Draw Or Die (Part 2)

Summary

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Distractible Podcast: "Draw Or Die (Part 2)"

Hosts: Mark Fischbach (Markiplier), Wade Barnes, Bob Muyskens
Date: February 13, 2026
Episode Summary by AI

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Episode Overview

In this energetic follow-up to their drawing challenge, Mark, Wade, and Bob dive into a friendly but chaotic competition of “Draw or Die.” The premise: one host secretly receives an image, then describes it in real-time to another, who must recreate it in a drawing program—often MS Paint. Their attempts at communication, rapid-fire banter, and inevitable misunderstandings lead to hilarious—and occasionally disastrous—results.

The episode’s central theme is creativity under pressure, the pitfalls of description versus visualization, and the sheer entertainment found in friends trying (and occasionally failing) to be on the same wavelength.

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Main Discussion Points & Segment Timestamps

1. Warm-Up Banter and “Budget Airlines”

[01:01 - 07:02]

• The trio riff on the (supposedly) imminent arrival of standing-room-only flights on Ryanair, taking the bit into absurd territory (bicycle-pedal planes, passenger slingshots, cardboard jets).
• Mark comments, "I would try a standing seat." [04:25]
• The history lesson derails spectacularly:
  • Wade jokes, "I remember when the Mayflower landed at... Or wait, the Mayflower, that’s the one landed at Plymouth Rock and everyone was standing dying of the plague. Why can’t we go back to those days..." [06:08]
• Recurring gags about McDonald's—“McFlurry Puns” and “sappy meal boys”—establish the episode's irreverent, pun-laden tone. Bob says, "Let's snack wrap this up. This segment was not sponsored by McDonald's." [07:50]

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2. Tech Temptations: The 3D Printer Dilemma

[08:05 - 11:32]

• Bob seeks "de-influencing" from buying a 3D printer, knowing his friends are the worst people to talk him out of new gadgets.
  • Bob: “Convince me I don’t need a 3D printer. Tell me I’m a lazy sack of shit and I’ll never actually use it.” [08:17]
  • Instead, Mark and Wade encourage enabling:
    Mark: "You should look into a Prusa." [09:29] Wade: "We're like a sappy meal. We can help." [08:15]
• The hosts improvise a silly “Two Tech Boys” chant/song:
  • “Two tech boys, what the heck!” [11:39 - 11:45]

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3. Rules Refresher: Draw or Die Returns

[13:13 - 15:28]

• Mark explains the game: one describes a secret image, the other draws in real time. Scoring is out of three for drawing accuracy and descriptive clarity. Three-minute rounds.
• Marks sets up the rounds (“...Bob, you’re receiving. You’ll be the first to draw. Fire up Ms. Paint.”) [13:37]

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4. Drawing Challenge Rounds

[16:57 - 51:03]
(A selection of memorable drawings and chaos)

- Round 1: The Triumphant Red Shirt

• Description: Red background, man in red shirt, triumphant fists, round glasses.
• Wade (describer) & Bob (drawer) nail it.
  • Mark: “I’ll give you both a three because it’s the easiest. It’s only going to get harder from here.” [20:45]

- Round 2: Soyjack Banana

• Description: Pink background, man with beard holding banana, soyjack meme vibes.
• Bob: “His eyes are open fairly wide, and he’s literally… his mouth is open like he’s going—” (makes soyjack noise) [23:39]
• Mark: "That’s straight-up soyjack." [23:31]
• Drawing is decent, banana orientation is debated.

- Round 3: The Cyclist

• Description: Man on a bike, leaning forward, awkward angles, fingerless gloves.
• Both struggle with describing the limbs and gear.
  • Mark: “You got the puck... I see the glasses, I see the cap. The only things really missing are the gloves... squiggles…” [30:36]
• Scoring drops to 2s: “The efficiency of the instruction could improve.” [31:53]

- Round 4: Businessman on Tiny Bike (Off the Rails)

• Description: Man in suit, squatting on a kiddie bike, doing a wheelie with a briefcase.
• Breakdown occurs when Wade draws the legs straining skyward in the wrong direction.
• Mark loses it:
  • “When that leg bent up, I was just like, I know.” [37:49]
  • Mark: “If I could give style points for this, which I’m not, I would give you points for that.” [38:12]
• "I think this is the same picture." (Wade, deadpan, after a disaster) [39:22]

- Round 5: Karate Suit Wall Smash

• Description: Brick wall, cityscape, suited man, one-armed punch, hip-level cutoff.
• Wade delivers an efficient rundown: “About two thirds of the image from the left all the way to a third of the right is a brick wall, and part of the middle right side... is crumbling.” [40:26]
• Mark praises the improvement: “If we’re using that as the 1 benchmark, I think this gets enough things there... two for the drawing, three out of three for the description.” [44:24]

- Final Round: Brick Wall Smash with Bat

• Description: Guy in flannel, baseball bat above head, breaking through brick wall, flying bricks.
• Bob (as describer) is methodical: “The bottom third of this is a brick wall. The top two thirds... could just be white... in the middle, guy standing with his arms over his head, holding a baseball bat, like he’s about to smash the shit out of something.” [45:48]
• Wade (drawing): draws a hammer, not bat, and an ultra-deep flannel V-neck.
• Mark: “It’s very Patrick Star going on here, but that’s okay...” [49:25]

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5. Scoring, Accidental Wins, and Aftermath

[51:03 - 56:10]

• Mark tallies points, recaps the best bits and scoring breakdowns.
• The final outcome is incredibly close:
  • “Bob, you got... 17 to Wade’s 16.” [52:21]
• A series of random tiebreaker ‘wheel spins’ and coin flips lead to comedic confusion about who actually wins, as a “worst luck” challenge is resolved.
  • Bob: “Of course I win a coin flip when it doesn’t fucking matter. Every other time you want to win the coin flip—nothing. The time you want to lose the coin flip—win, obviously.” [56:34]
• Wade is finally crowned the winner, delivers his speech:
  • "This is the first win I’ve had in a while..." [56:55]
• Bob’s loser speech, sarcastic:
  • “I just feel bad for all you listeners and watchers that you’re going to have to listen and. Or watch. Wady’s Little Philosophy Hour, part seven.” [57:14]

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Notable Quotes & Moments

• Mark, observing a drawing:
  • "His head’s facing the wrong way, his legs are bent the wrong way and facing the wrong way, the bike is facing the wrong way. But that briefcase, that is literally the only thing in the right direction." [36:45]
• Bob, after a failed drawing:
  • "What direction in this picture that you drew, what direction is that guy going? Left." [35:46]
• Wade, mid-chaos:
  • "I thought you said a hammer."
  • Bob: "I said baseball bat, like, five times." [47:34]

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Episode Tone and Takeaways

• Irreverent, competitive, collaborative, deeply unserious, and self-deprecating.
• The show thrives on their collective willingness to ridicule themselves, inventive riffing, and honest celebration of both successes and failures.
• Fans of quick wit, absurd humor, and friendship-driven banter will find this a standout episode.

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Recommended Listen Segments

• [16:57 - 21:13]: Round 1 drawing, perfectly encapsulating the initial success and how the format works.
• [33:24 - 39:01]: The “businessman on kid’s bike” round, showcasing the beautiful disaster of description gone awry.
• [51:03 - 56:10]: Scoring, recaps, and tiebreaker chaos.

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Closing

The “Draw or Die (Part 2)” episode is a joyful testament to creativity, communication breakdowns, and the fun of failing gloriously. Even listeners who can’t see the drawings will have a vivid mental picture thanks to the hosts’ comic timing and mutual roast sessions.

Mark: “Thank you, boys, for participating in this fun experiment. Thank you everybody for listening and/or watching... I hope in your head that it was a beautiful rendition and you could understand just what they were drawing based on how it went. Awry from what you were saying drawing.” [57:47]

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Transcript

[A]

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[C]

Good evening, gentle listeners or watchers, and welcome to Distractable. This episode, Michelangelo Mark, tracks the soldier, makes Tyler strip, then judges the gent, scribblings berating Bob Flames McD's one spectator mode, derides Wade and brushes brakes winkling. Wade remembers The Mayflower rejects 3D for 2, scrawls Soyjack and utterly ignores directions from standing seats to walloping walls.

[B]

Yes.

[C]

It'S time for Draw or Die part two. Now sit back and prepare to be distracted and enjoy the show. Hello and welcome to Distractable. I'm your host once again because somehow, by the hand of fate, you. Which we think has never happened before, I was declared the winner again by the wheel, and therefore I'm back again. And of course, I had another episode in the pipe. And is it the perfectest crime? Judging by the title that you already clicked on, you know that it's not the perfectest crime. It might be the perfectest upset. Who knows who we're going to upset in this, in this arena today? But. But before we do that, meet our contestants, Bob and Wade.

[B]

Hello.

[C]

Yes. Yes. They've flown all the way in to be on this podcast. Thank you, gentlemen, for making the journey.

[B]

Yeah, no problem. Flight was good. Flight was good. Yeah.

[C]

That's good. Yeah. Yeah. Hey, Comfort plus for our guests.

[B]

Yeah, No, I appreciate that. That's nice. You don't get that from other shows, you know.

[C]

I know, I know.

[B]

You sticky in the back. They actually get that Ryanair jet that's standing room only. That we Made a joke about existing almost a decade.

[C]

Do you think that they made that?

[B]

Since that's real? That's a thing. Yes. Now it's a thing. I believe that's in service. Ah, that might not be true.

[A]

Next comes the bike pedal plane, where we have to pedal to live.

[B]

Yeah, your kids are dangling in the cage.

[C]

Oh, what a good bit. Oh, that was back when we were funny. Remember? Remember when we were funny?

[B]

Honestly, I wish I could. I would just start recycling those bits because nobody's going to remember stuff that long ago.

[C]

Nine months ago, there was an article that says budget airline Ryanair denies claims it will soon offer cheaper standing seats. They deny it, but the CEO has been clear with. He says, and I'm extremely paraphrasing, this is not. People only want one thing from us and that's the cheapest flights possible. So if it was possible to offer even further reduced prices by having standing seats, we would. But safety is the first priority and it's simply not allowed. That was in 2012.

[A]

He says from his cardboard plane, that standing room only.

[B]

He didn't say not possible or humane. He said, they won't let us.

[C]

They won't.

[A]

We tried to make a plane out of Tupperware, they wouldn't let us.

[C]

I can't believe these pesky faa.

[A]

We were going to put our passengers in a slingshot and just hope they landed safely, but they won't let us do that.

[B]

We heard that distractable advertisement where Mark was trebucheting things around and we were like, hey, eh, but they won't let you do that now. It's illegal.

[C]

I would try a standing seat.

[B]

It was for like an hour or less. Like, I know especially in Europe, there's a lot of flights where it's like, pay 20 bucks, fly for 40 minutes from Heathrow to somewhere in Dublin or somewhere in Ireland, something like that. Like, maybe it was like Cincinnati to Detroit. Maybe if it was really cheap, like.

[C]

Really cheap, I kind of would be okay with. If there was a flight and it was just standing room, there's no seats, there's no standing seat, but it's just like guardrails and handrails and things like that.

[B]

It's like a subway. You just hold on.

[C]

Yeah, yeah. It's like, you know, if it was. If it's just an hour flight, I'm like, you know, actually, maybe I could do that. Let's pack in here.

[B]

Squeeze in.

[C]

We can fit more.

[B]

Excuse me.

[A]

Let me just give me comfortable seats with legroom or give me hoo, hoo. I'm a fucking owl.

[B]

It's like those trains in Tokyo. Everyone's trying to get on the last plane and the guy at the door is like, oh, get your fingers in there.

[A]

That sounds awful.

[B]

No, Then it doesn't matter if you can sit down. You can just relax your body and float in the mass of humanity we.

[A]

Are one step away from. Then the treadmill that powers the plane we all got to walk on in our standing room.

[B]

Think of the savings.

[C]

I'm thinking of them. I'm thinking of right now.

[B]

We wouldn't see the savings but for shareholders, the savings, man, you know, they.

[C]

Used to be boats back in the day, like cruises. I'm sure the Titanic had this too, where it's like the lower levels are just crammed in there. It's a squeeze them in bed. What are you talking about? Get in there. You know, and hey, people did it because it was cheap. And you know what?

[B]

Maybe. As far as I've heard, everyone loved that.

[C]

Yeah, everyone. I mean, you haven't heard anyone complaining about it now. You'd think it would have come up.

[B]

Well, that's what I'm saying.

[A]

I remember when the Sunflower landed at. Or wait, the Mayflower, that's the one landed at Plymouth Rock and everyone was standing dying of the plague. Why can't we go back to those days, by the way?

[C]

Everyone listening slash s slash s. Like.

[A]

We'Re slashing our prices. Oh, that's sarcasm.

[C]

Yes, that's. That's what I was getting. Getting at anyway. All right, so good. Ryanair update. I really appreciate that. How is Soulja Boy doing?

[A]

Oh, still there. Still selling Soulja consoles? Probably.

[B]

Is he on the Soulja Boy 64 yet or is he still in 16 bit?

[A]

No, I thought the latest one was like a DS or a switch or something, wasn't it? I gotta look again, but I don't honestly remember.

[B]

It's been a minute since we talked about Soulja Boy updates.

[A]

The innovation is quite insane. One tenth the price for 1/1,000th the quality.

[C]

I don't see any updates, sadly. So I don't think that there's any new Soulja Boy game consoles coming out anytime soon.

[A]

Only been a few months since the last one.

[C]

All right. So outside of the world of Ryanair and Soldier Boy, how are you guys doing?

[B]

Doing pretty good, except for there's snow.

[A]

On the ground still.

[C]

It's February, I guess. Isn't that still winter?

[A]

I've McFlurry Pun had it.

[B]

What?

[A]

I was trying to make a flurries and McDonald's McFucking had it. But I was like, Nah. Snow flurries, McFlurry. That doesn't make sense. It never, never congealed.

[B]

No, no.

[C]

Try again. Keep going, keep going.

[A]

It is dead on the floor.

[C]

Come on, man. McFuck.

[B]

McFuck.

[C]

See, he's got it. He's got it. I'm laughing.

[B]

Just work it. Workshop it.

[A]

I can't read nugget tated. It's like resuscitate, but with nuggets. Because McDonald's pun. It's Whoppers. Burger King.

[B]

Let's snack. Wrap this up. This segment was not sponsored by McDonald's. Don't go eat McDonald's because of this. You can do it for other reasons. Just. You did this to us, Wade.

[A]

Yeah.

[B]

Look, guys, I need you to de Influence me, okay? I need help. We've talked about this before, but I'm going through another cycle, going through another downtime. You're the wrong people to bring this to you, but I'm going to try.

[A]

We're like a sappy meal. We can help.

[B]

Convince me I don't need a 3D printer. Please convince me. Tell me I'm a lazy sack of shit and I'll never actually use it. Tell me. I don't. I won't do all these projects I have in my head. Convince the influence me. Come on. Come through for me.

[C]

I would love to, and I will. But wait. I did hear you had another pun, and I just want him to get it in. I'll get back to the 3D printer, I swear. But wait, I heard that, and I think it might have made me smile. Smile?

[A]

The sappy meal?

[C]

Yeah. What was that about? That? I don't know.

[A]

Something he's. Bob was getting. He's like, I need you guys to help me. I was like, it was like a sappy meal.

[B]

They say, don't meet your heroes.

[A]

That's our sappy meal, boy.

[C]

Sorry.

[B]

All right.

[C]

I'm not getting anyone. No one getting points here. All right. 3D printer.

[B]

I love how fair and balanced this podcast is.

[C]

No one's getting points. Never McDonald's.

[A]

I'm shoving it.

[B]

That was actually funny. I just feel like I can't laugh at your bits right now. That was. That was good, though. That was very funny.

[C]

That's.

[B]

Good job. This feels sincere.

[A]

Feeling good. Thanks for coming back to me.

[C]

Anyway, 3D printer. You should look into a prusa. You should get a prusa print.

[B]

They're cool, but they're expensive. If they don't come to you, on a palette from Prusa directly. They cost a lot of money. I know this is the wrong group to bring it to because Wade loves buying stuff and leave it on his floor. And Mark loves 3D printing. I don't need one, but man, am I obsessed with it. Have you ever downloaded 3D CAD software and designed a part that you can't 3D print because your 3D printer doesn't work currently. But you're like, I'll buy one and print it. That'll. That'll happen.

[A]

I looked at Mark's iron lung bucket for the 3D printing code until I went and just bought one from Regal.

[C]

Yeah, but that's going to take a while to get there.

[A]

That's the closest I've been to 3D printing was taking Mark's code.

[C]

My code, not my code.

[A]

Yeah, discounted code.

[C]

What you can do is you can get a used 3D printer for great prices because they come out with new versions all the time. And even if it's not a Prusa, you can get like prusa, like mark 3s for probably decent prices. Even like used mark 4 is probably you could get for a pretty decent price. And if you get a used Mark 4, you can upgrade it to a core one. They have that path available if it's the right one.

[A]

I think I found it on one on wish that does 3D printing, but it does it in a two dimensional scale.

[C]

Oh, what does that mean?

[A]

All of your 3D printing comes out on like paper. Oh, 2D printer. Joke is funny, guys.

[B]

That's that sound we were making.

[A]

Oh, good thing I brought my briefcase of funnies today. I'm going to open it up now. So I say stuff that makes people laugh.

[C]

You're doing great, man. You're doing great. Don't worry about it. Don't worry what anybody's saying. Don't worry about it.

[A]

Hong Kong. Here's my squeezy funny lens cleaner. It's my funny box laugh.

[C]

All right, all right, all right, all right. Let's hold off on the funny just until we get to the. The actual main game here.

[A]

Oh, my bad.

[B]

I was bringing a serious question to the group. I'm having a serious.

[A]

We helped. We told you to buy one.

[B]

That's not what I wanted at all. I'm gonna go buy one, though.

[C]

Yeah, go buy one. Yeah, that'd be great. Get a well, well maintained used one. You'll be happy.

[A]

You gotta be careful, Bob. You're talking to the two tech boys here. We're always gonna encourage you to buy new tech.

[C]

That's us. Two tech boys doing the tech.

[A]

Two tech boys. Oh, what the heck.

[C]

Two tech boys. Get on the deck.

[B]

Yeah.

[A]

Two tech boys. Look at Shrek.

[C]

All right, I'll give you a little bit for that. And just as you know, as a throw, you.

[A]

We did this, comrade. This episode is brought to you by Shopify. February is a big time of year here for the podcast. It's when we get together and negotiate the constitution. My favorite thing.

[C]

Yeah. You've had such influence in all of the decisions in every constitution.

[A]

I think you've even been there physically present every time.

[C]

We don't have time to do everything ourselves. That's why we use Shopify for our merch store. They help make running our store so easy. You can literally forget about it.

[B]

Look, that's the thing with Shopify. They're so good at what they do. It's almost like they're running your store for you. If you're just looking to get your start or if life gets too hectic, Shopify also makes it easy to work with people who aren't near you. We can update products from la, check inventory from Scentsy. Wade is existing.

[A]

Want to see what Shopify can do for you? Go to shopify.com distractible to see how easy Shopify makes running your online business. It's so easy, even I can do it. So we know you'll be able to, too. Why does it say that? That's shopify.com/ distractible.

[B]

All right.

[C]

You want to go to the game?

[A]

Like, which one? Oh, your game.

[C]

Yeah, my game.

[A]

The Super Bowl. Where you want to go?

[B]

Oh, yeah. We should do an episode from a Super Bowl. That makes total sense for this show.

[C]

It does make sense. It does. Just Tyler, if we actually got, like, a Super bowl thing, Tyler in the background would just be like.

[B]

He would, though. You're right.

[A]

Stripped down all the way to his Tom Brady jersey.

[C]

Yeah, yeah, absolutely. Which he wears to bed every night. Yeah.

[B]

I'm Tyler.

[C]

Heads. Is Wade. Bob, your tails. I'll tell you what we're doing after I spin this bonk. Bam. It's Bob goes first. Of course it is. I'll actually let you decide. Are you going to kick or receive?

[B]

I guess we want to receive.

[C]

Okay. You're receiving. So you're receiving. You're going to be the first to draw. Fire up Ms. Paint or your preferred drawing program.

[B]

Oh, I want to be a referee.

[C]

Not an option.

[B]

I want to be in the stands.

[C]

I guess you could quit the podcast. Yes.

[B]

I'm considering it.

[C]

Oh.

[A]

In the Constitution. I don't. I think it's a lifetime appointment.

[B]

All right, I have paint open.

[C]

Welcome to Draw or Die. What we're going to do here. If you don't remember, listeners, it's okay.

[B]

Use.

[C]

Unless you have aphantasia, use your inner eye and imagine alongside of us, not.

[A]

Your third eye, because that's your butthole.

[C]

I'm going to send Wade a picture from a stock image site. It's going to start simple. They'll gradually get more complex. However far we go is just up to how soon we get through this.

[A]

This is cooperative, right? We want each other to succeed.

[C]

Yes. So I'm going to give points based on, like, did you do a good enough job? It's out of three. So remember, the three is like an artistic drawing. Three scoring system for how well you drew the matching thing. But also there's a scoring for how well you were describing it to your opponent. Do you guys remember how long I gave you to do this?

[A]

Less than 40 minutes.

[C]

That's okay.

[B]

All right. All right.

[A]

I don't remember. Was it like a couple minutes?

[B]

It was pretty quick. It was.

[C]

Yeah, it was quick, but not. It was shockingly fast. I think it was three minutes. We can try three minutes, and we'll feel if that's too long or too short, but I think it was three.

[A]

My brain says one, but one feels way too short.

[C]

Probably. Yeah, one is too short. I do not think we did one. I'm pretty sure it must have been some. At least three, if not more than that. Three seems fair. All right. So, Wade, I am sending you a picture.

[A]

Hey.

[C]

The last thing I sent you here were the pictures from before. That's funny. I love when we hang out, they're all landscape. So your canvas can be the same. They're all landscape.

[B]

At least.

[C]

That's kind of the general shape of the. Some might be slightly more landscape, but you can keep it to landscape. Whatever the default is, that's what you can go with. So, Wade, you see your picture? Yes. So when I hit the timer, what we'll do is, Bob, you go ahead and share your screen with your Ms. Paint or whatever you have.

[B]

Yep.

[C]

Wade, you are describing the image. You're able to see what he's doing. You are describing the image, and so you just want to give him as much as possible to get the image across. You want to describe it. Well, you all remember how this went before. I can't even remember if you were able to tell. I believe you Were seeing.

[B]

We were seeing.

[C]

Okay, cool. We were definitely seeing.

[A]

Yeah, I think so.

[C]

So I'm putting three minutes on the clock, and if you both are ready, we will kick this game off. Everyone who's just listening, listen to Wade's description and paint this in your mind. If you're a viewer, just enjoy it as it all unfolds in front of you. All right, three, two, one, go.

[A]

All right, we have a red background.

[B]

Got it.

[A]

There is a guy in a red T shirt, belly button, torso up, emerging from the bottom left, his hands in a fist. His left hand, which will be on the right because he's facing us a little bit higher up, like eyeball height. So celebration pose. Guy in a red shirt. Yeah, yeah. Fist like that. Oh, that's a shirt. Okay, good.

[B]

Yeah, that's the shirt.

[A]

Perfect. He's kind of going at a different angle, though. You have the opposite angle. He's kind of coming out opposite angled a little bit because he's.

[B]

Okay, got it. Yeah, yeah, yeah, that's fine. That's fine. So it's kind of like this.

[A]

Yeah, yeah, yeah. Perfect. Yeah, that's it. Right arm is on the left side. Comes up to, like, his fist. Comes just above his chest on that side.

[B]

So his arm kind of goes off like that, but then it kind of like, good enough.

[A]

Yeah, yeah, yeah.

[B]

And he's got, like, a fist situation.

[A]

Left arm does the same, but it goes out to the left.

[B]

Left arm just to say. But it goes out to the left. Got it. So he's kind of like, yeah, perfect. New fist. Oh.

[A]

And then his head is in, like, a triumphant scream. Black, short hair and black rimmed glasses.

[B]

The triumphant scream. You say, oh, my sweet.

[C]

Bob's going rogue with the fill tool.

[A]

He really had a fill tool's really screwing us here.

[B]

It's fine. All right, just. Yep, perfect. Perfect.

[C]

That's what I wanted.

[A]

I would get that head in there. Head. Black rimmed glasses. Oh, black hair. Short black hair.

[B]

No. I don't even know what the hair is going to matter.

[A]

He's very big in your picture. But that's okay.

[B]

Are they rectangular glasses?

[A]

The round.

[B]

Okay, good. Thanks. Thanks for getting that in. That's really good.

[A]

You're welcome.

[B]

I appreciate the timeliness of your answer.

[A]

I forgot square glasses existed.

[B]

Oh, yeah.

[A]

That's exactly what they look like.

[B]

That's what I meant.

[A]

And then black hair, triumphant scream.

[C]

Huh?

[B]

Huh? Short hair. Right? Short hair.

[A]

Yep. Perfect.

[B]

And then the old.

[C]

20 seconds.

[A]

Front and bottom teeth are showing. He has ears and a nose.

[B]

Easy teeth he has a nose.

[A]

Perfect. All of his teeth, they're right there.

[B]

They're all in there. You can count them. Ears, nose.

[A]

Yeah, I think there's a little bit of white showing over his left shoulder. Like an undershirt.

[B]

No, you're fine. You're fine.

[C]

No, no, no. Pencil down, pencil down, pencil down. This was great. It's a great start. I do think three minutes was the time because I was. At first I was like, oh, he's gonna get this quick. And now I realize, like, oh, shit. The more complicated ones he's fucked. So three minutes is what we're gonna stick with. Wade, would you please show. Wait, no, I'm gonna actually, no, I'm gonna send Bob. That's right. I send Bob the picture that Wade just got so that he can pull it in side by side of what it is. Bob, are you ready to see what your picture was?

[B]

Yeah, yeah, yeah, yeah. Bonk. Ooh, yeah. No. Yeah, yeah, yeah, yeah.

[C]

I think it's a fairly good interpretation.

[B]

And then we hit it with the old. Well, it's just my drawing.

[C]

It's like, it's the same picture.

[A]

It's the same picture.

[C]

It's the same picture.

[B]

It's just my art that's actually.

[C]

It's really good.

[B]

Not horrific.

[C]

The angle was key. I think the angle change right there at the beginning because he was originally. Everyone listening. He was originally leaning left out of frame. And then he was reading, leaning right. In the source picture, he has the right hand roughly the right position. Left hand is definitely in the correct position. I see round glasses. I see all those front and beautiful bottom teeth.

[B]

The red.

[C]

And the red is a good thing because the shade of red of the shirt was the same shade as the red of the background, which I picked intentionally to try to throw you off. He does go out of frame a little bit. But as a first try, I'm willing to give this A3 because it's the easiest. It's only going to get harder from here. And description also, I'm going to give a three because when you were flying away with like red background. Ba, ba, ba, ba. I think you got that good. Got a little panic for there. So as a warm up round, I think you both did great.

[B]

I love this for us. I think that was fantastic.

[A]

I love that we also didn't know the time till the final 20 seconds because that was part of my panic. And the description is like, has it been 20 seconds or three minutes already? I don't know.

[C]

I will give you countdowns at 1 minute and 30 seconds. I kind of forgot.

[A]

That's all right. It added some pressure.

[C]

All right, so well done, boys. Both three out of three. I'll judge this next one just as easily. Bob, this is coming to you. This will be your picture to describe.

[B]

Okay, good, good.

[C]

Roughly the same difficulty, right? I'd like to think that this is pretty much the same.

[B]

Yeah, I think that's pretty fair, actually. I think that's pretty.

[C]

So, Wade, you've got your canvas up there. I will also allow you, if you want to pre draw your box frame inside of there. Whatever you want to do.

[B]

Yeah, if you. If you want to put a frame up, it is landscape. So that can give you. I think that was helpful just to have some kind of reference. Yeah.

[C]

Got your tool ready? Got everything set up as you want it?

[A]

Sure.

[C]

Three, two, one, go.

[B]

All right, don't draw. I'm going to give you the whole picture before we start. It's a pink background. There's a guy who's in the middle bottom. His head comes up to maybe two thirds of the way. He's holding a banana in his right hand, which is on our left. And he's kind of like. And so pink background, white T shirt. There's a guy coming out of the middle bottom of the frame. He's like chest up, white T shirt.

[C]

White T shirt is a good strategy.

[A]

I kind of like it 2/3 up.

[B]

That's like the top of his head is 2/3 up.

[A]

What part of his body is at the bottom of the frame?

[B]

His nips are just above the bottom edge of the frame.

[A]

Okay, so he big, right?

[B]

Yeah, I'll take that. That's all right.

[A]

And this is white.

[B]

White T shirt. His head is kind of like a tall oval, and his mouth is open like he's going, ah. And he has brown hair and a brown beard.

[C]

It really looks like a soy jack meme head right there. I think it's perfectly in the shape.

[B]

It does. It does.

[A]

Short brown hair.

[B]

Long brown hair is short, not like buzz cut. But the beard and the hair are a similar length, and they're both medium short beard. And it's like a full beard goes around his chin and it goes above his.

[A]

Oh, it goes all the way.

[B]

Oh, yeah, it does. Yeah, it does.

[C]

This is straight up soy tag.

[B]

And his. His eyes are open fairly wide, and he's literally. His mouth is open like he's going.

[C]

You could see a little bit of.

[B]

Top and front teeth.

[A]

All right, perfect. He's holding a banana.

[B]

Yeah. So he's his arms are up like. Like, he's like, what? And in his right hand on our left of the frame, he's got a banana in his hand.

[C]

One minute.

[B]

You can see most of the banana sticking up. Like, the stem is up. And you can see, like, three quarters of the banana sticking up out of his hand.

[A]

Okay. And then what's. What's the left hand doing?

[B]

The other hand is just up in a similar position. It's just kind of open. Just like, whoa. Why? If you have time, I would go in with a little brow to give him some eyebrows. He's got pretty. Pretty defined eyebrows. Kind of like curvy outside, like, happy eyebrows. Sorry.

[C]

15 seconds. I wasn't even paying attention.

[A]

Well, what else does he have? Is it.

[B]

I mean, that's very accurate, except for how tall he is. Add some more pink up top if you can. Time.

[C]

Pencil down. Pencil down. All right.

[A]

All right.

[C]

Wait. Are you ready to see what your picture was?

[A]

Yeah. The scale of, like, nipples at the bottom. That threw me off.

[B]

Oh, there's a lot of dead space. I kept. I did try to get that. We had to give up on that.

[A]

Oh, okay. When you said two thirds, I. I.

[B]

Said the top of his head came up to about two thirds. Through. Through the. Through the frame there.

[A]

I'd call it halfish, but, yeah, two thirds is fair.

[C]

Drag that picture in. Let's. Let's see.

[A]

There he is.

[B]

Oh, it's the same picture. Look at that.

[A]

Yeah, I had the banana going the wrong way, but otherwise. Yeah.

[B]

Yeah, I almost. I almost picked on that. But we were low on time, and I was like, the banana's in there. That's pretty good.

[C]

Yeah, I like that you have the banana in there at all with the stem and the right amount of banana, it's. It is facing the wrong way. I think I can forgive that.

[A]

I kind of handsome Squidward his head a little bit, but I do want.

[C]

To focus on something. Can you move the picture and reveal the other hand? I know fingers are hard.

[A]

But look, the thumb is perfect.

[C]

I do see the thumb.

[B]

Yeah, the thumb is there.

[C]

And the other hand was holding a banana, but it was one of those prank grenade bananas, and it just blew.

[B]

Up all the other fingers.

[A]

He's kind of holding the banana like I'd hold a grenade.

[B]

It's like home movies, right? There's a very stylized. His hand is angled back, and you just lose the definition, but, like, they're in there in the animation. You can totally see it.

[C]

It reads, the arm is in the right position. He is a little high.

[A]

Yeah, he is high.

[C]

I don't know how low his nipples.

[B]

Are, but the dude in your drawing has low nips.

[A]

Maybe I should have made a little smaller.

[C]

The descriptions were there. The drawing went a little away from it. But because this is the. And the rough shape is there, I'm gonna give you both three again. Because it's just the same warmup. I think it's close enough because it only gets harder from here.

[B]

Good.

[C]

I think that we can all understand that this is about to go downhill very quickly.

[B]

I don't know what you're talking about, Bob.

[C]

It's back on you to draw. I'm gonna give Wade this image so that he can translate it to you. Wade, I just sent you a picture, and I think you can agree it's marginally more difficult than the other pictures.

[B]

I'm gonna use the whole CANV frame this time.

[A]

Oh.

[B]

Oh.

[A]

Somehow I started playing wordle on Discord. I didn't know it was a possible thing. I'm ready whenever you guys.

[C]

Are you ready, Bob?

[B]

Yes.

[C]

Three, two, one, go.

[A]

Bob, I'm gonna do the same thing. You didn't describe the whole picture first. So we have a guy on a bicycle leaning very hard forward over the bars, and his head looks very big by perspective. And then there's, like, lines and squiggles coming out from around him. So there is a lot of space above and all around him except for the bottom. He's got, like, turquoise, like, a light bluish green background. It gets a little bit lighter in the middle, but I would just go with turquoise.

[B]

Is there, like, a horizon? Is there a ground and a not ground or.

[A]

No, no, no. It's just, like, a painted turquoise background.

[B]

Blue background. Got it.

[A]

Yeah, close enough. The guy's wearing yellow pants. The very bottom of the screen is, like, just below the top of the handlebars. There's, like, a little bit of bicycle bar showing at the bottom. And then there's a little bit of the bike, and you can see above the handlebars, the pole coming out where the seat goes, but you can't see the seat.

[B]

So we want a little girth here.

[A]

Just make sure you leave room for the guy and leave space around.

[B]

Handlebar situation. I assume this is, like, a road bike situation. So there's, like, downturn bars.

[A]

It's one of those, like, curvy U bikes with the handlebars coming out from the U.

[B]

And then there's, like, a saddle. Saddle.

[A]

You can't really see the seat, but you see the pole there? Yeah. Okay.

[B]

Pull for the seat.

[A]

He's got, like, khaki looking tight pants coming out toward the handlebars. But his gloves are covering the knee because his gloves don't do his hands. I guess first he's got, like, fingerless fishnet gloves.

[C]

90 seconds.

[A]

Oh, God. Figure fingerless fishnetty gloves on the handlebars. Okay, elbows are out.

[B]

Elbows are out.

[A]

Yeah. Come in and big head in the middle.

[B]

Got it. Elbows are out. Coming in. Is this. Head down is like. Are we seeing the helmet?

[A]

It's. It's the. It's in the foreground. So it's. That's big because it's in the foreground.

[B]

Do we see his face or the top of his head?

[A]

Whole face. He's making, like, a puckery. Like, the seats going up. My asshole face.

[B]

Bike helmet.

[A]

Not a helmet. A cap.

[B]

That's a cap. I'm gonna call that a cap. It's got a brim on it.

[A]

He's got glasses.

[B]

Oh, okay. Glasses. Got it.

[A]

Puckery face. Under chin hair.

[B]

I assume he's wearing a shirt of some sort.

[A]

Yep. Shirt.

[B]

Yep. Like this. Some kind of shirt.

[A]

Oh, God. Under chin, hair.

[B]

Under chin. Ha.

[A]

Shirt is blue, yellow, red, blue.

[C]

Oh, my.

[B]

Okay. Shirt is blue. Yellow.

[A]

Just yellow in the middle, then blue at the top.

[B]

You said red. Blue.

[A]

That's on the arms. Because it's a long sleeve shirt.

[B]

It's a long sleeve shirt. Got it, got it, got it.

[A]

But mustard yellow pants.

[B]

Well, that's not what I wanted to have habit. Mustard yellow pants.

[A]

Give him the pants.

[C]

Pants.

[A]

Okay.

[C]

A yellow next to the arms, then red pencils down. Oh, man, that was amazing.

[A]

Oh, we didn't even get to the squiggles.

[C]

That was incredible. Bob, please pull in your picture.

[A]

Oh, Bob, I'm sorry. I feel like I failed you. I tried, but there's a lot going on in this photo.

[C]

Oh, my God.

[B]

Here's what I had to work with.

[C]

Oh, man.

[A]

I tried so hard. There's so much.

[C]

You did, so you did, so.

[B]

Did I do it?

[C]

Okay. All right, let's start with the positives. Right. It's the general hunch. Is there. I'm so glad you got the yellow pants in there. Even if the legs aren't in the right position, it's really hard to describe that position. And there's a lot of layering of, like, things in front of other things. It was hard. You got the puck. I see the glasses, I see the cap. The only things really are missing is, like, the gloves. I can't Quite tell the long sleeve. It looks more like football pads. There's a little red missing. I can forgive that. And the squiggles. The squiggles are. Are the things that are missing. We're still in the early phase. I'll give you a two on the drawing because it's clearly not perfect, but it's. It's kind. If you squint your eyes, I can definitely see that there's some comparison there. The description similarly, I feel like you started strong. I think the strategy to describe it whole is good because I feel like that allowed him to get some informed decisions. But I feel like you got caught on some details trying to formulate how to say it got tripped up. The red got confusing, the color scheme got confusing. So I'll give you both a two on this one.

[B]

That seems generous to me.

[A]

Honestly, I went into total panic mode because I was looking at his legs and I heard Bob, like, here's a helmet. I was like, no, not a helmet.

[B]

Beautiful.

[C]

I do that on the basis where I don't think I could give either of you a one on this. I don't think the instructions were that far off. I think the efficiency of the instruction could improve. So we're still in the early phase. The next one gonna be harder, but I'll give you both a two out of three. I think that was good.

[A]

Oh, fuck.

[C]

That was very, very well done. But don't worry, the next one's gonna be hopefully just as hard.

[B]

I'm sure it will be fine.

[C]

All right, Bob, this is yours. You not. Yeah. So there's about equivalent number of little details here and I think that it can bode well for the both of you.

[A]

I'm ready.

[C]

Three, two, one, go.

[B]

Don't draw yet. This is another bicycle themed one. There's a normal sized businessman wearing black pants, black shoes, a white collared shirt, and a blue stripey tie on a tiny little kid's bike. So he's like squatted down on the bike, but he's doing a wheelie and he's holding a briefcase in his back hand. So he's like having fun. Kids bike. We're gonna start with draw. A man squatted down like he's straddling a kid's bike doing a wheelie. Start with black pants.

[A]

Facing which way?

[B]

He's going to the right. Facing towards the right. His back leg is sort of bent at a 90 degree angle. And then his front leg is kind of like down more. So you can kind of see his crotch opening. He's opening the camera. Okay, which way is this guy going?

[A]

That way.

[B]

Okay. What's that thing coming out of his butt?

[A]

That's his leg. He's a 90 degree angle.

[B]

He's going to the right, so his knees would be pointed to the right. Whatever. He's going to the.

[A]

Holy shit. Oh, oh.

[B]

He's going to the right. So his knees. Oh, Jesus Christ. Keep going. There's a bike between his legs. It's a very small bike. You can't go back now. It's too late. That's perfect. The bike has blue handlebars. It's fun. Well, that's. Honestly, that's pretty good. The bike is just like two bars connecting the wheels. It's very simple. And then it has blue handlebars going up to. He's holding on it with one hand and he's got the briefcase up in the other hand. So he's got one hand going down to the handlebars. And then the back hand farther away from us is holding up a. A black rectangular briefcase. And he's just like, ah, like he's doing a wheelie.

[C]

One minute.

[A]

Wheelie. Okay.

[B]

Oh, you're fine. Don't. You can't undo that.

[A]

There's the road.

[B]

Oh, okay. Perfect. Yes. That's the way I see it. Keep going. He's got dark hair. He's got thick black oval glasses, and he's got a big smile on his face. I don't know why he has a beak, but I'll allow it.

[A]

Can you say it?

[B]

That's white collar with a white collared shirt with a blue stripey tie. So just give him a. Give him a little shirt action. Yep.

[A]

Well, his shirt. His arms down here, but that's okay.

[B]

His shirt doesn't need to be on his arms. Let's keep going. March Forward. Forward. Progress. Forward. Progress.

[C]

20 seconds.

[A]

Blue, blue tie.

[B]

Blue tie. Any kind of blue tie situation. Perfect, Phil. And make the briefcase as black as you can.

[A]

Briefcase, black.

[B]

Ah, perfect. Fill in the bike tires with black. Just cause. Cause. Why not maybe draw it though? Don't paint, don't fill time.

[C]

Pencils down.

[B]

Perfect. That's exactly it. Okay.

[A]

When you said he was going to the right, I thought he was going to my right.

[B]

Going to the right Mark. Am I having a brain aneurysm or.

[A]

I drew him facing the other way before. I thought you told me it was wrong.

[B]

What direction in this picture that you drew, what direction is that guy going? Left.

[A]

But I started the other way and then I thought you changed it.

[B]

You did not start the other way. You drew the legs the same way twice.

[C]

You drew the legs going up.

[A]

Why are your legs going up? He said 90 degrees. I didn't know what 90 degrees was.

[B]

Other than. Yeah, 90 degrees towards the ground where your feet go like a squat.

[A]

Oh.

[C]

Do you see the picture? Please pull the picture.

[B]

Did you get the picture?

[A]

I don't really want to.

[B]

I don't know how that happened. I don't feel like my description was that bad. Oh.

[A]

Oh.

[B]

It's got blue handlebars. He's got a blue tie. He's doing a wheelie. His knees are bent.

[A]

Look, the briefcase is facing the right way.

[B]

Yeah, the briefcase is almost dead on.

[C]

I gotta say, man. His head's facing the wrong way. His legs are bent the wrong way and facing the wrong way. The bike is facing the wrong way. But that briefcase, that is literally the.

[A]

Only thing in the right direction. Look, man, if you just mirror. If you just mirror this midsection, it's perfect. He's wheelieing. He's wheelieing. He is wheelieing.

[C]

Barely, but he is.

[B]

He is doing some kind of wheelie.

[A]

He's happy.

[C]

It doesn't actually look that happy, but I'll give that to you.

[B]

That looks like the most mid bird I've ever seen.

[C]

Wait. I hope you understand. I think this is fair. If I give you a one, I believe that this would be fair. If I give you a one, I won't fight it.

[A]

My only. My only rebuttal is, I swear I had the nose on the right and I was told to flip him.

[B]

No, it was just the legs, man. It was just the legs that were making both Mark and I die of laughter.

[C]

When that leg bent up, I was just like, I know.

[B]

It started out perfectly. And I was like, great, finish the leg. And he went up, and I was just like, oh, no.

[C]

And I was like, surely he'll get it right on the other side. That it was, like, out up.

[A]

You said 90 degrees, and I think I just misunderstood which part you meant. The knee was 90. I did the thigh at 90.

[C]

If I could give style points for this, which I'm not, I would give.

[B]

You points for that.

[C]

Bob, I think your descriptions were grand. The only thing I could possibly say that maybe could have saved this is say, start over.

[A]

Just delete that.

[B]

Yeah, well, I sort of made the call in the opposite direction. After we spent a minute not working on the legs, I was like, we need to start making progress here.

[C]

Totally. You were making good adaptations. And, hey, I think you pulled it Together. I think your instructions were pretty spot on, so I would like to give you a three, because I don't think you were in any way trying to sabotage him. I had a vision for how you were going. I think it was smart to start with a guy squatting. I think your decision making was good there. It just. There was a translation error somewhere on knee rotation that threw things off.

[B]

You know what? It was me. I made an extra assumption that we all understood how legs are, and that's on me. I skipped over a lot of important leg details and just sort of left you out to try on the legs. And I. That is on me.

[C]

So fucking funny, though.

[A]

I think this is the same picture.

[C]

Once again. We'll leave it up to the audience as well. I think that when they see this, they're like. Because I could give you a zero. I feel like they'll be like, yeah, yeah, we'll take the one. We'll take the one.

[A]

What do you mean? They'll be fighting for at least a two. Subreddit. One of you defended me.

[B]

Fuck. I fucking clicked on a button. I didn't mean to. And now some AI shit is happening to Paint. Who ruined Paint?

[C]

Oh, no. Copilot.

[B]

I clicked remove background on that image, and it just deleted the guy and made it a white rectangle.

[A]

I feel sick. That made me laugh so hard. I feel nauseous.

[B]

Oh, that was sick, Wade. That was really sick in the best way. I had a good thought with this. I'm saving my previous masterpieces here. I like this.

[C]

All right, Wade, I'm sending you the picture you're going to be describing.

[A]

Oh, boy, I can't wait.

[C]

This is the most complex picture we have. And the other one is similar.

[B]

I'm ready when Wade is ready to go.

[C]

Three, two, one, go.

[A]

All right, Bob, before we start, here we go. Image. About two thirds of the image from the left all the way to a third of the right is a brick wall. And part of the middle right side of that brick wall is crumbling. The other part of the picture is a guy in a suit making, like, a karate punching face. And it's his fist is contacting the wall, causing it to crumble. And behind him, looking very small, is like a cityscape in the background.

[C]

That was good. That was good.

[A]

So crumbly wall. Just make some. It's all brick on the left. And where you drew there is, like, a middle of it, but it's crumbled and, like, breaking apart. Like, he just broke it.

[B]

We're gonna get to the crumbling here. I'm working on some thoughts, I'm working on some gestures.

[A]

And it's like a red orange brick with some, you know, dark brick. It's like a darker brick.

[B]

Oh, yeah, we'll get there.

[A]

Guy is standing with his. His right arm punching the brick wall.

[C]

Two minutes.

[B]

Got it. Yep.

[A]

He's about two thirds up. His top of his head's about 2/3 up in that picture. And his hips are at the bottom. His hips are at the bottom of the picture. Top of head with a one buttoned suit jacket.

[B]

Suit jacket. Looking good. I'm gonna just put his arm down at the side since I have no further thing on that.

[A]

That one's slightly curved in with into a fist. Very slightly elbow out. Right arm is up. Punching the brick wall.

[C]

Yes.

[A]

He's got short, we'll call it light brown hair. Maybe it's dark blonde.

[B]

Light brown hair.

[A]

Kind of facing toward the camera. Very slightly facing the brick wall. He's punching but like torso is facing full front camera.

[C]

One minute.

[B]

Is he happy?

[A]

He's like angry. Like I'm punching this, like karate punching. Like wa.

[B]

Okay. He's not happy. He's mad. Oh, he's unibrowed.

[A]

Open mouth. Baring his teeth.

[B]

Oh, that's an important thing.

[A]

Yes. Open mouth.

[B]

Ah, yeah. Teeth.

[C]

Ah.

[A]

Ah.

[B]

And he has legs, I assume.

[A]

No hips. The picture ends at hips.

[B]

Okay. No legs. Got it. Yeah.

[A]

That was an important detail. It pictured the hips are at the bottom.

[B]

30 seconds, there's his hips are at the bottom. Got it.

[A]

All right. Cloud. It's a very cloudy background behind it. Him with a cityscape at the bottom. Cityscape goes up. The tallest building is still lower than his armpit.

[B]

City, city.

[C]

Tall city.

[A]

Yep. And then clouds. Clouds. Lots of cloud. Very cloudy.

[C]

10 seconds.

[B]

Clouds, clouds, clouds.

[A]

So cloudy.

[B]

Blue sky. The wrecks are red. Climb. Wait, wait, wait, wait, wait, wait, wait.

[C]

No, no, no, no, no. All right, I'll let you take away. I'll let that. Leave that last one. I won't count that. I would have loved it. Just a blood city. Okay. I love your modern art. It's a real mid century modern wall piece here. This is delightful. I'm going to send you the picture now. I don't think you're that off.

[B]

I'm feeling strong on this one.

[C]

All right, good, good. As you should.

[A]

I like it. Almost looks like the clouds are saying, lol.

[C]

Don't do it, Lou. So it all hinges on how brick those bricks are, I think because the body pose is Good. I think he has dark brown hair versus light brown. I can kind of tell he's got a suit. The arm is supposed to be bent, so it's like, you know, you can get there, but I see the city. You know, if I squint my eyes, I'm like, ah, clouds kind of. Sure, sure.

[A]

Lou.

[C]

The impact of the brick wall is actually pretty good.

[A]

The bricks themselves. What do you mean?

[C]

Very bricky.

[B]

What was that pause?

[C]

I get what you're going, but if I didn't know this was supposed to be a brick wall, I might accidentally be like, he is an artist painting.

[B]

Something, or he's fighting checkers.

[C]

That is also an option. I don't think that helps you.

[B]

Oh, okay. I mean, obviously it's a brick wall. It's clearly a brick wall.

[C]

Clearly. Clearly. But. But I'll give you some leeway here in that at least. It wasn't what Wade did. If we're using that as the 1 benchmark, I think this gets enough things there that it's like, this is really good. Now, Wade, I think your descriptions were pretty much spot on. You got the two thirds. You said hips. He raised it up a little bit. You know, there's some there. But you got the city background. You got the break. You got the position. You even described the. The arm supposed to be there. You didn't describe, like, the color of the suit, but it was close enough. You said light brown versus dark brown. I think that actually, that was a really good descriptive round. I think you did a great job there, especially from the beginning, to, like, 2 3rd brick, 1 3rd that guy. So I'm gonna give this two for the drawing. And then I. I'm gonna give a three out of three for the description. I think it was very good.

[A]

I needed that.

[C]

Last one.

[A]

Oh, no. That means I'm drawing.

[C]

Yes. That is how this goes. Oh.

[B]

Oh, no, no, no.

[C]

It's easy.

[A]

It's.

[C]

It's equivalent.

[B]

Huh?

[A]

Huh?

[B]

It is equivalent. Not equivalent.

[C]

He's psyching you out. He's trying to psych you out.

[B]

I want you to succeed. We can do this.

[C]

All right, wait. Are you ready?

[A]

Yes.

[C]

Bob, are you ready?

[B]

Yes.

[C]

3, 2, 1, go.

[B]

You draw when you feel comfortable. The bottom third of this is a brick wall. The top two thirds of this, the background could just be white. That's close enough. In the middle, there is a guy standing with his arms over his head holding a baseball bat, like he's about to smash the shit out of something. He's kind of obscured by bricks Flying towards the camera. Like he's already breaking through the wall that's on the bottom there. So the brick wall, I would say the break is sort of just left of center. The baseball bat is really dead center, but the guy is very slightly left of center. It's a guy in blue jeans and a red and white plaid shirt about to smash down with a baseball bat. Big time.

[A]

Okay, I've got the bricks. Those are the guys. Where.

[B]

Now his waistline is even with the top of the wall. So I would take, like, an eraser, two minutes, erase, like a V into the wall and make him standing in there. And he is about twice as tall as the wall is. So, like, you can see his legs down in that part of the wall you just erased. And then his torso is, like, sticking up from the wall. He's got blue jeans and a red. Yeah, okay. And a red and white flannel shirt. You lost me for a minute out of the legs there, but I see where you're going.

[A]

Red and black flannel. Red and white flannel.

[B]

Red and white flannel. I mean, honestly, I think if you get red, that's close enough. But, like, red with white. And his. Remember, his arms are up over his head holding the baseball bat. Like he's gonna smash down.

[A]

Yeah, okay.

[B]

Yep. Flannel, flanneling. Got it. Yep. Flannel, flanneling. Flanneling. Yep, yep, yep.

[A]

Head. There's a neck in there.

[C]

Head.

[B]

Okay. Yeah. He's tall. Hammer. And he's got both hands on the baseball. Why are you drawing a hammer?

[A]

I thought you said a hammer.

[B]

I said baseball bat, like, five times.

[A]

Baseball bat. Brown, brown or metal?

[B]

Wood. Light brown. Wood, brown or metal.

[A]

Baseball bat. Okay.

[B]

He's got a black hat and black, black, thick glasses.

[A]

What kind of hat? Cap.

[B]

Yeah. Like, it's just like a nondescript cap. Like a baseball cap kind of thing. Perfect, Perfect.

[A]

Okay. What else?

[B]

He's got thick glasses. He's kind of looking off to the left.

[A]

Square around.

[B]

Around. Yep.

[A]

Okay. Looking to his left.

[B]

He's looking off towards our left. So he's, like, looking close. Close enough. That's good enough.

[A]

Eyes are on that side.

[B]

Lightly bearded.

[A]

Black hair. What color hair?

[B]

Give him a collar across the top of his shirt because he does have, like, a white undershirt on under his flint. There you go. Something in there, but it is a white shirt, so you don't have to do anything with that time.

[C]

Oh, I wasn't calling the 30s. I apologize. I was so enraptured by it. God, no. No, this is an improvement.

[A]

You ever just sit back at what you've created after and wonder what the fuck?

[C]

It's an improvement? It's an improvement.

[B]

It is. I think it is.

[C]

Oh, I think that it is an improvement. I think it is. I don't get any of the flying bricks. He's I like the deepest V flannel in the world. I don't know where that came from.

[B]

Was it just not buttoned up? Is that what you were imagining with the flannel shirt or.

[A]

I just panicked and drew.

[B]

I see, I see. Okay, good.

[A]

Want to make sure we got that white shirt underneath? It was my artistic rendition.

[B]

Sure, sure, sure.

[C]

The arm. It's very Patrick Star going on here, but that's okay. If I'm squinting and I believe that the other squiggle that was his eye and is not his eye is his ear, then he is facing the correct direction, which I think you tried to squeeze that in. Am I correct?

[A]

Oh, his chin is right here.

[B]

Yeah, he said. He said something about that. Yeah, yeah, yeah, he said that.

[C]

So the only thing is missing is the flying bricks, really. If you think about it, I think this is two.

[A]

How do you smash bricks without a baseball bat?

[C]

Yeah, I love browner metal.

[A]

Browner metal was a great question when.

[B]

I was like, all right, his legs are in that. In the cutout in the wall, Blue jeans. And you started drawing the outline you drew. I couldn't tell if I needed to stop you. I was like, oh, oh, no. Oh, they're legs. Okay.

[C]

If I'm going to give that. That's blue jeans, and that's white flannel. And I'm just believing it. I'm buying it all. Then the only things missing is the flying brick. So it's got to be like a two.

[A]

I would take a two, gladly.

[C]

Yep, you get your two out of three. I think your instructions were impeccable because really, really, I can see what this is. The brick cutout is actually the closest thing here.

[B]

It's actually pretty good.

[C]

It's really good.

[A]

Yeah.

[C]

The shape of it, the kind of stair step there. If it had flying bricks, which I. I like. No time to get those. Anyway, it's good. You got the blue dreams, the fan flannel, the shape. You did say bat a lot. You said about a lot. And then that hammer came out, and I was like, there was a lot of things.

[A]

I'm not gonna lie. Taking so much time it to look like bricks. It was hard to focus on the other descriptions while Making the brick lines.

[C]

That's fair. That's fair. Again, I think the descriptions were solid. Most of you guys had your descriptives spot on. So this one was three out of three. I think, you know, another minute he would have had all the details. So I think he did good.

[B]

Yeah, we were coming. If we had more time. We were coming around.

[A]

Okay.

[C]

And with that, we have finished the. Whatever this episode was called.

[B]

Jaw or die to jar Die.

[C]

So to tally the points where great. You got a point for Hoo hoo. I'm an L. Our new upcoming tech channel. Two tech boys. Two tech boys. What the heck?

[B]

He's not paying attention.

[C]

All right.

[A]

Holy.

[C]

I got left in the lurch there.

[A]

Sorry. I was saving my image.

[C]

It's okay. I'll give it. I'll give it two. I was two tech boys. What the heck? I guess.

[A]

Oh, oh, they're part boy.

[B]

We're the boys.

[A]

I forgot we were the boys.

[C]

It's too late, man. All right, come on. You got a full three on the red points. The red picture. You got a full three on the banana description. You got a full. You didn't get a full. You got two on the bike and you got a one on the bike. Then you got a three on the brick descriptions, and then you got another two on the brick drawings. Bob, you got one point for snack Rat this up. You got three for the red. Your own red picture descriptions. You got the banana full points there. You got two for the bike, the first bike. You got three for the second bike, two for the bricks that you drew, and then three for those bricks, which puts you at 17 to Wade's 16.

[B]

Oof.

[C]

Very close going into this, which you may not have thought of, given some of the points. I was hanging out there, but unsurprisingly, very close.

[A]

I can't wait to get tied up, maybe even take the lead before Host wins comes up again. I'm excited, man.

[C]

It's going to be great. It's going to be great.

[A]

That was fun. I like in hindsight looking at these, the. The pictures you chose for us were well chosen. Like they. They were the two. Two and two were close.

[B]

Yeah. I think you made. See, you focused on some different things than you did last time around. And these were, I think, overall a much simpler level of image, but with complexities. Because of the game. Because last time there was. Wasn't there like a computer monitor with a game on it and some like a bunch of stuff happening?

[C]

Yeah, the computer monitor, game clock. It was a bit too much So I tried to really hone in on some sub pictures.

[B]

Yeah, I know. These were good images for this challenge.

[C]

Good, good, good. Spin that wheel. See how many we got.

[B]

2.

[C]

I might survive this. Let's just do another lose point kind of thing. Last to touch their nose loses a point.

[A]

Okay.

[B]

Spin number one of two.

[A]

Another two. Spin.

[B]

Used best words.

[A]

Hmm.

[C]

Wade, you were trying to get a lot of McDonald's words in there.

[B]

I mean, I actually got a point for snack. Wrap this up.

[C]

You did get a point for that. Was there any good descriptors that occurred?

[B]

I believe I used the word gubernatorial at one point.

[A]

Did you?

[B]

Sure. Wait. I'm not surprised that I thought Mark would be like, no, you didn't.

[C]

Hey, if you did, I mean, that makes my job easier.

[A]

I can't think of what a best word is.

[C]

Can I re spin? Because it doesn't jump out.

[B]

We can do a respin.

[C]

Yeah, let's respin that one because it.

[B]

Doesn'T scream if the winner is not obvious. I feel like respin is always on.

[A]

The table whenever the best word I could think of being used is flannel. I don't know. That was my ass.

[C]

Oh, Wade got it.

[B]

Oh, really?

[C]

According to me, anyway, from my end, Wade was first.

[B]

I heard him after me on my end. That's crazy.

[A]

I heard me before you. Definitely, too.

[B]

Mark is the least biased because you and I are hearing ourselves with no latency. So that actually kind of makes sense.

[C]

I love that. That the only other do something when it spins came up, and I just added another one. That's very fun. This spin will decide everything, whether it's a tie and we're walking away with maybe me or who's the winner and.

[B]

The host wins again. Worse luck.

[C]

Worse luck.

[A]

Did that apply this game?

[B]

Yeah. Does it have to be within this episode? Because I don't know that we really had a lot of luck in here.

[C]

Both of you flip a coin.

[B]

Am I calling it or anything, or just.

[C]

If it's heads, that's good. If it's tails, that's bad luck. So heads is good luck right now tails is bad. If you both get heads, you'll flip again.

[B]

Okay, I dropped it. I'm just gonna flip again. I'm gonna flip again. That was a.

[C]

Okay. But Wade's got heads. That's good.

[B]

I have heads. The lady is heads.

[C]

One more time. Luck's on both your sides.

[B]

I have a lion. The lioness, tails.

[C]

Ooh.

[A]

Hey, me too.

[C]

Frick. You guys got same luck.

[A]

We do.

[B]

Hit it again. Shit. I got heads.

[A]

No.

[C]

And Bob's got it.

[A]

Wait.

[C]

Yes. Yes.

[B]

Wade.

[A]

It's worse luck.

[B]

Wade has the worst luck.

[C]

Oh, wait, you're right.

[B]

He's got the worst luck.

[C]

Yes.

[B]

Wade's got it.

[A]

I lose.

[B]

No. Oh, I did.

[C]

I fucking. Wow. I. I flipped that. You're right. You're right, Wade. That is the worst luck.

[A]

Yay.

[C]

Holy shit.

[B]

The only reason I'm sad is cuz Mark told me I won for one second before we realized.

[C]

I really, really. I totally forgot what the premise was. That's.

[B]

That's incredible.

[A]

I like how you celebrated. I went, oh, no. And then we all kind of like.

[B]

Oh, wait, yeah, everyone. Everyone simultaneously was like, bob wins. Oh, wait a minute.

[A]

Bob has the best luck. Wait, that's not the point.

[B]

Of course I win a coin flip when it doesn't fucking matter. Every other time you want to win the coin flip, nothing. The time you want to lose the coin flip flip win, obviously.

[C]

Well, congratulations, Wade, why don't you give your winner speech and let's see what you think of all this.

[A]

You know, this is the first win I've had in a while. Like I. I won the One man show. But that kind of feels like what you do. This feels like the first legitimate win in a while. I can't remember the last time I actually won.

[C]

It feels good to be back.

[A]

We are further into 2026 than I'd like to before this win came. But it.

[C]

King Bob loser speech.

[B]

If I could just say my ass faster, none of this would have even mattered. But you know, you get what you pay for in this life. I just feel bad for all you listeners and watchers that you're going to have to listen and. Or watch. Wady's Little Philosophy Hour, part seven. Damn.

[A]

All right, well, I'm changing my episode now.

[B]

Yeah, that didn't sound that mean in my head, but that felt mean coming out.

[C]

No, no, no. I love it.

[A]

I just feel bad for our audience. You have to listen to another Weight episode.

[B]

I'm sure it'll be fine. I'm sure it'll be fine. I'm sure you. You'll have something and it'll be. Your games are fun. It's fine.

[C]

Going to be now.

[A]

Come up or something.

[C]

Thank you, boys for participating in this fun experiment. Thank you everybody for listening and. Or watching the watchers. Obviously, you know, you got to see it happen, but the listeners. I hope in your head that it was a beautiful rendition and you could understand just what they were drawing based on how it went. Awry from what you were saying drawing. So come back later and watch what unfolded and so you can know how close you might have been. Thank you all so much. This has been my skirm Lord Minion 777 or Minion 777 on the Internet. My name is Markiplier. Follow the podcast for more distractible, Shop for merch and thank you again. Podcast out, watch new episodes on Spotify.