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May the Schwartz be with you! To kick off Star Wars month here on Film Junk, we are revisiting a beloved parody film from Mel Brooks, which also happened to have been a very formative experience for a certain budding Prince of Comedy. Spaceballs may not be Brooks' most acclaimed or successful movie but it very well could be his most ludicrous. What makes a great comedy that stands the test of time? Was Spaceballs the first movie in cinema history to use an extended shot for comedic purposes? Why is there no Luke Skywalker equivalent in this movie? Do we have any hope at all for the upcoming sequel? Get surrounded by assholes and check out the latest episode of the Film Junk Podcast.

"I just feel so alone, even when I'm surrounded by other people." On this week's episode, we return to Tokyo for a bleary-eyed re-evaluation of Sofia Coppola's 2003 indie dramedy Lost in Translation. Despite being often referenced on the podcast, it was time to finally let Frank air his grievances about this era of Bill Murray's career and see how the movie holds up over 20 years later. Is it really intended as a May-September romance or is it just about the need for connection? Does the movie's view of quirky Japan feel overly snarky and borderline racist? Is it a dick move for an actor to ask if he should turn his head left or right? Has anyone actually figured out the secret whisper at the end of the movie? Pour yourself a glass of whiskey and make it Suntory time with the latest Film Junk Podcast.

"I just feel so alone, even when I'm surrounded by other people." On this week's episode, we return to Tokyo for a bleary-eyed re-evaluation of Sofia Coppola's 2003 indie dramedy Lost in Translation. Despite being often referenced on the podcast, it was time to finally let Frank air his grievances about this era of Bill Murray's career and see how the movie holds up over 20 years later. Is it really intended as a May-September romance or is it just about the need for connection? Does the movie's view of quirky Japan feel overly snarky and borderline racist? Is it a dick move for an actor to ask if he should turn his head left or right? Has anyone actually figured out the secret whisper at the end of the movie? Pour yourself a glass of whiskey and make it Suntory time with the latest Film Junk Podcast.

Who's fighting and what for? Why are we fighting? The idealism of the '60s gave way to tragedy and darkness in December 1969 as captured in the seminal Rolling Stones documentary Gimme Shelter. Directed by The Maysles Brothers and Charlotte Zwerin, this is more than just a concert film but rather a complex masterwork that would influence non-fiction filmmakers for many generations to come. Is there a difference between direct cinema and cinema verité? Is Mick Jagger's stage banter "cringe"? Should all live musical performances sound just like the original album recording? Who is better... The Beatles or The Rolling Stones? Get yer ya-ya's out on this week's episode of Film Junk.

Do you... like pineapple? On this week's episode of Film Junk, we enter the vibe zone with Wong Kar-Wai as Frank finally takes the shrink wrap off of his Criterion Blu-ray for Chungking Express. The acclaimed Hong Kong director is known for his visual poetry and sense of romance but plot often takes a backseat to mood and emotion. Can breaking the law be romantic or is it always just plain reprehensible? Does step printing create a dreamlike atmosphere or does it just look dated? Could Frank gorf 30 cans of pineapple in one night? Has Sean ever heard The Cranberries before? Profess your undying love for cinema with the latest Film Junk podcast.

Eat your heart out Hulk Hogan, it's the 40th anniversary of Rad and we're ready to revisit this slightly under the radar '80s gem. Cru and his BMX crew fight the good fight against the evil forces of Mongoose before facing the death defying Helltrack... I mean, Hecktrack. Which members of the Film Junk crew were BMX heads as kids? Did Hal Needham and his stunt team elevate this movie way beyond what it deserved? Why was the actress who played Katie erased from film history? Could $100,000 buy two houses based on 1986 gas prices? Go balls out on this week's episode of the Film Junk Podcast.

There can only be one, or in this case, one plus several sequels, two TV shows and an upcoming modern reboot. Highlander remains a beloved and iconic 80s action movie, and it’s about time Film Junk explored what it means to live forever. Is immortality a gift or a curse? Is The Prize a gift or a curse? What is The Quickening? Do the rules of this world make any sense? Would every movie be better with a soundtrack by Queen? Don't lose your head... Film Junk faces such savage questions with heart, faith and steel on this week's podcast.

The sun is dying and Ryan Gosling is the only one who can save us. After a few close calls and a close encounter, he’s going to science the shit out of the situation. But is this hero’s journey a new masterpiece or is it just space junk? Why is Reed Farrington using a translator app to watch this movie? Does humanity have a future beyond the stars? Fist my bump and prepare to be amaze on the latest episode of Film Junk.

Hey there double ugly, it's time for one of the wildest movies we've ever reviewed here on Film Junk. John De Hart's Champagne and Bullets (aka Geteven aka Road to Revenge) is an indie film and vanity project that will challenge your very perception of what cinema can be. It's the buddy cop softcore satanic cult action thriller you didn't know you needed in your life. But is John De Hart a creative visionary or just a guy trying to make out with a Playboy model in a hot tub? How many people in this movie are under the influence of drugs and/or alcohol? Can movies be so bad they're good or does that just make them good? Not a problem... we're ready to do the shimmy slide on this week's podcast.

The Film Junk Podcast is a goddamn miracle of modern science and this week we're taking a look at another (indisputable?) all-time classic. One Flew Over the Cuckoo's Nest has won its fair share of awards over the years but it's time for a modern diagnosis. Is Nurse Ratched one of the most chilling villains ever put on screen or does she actually seem kinda reasonable? Is this a career-best performance for Jack Nicholson? How do we feel about the portrayal of mental illness in the movie? It makes us feel very... peculiar. We're talking about form, content, interrelationships and so much more on this week's podcast.