Getting a talent agent is one of the most misunderstood steps in a young dancer's career, and most families are going in blind.

John Corella sits down with Lisa Lindholm, vice president of Go 2 Talent Agency, for an honest conversation about what it actually takes to get a dance agent, what agents are really looking for, and how parents can support their kids without getting in the way.

Lisa breaks down the difference between competition dance vs commercial dance, and why the tricks that win trophies are not always what books jobs. She talks about how to get a dance agent from the ground up, including what makes a strong submission and why you should always verify an agent through the SAG-AFTRA or ATA websites before signing anything.

The conversation also gets real about the mental health side of the business. Lisa shares how she supports clients through burnout and career breaks, and why open communication with your agent is not a weakness. She also calls out the green flags agents bring to the table, what parents should look for when evaluating representation, and why you should never pay to sign with anyone.

For dance parents researching agent submissions and dancers looking for dance audition tips for kids, this episode of Dance Dad with John Corella is the resource you did not know you needed.

Episode Breakdown:

00:00 Meet Lisa Lindholm of Go 2 Talent Agency

06:21 What Agents Look for When Signing Young Dancers

08:17 Why Kids Need to Stay Kids in the Entertainment Industry

11:04 Lisa's Dance Background and Path to Los Angeles

19:02 Competition Dance vs Commercial Dance Explained

22:24 How to Get a Dance Agent as a Submission

26:31 What Makes a Strong Reel and Headshot for Kids

32:32 How Much Should Parents Be Involved in Their Child's Career

36:03 How to Handle Rejection in the Dance Industry

37:15 Green Flags When Evaluating a Dance Agent

43:20 Mental Health and Communicating Openly With Your Agent