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Hey listeners, this is Dallas, one of the producers of Conversations with Tyler. On April 14th, join Tyler at the 92nd Street Y in New York City for a live taping of Conversations with Tyler featuring Craig Newmark, the founder of Craigslist, and Craig Newmark philanthropies. Tyler and Craig will discuss trust, cybersecurity, and the building blocks of resilient civic institutions in the digital age, along with plenty more. I'm sure tickets are selling quickly, so be sure to grab yours before they're gone. You can find the link to buy tickets at the top of the show notes. Hope to see you there.
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Conversations with Tyler is produced by the Mercatus center at George Mason University, bridging the gap between academic ideas and real world problems. Learn more@mercatus.org for a full transcript of every conversation enhanced with helpful links, visit conversationswithtyler.com hello everyone, and welcome back to Conversations with Tyler. Today I'm speaking with the great Harvey Mansfield, and Harvey has a new and excellent book out called the Rise and Fall of Rational Control. Harvey, welcome.
C
Thank you for having me. Please, Pleasure to be here.
B
Now, given that Machiavelli had no real sense of modern science and its fruits, what ends up being missing from his political thought?
C
Well, he didn't have no idea of modern science. In fact, I would say that his notion of effectual truth is the beginning of modern science. The official truth, he says, is what comes out of the truth, or what is the effect. If you say to somebody, I love you, the effectual truth of that is I want something from you. So the effectual truth is the upshot, sometimes, not necessarily the intent of the statement. So you must judge then from cause to effect. The word effectual was brand new, actually invented by Machiavelli. It comes from the Latin fakere, which has to do with fact. Today we use the word fact all the time, as if it were something that always existed. But it was Machiavelli and some later thinkers who developed that notion of fact. So the fact of a thing is what it is without any wish or intent attached to it. So that means you can go from cause to effect. And that, I think, is the fundamental notion behind modern science. Modern science isn't based on wish or speech as with Plato and Aristotle. It's based on fact. Galileo didn't go around asking people, does the earth move or not? He looked for the fact, said it was not a matter of public opinion or philosopher's opinion, but for the effectual truth.
B
But say, when it comes to technology, Machiavelli understood gunpowder, but the idea that our lives could be so safe. Nuclear weapons, modern effective birth control, modern media. Don't all those things mean that modernity is in fact quite irreversible?
C
Not so much those things, but the first thing you mentioned, gunpowder. Gunpowder means the defense of the state. That's especially what's involved. And it seems that technology must continue, can't really be stopped or reversed because. Because one country always needs to protect itself against another country. So it's that need for national defense that I think especially drives technology. Whether or not other new developments come is good, but it's not necessary. It's not something that you must have. But once somebody has gunpowder, then others must have it. And that applies of course, to all the modern military technology.
B
Did Strauss think modernity was reversible?
C
Yes. What I just said, I think came from Strauss. There wasn't any possibility of reversing it. There might be possibility of improving it, of making it better than it might be otherwise. He thought that the ancients had more to say on the big question of how should I live than the moderns did. You could understand things better if you begin with an approach from Plato and Aristotle. That's what he thought. Yes. It's not reversible, but it's improvable.
B
So is it a mistake for me to read Strauss as actually a modernist, but who wants to marginally improve the current world with virtue ethics?
C
It wouldn't be a marginal improvement. He doesn't begin from the modern world, but he begins from the ancient world, which produced the revolution led by Machiavelli. The modern world against the ancient. I don't think it should look at it simply as an approach to, or even at first glance as an approach to the modern world.
B
Machiavelli and his notion of indirect rule. Does that lead people to excess attachment to conspiracy theories, which is something we seem to see today, especially on the political right.
C
Yes, it does. That's right. I think Machiavelli's notion of conspiracy does indeed have that effect. He wants you to think of politics in terms of conspiracy. Politics isn't what it looks to be, but it's always what's going on behind the scenes. What is behind the scenes is more important, that is the effectual truth, you could say. Whereas the principles, the talk, the justification, the rationalization, that's not worth paying attention to. Or if it is psi, you have to take it with a grains of salt. Yes, it's conspiratorial. The longest chapter in Machiavelli's two great works, the Prince and the Discourses on Living, is the chapter on conspiracy. The conspiracy had been considered by previous thinkers as to whether tyrants should be killed or not, whether that's a just thing for a citizen to undertake, but it had never been actually explained, and how to do it, account given. But that's what Machiavelli does, especially in the long chapter, which is book three, chapter six, in the Discourses on Livy, by far the longest chapter, and he tells you how to do it, before enduring and after. So there's three stages of a conspiracy and the things to watch out for.
B
If we look at America since, say, the beginning of the 20th century, is Machiavelli right or wrong? Is it a conspiratorial politics?
C
I don't think he's right.
B
So what did he get wrong?
C
What he got wrong was our frankness, our openness, behavior. The great wars we fought were not undertaken by us. They were not intended, they were wars of defense. He Talked about the 20th century, when America sort of saved the world, or if not Europe, at least from America saved the world from three great invasions. That was a considerable accomplishment which wasn't intended or conspired for by us.
B
But say, even after the Cold War ends, there's plenty of years since then. Do you think of current politics in terms of conspiracies?
C
Current politics, yes, because it's always possible, it is always necessary for government to be secret. Some of the work I did on executive power had that for a thesis. You can't ever speak without holding back something. So to this extent, Machiavelli is right. If you've ever been in charge of someone or something, you know that you can't say everything that you know. So even a babysitter can't say everything to the baby. You have to say something which is understandable and won't cause grief for or trouble. So all politics has that kind of need for equivocation. In addition, anything that you're doing, you need to plan first. But if you make all your plans open and public, whoever it is that you're acting on, even if it's a friend or a friendly power, will react and perhaps foil what you plan to do. So execution requires secrecy, and secrecy includes conspiracy. In the end, you could say the truth comes out after the plan has been executed. Then people see what was underway the whole time, and at that time, you've got to show that what you did was according to your principles. Now Machiavelli would say people can be impressed by power, by the fact of a display of power, especially a sensational use of it, as we just had with the capture of Maduro in Venezuela. That impresses people regardless of principle. And they begin to think that because it succeeded so well, it must have been right. You could even say maybe God intended it and justifies it. So in this way, I'm coming back to the other side for the question you raised on Machiavelli, that maybe conspiracy is always there and always justifiable, but my Americanism or my American principles, my liberal principles, rebel against that. And I do think that America can be seen to have done good things in a very major way throughout the 20th century.
B
Are we entering a new age of political assassination? And if so, what insights can we get from earlier political theorists?
C
Political assassination, I see what you mean. Israel, especially against the jihad, but also attempts against Trump.
B
Charlie Kirk is killed. The healthcare CEO was killed. Right. A lot of cases right here in America.
C
You're right. Well, political theory, at least as regards Machiavelli, comes to the fore. I don't see anything more to add to what I said on Machiavelli. If there's a trend to it, people copy it. I don't think inspired by reading political theory.
B
Peter Thiel, as you probably know, has great admiration and respect for Rene Girard and the idea of mimetic desire. What is your view on Girard?
C
I don't have a view on Girard. I'm sorry, haven't read him.
B
But that's endogenous, right? You don't find it that interesting then?
C
Endogenous? Yeah, yeah, there's something to do with violence in there, but I haven't. No, I. I've read plenty of things and not read plenty of things that I ought to have done as well. So I can't defend myself on that.
B
What in Shakespeare gives you the most insight into leadership and politics you could think of?
C
Macbeth. Nature of ambition and the character of it and the way in which it is treated by pacifists or by victorious mastermind. The question in Macbeth is debate between the pre Christian view of revenge and the Christian view of God's peace. The power of ambition, the role of women. Lady Macbeth urging on her less eager husband. This is a reminder of something that our political science especially overlooks. The importance and the power of human ambition. Our country is really based on a kind of ambition that's reflected in the separation of powers. I don't mean to be wandering back and forth, but I think you could learn something about American politics. But by reading Shakespeare and especially Macbeth. But there's any number of lessons to be learned from Shakespeare. I just pick out this one that comes to mind.
B
If you think of President Trump, where to you does he fit on the Shakespearean map? Tragic, comic, ambition, all of the above?
C
Or he fits in the vulgarian quality of Shakespeare's characters? I've written on that to some extent. President Trump is not a gentleman. He works at a level of discordant impulse, and he's always looking to say something that will strike people rather than persuade them. That led me to think of the vulgarity of democracy. President Trump is, in his way, more democratic than the rest of us because he's able to understand and to impress people who are not refined in their thinking and in their ways. He's not a man of courtesy. Some of the vulgar people in Shakespeare around Falstaff, for example, could be understood as vulgarian democrats that Shakespeare wants to present to us.
B
Have you read Bronze Age Pervert, also known as Costin Alamariou?
C
I've read his dissertation, which I guess is the basis of his book.
B
Is he a vulgarian? I mean, if his name is Bronze Age Pervert, should I think of him as another vulgarian?
C
He's a deliberate seeker of what is vulgar and what is uncivilized or, say, on the edge of civilization. He wants to make a point of the dirty necessities of politics and of founding, so that he doesn't start with the Stone Age or even the Iron Age, but all the way to the Bronze Age, but still, just as people are on the edge of beginning civilization. And that might be where the greatest truth or the greatest insight into the need for violence is most obvious. So I read his dissertation, that it was done at Yale. I've had not much contact with him since, but we left on good terms.
B
It seems he's by far the best known young Straussian. Should we take what he's doing as a model? For what? Straussianism is evolving.
C
No, you shouldn't. Please don't.
B
What is the model, then?
C
Even to call him a Straussian is not correct. I don't think he picked things out of Strauss, especially from Nietzsche. He presented them to me. He was not the kind of student who was a patient, respectful listener. He had his own ideas, but he was interesting and he's smart.
B
So what is Straussianism evolving into? So Strauss himself is gone. His students are now typically older, or they've passed away. Like Seth Bernardetti. What's the future for the movement?
C
I think the future is if not assured, pretty good. The basis for my thinking that is the great books, I think Strauss emphasizes the great books is that that's sort of the center of his teaching. And those books are so superior that they in a way guarantee their own future. Why is it that we still read Plato's Republic, say 2500 years ago? So I think the books will always be there, and therefore the basis for Strauss will always be there. And since Strauss has shown what can be seen in those books, I think that will continue. Whether it's true that in recent years Straussian professors at the most prestigious universities have died, retired and not been replaced, I don't think that matters fundamentally because people can always find it if I just meet someone and introduce this idea. Some of his ideas, they're always attractive. But it's true that there are many ways in which Strauss is not attractive to scholars and democrats, by which I mean all of us democratic citizens these days.
B
But these days, what's the best way to learn Straussian methods of reading a text? You sit down with the AI
C
I haven't tried that, so I'm not. It works pretty well, really, does it? AI wouldn't substitute the words for the original. That would try to explain it.
B
It's not as good as Strauss or you, but it's better than most of what's out there.
C
All right. That's not good enough though.
B
What's the best we've got?
C
Yeah, you want the best. You want the best, and the best is in the original text. I don't think you want to substitute for that original text trying to understand it. So you need to pay careful attention to everything that is said in the way that it's said and in the place that it's said. Strauss had this concept of what he called logographic necessity. Logographic meaning where a thing was what a thing was said by a great book's author had to be there. It isn't an accident. There are no accidents in a great book. Everything is as it should be. So to understand it, you don't want to go to some second rate explanation, doesn't take account that departs from the text.
B
But many people pick up Plato's Republic and they come away thinking it's a mere homage to totalitarianism. Not all of these people are stupid. Karl Popper was not stupid. But. But I think he read the book completely wrongly. How is it one learns how not to do that? Today you can't study with Strauss. You're not teaching at Harvard anymore. What does one do?
C
Look For Straussian, look at Strauss books, especially Natural Right and History, that's the most easy one to begin with, but also at persecution and the art of writing, which is his explanation of esoteric writing. Read what others have tried to do before you look for somebody, somebody to help. I get a number of emails when people write to ask about things they have seen and ways they would like to go.
B
How would you put your finger on what Strauss had and say, Quine and Rawls, both brilliant people, but Quine and Rawls did not have.
C
What is that difference regard to Quine? Quine famously said, philosophy of science is philosophy enough. Strauss would certainly oppose that and. And try to introduce Nietzsche to Professor Quine, as I once attempted to do when I was younger.
B
How did that go?
C
Yeah, I was at a meeting of people and somebody asked about Nietzsche and so. And so I discoursed for a while, and he sat there listening with a smile and never commented. I was actually pretty good friends with him on a political basis because we both had conservative political opinions and we belonged to the senior Common Room at Eliot House, so I would fairly frequently have lunch with him. And then on a later occasion, I once invited Tom Stoppard, the playwright, to come give a talk at Harvard. And afterwards we had a dinner to which I invited Quine. And he came because Quine had figured in one of Stoppard's plays. So that's Quine. Now Rawls is kind of slightly decayed liberalism. So I think Strauss would have liked to introduce John Locke to Rawls and show him how Locke set up things better than he had. Locke's State of Nature was a better picture of the fundamental principle of liberalism than Rawls's original position. Rawls is much closer to Locke, of course, than Quine to nature.
B
But there's no just appropriation in Rawls in the same sense. Right?
C
That's no just appropriation. The labor theory of value is not understood or appreciated by Rawls. The good life is a life which must be earned. I think that's a fundamental principle of liberalism, which today is set forth more by conservatives than by liberals. That needs to be remembered from a Straussian perspective.
B
Where's the role for the skills of a good analytic philosopher? How does that fit into Straussianism? I've never quite understood that. They seem to be very separate approaches, at least sociologically.
C
Analytic philosophers look for arguments and isolate them. Strauss looks for arguments and puts them in the context of a dialogue or the dialogue or the implicit dialogue. So instead of counting up 1, 2, 3, 4 meanings of a word, as analytic philosophers do. He says, why is this argument appropriate for this audience and in this text? And why is it put where it was and not earlier or later? Strauss treats an argument as if it were in a play, a play which has a plot and a background and a context. Whereas analytic philosophy tries to withdraw the argument from where it was in Plato to see what would we think of it today and what other arguments, what other arguments can be said against it without really wanting to choose which is the truth?
B
Are they complements or substitutes? The analytic approach and the Straussian approach.
C
I see. I wouldn't say compliments, no. Strauss's approach, I think, is look at the context of an argument rather than to take it out of its context. To take it out of its context means to deprive it of the story that it represents. Analytic philosophy takes arguments out of their context and arranges them in an array. It then tries to compare those sort of abstracted arguments. Strauss doesn't try to abstract, but he looks to the context. And the context is always something doubtful. So every Platonic dialogue leaves something out. The Republic, for example, doesn't tell you about what people love instead of how people defend things. Since that's the case, every argument in such a dialogue is intentionally a bad argument. It's meant for a particular person and it's set to him. So the analytic philosopher doesn't understand that arguments, especially in a Platonic dialogue, can deliberately be inferior. Easily or too easily refutes the argument which you are supposed to take out of a Platonic dialogue and understand for yourself. Socrates always speaks to down to people. He is better than his interlocutors. So what you as an observer or reader are supposed to do is to take the argument that's going down, that's intended for somebody who doesn't understand very well, and raise it to the level of the argument that Socrates would want to accept. So to the extent that all great books have the character of downward shift, all great books have the character of speaking down to someone and presenting truth. Inferior but still attractive way. The reader has to take that shifter in view and raise it to the level that the author had. So the author is, and what I'm describing is irony. What distinguishes analytic philosophy from Strauss is the lack of irony in analytic philosophy. Philosophy must always take account of non philosophy or budding philosophers and not simply speak straight out and give a flat statement of what you think is true. To go back to Rawls, Rawls based his philosophy on what he called public reason, which meant that the reason that convinces Rawls is no different from the reason that he gives out to the public. Whereas Strauss reason is never public or universal in this way, because it has to take account of the character of the audience, which is usually less reasonable than the author.
B
Now, what would a Straussian view be of, say, materialist approaches which seek to put the Great Books in context, but the relevant context is not the rest of the book, or comparing it to other great Books, but the relevant context is the history of its time? Is that a complement to Straussian methods, or again, another substitute?
C
The context of the time is very important, but it must be got from the author himself and not from an historian's backward view, an anachronistic view from today. So, for example, Machiavelli, his context is what he saw as his context, and he tells you what that is. He tells you that the troubles of Europe or Italy can be put in the phrase ambitious idleness, otio ambizioso, that is a leisure that is unoccupied, leaves you nothing to do. So that's his picture of the Christian world that he lived under and which he opposed to say he was some kind of Christian, as some scholars do, because he makes statements that indicate a friendly view toward it, to overlook this view that Machiavelli himself offers of his context. But the main point is get the author's view of his context first and then if that's limited or needs to be restated in terms of what we know today, go ahead.
B
If we turned Machiavelli into a series of empirically testable propositions, what percentage of them do you think would be true?
C
A small percentage, because he exaggerates. He exaggerates at the same time. You could say he's the author of making empirical propositions, something of what I said earlier, the effectual truth. He tries to predict what can happen. He has in view a path toward greater liberty and greater virtue that we now call modernity. Knowledge as prediction really begins, I would say, with him, so that what we call empirical, which is understanding based on fact, is really a new way of knowing things in such a way that we can protect ourselves and predict what may happen or occur to us. For Machiavelli, religion is most important as a form of providence or prediction, because most people don't want to know so much know God, as they want to know what's going to happen to them, so they want to know what is going to, what God is going to bring to us, or what Machiavelli says. He substitutes this. What Fortune is going to bring to us. And you can deify fortune, if you like, call it Lady Fortune, as he does in the Prince. That fortune is making something happen, reducing the possibilities of chance, a bad outcome. So that depends on what we would call an empirical or a factual account. So if you understand how people act in a way different from what they say or what they wish, then you can reduce the effect or the power of fortune or chance and make as a fact what you hope for in defiance of fortune. So reducing the realm of fortune or of chance comes about through what we might call empirical analysis. I'm trying to say that exaggeration is the requirement of empirical analysis, not the enemy of it.
B
Are there still great books being written
C
today on the level of canon of great books? Guess. I would say in the 20th century, Heidegger, and I would add Strauss to Heidegger, though I know that that's a controversial statement.
B
Why has the supply dried up? Because Heidegger and Strauss, that's a while ago, right?
C
All right, they are. But it doesn't happen that often that a really great book is written.
B
But if you look at the 18th and 19th centuries, you could name easily a dozen great books from each century. And here we have the whole 20th century. You name two authors. I'm not sure how many books you're going to have that cover, but it seems to be less. Even though population is larger, literacy is up. Right. What changed?
C
I'm not sure that there has been a change, and I'm not sure that that is useful speculation. It's better to not expect a great book. I'll say this philosophy has declined since the beginning of the 19th century. It's been historicized such that people doubt that a great book is possible because it's not easy or. Or possible for a thinker to think outside his time. And a great book is always one that is written in a time, but for the sake of the future and the possibilities and what will happen and for other times. So I think maybe that ambition to write for other times, or Thucydides said to write a book which is a possession for all times, has left us, and that the authors are not trying, as they might have done, to write
B
that kind of book in your own thought. How much have you learned from travel, travel abroad, travel in this country? Or does that not matter much?
C
It's a help. It doesn't matter much. I took my family twice to Italy when I was working on Machiavelli, spent a year in Florence and a year in Rome and Read pretty much and wrote pretty much as I would have done back in Cambridge. But the flavor of Italy comes out in Machiavelli. That was a joy and a pleasure to become acquainted with. It's a value of being a professor that you get time off for such excursions and also that you see a lot of different people come through the university so that you can sort of. You can stay, do your traveling by staying at home and seeing them and their differences. They carry their country and their context along with them.
B
But you're mostly seeing cognitive elites. Right. If you're at Harvard, you're not really seeing what, say, India is like, though plenty of Indians come to Harvard.
C
I'm not seeing what India is like. That's true, yeah. So I have to take the Indian's word for it now.
B
It's a recurring theme in your book, this idea of rational control. What do you think of the Hayekian tradition that suggests that it is impossible? The complex systems traditions that see things as a spontaneous order matters are the result of human action, but not of human design, and that rational control is a kind of illusion. What's your view of those thinkers?
C
Negative. I think that their idea of spontaneous order is an idea which is intended to be a kind of form of rational control and which can be seen in the original author of a rational control named Machiavelli. Machiavelli wanted to let things ride, take the leash off humanity, especially the Christian leash, and let the nobles and plebs fight it out, as happened in Rome. That's how he begins his discourses, the kind of spontaneous order that arises from liberated human beings with all their powers and energies and attempts the way in which modern order originally began. That order comes out of liberation, not out of imposition. So I think Hayek is just an advanced version of what was originally intended. But what was originally intended also included the imposition that is required to liberate spontaneous order. Spontaneous order always presents itself as not spontaneous, as covered over in sludge and spoiled, prevented, inhibited. So it's something that needs to come to pass, but also, if that's to be the case, needs to be liberated. So I would say that he overlooks the Hayekian view, overlooks the necessity of liberating spontaneity that doesn't happen spontaneously.
B
I recall having read that in the early 1950s you saw in person a speech by Winston Churchill. Is that true? And if so, what were your impressions?
C
That was one of the thrills of my life. I knew it then. That was in England. In 1953, and I went to the Conservative Party conference that was held in Margate, a seaside resort, and was able to get into hear Churchill, thanks to my professor, Sam Beard, who was a great student of British politics and whom I was sort of accompanying in England as a student that year. And Churchill was back in power and towards the end of his term and his faculties. But he began with a greeting to his friend Anthony Eden, who was the foreign minister who had been in the hospital and had just gotten out. And the question of the day was whether Churchill would call an election before his time ran out or not. And Churchill said, it's very good to be in the hospital when you're sick, but when you're well, it's not necessary to take your temperature so often. So he was likening an election to taking the temperature of patient spotting and saying it wasn't needed. That stuck in my mind. And it was a nice analogy, one that gives room for thought as a world historical figure.
B
What was it that Churchill understood?
C
Churchill understood the character of liberal democracy, that it had a certain character. It needed to be guided. He was not from an. An aristocratic family, but he was from a very high lane of people and he was from high society. And he saw that radical forces of socialism were on the march, but that the aristocracy couldn't sustain a battle against them or a kind of comfortable reception of them. So he took the country out of aristocracy into democracy in a way that preserved its dignity and gave himself great deserved fame. So that's what I would say he understood and accomplished.
B
Now, at Harvard, you've been well known that every year, every semester, you would take out your highest performing undergraduate student and have lunch or dinner with them. Over time, how have those conversations changed?
C
I'm not sure that that's a correct statement, that legend is correct.
B
But in general, your conversations with your students. And you have many of them, right?
C
Yeah, I have. They're not all that different. I don't think that the students in my classes have been that different through the 61 years I taught. In character and in interest and in ambition. Women came along, black students came along, Asian students came along. Those were all differences of ethnicity. But in character, I find them remarkable and easily attracted in a way. They see the books that I assign and answer to my remarks and try to put their own lives in some kind of relationship to those great books. They don't all become professors, most of them lawyers and businessmen, but they've found something that is valuable and will serve them the rest of their life. Give them something to do in their spare time and give them a kind of guide for what they're working at. I always say to them, do something that you can be proud of. That's a pretty general advice, but I think it enables a young man or woman to do his or her own thinking and yet come out with something that is solid and objective and praiseworthy.
B
You've argued in writing that manliness has declined. You don't see that in your students over time, or you do less courage, or how is that evolving?
C
No, I don't think manliness is in decline. It's in eclipse. So you don't see it as much as you did except in bad versions such as the Bronze Age Pervert. And at the end of my book on manliness, I had a chapter called An Unemployed Manliness. That is the danger now that this part of human nature, that men are different from women and want to be and need to express that is something that we need to hold on to, that can't be repressed without trouble arising. So the decline in manliness is also a rise in bad manliness. The assassinations, for example, that you mentioned before, can be accounted for by the bad education that we get and to some extent, the influence of points of view that deny manliness, particularly feminism.
B
Very last question. As we all get older and each day face increasing risks of death, does that influence how we think about politics? And should it influence how we think about politics?
C
It does. Well, Aristotle makes a remark about the old age and the young, that old age has a long past and a short future, and the young are the reverse. A short past and a long future. Getting old makes you reminisce, I find, perhaps to an exaggerated extent, and at the same time it sharpens your concern for the present. So I wouldn't worry about it.
B
Is the old age perspective the more correct one?
C
The old age perspective is probably not more correct. It's probably too short term, and it also can induce you to try to prescribe too much for your successors, your family, and so on, and impose yourself on on them in an unwelcome way.
B
Harvey Mansfield, thank you very much.
C
Thank you for having me.
B
Thanks for listening to Conversations with Tyler. You can subscribe to the show on Apple Podcasts, Spotify, or your favorite podcast app. If you like this podcast, please consider giving us a rating and leaving a review. This helps other listeners find the show on Twitter. I'm TylerCowen and the show is OwenConvos. Until next time, please keep listening and learning.
Podcast: Conversations with Tyler | Date: March 18, 2026
Host: Tyler Cowen | Guest: Harvey Mansfield
In this intellectually rich episode, Tyler Cowen interviews renowned political philosopher Harvey Mansfield about his new book, The Rise and Fall of Rational Control. The conversation ranges from Machiavelli’s influence on modern science and political thought to the evolution and future of Straussianism, the role of ambition in politics, the reading of great books, and the character of liberal democracy. Mansfield and Cowen explore enduring questions regarding political transparency, conspiracy, analytic vs. Straussian philosophy, and the decline of intellectual ambition in writing. Mansfield's wisdom, frankness, and subtle touch of irony shine throughout.
“His notion of effectual truth is the beginning of modern science.” (02:00)
Effectual truth, coined by Machiavelli, focuses on what statements objectively achieve, not their honest intention—an early version of today’s “facts” thinking.
“It seems that technology must continue... one country always needs to protect itself against another country.” (03:46)
“He doesn’t begin from the modern world, but he begins from the ancient world, which produced the revolution led by Machiavelli.” (05:34)
“Politics isn’t what it looks to be, but it’s always what’s going on behind the scenes.” (06:07)
“What he got wrong was our frankness, our openness, behavior... That was a considerable accomplishment which wasn’t intended or conspired for by us.” (07:58)
“All politics has that kind of need for equivocation... execution requires secrecy, and secrecy includes conspiracy.” (08:40)
“Our country is really based on a kind of ambition that’s reflected in the separation of powers... you could learn something about American politics by reading Shakespeare and especially Macbeth.” (12:45)
“President Trump is, in his way, more democratic than the rest of us because he’s able to understand and to impress people who are not refined in their thinking and in their ways.” (14:13)
“He’s a deliberate seeker of what is vulgar and what is uncivilized or, say, on the edge of civilization.” (15:40) Mansfield disclaims BAP (Costin Alamariu) as a Straussian.
Strauss’s Focus on Great Books
“The basis for my thinking that is the great books, I think Strauss emphasizes the great books... those books are so superior that they in a way guarantee their own future.” (17:21)
On Learning Straussian Methods in the AI Age
“That’s not good enough though... you want the best, and the best is in the original text.” (19:11) Strauss’s “logographic necessity”: every word and placement by a great author is intentional—no substitutions, no accidents.
Advice for New Readers:
Contrast with Quine and Rawls
“Quine famously said, philosophy of science is philosophy enough. Strauss would certainly oppose that...” (21:12)
On Rawls: “Rawls is kind of slightly decayed liberalism.” (22:00)
Argument in Context vs. Abstraction
“Strauss looks for arguments and puts them in the context of a dialogue... instead of counting up 1, 2, 3, 4 meanings of a word, he says, why is this argument appropriate for this audience and in this text?” (23:43)
On Irony in Great Books
“What distinguishes analytic philosophy from Strauss is the lack of irony in analytic philosophy. Philosophy must always take account of non philosophy or budding philosophers and not simply speak straight out and give a flat statement of what you think is true.” (26:45)
On Historicist and Materialist Readings
“The context of the time is very important, but it must be got from the author himself and not from a historian’s backward view...” (29:47)
“A small percentage, because he exaggerates... He exaggerates at the same time. You could say he’s the author of making empirical propositions, something of what I said earlier, the effectual truth.” (31:30)
“I think that their idea of spontaneous order is an idea which is intended to be a kind of form of rational control... Spontaneous order always presents itself as not spontaneous... So I would say that he (Hayek) overlooks the... necessity of liberating spontaneity that doesn’t happen spontaneously.” (38:20)
Meeting Winston Churchill
“That was one of the thrills of my life.... Churchill said, ‘It’s very good to be in the hospital when you’re sick, but when you are well, it’s not necessary to take your temperature so often.’... It was a nice analogy, one that gives room for thought as a world historical figure.” (40:34)
On Teaching Generations of Students
“...They see the books that I assign and... try to put their own lives in some kind of relationship to those great books... I always say to them, do something that you can be proud of.” (43:56, 45:00)
On Manliness
“No, I don’t think manliness is in decline. It’s in eclipse... the decline in manliness is also a rise in bad manliness... particularly feminism.” (46:16)
“Getting old makes you reminisce... and at the same time it sharpens your concern for the present. So I wouldn’t worry about it.” (47:48)
Mansfield’s style is thoughtful, measured, and, at times, subtly ironic. He blends scholarly rigour with moments of personal reflection and humor. Cowen’s questioning is incisive yet respectful, provoking Mansfield to clarify, debate, and elaborate with clarity and authority.
This episode traverses the philosophical legacies of Machiavelli and Strauss, the intellectual formation of liberal democracy, and the lasting importance of reading and re-reading the great works. Listeners will find essential guidance for engaging with grand political questions and the enduring challenge of reading deeply, thinking contextually, and living meaningfully in a modern world shaped by irreversibility and ambition.