Everyone From Season 3

Summary

Podcast Summary: "David Tennant Does a Podcast With… - Everyone From Season 3"

Release Date: April 22, 2025

In the “Everyone From Season 3” episode of David Tennant Does a Podcast With…, host David Tennant teams up with his wife, Georgia Tennant, to reflect on the remarkable third season of their podcast series. This special bonus episode, produced by Sony Music Entertainment and No Mystery, offers fans an engaging behind-the-scenes look at the conversations, challenges, and memorable moments shared with an illustrious lineup of guests, including Ben Schwartz, Jamila Jamil, Russell T Davies, Stanley Tucci, Celia Imrie, and Rosamund Pike.

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Season Overview and Guest Highlights

David and Georgia Tennant open the episode by celebrating the diverse array of guests featured throughout Season 3. They express gratitude for the wonderful lineup, mentioning standout guests such as Ben Schwartz, Jamila Jamil, Russell T Davies, Stanley Tucci, Celia Imrie, and Rosamund Pike. The couple reminisces about the dynamic interactions and the unique perspectives each guest brought to the show.

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Engaging Conversations with Ben Schwartz

The episode delves into the humorous and improvisational episode featuring Ben Schwartz. David recalls their collaborative efforts on the lockdown-era show “Staged,” where scripted moments often gave way to spontaneous creativity.

• David Tennant shares, “One of my favorite scenes I've ever done was the one in Staged.”

• Ben Schwartz adds, “It was incredibly improvised, David. We had a script, but scenes with you tended to go off script quite quickly” [08:30].

Their discussion highlights the importance of flexibility and spontaneity in comedy, with Ben commending David and Georgia for creating an inviting environment that encouraged improvisation.

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Insights from Jamila Jamil and James Blake

Jamila Jamil, celebrated actress and activist, shares her experiences working alongside her partner, musician James Blake. The conversation pivots to James Blake’s intricate process of blending analog instruments with digital technology to create his signature futuristic sound.

• James Blake explains, “He writes a lot of it on analog gear and then incorporates it into a largely technological universe. This combination adds soul to his electronic music” [14:39].

David praises the depth and soulfulness of Blake’s music, emphasizing the balance between classical training and modern technology that sets his work apart.

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Stanley Tucci's On-Set Humor and Anecdotes

In a lighthearted segment, Stanley Tucci recounts his experiences on the set of “Duck Patrol,” sharing tales of performing stunts and interacting with fellow actors.

• Tucci humorously describes, “I had to throw all his golf clubs into the Thames... being part of Duck Patrol was more nerve-wracking because I had to sing a song” [03:18].

The exchange between David and Tucci underscores the camaraderie and the behind-the-scenes antics that make the production both challenging and enjoyable.

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Rosamund Pike Discusses Emotional Resilience

Rosamund Pike opens up about moments when she struggled emotionally on set. Her candidness provides a deeper understanding of the pressures faced by actors and the importance of maintaining emotional well-being.

• Pike shares, “I have a couple times when I felt like I'm wasting everyone's time and it feels unfair” [17:42].

David relates to her experiences, reflecting on his own challenges with maintaining composure and the lingering feelings of shame and guilt when upset moments arise.

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Celia Imrie on Embracing Unique Identities

Celia Imrie brings a touch of light-heartedness as she discusses the quirks of her name and the journey to embracing her unique identity.

• Imrie humorously states, “I turned 30 and I thought, I've got to face up to having three syllables and own them” [22:17].

The conversation highlights the universal struggle of embracing one’s unique traits and the humorous side of personal identity.

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Russell T Davies Shares Profound Reflections

A poignant segment features Russell T Davies, who shares a deeply personal and emotional story about confronting mortality and the responsibility of delivering difficult news.

• Davies recounts, “I had to tell him he was dying. That was not my best moment” [37:16].

David and Davies engage in a heartfelt dialogue about the impact such experiences have on personal growth and emotional resilience, underscoring the profound connections formed through shared vulnerabilities.

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Behind the Scenes and Unheard Moments

Throughout the episode, David and Georgia tease unheard moments and behind-the-scenes snippets from Season 3, providing fans with exclusive insights that didn’t make it into the original episodes. These anecdotes add depth to the listeners’ understanding of the podcast’s production dynamics and the genuine relationships fostered with each guest.

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Reflections and Future Directions

As the episode draws to a close, David and Georgia reflect on the season’s successes, the laughter, the emotional exchanges, and the ever-present snacks that fueled their conversations. They express excitement for Season 3’s upcoming additions and invite listeners to revisit past episodes to reminisce on unforgettable discussions.

• Georgia Tennant remarks, “We’ve laughed, we’ve cried, we’ve had snacks” [39:17].

David emphasizes the enduring value of podcasts, noting, “That's the beauty of podcasts. They're all there for you” [39:28].

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Conclusion

“Everyone From Season 3” serves as a heartfelt tribute to the vibrant array of personalities that enriched the podcast. Through engaging dialogues, humorous exchanges, and sincere reflections, David and Georgia Tennant offer listeners a comprehensive and entertaining recap of a season filled with meaningful conversations and cherished moments. This episode not only celebrates the accomplishments of Season 3 but also sets the stage for the exciting future of the podcast series.

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Notable Quotes:

• “We’ve laughed, we’ve cried, we’ve had snacks.” — Georgia Tennant [39:18]

• “I love all of it. There's not a bit I'd prefer.” — David Tennant [02:53]

• “If you didn’t have an expectation of a slightly different trajectory, I don’t know that I would have responded very well.” — David Tennant [31:05]

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Key Takeaways:

• Behind-the-Scenes Insights: The episode provides exclusive glimpses into the production and personal moments of both the hosts and their esteemed guests.

• Emotional Depth and Humor: Balancing heartfelt stories with light-hearted humor, the podcast offers a well-rounded listening experience.

• Guest Diversity: The variety of guests, from actors to musicians, enriches the conversation with diverse perspectives and expertise.

• Reflection and Growth: David and Georgia’s discussions reflect on personal growth, resilience, and the evolving dynamics of their podcast journey.

For listeners who haven’t tuned into Season 3, this summary encapsulates the essence of the conversations and the impactful moments that define this special bonus episode.

Transcript

[David Tennant]

Hey, Georgia.

[Georgia Tennant]

Hi, David.

[David Tennant]

Have you ever wished that you could slip into a disguise and travel anywhere in an instant?

[Georgia Tennant]

Is that a joke?

[David Tennant]

No, no, seriously. Seriously. I'm talking about NordVPN.

[Georgia Tennant]

Oh, okay, I see.

[David Tennant]

Georgia, look, I'm relocating.

[Georgia Tennant]

Relocating? You're literally on the sofa.

[David Tennant]

Not physically. Digitally. I'm digitally relocating. Thanks to NordVPN, I can switch my virtual location to 111 different countries with just one click. So now I can access movies, shows, websites from all over the world. And I don't even need to teleport.

[Georgia Tennant]

And what about security?

[David Tennant]

Well, NORDVPN encrypts all my online activity, protects against cyber threats, even gives dark web alerts to keep my personal data safe. And I want my personal data to be safe. Perfect for dodgy public Wi Fi's.

[Georgia Tennant]

Right, because nothing screams hack me like a bloke at an airport clicking on free Wi Fi.

[David Tennant]

Well, exactly, yes. Which is why we highly recommend downloading the NORDVPN app, especially for banking and sensitive data.

[Georgia Tennant]

Want to stay safe online?

[David Tennant]

Just go to NordVPN.com tenant, use the code and get four extra months free on a two year plan.

[Georgia Tennant]

So you're basically getting premium cybersecurity for the price of a cup of coffee per month.

[David Tennant]

To get the best discount off your NordVPN plan, go to nordvpn.com tenant. Our link will also give you four extra months on the two year plan. No risk with Nord's 30 day money back guarantee. The link is in the podcast episode description box. David Tennant does a podcast with Ben.

[Ben Schwartz]

Schwartz, Jamila Jamel, Russell T. Davis, Stanley.

[Stanley Tucci]

Tucci, Celia Imrie, Rosamund Pike, David Tennant.

[David Tennant]

Hey, Georgia.

[Georgia Tennant]

Hi, David.

[David Tennant]

And hello everyone out there. This is a very special bonus episode of the podcast. Cause we've come to the end of the series. Georgia, who have we had this series?

[Georgia Tennant]

Oh, what a lineup.

[David Tennant]

What a lineup we've had.

[Georgia Tennant]

Ben Schwartz, Jamila Jamil.

[David Tennant]

Yeah, yeah, yeah.

[Georgia Tennant]

Russell T. Davis, Stanley Tucci. The Tucci. Celia Emery, Rosamund Pike. And of course you read Interviewed by me.

[David Tennant]

Yes.

[Georgia Tennant]

Yeah.

[David Tennant]

Does that mean you were the guest or. I swear I was the guest.

[Georgia Tennant]

You were the guest.

[David Tennant]

You were the host.

[Georgia Tennant]

I was the hostess.

[David Tennant]

You were the host. But there are little bits that have not yet been revealed to this list. I mean, you're right. If you put my teeth in. That have not yet been revealed to the listening public.

[Georgia Tennant]

Don't you wish that we could share those little bits that didn't make the cut?

[David Tennant]

Do what you wish. Start G.G. come on. Well, that's what we're here for today, isn't it? So we got some little cheeky little unheard behind the scenes moments from the last season.

[Georgia Tennant]

Oh, I love it. David, what do you love most about doing this podcast?

[David Tennant]

I love all of it. There's not a bit I'd prefer.

[Georgia Tennant]

No, it's hanging out with me. Is the ad read.

[David Tennant]

Oh, yeah, sorry, sorry. It's hanging out with you, Georgia. Of course it is. What's nice sometimes is that we. The little bits that you happened sort of. There's a bit in the Celia episode which I don't know that everyone will have necessarily understood because I'd recently hosted the BAFTA Film Awards and Celia had been there.

[Georgia Tennant]

Oh.

[David Tennant]

So we got into talking a little bit about that.

[Stanley Tucci]

But is it nerve wracking? I must. It must be.

[David Tennant]

Do you know what? I sort of almost feel like I shouldn't admit this, but I don't find it particularly nerve wracking because it's all written down.

[Stanley Tucci]

Yeah.

[David Tennant]

This was a bit more nerve wracking because I had to sing a song and I don't. I'm not. I'm not a singer. Oh, come on. So it was sort of the idea that I would have to do that and then hit various people who had to join in and not get out of breath. That was what was really difficult because chomping up and down the stairs and being a bit. A little bit heightened and nervy and.

[Stanley Tucci]

Going backwards and going backwards with the camera on you.

[David Tennant]

Backwards with the camera. And I thought at the end I've got to do the big old Cynthia Erivo big.

[Rosamund Pike]

Oh, geez.

[David Tennant]

And I thought I've gotta have enough puff.

[Stanley Tucci]

You did.

[David Tennant]

So it was all that. And then I've gotta do all the sort of terrible jokes. Well, immediately afterwards.

[Stanley Tucci]

Some of them are pretty grim that they send through. You must say, oh my God, I don't mind.

[David Tennant]

I just didn't wanna. I was very much with them though. Cause they didn't wanna roast anyone. No. And that wouldn't. And actually once you decide to only be kind, it's quite hard to tell jokes that are funny.

[Stanley Tucci]

Well, that's true. But I do think the roasting is vile.

[David Tennant]

It's horrid.

[Stanley Tucci]

I don't.

[David Tennant]

It doesn't suit me. Well, I can't do that because there's.

[Stanley Tucci]

No underneath fun about it. It just seems to get worse and worse.

[David Tennant]

Yeah, yeah, I know. Were you at the Oscars?

[Stanley Tucci]

Didn't quite have time to get there. And back.

[David Tennant]

Next year, love. Next Year?

[Stanley Tucci]

Why not?

[David Tennant]

Have you ever been to the Oscars? No, I haven't. I went to the Emmys once and it's just the same. A bit bigger and a bit slower to get in and out and a little bit longer, if those things can possibly ever be longer. But, you know. And I was next to Betty White on a red carpet, which was thrilling, but it was L. A and it was boiling and this lovely old lady was just sweating. Bump.

[Stanley Tucci]

I know.

[David Tennant]

Just adrift in the middle of this gargantuan red carpet. It felt like a cruelty.

[Stanley Tucci]

She was great.

[David Tennant]

Oh, brilliant.

[Stanley Tucci]

I'm mad about Golden Girls. I watch little snippets on my phone at night. It's just delicious, every one of them.

[David Tennant]

That's ripe for a revival.

[Stanley Tucci]

Yeah, but can you better them? I don't think so.

[David Tennant]

Well, no, that's a problem.

[Stanley Tucci]

Honestly not.

[David Tennant]

It's like Colombo, isn't it? You think everyone must keep thinking we must do, but you can't leave it. You can't be better. So you would only be worse. It would only be a dilution, something glorious.

[Stanley Tucci]

And also, don't let English people try and do it.

[David Tennant]

No, seriously. Not unless it's us. We'd be rather good.

[Stanley Tucci]

Do you remember when we did Tuck Patrol? That's when I.

[David Tennant]

Of course I do. It's when we met.

[Stanley Tucci]

That's when we met. Last century, was it? Yeah, I've got no idea.

[David Tennant]

I think it was last century.

[Stanley Tucci]

And you and I on the River Thames with Richard Wilson.

[David Tennant]

Yeah, yeah.

[Stanley Tucci]

You're marvelous.

[David Tennant]

It was fun.

[Stanley Tucci]

Very, very.

[David Tennant]

I remember you at the end of a scene where everyone somehow got on the ground and then you just put your hand up with a jar of chutney in your hand. That's a memory I had very clearly.

[Stanley Tucci]

It was that in Little Comedy Button.

[David Tennant]

You put on the scene.

[Stanley Tucci]

Oh, did I?

[David Tennant]

Yes.

[Stanley Tucci]

Typical. Well, I was this mad woman living in the. On the island in the Thames.

[David Tennant]

Yeah. Yeah.

[Stanley Tucci]

And then I must have found out my husband was unfaithful or something and then threw all his golf clubs into the Thames.

[David Tennant]

That's how you chucked lots of things.

[Stanley Tucci]

Yes, because having been a javelin thrower for Surrey, that really was quite a good idea. But I also had to do that thing on a canoe of. I had a class at night and I had to be in a canoe and then go right under. Right, you know, turn my Duck Patrol. Oh, yes.

[David Tennant]

You had to do stunts for Duck Patrol. That sounds rather grim.

[Stanley Tucci]

I know. I hope it was left in, because.

[David Tennant]

Otherwise I don't remember much. But it didn't make a great impact on the viewing public, did it? No, we never got to series two of that one. But your episode was the best one. Yeah, without a doubt. Of course. It was brilliant, Celia. I mean, everybody loves Celia.

[Georgia Tennant]

I think they do.

[David Tennant]

Yeah.

[Georgia Tennant]

She's universally loved, Celia, isn't she?

[Rosamund Pike]

Yes, she is.

[Georgia Tennant]

And speaking of love, your love for.

[David Tennant]

Ben Schwartz, it's a lot.

[Georgia Tennant]

It is quite a lot, isn't it? It's quite a lot.

[David Tennant]

It's a bit overwhelming.

[Georgia Tennant]

Yeah, I find it overwhelming.

[David Tennant]

I mean, he's very charming. And of course, when you and I and Michael Sheen and Anna Lundberg made a little show over Zoom during lockdown.

[Georgia Tennant]

It took me a really long time to realize what you were talking about.

[David Tennant]

Oh, really? Yeah.

[Georgia Tennant]

Cause like, what were we all doing together? Staged. We were doing staged.

[David Tennant]

We did a show called Staged on the BBC, still available on the iplayer and Brit Box in America, I think. Anyway, anyway, we roped Ben into it. Here is Ben talking about that. Probably the thing we've improvised most on was where you joined us, where we did Staged from our heist.

[Ben Schwartz]

That was incredibly improvised, David.

[David Tennant]

Yeah, no, we had a script. We had a script. I mean, the scenes with you tended to go off script quite quickly.

[Ben Schwartz]

Loved that.

[David Tennant]

This was a show that we made during lockdown.

[Ben Schwartz]

Staged, Staged.

[David Tennant]

Yeah. And myself and Michael Sheen and my wife Georgia, Michael's partner Anna. We. A script was written and we made this. We made it over Zoom.

[Ben Schwartz]

It was.

[David Tennant]

And you came and joined.

[Ben Schwartz]

So fun. Yeah, I had so. But for me, it was. We did the. We did a version of the script and then literally you guys are like, now go crazy.

[David Tennant]

Yeah, yeah, yeah.

[Ben Schwartz]

And to me, I was like, oh, my God, I hope that I'm not stepping on anybody's toes or whatever. But you were both. You were so inviting of it.

[David Tennant]

I think one of my favorite scenes I've ever done was the one in Staged in st. In staged.

[Ben Schwartz]

Okay, good.

[David Tennant]

But, but.

[Ben Schwartz]

But in life. Oh, my God, please, David, I need to hear this. I need this right now. I've been playing a hedgehog for so long. I can't wait. Please help me.

[David Tennant]

It's the bit where you come on ostensibly to teach Michael and I how to improvise.

[Ben Schwartz]

Oh, no, it was very fun that made.

[David Tennant]

Cuz it was quite scripted and we stuck to the script like 50%. And then there's another it. God, I. That made me laugh.

[Ben Schwartz]

I can't wait to rewatch it. There's a scene also where I talk to Georgia about you or she mentions you and I think I. I'm like, I become. So I kind of treat her like trash until she says that she's your wife, and then I'm immediately interested.

[David Tennant]

That's when you were playing in series two. You play the agent's assistant. Yeah.

[Ben Schwartz]

And she has. Georgia has this moment which is. It's just a sound and it's one of the. It's one of my favorite reactions. Anything. I forget what I say, I say, say something very inappropriate and she goes, oh. Or like, huh? Or like, oh. I forget what it is. But I remember watching it and I died. Just Georgia reacting naturally to my improv.

[David Tennant]

Yeah, yeah.

[Ben Schwartz]

It was so funny. But I remember that scene. It was really, really. Yeah, that show was really special. That's the stuff that I wish we could make all the time. There's no comedies in America anymore. So it's like. It's like there's so few and there's so few. Are there a lot of comedies making here?

[David Tennant]

I think comedy's going. This sort of traditional comedy that's just about making people laugh is definitely in abeyance. It seems to be comedy that is tragic or is also about.

[Ben Schwartz]

Which is so funny because it seems like now more than ever, we, people need to laugh.

[David Tennant]

Oh, my God.

[Ben Schwartz]

So it's like, yeah, yeah.

[Georgia Tennant]

Yeah. Your and Ben's episode was sort of one big, sort of slightly gross, loving.

[David Tennant]

I regret nothing. I regret nothing.

[Ben Schwartz]

But wait, what happened? You can't talk about what happened in yours.

[David Tennant]

It was just. That was just. It was a bit bum clenching, you know, when you sort of go in and you. And. Yeah, I suppose I've been fortunate that I hadn't auditioned a lot in recent years. So you kind of get out of the practice.

[Ben Schwartz]

Oh, it's a. It's a muscle 100.

[David Tennant]

And then I went in to meet these very, very well known filmmakers and they sat there and they looked at me and I. I just couldn't summon it up. You know what I mean?

[Ben Schwartz]

You just couldn't get the performance.

[David Tennant]

Well, I thought I was doing something and it was clearly not impacting on them at all. You know, you're thinking, no, this is. Right, this is. I'm doing the thing and they're looking at you with a rictus grin.

[Ben Schwartz]

Yes.

[David Tennant]

And you know, it's going nowhere.

[Ben Schwartz]

There's sometimes when it's just like, I'll do something and I'll be like, well, that's how I would do it. Yeah, that's how I would do it. What do you think? Yeah, you Know what I mean? Some of that. One of my friends, Don Lake, who's been in a lot of Christopher Guest movies.

[David Tennant]

Oh, yeah, yeah, yeah.

[Ben Schwartz]

Wonderful guy. Canadian actor, bald. Has a very fun and funny look. Right. I wish I could show you a picture of him. You know exactly who he is. Yeah. If you saw a picture of the joker Land. Wait a second. I'm gonna show you a picture of Don Lake. The joke will land a little bit.

[David Tennant]

Listeners can be doing this Googling for themselves. Yes, please.

[Ben Schwartz]

And that's what you want during a podcast. People are driving. You want people to be Googling like crazy. It's this. It's this gentleman.

[David Tennant]

I know exactly who you are.

[Russell T. Davies]

Okay.

[David Tennant]

Yeah.

[Ben Schwartz]

Great guy. Absolutely great guy. So he told me a story when he auditions, because he'd be in a room and it's always usually, like attractive guys.

[David Tennant]

Yeah.

[Ben Schwartz]

And then he comes in for the same character, Right. And he says. The first thing he would say, it's an older looking bald gentleman from Canada after, like these, you know, different good looking movie people going. The first thing he would say when casting, he goes into the room to cast. He goes. Or you could go this way. Which I was like, oh, that's perfect. Yeah, I love that story.

[David Tennant]

And he works all the time.

[Ben Schwartz]

He works all the time. There you go. So sometimes they go that way.

[David Tennant]

Yeah.

[Ben Schwartz]

So that's what I think. I was like, oh, this is how I think. I can make the character unique. What do you think? And sometimes they're like, great. Or sometimes like, no, that's not it.

[David Tennant]

Yeah. Psst.

[Jamila Jamil]

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[Georgia Tennant]

Jamila Jamil had some fantastic moments too, didn't she? Jude talked about working in the studio with her partner, James Blake.

[David Tennant]

What do those two mean? Huh? What does all restructuring.

[James Blake]

Restructuring just means like moving one. One section to another section or deciding what's going to be the middle eight or the outro. And then automating is just mostly about levels and being able to shift them up or down in any way. So it's just. It's just all a bunch of twattery, really. But it's really fun because he's very impressive. He's very clever. So it's very, very. I'm very lucky to get to work on his music. I've been working on it for about 10 years.

[David Tennant]

Nice.

[James Blake]

Yeah, it's really fun.

[David Tennant]

That's cool. Do you play anything? Huh? Do you play anything?

[James Blake]

And I used to sing opera and jazz, but I don't. He mostly makes his music large on computers and computers terrify me. So I instruct the computing. I stand over the technician.

[David Tennant]

Wow.

[James Blake]

And ask for changes in the stem.

[David Tennant]

Does that mean there's a lot of. Not real instruments in there?

[James Blake]

Yeah, he does a combination. He writes a lot of it on analog instruments, but then he eventually takes it to a computer to be able to make such an incredible futuristic sound. So the difference between James and other musicians who use laptops is that he starts everything on a lot of analog gear and then incorporates that into a largely, you know, just the kind of universe of technology. And so he combines the two. And I think the reason a lot of music that's electronic feels quite dead is that it's made from the start on a laptop.

[David Tennant]

Yeah, yeah, yeah. Yes.

[James Blake]

And it hasn't got that. You know, he's so musically trained and so everyone involved has got like a. All of us have a classical training background, and I think that. I think that that contributes to the soul that's in his music.

[David Tennant]

Right? Yeah, yeah, yeah. It's very good.

[James Blake]

I've got my headphones on.

[David Tennant]

She is the definition of a polymath, isn't she? Yeah.

[Georgia Tennant]

I'm not sure what her definition of a polymath is, but once I Google.

[David Tennant]

It, she does loads of stuff. So I asked her, what is the thing that you actually do?

[James Blake]

Anything. I really do.

[David Tennant]

Well, you do do anything.

[James Blake]

Honestly, I'll do everything.

[David Tennant]

What is your job? If you had to write down job description, what would it be?

[James Blake]

I don't know. I think I'm going into my writer era. I used to be a columnist and I think I'm back in my journalism and my writing self. And that's not just because I want to be at home with my dogs as much as possible, David. But it's not that reason. So I think I've started to write. That's what I've been doing. There's a platform called Substack, and if you want to come read my silly or serious essays, they're all there. And you get kind of More of my soul than you get anywhere else.

[David Tennant]

And beautifully written, if I may say.

[James Blake]

Have you read it?

[David Tennant]

Yes.

[James Blake]

Oh, my God, that's so nice of you.

[David Tennant]

Of course I have.

[Stanley Tucci]

I can't believe you read it.

[David Tennant]

Of course I have.

[James Blake]

Oh, thank you.

[David Tennant]

Yeah.

[James Blake]

Thank you very much. I'm really enjoying writing. And then I'm writing this book and I'm writing. Finally writing the screenplay that I first got signed in America for.

[David Tennant]

Oh, great.

[James Blake]

I just got distracted for a while and now I'm back to it. So I have that and a movie I might write. And so I'm just kind of just taking it easy.

[David Tennant]

And will you act in that movie as well? Are you gonna keep that plate spinning?

[James Blake]

I don't know if I have the talent I need to find. I might put you in it instead.

[David Tennant]

I'd be less.

[James Blake]

That would be great.

[David Tennant]

Then, of course, we had some fantastic moments from Stanley Tucci. He told us about when he's lost it on set. Do you ever. Have you ever lost it on set? Like, properly lost it? Like, with the people sort of having to calm you down and you have to retire to your trailer for a while?

[Rosamund Pike]

I have. I have, right. I have. I have a couple times, but only because, for the reasons I explained and there's. Somebody just wasn't. And you're just like, I don't understand why we're doing this. Why you're wasting everyone's time and energy and it seems. It feels unfair to me.

[Russell T. Davies]

Sure.

[Rosamund Pike]

Or when somebody's, like, mean to somebody or somebody's like that, then I'll really. Then I will.

[David Tennant]

Oh, you. Will you stand up to a Billy, Will you?

[Rosamund Pike]

Yeah.

[David Tennant]

Right. Yeah.

[Rosamund Pike]

I don't like that.

[David Tennant]

No. Sure.

[Rosamund Pike]

No, I don't. I just. What's the point of that? Yeah, it's weird.

[David Tennant]

Yeah.

[Rosamund Pike]

Like, life's too short, don't. You know? Come on, it's a movie.

[David Tennant]

Yeah.

[Rosamund Pike]

It's all pretend.

[David Tennant]

It is all pretend.

[Rosamund Pike]

Come on, we should be having a good time doing this.

[David Tennant]

Often people forget.

[Rosamund Pike]

It's not. It's not that, you know, you're not taking it seriously if you're having a good time, but you're not taking yourself seriously. And that. If you take yourself seriously, you're just an idiot as far as I'm concerned. You.

[David Tennant]

Yeah.

[Rosamund Pike]

Have you ever lost.

[David Tennant]

I've lost it. I mean, not. I've lost it on. For my. You know, for me, I've lost it very slightly a couple of times.

[Rosamund Pike]

Right.

[David Tennant]

The reason I avoid doing that at all costs is because after I've calmed down and then so riven with shame.

[Rosamund Pike]

Yeah, I know.

[David Tennant]

And guilt that I, that I sort of ruins the rest of the day, if not the week for me.

[Rosamund Pike]

Yeah, I know.

[David Tennant]

And that's, I mean that's what me really, I just can't quite.

[Rosamund Pike]

Yeah, you feel badly. Yeah, but you, you feel badly. But yeah, I know.

[David Tennant]

That's the bit I struggle with and I, I, I'm worse. That casts a longer shadow for me. So I sort of, I will bite down a lot of my frustrations because I know that if I get to there, I'm really in trouble.

[Rosamund Pike]

Yes. Yeah.

[David Tennant]

And here's a little unhaired bit from our chat with Rosamund Pike. So I was reclining. It's cause I'm in this weird.

[Celia Imrie]

You're in a throat.

[David Tennant]

You're in someone else's studio today.

[Celia Imrie]

Oh, okay.

[David Tennant]

And this is. They use this for a podcast which they also film. We are not filming. So they have set. So I'm in this incredibly uncomfortable chair. Kathy Burke sits in this chair usually.

[Celia Imrie]

Which podcast?

[David Tennant]

Kathy park does a podcast where there's a will, there's a wake about sort of about death.

[Celia Imrie]

Funerals.

[David Tennant]

Yes. How you might have a good send off. Yeah.

[Celia Imrie]

Do people planning their funeral basically, but.

[David Tennant]

In a comedy way. I don't think it's meant to be taken too seriously. But they film it.

[Celia Imrie]

So she has this set coffin like coffin shaped chair.

[David Tennant]

Yeah. But it's so uncomfortable. I don't know how she does it.

[Celia Imrie]

I am quite fascinated by families. Undertakers. Now I'm not going to not see you in a coffin. That's disturbing.

[David Tennant]

I suppose. It is a coffin.

[Celia Imrie]

I had not even considered it being a coffin.

[David Tennant]

Think of it as a throne, Osmond.

[Celia Imrie]

It is a purple velvet coffin shaped throne.

[David Tennant]

It really is. With very little give.

[Georgia Tennant]

Okay.

[Celia Imrie]

Well, I believe you know, famously the definition, the job description of a coffin is to have little give.

[David Tennant]

Stiff.

[Celia Imrie]

Stiff.

[David Tennant]

Yeah. Be the appropriate word. The one thing we should do before we forget in the sort of audio title sequence, you say your own name.

[Celia Imrie]

Oh.

[David Tennant]

So would you kindly do that for us now and we'll drop you in at the appropriate moment.

[Celia Imrie]

I'm Rosamund Bike and I'm very pleased to be here talking to David 10.

[David Tennant]

Is that right? And can you just do it with.

[Celia Imrie]

Just, just my name?

[David Tennant]

Yeah.

[Celia Imrie]

Rosamund Pike.

[David Tennant]

Perfect.

[Celia Imrie]

Oh, sounds so weird. Can I do three in a row? Maybe that'll do.

[David Tennant]

You can A, B and C takes. Yeah.

[Celia Imrie]

Rosamund Pike. Rosamund Pike. Rosamund Pike.

[David Tennant]

Which one do you prefer?

[Celia Imrie]

It depends on what it's being inserted into.

[David Tennant]

Well, it just kind of comes through the theme music.

[Celia Imrie]

Oh.

[David Tennant]

It says, David Tennant does a podcast with. And then your name.

[Celia Imrie]

See, it'll all depend which one goes with the music.

[David Tennant]

Well, we'll just leave it to Matt. He can just edit it in depending on what sounds most appropriate. Yeah, yeah. It's interesting. Different people have different approaches. Some people are completely fine with it. Other people get very self conscious, which I get. I think just saying your own name is a very odd thing to do.

[Celia Imrie]

It makes you. Takes you right back to school when you wish you only had one syllable. For my experience, anyway.

[David Tennant]

Yes. Because there's quite a few syllables in your first name, I guess, aren't there?

[Celia Imrie]

And you just wish you were Mary or Jane or.

[David Tennant]

Yes.

[Celia Imrie]

Yeah.

[David Tennant]

Todd.

[Celia Imrie]

Yeah, probably not for me, Todd, but. No, Todd Pike.

[David Tennant]

You're often Ros, though, aren't you?

[Celia Imrie]

Yes. No. And I turned 30 and I thought, I've got to face up to having three syllables and own them. I've got to be able to own them. Yeah.

[David Tennant]

Up to that point you were very much in denial, were you?

[Celia Imrie]

Yeah, yeah.

[David Tennant]

Right.

[Celia Imrie]

And then I thought, I can own them and it's a nice name and I'm going to embrace it.

[David Tennant]

It's a beautiful name. It's quite an unusual name. Have you met many Rosamonds?

[Celia Imrie]

No, but when we do meet, we sort of commiserate and discuss and see, you know, it's a name that comes with some.

[David Tennant]

It feels like a support group.

[Celia Imrie]

A bit of a support group. Yeah.

[David Tennant]

Right.

[Celia Imrie]

Because it's often misspelled, often mispronounced.

[David Tennant]

Yes.

[Celia Imrie]

It has a beautiful meaning, which is Rose of the World. But, you know, you often have to justify the name by explaining that which is not so good to have.

[David Tennant]

You already feel like you're losing the argument if you got to that stage.

[Celia Imrie]

Rather than someone saying, what a lovely name. Just.

[David Tennant]

It's a beautiful name. No, let's move on. Still not convinced.

[Celia Imrie]

No, no, it has, it has, it has beauty, depending on who says it. And then when you go to America and it becomes Rosamund.

[David Tennant]

Ah, yes.

[Celia Imrie]

Not so great.

[David Tennant]

Yes. Yes. There's not a lot of Rosamunds in America.

[Celia Imrie]

No. And nor do they have the. The o sound that we have. So if ever I. That's why I didn't name a child with the short o in American.

[David Tennant]

Oh, that's.

[Celia Imrie]

Well, I. That's the one I focused on. But then I do have a son called Atom, who is just Adam, of course, in America.

[David Tennant]

Yes. Yes. We were Very tempted by the name Herbert, which I think's a beautiful.

[Celia Imrie]

Well, it sounds very nice the way.

[David Tennant]

You say it, except it's too difficult to say Herbert.

[Celia Imrie]

But Georgia wouldn't have said it like that.

[David Tennant]

No, she was a Herbert. Yeah. So that would have been fine. She was pushing quite hard for it, but I just felt like I couldn't get on board with it because it's quite effortful to say Herbert if you're sounding your R's. It's a bit of an assault course.

[Celia Imrie]

Try it in American.

[David Tennant]

Herbert.

[Celia Imrie]

Yes, it's hard in America. That's one of the ones that. And, in fact, I found my Rs better when I put a pencil between my teeth.

[David Tennant]

Yeah.

[Celia Imrie]

Herbert.

[David Tennant]

Herbert. Herbert.

[Ben Schwartz]

Herbert.

[David Tennant]

Are you.

[Celia Imrie]

I just.

[David Tennant]

Let's do the whole interview with pens in our mouth. Are you still doing an American accent when you do that there, or is that you just Herbert.

[Celia Imrie]

Just with a speech impression. I'm trying to do Herbert.

[David Tennant]

Herbert. Herbert.

[Celia Imrie]

I probably shouldn't put a T on the end.

[David Tennant]

Well, it's probably just as well we eschewed the name Herbert.

[Celia Imrie]

Who is going to be Herbert?

[David Tennant]

I think probably Wilfred was potentially Herbert. But you see, even now, I find it hard to say. It's like Beecher's Brook, as I come up to it. Herbert. Herbert. And I just had to adopt an English accent, wouldn't I? Herbert. Herbert. Herbert. Herbert. But then say Herbert, Bertie.

[Celia Imrie]

Bertie.

[Russell T. Davies]

Herbert.

[David Tennant]

Quite good in a sort of Herbert.

[Celia Imrie]

Herbert.

[David Tennant]

It's Bert. We were chasing Bert. We really liked Bert.

[Celia Imrie]

What's your grandfather's name?

[David Tennant]

Really nice name.

[Georgia Tennant]

This is an advertisement from BetterHelp.

[David Tennant]

Hi, Georgia.

[Georgia Tennant]

Hi, David.

[David Tennant]

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[Georgia Tennant]

Or you're lying awake at 3am because your brain's decided that that is the perfect time to replay every awkward thing you've ever said.

[David Tennant]

Exactly. For a long time, I don't think I really understood that that was anxiety. I thought that was just what it was to be an adult.

[Georgia Tennant]

You know what gets me is that creeping feeling like you're always behind, even when you're doing everything possibly can.

[David Tennant]

And then your body goes, oh, well, since you're not listening to me, here's a massive headache and some heartburn.

[Georgia Tennant]

It's like your brain and your body team up to say, right, let's just shut the whole system down until they get the message.

[David Tennant]

But we're so used to just getting on with it, aren't we? Like, being stressed is somehow normal.

[Georgia Tennant]

Yeah, but it doesn't have to be.

[David Tennant]

No.

[Georgia Tennant]

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[David Tennant]

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[David Tennant]

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[Georgia Tennant]

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[Jennifer Garner]

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[Georgia Tennant]

And then, of course, there's us.

[Ben Schwartz]

No, there's us.

[Georgia Tennant]

This season. I may have hijacked the podcast a little bit.

[David Tennant]

I knew you were going to take over the whole thing. It was only a matter of time, really.

[Georgia Tennant]

Do you mean the podcast or just generally everything in life?

[David Tennant]

Just generally everything in my life. Our life.

[Georgia Tennant]

Sloan said he wins the race.

[David Tennant]

Yeah, yeah, yeah.

[Georgia Tennant]

So I thought we'd open there. Right then I'm going to go back to the traditional sort of starting point of your existence. Let's. Let's go. Let's just jump in.

[David Tennant]

What's difficult about this is you're going to know the answers to all these, aren't you? Maybe you won't.

[Georgia Tennant]

I'll know if you're lying.

[David Tennant]

Yeah. Are you going to sort of sound a buzzer or something?

[Georgia Tennant]

Yeah. Get a little bell out. Not that sort of bell.

[David Tennant]

Yeah. Well, the truth is there is no good answer to it. Isn't there?

[Georgia Tennant]

And here's a fun one.

[David Tennant]

Yeah.

[Georgia Tennant]

Jennifer Garner asked a great question. What would be your birthday wish?

[Rosamund Pike]

Oh, yeah.

[Georgia Tennant]

Okay. If you were spending a night in the wilderness in a tent and it were mid April, what would be your birthday wish?

[David Tennant]

There's a lot to process there. So I'm in a tent for my birthday.

[Georgia Tennant]

Yeah.

[David Tennant]

Why have I done that? Why did I not go down his hotel?

[Georgia Tennant]

So the. The clue of who the person is asking the question.

[David Tennant]

Oh, it's from Jen Garner.

[Georgia Tennant]

Jen Garner.

[David Tennant]

What would my birthday wish be?

[Georgia Tennant]

Yeah. I mean, you're in a tent. You're probably going to be wishing you were in a caravan.

[David Tennant]

I'm probably. Yeah. I'm gonna be wishing I was a nanny's hotel. That's what that birthday wish is going to be. Not on caravan. Let's go straight to some nice hotel.

[Georgia Tennant]

Okay. We're going to leapfrog caravan and go straight to.

[David Tennant]

Straight to hotel. Oh, thanks, Jen.

[Georgia Tennant]

She's talking about camping.

[David Tennant]

She's talking about camping. That's how we know each other.

[Georgia Tennant]

Yeah. Thanks, Jen.

[David Tennant]

It's a show. We did cold camping. We didn't go.

[Georgia Tennant]

You won't be able to find it anywhere because.

[David Tennant]

Wasn't a big hit, was it?

[Georgia Tennant]

Wasn't a massive hit.

[David Tennant]

No.

[Georgia Tennant]

But you had a nice time doing it.

[David Tennant]

I remember the first time I saw her again after that show had sort of. I did. We did. We made it and then we promoted it. And then we didn't see each other for, I don't know, six months, maybe a year. And then. And the first thing she said was, everyone hated our show.

[Rosamund Pike]

Yeah.

[David Tennant]

But at least we made some nice friends.

[Georgia Tennant]

The original was good, though, so. And then we got into a bit of talking shop, comparing our experiences of getting started as actors.

[David Tennant]

Oh, yeah.

[Georgia Tennant]

But do you think that having no story to compare it to means that you never question that trajectory? Okay. I think what I'm doing is comparing it to my experience.

[David Tennant]

Right.

[Georgia Tennant]

Of a young person as an actor.

[David Tennant]

Yeah.

[Georgia Tennant]

Which is that I very much understood failure was the most likely path.

[David Tennant]

Yes.

[Georgia Tennant]

Because I had seen. I was surrounded by actors and most of them weren't working. Even if they had had success, they were no longer working, had just hadn't worked out for them. So I just assumed that that's probably what would happen to me. But if you didn't have that, do you think that there was like. Did you. Did you go into it thinking, I'm just going to be an actor, or did you go into it thinking, I mean, fingers crossed, good luck? I mean, probably. I'll probably be home with my tail between my legs in a minute. Not having that sort of pre. Example.

[David Tennant]

It sort of probably works both ways, isn't it? Because I had no precedence. I could. I could not really believe that that's how it was going to end up was. At same time I was told that that was how it was going to end up.

[Georgia Tennant]

Yeah.

[David Tennant]

You know, you're the. By. The only people that I were giving me advice on it, like my family, who didn't know any better anyway, the careers guidance person at school who didn't.

[Georgia Tennant]

Think it was a real thing.

[David Tennant]

It was a real thing. So I was sort of thinking, well, it. Maybe it isn't. Which is what I was meaning when I said, thank goodness I did get some jobs quite early on, because if I didn't, I'd have felt like, oh, yeah, they were right. Oh. Oh, yeah.

[Georgia Tennant]

I should sit back down.

[David Tennant]

I should. I should sit. Yes, exactly. Exactly. So it was a. Yeah, I. I'm glad I didn't have to test that because I don't know how resilient I'd have been. And I think, again, I think maybe I had an advantage there. Starting in Scotland, a slightly smaller market.

[Georgia Tennant]

Yeah.

[David Tennant]

With. With quite a lot of opportunities, specifically in the theatre. I mean, I got the occasional TV job.

[Georgia Tennant]

Yeah.

[David Tennant]

But. But principally at first it was. It was subsidized theater that. That just existed a lot more than it does now. So there were. There were places you could start there, even by the time you came along. And certainly looking at what people leaving drama school now have, there are just fewer places to go and be seen. And it's. It's much. You do have to have an expectation of a slightly different trajectory. And I don't know that I would have responded very well to that.

[Georgia Tennant]

No, no, not. Have you been sort of prancing around since you were three years old?

[David Tennant]

Yeah.

[Georgia Tennant]

Thinking that's what you wanted to do.

[David Tennant]

Yeah.

[Georgia Tennant]

So you go on to just continually work. There's not really a point where you don't work. You just go.

[David Tennant]

No, I'd have a month off here and there. Between. Between.

[Georgia Tennant]

Rather than panic.

[David Tennant]

Yeah. I was always panicking, though, all the time.

[Georgia Tennant]

That hasn't changed.

[David Tennant]

No, I know.

[Georgia Tennant]

Always consistent.

[David Tennant]

I know. Yeah.

[Georgia Tennant]

Yeah. Okay.

[David Tennant]

Always thinking. That was the last job. And then of course, we also had the brilliant Russell T. Davis on the podcast. Have you ever noticed, by the way, that Russell has a very slight speech impediment?

[Georgia Tennant]

I have not.

[David Tennant]

Have you not? Well, he's gonna tell us all about it.

[Russell T. Davies]

I can't say my R's very well. So it's a round and round. The ragged rocks, the ragged rascals. I'm quite weak. And then my first name begins with an R. How cruel is that?

[David Tennant]

I don't Think that's anything I've ever noticed.

[Russell T. Davies]

I thought I had little voice lessons when I was young. Like round around the ragged rocks, the ragged Roscals, around the rural races. Rural. That's a very hard.

[David Tennant]

Rural's heart. Rural's hard for anyone.

[Russell T. Davies]

Yes, I suppose. Yeah, yeah, yeah.

[David Tennant]

Did you remember that episode of 30 Rock where they made a movie called the Rural Juror?

[Russell T. Davies]

I was obviously avoiding it. It would have given me ptsd. The Rural Juror.

[David Tennant]

The Rural Jury. Yeah.

[Russell T. Davies]

Didn't you play that in one of your pilots? Were you a rural tour at some point? Pilot season?

[David Tennant]

Yeah. That's why I didn't get. It was just the title. That's what killed it. Russell T is one of the world's great conversationalists. I could have talked to him all day. Well, I mean, to be honest, we did talk for a large proportion of the day. Here's a selection of moments from that recording that we didn't have time for on the original podcast. Enjoy.

[Russell T. Davies]

Comic strips and comic strips and copying comic strips. Copying. I get Nasty's book and I copy the whole thing.

[David Tennant]

Right.

[Russell T. Davies]

And Peanuts, I loved. I'm still obsessed with the comic strip. Not. Not so much Marvel comics and things. I got into that slightly. I slightly like those. But really, comic strips like Calvin Hobbs.

[David Tennant]

Peanuts, the little three panel.

[Russell T. Davies]

The little three or four panel ones. Yeah, yeah. They're the classics. Yes. I still love those. Anastrix, the Old French Born to Desine. But not Tintin. Don't start me on that. Please don't wor.

[David Tennant]

I have zero interest in starring you on that. Never understood that one.

[Russell T. Davies]

No. They're so static. They're like this. I can't bear Tintin. When Stephen Bobber went to that Tintin film, I was like, oh, yeah, goodbye. Good luck with that one.

[David Tennant]

But it. But you can also be quite uncompromising. I've seen you be quite.

[Russell T. Davies]

Yes. Not for you. When. What did I do? Who was it?

[David Tennant]

I was in a tone meeting once and I thought, oh, you came to.

[Russell T. Davies]

Town meetings, didn't you?

[David Tennant]

Oh, that bristled for a second. Oh, no, no, I don't. But I mean.

[Russell T. Davies]

No, no, no, I know. No, I can. Yes. It's kind of. To be blunt, it's saving time.

[David Tennant]

Sure.

[Russell T. Davies]

We can talk for three hours about whether we like that location. But. Yeah, yeah, it's often location and things like that. Sometimes you have to go, no, no, that's wrong.

[David Tennant]

But people are looking to you for certainty.

[Russell T. Davies]

Yes, yes. And as long as you've got to time it right, as well. If I was saying no to that location the day before you shoot, the whole production's ruined. It's that you can't do that. So that's why you've got to do the years of training and learning the business. So two months before. Yes. You can say that location's wrong.

[David Tennant]

Yeah.

[Russell T. Davies]

So it's pacing it as well. Oh, I'm glad. I'm glad people bristled. Hooray.

[David Tennant]

I mean, it is. There is something. Because despite that, the loyalty is all still there. There's a. People are very. People are very fond of you. People want to please you. Thank you.

[Russell T. Davies]

Thank you. Thank you.

[David Tennant]

But I just wonder how much of that.

[Russell T. Davies]

But I also think it's a good way to run a show.

[Jamila Jamil]

Yeah.

[Russell T. Davies]

And I think you and I have worked on shows that don't run that way.

[David Tennant]

Yeah.

[Russell T. Davies]

And wouldn't you rather this?

[David Tennant]

Yeah, absolutely.

[Russell T. Davies]

And there's a kind of lie in the air that if you're suffering and everyone's shouting that it's better. It's absolutely not true. This thing we're shooting at the moment, the War between the Directors. Dylan, Holmes, Williams, the Loveliest manual ever. It's the most calm and peaceful production I've ever been on. Every scene completed every day. And it looks fantastic. And I just think this is the way to be, because there can be tempers and there can be rushing and stuff like that. And when there's not, you just think, this is it, this is it. This is how it should be. I felt I had a lot of power talking to Julie Gardner about this. She said, it's like having a child, in a way, that you have a lot of power over them.

[David Tennant]

Yeah.

[Russell T. Davies]

And I did. What I discovered was I had power over the way he thought. And I would convince. I would convince him it was going to be all right. I think that genuinely kept him alive in some ways. I would say, not that he's gonna be all right, but I would absolutely, absolutely reassure him that I would be there, that he'd never be alone, that he'd never be scared, that he'd never be left in the system, that he'd never go wanting that. If there was a medicine that was needed, I get the medicine again. I've got money, I can do anything. If someone says, go to Switzerland, there's a cure there, we'll go to Switzerland. So. So we always had that. I would kind of hypnotize him with that. I do a speech and stare right at him and say those things.

[David Tennant]

Did he get very scared?

[Russell T. Davies]

At times, interestingly. No, he didn't. Because he didn't. Because he didn't know how bad it was.

[David Tennant]

Yes.

[Russell T. Davies]

And. But also because I kind of hypnotized him.

[David Tennant]

Not right.

[Russell T. Davies]

No, I genuinely did. And in the end, the weird thing is, in the end, I was the one who had to tell him he was dying. His doctor was in a different hospital, so I actually had to tell him that myself. And that was a. That was not my best moment. I didn't handle that very well. I was sad. I was so sad.

[David Tennant]

You didn't handle well because you got too emotional.

[Russell T. Davies]

Yes. Yeah, yeah, yeah. And I wish I'd kind of been a bit. And then. And he got sad for me, so. But then what's the right way to do that? I mean, it was.

[David Tennant]

When you're allowed to be. That will have meant something to him.

[Russell T. Davies]

Yes, yes, yes, yes. Well. And he was so ill by that stage. He was asleep five minutes later.

[David Tennant]

Right.

[Russell T. Davies]

He was gone. I was like, oh, there we are.

[David Tennant]

Right, right, right, right, right.

[Russell T. Davies]

Thank you. And, yeah, and I'm glad that was me. I'm glad that wasn't. He had lovely doctors, but I'm glad that wasn't a doctor sitting there telling him this, that I got to be the one to pass that on. Whole chain of accidents led to that. But how strange that.

[David Tennant]

Yeah. Gosh, it's an extraordinary thing to have gone through. Are you aware of how it changed you?

[Russell T. Davies]

I don't know. Has it changed me?

[David Tennant]

I don't know.

[Russell T. Davies]

I seem changed.

[David Tennant]

I wonder either. Personally, I kind of can't believe that's me.

[Russell T. Davies]

Because it sounds like a story that happens to someone else.

[David Tennant]

Right.

[Russell T. Davies]

Like what? Yeah, it's like a soap, isn't it? A brain tube.

[David Tennant]

It's like something you'd write.

[Russell T. Davies]

Yes, exactly. It's like. So it's still. It still looks like that, too. Even as it was happening, I was like, good. Really? And gosh. And then. Yes. And now I look back at it. Good. That's the story of your life. How mad? How mad is that? But then we all know people have stories of their lives that are a lot worse than that.

[David Tennant]

Well, of course, but you. One's own personal experience is all you can really understand.

[Russell T. Davies]

Other people's problems don't matter at all compared to your own. Yeah, yeah, yeah, yeah, yeah. But I mean, gosh. I mean, I still. I'm in that same house and I still talk to him all day long.

[David Tennant]

Do you?

[Russell T. Davies]

Literally. Literally out loud, like. And I know exactly what he'd say to things. But that's not mad. I think everyone does that.

[David Tennant]

Well, Georgia, that's it.

[Georgia Tennant]

That's it. David.

[David Tennant]

What a season it's been.

[Georgia Tennant]

What a season it's been.

[David Tennant]

We've laughed, we've cried, we've had snacks.

[Georgia Tennant]

Yeah, a lot of snacks.

[David Tennant]

Lot of snacks. Never enough snacks.

[Georgia Tennant]

And some unforgettable conversations.

[David Tennant]

I hope so.

[Georgia Tennant]

Well, if you do forget them, you can just go back and listen to them again.

[David Tennant]

That's the beauty of podcasts. They're all there for you.

[Georgia Tennant]

Thank you all for listening.

[David Tennant]

Thank you so much. Thank you, Georgia.

[Georgia Tennant]

Thank you. David.

[David Tennant]

What are we having for dinner?

[Georgia Tennant]

You?

[David Tennant]

Oh. David Tennant does a podcast with is a Sony Music Entertainment and no Mystery production produced by Matt Smith. The assistant producer was Rani Prescott. The sound engineer was Josh Gibbs. The theme tune is by William Benkart. The executive producers are Alex Lawless, Sarah Camlett and Georgia Tennant. Dinner time. It's where little moments are cherished. With blue cash preferred, get 6% cash back at US supermarkets and bring everyone together.

[Georgia Tennant]

I did say everyone.

[James Blake]

Learn [e-mail] Explore BCP terms and cash.

[David Tennant]

Back cap apply with blue cash preferred.