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Welcome to Defenders, the teaching class of Dr. William Lane Craig Today the Creation of Life and Biological Diversity, Part 20 for more information and resources from Dr. Craig, go to reasonablefaith.org on the basis of the metaphoricalness, the plasticity and the flexibility of many myths, we've seen from both anthropological studies as well as ancient Near Eastern literature that myths are not always best interpreted literalistically. Now we want to make application of these insights to Genesis 1 to 11. When we consider the biblical narratives that are at the heart of our study, namely the creation of the world in chapter one and the origin and fall of Adam and Eve in chapters two and three, then it seems to me that a non literal interpretation of these narratives is very plausible. First and foremost is the creation of the world in six consecutive 24 hour days, a description that doesn't require a knowledge of modern science to recognize as metaphorical. We've already seen reasons in our previous lessons to interpret the six days non literally. Next is the humanoid deity which appears in chapters two and three, in contrast to the transcendent creator of the heavens and the earth in chapter one. The anthropomorphic nature of God, which is merely hinted at in chapter two, becomes inescapable in chapter three, where God is described as walking in the garden in the cool of the day, calling audibly to to Adam, who is hiding from him. Genesis 3, 8, 9 state they heard the sound of the Lord God walking in the garden in the cool of the day, and the man and his wife hid themselves from the presence of the Lord God among the trees of the garden. But the Lord God called to the man and said to him, where are you? Genesis 3:8,9 read in light of Genesis 3, God's creation of Adam in Genesis 2 takes on an anthropomorphic character as well. Here God is portrayed like the Mesopotamian goddess Nintur shaping bits of clay into a human being, or the Egyptian God Khnum sitting at his potter's wheel, forming man and as fashioning man out of the dust of the ground and then breathing into his nostrils the breath of life so that the earthen figure comes to life. We're not told whether God similarly formed the animals when, and I quote, out of the ground the Lord God formed every beast of the field and bird of the air. Chapter 2, verse 19 but we can't help but wonder if they weren't formed in the same way as man. When God takes one of the sleeping Adam's ribs, closes up the flesh, and builds a woman out of it. The story Sounds like a physical surgery which God performs on Adam, followed by his building a woman out of the extracted body part. Similarly, given God's bodily presence in the garden, the conversations between God and the protagonists in the story of the Fall, namely Adam, Eve and the serpent, read like a dialogue between persons who are physically present to one another. God's making garments for Adam and Eve out of animal skins and driving them out of the garden sound again like physical acts by the humanoid God. Given the exalted, transcendent nature of God described in the creation story, the Pentateuchal author could not possibly have intended these anthropomorphic descriptions to be taken literally. They are in the figurative language of myth. Moreover, many features of these stories are fantastic. That is to say, they are palpably false if taken literally. So I'm using the word fantastic here with the technical precision. To say that something is fantastic means that it is palpably false if taken by literally. And here I'm talking about features of the narrative that the author himself would have plausibly thought fantastic. For example, chapter two begins by saying that when God created man, it had never rained upon the earth. Now this seems fantastic. Ancient Israelites understood the water cycle, as is abundantly attested throughout the Old Testament. In light of chapter one's affirmation that God had separated the waters above from the waters below, it's hard to believe that the author thought that there was ever a time in the Earth's history when the Earth was utterly devoid of rain. Just as the waters below took the form of seas and rivers and springs, so the waters above took the form of rain. So an Earth which is replete with seas and rivers and springs, such as Genesis 2 describes, but without rain, seems fantastic even for an ancient Israelite, given his knowledge of the water cycle. Then there is the description of the Garden of Eden with its Tree of Life and Tree of the Knowledge of Good and Evil. These are plausibly symbolic. The idea of an arboretum containing trees bearing fruit, which, if eaten, would confer immortality or yield sudden moral knowledge of good and evil, must have seemed fantastic to the Pentateuchal author. Keep in mind here that we are not dealing with miraculous fruit, as if God would, on the occasion of eating, impose immortality or supernatural knowledge of good and evil on the eater, for these were against his will. The fruit is said to have their effect, even contrary to God's will. The Garden of Eden may have described an actual existing geographical location, plausibly the Persian Gulf Oasis. But like Mount Olympus in Greek mythology, that site may have been employed to tell a mythological story about what happened at that site. Then there is the notorious walking and talking snake in the garden. Now he makes for a great character in the story, conniving, sinister, opposed to God, perhaps a symbol of evil, but not plausibly a literal reptiles such as you might encounter in your own garden. For the Pentateuchal author knew that snakes neither talk nor are intelligent agents. Again, the snake's personality and speech cannot, like Balaam's ass, be attributed to miraculous activity on the part of God, lest God become the author of the Fall. The snake is not identified as an incarnation of Satan. Rather he is described as simply the craftiest of the beasts of the field, which the Lord God had made, a description which is incompatible with his being Satan. When God finally drives the man and his wife out of the Garden of Eden, he stations at its entrance and I quote the cherubim and a flaming sword which turned every way to guard the way to the tree of life. Genesis 2:24. What makes this detail fantastic is that the cherubim were not thought to be real beings, but fantasies composed of a lion's body, a bird's wings and a man's head. The Jewish commentator Nahum Sarna, in his commentary on the Book of Genesis, observes that the motif of composite human animal bird figures was widespread in various forms through throughout the ancient Near East. And he thinks that it is prominent in both art and religious symbolism and that the biblical cherubim seem to be connected with this artistic tradition. Cherubim filled multiple roles in the biblical tradition, such as symbolizing God's presence or God's sovereignty. Artistic representations of such creatures were to be found in the Tabernacle and the Temple, including in the Holy of Holies. Sarna points out that they are the only pictorial representation permitted in Judaism, an otherwise anti iconic religion. They don't violate the prohibition against images and because they are, and I quote, purely products of the human imagination and so do not represent any existing reality in heaven and earth. And thus images of them could be made in ancient Israel without breaking the second commandment prohibiting images of things in heaven. For the cherubim were not real. And yet here in Genesis 3, they are posted as guards at a time and place in history, along with a rotating flashing sword to guard for an indeterminate time the Garden of Eden against man's re entry into the garden. Now, since cherubim were regarded as creatures of fantasy and symbols, it's not as though the author thought what realism would require that the cherubim remained at the entrance to the garden for years on end until it was either overgrown with weeds or swept away by the flood. So there are a number of features in these narratives which I think, if interpreted literally, would be palpably false, which gives good grounds for thinking that they are, in fact to be taken as figurative or metaphorical discourse. Any question about that point so far, Eric?
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I'm a bit confused as to why
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God taking anthropomorphic form in the garden would be unthinkable, considering how he does
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the same thing with Abraham just before
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the fall of Sodom and Gomorrah.
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Yeah, right. There it talks about the angel of the Lord appearing to Abraham. Right. But there isn't any such identification here. You'd have to think that that's what happened, that there was some sort of an incarnation. And I guess I don't see that as contemplated in the text. It seems to me more plausibly to be interpreted metaphorically, Duran,
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along the same lines regarding the angels and perhaps Satan as the snake. This might seem strange, but one of my original interests in the area of apologetics was in matters of the paranormal was in hearing stories of ghosts and demons and poltergeists, and this came from watching too many movies. But the thing that I found, though, and the more stories that I heard, it seems to me that one of the capacities that demons especially enjoy, and perhaps what's referenced later in Genesis, when they overstep their boundaries, is the capacity to possess living things. And we know that, at least from stories that people have told from around the world, that they don't just possess people, but they also possess animals. And just as they can speak through people, as Legion did speak directly to Jesus, the demons can also speak through animals as well, if they so choose. And I'd also like to point out there is no detail in the original chapter that says that the snake ever had legs that he used to walk around. God just curses him to go on his belly.
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Yes, right.
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But I'm just wondering that, in my experience, it doesn't seem implausible to me that the snake would be able to speak to Adam and Eve. They might have thought that that was strange. We're not given that detail or not, but it doesn't seem implausible with the other things that we're told about angels and as far as the cherubim go as well.
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Well, now, wait. Let's keep to one thing at a time.
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Sure, sure.
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The question is, is this plausibly interpreted as being some kind of paranormal phenomenon? And There, I think you're reading into it modern notions from your own experience with paranormal phenomena and so forth, rather than how this would have been understood at that time. The way the snake is described is not as some kind of demonic being, much less Satan or some sort of a God or anything. It's just the wiliest of the wild animals that the Lord God has made. And so while I do think that the snake could be a symbol for evil, nevertheless the symbol is a symbol of just an ordinary animal. It's just one of the wild animals or beasts of the field that God has made. And I think it would be. I think that's a more plausible way to understand it than to read into it these paranormal phenomena.
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But, I mean, is it absolutely necessary that the author of Genesis lay out from the very beginning and label the snake as Satan? Or if we understand that Genesis was written in the same time period with the same cultural understanding as, say, say, the Book of Job, where Satan is clearly identified as a being that does very specific things, then why would it need. Why would the snake need to be identified specifically as Satan? Whereas we could infer that pretty well.
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Well, again, it is the way in which the snake is positively described. I think that gives one pause. It's not just the absence of describing the snake as Satanic or a demon, but it is the way in which it is described in purely natural terms as one of the wild animals that God has made and indeed the craftiest among them, which wouldn't be compatible with its being some sort of demon or Satan. Now, you wanted to say something about the cherubim. Why don't you say what you wanted to say about that?
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Well, I'll just say if somebody saw a talking snake, they would say, that's probably not a regular snake. But anyway. But as far as the cherubim go, my understanding of those. The descriptions that you cited of the cherubim that come from mostly the major prophets, things with lions, heads and wings and body of a man and all that sort of stuff. To me, those prophetic visions, those are the figurative things that have symbolic meaning, whereas in more historical and narrative accounts of angels, they seem to appear as people.
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Well, let me give you some references then. I skipped over these because I didn't want to encumbered the lesson with a bunch of Bible references. Remember, I said that the cherubim are represented in the tabernacle and in the temple, even in the holy of holies itself. So this isn't late prophetic literature. This is Exodus, chapter 25. Verses 18 to 22, Exodus 25, 18, 22, and Exodus 26, 30, 31. And then also 1 Kings 6, 23, 29, 1 Kings 6 23, 29. And so, given the prohibition in Israel of images of anything in heaven and on earth that would be used in worship, it's very peculiar that you would have these statuettes of these beings represented Israelite worship, unless, as Sarna says, the reason is they don't represent anything real and therefore wouldn't violate the second commandment against images. All right, someone else. Jonathan. So regarding the point about the snake, I was just thinking, if you're going to interpret this literalistically, aren't you also
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going to have to be committed to
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the fact that ancient Israelites also believe that snakes were the craftiest of all creatures, and surely that they probably had
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a better understanding of animals than that?
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And I'm just thinking about, you know, Jesus talking about the mustard seed being
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the smallest of all mustard seeds.
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Clearly, by making that point, he's not
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trying to make a literal point about
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the mustard seed being the smallest of all seeds, but he's making an overriding
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or an overall point regarding the kingdom of God.
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And I'm just thinking maybe regarding the snake, maybe that's a hint that it's not. Yes, I think that the point is one that is a good one. I hadn't thought of it before, but I understand the point you're making, and that would be worth looking at. When you look at snakes in the ancient near east, they are used as symbols for a wide range of things, of both good and evil things. Snakes could be worshiped in Egypt, but then they could also represent evil and sinister powers and so forth. So snakes could be regarded as crafty and wicked and so forth. But you're making a good point as to whether or not even that statement shouldn't be taken literally, but simply as part of the story. Yes, Bruce, where do we start?
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We'll start with snakes, because we're on snakes. But you'd have to wipe out a lot of New Testament that identifies Satan as operating with the snake. Now, the snake itself could be. It says it was the craftiest of all creatures. This could be. God can be attributing the style and the movements and the way it hides as something that Satan would. As a tool. Satan would use to. To approach Eve because of the subtlety of movement and so forth, not necessarily anything related to the snake itself, but this is something Satan used. But then if you talk about other things like the rivers and so Forth you have Bennett Springs.
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Now, wait, about what?
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Now about you mentioned some problem of watering the earth.
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Oh, okay. Well, let's do again, one thing at a time. With respect to the snake, the word there that is translated wily or crafty is definitely a mental property. This is not attributing to the snake merely slithering movements in a physical way. This is attributing to the snake this mental property of being wily or crafty or smart. So the snake is definitely personified as an agent and it talks. So I don't think we can attribute that adjective to merely its bodily movements. Now, you wanted to say something about whether it rained on the earth prior to creation of man, but just concluding
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the snake, then you would have. This is a form Satan used the subtleties of, of the physical to accomplish spiritual things. But you'd have to negate a lot of New Testament that talks about the serpent being deceiving Eve in the garden.
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Well, that's interesting. There is a passage, I believe in 1 Corinthians, where Paul says that I fear that just as the serpent deceived Eve, so you might be deceived. And he doesn't say, just as Satan deceived Eve, he says the serpent. So he's simply citing the story about the snake or the serpent in the garden and doesn't explicitly say Satan. I almost wish that he had, because then it would make it clear. But he's deciding about the serpent.
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There's other things in Revelation we have to do. The have to look at the concordance exhaustively to see what serpent references there are. But with respect to water, if you go up to Mount Hermon, where Jesus told Peter that the gates of hell won't prevail against the church, there's water that gushes out that they call the gates of hell the pagans, and it becomes a river. And you have the same thing in like, for example, Bennett Springs, Missouri, that this underground river comes out and becomes a huge river and body of water. So this doesn't seem unreasonable. And with respect to cherubim.
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Well, now wait, Bruce. I mean, come on. Just because there are underground springs and aquifers, which Genesis affirms. Genesis 2 says a spring or something welled up out of the ground to water the land. That doesn't mean that it makes it plausible that therefore there was no rain. I mean, they understood the cycle of evaporation. Clouds forming and then rain falling. That's plausibly what the waters above referred to was rain. So just the fact that there are Certainly underground rivers and springs and so forth. I don't think does anything to make it plausible that the Earth was utterly devoid of rain and clouds.
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Well, I don't think Genesis said there was no rain either specifically, but that there were occasions of this water coming from the ground and becoming.
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Yes, and that's exactly what I'm questioning. I'm saying that that detail of the narrative is fantastic and the ancient author would have found it. So I think, given his understanding of the water cycle.
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One more thing, and I'll go ahead. Pain. I was listening to a sermon about was there pain before the fall?
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Was there pain?
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Pain experience. And this relates to taking the rib out, because two references would be after the fall, God says, I'm going to multiply your pain in childbirth. Not that you didn't have any, but I would multiply it. And the other thing would be is he put Adam to sleep to take some part of his DNA and we'll call it a rib or whatever, which you could do with cloning in the modern sense. But he closed up the side. He put Adam in a deep sleep. So if there wasn't a actual opportunity or there wasn't actually pain experienced by Adam, he wouldn't have had to put him to sleep to take something out of the side into a deep sleep and take something out of the side in order to make Eve.
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Yes, I think that's quite right. And that wasn't a point that I was attempting to make. My point about the building of Adam, of Eve out of Adam was that when you read it in the context of this humanoid deity walking in the cool of the garden, looking for Adam and Eve, hiding in the trees and so forth, that the surgery performed on Adam sounds very much like a physical operation which this God did, put him under general anesthetic, so to speak, so he wouldn't feel anything, cuts him open, takes out the rib or some body part, closes the incision up again, and then builds a woman out of this rib. And that sounds like a physical operation that is going on. To say it's not, you would have to imagine that God is not physically present there. Adam falls asleep, an incision opens up on his side, a rib floats out into the air, and then the rib changes into a woman. Because, remember, God is immaterial, he's transcendent. And so that would be, I think, not a plausible interpretation of the passage that when you read it in the context of the garden, walking in the garden, physically discoursing with people, it sounds like the formation of Eve is also a physical act which is going to require either what someone mentioned earlier, that God becomes incarnate in chapter two, or else that this is just figurative language.
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Ben, I just have a quick comment and then two clarification questions. Again, I haven't heard many people have a problem with that being a theophany in Genesis. I mean, him having people say that Jesus showed up as a theophany multiple times throughout the Old Testament. Inside the furnace with Abraham. Sorry, inside the furnace with Shadrach, Meshach and Abednego when he told him not to. When he told Isaac not to be sacrificed. Being Jesus, it seems like the way that he would. That would make the most sense for him to interact with Adam and Eve would be as a theophany, just like he does in other parts of the Old Testament. So I just didn't see an issue there. And as far as the serpent being Satan, it just seems like the curse upon the serpent. I mean, any interpretation I've heard of the curses is a curse against Satan. When he says, I will put enmity between you and the woman, between your seed and her seed. This being a reference to the ongoing struggle between Satan throughout all the generations and between Jesus and the pure line going to Jesus. It just seems like the curse that's put against the certain would have to be Satan, based on what the curse is.
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Well, read the whole curse, though, upon the serpent, beginning in verse 14. Because you have done this. Cursed are you above all cattle and above all wild animals. That's what he was said to be. Right? The craftiest of the wild animals. Upon your belly you shall go, and dust you shall eat all the days of your life. This sounds like an etiological explanation of why snakes slither on the ground. Because God cursed them. And then you're right, I put enmity between you and the woman and your seed and her seed. He shall bruise your head and you shall bruise his heel. Old Testament commentators, you know, divide on what this means. Taken literally, it describes in between snakes and humans and stomping on one with your heel to crush its head to kill it. This is, if you take it literally, very much talking about a sort of snake. Now, it's actually in this case, then it's the person who wants to take it as Satan who is interpreting it more figuratively and metaphorically to say that it refers to Satan. And I'm open to that, that this is what that could be. Especially if the snake is a symbol of something like that.
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Yeah, I mean, I guess I just. If Satan Went into the serpent, you know, like took over the serpent, possessed the serpent or something. I guess I don't see it being a problem as the curse being against the serpent that he went into as well as Satan himself.
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So both of them.
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Yeah. But anyway, my clarification question is, I know the last few weeks you've drawn the parallel between other ancient cultures origin stories and the Genesis origin story. So my point of clarification is, do you believe that the Hebrew origin story did come from God himself, or do you believe that the Hebrews needed an origin story so they made it up as well? Because if you believe that they just made it up, then it doesn't seem like this is any better than anybody else's ancient culture. But if you believe he didn't make it up and it came from God, then it seems like the parallel can only go so far because you have to look at the source. One is people have to make it up out of scratch.
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Well, this relates to a question that Brad raised earlier. The author of Genesis, on an orthodox Christian understanding of inspiration, which I have obviously affirmed in our class, is that God is the ultimate author of Genesis. And the question then is, can God use literary forms, literary genres that are not literal? And there the answer is demonstrably yes. All you have to do is read the Psalms and see poetry or read the book of Revelation. There's kind of a nice comparison between the first book and the last book of the Bible. The last book of the Bible is Jewish apocalyptic literature filled with imagery. When it talks about the beast that is going to rebel against God, it doesn't mean something like in Disney's Beauty and the Beast, some sort of animal like thing. This is a symbol for some political leader, right? And these multi headed monsters that come out of the sea and try to take over the earth are representative of nation states and alliances and so forth. So clearly God uses different literary genres to communicate his truth. And what I'm pleading for here is to consider the possibility that the first 11 chapters of Genesis belong to this literary genre which has been called mytho history, which doesn't require that it be interpreted literally any more than, say, the book of Revelation. But obviously I am affirming that God is the author of this history.
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I know you've made the parallel with Revelation, but apocalyptic literature and apocalyptic language is just so much of a genre of its own. In fact, it even says specifically that the dragon coming out of the sea is Satan or the devil. I mean, you don't have to draw that conclusion yourself. The verse actually says this represents Satan or the devil. So I mean, it's just. That just reads completely differently. But okay, my last clarification and I'll call this. I'm gonna give up the mic. Do you personally believe that there is a literal Adam and Eve who is the progenitors of the entire human race? Do you believe there was a literal Adam and Eve, male and female?
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Yeah.
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Okay.
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As I said, this isn't pure mythology, it's mytho history. So the genealogies are intended to show that these are narratives or stories about people who actually lived and wrought. But I'm suggesting that these stories may have been told with metaphorical and figurative language that shouldn't be interpreted literalistically. And I've given several examples this morning of these. Some other comment or question?
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Yes, Dr. Craig? Yes. Concerning. About the serpent. I was trying to say that if God tried to communicate with us about a spiritual phenomena as say Jesus was baptized by the Holy Spirit and it looks like dove, but obviously the Holy Spirit spirit is not dove, but it looks like dove. And in this case it's a communication where I think the main message of eating that fruit is that human conscience has departed from agreement with God and that's why it's the knowledge of good and evil instead of defined good and evil by God's definition of. We start own that definition by our own selfish perspective. So this story is conveying that when human conscience has departed from God, then there's no salvation because we are guided by our conscience, except when a new conscience comes in Jesus Christ and replaces ours. And I don't know how else Genesis can depict this idea other than what it has said in that Genesis the fruit of knowledge, of good and evil. And another interesting fact thing is that the Chinese character retained a lot of these stories in its radicals in their language. And the pronoun it is derived by snake. So in the beginning, if they describe you or I or it that it is a snake. So I thought that was interesting.
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Okay, thank you. Any other comments?
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Yes. Aren't we hermeneutically bound to look into the apostolic authority of the New Testament and go back and get Old Testament meanings? Because I'm very sympathetic with what you're saying about the literary genre. There's all these ancient Near Eastern cultures with these theories. But if you take say like Isaiah and you look at what Jesus or the New Testament authors are saying about that, they didn't think that's what Isaiah meant. Or out of Egypt I call my son Matthew when he said that they didn't think that's what the Old Testament was referring to. So when in Revelation, not that I want to beat the snake to death, but even though I do, but in Revelation, when the author says Satan, that ancient serpent, I can see where we go back. And nobody would have thought that. That the serpent was literally Satan. But because we have that progressive revelation, we as Christians, you know, we have a deux ex machina in our pocket that no other culture has. In this apostolic revelation, oh, it's progressively revealed. So can't we. And this Sarna fellow, I don't suppose he was a Christian. When did he write?
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No, he's Jewish.
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Yeah, he's Jewish, which is why is he ancient?
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I found his comments on the cherubim so interesting.
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I thought that was interesting because what you said about that Jews broke the law all the time. The whole Old Testament's about how unfaithful they were. So of course they might have had things like that. But he doesn't have the Christian magic power to go back and say, oh, but our apostles say this. So aren't we as Christians bound to go back through New Testament light to reinterpret these things?
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Yes, I think that's true. I think that's right. Although the examples that you gave
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lead
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me to think that in some ways the New Testament authors could read things into these texts that weren't originally there, like out of Egypt I have called my son, and the hermeneutic there would be that they are discerning a different level of meaning or a different interpretation that wasn't intended by the original author. And that raises all kinds of difficult questions pertinent to these things. I don't think that the New Testament references to Adam and Eve are going to overturn what I've said in this class, because it primarily is a theological interpretation that Paul gives in Romans 5 about how sin entered into the world through Adam and Eve, through their choice, their fall, and that therefore there was such a couple, and that they did disobey God and fall away. But the degree to which the story is to be taken literalistically, I think is left over open by the New Testament. But you're certainly right in principle in saying that that needs to be taken into consideration.
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There's so much to be said. But I'm going to pick back on the rain issue. Genesis 2, the three major interpretations seem to be that it's. One would be that it's a separate story than Genesis 1. One would be that it's a story of primarily what happened on day six and one would be that it's consecutive in order or follows in order from Genesis 1, which I know you did a presentation on that not long ago disagreeing with that idea. I'm more inclined to think that it's a separate story and that it begins similar to Genesis 1 in that it's telling what's wrong. There's no plant of the field, there's no plant of the earth there. It's no good plants and no wild plants. And then it gives a twofold plan. Reason why that's the case because God had not sent rain and because there was nobody to irrigate the land. And then there's a twofold solution. God causes it to begin to rain essentially, and he creates man. So I think it's a separate story, just in a different order. So the no rain refers back to a time when God was creating the rain cycle in a similar fashion that he did on day two. So I don't see them as seeing that as fantastic as much as it's just another telling of a creation story that may have been later in time than Genesis 1.
A
Well, that sounds very much like what I have just said. It's a separate story. And I'm going to talk next week about the conflicts between Genesis 1 and 2 with respect to the order of creation of vegetation, animals and man. And I'm sympathetic to what I think I understood you to say, Ben, that it's part of the plasticity of myths, that they enable them to be told in different ways and that we shouldn't press this narrative to mean that before human beings were created it had never ever rained on the earth. That I think would be fantastic even for these ancient Israelites who understood, as you say, the water cycle since the creation of the heavens or the waters above and the waters below. All right, well, good discussion today. Let's close with a benediction and then next week we will take up further evidence of for the non literal nature of these narratives. And now may God the Father, the source of all goodness and life, God the Son, our Redeemer and Savior, and God the Holy Spirit, who fills and empowers us for daily living, enable us to live lives pleasing to him and deepening in the knowledge of himself through Christ our Lord. Amen.
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The copyright for the preceding material is
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held by Dr. William Lane Craig. For more go to reasonablefaith.org.
Host: Dr. William Lane Craig
Date: July 10, 2019
Theme: Exploring reasons for interpreting Genesis 1–11 as "mytho-history"—a literary genre using non-literal, mythic elements while still conveying historical truth.
Dr. William Lane Craig leads his Sunday school class through a detailed discussion on the literary nature of Genesis 1–11. He argues that many features of these early biblical narratives are best understood as mytho-history—narratives that employ figurative, metaphorical language and fantastic imagery rather than straightforward, literal history. The class evaluates key episodes such as creation, the anthropomorphisms attributed to God, the serpent’s identity, and the presence of fantastical beings like cherubim.
Dr. Craig and his class engage in a robust discussion about the genre and meaning of Genesis 1–11. He consistently affirms inspiration and theological truth but resists a naïvely literal reading, favoring "mytho-history." The class interaction highlights common interpretive challenges: the meaning of anthropomorphisms, the serpent/Satan identification, reconciling Genesis with science, and the authority of apostolic reinterpretation.
Dr. Craig ultimately holds that Genesis conveys real history about the origins of humanity—but in a form saturated with figurative and symbolic language, echoing the mythic traditions of the ancient world while pointing to universal truths.
For more resources, visit reasonablefaith.org.