Loading summary
A
Summer's supposed to be the easy season, so why are so many people quietly googling a therapist between summer Fridays? Because more daylight doesn't fix the hard stuff. Sometimes it just turns the volume up. Grow Does Therapy Differently Therapy is not only for when you're in crisis. Grow therapy is here for all the moments when you decide you want more. More support, more clarity, more tools. Mental health isn't a destination you reach, it's something you build, and Grow makes that easier. Grow connects you with thousands of high quality licensed therapists across the US Offering both virtual and in person sessions, nights and weekends. You can search by what matters like insurance, specialty, identity or availability and get started in as little as two days. There are no subscriptions, no long term commitments. You just pay per session. Grow helps you find therapy on your time. The therapist you want takes your insurance on. Grow grow accepts over 125 insurance plans. Sessions average $21 with insurance and some pay as little as $0 depending on their plan. Visit growtherapy.com booknowtoday to get started. That's growththerapy.com booknow growththerapy.com booknow availability and coverage vary by state and insurance plan.
B
Escape pod episode 1055 flashback Friday impossibility Crow by Remi Nakamura. Hello and welcome to Escape Pod, your weekly science fiction podcast. I'm Valerie Valdez, your host for this episode. Our story this week is Impossibility Crowd by Remy Nakamura. This is a flashback of an Escape Pod Original published in January 2017. Remy Nakamura is a biracial, bicultural and bilingual writer of weird, dark and Lovecraftian fiction. He's a graduate of Clarion West. You can find his work in Escape Pod, Pseudopod, and a variety of anthologies including Swords v Cthulhu and Broken Eye Books as well. Ride the Starwind he lives and hikes and bikes as much as possible in Portland, Oregon. Our narrator, Roberto Suarez, lives in Portland, Oregon. By day he works as a community college student advocate and recruiter. By night he geeks out on all things fantasy and science fiction, comic books and board games. He produces and co hosts a pod of Casts, the Game of Thrones Podcast podcast, and is a proud monthly supporter of all Escape artist productions. Roberto is a father of four younglings being raised in the ways of the Force, and is married to Barbara, his son, and stars. Now get ready for a missionary to brew up an impossible choice because it's story time.
C
Impossibility Crow by Remy Nakamura the Kingdom Coffee Missionary Handbook tells Paolo that he should always put his guns away during a door approach. He's heard this hundreds of times before, but the handbook speaks with a voice of authority. Deep like a luchador's, strong like a drill sergeant's calm like his abuelitos. It slides in just under his Argog's selectively amplified environmental audio. Four hundred and fifty bonus points if the contact is completed without violence, calculates the handbook. 900 if there are no deaths. Each death harms the public image of the kingdom, the handbook tells him. Paolo nods agreement. Way better to spread the faith on the no kill difficulty setting. Still, Paolo is not stupid, so he pauses to load Rambo his ancient and lovingly modded M M4A1 carbine before slinging it across his back. Looking badass is his favorite violence prevention technique. The handbook says nothing about tear gas, and he decides not to mention the CS smoke grenade in his left pocket. His last couple of leads had ended with 10 standoffs. Goddess Jocreo, he prays silently. Help my unbelief. He fingers his mala of robusto beans, sniffing hard to catch its fading aroma. Paolo sweats his way towards the gutted husk of a Newport beach mansion. The ruin looks abandoned, but the goddess has nudged him this way. This hill overlooks the ocean, a bay, the Upper Nieuport, according to Argog's text overlay, and a blackened canyon. Wildfire corridor. A crow scolds him from a scrub oak and flaps away, making him jump and swear. Sorry, he thinks. Paolo is an emissary of the kingdom. The handbook tells him he must be courteous at all times. Tattoos should be covered, piercings removed beyond one in each earlobe. Swearing is sinful and may result in reprimands and loss of points. Uneven levels. He approaches the roofless house, up a path paved of uprooted concrete, scanning for danger. A crow scolds him for a charred post and flaps away. Shit, he says to no one, and then apologizes. But the repeated crow is unusual. Real life coincidence? A glitch in his goggle os or goddess? A virus. Shit, he says again, tense now. Was that a shotgun being cocked? His headset chimes. It paints a glowing red circle over a broken door. Zooming in reveals a double barrel muzzle. Awesome, he thinks. He won't spook the residents. 900 points, he thinks. 900 points closer to forgiveness, like a mantra. Buenos dias. He shouts. Trigon mensaje de pas. Amor y cafe. A bearded man steps into the doorway, gun aimed at Paolo. An Anglo, if not the children or grandchildren of the original homeowners. Someone in hiding. Cuidado, Paulo, he thinks. The handbook is quiet now, but in his mind he can hear it remind him that salvation does not discriminate against race or ethnicity or physical ability or nationality or sexual orientation or expression. Hello, paolo says, switching to English. I bring a message of coffee and salvation. He holds his arms up high, palms forward, his infectious smile on the long green apron of the Kingdom. Coffee, missionary relaxes most people, but the Anglo glares at him. Fuck off. The white man growls. No chingas. Paolo is about to reply when his display goes crazy with text and images. A muckshot of the Anglo, younger and minus the wild beard, appears Rasputin Andropov, his argok flares apostate and sworn enemy of the Kingdom. Identity confirmed. Facial recognition 86% certainty voice 99%. Shit. Shit, motherfucker, shit, thinks Paolo. He's never seen anything like this. Inside he is freaking out, but on the outside he remains calm and smiling and backs slowly away. The curvy avatar of the goddess flows onto his display, floating above the wanted man, a visitation. Slay him, she urges, pointing, highlighting Rasputin in a cancerous green glow. The blood of several of your brothers is on his hands. Paulo hesitates, torn. He still has 251,772 points before earning the blood forgiveness achievement. But does it have to be this way? Slay this enemy of the Kingdom, she says. She hovers in front of the shotgun, facing Paolo, arms welcoming, hair flowing over her naked breasts. She looks so vulnerable, so exposed. Paolo, she whispers. She's at his side, breathing into his ear. He's worth 25,000 points. The Anglo gets twitchy, and Paolo's cartel training and merc experience take over all at once. He is like a superhero, diving through the air, reaching for Rambo and activating the CS grenade. He hears the discharge of the shotgun, but he's already a couple of meters away, rolling on the ground. Then he's backing away, firing focused bursts into the smoke. He's lucky, and the tear gas wafts towards the building. His argoc confirms the identity of his kill via a DNA sample analysis attachment near Rambo's tip. While Paolo throws up in a corner, his point tally spins and flashes like a casino jackpot. It chimes twice, once for each level. He's gained blood money for salvation. Crows gather outside. Do they smell the puke? In death, a foolhardy old corvat hops towards Rasputin's body. It cocks its head and stares up at Paolo through its only good eye. It pecks at the corpse's bloodless face. Paolo tries to shoo it away with Rambo's muzzle. The grizzled bird looks up again.
D
Murder.
C
The crow crows impossibly. Paolo blinks. He wants to shoot the bird, but instead takes off his headset. The old crow is gone. The others gather out of reach. There is a Kingdom Church in the walled off enclave of Little Saigon in a shipping container strip mall sandwiched between a Pho restaurant 3.8 star review and a second gen owned Digitat parlor, which the handbook reminds him is a place of ill repute and a potential breeding ground for super bacteria. He missed the regular Sunday morning service, but Paolo's new level of Kingdom Knight Evangelist 4th Class qualifies him as for a once per month request for personal administration of the sacrament, a little spiritual boost will help with his confession, the handbook continues. Paolo's new perks include one extra day of self release each month and increased access to the Church approved vid archive. His face burns as he remembers the last vid he picked involving two baristases minus their sacred aprons. The handbook also details the benefits of preemptive forgiveness. Collateral damage Perk. Paolo frowns and blinks down the volume. Two crows glare accusingly at him from their perch on the compound's protective carbon nanowire feet, impossibly uncut. The intermodal steel door opens and a tall woman with a peacock shock of dreadlocks smiles at him. Hey, noob, she says. Heard you double leveled. Congrats. Text hovers in his identity. Withheld. Kingdom Knight Crusader first Class. Even without the heads up, he can tell what she is by what she's packing. Her eyes are hidden by mini AR shades, the latest from elite, Guangzhou or Swiss manufacturers. The forearms of her polygonal nano armor probably have those new needle guns with variable venom. She has scars everywhere. It's hard to tell which came from battle and which came from the Scar Parlor. He is sure those spray patterns staining her apron are not coffee. Welp, it's mission time, anonymous Peacock woman says as she gives him a fist bump. She accepts his gawky reverence. He closes his mouth as she passes, but can't resist a glimpse back. She has at least 40 levels on him. She is near the pinnacle of the Kingdom's Crusader Class Assassin class to the heathen.
D
Blood and coffee.
C
The voice comes from one of the crows on the wire.
D
Blood and coffee.
C
The caws again, then waits. Paolo hurries inside the steel walled sanctuary. The handbook tells him that it is best to pause a moment before to meditate upon the goodness of the Goddess. But Paolo disables the handbook mod by tugging it loose. The rich aroma of coffee washes over him, fills his nose and mouth and lungs and soul. He is home and all worries of crows and killing evaporate. The Goddess logo hangs on banners all around the rectangular chamber. Several rows of recycled PVC chairs face the counter, and behind that is the Holy of Holies, Lights blinking, chrome bright, nozzles polished. Sister Trong, Honored Green Apron Barristess Second Class, emerges from the curtain in the back. There are a few more streaks of gray in her hair since he last visited, but her black uniform and apron fit as closely as ever. Brother Ramirez, she says, smiling under her modest argox set. Congratulations on your double level. Goddess is pleased he remembers her espresso eyes. Under her goggles. He shuffles uncomfortably. Baristas, he says, quickly starting the litany. A double shot, please. Black. Sister Trong nods. He tries not to check her out. As she bends down to get the beans, he decides not to confess all his thoughts. The baristess whispers words of benediction, then begins to crank the grinder. Paolo closes his eyes for a moment, taking in the circular rhythm and the aroma that fills the tiny sanctuary. She scoops and tamps the fresh grounds into the portafilter, which she inserts with firmness into the Holy of Holies. For several seconds, pressure builds before the precious sacramental brew emerges with a sigh, chocolate, rich and creamy into a tiny porcelain vessel. She places the white espresso cup and its chipped saucer on the counter. She says the final benediction, which Paolo repeats in the name of the bean, of the brew, and of the buzz. Amen. Paolo takes the cup and sips. He frowns at the bitterness. He feels no new peace. Afterwards, they sit across a cafe table for confession. Paolo, what's troubling you? Her eyes are hidden, but her voice holds genuine concern. Baristas. I have sinned, he says. I think. Tell me, Brother. I killed a man. He smells blood. Vomit. Is that all? Surprise in her voice. She suppresses a smile. Brother, you were defending the Church. Defending us, she says. I know. Self defense, he says before he can stop himself. But what I did, it makes me feel like a hitman. I'm listening. Baristas. I never told no one but the Goddess and the handbook. But I'm a quarter million points from blood. Forgiveness. Paolo holds his breath, but no surprise registers on her face. She pauses for a moment, searching, then smiles behind her goggles. Oh, Paolo, she says, inappropriately grabbing his hand. You are on the Fast track to atonement. Killing a designated enemy of the kingdom wins you double points towards blood. Forgiveness. Paolo sighs. I just want to be a missionary, you know I'm a good one. I love the Goddess. She pulled me out of a crap hole. I know I'd been an abuelo myself before I earned the points, but I love her children. I don't want to kill any of them. You can still level as an evangelist, she says. But Paolo knows better. He will have to spend more of his points on weapons software and equipment? No, on dual classes these days. Can I? Of course. Tell you what. There's a barrio just south of the enclave that could use a well armed and devoted missionary like you. She stands. Paolo gathers Rambo. Brother Ramirez, have you seen any crows lately? He swallows and looks to see a line of crows marching past, shaking their heads no in unison. He shakes his own head and tries to ignore them. Crows, sister. It's nothing really. Forget I said anything. If his handbook were on, it might have something long winded to say about lying. For the first time, Paolo wonders if he can trust the handbook. Paolo is in the middle of a non violent 120extra points door approach with a toothless ex con named Fiasco. When the goddess visits again, the withered man smells like paint thinner, the tarp covering the rusting husk of the old minivan. In the crumbling parking structure, Shantytown still counts as a door. Shit, hombre, you gave up a cartel job for this? Fiasco pokes a finger onto his grain aproned chest. Not for this man, paolo says. I left the murk for booze and weed to sleep in my own puke. He's got Fiasco by the balls er ears. Mist gathers and suddenly the Goddess is hovering nearby. Paolo, my faithful servant, she says, eyes stern, breasts fully covered with flowing green hair. Mistress, he says.
D
Que?
C
Fiasco's brown eyes look puzzled. Sorry, he says, trying to unfocus on her avatar. He closes his left eye. Forgive me, Goddess, he thinks and speeds up his spiel. I was rolling in it, living the high life, he says. Until I kill my kid brother, my hermanito brother Paulo. This cannot wait, the goddess says in a deadly quiet voice, black wings in his peripheral vision. Fiasco breathes, your brother. I was messed up, man. I was always shit faced or hungover. I was useless. They cut me, kicked me out of the compound, me and Rambo, he says, patting his assault rifle with affection. I was starving, going through withdrawals, when a green apron came and served me my first cup spiked with Valium the crow shouts. Paulo ignores it. Then the goddess appeared to me, paolo says. Fiasco squints at this. But she's just an AR avatar, he says. Is the crow nodding? Paolo has heard this dozens of times and has a comeback. You watch porn and you know that shit ain't real. But man, your hard on is solid. You know the goddess is like that. Her influence is real. They share a chuckle. The crow butts in.
D
Corporate man.
C
It caws.
D
Corporate man. Shut up.
C
Paolo shouts. Before he can stop himself, the goddess suddenly moves to the right side of Paolo's field of vision. Grabbing at the crow, she throttles it and shakes it angrily. But it splits into two half sized crows. Fiasco, who had been warming up to Paolo, takes a step back. The goddess hurls balls of crackling electricity at the crows. The kingdom's antiviral security measures visualized which flap about, dodging in and out of his goggle view. In stereo, they call out, who's behind
D
that sexy avy pasty game boy? Cock in hand.
C
One crow is zapped, but it explodes into four sparrow sized crows.
D
Cock in hand.
C
They cry.
D
Cock in hand.
C
Don't listen to them. Shouts the goddess. Infuriated, Paolo dodges a burst of virtual static. Fiasco starts at his sudden movement. Hey man, what gives? Fiasco asks, alarmed.
D
Who is behind the curtain?
C
There are dozens of hummingbird sized crows now, all buzzing nearly in unison.
D
Behind the curtain.
C
They start dive, bombing the goddess, who swells to three times her size and swats at them like a Kaiju. Paolo instinctively waves his hands and Fiasco ducks into his shelter. Wait. His goddess switches to flame, disintegrating several avians in smoky bursts. But all he can smell is paint thinner. One enters her chest and they all wink out. No points this time. Paolo's next assignment requires him to be offline. The locally cached version of the handbook is heavy on the drill, Sarge lighter on the abuelito. You will not suffer an enemy of the kingdom to live, it preaches. It goes on about how losing one coffee seed means losing all the plant and its seeds and all of their descendants. Crows flap down to peck at seeds on the ground. Paolo laughs. His target's animated mugshot hovers in his display. Facial tattoos, rainbow hair piercings, headsets with strange mods all morph and flow over an angular face that alternates between a sheepish grin and a mischievous smirk. Her name is Fiona and she is worth 125,000 points. The handbook says that she is dangerous but lists no weapons proficiencies, no martial Arts training. No background as a merc. Not one kill. She is an elite hacker. So the baristas delivered his mission the most secure way possible by hand on a bean sized key. Even offline crows circle and hover in front of Fiona's portrait. In spite of himself, he is starting to like the birds. Paolo follows his mission map to a series of maintenance tunnels under an old university, a small core of Nuevo Nuevo. Government researchers keep part of the campus going. Maybe there is a solar energy truck to tap and ancient ground based Internet infrastructure to strip night vision on. He threads his way between ancient heating pipes and vines of shredded cable sheathing. The crows seem nervous. They fade in and out in bursts of static or crash into the edges of his goggles, viewscreen. Some pace and peck nervously, turning sometimes to look at him. They say nothing. The silence and absence of visual overlay is nerve wracking. He finds her in a nest of cables, blinking lights, cool running servers. Her goggles are off, exposing her deep dark eyes. A half dozen modded headsets are scattered on one table surface, drowning in parts for dozens more, no face paint, a tiny hoop in each ear. She looks very small. His world explodes with black flapping wings and a cacophony of caws and squawks and rocks. He rips off his argogs and throws them to the side. Fiona has not moved, but she is pointing a gun at him. Let's chat in the nude, she says. Paolo blushes. Her voice is quiet and calm. So how many points will you get from me? 150,000, Paolo says sheepishly. He only experiences goggle free views during bathing and sex, both of which he suddenly realizes are too infrequent. Wait, that's it. Fiona pouts. Then she smiles, brightening up the dark room. I'm Sara. Paolo. I know you like my impossibility crows. Impossibility crows? Bloody buzz. That's you. He reflexively waits for the handbook's reprimand for cursing. It's why the kingdom wants me dead. I'm quite proud of them, she says. I mean more about the crows than about being on the goddess hit list. They're pretty amazing. Wanna hear more? Paolo thinks he should not listen to the heretic hacker. He knows what the handbook would say. He could kill Fiona Sara in seconds. Their standoff is a delay tactic. Curiosity is dangerous, a grave sin when it leads one away from the kingdom. But goddess piss over it all. He wants to know. They're a virus? Asks Paolo. Rambo remains pointed at Sarah.
D
Hmm.
C
They're more like White blood cells. Paolo's eyes instinctively glance at the argog explanatory text that of course isn't there. His shoulders slump. My crows attack the religious ideas that make us sick. To be fair, the Church thinks my crows are the infection. And your Argox set and the Kingdom cloud cache server arrays have defenses, some of them pretty strong. But the Church, the handbook, your Kingdom missions. These are the disease, Paolo. The crows are antibodies, identifying and neutralizing the invaders, trying to take over your heart and mind and soul. Paolo's grip tightens. Stop fucking with my faith. Sarah blanches. Then with a determined look, she lowers her gun. Listen, she says. I don't know you. I'm not a believing woman. But I'm going to have faith in you. You're not a killer, Paolo. You want to help people, not murder them. Sarah's words descend on the scraps of his faith, picking it apart. The Goddess saved me, he says. She saved you, but she doesn't want you, Paolo. She wants a merc. No, he whispers. It hurts because it's true. I'm sorry, but you're not a killer anymore. Paolo shouts and pulls the trigger. Paolo gives Sarah 45 minutes to select equipment and supplies. She hands each piece to him, muttering curse words and farewells as she cleans up. He is twice Sarah's size and in the tunnels he feels like a fully loaded pack mule trying to squeeze through a narrow slot canyon. You have to go and shoot your set, sarah grumbles as they thread their way between ancient ductwork. The Kingdom tracked me here, paolo says. They know where you live. Did he just flush years of leveling down the toilet? He sighs over. His eyes are a too tight pair of Sara's hacked DIY gogs, but he can't figure out her crow esque operating system, which is all crows. Friendly, helpful crows. You knew. You knew that I don't like killing. Paolo speaks this revelation out loud. Your crows and my argogs. It was still a pretty big gamble, Sara said. Paolo grunts. They emerge from a water drainage access and right smack into Peacock Woman. Paolo swallows, throat suddenly dry. The assassin points her fists towards each of their necks. Hidden needle guns, certainly set to lethal. Cold despair fills his belly. His pursuit of redemption will end here in this graffiti covered storm drain. He lowers his burden. Lowers. Rambo. Sara Kusanagi, Paolo Ramirez. She nods at each of them, unsmiling, Paolo realizes that Peacock Woman wants to confirm her targets even at her level. Especially at her level. Wrong kills would lower her ratios, reduce her maximum possible points he's wearing Fiona's bulking, mismatched homegrown goggle set that covers most of his head than standard Kingdom issue equipment. He stays silent, hopes this will buy them a second or two of time. When neither of them answer, Peacock Woman grins. She flexes the forearm, pointing at Paolo. His left kneecaps erupts in a fireball of pain. He falls back, thrashing, screaming is good. Breathing not lethal. Not instantly. Through the misery, he hopes there is nothing coherent for the voice recognition database. He is vaguely aware that she is springing towards him. Ramirez, the crusader says, kneeling close right behind him. Brother Ramirez, I could have killed you. Think of me as your guardian angel. She places Rambo in his hands, pushes him up to sitting. She is behind him now, helping him aim his rifle at Fiona's forehead where it is exposed above her DIY goggles. The hacker's brow is furrowed as if she's concentrating hard. His pain narrows to a single searing flame. The assassin isn't here to kill him. She's here to make sure he stays true to the goddess plan for him, no matter the cost to him, to his soul. A crow lands on a crooked finger of bent rebar. It puts the tip of one wing near its beak, a shushing motion. He swears to Goddess, to something, that it winks at him through his tears and his argoc display. Black shapes gather, dark clouds, writhing. The assassin strokes his trigger finger with her own. Her other hand grips ever so gently around his neck. The goddess gives Paolo, she whispers, the heretics now worth 500,000 points. Instant salvation. His hand trembles under hers. One held breath, one careful pull, and it's over. Blood. Forgiveness is his. He can move past Pedro's death through his tears. His hermanito lies before him, blood bubbles bursting from a hole in his neck. Rambo still warm in his hands, not ar, but just as real. He holds his breath, steadies himself, imagines a hole in Fiona's, Sara's forehead. A cacophony of caws erupts behind Paolo. The fuck. Shouts the Peacock Woman and her hands leave him, arms flail in his peripheral vision. Paolo takes one last look at Sarah throughout the crosshairs before he whips around and cracks Rambo's butt into Peacock Woman's unprotected chin. Like Superman. Like a luchador.
D
Crazy man. Crazy man.
C
Three crows caw as Paolo leaves Rambo with Sara at a safe distance from the next door approach. He carries a simple hand grinder and an antique plastic French press. I'm with them. She says, shaking her goggled head. Not everyone greets you with open arms. I know, he says, but I'm more likely to get smiles if I'm not packing. Paolo makes up his new religion as he goes along. They head east, hoping to lose Peacock Woman and other Kingdom assassins between the desert and the mountains. He does not abandon Rambo altogether, but walking weaponless up to each new door is an act of faith. No new blood to stain his hands. The crows harry him, always questioning, always challenging.
D
Insane. Insane, they caw.
C
Go to hell, he says.
D
Go to hell. Go to hell.
C
Three crows call as they march in unison around him. Paulo smiles. It feels good to be free.
B
Once again. That was impossibility. Crow By Remy Nakamura Whether faith is inherited, imposed, concealed, or pursued with an open mind, mind, and heart, it is ultimately, deeply personal. It encompasses not only religion but also systems, institutions, information, even the simple belief in daily routines playing out as they always have, routines like making coffee. Perhaps faith in other people may be the most profound kind of faith, one that relies on trusting in elements of the social contract like truthfulness, loyalty, and aversion to doing harm. When we give someone our loyalty and trust, we expect that they won't take advantage of it when they do by lying, by failing to reciprocate loyalty, by misleading us into harming someone who didn't deserve it. The betrayal feels not merely deeply personal. It shakes the foundations of the entire concept of faith. While this story is nearly a decade old now, it resonates today because we still find ourselves dealing with attacks on our ethical systems, with deception from those we want to trust, with people in power telling us to do bad things for what sometimes sound like good reasons, we are still asked to make choices about whose side we're on. As we struggle to wade through morasses of misinformation, to find the truths beneath digital lies. As reality is redefined around us, there are no shortcuts to scruples, no cheat codes to bypass our conscience. Sometimes choosing wisely is easier said than done. Sometimes fighting the system is isolating, dispiriting, an uphill hike through brambles and thorns that leads to the edge of a cliff. Even so, in the end, we have to hold fast to our core. Ethics follow where they lead us. Maybe take a leap of faith. Escape Pod is part of the escape Artist Foundation, a 501c3 nonprofit. In this episode this episode is distributed under the Creative Commons Attribution Non commercial no derivatives 4.0 international license don't change it. Don't sell it. Please do share it. If you'd like to support Escape Pod, please rate or review us on Spotify, Apple Podcasts or your favorite app. We are 100% audience supported and we count on your donations to keep the lights on and the service humming. You can now donate via four different platforms on Patreon and Ko Fi. Search for Escape artists on Twitch and YouTube or apodcasts. You can also use PayPal through our website escapepod.org Patreon subscribers have access to exclusive merchandise and can be automatically added to our Discord, where they can chat with other fans as well as our staff members. Our opening and closing music is by daikaiju@daikaiju.org and our closing quotation this week is from T. Kingfisher, who said saving a single wondrous thing is better than saving the world. For one thing, it's more achievable. The world is never content to stay saved. Thanks for joining us and may your Escape Pod be fully stocked with stories.
E
That refresh you've been putting off until the right deal came along. It's here. Wayfair's Black Friday in July sale is happening now, so you can finally get the style you've been waiting for for less. Get up to 80% off area rugs and up to 60% off outdoor and bedroom furniture. Shop Wayfair's huge selection of styles and find the piece to fit your style, budget and space, plus free shipping. Black Friday in July ends July 27. Shop today at Wayfair.com Wayfair Every style, every home.
Air Date: July 23, 2026
Host: Valerie Valdez
Narrator: Roberto Suarez
Podcast: Escape Pod — The Original Science Fiction Podcast
This “Flashback Friday” episode revisits Remi Nakamura’s “Impossibility Crow,” originally published in 2017. The story is a darkly comic, near-future exploration of faith, institutions, conscience, violence, and resistance—told through the lens of Paolo, a devoted missionary of the quasi-religious Kingdom Coffee, as he grapples with the rules, rituals, and realities of his calling and the doubts brought on by impossible, glitchy crows.
The narrative blends action, speculative technology, an irreverent (yet sincere) take on zealotry, and probing commentary on faith and redemption. It questions who gets to define morality and explores agency within oppressive systems.
Paolo, a missionary for a paramilitary religious order called the Kingdom, prepares for his assigned "door approach."
His faith is blended with performance metrics and gamified forgiveness—a lethal meritocracy striving for atonement.
Crows—real, virtual, and metaphorical—serve as ominous, glitchy commentary, disrupting the seamlessness of his faith and technology.
On violence and atonement:
“Each death harms the public image of the kingdom, the handbook tells him.” (03:54)
On faith under siege:
"The crow crows impossibly—'Murder'." (09:57)
Interrogating the system:
“You are on the Fast track to atonement. Killing a designated enemy of the kingdom wins you double points towards blood forgiveness.” – Sister Trong (16:22)
Heresy as healing:
“My crows attack the religious ideas that make us sick... These are the disease, Paolo. The crows are antibodies, identifying and neutralizing the invaders, trying to take over your heart and mind and soul.” – Sara (24:22)
Doubt breaks the cycle:
“I just want to be a missionary, you know? I’m a good one... I don’t want to kill any of them.” – Paolo (16:59)
Choosing freedom over dogma:
“Paulo smiles. It feels good to be free.” (30:44)
Remi Nakamura’s story, as narrated and presented, blends dark humor with existential tension, using casual, streetwise dialogue and sharp, referential narration. The absurdity of gamified faith and violence is juxtaposed with sincere longing for grace and peace. The crows’ interjections mix glitchy digital interference with the supernatural, providing both comic relief and a moral chorus challenging the protagonist’s choices.
Valerie Valdez closes with a meditation on faith—how institutions, routines, and power ask for our trust and how betrayal can shake foundations. She ties the story’s relevance to ongoing struggles with authority, misinformation, and ethical autonomy.
“There are no shortcuts to scruples, no cheat codes to bypass our conscience. Sometimes choosing wisely is easier said than done... Even so, in the end, we have to hold fast to our core. Ethics follow where they lead us. Maybe take a leap of faith.” — Valerie Valdez (31:05)
“Impossibility Crow” is a smart, subversive sci-fi parable about the nature of belief, the cost of violence in the name of faith, and the possibility of hacking both technology and conscience. Paolo’s struggle for forgiveness and autonomy is both harrowing and hopeful, and his escape—from both literal and digital dogmas—suggests that questioning, messy freedom is preferable to violent, unquestioning salvation.
For listeners seeking speculative stories that challenge and unsettle, this Escape Pod episode delivers with style, wit, and moral bite.