding formulaic repetition.
• Notable guest answers reviewed in a quiz format.

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10. Podcasting, Chemistry, and Generational Appeal (47:42+)

• Discusses the NBA on TNT halftime show as a masterclass in conversational chemistry—analytical yet affectionate argument.
• Siskel & Ebert show cited as a pioneering format for constructive and passionate disagreement.
• Seinfeld: Early episodes “iffy,” but eventually perfects ensemble chemistry; Larry David’s work on “Curb Your Enthusiasm” considered even “more pure.”

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11. Favorite Concerts (50:55)

• Unique live music experiences that stood out:
  • The Master Musicians of Jajouka (Morocco)
  • Live gamelan music in Bali
  • Paul McCartney, Roger McGuinn and Gene Clark (The Byrds), Horowitz at Carnegie Hall, and Uchida playing Mozart.

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Notable Quotes and Moments (with Timestamps)

• Tyler on Unexpected Guests (02:04):
  "Very often the best guests are not the ones who you think will be the best."
• On Web3.0 clip’s virality (02:34):
  "I think the best answer to what’s the use case for Web 3.0? Is just, we don’t know yet."
• On SBF’s infamous “double or nothing” response (03:30):
  "It did seem that captured something about his approach to many different things that was immortalized in that moment."
• On FTX and Effective Altruism (07:29):
  "Sometimes losing some funding can help a movement because what's really strong are the ideas."
• On debates and listening value (09:16):
  "It was a good episode because you got to see this clash of different points of view, I thought."
• Mary Gaitskill’s hunger (10:28):
  "It was one of my favorite moments of the year, when she has to end the episode a few minutes early because she’s really hungry and just says that."
• On authenticity (14:15):
  "Being a CEO makes you less authentic...people who are loan operators tend to be more authentic."

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Headline Takeaways

• CWT’s Popularity Is Less About Big Names, More About Cowen’s Curation: Listeners tune in for Cowen’s intellectual filter, giving unfamiliar guests a chance.
• Viral Moments Can Be Misleading: Not all clips that trend actually mean what audiences think.
• Authenticity Resonates: The more “unprocessed” the guest, the better the experience—often found outside mainstream media personalities.
• The Evolution of the Show: Deliberate tweaking (“screwing with people,” as Tyler jokes) keeps the format fresh and avoids self-parody.
• Pop Culture and Intellectual Tastes Endure (with Caveats): Many of Tyler’s picks from 2012 have aged well by his standards. He’s unapologetic about idiosyncratic favorites (“The Three Stooges remake,” for example).
• Behind the Scenes: Getting famous or international guests remains challenging; the podcast is open to suggestions and values personal connections.
• Podcast Chemistry Is an Art: Whether on TV or in audio, tension combined with mutual respect produces the most engaging conversations.
• Looking Forward: Tyler is at work on a new book about history’s greatest economists and remains most enthusiastic about the new crop of forthcoming guests.

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Timestamps of Key Segments

• Reflections on 2022 Guests: 02:04–03:21
• Viral Web3 & SBF Moments: 02:34–07:29
• On Effective Altruism: 06:58–08:11
• Most Downloaded Episodes/Debates: 08:33–10:07
• Authenticity/Underrated Episodes: 10:28–14:59
• Discussion on Hard-to-Predict Topics: 17:55
• Dream Guests & Guest Booking: 19:32–21:23
• Rapid-fire Policy Qs: 21:47–23:02
• TV, Movies, 2012 Pop Culture Picks: 23:42–39:12
• Production Function Reflection: 39:05–42:11
• Best/Favorite Concerts: 50:55
• The Art of Interviewing and Chemistry: 47:42–50:23

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Closing

The episode serves as a rich reflection on the varied conversations, culture clashes, and intellectual journeys hosted by Tyler Cowen and his team in 2022. It’s both a meta-commentary on the podcast’s format and a behind-the-scenes look at what it takes to curate “conversations that matter.” Whether you’re a regular listener or just want an entry point into the show’s style and ethos, this retrospective encapsulates the spirit and seriousness—with a dash of humor—that marks Conversations with Tyler.

Transcript

[A]

Hi everyone, this is Tyler. We've reached the end of another great year of episodes, and I hope you've enjoyed listening to and learning from them as much as I have. If you've enjoyed this podcast or have benefited from it in any way, please consider making a financial contribution this holiday season before the end of the [e-mail] podcastgift any donation you make will go toward the production of the show, including new episodes released every other Wednesday, live shows and more in person interviews. Free and open transcripts of each episode enhanced with helpful links and with all the books and resources I needed to prepare for those interviews. We really do appreciate your support. Again, if you'd like to donate before the end of the year, please visit Mercatus.org PodcastGift Conversations with Tyler is produced by the Mercatus center at George Mason University, bridging the gap between academic ideas and real world problems. Learn [e-mail] for a full transcript of every conversation enhanced with helpful links, visit conversationswithtyler.com.

[B]

Hello everyone, and welcome to the 2022 Year in Review episode of Conversations with Tyler. I'm Jeff Holmes, one of the producers of Conversations with Tyler, and this has become a tradition now where at the end of the year we take stock of the year in Conversations. I have a bit of a conversation with Tyler that I want to have. We take questions from listeners and we also go back and look at Tyler's pop culture picks of 2012 in this case, and Tyler lets us know how he thinks they've fared. But first, Tyler, let's get straight into the year of conversations. When you look at this guest list, reflect on this roster of guests compared to years past. What do you think?

[A]

I think we should have more Irish people on. Roy Foster was great. He was a definite favorite. We had two moments that went completely viral, one of which was misunderstood. Shruti was awesome as a host. Walter Russelmead throws great dinner parties. Mary Gaitskill was a wonderful kind of quirky and very often the best guests are not the ones who you think will be the best. That would be my year's Taken Summary.

[B]

When you say a moment that went viral but was misunderstood, what are you referring to?

[A]

Well, I asked Marc Andreessen about Web 3.0 and everyone on Twitter went crazy about this. Mark had a perfectly normal answer to a normal question. Now, I'm still not Convinced by Web 3.0 and Mark's answer didn't convince me, but people treated it as some kind of massive scandalous admission of something. And it was just a normal conversation after it was recorded. I don't think either Mark or I thought anything about that moment, but somehow that was the time when people wanted to jump down Mark's throat over something and they picked up on that clip. And I think the best answer to what's the use case for Web 3.0? Is just, we don't know yet. There are lots of talented people working on it at the moment, as you might have said with the early Internet. Now, I'm still skeptical, but it's not a terrible answer. That was the misunderstood viral moment, I would say.

[B]

Yes, but the other viral moment, I think I know what you're referring to was the excerpt in the Sam Bankman Fried conversation, right?

[A]

That's correct. There are really two of them, but there's one that's gotten most of the attention where I asked Sam, would you keep on playing double or nothing with the world's population at, you know, 51 to 49 odds? And he says, you know, yes, I feel strongly about this. And I say, well, everything's going to be destroyed. Then he's saying, well, there's some chance you'll end up creating something wonderful. And it did seem that captured something about his approach to many different things that was immortalized in that moment. And if I may sound self satisfied for just a second, I was very pleased that I had the insight to ask him exactly that question.

[B]

We got several questions on Twitter about the SBF conversation. And Joseph Walker specifically asked, before everything unraveled in the moment, did you think that that 5149 question was a red flag? And I'll add on to that. How did your perception of SBF change during the interview, right when everything was unfolding, when that tweet went viral and now we're in, you know, middle December, he's just arrested. How have you shifted in your mental model of sbf?

[A]

Well, SBF was and is extremely smart. He proved that in the interview. Anything you can throw at him, he can come back very quickly. Maybe you don't like the answer, but. But he has fully understood the question and answered it in some manner and actually not that many guests can do that. But at the same time, then and obviously now, it seemed to me there was something quite reckless about the plan. I didn't at all imagine how things turned out. I just thought there was this view that FTX could become the exchange for everything, that that belief seemed to me absurd, and that if I asked him some questions about risk tolerance, I thought he wouldn't be able to answer them. Well, he answered them incorrectly to, oh, keep playing, double or nothing. But he answered them very well in the sense the response was immediate, the reasoning was, in some screwy way, internally consistent, he had thought about it before, and so on. So that made me less optimistic about his future prospects. The prediction I was making privately at the time was simply that he had ignored regulatory risk. At some point, the regulators would shut him down. The value of the concern would go essentially to zero, and it wouldn't work. But again, I had no sense of the underlying. I don't even know what to call it. You know, fraud is too simple a word, but let's just say the shenanigans.

[B]

Yeah. One of the things that I appreciated that he mentioned, that I responded to was he mentioned this focus on operationalizing what you're trying to do and having people who can coordinate and make things happen. And then, as I've seen what's happened, it seems like a big part of the problem was that operationally they were a mess.

[A]

That's right. And he said, that is what is truly scarce. So he actually had a deeper understanding of the scarcity of good operational talent that I realized at the time. But the other thing he said that reads very differently in retrospect, when he praised Elon Musk and said, elon's greatest achievement is not Tesla the car, but Tesla the brand. And that's interesting for at least two reasons. First, Tesla the brand has changed quite a bit since Elon took over Twitter, in many people's eyes, but also the sense that what a company really is is just its image. And you can skate along with that. I really did not pick up at the time. That's what he was saying, though it's quite clear when you read it that I should have picked it up at the time. And when you reread it in light of what's happened, you get a sense of like, oh. He presumably thought that way about ftx. As long as, like, the brand was strong, he could always somehow trade his way out of trouble.

[B]

One effect of the fallout with FTX has been on the effective altruism community. In particular, Will McCaskill, who's a guest on the podcast, was involved with some of the FTX philanthropic projects. One of our guests on Twitter asked, what do you think is the future of the movement? Do they need new leadership? How are they going to recover? Speaking of branding, how are they going to recover from the fallout with one of the biggest personalities of earn2give now being, you know, wholly disgraced, it's hard.

[A]

For me to say, you know, sometimes losing some funding can help a movement because what's really strong are the ideas. And if I think of, say, libertarian ideas, they were really very strong in the 1970s when there was not much money attached to it and actually relatively few people. But you had very strong thinkers. You have Milton Friedman, Bob Nozick, others, and a great deal of impact in the late 70s, throughout the 80s, some of the 90s, and the better funded movement maybe never matched those achievements. So I don't really have a prediction for effective altruism. But I don't think we should hold this against it. I think leadership at open philanthropy is excellent and whatever virtues or qualms you might have about the movement, it's continuing.

[B]

Yeah. All right, Switching back to looking at the year end conversations. If we run through the Numbers, we released 28 episodes this year. So our usual amount plus a few bonus episodes, that's counting this one. That's counting this one as well. And do you have a sense of what the most popular episode of the year was?

[A]

I never have a good sense of this. If you count that viral clip, I'll say Marc Andreessen. If you don't count the viral clip, maybe, you know, SBF will overtake all the others. Whether or not it has done so yet. Those would be my guesses, but I suspect I'm wrong. Chuck Klosterman maybe was popular. So you tell me.

[B]

Good guess. This one is surprising to me. And we're looking just at podcast downloads and not sort of overall impressions, so it may well change if we factored those in. But the top downloaded episode this year was Thomas Piketty.

[A]

Piketty. Okay.

[B]

Yeah, yeah.

[A]

I thought people were a little tired of all that.

[B]

I was very surprised by the response to that. But it's most popular episode this year, most popular episode in terms of the first week of any.

[A]

It was a good episode because you got to see this clash of different points of view, I thought.

[B]

Yeah. And I'm amazed people stuck with it because the audio quality was a little rough, but people stuck with it and were very engaged by that episode.

[A]

I have a sense people are liking sort of debates. So my episode with Byron Augiste, which I certainly liked when we did it, but it's proven to have longer legs than I would have expected. And it's just a very clear case of two people debating labor market value of education, how can we get people without college degrees into jobs in a very stark way. Jeremy Grantham was a bit like that, debating environmental issues in a very stark way, back and forth. He even apologized at the end for being a little. What was the word he used? Not grumpy, but combative. And I was like, yes, you know, combative. Please bring it on. Yeah, Please teach our other guests to push back when they need to.

[B]

And Mary Gaedeskill, I think, is someone who. Not combative. But you said, I think on Twitter, or maybe it was your post on Marginal Revolution, that this is someone who doesn't feel the need to impress you and just is giving you her thoughts on the matter and doesn't particularly care whether you think they're here, there, or anywhere. Like, it's just what she thinks. And that's what we're here to listen and learn from.

[A]

And it was one of my favorite moments of the year, when she has to end the episode a few minutes early because she's really hungry and just says that. Not some kind of polite excuse. I'm really hungry.

[B]

Did we include that in the episode?

[A]

We did.

[B]

I remember listening to that when I was reviewing the episode. And yeah, it was.

[A]

I needed stuff like that in.

[B]

We're kind of touching on it already. But what are your picks for underrated episodes of this year? Let me preface that by saying this year a pattern I saw was I feel like the dispersion is gotten tighter in terms of listens, that there's really just two tiers this year. There's like the people who really got a kind of a surge and maybe did 15, 20% better than the second tier. But there wasn't like these clear sense of like, oh, people just didn't tune into that one. It was sort of like either it was really popular or it was just pretty good.

[A]

And how do you model that, that we're less dependent on external celebrity?

[B]

What I'd like to think is that people are accepting the value of the CWT Tyler Cowen filter and they're giving every episode a chance. If I peer deeper into looking at how long people listen to episodes, maybe you'd see more drop off on some of those less popular episodes. But that's what I'd like to think is that they're at least giving everyone a chance. Like, if they're on the show, they're probably pretty good. So let me at least tune in. Whereas before, I think we had more of the problem where someone, if it was an unknown name or we've talked before about some of the biases people have in terms of women or actually even people with accents, you know, they might just be like, eh, I can't listen to this. Maybe that's not been such a factor this year. But what's your pick for underrated?

[A]

Vaughn Smith. The Polyglot and Carpet cleaner probably is an underrated episode. The people who listen to it seem to quite like it. I already mentioned Roy Foster. Ireland just doesn't have that large a population. But that was a great take on Irish history. I liked most of them, I have to say. I think a lot of them are properly rated.

[B]

Yeah, I had Roy Foster and Vaughn Smith. I would throw in, you know, if you look at download counts, like maybe Lydia Davis, a little underperformed, but I think she still performed well. And then I personally really enjoyed Walter Russell Meade.

[A]

I could absolutely.

[B]

It was just a great back and.

[A]

Forth and you could have him on an endless number of times and he would always have something to say. He's one of those kinds of guests now.

[B]

Speaking of Roy Foster, are you going to accept the Roy Foster challenge to go to Ireland and check out their database and look up the Cowans? That was the one question, you know, he wouldn't engage with you on is tell me a bit about the Cowan clan.

[A]

That surprised me because they've had a Prime Minister Cowan, right?

[B]

Yes.

[A]

He would have known of him. I think I would sooner fly to Salt Lake City than to Ireland for that purpose. But I don't know how I would ever know that it were my Cowans. Right. So. Oh, you could see a bunch of Cowans from, say, some county. Well, are they my Cowans? Are they his Cowans? I don't know. Like, what's the actual bridge? I think to hire someone who's worked in Salt Lake City archives would be a better approach than for me to be digging around in a library.

[B]

Or maybe we should get you on Finding your Roots with Henry Louis Gates. We've asked Henry Louis Gates to be on the show and he famously hosts Finding your Roots where he takes celebrities through their family history. I think it's time for a Tyler Cowen episode of Finding youg Roots.

[A]

I believe mine is quite a New Jersey history with no roots in the South.

[B]

Moving on to some more Twitter questions, James Bruhl. I think the Mary Goetzkill interview, speaking of underrated, was one of the most interesting of the year, largely because of her genuineness coming through so strongly. So here's a question. What makes a guest more genuine or authentic? And I should mention that's Mercatus research fellow James Peru. And also I believe you would advises Ph.D. right?

[A]

Yeah. Jim's great.

[B]

He goes by Jim.

[A]

Jim.

[B]

Can I call him Jim Roll? I don't know.

[A]

You have to call him James. I can call him Jim.

[B]

Okay.

[A]

Being a CEO makes you less authentic. Now, one thing about Mary, she's quite well known as a writer, but the outlets that interview her, they're not mass media. It'd be places like Bookforum. She has no fiduciary responsibilities per se. And if people come away with the sense that she's unusual or quirky, there's no problem in that for her. So people who are loan operators tend to be more authentic. Vaughn Smith, the polyglot and carpet cleaner, I thought was extremely authentic. So he's hardly ever done any interviews before. He was extremely articulate, but just. You got Vaughn Smith, I'm pretty sure. So people who are not used to arguing in the media, not used to being criticized, they approach it more innocently in a good way.

[B]

Yeah. Do you think people on conversations with Tyler. Well, Ken Burns would be an example of someone. Some people joked on Twitter and I knew, having worked for him and seen his media interviews, people joked that he had the conversation he wanted to have.

[A]

That is correct.

[B]

And Ken is very good at delivering eloquent monologues that may or may not actually relate to the questions he was asked. But he knows how to hit the points he wants to make. And so he's, to my mind, an extreme outlier in the sense that he has a very clear direction. He wants to take interview questions and he's very good at it, versus other people who are maybe self conscious. And then all the way on the other side, people who just kind of don't even think about the fact that they're on the podcast. Do you have a sense of that in the interview? Of. Are they very aware that this is going out to a lot of people and people.

[A]

I forget that often as they're speaking now, you know Ken, and I don't, other than that interview, but I had the sense that maybe that was the authentic Ken Burns. Right?

[B]

It is the authentic Ken Burns. That is how he is. Yes.

[A]

So in a way, he was the most authentic guest. Though it would not have appeared that way to someone who didn't know better.

[B]

Yes, I can say as someone who listened to him, I worked in the production house where he was editing films, and when he was talking about reviewing a cut of a movie and talking about what needed to change, he is just as eloquent, talking about something on the fly that needs to change in A movie recalling very specific details from what are often three, four hour cuts of what needs to be cut down to maybe an hour, hour and a half. He has an amazing mind for that and can that on the fly very eloquently so. Yes, you're absolutely right. That actually is very authentic, Ken.

[A]

I thought John Adams, the American composer, was also quite authentic. He was willing to be grumpy to complain about film music. To say the music of Bellez is, you know, kind of torture to listen to. I'm pretty sure it's what he really thinks.

[B]

Yes.

[A]

And he didn't have to say those things and he was polished. But I felt you got the actual grumpiness of the man.

[B]

Yes. Yeah. John Adams is fun for me because I told you before the fact that one thing that I find fascinating about John Adams is that I discovered him because his music was featured in the game Civilization 4. And in that game, you build a civilization and there's different eras and when you get to the modern era, they play John Adams music. And I found it so immersive and perfect. And when you asked him that question in his interview, he thought about some commercial where his music. He was very upset about the commercial, but he didn't respond to the game. It's just fascinating because I don't think he actually cares that much. But there is a whole generation of people, probably about my age, who love John Adams music because of the game Civilization.

[A]

It's his largest audience by far.

[B]

Right? Yeah. So his saltiness is kind of like, I'm good with that. I still enjoy the music and I enjoy listening. I enjoy recalling that time in my life as well. It brings me back. It's very vivid for me. Okay. Joseph Yao, on which topics do your views have the highest error rates?

[A]

Why error rates? Well, what are the topics that are hard to predict? So who's going to win a contest? In most areas, it's hard to predict. Not in chess. Magnus Carlsen just played Caruana. He beat him 22, 4 and didn't lose a single game. And that was not hard to predict. The margin of victory was hard to predict, but not that Magnus would win. But if you ask me who will win the NBA title this coming year, very hard to predict. The history of China is very hard to predict. So switching from zero Covid to Covid free for all, I was not predicting. I don't think I got that wrong publicly, but I know in my own mind I wasn't expecting that. China in general does very rapid shifts that are hard to predict in advance in a way say that India does not. So my backup answer after sports would be China is very hard for me or indeed anyone to predict.

[B]

Pavel Gradchev asks, who would you love to have on your podcast but can't because of the language barrier?

[A]

It seems to me from what I've seen on YouTube that Michel Huldbeck does not speak English very well, so I'm not sure how good a guest he would be, but I would love to have him in any case, just to see what he would be like. And there possibly language is a barrier. Various rural Mexicans I know whose first language is Nahuatl, but even in Spanish I don't think I would quite be good enough to make for a satisfying podcast. And most of our listeners don't understand Spanish anyway, I'm pretty sure. So they would be some fascinating guests, but there would be logistical difficulties. People I might interview in German pretty much all speak good enough English if we want to do them, so those would be some answers.

[B]

Okay. And related Corey Paddock asks, who are the guests you'd like to have but were unable to secure?

[A]

Paul McCartney. Everyone knows that, right? You don't even know how to ask him, but you also figure he's just not going to do it. He's Paul McCartney, right?

[B]

Yes. And I pulled up the list. We have reached out to many, many guests who we either haven't heard a response to or they've said no. So just going through some of the highlights. Charles Barkley, David Bentley Hart, William Shatner, Tilda Swinton, Haruki Murakawa.

[A]

Let's try Shatner again because he has a new book out.

[B]

Yeah, I think we did. Yeah, we did. We checked after the new book came out. Mark Cuban, Mr. Beast, the YouTuber, Dolly Parton.

[A]

Oh, she would have been great. How about the Thai film director whose name I can't pronounce? He just did Memoria and he did Uncle Boon me. Why don't we ask him? He does speak English. Okay.

[B]

Real time guest suggestions going on.

[A]

And that would be a coup to get him. And I suspect he's not asked all that often and he might be quite authentic.

[B]

Okay. Werner Herzog would be another name. Hans Zimmer, Peter Zeihan, Stanley Tucci. So actually, early this morning you released a blag on Marginal Revolution and asked for guest ideas. And? And we've got some good new ideas, but some of those names have either been asked or they've been on our long list. And so before the recording, Tyler and I were talking about Triaging some of those and reaching out, but we have.

[A]

What'S wrong with these people? I mean, seriously, like, what's your theory?

[B]

We don't have.

[A]

Some are afraid, some are too busy.

[B]

I think the standard filter is if it's not coming through a personal connection, you know, don't even bother with it. So I doubt some of these have actually gotten to the actual person. So if you're listening to this and you have a connection to any of the names you mentioned or just someone you think would be good for the podcast, please reach out. I am jholmesrcatus gmu. Edu. Send me an email because we'd love some personal connections with some of these people.

[A]

And they can email me too, you know, either way. And it's online.

[B]

Yeah, and it's online. Okay, moving back to Twitter. Questions, I want you to answer this rapid fire. Just answer this as quickly as you can. It's kind of a grab bag question. So there's three questions. What are the pluses and minuses of ending the Fed? What are the top three ways you would change the US health care system? What's the ideal tax system look like according to you?

[A]

In reverse order, the ideal tax system is a progressive consumption tax with a relatively light rate of taxation on capital income, though it can't be zero because otherwise people will reclassify their labor income into capital income. Best ways to change the healthcare system A lot of that is frozen into place. I'm more focused in my current roles on improving the rate of progress in science and getting more innovation and reforming the NIH and NSF and making them more dynamic and quicker to respond to change. So people don't usually call that the healthcare system, but that would be my emphasis. And if you look at say the MRNA vaccines or what seems to be coming against malaria, against dengue, possibly against cancer, that's yielding huge dividends and fighting over the scraps of like Medicaid expansion or something ultimately seems to me like a misallocation of talent. Ending the Fed. Well, what do you replace it with? You can't answer that question in the abstract, but I suspect what you replace it with will not do better. The price of gold is much too volatile to have a gold standard. Now, even if you liked the classical gold standard, I'm not sure it was better than the Fed, but it wouldn't be workable now. And what, Bitcoin? That's a non starter, right? So replace the Fed with what? Just a frozen stock of dollars? Again, seems to be worse than what we have now.

[B]

All right, Vikash, you got your answer.

[A]

Answers, answers.

[B]

Mark Bisball Arias what is the thing you are most excited about or looking forward to next year?

[A]

The next 28 guests on Conversations with Tyler. Right. Could it be anything but?

[B]

Are you committing us?

[A]

Paul? Paul McCartney walking into the studio singing. Maybe I'm amazed for us and we're the ones who are amazed.

[B]

Okay, next year, 28 guests, Paul McCartney, Brian Eno, Werner Herzog. They're all coming in. They will all be in the Mercatus studio, Mark my words. Twitter user breaking extent asked, does Tyler think TV shows are a waste of time? Have you watched many TV shows this year?

[A]

Well, for whom are they a waste of time? I haven't watched a lot of TV this year. I plan on starting the new Disney plus show andor it's very good and my other friends tell me the same. So I think I'll like that. I don't know that I found anything good other than the new season of Bargain, which came to the US this year that was excellent and very different from the earlier years. Grumpier, more cynical about politics, you could say more right wing in the Danish sense, which is not the same as more right wing in the American sense. And that was great. But I think that's all I've really liked or even watched. Natasha starts some things and I turn away quickly. Most tv, it seems to me it doesn't interest me. I much prefer movies.

[B]

Yeah. What does Natasha put on that you turn away from? Do you even recognize what it is?

[A]

I think there's some show. Is it called Hackers or Hacks or Hacks?

[B]

Hacks, the comedy. The show about the stand up comedians? Is that what you're saying?

[A]

I didn't get far enough. It's , I think HBO Max.

[B]

Yes. It's about a kind of an elder statesman female comedian who's doing her show in Vegas.

[A]

That's right. Yes. It seemed to be backed by talent, but it's just not for me. It's not informationally dense enough, not challenging enough, somehow constructed to string people along through subsequent seasons, which is the commercial incentive. I get that. No grudge held here, but no, I'd rather watch the movie Tar. I loved Memoria. I loved.

[B]

I haven't seen Tar, but that's been a big movie this year that people have really, really responded to.

[A]

And Saint Omer, the French Senegalese movie was excellent. I saw that a few nights ago at AFI in Silver Spring. So movies to me, way above tv. But I don't think it's a mistake for most people.

[B]

Yeah. All right, why don't we use that as an entree? We'll come back to some Twitter questions, but let's go to 2012 picks and see what your favorite movies were in 2012. So in your post you say Hollywood continues to collapse into mediocre tentpole franchises.

[A]

That's true.

[B]

Which is absolutely true, because that was the Marvel decade, among other things. But overall, it has been a splendid year for movies. Here were some of my favorites, noting that I count by the year I saw them, especially for foreign films, so not necessarily a year of release. So Here we go. 1. A Separation I've taught that movie, I.

[A]

Think five times since then, so I rewatch it every year, and it's incredible. It's one of the best movies, period. It's an Iranian movie about a couple who are separated and the difficult decisions they face what to do with the daughter and whether or not they should leave her on a. Yeah, I watched.

[B]

That on this recommendation and enjoyed that.

[A]

Movie, and my students love it. Also.

[B]

2. Jiro dreams of sushi.

[A]

I haven't rewatched it. I have fond memories of it. 2 I hear people cite it still. That's a good sign about a movie. So I'm still very favorably inclined.

[B]

It's probably now a little underrated because that style of documentary that was especially so food focused, but the story itself was very compelling, has now become the same. Filmmakers went on to make series for Netflix called Chef's Table, and they've taken that format and now it's become tv. And so now I think if, if someone went back and watched Jira Dreams of Sushi, they would be like, well, what's special about this? I can put this up on Netflix at any time and hear someone's dedication to food. And also some story about their biography that reveals why they're so obsessed or, you know, something that gives you insight into why they are the way they are.

[A]

But I suspect the movie's more subtle and the TV show is too literal would be my guess. Not having seen the television show, you.

[B]

Don'T have as much time. So they're more like vignettes. And that was much more of a deeper study, not just of the MasterChef but also his son, because that was a key part of Jiro Dreams of Sushi was the sons who were, I think, in their 40s, but were still in the shadow of their dad. And clearly one of the subtexts was, when is he gonna let us step into this role and take on the mantle. 3. Marley Marley.

[A]

Oh, the Bob Marley movie. That was fantastic. Very long movie set in Jamaica. Excellent. And I don't think you have to love the music of Bob Marley to watch it as a movie.

[B]

Once Upon a Time in Anatolia. And you added boring for most people. Big screen only, I suspect.

[A]

I mean, every movie is that. But especially slow moving foreign films. It's just much harder to pay attention at home. But again, seemed to me a very strong movie. And that now that I am hearing these titles, was just a great year for movies, though not Hollywood movies.

[B]

Okay, well, here's where it gets very Tyler Cowan sideways. Your next two movies. Next one, the Dictator, which is the Sacha Baron Cohen comedy.

[A]

It's aged poorly.

[B]

Yeah. How do you feel? Okay.

[A]

I was going to ask some of the TV show is still quite good.

[B]

I think you were a big Ali G fan. Is that your favorite character of his that he does? So he's Borat Ali G. Other ones I can't even remember.

[A]

But the mini episode where he interviews Donald Trump is a double plus. And Trump just immediately sees the guy as a fraud and just walks out and says, you know, good luck.

[B]

Yeah.

[A]

So the peaks are high, but it's not really watchable anymore.

[B]

Okay, Dictator. And then next one, the Three Stooges. This is the comedy remake of the Three Stooges. I think it was a Farrelly brothers movie.

[A]

The original is too good, I think is the problem.

[B]

I'm very surprised that made your list. I'm not sure what. I'm just trying to think about what you found in that movie that you were like best of the year. Next one, the Raid. Redemption. Better Indonesian martial arts. You will not see, you say.

[A]

Nor have I seen better Indonesian martial arts since then. A thrilling movie. You have to be up for that kind of movie. Yeah, but the best one in a.

[B]

Long time, the Raid is a strong favorite of a lot of people. I know your sister's sister. This is an indie movie with Emily Blunt, Rosemary DeWitt, Mark Duplass.

[A]

I don't remember it, so I guess I have to give it a thumbs down.

[B]

You say it was Straussian. I'm not familiar with it.

[A]

Maybe it was too Straussian.

[B]

Cirko.

[A]

Mexican circus movie hasn't stuck with me.

[B]

Okay, let's go through these. You've got quite a few of them, so let's go through them quickly and you see if you respond to any of them. Take this waltz, Beasts of the Southern Wild. Margaret, which I think is a Margaret Thatcher documentary. Nope. No, no, Totally wrong. It's a.

[A]

That was quite interesting.

[B]

It's a narrative movie with Anna Paquin.

[A]

Yeah. But Beasts of the Southern Wild really has stuck with me. It's a portrait of a certain way of life that you find only in America. And this movie shows that way of life better than any other movie.

[B]

AI Weiwei never. Sorry.

[A]

I think he's milked it too much at this point. And become a marketer. Not the movie is a movie. But all that has gone down in my eyes. Not that interesting anymore.

[B]

Samsara again. Another one, you say. This probably only makes sense on the big screen.

[A]

Say the name again.

[B]

Samsara it is. I'm looking it up. Filmed over a period of. It's not a narrative movie. Almost five years and in 25 countries. Samsara explores the wonders of the world, from sacred grounds to industrial sites.

[A]

Oh, that movie. It's just visuals.

[B]

Yeah.

[A]

And it's great as visuals on a large screen, but a huge mistake to click on Netflix. It's just not going to do it for you.

[B]

Searching for Sugarman.

[A]

Incredible movie. And I saw him in concert a few years ago. You know, he's the South African star. He's from Detroit, and he became a huge star in South Africa and didn't even know it. And he learned this quite late in his life, which is this country full of people, a lot of whom worship him. Excellent music in concert. Still a wonderful film. Unique, original, memorable.

[B]

Day Night. Day Night. I don't think I'd ever heard of this movie. The description is a gripping drama that follows a young suicide bomber on her mission to wreak havoc in Times Square.

[A]

It was good. One of these movies that's focused on one thing and does it well and some people just won't get it. But a good movie.

[B]

A week or two later, you added Lincoln, the Steven Spielberg movie.

[A]

No, it's too sappy. It's aged poorly for me.

[B]

People reacted strongly because Spielberg has this movie coming out, the Fabelmans, which is excellent.

[A]

And I thought I would. Hey, I saw the preview. The preview was unwatchable.

[B]

The marketing for it is generally considered really poor.

[A]

Yes.

[B]

To give you a sense of what the movie is. But you also kind of gave a brief Spielberg ranking. And I think in particular, you suggested that some of his most commercially successful, like Jurassic park, are his worst movies.

[A]

That's right. And E.T. is not very good.

[B]

I'm with you. More on E.T.

[A]

But Jurassic park, the novel, is better, it seemed to me. Too Hollywood, too manipulative. The special effects are now completely out of date and that made the movie somehow.

[B]

Actually, that's one of the things that people think has aged well is the special effects. They're definitely moments, but because the mix of practical and special, it's aged pretty well. Are you wrong on that, Tyler?

[A]

I don't know.

[B]

I will absolutely agree with you, though. I'm glad we managed to bring Michael Crichton into this, because Crichton, who wrote Jurassic park and Lost World and many other science fiction stories, by far my favorite author as a kid. I loved Michael Crichton and I loved those books. But I still love Jurassic Park. Lost World is another story.

[A]

He was a tremendous art collector and he wrote a great book on Jasper Johns. He would have been a first rate CWT guest.

[B]

Yeah, absolutely. You know, I actually emailed you. This is before I worked at Mercatus, but when Michael Crichton died, I emailed you and asked you if you would write anything. And I think you said nothing particular is occurring to me to say that would be of any value. But I loved Michael Crane and I.

[A]

Knew the year is a wonderful book.

[B]

I think you've said it was one of your favorite.

[A]

It'd be my favorite.

[B]

Yeah. Yeah. What do you think of the movie Sphere?

[A]

I didn't want to see it because it would wreck the book for me. So it got so, so reviews. I just stuck with the book. Andromeda Strain, of course.

[B]

Very. Yes. Quite relevant. Okay. And then the last one you added was Life of PI.

[A]

I would like to see it again. I found it engaging at the time. A lot of smart people I know turned against the movie. Maybe it's too manipulative or too corny or too in some way condescending, like toward India or maybe Bollywood. But it touched me nonetheless. I think it's probably still a good movie.

[B]

I didn't watch the movie and I didn't particularly enjoy the book. It was obviously a big book.

[A]

I don't love the book, so that's why it took me so long to see the movie.

[B]

Okay, moving on to books. Favorite fiction. Gillian Flynn, Gone Girl. Is it Gillian Flynn? Gillian Flynn? I'm not sure.

[A]

I don't know either.

[B]

Gone Girl.

[A]

Well, it's become really quite famous. It's fun and engaging and totally manipulative. But it's become a thing and I think that I picked it. To my credit, if I may say.

[B]

We'Ve either considered her or outright asked her to be on cwt. I'd have to check my notes. Gone Girl. I have read the book. I've read the Screenplay, which she also wrote. And I've watched the movie and sometimes I do that to just see how do you adapt something, especially if it's the same author. It's interesting the choices you have to make going from novel to screenplay and then seeing what actually made it to screen. Next one. Nel Freudenberger, the Newlyweds.

[A]

Yeah.

[B]

Forgotten Alonso Cwaito, the Blue Hour.

[A]

Peruvian. Excellent novel. Peruvian literature is a thing. Underrated. Not all of it's translated. I have a few in Spanish in my pile to read, but it takes me so long I don't know when I'll get to them. But that's a very good book.

[B]

Peter Siss, the Conference of the Birds. You say it's mostly illustrated. Beautiful.

[A]

In any case, that's the old Persian poem, I think.

[B]

So let me look it up. This is celebrated children's book author. His first book for adults. A beautiful and uplifting adaptation of the classic 12th century Sufi ebbing poem.

[A]

Yes, that's a wonderful poem. Definitely recommended. And there's a new translation of that that came out a year or two ago that's also very good.

[B]

Alice Munro, Dear Life Stories.

[A]

She's a double plus. Read everything by her. One of the deepest writers and thinkers.

[B]

And you said I can confidently put this on my list without having read it yet.

[A]

I was right.

[B]

And then you add, I was disappointed by most of the well known novels to have come out this year, including the Tom Wolfe Unreadable last I'm not sure which one that was. And McEwan, okay, but not Distinguished Mantel is somehow too dense for me and I do not enjoy it. The fault may be mine.

[A]

I'd rather read history than her stuff. Sad to say that in a year when she passed away, but it never clicked with me.

[B]

All right, favorite nonfiction books. First one, Charles Murray. Coming the State of White America, 1960-2010.

[A]

It's now so well known, but it was quite ahead of its time and the notion that parts of the nation were in some way coming apart he completely nailed. So that's an important book and he was right on target and he gets full credit for that one. But do you need to read it now? You've heard it too many times. So I would say in that sense, no. But definitely a big hit for Murray.

[B]

Okay, you've got a lot of these, so let me run through these fast and you can say anything, if anything jump out at you. David Ackett Fisher, Fairness and A History of Two Open Societies, New Zealand and.

[A]

The US Everything by him is great. And we should consider having him on as a guest.

[B]

Look at this.

[A]

Some people recommended that in the comments today.

[B]

There you go. George Dyson Turing's the Origins of the Digital Universe. I wonder how that would look today.

[A]

I think good, but there's been enough other books. It's not so special anymore. Probably you don't need to read it, but I think it's still fine.

[B]

John Gertner, the Idea Factory, Bell Labs and the Great Age of American Innovation.

[A]

Great topic, great book. Excellent author. Michael Durden More important than before because the corporate lab has appeared increasingly important with time.

[B]

Michael Durda on Conan Doyle or the whole Art of Storytelling I'm a big.

[A]

Fan of Sherlock Holmes. That's a good book. Dirt is a very smart guy. I love to stuff for the post. So yeah, it's good.

[B]

James Fallows China Airborne it is out.

[A]

Of date, but at the time it was in some ways the best analysis of the problems in China and Chinese business. Different ways in which lack of trust meant you could not manufacture certain very high quality goods. Again, it is fairly out of date, but still an excellent book for its time.

[B]

Greg Wolf An Empire Story so many Rome books.

[A]

Somewhat forgotten, but I don't mean that as a slight. It was probably quite good.

[B]

Reach out to Tyler for your blurb on the next Rome book. So many Rome books.

[A]

Look, the number of sources is limited, so there's new archaeology, but until we read those burnt codexes and the like just rehashing with another interpretation, it's diminishing returns. Maybe better to read the Romans. I don't know. It's hard, hard at the margin to improve your understanding of Rome. I find odd.

[B]

Arnie Restless Empire, China and the world since 1750.

[A]

Very good book. There aren't that many good books on Chinese history that will be intelligible to a Western reader, but that's a good one.

[B]

Robert Kaplan the Revenge of Geography I like geopolitics.

[A]

Some of the claims are overstated. He generalizes too much, but that's better than a writer who won't tell you anything.

[B]

Barry Eichengreen Dwight Perkins Kan Ho Shin From Miracle to the Growth of the Korean Economy There are way too few.

[A]

Books on Korean economic growth. That's one of them. Excellent on facts. Quite boring in terms of style, but just for what it covers and what it does. Strong recommendation.

[B]

So those are your picks. I may have missed it, but I didn't see music picks from 2012. But what do you think of your picks? How have they aged overall?

[A]

Well. By whose account do I still like what I like mostly. But that doesn't mean they've aged well. Right?

[B]

Yeah. Not the dictator, not the Three Stooges. Can't get over that. Tyler. Sorry. I tell you what, let's go to production function. This will be easier this year in one sense. Because you only explicitly asked it three times this year. I know. You kind of embed it in the conversation and it comes up more organically this year. Especially just literally not even saying the words production function or kind of getting a lot into process as a discrete segment. Was there any intent behind that or. It just happened that way.

[A]

If listeners like something too much, maybe you should move away from it. That's the intent. You get trapped or caught in your own memes a bit as I sip.

[B]

From my self recommending mug.

[A]

Exactly. So that's why I did less of it. Just to kind of screw with people. Like, well, you thought you liked this. Now I'm going to take it away from you, but I'm still interested in the question.

[B]

Tyler, you're a cruel mistress. Okay, let's do the three, though. So I will read out the answer to the production function question or where they talked about it and you guess the name. Okay. Quote, my dad is a good guy. I think it showed something about my interest in taxonomy. He's talking about bug collecting, I believe. I think bug collecting showed something about my interest in taxonomy, which is probably not unconnected to later becoming a baseball reporter as I became a stat head in high school and in college. So there is probably a story to tell there.

[A]

It's got to be Chuck Klosterman, right?

[B]

It's not Chuck Klosterman.

[A]

Chuck Klosterman.

[B]

It's a good guess though.

[A]

Who is it?

[B]

It's Jamal Green.

[A]

Ah, that's right.

[B]

You asked him a question. His dad. Okay. Number two, there's a huge amount of power in being quantitative. There's a huge power in thinking about things not just from a qualitative angle, but putting numbers on things, building statistical models, doing that in a world where, you know you're forgetting an enormous number of factors. How do you do that? I think that is one of the core things here, getting quantitative numerical when it's really hard to do. So.

[A]

Was that sbf?

[B]

It was Sam Bankman. Fried. Indeed it was. Your first question was a production function question. So he emphasized the quantitative and putting.

[A]

Numbers on things and learning how to count.

[B]

Yes. Okay, third and last one. Frankly, I don't understand people who go quiescent intellectually as they get Older, in a way. Getting older, you get more control of your time and you have more savvy on how to do things and how to make things happen, who to call when you have a question and all that stuff. So your ability to investigate stuff, especially with the Internet now, is going up all the time. Why would you let curiosity fade?

[A]

Sounds like either Mary Gaitskill or Lydia Davis.

[B]

It's Stuart Brandt.

[A]

Stuart Brandt.

[B]

Stuart Brandt, who up until Jeremy Grantham was our oldest CWT guest. I think Grantham Dallas. Is that right? Jeremy's two months older than Stuart Dallas. Floor other CWT producer confirms that there's two months difference between Stuart Brand and Jeremy Grantham.

[A]

I'm glad someone knows these things. Who's our youngest guest ever?

[B]

Ooh, good question. Any guesses?

[A]

I don't think it was anyone from this year.

[B]

Anna Vetovic is young. I don't think she's the youngest. She was the first guest this year.

[A]

Patrick Collison would have been 27.

[B]

Yeah.

[A]

I don't know if he's the youngest, but he must be close.

[B]

Yeah. I would think that it's someone probably in their late twenties would be the youngest. We have reached out to people younger. We've reached out to teenagers.

[A]

Tavi Gevinson. We tried, right?

[B]

Yeah. And there's been. Yeah, there's been several people like that who have done something exceptional. Some of them have been like headline newsmaker type people. And we've tried to get them on, but for various reasons, no dice.

[A]

Let's try someone else. Very young.

[B]

Yeah. And that's something you've talked to us explicitly about, too.

[A]

I'm a little reluctant that if they're that young, it's not that I think they'll screw it up, but they do get branded by the episode, and that's a responsibility on our part. That makes me a little nervous.

[B]

Yeah.

[A]

So there's some people where, you know, that will be fine. And I would want to make sure it's a young person in that position.

[B]

Yeah. You have to be careful the younger they get. There's definitely people who are CWT worthy, but there's more to consider for them in coming on the show, to be sure. Switching on to some of the questions I had and we get a few minutes to have the conversation I want to have.

[A]

It's all been the conversation you want to have, I believe.

[B]

That's right.

[A]

Especially the Three Stooges part.

[B]

Yes. The through line of this episode is the Three Stooges remake for 2012. Absolutely none of our listeners remember, but does exist, but just Faith.

[A]

Tribute to the original Three Stooges deserves a mention. I think so. I don't regret having put it on the list.

[B]

Are you a Three Stooges? Laurel and Hardy, Abbott and Costello. What's your ranking?

[A]

I watched a lot of Abbott and Costello as a kid because my father did, but I have to say I never found it funny. I think you can see roots of Larry David in Abbott and Costello, and that I find interesting. But no, it's unwatchable. Like who's on first? It's just not funny. Laurel and Hardy, there's a bit. W.C. fields, the bank Dick I like better. Charlie Chaplin, I like better. Buster Keaton I like better. Most early comedy I don't love. And I think that tells us something about the nature of comedy.

[B]

I'm an Abbott and Costello guy. I think I watch the most of that, and I think some of that holds up. Others maybe not so much.

[A]

The best movie is with Frankenstein in the Wolfman. Yes, actually a good Frankenstein in the Wolf Man.

[B]

I watched that movie many times as a kid.

[A]

Yeah, it's very good.

[B]

All right. You wrote one of your big Marginal Revolution essays this year. Last year you did one on State capacity Libertarianism, and this time you did one on the New Right.

[A]

Yes.

[B]

What was your thought process going into that? You said for the SEL1, the state capacity libertarian one, that you were sort of like typing it with glee. You knew it would be kind of a poking the bear or something for the New Right. What were you trying to accomplish for yourself and for your readers?

[A]

Well, when I go to events, I very often meet quite smart young people. And those who are not on the left and who are not effective altruist those who are on the right, they tend more and more to be some version of the New Right, for lack of a better term, even though that's a quite diverse set of views. And I wanted to write a piece that would actually try to persuade those people and make them more in the direction of classical liberals, but recognize what it was they might be correct about, but still give reasons why I thought they weren't on the proper path forward. So that was my thinking there. I think it's the most influential piece I've written this year, is my guess, probably the most widely read as well.

[B]

Are these movements now just getting fast and furious? Is that one place in which things are getting more dynamic and changing all the time? Is every year now, Tyler's going to be writing a new essay on some new intellectual or political movement that's coalescing, probably.

[A]

So there's a lot of fracturing. Old views are breaking down with the Internet. Everyone's eclectic, so there's always more to write about in terms of other people's views.

[B]

You had a book come out this year with Daniel Gross called Talent. How did that tour go? How did it compare to previous book tours? Any noticeable differences?

[A]

The tour is still going, so I'm still giving talks, webinars, whatever about the book. Quite often a lot of institutions are using the book in a way that I find rewarding. Not sure I'm free to let on what they all are, but like some pretty good places. And I think the book has a remarkably dedicated set of readers, sort of per reader, it's the most influential book I've written in terms of changing something about practice. And of course, a lot of the credit there goes to Daniel. So I've been very happy with how the book has gone.

[B]

Did anyone ask you your question, which is, what are you working on next?

[A]

Anyone in a podcast?

[B]

Anyone in that kind of press tour? You've said that no one needed. You mentioned that one of the things no one ever asked about is what's your next book? Or what's your next project? Did you get that this time?

[A]

I did a few times. So I've always been thinking about a sequel with Daniel. I don't think that will be the next thing. I don't think we have replenishment of fresh material on a rapid enough basis. I'm writing a book. My take on the greatest economists of all time. Ayek Keynes, Smith, Malthus Mill and why they're interesting or where they went wrong. And that's pretty far along. It's over three quarters done, I would say.

[B]

Oh, that's exciting, Tyler.

[A]

I'm excited, but it won't come out soon, so there has to be the paperback of Talent. That will take a while. Then that goes through its run.

[B]

The paperback of Talent prevents us from learning about the talent in economics.

[A]

That's exactly right. In a funny way, this is a sequel to Talent. It's case studies.

[B]

So you were on RT and Shreem's Good Time Show. One of the questions they presented to you was about the NBA halftime show, and you said you really liked it. And you liked it because the people argue with each other, but they seem to love each other. They're really highly analytical but trying to get to the truth of things.

[A]

This is the TNT show, in particular with Charles Barkley, Kenny Smith, Shaq and Ernie. They're not always analytical. But they have fantastic chemistry and they know how to make it work. And it's one of the best things to study, I think, to understand podcasting.

[B]

Yeah, he mentioned it in the context of podcasting. And do you know where that format came from originally?

[A]

No.

[B]

Yeah. Because it was an intentionally created format. How do you have something on TV that's argumentative but compelling and insightful?

[A]

Right. And they use visuals very well, too.

[B]

Yeah. And one of the readers can correct me, listeners can correct me if I'm wrong here, but I believe one of the sources that people point to that format is actually the Siskel and Ebert show that started in the 80s, and that was the thing that they figured out is how to have two people who were a little cantankerous and a little antagonistic, but fundamentally loved movies, had two different points of view, and could argue about a movie in a way that was still instructive. And it took them time to dial that in. But one of the big producers of sports shows like on ESPN directly credit Siskel and Ebert with giving him the idea to do shows like the Halftime Show.

[A]

I didn't know that. That's great. And, you know, it took a while for them to work Shaq into the group, and it's fine now. But at first I was like, eh, this isn't going to work.

[B]

And it took Cisco and Ebert, and I think this is an instructive lesson for everyone, is it took them a while to figure that out. It is very difficult to make that work and to operate in that environment, whether you're on a podcast, NBA halftime show, or talking about the movies. And this is something I think we think about at Mercatus all the time is how do you have that insightful dialogue where there's some tension, but, you know, you're trying to get to the truth of the matter. And that is a really powerful format for actually developing understanding and insight for things that sports has got to figure out.

[A]

And Seinfeld did. Also, early Seinfeld episodes are pretty iffy. Right. But at some point it becomes funny and interesting.

[B]

Yeah. I have to say, I'm not a Seinfeld person. I like Larry David Curb youb Enthusiast.

[A]

He's better. It's a more pure thing. But for ensemble work, I think Seinfeld is where one goes.

[B]

And Seinfeld we have, I think, had a direct line to. We did have a connect with Seinfeld and we sent an invitation pre Covid, I think, or maybe during COVID but no luck with Seinfeld. But I think he would be a really good guess as well.

[A]

We should try Larry David and Larry David. I promise not to ask about who.

[B]

Also. Yes, but weirdly, Larry David, even though he was marketing ftx, he played the guy who thinks it's a bad idea. So he's coming out aces on this. Lastly, I forgot to ask one of the most important questions of this retrospective, which comes from fellow CWT producer Dallas Floor. She says, I saw Limp Bizkit in concert this past summer and it was one of the best concerts I've ever been to. What are some of Tyler's best or favorite concerts you've ever attended?

[A]

Master musicians of Jajuca. They're a Moroccan. I would call them a noise band. That's one of the best shows I've ever been to. Seeing live Gamelan music in Bali is one of the best shows I've ever been to. The Paul McCartney tour in the early 90s, seeing Roger McGuinn and Gene Clark play at NYU in what would be I guess was the mid-1980s was a top show. Those are like a few that come to mind. Off the top of my head. I saw Horwitz play at Carnegie hall once. Piano he did Beethoven Opus 101, Schumann, Carneval, some other great works, some Chopin that was amazing even though it was not Horwitz at his peak. Ushida playing Mozart was incredible. So, so many for top concerts I wouldn't know where to stop.

[B]

Those are good picks. I'm not sure how they stack up against Limp Bizkit though. Okay, before we close, let me give a shout out to everyone on the team who helped out this year. That's Limp Bizkit fan Dallas Fluor, Morgan Hamilton, Kate Delanoy, Sloane Argyle, Caroline Baer, Karen Plant, Christina Behe, Hayley Larson, Katie Kindernecht, Anna McVeigh, and Ashley Schiller. If you count all the people that helped out here at Merkitis with live events and things like that, it'd be a much longer list. But we thank you for all your help and we look forward to another year in Conversations.

[A]

Thank you, Jeff.

[B]

Thank you, Tyler.

[A]

Thanks for listening to Conversations with Tyler. Please don't Forget to visit conversationswithtyler.com Donate to support the show before the year's end. Thanks for listening to Conversations with Tyler. You can subscribe to the show on Apple Podcasts, Spotify, or your favorite podcast app. If you like this podcast, please consider giving us us a rating and leaving a review. This helps other listeners find the show on Twitter. I'm at Tyler Cowan. And the show is cowanconvos. Until next time, please keep listening and learning.