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- [00:05]
Will Sharp
Charlottesville, Virginia. Spring, 1963. Our professor, Ian Stevenson, is at his desk, tortoiseshell glasses on the tip of his nose. He switched on his coffee percolator. To his left, a tall stack of newspaper clippings. He starts reading through each one. The professor is looking for that one case of reincarnation, which will put a stop to all of those jokes at cocktail parties. In one case, just one case is all he needs. Or as Dr. Jeffrey Long says, it only takes one white crow to prove that not all crows are black. Yep, Stevenson needs his one white crow, one case that suggests that reincarnation is real. Then he'll get the recognition he craves, not from tabloids and gossip magazines, but recognition from his peers. I mean, serious academic types. And then he sees it. An article about Mr. Pollock, John Pollock of England. A story which began 13 years earlier. We're in Hexham, England, to 1950. A cold Saturday morning in January. John Pollock is at his piano in a haze of pipe smoke. He's been trying to master this particular piece for some time, but the kids are outside making a racket. He heads for the back door and tells him to keep the noise down. Jacqueline Pollock, one of his two little girls who will die in that terrible accident eight years later, is now just three years old. She's riding round on a little tricycle, dressed in a red woolen coat. Round and round she goes. Their mum, Florence Pollock, has just left a metal bucket of hot soapy water on the back step. She's about to wash some clothes. One of the boys is trying to get a kite airborne, while the other is riding on a little wooden toy police car. As the kite takes, Jacqueline watches it soar up into the air with glee. But she's not looking where she's going. She's distracted. She falls onto that metal bucket, causing a wound, a deep wound above her left eye, a wound that bleeds profusely onto her red coat.
- [02:44]
Lauren
I can just imagine Florence rushing out, the blood pouring down Jacqueline's face, and Florence scooping her up and rushing her off to hospital. And, yeah, I think Jacqueline needed to have like three stitches.
- [02:55]
Will Sharp
That's Lauren again, Florence's granddaughter. And remember, she's learning about this at pretty much the same time as we are, from newspaper cuttings and other stuff that we've dug up, because this is all a family secret. Her grandparents, John and Florence, died before she was born, and her father, who also died, never talked about any of this. So Jacqueline's wound. In time, that wound will heal. It will heal. But leave a scar. A scar that she'll have for the rest of her short life. A scar still present as her body is laid to rest after that horrific accident. But the wound which left a scar will then turn into a birthmark as Florence Pollock gives birth to twin daughters. A birthmark on their new little daughter, Jennifer. Jennifer, the reincarnation of Jacqueline. Thirteen years later in Virginia, Ian Stevenson cannot stop reading because there's more. It's not just that little Jennifer has a birthmark above her eye.
- [04:14]
Lauren
Yeah, she had a birthmark on her waist. It was kind of like a brown thumbprint.
- [04:18]
Will Sharp
And guess what? Her dead sister Jacqueline had a birthmark in exactly the same place. So birthmarks, twins. Now the professor is interested. And there's much, much more. Maybe, Stephenson thinks to himself, maybe this is the case, the case that will prove his doubters wrong. And then the professor has an idea. He decides to take a little trip. Seeing is believing, after all. And Stephenson starts to type a letter. Is the Pollock case his one White cr. This is extrasensory. An Apple Original Podcast produced by Blanchard House. I'm Will Sharp. Episode 2 One White Crow May 1957, Hexham Magistrates Court. Huge crowds of people are gathered outside, and that's very unusual for this small town. They're all waiting to catch a glimpse of Marjorie Wynn, the woman charged with the deaths of those little children, Joanna and Jacqueline Pollock and their friend Tony. Remember, this case is huge. It's front page news, national news, and back in the 50s, hardly anyone even had access to a car. Only the really wealthy. Who is this woman? So there are some nasty rumors flying around that at the time of the accident, Marjorie Wynne was sleepy, that she was on drugs, and far worse than that, that maybe this wasn't an accident at all, that Marjorie Wynn crashed into those children on purpose. The crowds outside think. I mean, who does something like that? That would just be evil. Right? So they're all here to see what evil looks like.
- [06:58]
Lauren
Yeah, I guess I'm thinking how people would react today, and I think it would still be an absolute shock, even with all the traffic that we have on the roads now and all the accidents, you know, a woman killing three little children with her car. I think it would still be front page news and people would be absolutely outraged.
- [07:18]
Will Sharp
And as the crowds wait for Marjorie Wynn to arrive, it's clear that a lot of people really hate her right now. In fact, she's been receiving poison pen letters from across the country, hundreds of them. So the atmosphere is charged, it's electric and it feels like it's not just the magistrates who sit in judgment here. It all takes place in the shadow of the abbey, towering over everything. It's as if God himself is also present to pass sentence. At the appointed hour, the police car sweeps in. But anyone hoping to spot Marjorie is disappointed. She's cowering on the floor of the vehicle, hiding her face, avoiding the glare of the crowds and the cameras.
- [08:04]
Lauren
From the newspaper accounts, it seems like Marjorie Wynn is in a really bad way, actually had to be helped into court and walked in and led into the dock.
- [08:15]
Will Sharp
The prosecutor's bench is on the left, defence on the right. Straightight ahead, the three magistrates. The clerk reads the charge.
- [08:26]
Dr. Jeffrey Long
Hilda Marjorie Wynne, you are charged under Section 8 of the Road Traffic Act 1956, of causing the deaths of Joanna Mary Pollock, Jacqueline Teresa Pollock and Anthony.
- [08:40]
Will Sharp
Albert Laden by dangerous driving. For most of the hearing, Win has her eyes closed. She's been brought here from a mental health facility. A psychiatrist stands up and states that Win is suffering from, quote, melancholia, which is an old fashioned word for depression. He says that she'll need two months treatment before she's fit to appear in court again. One of the papers even says she'll need electric shock treatment. You are remanded on bail for the.
- [09:11]
Dr. Jeffrey Long
Sum of £1,000 on condition that you.
- [09:15]
Will Sharp
Remain in hospital until you can appear.
- [09:17]
Dr. Jeffrey Long
Before this court again.
- [09:20]
Will Sharp
That bail sum is about 20,000 pounds today, or US$25,000. She's not asked to enter a plea. Yes. Adjourned. And that's it. Marjorie Wynn is helped out of court and into Halo's car. And again, those crowds hoping for a glimpse of evil are disappointed. The car takes a back road. Because Marjorie Nguyen is the most hated woman in Hexham, maybe the most hated woman in the whole country right now. But there is one man who doesn't hate Marjorie Wynn. One man who doesn't bear a grudge, far from it. One man who is, in fact praying for the woman who killed those girls and that boy as they walked to church. And that man is the girl's father, John Pollock. Around two years later, Liz's Crescent. The removal truck pulls up at 7am the removal guys start loading up John's piano, all his books, his records.
- [10:37]
Lauren
I think. Apparently they just packed up their whole lives.
- [10:40]
Will Sharp
John, Florence and the kids are leaving Hexham for the last time. And that, of course, means leaving the grave of the little girls too. Joanna and Jacqueline, now a grieving parent, might go to the churchyard one final time, lay a wreath, say A prayer. But John doesn't do that.
- [11:00]
Lauren
John said in some interviews that he wouldn't even lay flowers down at their graves because it would be hypocritical. Yeah, he believed his daughters weren't dead. So what was the point of laying flowers? They were alive.
- [11:13]
Will Sharp
Yes, they're alive. And he has them in the car with him. His twins, Jennifer and Jillian. Six months old now. So, no, he isn't grieving. Why would he be? And Hexam? Well, that's all behind them.
- [11:33]
Lauren
New town, new jobs, new lives. And Hexam was never mentioned again. It was totally forgotten.
- [11:44]
Will Sharp
As the car pulls up and John gets out, he inhales the sea air. He lights his pipe. So he and Florence have bought a grocery store in the coastal town of Whitley Bay. It's a seaside town with a wide beach, a lighthouse, and a sea that can be kind of wild. But why exactly are John and Florence really moving? Is it really just to open a grocery store? Or were they driven out of Hexham? Driven out by the faithful? Shocked by John's heresy? His prophecy? Outraged by his belief? No, his conviction that his twins are his dead girls, reborn. Remember what one of the locals, Pauline, told us? Well, that was it. I mean, we never had anything more.
- [12:28]
John Pollock
To do with them.
- [12:29]
Will Sharp
Is Whitley Bay John's wilderness, His exile? The place where he'll continue trying to spread the word? Because one thing is pretty clear. John won't be silenced. Far from it. In fact, John moves things up a gear. He becomes more vocal. And there's a change in John. He's moving further and further away from the Catholic Church, and he's getting more and more into spiritualism. Yeah, spiritualism. Here's what that means to John's granddaughter, Lauren.
- [12:59]
Lauren
I just think of it as like, yeah, if people die, that their spirits live on, and we can communicate with those people. And whether that's through mediums or whether that's just through your own spiritual connection, but they are there. They are with us, and we can lean on them when we need to. Now, that doesn't necessarily involve reincarnation, but clearly, John believed in reincarnation. I think John believed that the spirits of the dead stick around and then also can be reborn.
- [13:28]
Will Sharp
So the spiritualists are far more open to what John has to say. Kindred spirits, if you like. And John has more and more to say, because as the twins get older and they start to speak, more signs start to emerge. Signs that they are indeed the reincarnation of Jacqueline and Joanna. Now, at first, John is just preaching to the converted people who believe this stuff already. But then somehow it goes wider. It gets picked up in the press, the national press.
- [13:58]
Lauren
John seems very good at getting publicity. I think probably he had some good contacts in the national press, maybe from the time that the girls had died, but definitely the newspapers seemed to like him.
- [14:08]
Will Sharp
Then one morning, a letter comes through John's door. Strange looking letter. It's an unusual size and the stamp doesn't have the Queen's head on it. In fact, it says US Airmail. August 1963. Idlewild Airport, New York City. Tan leather briefcase in hand, Ian Stevenson walks up the steps to a Pan Am jet bound for London. He's even sporting one of his bow ties, especially for the occasion. Now, international air travel in the early 60s is still quite a big deal, but it's slowly opening up the world, allowing the spread of radical new ideas. Welcome aboard this pandemic. Stevenson boards the plane. He settles into his window seat. The jet engines roar and the plane speeds down the Runway. As it reaches cruising altitude, Stephenson accepts a glass of Scotch and clicks open his briefcase. Inside it, there's a detailed planet for his interviews with the Pollocks, and also papers from a five week trip to India and Sri Lanka a few years earlier. Because this is the 60s, in the west, the old ways are being trashed and smashed. People are looking for fresh new thinking. And Asia and the east are having a moment. There's like a consciousness shift. People in the west are opening their minds. They're opening their minds to the idea that the universe can work in ways that are totally far out. But of course, in India, the idea of reincarnation is not exactly far out. In fact, it's just the cosmic order of things, which makes it the perfect destination for our professor to start his research. So during his first trip to India, Stevenson puts ads in the newspapers asking people to share stories of past lives. And he gets literally hundreds of responses. But most of it, Ian said, was just total bonk nonsense. He didn't think that they were terribly credible. Jesse Baring is writing a biography called the incredible afterlives of Dr. Stevenson. But from what the professor can make out, there are some credible cases in India. And he finds that those credible cases have stuff in common, stuff like dreams, in which a dead person tells the dreamer that they intend to be reborn. And he also notices that children who talk about reincarnation often talked about quite distressing or disturbing, horrific, violent deaths. And he guesses that this is, well, because you're just more likely to remember your past Life if you left it in a violent way. So Stevenson's mulling all of this over as he crosses the Atlantic and sips his Scotch. But there's one thing from his work in India that he wants to go over again. Birthmarks. Birthmarks that seem to be related to past lives. Now, at first, Stevenson is skeptical. Parapsychologist Jim Matlock knows Stevenson's work.
- [17:19]
John Pollock
He didn't really take them all that seriously. The birthmarks, the physical things, just seemed a little bit too far out for him.
- [17:25]
Will Sharp
But the birthmarks just keep coming up. He can't avoid them. In the kids he sees in India, these marks often match closely to wounds from past lives, case after case. And he thinks that, once again, horrific deaths might explain the birthmarks too. Dying through a gunshot wound, for instance, was so shocking and terrifying and traumatic and painful that it had residue in the current bodily form. Stevenson finds the trip to India pretty tough. First off, it gets culture shock. And second, in India, pretty much everyone believes in reincarnation. They're brought up believing it, but proving it as fact, now that's hard. Dr. Jeffrey Long specialises in the religions of India at Elizabeth Town College.
- [18:15]
Dr. Jeffrey Long
To be very, very clear, that doesn't mean those cases are false, necessarily.
- [18:18]
Will Sharp
But to prove that these are cases of authentic past life memory, you need.
- [18:24]
Dr. Jeffrey Long
To have some way to exclude data that children could have received from other sources.
- [18:31]
Will Sharp
Which makes the Pollock case very, very interesting. It's in England, for a start, where pretty much nobody believes this stuff. And it checks a lot of boxes. It has violent death, it has birthmarks and there's even a premonition. Plus, it's a case study in England where he speaks the language. So, yeah, for Stephenson, a watertight case in England would be an absolute game changer. It would stop his colleagues sniggering once and for all. Ladies and gentlemen, we'll shortly be arriving in London. As Stephenson's plane prepares for its final descent to London, he fastens his seatbelt. There's a lot riding on this trip. Next day, John Pollock has got to the station early. Too early, in a way. He's pacing up and down the platform, waiting for Stevenson to arrive. The weather is shocking. John's dressed in his formal tweed suit and there's a new addition to his look. He now walks with a cane. He fell down some steps. It was a bit nasty. So John must be tense, right? Maybe he thinks this is all a big mistake. He wants to tell his story. But what if the professor doubts him? Or worse, what if he calls him an Outright liar. Meanwhile, Stevenson is on the train north, inching closer to Whitley Bay. And he. I mean, he must be anxious about John Pollock. What if Pollock's just a crank? Stevenson watches the torrential rain against the train window. His father's Scottish and Stevenson studied in Scotland, so he does know how gloomy the UK can be.
- [20:32]
Lauren
I can imagine they're both really nervous because both men have a massive amount to prove. And Stevenson's come all the way across to the UK and he's thinking, what if this John man is just crazy?
- [20:45]
Will Sharp
Finally, John can see the train approaching in the distance. At long last, as Stevenson steps from the train onto the platform, the salty air hits him. He's arrived. John Pollock spots the tall, lean figure in his rather dapper bow tie striding towards him. This is it. The start of everything, face to face for the first time. The professor and the prophet. Stephenson looks around the Pollux living room, sizing things up. The twins are down at the beach, in spite of the awful weather, and Stevenson is sipping a cup of tea. This is England, when in Rome. The carpet is dark, a little bit oppressive maybe, and the walls are covered with photos of the family. Stephenson discreetly looks for a photo of the two girls who passed, Jacqueline and Joanna, but there's not a photo in sight. Seemingly out of the blue, Florence asks Stephenson if he has children. Sadly, no, he replies, and he does seem truly sad about it. Florence wears an apron over her clothes and spectacles that make her eyes look kind and large. Now, it seems that Stevenson didn't record his interviews, but this is a version of how we think it might have gone, based on newspaper reports, Stevenson's published accounts and our own original interviews.
- [22:25]
John Pollock
So where shall we start?
- [22:29]
Will Sharp
John and Florence look at each other. Something passes between them. John puffs on his pipe. Florence lights a cigarette to steady her nerves.
- [22:38]
Lauren
Yeah, this must have been a pretty nerve wracking moment. Stevenson's come thousands of miles.
- [22:46]
John Pollock
Shall we start with the dolls, Flossie?
- [22:48]
Dr. Jeffrey Long
Yes, John, all right.
- [22:50]
John Pollock
You know, Dr. Stevenson, after Jacqueline and Joanna passed away, we packed up all of their toys in a box and put them in the attic. Didn't we, Flossie?
- [22:59]
Dr. Jeffrey Long
Yes, John. This was in Hexham. It was just too painful. We didn't want to remind the boys of what had happened.
- [23:09]
John Pollock
Anyway, when we moved here, of course, we found that box and we decided to give those toys to the twins.
- [23:15]
Dr. Jeffrey Long
Yes, we thought it was a waste just to have them sitting in a box.
- [23:19]
Will Sharp
And it's a bit unclear how much of this next bit they Told Stevenson. But we do know what they told the newspapers and a TV documentary.
- [23:27]
John Pollock
Anyway, the strangest thing happened. Flossie, you tell Dr. Stevenson what happened next.
- [23:33]
Dr. Jeffrey Long
Yes, because there were two dolls in that box.
- [23:37]
John Pollock
And out of the blue, Jennifer pointed to the one doll and said, that's Mary.
- [23:42]
Dr. Jeffrey Long
And Flossie and Gillian pointed to the other doll and said, this is my Susan.
- [23:49]
John Pollock
And those names are the exact names that Jacqueline and Joanna gave to those dolls.
- [23:53]
Dr. Jeffrey Long
The exact names. And there's absolutely no way the twins could have known that.
- [23:59]
Lauren
I find this stuff about the dolls pretty mad, because how on earth could the girls possibly know the dolls names? John and Florence were adamant that they'd never told them. So it was, you know, just pulled out of thin air, apparently.
- [24:13]
Will Sharp
But it doesn't end there. John and Florence tell Stephenson that they've always thought that Gillian, the slightly older twin, by a matter of 10 minutes, was like the older girl who died, Joanna. While Jennifer, the younger twin, was more like Jacqueline.
- [24:28]
John Pollock
And guess what? Completely unprompted, Jennifer claimed Jacqueline's doll, held it to her as if it was hers and always had been.
- [24:39]
Dr. Jeffrey Long
And Jillian claimed Joanna's doll completely naturally, just like that.
- [24:45]
John Pollock
And that was what changed your mind, wasn't it, Flossie? Yes.
- [24:48]
Dr. Jeffrey Long
That was really the turning point in my way of thinking. Up until then, I doubted John. I thought this reincarnation business was nonsense. I just wanted him to be quiet. But the dolls. Well, the dolls, it changed everything.
- [25:07]
Lauren
Because. Yeah, remember, Florence had been critical of John. She really didn't want to keep hearing him going on about reincarnation. Probably because it was heartbreaking for her. I think it even probably put their relationship under strain. But this stuff with the dolls, that completely changed her mind.
- [25:26]
Will Sharp
But there's another thing, something else John wants to say.
- [25:31]
John Pollock
And do you know what Joanna used to say to me, Dr. Stevenson, before she died? Something she said to me all the time.
- [25:38]
Will Sharp
Stephenson looks at John expectantly.
- [25:41]
John Pollock
I will never be a lady. I will never be a lady. She said that over and over again. She had a premonition she'd never grow up, you see, Dr. Stevenson. And of course, she never did, did she? She never did grow up.
- [25:57]
Will Sharp
Stevenson looks closely at John Pollock and tries to read his expression. Remember, Stephenson is a renowned shrink. Is this stuff true? Is this man for real?
- [26:09]
John Pollock
And on the very afternoon they died, that same afternoon, I had a vision of them in heaven. You know, in heaven. And I remember there was one room in the house, at the top of the house, where I could feel them very, very close And I used to go there after they died. Then, of course, I didn't need to anymore because.
- [26:34]
Will Sharp
But just at that moment, Jillian and Jennifer hurtle into the room. They run up to their parents and show them seashells that they found at the beach. They're wearing matching brown coats and white dresses and their hair is braided into two perfect plaits on each side of their head. They fall very silent when they notice Dr. Stephenson is in the room. They become very shy. He seems impossibly tall to them. Stephenson smiles. Jennifer hands him a seashell. Stevenson suggests that they all take a break from the interviewing. The sitting room is filled with smoke from John's pipe and Florence's cigarettes. Maybe they could get some air outside. He has plenty of questions that he needs to ask. He needs to see the birthmarks, for one thing. But there's one question in particular that he needs an answer to. And it's crucial to the credibility of this whole story about that horrific accident. Do the twins have any idea what happened? In fact, do they have any idea they have two sisters who passed?
- [27:40]
Lauren
Because, of course, if they already know about the accident, it's easy for them to make up stuff about it. But if they had no idea that that had even happened, that their sisters had even died, that they even existed, then that makes whatever they have to say so much more credible.
- [28:02]
Will Sharp
July 1957. Hexham Magistrates Court. Once again, a police car sweeps in with Marjorie Wynn in the back. She's 50 years old and grey haired, wearing a black and grey check dress. A policewoman helps her out of the car and into the courtroom. She closes her eyes as she waits for the hearing to start. Witnesses will be called and the magistrates will decide if she'll be sent for a full criminal trial. Hilda Marjorie Wynn, you are charged with.
- [28:32]
Dr. Jeffrey Long
Causing death by dangerous driving and of being in charge of a car while.
- [28:39]
Will Sharp
Under the influence of drugs. At midday, the nurse who treated Marjorie Wynn immediately following the crash takes the witness stand and seems to confirm the rumors that have been going around since the accident.
- [28:53]
Dr. Jeffrey Long
Two months ago, Mrs. Wynn told me she'd taken 14 aspirins and three phenyl barbitones and had got into her car and driven away to end it all.
- [29:04]
Will Sharp
A forensics officer who examined Wynn after she was arrested is called to give evidence. He states that Wynn had indeed taken aspirin and barbiturates. Marjorie Wynn's lawyer is asked how she pleads. Not guilty. And with that, Marjorie Wynn will face a full trial before a judge and jury in three Months time. If she's found guilty, Marjorie Wynn could well find herself in prison in Whitley Bay. John Pollock has just taken Ian Stevenson down to the beach. But it started raining again. Florence hands Stevenson a towel to dry himself off. And yet another cup of tea. Then Stevenson asks whether it might be possible to see the birthmarks.
- [29:58]
John Pollock
Jennifer, love, come here a moment. Stand here, love. Stand in front of Dr. Stevenson. Show him your waist. Look, there it is. There's the one birthmark. And there, just above her left eye, that's the other. Can you see that? Just there.
- [30:19]
Will Sharp
By now, Stevenson is starting to get pretty excited about this case. Could it be the one? Here's Professor Jessie Bering of the University of Otago in New Zealand. Those birthmarks aligning with the head injury from her sister couldn't be explained rationally, Ian thought.
- [30:39]
Dr. Jeffrey Long
Thank you, love. Go on, run upstairs.
- [30:42]
John Pollock
But, Flossie, tell Dr. Stevenson what Gillian said about the birthmark.
- [30:46]
Dr. Jeffrey Long
Yes, I remember Gillian saying to me one time, this is the mark Jennifer got when she fell on the bucket. But of course, that wasn't Jennifer that fell on the bucket. It was our Jacqueline. All those years ago. She needed three stitches.
- [31:06]
Will Sharp
Yes, it was Jacqueline who cut her head on the bucket. The daughter who would later die in that horrible crash.
- [31:13]
Lauren
And Florence is adamant that she never told Gillian about the accident with the bucket. So, again, how could Gillian have known?
- [31:19]
Will Sharp
How indeed. Unless Gillian and Jennifer were recalling a past life. Then John goes to a draw and pulls out a photograph. A photograph of Jacqueline. And it's startling. Stephenson can clearly see the scar above her left eye. He can't believe it. There's no way that John can be making this stuff up.
- [31:44]
John Pollock
And One more thing, Dr. Stevenson, about that scar. After the girls died, I had to go to the hospital mortuary to identify their bodies. And Jacqueline's head was bandaged just above her eyes, in the same place as that scar. Is that another clue, I wonder? It could be, Mr. Pollock. It could be.
- [32:12]
Will Sharp
So this now seems like the right time for Stephenson to ask the crucial question, the one he's come three and a half thousand miles to ask.
- [32:25]
John Pollock
Do the twins know they had two sisters who passed away?
- [32:31]
Will Sharp
The atmosphere in the room changes.
- [32:34]
John Pollock
Oh, no. We've never told them. Never told them. As you can see, we don't even have any photographs up. We kept all the photos in a drawer.
- [32:43]
Will Sharp
Well, as far as we know, that's roughly what John might have answered. And we'll explain to you why later on.
- [32:49]
John Pollock
Have you ever talked to them about the accident?
- [32:52]
Dr. Jeffrey Long
Oh, no, no. We've never talked about it?
- [32:56]
John Pollock
No. No.
- [32:58]
Will Sharp
Then Florence gives Stevenson a strange look.
- [33:02]
Dr. Jeffrey Long
But they talk about it, you know.
- [33:05]
Will Sharp
Stevenson leans in.
- [33:09]
Dr. Jeffrey Long
The accident, that is. I've heard them discussing it more. More than once.
- [33:15]
John Pollock
But you've never spoken to them about it? No. Never mentioned the accident. And the thing is, they talk about it as if it's happening right there and then. Reliving it, you know? And what sort of things do they say?
- [33:30]
Dr. Jeffrey Long
The car's coming for us. It's. It's coming for us.
- [33:36]
Lauren
For the parents to be watching their two little girls reliving an awfully traumatic experience, going through all of that again would have been awful. And also for the twins, that it would have been horrifically terrifying.
- [33:50]
Will Sharp
Stephenson shifts uncomfortably in his chair. This is all starting to feel almost intrusive.
- [33:57]
John Pollock
And that's not all. Go on, tell him. Come on.
- [34:02]
Dr. Jeffrey Long
Have I got to.
- [34:03]
John Pollock
John, look, he's got to know. Florence.
- [34:06]
Will Sharp
Stevenson leans in further, his pen poised over his notepad.
- [34:15]
Dr. Jeffrey Long
One time, I found Jillian cradling Jennifer's head in her hands, saying, the blood's coming out of your eyes. It's coming out of your eyes. That. That's where the car hit you.
- [34:44]
Will Sharp
You've been listening to Extrasensory, an Apple original podcast produced by Blanchard House and hosted by me, Will Sharp. The producer is Poppy Damon. Extrasensory is written by Lawrence Grisel. Additional production by Seren Jones. Original music by Daniel Lloyd Evans, Louis Nank Manel and Toby Matimong. Sound design and mix engineering by Vulcan Kiseltug and Daniel Lloyd Evans. The part of John Pollock was played by Peter Peverly, Florence Pollock by jasmine hyde and Dr. Ian stevenson by Mark Arnold. The Pollock children are played by Francisco and Edie Pineapple Bowler and Stevie Pye. Other parts by Jasmine Hyde, Mark Gillis, Ben Fox and Saul Boyer. Research by Alan Sargent. Fact checking by Jesse Baring and Karen Walton. Our managing producer is Amica Shortino Nolan. The creative director of Blanchard House is Rosie Pye. The executive producer and head of content at Blanchard House is Lawrence Grisel.