Podcast Summary: “La entrevista de Grison en Cuerpos especiales”
Podcast: Cuerpos especiales
Host: Europa FM
Date: February 26, 2026
Participants: Eva Soriano, Nacho García, Lalachús (J), Grison
1. Overview
This episode of Cuerpos especiales dives into an energetic, humorous interview with Grison—musician, beatboxer, comedian, and regular on La Resistencia. The hosts (Eva Soriano, Nacho García, Lalachús) have a freewheeling conversation about Grison’s new show “No es fácil ser Grison,” anecdotes from his life as a performer and father, his unique beatboxing style, and a playful animal sound imitation contest.
2. Key Discussion Points & Insights
Grison’s Unique Style and Career Evolution
-
On Making Noise His Brand:
Eva opens by lauding Grison’s career built around onomatopoeia and sound effects.- “Es un artista que ha hecho de la onomatopeya un estilo triunfante.” [00:04]
-
Coping with Fame and Everyday Struggles:
Grison jokes about adult life problems:- “No viene el jardinero a mi casa... llevo con el fontanero pegándome tres semanas.” [01:30] The hosts tease him about not using his fame to get things fixed.
-
The Beatboxing Life and “Ruidez”:
The team discuss Grison's compulsive sound-making and jokingly pseudo-diagnose him:- Nacho: “Tiene ruidez.” [02:16]
- Grison: “Es una movida.” [02:18]
Grison’s New Show: “No es fácil ser Grison”
-
Show Structure and Solo Showmanship:
Grison confirms his performances are primarily solo—just him and his Loop Station, with occasional guest collaborations.- “Yo solo con el Loop Station. Estoy metiendo gente...” [04:02]
-
Upcoming Dates:
- 13 de marzo: Donosti (Kursaal)
- 15 de marzo: Madrid (La Riviera) [07:39, 07:47]
-
Work Ethic:
“Cada show que hago muero. 20 minutos de mi vida se me van.” [06:21]
He stresses he gives his all, referencing impostor syndrome but affirming the effort and love he puts into every performance.
Comedy, Festivals, and Anecdotes
- On Performing at Festivals:
Sharing his experience integrating in comedy/music festivals, standing out because his act adds musical freshness amid comedians:- “Si metes muchos cómicos y me metes a mí... es un aire fresco ahí.” [05:16]
- Festival Mishaps:
Grison recounts a comic face-off over stage sound interference:- “He llegado a estar discutiendo con el Ajax este del Ajax y pro de escenario...” [05:45]
Balancing Professional and Family Life
-
Paternity and Fame:
Grison shares that juggling his job with family time isn’t easy, especially with early TV schedules, and jokes about being more recognized for ads than TV:- “Mal concilio. Mal porque a Broncano se le de los huevos hacer el pro por las mañanas. Entonces, pues los veo poquito a los niños.” [08:45]
- “Voy al colegio a por los niños y me cogen otros niños del colegio...” [08:58]
-
Kids’ Habits:
Funny habits of his children, including the younger one’s keto-like diet—“Está Cristiano Ronaldo perdido, está.” [09:28]
Modern Youth Issues
- Bans on Energy Drinks and Social Media:
Commentary on newer restrictions for kids:- “Les han cortado el grifo de las bebidas energéticas... Han prohibido hasta a los menores de 16 años.” [09:31]
- “Se van a refugiar en el vaper, tío.” [09:45]
Relationships in the Industry
-
On Guests and Popularity:
On his reputation and the oddities of being famous and approachable:- “Tengo un problema con decir que no a la gente y la gente me va tirando sobaos por la calle, y cosas así...” [10:40]
-
“Famoso y majo” Curse:
“Es terrible, tío. Tienes que seguir mentalizado de casa diciendo venga, tengo que ser majo otro día más.” [11:08]
3. Notable Quotes & Memorable Moments
- On Beatboxing and Life:
- Eva: “¿Crees que puedes hacerte una entrevista solo a ruidos?” [00:46]
- On Being Overwhelmed:
- Grison: “Tengo un poco el síndrome del impostor. ¿Cómo va a pagar la gente 24 pavos?” [07:04]
- On Performing:
- “Cada show que hago muero. 20 minutos de mi vida se me van.” [06:21]
- On Parenthood:
- “Mal concilio. Mal porque... pues los veo poquito a los niños, me rehúyen cuando llego a casa dicen el señor de los anuncios.” [08:45]
- On Fame:
- “Tengo un problema con decir que no a la gente...” [10:40]
- Nacho: “Hacerse famoso siendo majo es terrible, porque te obligan a ser majo todo el rato.” [11:04]
- On Festival Gigs:
- “El único que podía con la gente eras tú.” [05:09]
4. Fun Segment: Animal Impersonation Contest (12:07–15:03)
- The hosts and Grison compete in an animal sound imitation game:
- Berrea del ciervo (Stag Bellow):
- Grison: “Bueno, así le suenan las tripas a mi abuela.” [12:44]
- Blue Whale:
- Grison is commended: “Ha hecho todo. Pero es que los hace a la vez.” [14:16]
- J: “Han estado muy bien las tres... el que más se ha parecido... ha sido Grison.” [13:37]
- Playful banter ensues about imitating animals and failing to make a bee sound.
- Berrea del ciervo (Stag Bellow):
5. Segment Timestamps
- [00:00–01:00]: Opening, introduction, and playful ribbing about Grison’s style
- [01:10–02:26]: Changing careers, being a performer, and managing life’s hassles
- [02:48–03:52]: Talk about “La Resistencia,” favorite moments, and anecdotes
- [04:00–07:04]: Structure of the new show, solo act, and Lineup dates
- [07:39–08:19]: Tour dates repeated with jokes about having only two shows
- [08:22–09:13]: Fatherhood, fame, and daily life with kids
- [09:31–10:03]: Commentary on youth bans (energy drinks, social media)
- [10:12–11:13]: Industry stories, reputation, and the trap of “being nice”
- [12:07–15:03]: Animal imitation contest: fun, laughter, and highlights
- [15:03–end]: Closing, more jokes on venues and friendly banter
6. Final Thoughts
The episode is a fast-paced, lighthearted showcase of Grison’s irrepressible personality and vocal skills. Between jokes about adult life, the realities of being a touring performer and parent, and hilarious moments of animal imitation, Cuerpos especiales delivers another playful, authentic slice of Spanish morning radio. Grison's humility, wit, and dedication to his craft shine through, while the hosts keep the energy fun, family-friendly, and cheekily off-beat.
For fans and newcomers alike, this episode offers laughter, relatability, and a glimpse into what makes Grison’s artistry so entertaining on and off the stage.
