Jacob Barto is an expert in German literature and language, currently adjunct assistant professor of German at Bellevue College. In this Halloween-themed conversation, Dave and Jacob claw their way through a splattering of spooky classics from European literary history, encountering as they go child-seducing ghosts, philosophical demon-devil hybrids, and even a few subversively bloodthirsty lesbian vampires. They end by sinking their teeth into the question: what accounts for the power that horror as a genre has within society today?

Works discussed, among others: Goethe, “Erlkönig” (Poem, 1782); Goethe, “Faust” (Verse Tragedy, 1808/1832), Schubert, “Erlkönig” (Lied, 1815). Dante, “Inferno” (Poem, 1321), Sheridan Le Fanu, “Carmilla” (Novella, 1872), Benjamin, “The Origin of German Tragic Drama” (Book, 1925), Murnau, “Nosferatu – Eine Symphonie des Grauens” (Film, 1922), Herzog, “Nosferatu the Vampyre” (Film, 1979).

Jacob’s Recommendations:

Mikhail Bulgakov, “The Master and Margarita” (Novel, 1928–1940)

Ludwig van Beethoven, “The Symphony No. 7 in A major, Op. 92” (Symphony, 1811–1812)

Akiyuki Shinbo, “Puella Magi Madoka Magica” (Anime, 2011)

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