Episode 656 - Relationship Drama (Sherlock Holmes, Philip Marlowe, Sam Spade, & Richard Diamond)

Summary

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Down These Mean Streets (Old Time Radio Detectives)

Episode 656 – Relationship Drama (Sherlock Holmes, Philip Marlowe, Sam Spade, & Richard Diamond)
Date: February 15, 2026
Host: Mean Streets Podcasts

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Episode Overview

This week’s “Down These Mean Streets” explores the theme of troubled relationships and romantic entanglements in the world of Golden Age radio detectives. As Valentine’s Day passes, the host turns the spotlight from loving couples to detectives drawn into cases featuring fraught marriages, jealous partners, dangerous love interests, and the unpredictable hazards of mixing romance and crime. The episode features four radio drama classics with Sherlock Holmes, Philip Marlowe, Sam Spade, and Richard Diamond—all tangled up in relationship drama, murder mysteries, and emotional intrigue.

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Main Discussion & Show Lineup

(Host commentary: 00:55–02:33, 120:29–121:45)

• Host’s Introduction (00:55–02:33):

  • Last week’s episode featured affectionate detective couples for Valentine’s.

  • This week, it’s back to the “mean streets,” where cases involve rocky marriages, suspicious spouses, and femmes fatale.

  • Highlighted shows:

    1. Sherlock Holmes (Basil Rathbone & Nigel Bruce): "The Book of Tobit" – a tale of a woman whose husbands keep dying after marriage.
    2. Philip Marlowe (Gerald Mohr): "The Persian Slippers" – a man hires Marlowe to locate his missing wife.
    3. Sam Spade (Howard Duff): "The Love Letter Caper" – Spade inadvertently finds himself married while untangling a case.
    4. Richard Diamond (Dick Powell): "The Simpson Case" – Diamond is hired by a woman to protect her husband, who’s been targeted for murder.

  • “Love and lead are in the air in these four radio mysteries.” (Host, 02:35)

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1. Sherlock Holmes – "The Book of Tobit"

Original airdate: March 26, 1945
Starring: Basil Rathbone (Holmes), Nigel Bruce (Watson)
Key Segment: 09:39–34:23

Plot Summary & Discussion Points

• Dr. Watson recounts an adventure involving the enigmatic and alluring Lady Venering (formerly Jasmine La Fleur, magician’s assistant), who has lost three husbands—each murdered on their wedding night (10:05–12:13).
• Holmes is approached by the Rev. Arthur Whalen. Whalen invokes the Old Testament Book of Tobit: in it, a demon (Asmodeus) kills all of a certain woman’s husbands on their wedding night (12:36–16:16).
• Whalen reports that Lady Venering’s late husbands all received threatening notes signed in Hebrew as ‘Asmodeus’ (15:51–16:16).
• Holmes and Watson visit Lady Venering. She is witty and self-assured, recognizes Holmes’s doubts, and reveals she is already secretly (and recently) married to Major Beckwith, her latest fiancé and recently-acquitted murder suspect (18:16–22:27).
• Beckwith has just been murdered, stabbed in his bath (22:36–23:05).
• Holmes grows fascinated by Lady Venering’s strength and composure: “What courage. What unconquerable spirit in the face of a fresh tragedy. Watson, she fascinates me.” (Holmes, 23:29)
• The investigation stalls for a month, with Holmes increasingly involved with Lady Venering—Watson fears he’s falling under her spell (25:20–27:01).
• Holmes announces he’s marrying Diana (Lady Venering). Watson is stunned: "Three of her husbands murdered on their wedding nights. You’re proposing to be the fourth?” (Watson, 27:54)
• At the wedding, Holmes receives his own threatening letter. In a dramatic confrontation, Lady Venering tries to murder Holmes, exposing herself as the culprit (31:06–32:33).
• Holmes explains the misdirection—a magician’s talent—was key, as Lady Venering successfully deflected suspicion. He pretended to marry her to draw her out (33:11–33:57).
• The case ends with Holmes not actually married, thanks to a fake ceremony (with brother Mycroft in disguise as the clergyman).
• Memorable Quotes:
  • “You ever read the Book of Tobit, Watson?” – Holmes, 12:36
  • “What courage. What unconquerable spirit... Watson, she fascinates me.” – Holmes, 23:29

Key Timestamps

• Jury verdict/not guilty: 11:16–12:13
• Rev. Whalen seeks Holmes’s help: 14:59–16:17
• Lady Venering’s confession of secret marriage: 22:19–22:27
• Discovery of Beckwith’s murder: 22:53–23:05
• Holmes’s feigned engagement/wedding: 27:01–29:41
• Dramatic final confrontation: 31:06–32:33

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2. Philip Marlowe – "The Persian Slippers"

Original airdate: October 3, 1948
Starring: Gerald Mohr
Key Segment: 37:27–64:41

Plot Summary & Discussion Points

• Marlowe is hired by a grim, desperate husband (Carl Delaney) whose wife, Norma, has vanished (38:50–39:09).
• Norma “always comes back” after quarrels, but this time is different; Delaney suspects suicide (39:26).
• First clues: an odd horoscope, a mysterious caller “Madame Jeanette,” and Norma’s solitary ways.
• Marlowe tracks ‘Madame Jeanette’ to a bar—she’s a sly, inebriated fortune teller about to skip town (42:23–44:48). A shifty newsboy and a drunk hang-about named Pinky add comic color.
• Norma’s ex-lover Pierre Gillum is introduced as a potential suspect/ally (48:32–51:00). The men nearly come to blows over complicity and motives.
• Clues: a powder blue coupe, white gloves, and a pair of Persian slippers link Norma and Jeanette. After a tense and witty parley, Marlowe is knocked out by Norma herself (52:29).
• A staged murder/suicide: Carl is killed, a confession left, and a spectacular car wreck with a woman’s body presumed to be Norma’s.
• Twist: The body is not Norma but Jeanette in disguise (wearing Persian slippers); Norma staged the entire scenario with Gillum as her accomplice.
• Marlowe exposes the ruse and delivers the moral punchline, recognizing the complex line between guilt and innocence: “A pair of Persian slippers has two soles and two heels, and it's hard to tell just exactly where the one becomes the other.” (Marlowe, 64:13)

Key Timestamps

• Carl Delaney’s plea: 38:50–39:09
• Marlowe meets Madame Jeanette: 42:23–45:12
• Marlowe faces Gillum: 48:32–51:00
• Marlowe knocked out; foiled suicide: 52:29
• Fake death exposed; killer confronted: 61:03–62:44

Notable Quotes

• “It was like tracking a hummingbird through the petrified forest by the bent twigs.” – Marlowe, 41:38
• “A pair of Persian slippers has two soles and two heels, and it’s hard to tell just exactly where the one becomes the other.” – Marlowe, 64:13

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3. Sam Spade – "The Love Letter Caper"

Original airdate: March 27, 1949 (AFRS rebroadcast)
Starring: Howard Duff
Key Segment: 66:56–89:13

Plot Summary & Discussion Points

• The episode opens on a comic note: Spade appears to be on his honeymoon, but it’s short-lived and confusing (67:12–67:24).
• Spade receives a mysterious, passionate love letter (from Ella), yet can't remember her and suspects it’s a veiled cry for help (69:11–69:51).
• Following cryptic instructions, Spade meets a woman who claims she’s escaping an insane uncle. This launches a madcap chase involving ladders, shots in the night, and heaps of jewelry.
• Amid mistaken identities, Ella’s wealthy family, and a series of previous “unlucky” fiancés, Spade is accused of both elopement and blackmail.
• Framed for blackmail, Spade is arrested and bailed only to find—a “surprise bride” has claimed him (79:03). “Heiress reveals secret marriage to private detective. Blackmail charges... dropped. All a mistake, says Uncle.” (Narrator, 79:03–79:43)
• Ella’s family secret (teapot mementos, birth certificates) is revealed; ultimately, Spade exposes that Ella’s uncle is not entitled to the family fortune, and Ella only needed to marry to unlock her inheritance. Spade, still a bachelor, earns his fee and his freedom.

Key Timestamps

• The love letter arrives: 68:55–69:51
• Spade “meets” Ella and the caper begins: 71:05–72:53
• Spade framed for blackmail: 75:47–78:07
• Surprising wedding and inheritance twist: 79:03–84:06
• Uncle’s secret and case resolution: 84:06–89:13

Memorable Moments & Quotes

• “Three of her husbands murdered on their wedding nights. You’re proposing to be the fourth?” (Watson, referencing Holmes’s imminent wedding, 27:54) [thematic echo]
• “The only thing you seem to have missed is the Hope Diamond.” – Sam Spade, 73:10
• “Who are these ex-admirers of yours who are supposed to been knocked off by your uncle? Name three.” – Spade, 80:05

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4. Richard Diamond – "The Simpson Case"

Original airdate: January 18, 1952
Starring: Dick Powell
Key Segment: 93:23–118:32

Plot Summary & Discussion Points

• Diamond is approached by Jane Simpson, a woman fearful for her husband John’s life after a failed shooting attempt (93:23–94:59).
• John Simpson, a wealthy retiree and ex-miner, is being extorted: he’d been cleared after a mining “accident” in Africa decades ago and received a sinister letter referencing “Ashanti” (99:53–100:14).
• Family suspects include stepson Ralph, the alluring Mrs. Simpson, and Professor Fisher, an enigmatic psychologist.
• Bomb plot: Diamond is called by Simpson to fetch a package. On delivery, Simpson robotically insists on opening it—and is blown up (106:31–108:06).
• The investigation reveals Professor Fisher had hypnotized Simpson to unwittingly retrieve and detonate a bomb, with Fisher and Mrs. Simpson as murderous conspirators.
• Fisher murders the bartender link in the plot before being fatally wounded himself.
• The case ends with Diamond and his flame (Helen) relaxing (and singing), meditating on the hazards of relationships and hypnosis.

Key Timestamps

• Mrs. Simpson asks for help: 93:23–94:59
• The extortion letter, motive & history: 99:53–100:14
• Fatal bomb “delivery”: 106:31–108:06
• Professor’s confession: 112:56–113:11
• “Hypnotism” post-mortem: 118:00–118:32

Notable Quotes

• “Why not call in the police? I think the police should be the first to know about it.” – Diamond, 99:53
• “You mean he was asleep when I walked in?” – Diamond, on hypnosis (113:07)

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Memorable Episode Moments & Notable Quotes

• On the danger of falling for a client:
  “She fascinates me. I haven't seen such a splendid female since we solved that case for the Bohemia.” – Sherlock Holmes (23:29)
• On confusion in love-meets-mystery:
  “I never thought I’d live to say that, Watson. … I’m worried.” – Holmes, about his “wedding” (29:50)
• Summing up the convolutions of motive and deception:
  “A pair of Persian slippers has two soles and two heels and it's hard to tell just exactly where the one becomes the other.” – Philip Marlowe (64:13)
• On being outfoxed by love and crime:
  “The reports of my marriage … are slightly exaggerated.” – Sam Spade, (89:07)
• On the perils of hypnosis and trust:
  “Hypnosis—nothing unusual. Simple suggestions. And when I walked into the study, he'd been ordered to ask for the package and open it. You mean he was asleep when I walked in? Yes.” (113:07)

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Episode Structure & Flow

The episode flows from host’s introduction (setting the romance-gone-wrong theme) through four dramatized tales, each using wit and drama to explore the intersections of love, trust, deception, and—inevitably—violent crime.

Common threads:

• Femme fatales and dangerous paramours appear across multiple stories.
• Detectives are lured not just by cases but by personal entanglements.
• The motif of secret marriages, forged documents, and inheritance disputes ties the dramas together.

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Conclusion

• This Valentine’s aftermath edition of Down These Mean Streets underscores the dangers—comic and tragic—of love among detectives. From Holmes and Spade’s fake weddings to Marlowe’s deadly Persian slippers and Diamond’s brush with hypnotic murder, relationship drama is both catalyst and complication in the world of radio’s greatest sleuths.

Host’s Closing:
(120:29)
“Thanks so much for joining me. I’ll be back next week with more old-time radio detectives. … Good night and happy listening.”

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Timestamps Guide to Key Segments

• 00:55 – Host sets up theme (relationship turmoil)
• 09:39–34:23 – Sherlock Holmes: The Book of Tobit
• 37:27–64:41 – Philip Marlowe: The Persian Slippers
• 66:56–89:13 – Sam Spade: The Love Letter Caper
• 93:23–118:32 – Richard Diamond: The Simpson Case
• 120:29–121:45 – Host’s closing comments

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Style: Faithful to the tone—wry, suspenseful, and rich with the vintage patter of detectives who’ve seen it all and lived to solve another day.

Transcript

[Narrator/Philip Marlowe]

Get this and get it straight. Crime is a sucker's road and those who travel it wind up in the gut of the prison of the grave. The story you are about to hear is true. Only the names have been changed to protect the innocent.

[Announcer/Host]

The Adventures of Sam Spade Detective the Adventures of the Saint, starring Vincent Price. Bob Bailey in the exciting adventures of the man with the action packed expense.

[Commercial/Advertisement Voice]

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[Podcast Host/Commentator]

Hello and welcome to down these Mean Streets with more old time radio detectives and CR fighters. Last week, with Valentine's Day on the horizon, we featured mysteries starring actual couples. Today, with Valentine's Day freshly in the rearview mirror, we're switching over to less romantic entanglements as our heroes are pulled into cases involving husbands and wives with some tension in their relationships. Sometimes it's a husband with a missing wife, other times it's a wife who fears for her husband's safety. And sometimes there's a woman with eyes on making our hero her next partner at the altar. First up, we have Basil Rathbone and Nigel Bruce as Sherlock Holmes and Dr. Watson in the Book of Tobit from March 26, 1945. It's a mystery involving a woman whose husbands have the unusual habit of dying not long after tying the knot. Next, Gerald Moore stars in the persian slippers from October 3, 1948, where a man hires the private eye to find his missing wife. Then Howard Duff is Sam Spade who finds a new case and inadvertently, a wife in the Love Letter Caper, an Armed Forces Radio Service rebroadcast of an episode from March 27, 1949. And finally, Dick Powell as Richard diamond in the Simpson case from January 18, 1952, where a woman asks diamond to protect her husband's life after someone takes.

[Commercial/Advertisement Voice]

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[Podcast Host/Commentator]

Love and lead are in the air in these four radio mysteries. We'll kick things off with Basil Rathbone as Sherlock Holmes right after these messages.

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Let's turn back the clock about 24.

[Announcer/Host]

Hours and drop in on Mr. And Mrs. Johnson. They're just returning from a football game.

[Narrator/Philip Marlowe]

Well, here we are. Home at last.

[Announcer/Host]

And, boy, am I hungry.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

So am I. Let's start thinking about some food.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Big, juicy hamburgers maybe.

[Announcer/Host]

Say, that's for me with plenty of cats.

[Dr. Watson]

Aha.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

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[Commercial/Advertisement Voice]

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[Announcer/Host]

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[Sam Spade]

It's a smart hostess who serves hearty.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Food and lots of it, with plenty.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

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[Announcer/Host]

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[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

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[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Thrifty price.

[Announcer/Host]

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[Narrator/Philip Marlowe]

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[Announcer/Host]

So free and easy on the draw. I dedicate this program to the fight against crime. Not merely crimes of violence and crimes of dishonesty, but crimes of intolerance, discrimination and bad citizenship.

[Narrator/Philip Marlowe]

Crimes against America.

[Announcer/Host]

This episode from the Life of Sherlock Holmes will be transmitted to our men and women overseas a short wave and through the worldwide facilities of the Armed Forces Radio Service. Petri wine brings you. Matt the Rathbone and Nigel Bruce in the New Adventures of Sherlock Holmes. The Petri family, the family that took time to bring you good wine, invite you to listen to Dr. Watson tell us about an exciting, exciting adventure he shared with his old friend, that master detective, Sherlock Holmes. While you're getting comfortable, I'd like to tell you about an old, old American custom. The custom of serving a glass of sherry wine before dinner. Petri California sherry. You know, Petri sherry is to a good meal what the overture is to a good musical comedy or an opera. Before you sit down at the dinner table, just pour yourself a little glass of Petri sherry and Sip it slowly. Look at that beautiful amber color. Smell the fragrance of those sun ripened grips. And taste that fine sherry flavor. You'll agree with me, I'm sure, that Petri Sherry is the best beginning a good meal ever had. And say, if you happen to like your sherry dry as I do, you'll really like Petri pale dry sherry. Believe me, you can't go wrong with any wine that bears the name Petri. The proudest name in the history of American wine. And now let's drop in on the good Dr. Watson who's waiting for us in his California ranch house. Good evening, Doctor.

[Dr. Watson]

Good evening, Mr. Foreman. Come in and make yourself a towel.

[Announcer/Host]

Thank you, Doctor. Sitting here with the lights off, I see. Have you been getting yourself in the mood for tonight's Sherlock Holmes story?

[Dr. Watson]

No, my boy. I was watching the sunset. Quite a beautiful tonight.

[Announcer/Host]

Aye, Doctor, the sun set over an hour ago.

[Dr. Watson]

Yes, I know that young fellow, my lad, I know that. But at my age, a fellow's entitled to take a little snooze after dinner, isn't he?

[Announcer/Host]

Of course he is, Doctor. And now that we've settled that, how about tonight's story?

[Dr. Watson]

Well, a very beautiful girl figured prominently in this adventure, Mr. Foreman. Her name was Jasmine La Fleur.

[Announcer/Host]

Huh? Say that again, Doctor, please.

[Dr. Watson]

I know, my boy, but that was her stage name when she was a magician's assistant. Unfortunately, I never had the opportunity of seeing Jasmine lafleur in the theatre. But I'm told that she was a fascinating figure in tights and spangles. When Holmes and I first met her, however, she was dressed a little more conventionally and her name was then Diana Venering. Lady Venering.

[Announcer/Host]

Lady Venering. Say, those tights and spangles really paid off, didn't they? Well, how did you and Sherlock Holmes come to meet up with her, Doctor?

[Dr. Watson]

In rather spectacular style, Mr. Foreman. Ms. Lafleur became something of a femme fatale in the early 1900s. First of all, she married Signor Rossoni, the magician for whom she was working on the wedding night. He was mysteriously stabbed to death a few months later. Madame Rossone, very fetching in her widow's weeds. I'm sure that's a Wilfred Dennering. And after a whirlwind courtship, she married him.

[Announcer/Host]

Don't tell me he got murdered too. He did, Mr. Foreman.

[Dr. Watson]

Also on the night of the wedding. At this time the police found a suspect. It was a certain Major Beckwourth, cousin of the dead man and an ardent suitor of the fair Diana. The trial at the Old Bailey was one of the most sensational I ever remember. Sherlock Holmes and I, when caught on the closing day of the jury, were still considering their verdict. Holmes, the jury's been out over eight hours. I bet you they can't agree on a verdict. Maybe a new trial.

[Announcer/Host]

I think not, old chap. Look, here they come now. You know there's a strong moral probability of guilt but I'm sure they'll agree that there's insufficient evidence to convict.

[Dr. Watson]

Oh that's your right. Just look at Lady Venering down there ahead of us.

[Announcer/Host]

What a stunning woman. Yes, and a woman of great poise and courage. Here it comes. Gentlemen of the jury, have you arrived at a verdict? We have. Milo, how say you? Do you find the defendant guilty or not guilty? Not guilty. Exactly. Come on Watson, let's get a breath of fresh air.

[Dr. Watson]

I was wondering, perhaps we shouldn't go over and congratulate.

[Announcer/Host]

On what? The fact that her husband's murderer has not been found.

[Dr. Watson]

I suppose you're on.

[Announcer/Host]

You ever read the book of Tobit, Watson?

[Dr. Watson]

Toby? I don't think so. When was it published?

[Announcer/Host]

Well it's a before our time, old chap. It's an Old Testament story.

[Dr. Watson]

Whatever made you think of it at this moment?

[Announcer/Host]

Well it's so remarkably apposite with the case of Lady Ferrari. It deals with a highly peculiar series of murders. Seven of whom if I remember correctly.

[Dr. Watson]

Who was a murderer?

[Announcer/Host]

A jealous demon by the name of Asmodeus. He strangled husbands on their wedding nights.

[Dr. Watson]

Well judging by the verdict Just now, Mr. Beckworth isn't the Asmodeus or whatever you call him in this case.

[Announcer/Host]

Give me a paper.

[Dr. Watson]

Thank you Governor. Thank you. Paper. Well Helm, what does it say?

[Announcer/Host]

Henry, Here we are. Listen to this. Lady Vening, widow of the murdered man, says that she will marry the suspect. Lady Vening told newspaper reporters this afternoon that if Major Beckwith is acquitted she will marry him before the year is out.

[Dr. Watson]

Oh my soul. Holmes, there's a positive sparkle in your eyes. You read about her.

[Announcer/Host]

I must admit the lady fascinates me, old chap. I hope before she becomes involved in any further tragedies that we may have the opportunity of meeting her. And sometimes something tells me that we will.

[Dr. Watson]

Sunday papers are certainly having a field day over the veteran case. Holmes, did you read them?

[Announcer/Host]

No, I didn't watch it.

[Dr. Watson]

There's a complete life history of lady venering in one of them with photographs. It's rather interesting really. What are you doing over there, Holmes?

[Announcer/Host]

Looking out of the Window. Ah, yes, yes.

[Dr. Watson]

You expecting anybody home?

[Announcer/Host]

No. Come over here, old fellow.

[Dr. Watson]

Clergyman.

[Announcer/Host]

That's a very agitated one, the way he's pacing up and down. And looking up at our window too. Joe. What eyes. Yes, there's a fanatical look about him which suggests either the martyr at the stake or the inquisitor lighting the faggots.

[Dr. Watson]

Mrs. Hudson's letting him in now. Well, I'll be interested to know what he's come to us about. I can hear footsteps on the stairs. I'll go and have a look. How to do, sir? Come along in, won't you? It's all right, thank you, Mrs. Hudson.

[Announcer/Host]

You're Mr. Sherlock Holmes? I am, sir, and this is my colleague, Dr. Watts. My name is Whalen. The Reverend Arthur Wham. How do you do?

[Dr. Watson]

How do you do, sir?

[Announcer/Host]

Sit down, would you, and tell me what I can do for you. Thank you, Mr. Holmes. This. This is a very difficult subject to broach. In fact, it's only after intense personal conflict that I've been able to force myself to come to. May I ask you, are you familiar with the Book of Tobit? Book of Tobin?

[Dr. Watson]

Great at me. You were talking about that yesterday.

[Announcer/Host]

I see that you've come to consult me about the Venering case. But that's amazing. How did you know? Has Lady Venom been in touch with you? No, sir, but I'm familiar with the Book of Tobit. And Lady Venring's case closely resembles that of the woman Sarah in the Old Testament story. More closely than you realize, Mr. Holmes. Did you know that before each one of Lady Venring's husbands was killed, they received a threatening note? Yes, I recall that from the trial.

[Dr. Watson]

Signed in some sort of gibberish.

[Announcer/Host]

No, Doctor. Yesterday I was permitted for the first time to examine one of these notes. The apparent gibberish was in reality ancient Hebrew writing. Indeed. Were you able to Translate it? Yes, Mr. Holmes. In effect it said, if you go through with this marriage, your hours are numbered. And it was signed Asmodeus. The name of the jealous demon who strangled husbands in the Book of Tobit.

[Dr. Watson]

Exactly.

[Announcer/Host]

Just why have you come to me, sir? I want you to talk to Diana, to Lady Vanwering, to tell her she must not go through with this new matter. Mother is stalking her, Mr. Holmes. I have argued with her, prayed with her, implored her to realize her danger, but she is adamant. I'm afraid I should feel extremely presumptuous in giving her my advice. No, Mr. Holmes, I have prepared the way for you. You Could, I'm sure, realize her danger. And she's willing to see me, you say? Willing and anxious. Very well. But I'd like to ask you a few questions first. Anything, Mr. Holmes. What is your interest in her? She is. She's a member of my flock. She needs my guidance. Nothing further. No, no, Mr. Holmes. I believe that you performed the marriage ceremony at both of her previous weddings. Yes. Are you proposing to officiate the ceremony if she marries Major Beckwith? Well, I. I don't know. I'm hoping that marriage will never take place and so I want you to help me, Mr. Holmes. Where does the lady live? 47 Barclays Spur. Very well. Dr. Watson and I will call on her this afternoon. I doubt if I can be there myself. In fact, Diana might speak more freely if I'm not. But here's my card. You'll know where to get in touch with me if you want to. Anyone, sir. Good day to you, gentlemen. And I'm greatly in your debt.

[Dr. Watson]

Good day. Good day. Strange business, Holmes. I can't believe that Mr. Whalen's motives are entirely impossible. Personal.

[Announcer/Host]

Nor can I, old chap.

[Dr. Watson]

What are you laughing about? I was thinking of the Book of Toit, Watson.

[Announcer/Host]

In that the role of protector, the role I have just been asked to take, was played by the Archangel Raphael. I can't help feeling, Watson, that I'm making distinct strides in my profession.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Mr. Sherlock Holmes. I'm so glad to meet you.

[Announcer/Host]

How do you do? Lady Vennering, may I introduce my old friend, Dr. Watson?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

How are you, Dr. Watson?

[Dr. Watson]

Glad to meet you, Lady Ven.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Let's sit down, shall we? You're just in time for tea.

[Announcer/Host]

Thank you. You know why we're here, of course.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Naturally. Mr. Whalen came round here as soon as he'd left you. You ought to persuade me to look after my mortal affairs while he takes care of my immortal ones, isn't that it? May I say, Mr. Holmes, that I'm flattered that a man of your eminence should be sufficiently interested to bother about me?

[Announcer/Host]

You underestimate your own importance, Lady Bennering. Though I may mention that if your problem had been as simple as Mr. Whaler made it out to be, I might have been otherwise engaged for being.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Very frank and a little mysterious. Are you suggesting that Mr. Whalen didn't tell you everything?

[Announcer/Host]

I am, and I hope you will be more candid with me.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Sherlock Holmes. I like you. You're most refreshing. Milk and sugar on your tea?

[Announcer/Host]

Just milk, thank you.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Here you are. How about you? Dr. Watson.

[Dr. Watson]

Oh, just the same way this. Thank you, my dear.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

And now Mr. Holmes, perhaps you'll tell me why you think that you haven't been told everything.

[Announcer/Host]

Before I answer that Lady Venturing, I wonder if I might ask you some questions.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

But of course, anything.

[Announcer/Host]

When your first husband, Siguro Soni was killed, did the police find any suspects?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Yes, one. Ferdinand Gautier, a young man who had been an assistant in our magicians act. A stupid good looking boy who thought he was in love with me. But of course Inspector Lestrade had to release him. There was no evidence.

[Dr. Watson]

You can bet that if he arrested him the boy was innocent.

[Announcer/Host]

A warning note was found among your husband's effects, wasn't it?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Yes, and it was signed in Hebrew with the name Asmodeus. But perhaps you're not familiar with the book of Torah.

[Announcer/Host]

Oh yes, yes I am. I'm familiar with it. Lady Vennering. How did you know then that the Hebrew letter signified that name?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Mr. Whalen translated them for me.

[Announcer/Host]

Oh, I see.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

And also read me the book of Tobit. He's always been particularly fond of that book. Perhaps because it illustrates his own ideas on the dangers of marriage.

[Dr. Watson]

Holmes told us that he hadn't seen one of the warning notes until yesterday.

[Announcer/Host]

Precisely. Lady Benwick, I read in the papers that you intend to marry Major Beckwith. The man who has just been tried for your late husband's murder.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Yes, Mr. Holmes.

[Announcer/Host]

When you were to marry him, may I ask?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

When it pleases me.

[Announcer/Host]

Doesn't it occur to you that a great deal of comment will be caused also that Major Beckwith's life is in obvious danger?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Of course. It occurs to me, my dear man, that because of two tragic marriages am I to spend the rest of my life alone, as Mr. Whelan would have me do. I'm young. Alive. Peter, what are you doing here?

[Announcer/Host]

I just arrived back in England today. Diana. What's this I read about you marrying Dekwith?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Peter, I have guests. Mr. Sherlock Holmes and Dr. Watson. This is Peter McComas, one of our most promising young painters.

[Announcer/Host]

Diana, tell me it isn't true. When I left England you loved me and I you. I come back and what do I find? You're planning to marry Beckwith. Well I won't stand for it. If you think you can throw me over like some silly boy, you're very much mistaken. I can tell things, you know. I can tell lots of things.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Get out of here, Peter. Get out.

[Announcer/Host]

Say hi Anna.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

And don't come back until you've Learned manners and discretion.

[Dr. Watson]

But Diana.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Get out. I'm sorry gentlemen. Were there any more questions you wanted to ask me, Mr. Holmes?

[Announcer/Host]

One lady veteran. Where is your fiance Mr. Beckford?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

He's upstairs. I'm letting him stay here until the scandal of the trial has died down.

[Announcer/Host]

I must see him at once.

[Dr. Watson]

At once? Why Holmes? He's in no danger until the marriage takes place.

[Announcer/Host]

The marriage has taken place, Watson. Unless I'm very much mistaken.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

It makes you think so, Mr. Holmes.

[Announcer/Host]

You are much too discreet and intelligent, Lady Vennering to let him stay here in your house unless you were already married.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

We were married this morning but we planned to keep the fact a secret for a few months until the scandal had died down.

[Announcer/Host]

May I talk to him please? Of course.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

I'll ring for the butler and ask him to come down.

[Dr. Watson]

May I ask madam, who married you?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

The Reverend Arthur Queenan.

[Dr. Watson]

All the time he talked to us today he knew perfectly well this marriage had taken place. He must have just come from it. I don't trust that man.

[Announcer/Host]

Holmes.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Oh there you are Hudson. I just rang for you. Will you ask Major Beck?

[Announcer/Host]

Excuse me lady, I was just on my way to telephone the police.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

The police? What do you mean?

[Announcer/Host]

It's Major Beckwith, m'. Lady. He's been stabbed to death in his bath.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Mr. Beckwith murdered too, Hodgson, I'll telephone the police. By now I'm rather well acquainted with Inspector Lestrade. Excuse me gentlemen.

[Dr. Watson]

Forgetful business, Helm. Your third husband murdered on his wedding day.

[Announcer/Host]

But what a woman. What's she's superb magnificence.

[Dr. Watson]

What on earth do you mean, Holmes?

[Announcer/Host]

What courage. What unconquerable spirit in the face of a fresh tragedy. Watson, she fascinates me. I haven't seen such a splendid female since we solved that case for the Bohemia. Doctor Watson's story will continue in just a few seconds. Time enough to remind you that the easiest way to make good food taste better is to serve that good food with a swell Petri wine. And there are two Petri wines in particular just made to go with food. Petri California so Turn. A delicate white wine with a subtle flavor that's perfect with chicken and fish and Petri California Burgundy, a hearty, rich red wine that's out of this world with any meat or meat dish. So if you want to know just how good a cook you are, serve your good food with Petri wine made to go with it. A Petri Burgundy or a Petri Sauternes. Two swell Petri Mealtime wines. And now back to tonight's new Sherlock Holmes adventure. The famous detective and his old friend Dr. Watson have become involved in the affairs of thrice married Diana. One time magicians associated with each of her husbands has been mysteriously murdered on his wedding day. The latest murder occurring on the same day that Sherlock Holmes and Dr. Watson are brought into the case. As we rejoin our story it's a month later and for some obscure reason Sherlock Holmes seems to have lost interest in the case. Though not in the beautiful diaspora. Mr. Holmes? Yes Ms. Todd? It's over a month now since Major Beckwith was murdered and we haven't found a single clue. Do you expect me to supply the deficiencies of Scotland Yard? Well it's unlikely not to help us Mr. Holmes. And after all you and Dr. Watson were in the house when it happened. If you ask me the murderers either.

[Dr. Watson]

McComas, that Irish painter or the clergyman.

[Announcer/Host]

Wayland, what do you think? Sir? As far as I'm concerned the case is closed. Lestraden, I wish you'd stop bothering me. What do you think I am? Nothing but a detecting machine?

[Dr. Watson]

Mr. Holmes. Whatever's come over you. Holmes? You're not going out again this evening, are you?

[Announcer/Host]

I'm afraid so. Old chapter this will be the fourth.

[Dr. Watson]

Night in a row. I was hoping that we might have a nice quiet evening in front of a farm.

[Announcer/Host]

Oh I'm sorry Watson, but I promised to take Diana to the Horseshoe at Olympia. I should be home by midnight. Mr. Holmes? Yes, Mr. Whalan? You are seeing altogether too much of Diana. She seems to be completely under your spell. But you introduced me to her in the first place with a request that I keep an eye on her. I made a great mistake. As a spiritual protector. I'm afraid I must ask you to stop seeing her. I'm afraid I must ask you sir to mind your own business.

[Dr. Watson]

I say Holmes, have you seen the paper that that violence is IWI is playing at the Albert hall tonight?

[Announcer/Host]

No, I haven't looked at the paper today.

[Dr. Watson]

Oh, I thought perhaps that we might do along.

[Announcer/Host]

Oh, I feel I can't hold you up. No, I'm taking Diana to the French Maid of Deli's Theatre. I hear it's a charming musical comedy.

[Dr. Watson]

Look here Holmes, we've been friends for a good many years now.

[Announcer/Host]

Very true old fellow.

[Dr. Watson]

And I think I'm entitled to speak to you straight from the shoulder.

[Announcer/Host]

Of course you are, Watson.

[Dr. Watson]

Very well then. This Diana Beckwourth. Oh, it's your own business I suppose, but I can't bear to see you're making Such a fool of you. You've neglected your work at Paris that you met her. You get about as though you're a young fellow. 20. What's come over you?

[Announcer/Host]

Stop. Stop pacing about old chap, will you, and sit down. In fact it might be a good idea if you fortified yourself with a little brandy from the pantalus there. What I'm about to tell you may be something of a shock, Watson. Diana and I are getting married tomorrow.

[Dr. Watson]

What did you say Alan?

[Announcer/Host]

I'm getting married tomorrow.

[Dr. Watson]

But you're insane.

[Announcer/Host]

Oh that's not very flattering Watson. Anyway I don't see why you should be so surprised. You, you, you yourself married and left Baker street once, didn't you?

[Dr. Watson]

You, Holmes have confirmed woman.

[Announcer/Host]

No, no, no my dear Watson, no indeed, no. You will remember in our adventure that you titled A Scandal in Bohemia. I met a lady that I have often referred to as a. Well the woman.

[Dr. Watson]

You mean Irene Adler? But she was a criminal.

[Announcer/Host]

Exactly. And yet Diana has the same magnificent characteristics. Keen intelligence, courage and unconquerable spirit at home.

[Dr. Watson]

Three of her husbands murdered on their wedding nights. You're proposing to be the four?

[Announcer/Host]

Oh rubbish my dear fellow, because tragedy has attended her previous marriages is she to go through life alone?

[Dr. Watson]

Holmes, you, you really mean it, don't you?

[Announcer/Host]

Of course I do.

[Dr. Watson]

I think I will have a nip of brand.

[Announcer/Host]

Oh don't take it so badly old fellow. We'll continue to see a lot of each other. Diana's very fond of you you know.

[Dr. Watson]

Oh I'm glad. Who's going to be perform the ceremony? Not the, the Reverend Mr. Whalen? Oh no, no, no, no.

[Announcer/Host]

We decided in view of Diana's previous marriages that he might prove to be a trifle, well, unlucky. A clergyman named Vernet will officiate whan of course insists on being present. Just the same.

[Dr. Watson]

What time is the wedding tomorrow?

[Announcer/Host]

Two o', clock, old fellow. Oh, I should have mentioned this before. I hope your cutaway coat and top hat are in a good state preservation. You'll be a pretty prominent figure at the ceremony you know.

[Dr. Watson]

You mean that?

[Announcer/Host]

Well I mean that if Sherlock Holmes gets married who else could be his birth man but his old friend Dr. Watson? It's elementary my dear fellow, elementary. I now pronounce who men and wife and those whom God hath joined together will let no man put asunder.

[Dr. Watson]

To Hannah, I'm going to claim the privilege of the best man and give you a kiss.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Of course you shall Doctor.

[Dr. Watson]

It's your Holmes.

[Announcer/Host]

You.

[Dr. Watson]

You're Miss Lucky fella.

[Announcer/Host]

Of course I am old Jack.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Sherlock, I'm going upstairs to change my dress now.

[Announcer/Host]

Very well Diana. I'll be up shortly.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

I'll see you later Dr. Watson.

[Dr. Watson]

Very well Mrs. Holmes.

[Announcer/Host]

I never thought I'd live to say that Watson. O fellow, I'm worried.

[Dr. Watson]

Worried today? Oh my dear fellow, what's the matter?

[Announcer/Host]

Well just before the ceremony I received one of those warning notes signed by Asmodeus.

[Dr. Watson]

Oh you better be careful Holmes.

[Announcer/Host]

I think I'll slip out and have a pipe or two on the letter. Yes, look after my guests for me will you? And keep your eyes open and your ears.

[Dr. Watson]

Yes I will indeed. There you are Mr. Wellen. Would you care for a glass of champagne or a punch or something or other?

[Announcer/Host]

Thank you, no Doctor, I'm in no mood for celebration. I'm certain that Diana has made a shocking mistake.

[Dr. Watson]

Rather sir, I don't think.

[Announcer/Host]

I only came here in a last minute attempt to dissuade her. Now that I've failed I shall leave. Good day sir. Dr. Watson.

[Dr. Watson]

Oh hello McCos.

[Announcer/Host]

Where's Mr. Holmes?

[Dr. Watson]

We'll be back in a few minutes. Would you care for a glass of champagne sir?

[Announcer/Host]

Thank you. I should like to drink a toast of the pair. I've been in love with Diana for years you know. But she wouldn't marry me and well I suppose I might as well make the best of it. I must say your friend Sherlock Holmes seems like a splendid fellow.

[Dr. Watson]

He is indeed McKermus. In fact I may say. Excuse me sir. All right Holmes, I'm coming. I'm here. When does the matter happens, follow me.

[Announcer/Host]

Lock the door behind you. Allow me to introduce you to the demon Asmodeus Watson. Unfortunately at the moment she is in a faint. Good Lord, it's Diana. Exactly. Always an impetuous woman. She made the mistake of trying to stab me with that knife so I bent over to strap up a suitcase. She didn't allow for the wall mirror in which I was watching her.

[Dr. Watson]

You mean you suspected her?

[Announcer/Host]

All alongside it, old fellow. The problem was to find the proof. I first suspected her when I knew that she had been a magician's assistant. The key to the profession of magic is misdirection and these murders have been a perfect example of misdirect motive. How do you mean Holmes? Well by creating esoters thanks to the well meaning stories of the Reverend Mr. Whelan whose theological libraries she must have copied the Hebrew signature she focused the murders on jealousy concealing the fact that the one person with a Perfect motive was herself the widow who was to inherit.

[Dr. Watson]

Why hasn't she been caught before?

[Announcer/Host]

She was devilishly clever. She left no clues, except an indirect one that I had once spotted, that the likeliest person to be able to approach a bridegroom unsuspected and stab him is his bride. And now I wish you'd see if you can revive her, old fellow. When the police get here, I should like Mrs. Holmes to be in full possession of all her faculties.

[Dr. Watson]

Well, Holmes, I must say I never expected to be driving back with you to Baker street on your wedding day. I can't tell you, I. Dear old Watson.

[Announcer/Host]

You really thought that I deserted you, didn't you?

[Dr. Watson]

I wish you'd tell me the truth.

[Announcer/Host]

Why didn't tell anyone, not even you. If the faintest shadow of suspicion had entered her mind, I'd never recall her.

[Dr. Watson]

Well, it seems to me you paid a high price, Holmes. You told me you made a will in her favor. Supposing something happens to you before her trial? She'd get the money, you know.

[Announcer/Host]

Oh, the will. Oh, no, that was worthless. I told Diana that it was a holographic will, and perfectly valid.

[Dr. Watson]

What on earth is a holographic? A will drawn up in one's own.

[Announcer/Host]

Handwriting on a piece of perfect plain paper. Such a document is quite legal. But I drew mine up on a paper with. Well, with a le. That made it invalid.

[Dr. Watson]

I see. But the fact remains that you are married. Ho.

[Announcer/Host]

I really fooled you completely, didn't I, Watson? Didn't the name of the clergyman who married us suggest anything to you?

[Dr. Watson]

Reverend Ver. No, and why should it?

[Announcer/Host]

Well, Vero was a French painter of some note. He also happens to have been a great uncle of mine and my crops.

[Dr. Watson]

You mean that your brother Mycroft was a clergyman?

[Announcer/Host]

I mean that Mycroft was despised as a clergyman. And a very convincing job he did too. A more satisfactory clergyman than the Rev. Mr. Whalen, no doubt whose possible complicity may compel him to answer some very awkward questions.

[Dr. Watson]

Then you're not married? Upon myself, Holmes, I don't know what to say.

[Announcer/Host]

Then I suggest that you say nothing, my dear. Chapter let's just sit back quietly, as two good friends can, and brood about the mutability of human affairs. Well, Doctor, tonight's adventure was really a little extraordinary, to say the least. Holmes sure had a narrow escape.

[Dr. Watson]

Doubly narrow, Mr. Foreman, doubly narrow. He not only escaped the the jaws of death, but he also escaped the clutches of matrimony. Actually, the story had a happy ending for everybody. But Lady Velnering Jasmine Lafleur.

[Announcer/Host]

What about that artist fellow, McComas? How did he take it?

[Dr. Watson]

Oh, very well, very well indeed. In fact, in gratitude, he even painted Holmes's portrait. Not exactly a good likeness, though. One of those modern artists who pictures impressions of a person, but rather than a.

[Announcer/Host]

What do you mean?

[Dr. Watson]

Well, now, let me see. If he were to paint his impression of you, you'd probably end up by looking like a bottle of Petri wine in a sports jacket.

[Announcer/Host]

Go ahead, Doctor. You can tease me all you want, but I'll still rave about Petri wine. And why not? The facts bear me out that Petri wine most certainly is good wine. After all, the Petri family knows all there is to know about the art of turning plump, sun ripened grapes into fragrant, delicious wine. That's because they've been making wine for generations, ever since they started the Petri business way back in the 1800s. And because the making of Petri wine is a family affair, the family has been able to hand down from father to son, from father to son, all their skill and knowledge and experience. And believe me, that adds up to plenty. So no matter what type of wine you prefer one to serve with meals or wine. For any special occasion, choose one of the fine Petri wines you can't miss because Petrie took time to bring you good wine. And now, Dr. Watton, what story do you have lined up for us next week?

[Dr. Watson]

Well, now, let me see, Mr. Foreman, I'm going to tell you about a strange adventure that began by my taking a wild cab ride through the moonlit streets of London and ended Holmes and me being trapped in a luxuriously furnished cellar below a furniture warehouse down by the waterfront.

[Announcer/Host]

Tonight, Sherlock Holmes Adventure is written by Dennis Green and Anthony Boucher and is based on an incident in the Sir Arthur Conan Doyle story, the Adventure of shoscombe old place. Mr. Rathbone appears to the courtesy of Metro golden mayor and Mr. Bruce through the courtesy of Universal Pictures, where they are now starring in the Sherlock Holmes series. The Petri Wine Company of San Francisco, California invites you to tune in again next week, same time, same station. Oh, the Petri family took the time to bring you such good wine. So when you eat and when you cook, remember Petri wine to make good food better. Remember, Peter, This is Bill Foreman saying good night for the Petri family. Sherlock Holmes comes to you from our Hollywood studios. This is the Mutual Broadcasting System.

[Narrator/Philip Marlowe]

I felt low, very low the night I set out searching for the girl with the strange hazel eyes the Fog which hung over Los Angeles didn't help. And I felt even worse when I found her. For by then, I had death on my hands.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

From the pen of Raymond Chandler, outstanding author of crime fiction, comes his most famous character, as CBS presents the Adventures of Philip Marlowe. And now, with Gerald Moore starred as Philip Barlow, we bring you tonight's gripping story, the Persian Slippers.

[Narrator/Philip Marlowe]

One of those thin, chilly fogs had sneaked in from the Pacific and had hung vaguely to the streetlights along the Sunset Strip. It was a kind of a fog that you could see through, but everything was out of focus. Made you start wondering what you were going to do when you were 90 and you were all alone. I'd have liked to have spent the night in a room full of noisy extroverts playing charades. But instead, I had to eat a quick dinner and drive up into the secluded Hollywood Hills to meet a guy. A guy who had nothing but trouble on his mind. When I pushed the buzzer, I had the feeling of wishing I was someplace else. Karl Delaney himself opened the door. He was grim and brusque and to the point.

[Announcer/Host]

Marlow?

[Narrator/Philip Marlowe]

That's right.

[Sam Spade]

Come in.

[Narrator/Philip Marlowe]

Marlowe.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

I appreciate this you're coming up here after business hours.

[Narrator/Philip Marlowe]

I mean, I wouldn't have asked except. Well, perhaps I waited too long. It is.

[Announcer/Host]

Sit up.

[Narrator/Philip Marlowe]

Thanks. Waited too long for what, Mr. Delaney?

[Commercial/Advertisement Voice]

36 hours ago, my wife disappeared.

[Narrator/Philip Marlowe]

Marlo, you've got to find her for me.

[Commercial/Advertisement Voice]

Find her just as fast as you can.

[Narrator/Philip Marlowe]

Wait a minute. Disappeared, you said? Would you mind playing that part back a little slower? Norma simply walked out that door, got.

[Commercial/Advertisement Voice]

In her car and drove off to.

[Narrator/Philip Marlowe]

Get hold of herself, as she always.

[Commercial/Advertisement Voice]

Does when we've quarreled, and always before. She's come back in an hour or so. This time.

[Narrator/Philip Marlowe]

This time she simply didn't come back. Is that it? Look, Mr. Delaney, I could. You had better let me finish before you do anything. Lately, my wife has been brooding over something. Something serious that she refused to discuss. I've caught her crying several times, and she's not a woman given to tears.

[Commercial/Advertisement Voice]

Marlow, I'm sure that unless we move.

[Narrator/Philip Marlowe]

Fast when we do find her, we're going to find her dead. Suicide? Yeah. With his thick, blunt hand, Delaney reached for a color portrait lying face down on the table and gave it to me. I looked and saw the face of a dream. A beautiful dream with strange hazel eyes and soft black hair. I felt Delaney watching me as I glanced up in time to catch the fading end of a very ugly expression on his face. I handed the picture back to him and he laid it on the table again, face down. Then he took me upstairs to Norma's room. It was a nice, frilly room, typically haunted by elusive sweet smells. There was only one incongruous note. What was the horoscope doing on her desk? From the looks of her picture, I knew that Norma was attractive enough that she didn't need to look to the stars for a future. A horoscope? Yeah, you know how women are.

[Announcer/Host]

Marlow.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Will you find her for me?

[Narrator/Philip Marlowe]

Well, I'll try. My rate is $25 a day plus expenses. And remember, you hired me to find her, not bring her back.

[Commercial/Advertisement Voice]

Fair enough.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

You just find her.

[Narrator/Philip Marlowe]

I'll be satisfied. I'll need a starting point. Were there any phone calls or letters or anything that might be a lead? What about friends? We have no close friends. Norma always stayed to herself.

[Sam Spade]

Wait.

[Commercial/Advertisement Voice]

There was a phone call yesterday from Madame Jeanette, I think it was.

[Narrator/Philip Marlowe]

Who's that? A dressmaker?

[Commercial/Advertisement Voice]

I haven't any idea. She wanted to speak to Mrs. Delaney. I told her Norma was out and.

[Narrator/Philip Marlowe]

She asked that my wife call her.

[Commercial/Advertisement Voice]

When she got back.

[Narrator/Philip Marlowe]

That's all there was to it. Anything else you can tell me? No, no, it's not much to go on. I'll see what I can do, Mr. Delaney.

[Commercial/Advertisement Voice]

I'll be here all night, Marlowe.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Call me if you need anything.

[Narrator/Philip Marlowe]

I'll do that.

[Commercial/Advertisement Voice]

Good night.

[Narrator/Philip Marlowe]

I drove back through the persistent fog. The Sunset boulevard. It was 9:30. I knew it was going to be like tracking a hummingbird through the petrified forest by the bent twigs. But I got a classified directory and I started digging. I checked the hairdressers, the manicurists and the milliners. And I was just about to start on the interior decorators when I remembered the horoscope on Norma's desk. I quickly turned to the personal consultants. Yeah, there it was, Madame Jeannette. Her establishment, located in the dubious neighborhood south of Olvera street, turned out to be a tacky cottage set back next to an alley. It was as dark inside as out. I was pounding on the door like a vampire at sunrise when a newsboy came up the path.

[Announcer/Host]

Looking for mem.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Jeanette?

[Narrator/Philip Marlowe]

Yeah. Yeah. You know her? Sure.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

She tells fortunes. Says I've got a great career line. You want to see it?

[Narrator/Philip Marlowe]

Not right now, thanks. And I'll say for her that she's a sound sleeper. Maybe.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

But not so early as this. About this time. She's always hanging around that bar on the corner. Tonight she's throwing A farewell party in there.

[Narrator/Philip Marlowe]

Farewell party? Who for?

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Herself. She's leaving town.

[Narrator/Philip Marlowe]

Oh, thanks a lot. Here, kid.

[Commercial/Advertisement Voice]

She a buck.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

My old man will swear I've been shooting crap again.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Give me another one, Charlie. Not every night I say goodbye to my dear old neighborhood.

[Commercial/Advertisement Voice]

Muscatel again, Jeanette.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Yeah? Did I say dear old neighborhood, Charlie?

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

I think you did, Jeanette.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Must have had one too many then. Because of all the low, flea bitten row of shacks I ever lived in. This is the new low.

[Narrator/Philip Marlowe]

Aw, Jeanette, that's not way to talk.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

You hurt my feelings, Pinky. There ain't nothing like a little beer to sue with hurt feelings.

[Narrator/Philip Marlowe]

Yeah, you said it, Jeanette. Can I have another?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Yeah, Charlie, give Pinky another. This is his last. The last? I thought you said it was a farewell party.

[Commercial/Advertisement Voice]

Hey, you and all your dogs.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Oh, dogs. To get me out of this rat trap of a town, see? It's the last I want to see out of it in all my life, see?

[Commercial/Advertisement Voice]

Yeah, yeah, yeah.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Mother must tell Johnny.

[Narrator/Philip Marlowe]

Hold on a minute, Jeanette.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Hey, what'll it be, mister?

[Narrator/Philip Marlowe]

Something just a bit drier than muscatel. Say, Scotch, it's on me, mister.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

It's my party.

[Narrator/Philip Marlowe]

Well, well, this is indeed a pleasure. You're the Madame Jeanette, aren't you?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Yeah.

[Narrator/Philip Marlowe]

Why, you're all of 20 years younger than what I expected.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Probably the life I lead. Hey, wait a minute. Why should you be expecting anything about me? I don't know you.

[Narrator/Philip Marlowe]

Perhaps not, but I know you from where you're more famous than you think. Your reputation has spread far beyond Olvera Street. In fact, it's gone up as far as the Sunset Strip. Madame Jeanette.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

No kidding?

[Narrator/Philip Marlowe]

How would you kid a fortune teller? Don't you know all, see all and tell all? Well, and judging from that Spanish shawl, your Hungarian skirt and those embroidered Persian slippers, I'm beginning to think your fame is not only local but international.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Say, you're beginning to make me feel like I shouldn't be giving up this racket after all.

[Narrator/Philip Marlowe]

Giving up fortune telling? No.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Yeah, I'm leaving town on the midnight train. Gonna spread my talents all over the east. And I'm not coming back.

[Narrator/Philip Marlowe]

Don't tell me your crystal ball has laid a golden egg, so to speak.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Yeah, I come into some lettuce suddenly.

[Narrator/Philip Marlowe]

That's always nice. Well, I guess it means you won't be interested in the few paltry dollars I'd intended to spend with you.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Hey, can I have another?

[Commercial/Advertisement Voice]

Bitch, shut up, Pinky.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Blow.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Just a traveling lady. Can Always use a little extra moolah. What was it you wanted, bud?

[Narrator/Philip Marlowe]

I'm looking for someone. Norma Delaney.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Norma? I'm afraid I don't know anybody by that name.

[Narrator/Philip Marlowe]

I'm afraid you do.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

What's your angle? Who are you, anyway?

[Narrator/Philip Marlowe]

I'm Philip Marlow, private detective.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Some private dick you must be to have to resort to fortune tellers.

[Narrator/Philip Marlowe]

Come on, Jeanette. Look into your crystal muscatel. See if you can spot Norma Delaney.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

I told you once, I don't know the name. Now blow.

[Narrator/Philip Marlowe]

Just a minute, dark eyes.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Hey, Charlie.

[Commercial/Advertisement Voice]

Yeah?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

This bird's crabbing my party. What kind of a joint is this anyway? Lady can't sit here and have a farewell party without being insulted by every jerk that drops in.

[Narrator/Philip Marlowe]

Well, mister, I haven't finished my drink yet. You got pockets, ain't you? Just pour the drink into one of them and take it along. You ain't finishing it here. Charlie reached under the bar for his pick handle, so I left without pursuing the subject further. But I knew Jeannette was lying right in a purple lipstick about Norma. I walked back to my car, lit a cigarette, and spent a few precious minutes trying to decide whether or not to break into her place in Snoop. Then I caught the shadow of a figure slipping up on me from behind. I turned. Wait, wait.

[Sam Spade]

Don't swing, Mac.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Don't swing.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

It's only me, Pinky.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

I. I was in the bar when.

[Narrator/Philip Marlowe]

You was talking to the madam. That tightwad Jeanette. Yeah, I saw you.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

So she did something the minute you left.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

I figured you might like to know what it was.

[Narrator/Philip Marlowe]

It all depends.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Well, I thought it might be worth something to you.

[Narrator/Philip Marlowe]

Like so, maybe. Come on, you, spill it.

[Sam Spade]

Spill it.

[Narrator/Philip Marlowe]

If it's any good at all, it's worth a five and no more.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

All right, all right.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

She.

[Narrator/Philip Marlowe]

She made a phone call. Who to? What'd she say? Nothing. Just some swear words in Spanish.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

The line was busy.

[Narrator/Philip Marlowe]

Well, I. I kept my eyes open and I got the number. All right. Let's have it. If you can still remember it. Oh, I can remember easy.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Five of first, huh?

[Narrator/Philip Marlowe]

Yeah, the number was Crenshaw, 1929.

[Commercial/Advertisement Voice]

Did you get it?

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Like the year of the big crash?

[Narrator/Philip Marlowe]

Thanks to the thirst of an underweight lush, I wasn't at the end of my rope yet. I drove as far as the nearest drugstore, dropped a nickel in the slot and dialed Crenshaw. The year of the big crash.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Hello?

[Narrator/Philip Marlowe]

Hello. Let me speak to Norman Delaney, please.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

I'm afraid you must have the wrong look, You.

[Narrator/Philip Marlowe]

I'm trying to locate Mrs. Delaney. I suggest you help me.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

How did you get this number?

[Narrator/Philip Marlowe]

From a client, Mr. Carl Delaney.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

But that's impossible.

[Narrator/Philip Marlowe]

Let's stop sparring. We can save each other a lot of wear and tear if we get together and talk this over.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Maybe you're right. Yes, that sounds sensible. I'm at the Beechwood Apartments, number four. Check.

[Narrator/Philip Marlowe]

I'll be right out. Mr. Pierre Gillum. It says here on the door.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Yes? Are you the man who called?

[Narrator/Philip Marlowe]

Uh huh. Philip Marlowe.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Come in, won't you? You said you were looking for Norma Delaney, Mr. Marlowe. Tell me what's wrong. Has anything happened to her?

[Narrator/Philip Marlowe]

Well, her husband seems to think she might have killed herself. But I have a hunch that you might have something interesting to say. No.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Poor kid. Poor Norma. Well, I'll tell you what I can, Marlow, but it isn't much.

[Narrator/Philip Marlowe]

Oh, I'm all ears. And I'll sit. Thanks.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

I was in love with Norma once. Briefly. A long time ago. It was a wonderful girl. But her husband was insanely jealous. Even though she hadn't loved him for years, he refused to give her up. Even threatened to kill her first. Norma and I realized that serious trouble lay ahead. So we parted good friends. And I haven't seen her or heard from her in months.

[Narrator/Philip Marlowe]

I buy it all but the last line. You have seen or heard from her and recently.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

I'm not going to argue that I've told you the truth. You can take it or leave it.

[Narrator/Philip Marlowe]

I leave it.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

I suppose we both put our cards on the table. You lied to me when you said Carl Delaney gave you my number. I know because Madame Jeanette called me shortly after you did.

[Narrator/Philip Marlowe]

Touche. But why did she run to call you at the mention of Norma's name if you two broke up months ago? And incidentally, how did that ersatz oracle Jeanette get mixed up in this in the first place?

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

That is a long story, Marlow. Good.

[Narrator/Philip Marlowe]

I like long stories. I'll bet it begins just for a lock. Norma and I went down to Olvera street once to have our palms.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Yes, that's exactly how it started. Madame Jeanette was an unusual woman. A character, you might say. Well, we became friendly with her. Norma got quite sentimental about her. One day we made a sort of pact. If ever either of us was in trouble and needed the other, we'd go to Madame Jeanette or get a message to her. She would notify the other.

[Narrator/Philip Marlowe]

So when I walked in asking for Norma, the madam assumed she was in trouble, right?

[Announcer/Host]

Right.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Called me immediately because she herself was leaving town in less than an hour.

[Narrator/Philip Marlowe]

I know. Well, Mr. Gillum, it's all very interesting, but it's getting me no place. Thanks. If I need you again.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Oh, wait, Marlow, don't go. I know a lot of details about Norma that I'm sure will be helpful. For instance, she drives a Nash coupe.

[Narrator/Philip Marlowe]

Powder blue. Powder blue coupe, huh? Thanks, that'll help.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Oh, and she has a fondness for white gloves. Wears them quite often.

[Narrator/Philip Marlowe]

I see. Well, I better get more.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

No, no, wait just a minute, Marlon.

[Narrator/Philip Marlowe]

I've got to go. Now, listen, Marlow, I told you I was in a hurry.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Take it easy. Stick around a while.

[Narrator/Philip Marlowe]

Get away from that door.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Look, just who do you think you are? Come busting in here prying, asking questions. You dirty.

[Sam Spade]

Ooh.

[Narrator/Philip Marlowe]

You asked for it, Gillum.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

All right.

[Narrator/Philip Marlowe]

Ooh, you got a left too, huh? So have I, brother. I let Gillum sprawled all over his coffee table, as limp as a 5 cent salad. Outside, I glanced at my watch. Madame Jeanette's train left in 40 minutes. I ran through 22 bucks worth of red lights getting down to a cottage because I was sure Gillum's attempted stall was tied in with a departure. But I couldn't figure out why that is, I couldn't until I switched out my lights and coasted to a stop in front of her place. Then I saw it. Half hidden in the shadows. Back of the house sat a powder blue coupe. I got up on the porch close to the front door and listened to. Jeanette was talking to a woman. I couldn't catch what they were saying, but one thing was certain. The woman was Norma Delaney. All at once, I realized the talk had stopped. That was my cue. I shoved open the door and went in. Jeanette sat at a table alone, facing me.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Mr. Marlow, you returned. What is it this time?

[Narrator/Philip Marlowe]

I'd like my fortune told.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Yeah. Now listen close. Come shoe. I'll make this a short and snappy reading because I'm catching a train in 15 minutes. There's a woman very close to you. In fact, she's right behind you.

[Announcer/Host]

Sucker.

[Narrator/Philip Marlowe]

What?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Oh.

[Narrator/Philip Marlowe]

When I finally opened my eyes again, nothing changed. It took me a long time to figure out that the lights were off and it was dark. I climbed up the table leg, hand over hand, and switched on a lamp. Jeannette's house was absolutely quiet. I had caught a glimpse of a white glove holding what is known as a blunt instrument just before I dozed off. That reminded me what I was down here for. I wobbled through the kitchen and out the back door. But the pot of blue coupe was gone. It was 12:15. My head and the fog both had gotten a little thicker. So I just stood there, useful like a ping pong ball in a bowling alley. It was a sound of footsteps that finally moved me. And the newsboy was back.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Well, how you again, mister? Did you ever get a hold of.

[Commercial/Advertisement Voice]

Madame Jeanette before she left?

[Narrator/Philip Marlowe]

Yeah, yeah, but not tight enough. Say, a blue coupe left here a few minutes ago. Did you see it?

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Nope, I didn't. Gee, I'm sure sorry she went away. She gave me a buck tonight too. Said she was coming into a fortune.

[Narrator/Philip Marlowe]

Hey, you and your career. Like. Say, what's that down there in those weeds? I don't know.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

It looks like some kind of a shoe.

[Commercial/Advertisement Voice]

Yeah, it is a shoe.

[Narrator/Philip Marlowe]

Yeah, see? What do you know, a Persian slipper. I took the slipper along as a souvenir for my scrapbook and walked back to my car, trying to fit Norma Delaney's lovely hazel eyes in with that crack on the skull. But I couldn't. Between throbs of my headache, I figured Pierre Gillum would know why Norma had dropped in on the madam so close to train time. I decided to go back and ask him. Gillum was as reliable as a two headed quarter and just as tricky. So when I got to his apartment, I pushed the buzzer, stepped back and braced myself. There was no fight left in it. He opened the door in his robe, fingered the mouse I had given him and grinned.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Oh, so you found your way out by yourself?

[Narrator/Philip Marlowe]

Uh huh. Say, Gillum, what was so important about Norma seeing Madame Jeanette just before a train left?

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

I don't know.

[Narrator/Philip Marlowe]

You knew enough to try to keep me here, to delay me. Why?

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Oh, Marlow, I did that for old times sake. For an old friend. Jeanette asked me to hold you here until midnight and I tried my best. Obviously wasn't good enough. That's all I know about it.

[Narrator/Philip Marlowe]

I see your phone is off the hook. Do you know that?

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Yeah, I took it off. It's given me nothing but trouble. Tonight I hereby wash my hands of this whole business. I'm going to bed and I hope to sleep. Good night.

[Narrator/Philip Marlowe]

I envied him and left to call my client, Carl Delaney. He said he'd be in all night. But the phone kept ringing and ringing and no one answered. I suddenly got a very creepy feeling. And 20 minutes later I pulled to a stop at that small but elegant house. The lights were on and I saw the powder blue coupe in the garage next to Carl's big black sedan. I ran up the steps. The front door was ajar, so I went in. I found Carl Delaney in front of the fireplace, face down on the floor, dead. There was a handbag on a chair. I opened it. Compact cigarettes and a key to room 340 in the Bradford Arms Hotel. No identification. That color portrait of Norma was standing up on the table this time. And those searching hazel eyes seemed to follow me all the way to the telephone. Lieutenant Ibarra speaking. Phil Marlow. Ibarra. There's a dead1@1077 Hollycrest Road named Kyle Delaney murdered. I'll be right out. I hung up the phone. And then the hair on my neck crawled as I heard the unmistakable sound of a woman's heels on the floor upstairs. I ducked behind the door as the heels clicked down the steps. Then she entered the room. Norma Delaney was lovely, as lovely as a picture. She moved calmly and deliberately. Put a note on the table, picked up the handbag, then turned to face the door I was hiding behind.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

You can come out now, Mr. Marlow.

[Narrator/Philip Marlowe]

Hello, Mrs. Delaney.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

You can call me Norma now. And if you're thinking of using your gun, perhaps you'll be good enough to read this note first. Here.

[Narrator/Philip Marlowe]

To whom it may concern, I, Norma Delaney, purposely and with premeditation, shot and killed my husband, Carl. It is beyond me to express how deeply I hated him. And since I must pay for this and cannot endure a public spectacle, I shall take my own life within the next few minutes. Now look, Norman. No guns.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Easy, Marlow. I'll kill you if necessary, but it would be so pointless. Now I'm free at last, and I want to spend a little time left to me in my own way.

[Narrator/Philip Marlowe]

Norma, if you'll listen to me. Document.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Tonight I made my only friend, Madame Jeanette, happy, and I killed a man who needed killing. Something good, something bad. So I'm quitting. Even up.

[Narrator/Philip Marlowe]

What do you propose to do with me?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

You mustn't try to stop me, Marlow. See that closet?

[Narrator/Philip Marlowe]

Mm.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Get inside. And careful how you move your hands. Turn around to the wall. That's it.

[Commercial/Advertisement Voice]

Marlo.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

I'm sorry I had to hit you with Jeannette's tonight. Goodbye.

[Narrator/Philip Marlowe]

It took three shots to smash the lock on that closet door. I heard her driving away just as I got it open. In spite of what she'd said, I couldn't let her kill herself. I ran outside to my car. One glance under the hood was all it took. There was nothing left of the wiring but Loose ends. I ran into the street in. A miracle happened the first time in my life. A taxi in Los Angeles when I wanted it. I'm sorry, Fell. I'm going to call. Skip it. This is an emergency.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Hey, wait a minute, you.

[Narrator/Philip Marlowe]

Police business. A girl is driving up the road in a blue coupe. We got to catch her before she kills herself. Let's.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Think.

[Narrator/Philip Marlowe]

I saw tail lights just then.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Yeah.

[Narrator/Philip Marlowe]

Can't you go any faster?

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Not on these curves, brother. I got a wife and kids.

[Narrator/Philip Marlowe]

Okay, fella, we'll be at the top of the hill when we can get around the next bend. We should spot her then.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Yeah, you can see the whole road down the other side. Here we are, mister. This is the top.

[Narrator/Philip Marlowe]

But I don't see her. Where is she? Hey, wait a minute. Stop here. Turn up your motor. This is Hayw.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

I don't get it.

[Narrator/Philip Marlowe]

We were gaining on her and now she just disappears. What's that motor? That side road we passed. That's it.

[Commercial/Advertisement Voice]

Look.

[Dr. Watson]

Look.

[Commercial/Advertisement Voice]

Holy smoke.

[Narrator/Philip Marlowe]

We both saw the awful sight for just an instant. A pot of blue coupe with a woman crouched over the wheel. It shot out of that side road, crashed through the guardrail and fell end over end down into the gorge. By the time we got to the hole in the fence, the wreck was an inferno.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

No use trying to get down there.

[Narrator/Philip Marlowe]

The whole hillside will be on fire in another minute. I guess she pulled over here into the side road and waited for us to go by. And we did. Yeah, Sandy here too. So wonder she didn't get stuck. What's the matter? Something buried here in the sand. One of her tires ran over it.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

What is it?

[Narrator/Philip Marlowe]

Wait. It's plenty, brother. Come on, turn that hack of yours around. Let's get off this mountain. I just found the answer to a lot of questions.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

That you, Marlow?

[Narrator/Philip Marlowe]

Yeah, Lieutenant. We found the body and the wife's suicide note. Then one of the boys spotted that fire up on the hill. What is it? Car went off the road. An accident or the suicide? Just a little of both, Ibarra, but we'll talk later. Right now we got to go to the Bradford Arms Hotel on the double. And please, no siren. The Bradford Arms was a three story walk up when we got there. Ibarra stationed one man in front, sent another to cover the back and we started up the stairs. We had reached the second floor when we saw him on the landing above Gillum. He spotted us at the same time and turned back fast. There, Marlow.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Who's that?

[Narrator/Philip Marlowe]

That's our boy. Bar up Here, Gillum. Let's go. There he goes.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

He's heading for the fire.

[Narrator/Philip Marlowe]

Second lieutenant, he's all yours. I got business the other way.

[Dr. Watson]

Hey, you. Stop or I shoot.

[Narrator/Philip Marlowe]

Room 336. 38. Now 300. It's all over now. You better drop the gun. Please. It's been neat so far. Don't mess it up. Come on, beautiful. Drop it. That's better.

[Sam Spade]

Well, Marlow?

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

I got him.

[Commercial/Advertisement Voice]

I had to wing him to bring.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Him down, but here he is.

[Narrator/Philip Marlowe]

And the lady must be. Yes, Lieutenant. The lady is Norma Delaney. The girl who wanted to kill her jealous husband and then commit suicide but didn't want to die doing it. So she used someone else's body. Madame Jeanette's. Which was a logical choice because Jeanette was blackmailing her. Thus, two vultures with one stone, leaving two lovebirds free to fly away together. Right, Norma? Didn't you give Madame Jeanette money so she'd leave town and tell everybody she was going away?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Yes, I did.

[Narrator/Philip Marlowe]

That way the body wouldn't be missed, huh? Yeah. Isn't it pretty?

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

I'll lay off Marlowe.

[Narrator/Philip Marlowe]

Can't you? Okay, Gilliam. Okay, Ali Bar. I've got a sour taste in my mouth. I think I'll go home and goggle. Anything else you need? No, I guess not. Phil. Have had all that's necessary. Wait. Just one thing. How do you get inside this setup? How do you find out it was the dead Madam Jeanette who went over the cliff instead of the very much alive Mrs. Delaney here? Jeanette had on a pair of Persian slippers, Lieutenant. One fell off down at her cottage where Norma murdered her and put her in the trunk of the car. The other one fell off in the sand of that side road. When she took Jeanette out of the trunk and propped her up behind the wheel was Lucky Barra just dumb luck. I took a walk later, a long walk all by myself through that thin, empty fog in the dark, empty street. A pair of hazel eyes and a pair of Persian slippers went round and round in my head. And for some reason I kept thinking. A pair of Persian slippers has two soles and two heels and it's hard to tell just exactly where the one becomes the other.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

The Adventures of Philip Marlowe, created by Raymond Chandler, stars Gerald Moore and is produced and directed by Norman MacDonald. In tonight's story, the Persian Slippers, Virginia Gregg was heard as Madame Jeanette, with Larry Dobkin as Pierre Gillum and Louis Van Ruten as Carl Delaney. The additional players were Gene Bates as Norma Delaney, Gil Stratton Jr. As the newsboy, Frank Richards as the barkeep and Tony Barrett as Pinky. Detective Lieutenant Ibarra was played by Jeff Corey. The special music was conceived and conducted by Ivan Ditmars. Be sure to be with us again next week at this same time when Philip Barlow says.

[Narrator/Philip Marlowe]

Sounded good, real good. A weekend at Malibu. Expenses paid with a cash bonus thrown in. But that was before I knew about the henchmen, the redhead and the corpse. These three and a white Panama hat ruined it all for me.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

The big star studded array of CBS Sunday shows starts tonight. 1, 2, 3, 4. Five top entertainment programs that make listening to your CBS station a happy habit.

[Announcer/Host]

1.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Cabin B13, the popular dramatic show by John Dixon Carr, renowned mystery writer.

[Commercial/Advertisement Voice]

2.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

The new electric Theater. Guest starring Henry Fonda tonight and regularly starring Helen Hayes, first lady of the theatre when she returns from London. 3. Our Miss Brooks, the hilarious comedy success Starring Eve Arden. 4. Lum and Abner. A brand new half hour show of smiles and chuckles with the merchants of Pine Ridge. 5. Strike it rich, the sensational quiz show with a heart to wind up the sparkling parade of entertainment. Mystery, drama, comedy. Excitement tonight over most of these CBS stations. And next Sunday, the first broadcast in the new season for two of radio's greatest stars, Amos and Andy. Yes, Sunday nights are great on cbs. Check your local newspapers for program times. This is Roy Rowan speaking for cbs, the Columbia Broadcasting System.

[Announcer/Host]

The adventures of sam spade. Detective.

[Sam Spade]

Since the world began, woman was meant for man.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Well, stand. I must say, this is the shortest honeymoon in my experience.

[Sam Spade]

F. Have you been keeping something from me?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Well, I wouldn't blame myself if I did. We didn't exactly telegraph this punch.

[Sam Spade]

Come on in, angel, and I'll tell you as much about it as I think you should know.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

And what, may I ask, is a large parcel with a pink ribbon around it?

[Sam Spade]

Love letters.

[Announcer/Host]

What else?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Well, I must say, for a whirlpool. Romance.

[Announcer/Host]

Whirlpool.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

I mean, writing all those letters. When did she find time to get acquainted?

[Sam Spade]

Stop pulling at that blouse. What's the matter?

[Announcer/Host]

Does it itch?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Damn. Now that your marital status is no longer quo. Well, damn these little routine informalities. Don't you think we should be a little more stilted with each other here in the hereafter?

[Sam Spade]

Then perhaps, and not a minute before, to Sergeant Joseph Walsh, Bunco and fugitive detail, San Francisco police from you know who. Licensed number 137596. Subject the easy subject, the love letter caper or how to be happily married. Though Single. The start of it was last Wednesday morning. I had just arisen, shaved, bathed, weighed myself in the bathroom scales, and decided on a breakfast of black coffee and rye crisp. Noisy up. Oh, special delivery. Sign here. Oh, now, hold this, will you, sonny? Yeah. What do you call this? Some kind of Italian soda cracker? Rye crisp, low in calories. Take a bite. You can lose a pound or two yourself.

[Announcer/Host]

There you are.

[Sam Spade]

Eat the change. Thanks. I'll smoke it after dinner. The first thing that fell out of the envelope was a photograph. Glamour type. It was inscribed. To Sam, body and soul.

[Announcer/Host]

Ella.

[Sam Spade]

The letter was in the same tone of voice.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Sam. Oh, Sam, my darling. Last night was so beautiful. But now my arms are empty and I'm filled with strange fears for the future. Unless I see you soon, I don't know how I can go on living. Come to me tonight, my darling. Wait until the house is dark, then slip in through the west gate and I'll meet you beside the fountain. If you fail me, I don't know what I'll do. But I know you won't. All, all, all my love forever, Ella.

[Sam Spade]

I read it over again, looked longingly at her picture and shook my memory down. I couldn't even remember ever meeting a girl named Ella. But I did remember that last night was definitely not beautiful. In fact, I had dropped 35 bucks in a blackjack game. Not deductible. After I had tested the letter for invisible ink, codes and ciphers, etc. With negative results, I decided it was either A, a crank letter or B, bait, or C, a camouflage call for help from a damsel in distress. I took another look at said damsel's photograph and decided I would investigate her distress. I then phoned my secretary and told her to look up the night bus schedule to Atherton. The return address on the envelope containing said love letter. It was around 11 in the PM and the moon was just clearing the treetops behind the Comstock mansion when I slipped in at the west gate for the instructions in Ella's love letter and took a plant beside the aforementioned fountain. The house was in darkness, and I didn't see the ladder until the moon cleared the chimney pot. There was a girl climbing down the ladder from the second story, and she had a suitcase in her hand. When she reached the ground, she looked around anxiously, spotted me and flew into my arm.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Oh, Sam, my darling, you didn't fail me. Oh, my precious. Hold me. Never let me go. I love you.

[Sam Spade]

I love you too.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

But now, look, explain it all later. We'll have to to hurry. I think he suspected something.

[Sam Spade]

Who suspected what?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

There isn't time. Come on. The watchman. We'll have to go out the back way. Come on.

[Dr. Watson]

Hey there. Come back here. Hey, you.

[Announcer/Host]

Hey.

[Sam Spade]

Hold it. Get down.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

No. Let me go. We got to get out of here.

[Sam Spade]

I said get down. Shut up. What's going on down there?

[Dr. Watson]

Oh, a couple palace with the Comstock.

[Sam Spade]

They had a ladder up to the second story, the hall window. But I scared them off. No, not all.

[Announcer/Host]

Well, let's have no more shooting.

[Sam Spade]

I'm trying to scream.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Come on, it's our last chance. If he looks in that room. I love you.

[Sam Spade]

I love you. What room?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Wait. Well, my room, of course.

[Sam Spade]

Where are you planning on going?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Anywhere. Just so I get away from him. I love you.

[Sam Spade]

I love you. Who's him?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

My uncle. He's been holding me prisoner in that house.

[Sam Spade]

Oh, come now.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

I tell you, he's insane. He'll kill us both if we're caught, so please, come on.

[Sam Spade]

I went because, A, I don't like being shot at and B, there was the wild possibility that she was indeed a fairy princess on the lamb from a dragon. I discounted half a B. When we reached her getaway car it was parked in the alley with a motor running. When she insisted that I drive I hesitated whether to head directly to police headquarters or nail her the stupid way. I was weak from being on a diet. So it was Hobson's Choice more familiarly known as Spade's Folly.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

What is this place?

[Sam Spade]

It's where I live.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

You wouldn't lie to me?

[Sam Spade]

Not about that. Look at the address. Your love letter arrived. Here, come on. Here, let me carry your bag.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

No, no, it's all right. I'll carry it.

[Sam Spade]

Come on.

[Announcer/Host]

Come on.

[Sam Spade]

It's okay. No cops, no booby T.R. now, let's have a look in that suitcase.

[Announcer/Host]

No.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

You must.

[Sam Spade]

Come on. Come on, give it to me.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

No, you can't.

[Sam Spade]

Why not?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Because you get the wrong idea. Oh.

[Sam Spade]

Well, well, well. What have we here?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

I knew you'd get the wrong idea.

[Sam Spade]

The only thing you seem to have missed is the Hope Diamond.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

That jewelry is mine, every piece of it. It's all I have in the world.

[Sam Spade]

Poor kid. Let's see now. Diamond bracelet, not more than ten grand. Emerald necklace, secondhand, of course. All told, I don't imagine this stuff will net you a penny more than a hundred thousand bucks.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

I know, but I'll just have to get along as best I can. I don't have any money of my own.

[Sam Spade]

Yeah, why did you write me that crazy love letter?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Because my uncle reads all my mail. I didn't want him to know I was hiring a detective.

[Announcer/Host]

Why did you?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

I couldn't very well walk around with all these jewels without some protection, could I? Oh, my uncle, he's followed me here.

[Sam Spade]

Suppose it's the cops?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Oh, no, it's he. I know it's. Where can I hide in here? Don't you have a bedroom?

[Sam Spade]

Yeah, but it has a window and a fire escape in here. Go on, go on, go on.

[Announcer/Host]

Spade.

[Sam Spade]

Yeah, I. I suppose she's told you about me. You her uncle?

[Announcer/Host]

Oh, good heavens, no. I'm Stuart Mason. I'm a fiance. Or was, till she ran away with you.

[Sam Spade]

Maybe you better step inside, Mr. Mason.

[Announcer/Host]

Thank you.

[Sam Spade]

Sit down. I'd like to.

[Dr. Watson]

No, no, no, no.

[Announcer/Host]

I just brought a few things I'd like to leave for Ella. Here, this bundle of letters. Her love letters to me. I suppose she'll want to destroy them.

[Sam Spade]

Now, wait a minute, Mr. Mason. Don't jump to any rash conclusion. I saw her come down the ladder.

[Announcer/Host]

I saw her throw herself into your arms.

[Commercial/Advertisement Voice]

Yeah, about it, I. I can't blame her.

[Sam Spade]

I've been a coward.

[Announcer/Host]

I told myself it was for her own sake that I discouraged her from escaping with me. But now I know that. Well, it was at least partly fear for myself that I might die as the others do.

[Sam Spade]

Yeah, but what others? The men she's known. They've all died under mysterious circumstances. And didn't she warn you? Well, all she told me was that her uncle was insane and wouldn't let her out.

[Announcer/Host]

Crazy like a fox. As long as she remains unmarried, he controls her money. $3 million of it.

[Sam Spade]

Uh huh. Well, only the brave deserve the fair.

[Announcer/Host]

Alas. If you'll just give her these letters and tell her that I.

[Sam Spade]

You tell her yourself. Come on out, Ellen.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Stuart, why did you come here?

[Announcer/Host]

Your letters, my dear. And I. I wish you every happiness, Steward. You too, old man. Good night.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Stuart. Stuart, darling, I can explain everything.

[Announcer/Host]

Don't try, my dear.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Stewart. Stuart, come back.

[Sam Spade]

Hey, Ella. Hey, Ella. Your jewelry, your. Your love letters. Hey, we'll take care of those letters.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Spade.

[Sam Spade]

Keep the gun on him. Riley.

[Announcer/Host]

Inside. You.

[Sam Spade]

Over there, sweetheart. What do you want, Mr. Spade? I've been aware for some time that you've been carrying on a situation. Surreptitious love affair with my niece. Look, Mr. Jim Riley.

[Announcer/Host]

Don't worry, Mr. Comstock.

[Sam Spade]

I advise you against trying to jump him. Spade. Why should I? You're both nuts. But not crazy. Enough to take a shot at me?

[Announcer/Host]

Here, try me and see.

[Sam Spade]

I wouldn't waste the energy. I haven't made a penny on this caper so far and it doesn't look like I will.

[Announcer/Host]

Not a penny, he says.

[Sam Spade]

The king's ransom and jewels extorted from a foolish lovesick girl. Oh, how did I manage that? Don't you play the innocent with me. This packet of love letters will satisfy the police.

[Announcer/Host]

Blackmail?

[Sam Spade]

You're crazy. Those letters weren't written to me.

[Announcer/Host]

You deny that Ella has ever written your letter?

[Sam Spade]

One too many, in fact. One? Well, how do you explain these? Darling. My dearest one.

[Announcer/Host]

What?

[Sam Spade]

Sam. My great big beautiful detective. Dated last October. Hey, let me see those things.

[Announcer/Host]

I told you not to move. Yeah.

[Sam Spade]

Yes, so you did. Well, what now? Very well.

[Announcer/Host]

Give me the.

[Sam Spade]

Give me the police department. Yes, it is. Hello, this is Hugo Comstock. I want to make a complaint. Blackmail. Oh, hello. I want to.

[Announcer/Host]

Yes?

[Sam Spade]

Yes, Sergeant, the name is Hugo Comstock and I'm making this complaint on the behalf of the.

[Announcer/Host]

My niece, Miss Ella Conar.

[Sam Spade]

The name of the offender is Samuel Spade. A private detect, huh? Well, of course I'm sure. Yes, I'm holding him at his apartment. Now, the address is.

[Announcer/Host]

Oh, you have it?

[Sam Spade]

Well, I'm not surprised. You better hurry over here right away. He's threatening violence. You really think he can make that stick, Mr. Spade? I'm sure I can. Dirty words and foul imprecations were forming on my trembling lips. But he had letters from his niece to one Sam, a great big, beautiful detective. And I had the jewels. And before the night was over, Sergeant Walsh, you had me booked, bothered and bewildered. What bewildered me was how to raise the $2,500 bail. Sam Spade. Innocent dope. I mean, dup.

[Announcer/Host]

The United States Armed Forces Radio Service.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Is presenting the weekly adventure of Dashiell.

[Announcer/Host]

Hammett's famous private detective, Sam Spade.

[Sam Spade]

Up the times to my breakfast of rude prison fare. They didn't serve any rye crisp, but what they did serve was even less fat. I think I thrust my emaciated arms through the bars of my cell and clawed at the lapels of a passing bondsman and begged him for sucker, he says. I didn't need any because I was it. I hurled him aside and sat down to think about. Then you, Sergeant Walsh, hold through in front of my cell. Okay, Sam, get moving.

[Announcer/Host]

You're free.

[Sam Spade]

Gee, thanks. Who stood my bail? Great kidder, aren't you? Sergeant, am I to understand that the charges have been dropped? Get out of here. All right, I know when I'm not wanted. Mine, not the reason.

[Dr. Watson]

And don't come back.

[Sam Spade]

Your inhospitable words cut me to the quick, sergeant. But I bit my lips, swallowed my pride very low calorie, and strode bravely out into the sunlight a free man. I fought until I bought a newspaper. Right there on page one, it said, heiress reveals secret marriage to private detective. Blackmail charges against Sam Spade dropped All a mistake, says Uncle. Next to the item was a picture of Ella leaning over a hot stove in my kitchen. It was captioned, surprise Bride prepares breakfast for incarcerated Mate. We'll keep things hot for him, says Mrs. Spade.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Sam, darling, your breakfast is ready.

[Sam Spade]

I'm on a diet. Take off that apron and sit down.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

I did it for your sake, Sam, darling.

[Sam Spade]

Would it have been simpler just to have dropped the charges?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

It wasn't difficult. The nicest man forged the license and the certificate for only $10.

[Sam Spade]

I know a guy who would have done it for five and thrown in some fingerprints for free. But that's not the point, darling.

[Announcer/Host]

Don't you see?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

If you'd just gone free without being married to me, Uncle Hugo might have done something worse to you. Like kill you.

[Sam Spade]

Nuts. Who are these ex admirers of yours who are supposed to been knocked off by your uncle? Name three.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Well, there was Ralph Benson. He died of vapor lock.

[Sam Spade]

Of what?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

It happened in the mountains. Something went wrong with his car, but they couldn't prove it because it blew up and burned after it went over the cliff. And then there was poor Freddy Push. They called him the piggy bank suicide.

[Sam Spade]

Why?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

They found $5 worth of pennies in his stomach. And then there was poor Nikki Nado. He was a ballet dancer.

[Sam Spade]

That's enough. Now, about those letters. Why was your friend Mason returning love letters you'd written to some detective named Sam?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Well, that was just coincidence. He always went by his initials, you know, like GBS for George Bernard Shaw. And Sam is for Stuart Andrew Mason. Stuart Andrew is his pen name. He writes detective stories.

[Sam Spade]

And the rest of the coincidence was that that love letter you inadvertently mailed a Sam spay detective, thereby sending your uncle out gunning for Sam instead of Sam.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

What could I do after he read my diary and my confessions to myself about Sam and the references to his brilliant mind on criminal subjects. You were a natural stand in for Sam.

[Sam Spade]

Pronounced as a pure.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

But I wasn't going through with it, Sam. Not after I met you.

[Announcer/Host]

Why not?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Because the moment I saw you, I. I knew that all those things I'd said in that love letter Were really true.

[Sam Spade]

Really? Last night was so beautiful.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

I think I. I think I must have dreamed of you. Oh, Sam, darling. I'm so lost and frightened. You don't know what my life has been.

[Sam Spade]

Oh, I can imagine. Boyfriend's dropping dead right and left.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

You're the only one who can stop it. If Uncle Hugo thinks we're really married and he can't use my money anymore, then he'll stop having accidents happen to people. Won't you please be my husband, Sam? Is that so much to ask after what I did for you?

[Sam Spade]

Yeah, go on. You spring me out of that blackmail frame so I can help you compound a felony.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

But, Sam, what am I gonna do?

[Sam Spade]

Do you forge the marriage. Go forge a divorce.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Where are you going?

[Sam Spade]

Back to jail. I'll see you there. Oh, dear me.

[Dr. Watson]

Hit your foot, did it?

[Sam Spade]

Cast iron?

[Dr. Watson]

Don't make them like that nowadays.

[Sam Spade]

My foot.

[Dr. Watson]

Your foot.

[Sam Spade]

I meant the strong box. Oh. Coming in or going out? I think I'll sit down for a minute.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Oh, Sam, you poor, dear boy. Here, let me take off your shoes so it can swell if it wants.

[Sam Spade]

Get away from me.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

I only wanted to help. I love you.

[Sam Spade]

Well, I don't love you anymore.

[Announcer/Host]

Oh.

[Dr. Watson]

First little spat, is it?

[Sam Spade]

Who is this guy?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Oh, Sam, I'm sorry. This is curtains.

[Sam Spade]

You can say that again.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Curtains.

[Sam Spade]

Harwood L. Curtains.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

L. For Lacey, attorney law. I represent the estate of the late.

[Sam Spade]

Gertrude Comstock, ella's mother.

[Dr. Watson]

You, Mr. Spade, have married in 20.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Shall we say, money?

[Sam Spade]

Look, Curtains. It's time to raise the blinds on a couple of things in the first place.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Please.

[Sam Spade]

As you know, Ella, your grandfather, the.

[Dr. Watson]

Late Commodore Ezra Comstock, left his fortune to be divided equally between his legitimate heirs, that is, your mother and your Uncle Hugo.

[Sam Spade]

Upon your mother's death, the residue of.

[Dr. Watson]

Her part of the estate was left.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

To be administered by your Uncle Hugo.

[Dr. Watson]

As he saw fit until your marriage, at which time it should go to you.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Well, where is it?

[Sam Spade]

Yeah.

[Dr. Watson]

All in good legal time. First, here is this old strong box.

[Sam Spade]

You mean strong box containing family mementos.

[Dr. Watson]

Handed down to you from your grandmother. It was your mother's wish that this be delivered into your hands upon this auspicious occasion.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Here is the key.

[Dr. Watson]

In addition to which I leave with you both my best wishes for your future happiness. Good day, Mr. Spade. I shall forward along to you the statement of my fees for services in this case.

[Sam Spade]

Wait a minute. Who's paying my fee?

[Dr. Watson]

No more questions, please.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Good day.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Well, I guess we might as well open it.

[Sam Spade]

Oh, I'M sleeping.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Oh, no. Let's see what's in here.

[Sam Spade]

All right. It didn't take long to go through Grandma Comstock's mementos, and I got more and more wide awake as we went along. The strong box contained four items. A teapot, a bundle of letters, a photograph album and a family skeleton. The letters were love letters from one Elmo Pinkney. There was a tinfox said think me in the album. He was a dead ringer for Uncle Hugo. Which might have been a coincidence, but wasn't. I started scanning through the love letter.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Find any money yet?

[Sam Spade]

Well, There's a Confederate 10 spot. I'll let you know if I hit any pay dirt.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Well, at least she left me a pot to make tea in.

[Sam Spade]

What?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

But if there wasn't any money, why wouldn't Uncle Hugo let me get married?

[Sam Spade]

Now, look, why don't you go and wash out that pot and make some tea, huh?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Probably leak. Oh, something in it. No money. This grandmother's married to Mother's and Uncle Hugo's birth certificate.

[Sam Spade]

Let's see those. Oh.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Cracked. I might have known. I wonder who that is.

[Sam Spade]

That will be your Uncle Hugo.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Well, that doesn't need to worry us anymore, does it?

[Sam Spade]

Yeah. Put these things back in the teapot and put the teapot on the mantelpiece.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

But it's cracked.

[Sam Spade]

So am I, so do it anyway. Come right in, Uncle Hugo. You too, Cousin Riley.

[Announcer/Host]

You fool. Very funny.

[Sam Spade]

Now, now, don't be silly, Riley. Hello. Except your poor old uncle's blessing on this happy occasion.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

I don't want your blessing, Uncle Hugo. You're a mean old man. And you killed all my fiance.

[Sam Spade]

Well, it appears that Mr. Curtains has already brought you a legacy. I believe I recognize your grandmother.

[Announcer/Host]

Strongbox.

[Sam Spade]

Mementos of a strange, romantic chapter in the history of a great family. Mr. Spade, you who have joined that family so unexpectedly will have a privilege that even I was never granted. Oh, how come? My mother was a strange one Woman in some ways, I'm sure she was. I suppose we shall never know what prompted her to leave these personal oddments to Ella's mother. Nor why my late sister chose to keep their contents a secret from me.

[Announcer/Host]

I don't suppose I might be allowed.

[Sam Spade]

Just a peek into that Pandora's box.

[Announcer/Host]

Go ahead.

[Sam Spade]

Help yourself. Really?

[Announcer/Host]

Well.

[Sam Spade]

There'S nothing but a photograph album and a bundle of letters. Love letters, Uncle Hugo. They seem to run in your family. Would you like to read them? You. You have no objection, Ella?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Me?

[Sam Spade]

Why should she have? And I can give the Whole story to you in a nutshell, Uncle Hugo. It seems that Grandma Comstock fell in love with a handsome rascal named Pinkney, a deserter from the Confederate army, and eloped with him to New Orleans. Her family pursued her there, had Pinkney arrested, got an annulment, and whisked her back home in time for her scheduled wedding to Ezra Comstock. These letters were written to her by Pinckney while he languished in prison awaiting court martial. Here's the last one, ready for the assault. Lydia, my darling, in a few hours I face a firing squad. Please, no tears, no regrets. I'm glad that you are married to a man who is worthy of you. Comstock will be a better father for our child than I would ever have been. Farewell, my love. So that was a secret. Nothing so extraordinary about that.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

I think it's very tragic. Think of her, married to a man she didn't love, about to have a child and her lover facing a fire and squad.

[Announcer/Host]

Nonsense.

[Sam Spade]

Sentimental nonsense.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

What do you know about such things?

[Sam Spade]

I should know a little. After all, I was that child.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

I'm sorry, Uncle Nicole.

[Sam Spade]

Wow. Fine old piece of spoon.

[Announcer/Host]

What?

[Sam Spade]

This teapot. I don't remember seeing this here before. Just something I picked up in a dream junk shop. This is a very rare piece. Do you mind if I look at the mark? Go ahead.

[Announcer/Host]

Indeed. Genuine example.

[Sam Spade]

Piteous crack. Now, that was clumsy of me. Well, there's no good saving the pieces. I'll just toss them in the fire. Wait a minute, Comstock. I'll take care of it.

[Dr. Watson]

Oh, so much.

[Sam Spade]

Well, what's this? It's your birth certificate. Give me that. Oh, no.

[Announcer/Host]

What are you going to do with it?

[Sam Spade]

Put it back where it came from. Ronny. Yeah, Mr. Comstock. Spade, I'm going out of here and.

[Announcer/Host]

I'm taking that strongbox with me.

[Sam Spade]

And don't think I won't kill you to get it.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

He will, Sam, just as he did the other.

[Sam Spade]

And you, too, if you don't shut your trap. Hand it over, Spade.

[Announcer/Host]

Sure.

[Sam Spade]

Come and get it.

[Announcer/Host]

Okay, let's have it.

[Sam Spade]

There you are, Riley.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

What's wrong with you?

[Sam Spade]

Oh, my God.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

But it's broken. Hold.

[Sam Spade]

Sit down and rest it. Hold it, Comstock. I've got the gun now. Well, Spade, seems you've won the day. How does it feel to be a rich man? You'll have to tell me, Comstock. The reports of my marriage to your niece are slightly exaggerated. And that's about it, Sergeant. I'm sorry I can't furnish you with the forged papers Ella used to back up that pony story of her marriage to me. A fire broke out in the wastebasket and I accidentally dropped him into it. As for Comstock and his guns O'Reilly, I will gladly press charges against them on the blackmail frame until Homicide decides whether there's a case against him on the mysterious deaths of Ella's previous fiance. Period. End of report.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

But, Sam, why?

[Sam Spade]

Why? What if.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Did he want that old crack teapot?

[Sam Spade]

Well, because Grandmother's love letters plus the documents on that teapot prove that Hugo was not a Comstock, but a Pinkney, and hence not entitled to one red penny of the Comstock fortune, which was left, if you recall, to Grandpa's legitimate heir.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Who was entitled?

[Sam Spade]

I mean, Ella. But if she never married, she'd never find out, you see.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

But she doesn't deserve it after making a pigeon out of you the way she did.

[Sam Spade]

I agree, sweetheart, but how else could she afford to pay my fee?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Well, I certainly hope you so.

[Sam Spade]

I think fully intend to go type that up while I falsify an expense account.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Well, here it is, Sam. Did you finish yours?

[Announcer/Host]

No.

[Sam Spade]

Still a couple of fingers in there. Break out another glass.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

No, I meant the expense account.

[Sam Spade]

Oh, that. Well, it was nothing much. Just bus fare. Free breakfast in the pokey. No, no, that would be the sign.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Well, I took the liberty, Sam, of drawing up a statement. Will you look it over?

[Sam Spade]

Yeah. New letterhead.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Well, it's only a sample I had, Dummy. Extending your approval. Do you?

[Sam Spade]

Well, yes, yes. Very classy. I like the coat of arms, but I'm not quite sure about the motto.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

But, Sam, you are the greatest private detective of them all.

[Sam Spade]

Well, you know best, Effie.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

And then for an extra $100, we could have it printed in rady ink.

[Sam Spade]

In what?

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Luminous ink. Sam shines in the dark Even as you and I. Oh, Sam, I'm glad you're so a bachelor.

[Sam Spade]

Go home all the same.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Good night.

[Sam Spade]

Good night, sweetheart. The Adventures of Sam Spade, Ashel Hammett's.

[Announcer/Host]

Famous private detective are produced and directed by William Spears. Sam Spade is played by Howard Duff.

[Sam Spade]

Lorene Tuttle is Effie. The Adventures of Sam Spade Private Detective.

[Announcer/Host]

Is a presentation of the United States.

[Sam Spade]

Armed Forces Radio Service, the voice of information and education.

[Commercial/Advertisement Voice]

The makers of Camel cigarettes present Dick Powell as Richard diamond, private detective. Why are Camels by far America's most popular cigarette? Two of the reasons are flavor and mildness. No other cigarette has Camel's rich, full flavor. And no other cigarette offers this proof of mildness in a Coast to coast test of hundreds of people with normal throats noted. Throat specialists reported not one single case of throat irritation due to smoking Camels. Try Camels yourself. Then you'll know why Camel leads all other brands by billions of cigarettes per year. Here transcribed is Richard diamond, private detective, starring Dick Powell. Diamond Detective Agency. We make crime pay for 100 a day.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Hi.

[Commercial/Advertisement Voice]

Plus expenses. Hi, Helen.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

I'd like to hire you.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

No.

[Commercial/Advertisement Voice]

Cut rates for attractive redheads.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

But I'm a working girl.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

I only make $12.40 a week.

[Commercial/Advertisement Voice]

Doing what?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Running an elevator in the Automat.

[Commercial/Advertisement Voice]

My dear girl, there are no elevators in the Automat.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Oh, no wonder they wouldn't give me a raise.

[Commercial/Advertisement Voice]

Oh, that's funny.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

I want to hire you to protect me from a man. He's been bothering me.

[Commercial/Advertisement Voice]

And just who is this man?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

His name's Richard Diamond.

[Commercial/Advertisement Voice]

Well, no wonder he's been bothering you. You've been bothering him.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Will you take my case?

[Commercial/Advertisement Voice]

Just as far as my apartment. We'll open it up and have a party.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

You're ridiculous.

[Commercial/Advertisement Voice]

Only when I try hard.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

I miss you.

[Commercial/Advertisement Voice]

I saw you last night. You're just bored.

[Sam Spade]

Uhhuh.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

And I miss you. I'm lonesome.

[Commercial/Advertisement Voice]

I'm broke. I gotta hang around and pray for a client.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Well, I've got a wonderful suggestion.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Why don't you come? What?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Mr. Diamond?

[Commercial/Advertisement Voice]

Why, yes. Come in, Rick.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Who is it?

[Commercial/Advertisement Voice]

I don't know, but I'm making plans for some extensive research.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

I didn't mean to disturb you.

[Commercial/Advertisement Voice]

I don't know how you could help it.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Rick.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Who is that?

[Commercial/Advertisement Voice]

I'll call you back when I find out.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

That's a girl.

[Commercial/Advertisement Voice]

It certainly is, Rick.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Bye now.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Rick.

[Dr. Watson]

You.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Your girl on the phone.

[Commercial/Advertisement Voice]

Oh, oh, just an old, wealthy aunt. She's leaving me her lumber fortune.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Oh, nice.

[Commercial/Advertisement Voice]

Yes. Sit down, sit down, Ms. Simpson. Mrs. Oh, now.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

So you have an aunt in lumber?

[Commercial/Advertisement Voice]

Oh, yes, yes. Broke one day, made a million the next. Discovered trees on her property.

[Sam Spade]

Trees on her property?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Well, what are you gonna do? I came in to hire you, Mr.

[Commercial/Advertisement Voice]

Diamond, you have a kind heart and plenty of money.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

I hope my husband need petition protection.

[Sam Spade]

Yeah.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

I beg your pardon?

[Commercial/Advertisement Voice]

Nothing, nothing. Just snapping at judgments. Occupational hazard.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

My husband is John Simpson. Perhaps you've heard of him.

[Commercial/Advertisement Voice]

The John Simpson?

[Dr. Watson]

Yes.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

No, he's retired. He discovered oil on his property.

[Commercial/Advertisement Voice]

Oh, that one. Oh, sure. He was responsible for my bearings burning out at 700,000 miles.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

He was walking in the garden the.

[Commercial/Advertisement Voice]

Other day, going to dwell in a daisy bed.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Someone shot at him. Oh, he's all right, they didn't hit him. But I've been terribly worried ever since.

[Commercial/Advertisement Voice]

Not to mention how your husband feels.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

He wouldn't call the police and wouldn't give me a reason.

[Commercial/Advertisement Voice]

But he wants me to protect him.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

He doesn't even know I've come to see you.

[Commercial/Advertisement Voice]

What's he going to say?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

I'm hiring you, and I hope he'll understand.

[Commercial/Advertisement Voice]

Well, I hope so, too. I charge a hundred a day at expenses.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

I have my own bank account.

[Commercial/Advertisement Voice]

Diamond detector. Well, Aunt Hannah.

[Announcer/Host]

What?

[Commercial/Advertisement Voice]

Oh, that's nice. Aunt Hannah. I think spruce is just a thing.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Aunt Hannah.

[Dr. Watson]

Spruce.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Richard Diamond.

[Commercial/Advertisement Voice]

Of course, Aunt Hannah. I'll talk to you later.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

I knew it.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

She's a blonde.

[Commercial/Advertisement Voice]

She sure is. Aunt Hannah. Aunt Hannah.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

The one with the trees thinking about.

[Commercial/Advertisement Voice]

Buying a Carlo to spruce.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

How nice.

[Commercial/Advertisement Voice]

Am I hired?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Of course.

[Commercial/Advertisement Voice]

Then let's get out of here. Aunt Hannah might be over with a bat.

[Narrator/Philip Marlowe]

Spruce, of course.

[Commercial/Advertisement Voice]

Well, that's how it started. A lovely blonde named Simpson with a wealthy husband. The husband had ducked a bullet in his garden. And now the lovely blonde wanted protection for him. A few casual jokes, the fat retainer, and Richard diamond was once more in the ranks of the employed. We left the office and climbed in her station wagon. And 40 minutes later, we were pulling up in front of the Simpson house on Long Island. Ah, quite a place.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

It's beautiful, isn't it?

[Commercial/Advertisement Voice]

Yeah, if you like money.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

John's probably in the study. May I take your hat?

[Commercial/Advertisement Voice]

I'll just keep it with me. Your husband might not want a bodyguard. Well, you're back in a hurry.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Oh, hello, Ralph. This is Mr. Diamond.

[Commercial/Advertisement Voice]

Glad to meet you, Mr. Diamond.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Hello, Mrs. Ralph Simpson. Mr. Diamond, my stepson.

[Commercial/Advertisement Voice]

People are more inclined to think we're brother and sister. Well, I can understand.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Ralph was the one who suggested you.

[Commercial/Advertisement Voice]

Oh, why me? From reputation, looks like everyone knows about me but the man I'm supposed to protect. And he won't like it much at first. I've already been briefed. But whether he understands or not, it's most necessary he has protection. Well, let's get it over with.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Hello, dear.

[Commercial/Advertisement Voice]

What is this, a convention? Hello, Jane.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Hello, Professor.

[Commercial/Advertisement Voice]

Who is this man? This person with the hat?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

This is Mr. Diamond. John. Mr. Diamond. This is my husband, Mr. Simpson.

[Commercial/Advertisement Voice]

Yeah. Charmed.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

And this is Professor Fisher.

[Commercial/Advertisement Voice]

How do you do, Mr. Diamond? Hello, Professor. What do you do, young man? Do?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Mr. Diamond is a private detective. Detective, dear.

[Announcer/Host]

What?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Now, dear? It was my idea.

[Commercial/Advertisement Voice]

A private detective. Now, just relax. Oh, go away, you quack. I've been Relaxing enough. I can't think straight anymore. You've been making me relax so much, if you're not careful. Jane, I told you I didn't want anyone.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

But after being shot at.

[Commercial/Advertisement Voice]

She pay you a retainer, Diamond? Yeah. Did she explain my feeling on this subject? Well, yeah. And you still took the money? I've been poor. I told every one of you I can take care of myself. You know, I think he's right. Here's your retainer.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

But Mr. Diamond, please.

[Dr. Watson]

Where do you think you're going?

[Commercial/Advertisement Voice]

Not to find the guy who took a shot at you and give him some target practice. You've been paid a retainer to do a job. Now let's see you do it.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Ah, John.

[Commercial/Advertisement Voice]

I had a feeling you were going to do something like this. Bring in a private detective or a policeman or something. Well, if he's supposed to give me protection, that's what he'll do. Now, all of you, get out of here. I want to talk to this Mr. Diamond.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Thank you, John.

[Commercial/Advertisement Voice]

I'll see you at dinner, dear. Now you take care of yourself, you old scoundrel.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Oh, beat it.

[Commercial/Advertisement Voice]

Goodbye, Mr. Diamond. Nice meeting you, Professor. Well, Mr. Diamond, I have a feeling you might regret this job. It's possible. I really wanted you. I was just keeping up a front for the benefit of the family. Is Professor Fisher one of the family? An old friend. Professor Fisher's a psychologist. After my stroke, he came to help me. He teaches me how to relax. You had a stroke? Three months ago. The professor has been a great help. You have a physician also? I don't need one now. As long as you're here to protect me, I might as well tell you what it's all about. Answer me one question first.

[Narrator/Philip Marlowe]

I'll try.

[Commercial/Advertisement Voice]

Why not call in the police?

[Narrator/Philip Marlowe]

I have you do.

[Commercial/Advertisement Voice]

I need the police?

[Narrator/Philip Marlowe]

Police.

[Commercial/Advertisement Voice]

Now, when someone takes a shot at someone, I think the police should be the first to know about it. Now, if you are quite done, Mr. Diamond, I'll continue. I'm well done this morning. If my wife had brought you in, I would have had you thrown out. I didn't want any outsiders mixed up in this. What saves your mind? A letter.

[Narrator/Philip Marlowe]

Yeah. Type.

[Commercial/Advertisement Voice]

Oh, read it. All right, I will. I missed you in the garden. I won't miss again. You'll pay for Ashanti. Ashanti? It's in Africa. Twenty years ago, I was in the mining business. I had a partner, Frank, Victor. We didn't get along and there was an argument one day in the mine. It was quite a scrap and There was a cave in. I got out. Frank didn't. There was an investigation and I was cleared. Why tell me? The shooting in the garden could have been any crackpot. I didn't want any publicity, so I didn't want any outsiders. Then this letter. I have to confide in someone so they'll know who to look for. Who else knew about it? No one that it should make any difference to. Victor was a bachelor without a family. Could be blackmail, someone who was there or at the investigation. Then why shoot at me? To give you a good scare. You'll probably get another letter demanding money. This person must be cop. In my position, I can't afford the scandal. You say I'm the first one you've told outside of your family. I haven't told my family a thing. Even my first wife didn't know about it. You've heard nothing of the incident for 20 years? Nothing. Well, I'll see what I can find out. I promised John Simpson my confidence. He offered me a large bonus if I should discover who had sent him the threatening letter. Then I borrowed one of his cars and drove back to the city, where I looked up an old friend. Lieutenant Lenson, Fifth Precinct police station. Well, the smiling gumshoe. Well, hello, happiness and light. Want to do me a favor? Depends. You can strain your arches. I'd like some confidential information on a few people. What is in it for me? I promise not to tell anyone what a mercenary policeman you are. I'd like dinner. Maybe a big steak. You'll get dinner. Maybe Chain.

[Sam Spade]

You got a deal with that restaurant?

[Commercial/Advertisement Voice]

Certainly. They saved me all the leftover fortunes stuck in the cookies. Who we interested in?

[Announcer/Host]

I want to know about a young.

[Commercial/Advertisement Voice]

Guy named Ralph Simpson, an attractive blonde named Mrs. Simpson and a man named Professor Fisher. Simpson, Simpson and Fisher. The boy named Ralph is the son of John Simpson. No. Yeah, the John Simpson. Know who he is?

[Narrator/Philip Marlowe]

No.

[Commercial/Advertisement Voice]

Well, unlike my Aunt Hannah, who discovered trees in her property, your Aunt Hannah Simpson discovered oil. Oh, that one. His wife is the blonde. Which blonde? The one I want you to check on Mrs. Simpson. Oh, how silly of me. I should have known. Don't forget the professor. I thought you said his name was Fisher. I did. How does he fit in with Simpson? A friend of the family. Now you got everything? Sure, sure. Blonde named Mrs. Simpson, a son named Ralph. He's not her son. Well, you just said he was John's son. Who's the blonde? John's other wife. John's other wife? That's right. Oh, he's her stepson oh. Well, why the devil you want me to check on these people? I was thinking about having a bridge party.

[Sam Spade]

Give me the rundown on him.

[Commercial/Advertisement Voice]

Sure, Walt. Put your shoes on.

[Sam Spade]

Oh.

[Commercial/Advertisement Voice]

I gave Walt the rundown he wanted and headed for the newspaper where I knew I could wallow through the morgue file and not be disturbed. I went back 20 years and after wallowing for three or four hours, found a small article dated Ashanti Africa, 1930. It didn't say much more than what John Simpson had already told me. It mentioned the mine cave in and the pending investigation on the death of Frank Victor. In an addition dated three weeks later, I found the account of the investigation and it verified Simpson's story. I left the newspaper, went back to my office to check on a few things. Then as I was about to leave and close up until I'd finished the case, I got a phone call. Yeah, Diamond. Yeah, this is John Simpson. I took a chance you might be in your office. Oh, I was just coming back out there. This is John Simpson. Simpson, I took a chance you might be in your office. Yeah, yeah, yeah, you said that. I'd like you to pick up something for me. Oh, sure. It's a package.

[Announcer/Host]

It's at a bar on 57th Street. The Blue Pheasant.

[Commercial/Advertisement Voice]

The Blue Pheasant on 57th Street.

[Announcer/Host]

Mr. Diamond, this is John Simpson.

[Commercial/Advertisement Voice]

Yes, yes, I. I know, I know. Anything else? Hello, Mr. Simpson? Bring it out to me right away. It's very important. I'll pick it up and bring it right out. Something wrong, Mr. Simpson?

[Announcer/Host]

Hello?

[Commercial/Advertisement Voice]

Oh, funny. Before we continue with Richard diamond, here is an important question. What cigarette do you smoke, doctor? That question was asked a few years ago. Of 113,597 doctors, the brand name Most was Camel. Recently that question was again asked of tens of thousands of doctors across the country, doctors in all branches of medicine. And again, the brand named most was Camel. Yes, according to these nationwide surveys, more doctors smoked Camels than any other cigarette. Friends smoke the cigarette so many doctors enjoy. Change to camels for 30 days and see how mild, how flavorful, how enjoyable a cigarette can be. Yes, change to camels for 30 days and you'll stay with Camels from then on.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

30 day test and you see smoke Camels.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

And.

[Commercial/Advertisement Voice]

Now back to Richard Diamond, Private detective starring Nick Powell. I left the office and went down to 57th street in the Blue Pheasant where I told the bartender who I was and he handed me the package Simpson had wanted me to pick up for him. I drove back out to the house on Long Island. The maid let me in, and Mrs. Simpson met me at the study door.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Hello.

[Commercial/Advertisement Voice]

Well, hi. Where's your husband?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Well, I think he's still in the study. He was a little while ago.

[Commercial/Advertisement Voice]

You going out?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Some shopping. You're staying for dinner?

[Commercial/Advertisement Voice]

Where's your stepson?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Ralph went out just after you left. Did you want him for something?

[Commercial/Advertisement Voice]

No, no, no. Just wondered.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Been shopping?

[Commercial/Advertisement Voice]

Oh, this is a package for your husband. Wanted me to pick it up. Dinner's at seven, Mrs. Simpson?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Yes.

[Commercial/Advertisement Voice]

Professor Fisher.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

What about him?

[Commercial/Advertisement Voice]

How long have you known him?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Since I've been married to John.

[Commercial/Advertisement Voice]

Your husband said he was helping him to relax.

[Narrator/Philip Marlowe]

Yes.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Is there something wrong?

[Commercial/Advertisement Voice]

I don't know. I talked to your husband earlier when he asked me to pick up this package. He sounded rather strange. Kept repeating himself since he had a stroke.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

He does that sometimes.

[Commercial/Advertisement Voice]

Well, shouldn't he have a nurse?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

He should, but he won't if something should happen. Professor Fisher's number is in the book on John's desk. I'll call the maid.

[Commercial/Advertisement Voice]

I'll see you dinner.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Bye.

[Commercial/Advertisement Voice]

Well, hello, Mr. Simpson. I've got the package. Give me the package, Mr. Simpson. Give me the package. Are you feeling all right? Give me the package. Well, okay. Here. Oh, I did some checking on your story about a chef, and I. Give me the package. You've got it, Mr. Simpson. Hey, what's wrong? Mr. Simpson, did you hear me? I better get the maid. Maid. Maid.

[Narrator/Philip Marlowe]

Mr. Diamond? Yeah?

[Sam Spade]

Ralph?

[Announcer/Host]

Yeah? What's wrong?

[Commercial/Advertisement Voice]

I don't know. Your father's acting. It felt like the whole building was coming down around my ears. Ralph and I were thrown back against the wall and by the time we got up, the study was a smoking black hole.

[Sam Spade]

Dad.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Dad.

[Commercial/Advertisement Voice]

I stumbled in after Ralph, but there wasn't much to stumble in after John Simpson had been blown to kingdom come. You're sure it was Simpson on the phone? Sure, I'm sure it was Simpson on the phone. Walt.

[Sam Spade]

He asked you to pick up the package?

[Commercial/Advertisement Voice]

That's right. He wanted it. When I brought it into him, he wouldn't say anything else. He just demanded that package. He'd been pretty sick, hadn't he? Yeah, but a man doesn't go to that much trouble to commit suicide.

[Announcer/Host]

No.

[Commercial/Advertisement Voice]

Well, maybe somebody planted the bomb. Look, let's check with that bartender at the Blue Pheasants. Yeah, I want to talk with the rest of the family first. By the way, what did you find out about them? No police records. Can't find out much about the professor. He has no practice, no license in the state. See if he can find out something. Interested? Yeah, it's funny when a man has a heart condition and won't have a doctor. I'll drag the professor in if you like.

[Dr. Watson]

No, no, no.

[Commercial/Advertisement Voice]

You go talk to the family. I'll go and check for the bartender. Wait a minute, Sherlock. You better. Better tell me how you got into this mess. Okay, Fatty. Guess it won't hurt now. I told Walt everything the late Mr. Simpson had told me, then headed back to town in the blue pheasant on 57th Street. By the time I got there, the place was pretty well filled. But the bartender who had given me the package that afternoon wasn't in sight. Yeah, Willoughby. Where's the bartender who was working this afternoon? How do I know? He just works in the afternoon. Where does he live? Why? Well, I'm collecting addresses of bartenders. Now, where does he live? You collect addresses? I collect wise guys. Beat it. You mean I got to show my little old badge? Your little old badge? Why can you say so complex? He lives at 500 West 157th Street. What's his name?

[Announcer/Host]

Earl.

[Commercial/Advertisement Voice]

Earl Collins. No relation to Tom? Yeah, no relation to Tom. What are you gonna do? I piled out of the bar and back in the car. Drove across town to 157th street and 500 West. It was a big apartment house in Earl Collins. It was registered in 405. I climbed the stairs and knocked. Gave him a few minutes while I knocked my knuckles loose, then went and dug up the landlady to have her open the door. She was a charmer, about four years older than Grant's Tomb, with a gin disposition that would make a lost weekend seem like a Miami vacation. The type that should never have been dug up.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Look, honey, I got cleaning to do.

[Commercial/Advertisement Voice]

Sweetheart.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Sweetheart.

[Commercial/Advertisement Voice]

Oh, an expression of fond endearment.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Look, buster, don't give me no words longer than one syllable cop, will you?

[Commercial/Advertisement Voice]

Yes, Mother.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Mother. Sweetheart. Some cop.

[Commercial/Advertisement Voice]

We'll discuss my qualifications as soon as you open that door. Okay, sweetheart.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

There you are. Holy.

[Commercial/Advertisement Voice]

You said it.

[Dr. Watson]

Is he dead?

[Commercial/Advertisement Voice]

As dead as he can get. Still warm.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

I'm not interested. I need a drink.

[Commercial/Advertisement Voice]

Did you see him come in?

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

No.

[Commercial/Advertisement Voice]

Did you see anybody else come in?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

I've been in my apartment all afternoon. I'm going back there, Killer.

[Commercial/Advertisement Voice]

Use something awfully sharp. Neat job.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

Neat.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

What are you looking at?

[Commercial/Advertisement Voice]

What's that other room?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Hi.

[Sam Spade]

What's wrong?

[Commercial/Advertisement Voice]

Keep it quiet. What's that room?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Oh, good gosh.

[Commercial/Advertisement Voice]

Bedroom. Any other rooms? Hi, answer me. Bathroom. Fire escape. Where is it?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

End of the hall.

[Commercial/Advertisement Voice]

Look, there's some blood leading to that bedroom. Now take it easy. Go downstairs and call Lieutenant Walter Levinson. Oh, Lieutenant Levin.

[Announcer/Host]

Walterson.

[Commercial/Advertisement Voice]

Walter Levinson at the Fifth Precinct. How are you? There were several drops of blood leading to the bedroom door. There was a good chance that the killer had been surprised and couldn't get out. I went to the door and tried it as quietly as I could. It gave and I kicked it open. The shades were down. The room was dark enough to make it difficult to spot anyone. I moved in with my gun in front of me. He was standing right by the door. And he had a knife. Drop it.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

No.

[Commercial/Advertisement Voice]

You should have listened. Didn't want to. Sorry, Professor. Don't be. It's better this way.

[Narrator/Philip Marlowe]

Look.

[Commercial/Advertisement Voice]

Look, you're in bad shape. You better tell me about it. You fired the shot in the garden and sent the letter.

[Announcer/Host]

Yeah.

[Commercial/Advertisement Voice]

Help me sit up. Okay. Lean against the wall. There you go. I still can't figure why Simpson had me pick up that bomb. I made him. You did? I've been treating him for nerves. I started giving him a hypnotic when he had his first spells. During one of those times, he reenacted the Ashanti affair. So you decided to blackmail him first. Then when you took the case, we decided to eliminate him. We? Mrs. Simpson and I have been. Hadn't got much time. Internal bleeding. Police will be here pretty quick. Decided to kill the old man and Jane would get his state. I thought you'd be blown up with him. Mr. Simpson was under some sort of influence. When I walked into the study. My profession. After you left, I returned and talked him into a deep sleep. I had him call you at your office. He nearly messed it up. Hypnosis. Nothing unusual. Simple suggestions. And when I walked into the study, he'd been ordered to ask for the package and open it. You mean he was asleep when I walked in? Yes. See, it's too late. You'll have to guess the rest of the bleeding in. Yeah, well, you better lie down again, Professor. You'll have to get used to it.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

But why did he kill the bartender?

[Commercial/Advertisement Voice]

A wall check in the paper. Professor had been coming into the bar for some time. In the afternoons. He made friends with Earl. The bartender left the package with him when he found out I hadn't been killed in the blast. He killed Earl to keep him from identifying him.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Charming.

[Commercial/Advertisement Voice]

Yep. Like an asylum in an earthquake.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Well, I told you to stick to redheads.

[Narrator/Philip Marlowe]

Oh, really?

[Commercial/Advertisement Voice]

Well, you know any available ones. One how available?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

You'll have to do some extensive research. Okay, after dinner.

[Commercial/Advertisement Voice]

I do not do any research on a schedule.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Don't you want any dinner?

[Commercial/Advertisement Voice]

Well, sure.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Well, I get cold.

[Commercial/Advertisement Voice]

Let it. Rick. Why?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

I'm hungry.

[Commercial/Advertisement Voice]

Oh, for Pete's sake.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

You sing something while I go put the food on a train. We can eat in here by the fire.

[Commercial/Advertisement Voice]

You're gonna get fat and sassy. Rick, I take it back. You're already sassy.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

You sing something. I'll be right back.

[Commercial/Advertisement Voice]

I'll be right back.

[Announcer/Host]

I'll be right back.

[Commercial/Advertisement Voice]

Gonna sing for everything. Oh, deedle doo doo doo doo doo doo doo.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

That's nice.

[Commercial/Advertisement Voice]

Just get the food, huh?

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Just saying huh.

[Commercial/Advertisement Voice]

I think of you with every breath I take. And every breath becomes a sigh. Not a sigh of despair, but a sigh that I care for you. I hear your name with every breath I take on every breeze that wanders by. And your name is a song I remember the longest moon. Even though I walk alone, you guide me in the darkness you light my.

[Supporting Male Character (e.g., Lieutenant Ibarra, Pierre Gillum)]

Way.

[Commercial/Advertisement Voice]

And all the while inside me love seems to say. Sunday, Sunday. And when I sleep, you keep my heart awake. But when I wake from dreams divine. Every breath that I take is a prayer that I'll make human.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Rick, is there really anything to this hypnosis?

[Commercial/Advertisement Voice]

Well, there sure is. The old professor made Simpson open that package.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Is it hard to do?

[Commercial/Advertisement Voice]

Ah, look, I'll show you. Just sit right there.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Rick, I, I.

[Commercial/Advertisement Voice]

It's all right. Just look me right in the eye.

[Female Character (e.g., Lady Vennering, Ella, Norma Delaney)]

All right.

[Commercial/Advertisement Voice]

You're going to sleep. You're going to sleep. You just want to go to sleep. Nothing makes any difference. Just sleep, sleep, sleep, wish. Deep, deep sleep. A deep shul.

[Supporting Female Character (e.g., Madame Jeanette, Pinky)]

Oh, for peace sake.

[Commercial/Advertisement Voice]

Dick Powell will return in just a minute to find out how well Camels agree with the throats of smokers. This far reaching test was made. Hundreds of people from coast to coast, people with normal throats smoked only camels for 30 days each week. Leading throat specialists examined the throats of these smokers. They made two thousand 470 examinations and reported not one single case of throat irritation due to smoking. Camels. Try camels for 30 days and see how mild, how flavorful, how enjoyable a cigarette can be.

[Narrator/Philip Marlowe]

Smoke, Camels and food.

[Commercial/Advertisement Voice]

Here's Dick Powell with a special message. Thank you, ladies and gentlemen. The makers of Camels have sent more than 198 million gift camels to our armed forces this week. Gift Camels go to hospitalized servicemen and veterans at veterans hospitals Framingham, Massachusetts and Durban, Michigan. U.S. naval Hospital, San Diego, California and to all hospitals operated for the U.S. air Forces in the Far East. Now, until next week, enjoy Camels. I always do. Tonight's transcribed Adventure of Richard diamond was written and directed by Blake Edwards with music by Frank Worth. Virginia Gregg played the part of Helen Asher, and Alan Reed was Lieutenant Levinson. Others in the cast were Gene Bates, Herbert Butterfield and Tony Michaels. Be sure to listen to another great camel show, Vaughn Monroe and the Camel Caravan every Saturday night.

[Podcast Host/Commentator]

We just heard Sherlock Holmes, Philip Marlo, Sam Spade and Richard Diamond. That will do it for this week's show. Thanks so much for joining me. I'll be back next week with more Old Time Radio Detectives. In the meantime, you guys can check out Stars on Suspense, my other Old Time Radio podcast. New episodes of that show are out on Thursdays. If you like what you're hearing, don't be a stranger. You can rate and review the show on Apple Podcasts or wherever you listen. And if you'd like to lend support to the show, you can visit buymeacoffee.com meanstsotr I'll be back next week with more Old Time Radio sleuths. But until then, good night and happy listening.

[Announcer/Host]

Now here is our star, Vincent Price. Ladies and gentlemen. In a prejudice filled America, no one would be secure in his job, his business, his church or his home. Yet racial and religious antagonisms are exploited by daily by quacks and adventurers whose followers make up the irresponsible lunatic fringe of American life. Refuse to listen to or spread rumors against any race or religion. Help to stamp out prejudice in our country. Let's judge our neighbors by the character of their lives alone and not on the basis of their religion or origin.