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Kim
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Welcome to Flights of Fantasy, your Romantasy Podcast book club.
Anna
I'm Christina, joined by my book besties Kim and Anna and together we're diving into the characters, theories, lore and magic behind all your favorite fantasy romance books.
Kim
Hi book besties. Welcome to ACOTAR Revisited, our deep dive back into the series that started it all. We are so excited to be here discussing A Court of Wings in Ruin, the third book in the ACOTAR series by Sarah J. Maas. And just a reminder, we will be breaking up each book into multiple episodes so we can really take our time with this incredible story. Now with that being said and because we have read this series multiple times, we will be discussing each book with the knowledge of the entire series. But before we give our official spoiler warning, Kim has some announcements.
Anna
I sure do. So before we dive in, a quick reminder that if you love the POD and want even more from your book besties, we have got you absolutely covered. Over on patreon, our tier one book besties at $5 a month, get early ad free access to every episode, plus our monthly book chat episodes where we dive into a book we are not covering on the podcast as well as book reviews behind the scenes of our book, busy reading retreats, plus more. And on our tier 2 book batches at $10 a month, they get all of that plus the full unedited video episode of every episode a day early and ad free and exclusive access to our SJM series where we deep dive characters, couples and scenes from all of Sarah J. Matt's series. We have done everything from Deep Div Lehaba, Starfall, the High Lord's meeting, and tons of couple favorite moments, as well as our new trending pages series where we spotlight the hottest fantasy reads that everyone is talking about. And last but not least, our Cauldron chats where we deep dive Acotar characters, lore and world building as we go on our Acotar Revisited journey. So come join our Patreon family over@patreon.com Flights of Fantasy podcast. We would love to have you.
Kim
Yes we would.
Anna
And Also our tier 2 book get a special shout out in one of our episodes. So this week we are going to be shouting out Helga Marie B, Carissa C and Morgan Z. Thank you guys so much.
Kim
Thank you guys. It means the world to us.
Anna
It does. You guys are the best and we genuinely could not keep doing this without you. So thank you so much for supporting us and let's dive in.
Kim
Let's go. All right, so spoiler warning from here on out for the entire Acotar series. That's a court of thorns and roses, a court of mists of fury, a court of wings of ruin, a court of frost and starly, and a court of silver flames. Wow. I did not even rehearse that.
Anna
Wow, that was good.
Kim
Oh, Kim, will you please kick us off?
Anna
I sure will. So we are picking up right where we left off in last week's episode. The High Lord's meeting wrapped up with the King of Hybern using the cauldron to attack the wall. Nesta felt it first, but the attack itself reverberated across Prythian. Now all the courts are aware of the destruction the King of Hybern is capable of with The Cauldron. And as a result, Feyre has to return to her idea of asking all the quote unquote monsters to help fight on their side. And since she's still very unsure about being able to obtain the Ouroboros mirror, she decides to Bryaxis and make a bargain in exchange for Braxis help in defeating Hybern and his army. So her and Amren go down and have a little chit chat with Briaxis and basically you're like, what is it going to take? We want to free you and have you help us in this war. And what does Braxis want? A window.
Kim
I love that.
Anna
That's it.
Kim
And I'm sorry we talked about this already, but she is a black panther in my mind. Like, I don't know why. She's given strong female energy.
Anna
Yes. Strong like Black Panther.
Kim
Yes, I love it.
Anna
Very strong. Yes. I love that.
Kim
I don't know, it's like, there's something, like, cute about it.
Anna
Oh, totally.
Kim
You know, she's terrifying, but also, she just wants a window.
Anna
She just wants a window. And I just love Amren in this scene because Feyre is just, like, flabbergasted by this request and is basically like, but are you sure that's all you want? Like, do you want anything else? And Amren's like, literally stepping on her foot like, shut up. The bitch just wants a window. Just give her the window. And like, let's move on. You're overselling Feyre. I just want to watch the stars. And Feyre's like, I don't know. And Aam's like, a window. We'll get you a window.
Kim
Feyre's like, I don't know if I could actually bring the stars into your, like, home. AM's like, we'll give you a window.
Anna
Yeah, that's it.
Kim
Shut it, Feyre. Shut it.
Anna
God bless her, Feyre. But Braxis agrees. And now we officially have Braxis on her side. Our black cat trio is complete. We've got Amren, Nesta, and Briaxis. I refer to them as the Unholy Trinity. Okay.
Kim
I love that so much. It's now forever.
Anna
They are the Unholy Trinity.
Kim
Yes, they are the Unholy Trinity.
Anna
Terrifying, but very strong and badass.
Kim
Yes, very strong and badass.
Anna
Okay, what's next? Anna?
Kim
Okay, so, guys, we have a history lesson with Anna. But today's history lesson is going to focus on theology specifically.
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Yes.
Kim
The Judeo Christian religions.
Anna
Yes. As we love to talk about as.
Kim
We love to talk about, you know, I mean, you thought you were signing up for a fantasy book chat, but no. Let's go to Sunday school.
Anna
We're going to Sunday school with Anna today.
Kim
Here we go. Here we go. So if you don't remember us mentioning in earlier episodes, SJM does have a minor in religious studies, so it makes sense. Makes total sense that some of her works would feature aspects of that, you know, you write what you know, you pull from what you know. And listen, we know that the topic of religion can be very polarizing, and none of us are particularly religious, but we wouldn't be doing our jobs if we didn't have these discussions. And personally, I love when an author draws from history or ancient texts and seamlessly weaves them into their stories, because once, you know, to look for them, it becomes a fun little game. And, yeah, is anyone surprised that I love to suss these things out?
Anna
Nope. Detective Anna. I love it.
Kim
Okay, so in chapter 27, when Amren. It was a weird way to say her name.
Anna
Amren.
Kim
Amren. When Amren is discussing who and what she used to be in the inner circle, she says this quote, upon the orders of our ruler, we had just laid waste to Twin Cities. So I have never picked up on this before, but I was on the lookout this time around for parallels specifically in regards to Amren.
Anna
Right.
Kim
And I was like, twin Cities. Why does that sound so familiar? So I immediately Googled Twin Cities. Biblical love. It turns out Sodom and Gomorrah. I was like, that's what it is. So in the Old Testament, there are two twin cities called Sodom and Gomorrah, and they are destroyed by God because of, quote, the human, like, wickedness.
Anna
Yes.
Kim
And they are destroyed specifically by fire and brimstone, which pin that for when Amren comes out of the cauldron in next week's episode.
Anna
Yes.
Kim
Raining fire and brimstone.
Anna
Guys, this blew my mind. When Anna told me about this, I was like, are you kidding me? How many times have we read this series? We have never picked up on Twin Cities. Sodom and Gomorrah.
Kim
Yes.
Anna
Upon the orders of our ruler.
Kim
Our ruler. God. Because she always refers to her ruler as father with a capital F. Yes. Okay.
Anna
Yes.
Kim
And I want to point this out now as we move forward through all of these Sunday school lessons, it's on record Sarah has said that she intended for Amren to be a sort of biblical archangel of death.
Anna
Yes.
Kim
That was what her intention was. And when you read Amren through that lens. All of this kind of pokes through in a very clear way. So I want to move on to the next parallel in the book, to the Judeo Christian religion. So Passover is a very heavy theme throughout this book, if you know where to look.
Anna
Yeah.
Kim
So Passover is a story from the book of Exodus in the Old Testament. It's when the Israelites were enslaved in Egypt and they are finally granted freedom after a series of plagues that were sent by God. Now, on the night of the final plague, which is the death of every firstborn child, God instructs the Israelites to mark their doors with lamb's blood so that the angel of death will literally, quote, pass over, hence the name Passover.
Anna
Yep.
Kim
Pass over their homes and spare their children and their families. This act of protection and deliverance essentially symbolizes, like, the liberation from slavery. I also want to point out that in the Christian theology that Passover, lamb and its blood are symbolic of the sacrifice of Jesus Christ. And obviously, if you grew up Christian, Jesus Christ is often referred to as the Lamb of God.
Anna
Yes. This is all coming back to me. It's. It's a little triggering coming back.
Kim
We're having all my Catholic confirmation mandatory retreats.
Anna
Yeah. I went to an Episcopalian private school. So this is all very like, yes, I do remember this. This is tucked deep in the recesses of my brain. I've tried to let it go, but it's so spot on, you guys. Like, it's just crazy when you read it and you look for these things Anna is talking about. I mean, it's incredible how Sarah weaves this in.
Kim
It's very on the nose, very. So remember what God told the Israelites was to paint their doors with lamb's blood. This is a direct quote from chapter 34, when Amran is going on the hunt to search for, like, Hyburn's armies. It's after the Battle of Adriada, and what is said is they painted their thresholds in lamb's blood, a sort of offering to her and payment to stay away, to, quote, Passover. Passover and some left out cups on their doorsteps. Now, SJM could have chosen any form of livestock, and she chose lamb's blood. It's also no secret that from the beginning, when we meet Amren and Achomath, that she drinks lamb's blood. That's her preference.
Anna
She says it's her favorite.
Kim
It's her favorite.
Anna
Yes. Yeah.
Kim
Now, I also want to point out that at the end of the book, right before Amren jumps into the cauldron. She turns to Feyre and one of the last things she says is, tell the High Lord to leave out a cup for me. Now, during Passover Seder, you leave out a cup. It's a gesture meant to welcome the prophet Elijah. And Elijah is supposedly supposed to herald in the coming of the Messiah. And this is another direct parallel to Passover. I mean, you literally. She's like, leave a cup out for me.
Anna
Yes.
Kim
We're leaving a cup out for Elijah. Here you go, Amber.
Anna
Here you go, Amre.
Kim
You are a prophet.
Anna
That's incredible. I know.
Kim
Truly, there are so many. And we're not done.
Anna
I'm not done.
Kim
So Passover also is the moment when the Israelites are fleeing from slavery.
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Kim
And they are being pursued by the Pharaoh's army. They become trapped between the Red Sea and their enemies. And they are saved when Moses parts the waters, allowing them to cross to safety. And when the Egyptians follow, the sea closes behind them, swallowing them whole. And the Israelites are able to escape. Now, this is literally a direct parallel to the story of Miriam and Drakin escaping during the first war.
Anna
Yep.
Kim
This is the quote from the book when the story is being told.
Anna
Incredible.
Kim
So they cleaved this sea itself, made a path through the water, all the way through the channel, and ordered the humans to run. And just like when the Egyptians chased the Israelites across the Red Sea, the waves end up crashing down upon the opposing fae army and drowning them.
Anna
Yep. Okay.
Kim
As if that isn't enough.
Anna
Nope. Still not done.
Kim
We're still not done. So Miriam in the story in Acowor, there is also a character Miriam in the Bible and she is Moses's sister. She is a key integral figure who helps the Israelites escape and across the Red Sea.
Anna
Yep.
Kim
That is literally what Miriam does in the history of the Great War. She leads the humans from slavery, from their fey oppressors. Just like Miriam in the Bible leads the Israelites out of slavery in Egypt.
Anna
Yep.
Kim
It's so on the nose.
Anna
It's literally incredible. It's so fantastic.
Kim
I was reading this and I was having, like you said, major flashbacks to Sunday school and all of the songs we used to sing.
Anna
Oh, my God, that's so funny. Oh, my gosh.
Kim
I was like, trauma.
Anna
Do you want to sing any for us right now? Or.
Kim
I mean, all I can think about are the hymns we used to sing, like, oh my God. Eagles win wings. Did you sing that one?
Anna
No. Maybe we will raise you up on eagle's wings. I don't know. Why? Why Eagle swings.
Kim
I don't know. It's a classic Catholic. Listen, I didn't ask a lot of questions.
Anna
Yeah, well, sure.
Kim
I showed up.
Anna
Well, you can't ask a lot of questions.
Kim
Okay, No, I lied in my confessionals because I was like, why am I telling a strange man, yeah, no things that I did wrong. I don't know you.
Anna
I don't know you. Don't know you. I'm not gonna tell you my secrets. I lied. Oh, my God.
Kim
I was like, I think this says you're supposed to obey your parents. I was like, I disobeyed my parents. Which is true. I mean, I guess I didn't lie. I just didn't tell the things I really probably should have confessed.
Anna
Well, but why is that any of his business? He's a stranger.
Kim
It's not his business. He's a stranger. And he was like, go say Hail Mary's. And I was like, joke's on you. I don't know how to say the Hail Mary.
Anna
So I'm not gonna say it.
Kim
I'm not gonna say it. Instead, I'm gonna sit here and just think until my class tells me it's time to leave.
Anna
Oh, my God. Incredible. Anna the rebel.
Kim
I've seen such a rebel.
Anna
The Catholic rebel. I love it. Okay, so we are going to go on a little field trip to the human realm next. It's not a pleasant field trip, but we do learn a lot of information.
Kim
We do.
Anna
Okay, so the group, the whole kit and caboodle, arrives at Grayson's estate, which is Elaine's human fiance, for now. And it's tense. Okay. Elain has been glamored to appear human. And the goal is very simple. They want to plead with Grayson and his father to shelter as many humans as possible from the coming war with Hybern. But the reunion is anything but simple. Because Grayson, essentially, almost from the get go, is like, yeah, no, you're lying to me. I know that you are fae and I know that you are mated to a female.
Kim
Yeah.
Anna
Oh, awkward. And he is very betrayed. He's super angry at Elain that she would try and deceive him. And he refuses to look past what she has become.
Kim
Yeah.
Anna
And sweet Elaine, she's just so gentle and kind and she tries to stand her ground, but she is devastated by this rejection and he's being very cruel to her.
Kim
He is.
Anna
It's so sad. And just when the emotional sting really settles in, Jurian enters and he reveals that he has been working alongside Grayson and his Father from the start. You guys, I know. What. This is crazy. I feel like I didn't see this coming. Did you?
Kim
No. Okay, so this was actually a plot twist I didn't see coming.
Anna
Oh.
Kim
I mean, granted, I read it. I read it, like, 12 years ago.
Anna
Right?
Kim
So, I mean, so, like, I would.
Anna
Have picked up on it now.
Kim
I would have picked up on it now. No, I actually don't know.
Anna
I mean. No, I don't think. Do you think there were clues?
Kim
Well, in the beginning of Acowar, when she's in the Spring Court, and he's clearly sympathetic to the humans. I think so, but it's very subtle. And the fact that Asriel's wings were, you know, Azriel stabbed and Cassian's wings were shredded at the end of Achomath, that I think would have been really hard for me to get past. And I've been like, no way.
Anna
Agreed. Agreed.
Kim
Which, I mean, he still did those things. So I guess we did get past it, but.
Anna
And we did move on from it.
Kim
But we did move on.
Anna
I actually really loved rereading this because I felt a lot of sympathy for Jury Durian, especially what he says about Miriam and Draken and all of that.
Kim
Yeah.
Anna
So Durian's there, and everyone's like, what the. And Rhysand's like, well, you played the part of the villain pretty convincingly. And Jurian was like, well, yeah, I expected you to look into my mind and to see the truth. Rhysand, y'. All. Why didn't you?
Kim
I can't.
Anna
And Rhysand says, it's because I didn't want to see her. Amarantha. I know, which is valid. But also, what is it, Anna?
Kim
It's war times, Kim.
Anna
It's war times.
Kim
It's frustrating because I'm just like, we could have saved a lot of time.
Anna
We could.
Kim
And effort.
Anna
Yep.
Kim
And Feyre could have had another ally. I think he even says something like, I thought that me trying to help the children of the Blessed was a.
Anna
Big clue to you. She was like, no. Went right over the head.
Kim
She's like, I didn't want to see it. I was too blinded by my revenge.
Anna
She was in her reputation era. She was not thinking clearly. Okay. This was so interesting. He was like, well, Rhysand, funny you should ask that. I thought you would read my mind, as is your ability as a Demotti. And Rhysand's like, oh, yeah, no, I didn't do that. I didn't do that.
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Anna
Jurian shares that he doesn't actually want to kill Miriam and Drake and he wants to apologize to them.
Kim
Yeah.
Anna
Rhysanda still skeptical obviously. And he's like well why now? Why are you helping now? And Durian says because the wall came down and now I can move freely to warn the humans here. Because Tamlin ran right back to Hybern after your meeting ended this morning, right to their camp in the Spring Court where Hybern now plans to launch a land assault on Summer Tomorrow. And in order to prove his worth to this group, Durian tells Rhys and to pass a message along to Cassian and that is to hammer the left flank of Hybern in tomorrow's battle because it's where the more untrained soldiers will be.
Kim
Yeah, this is interesting, the fact that Tamlin ran right back to Hybern and then we know that he helps rescue Elayne and aids Feyre's escape at the end of the book and all of that. It's interesting that Jurian doesn't say that he ran straight back to Hybern, and he doesn't say that he told Hybern anything. He just says he ran straight back.
Anna
True.
Kim
I mean, what else would he be doing?
Anna
You're supposed to insinuate that, right?
Kim
You're supposed to insinuate that. I just. It's so hard. Which is it?
Anna
I know.
Kim
Snip, snap. Snip, snap.
Anna
Snip, snap. It's very interesting the way he words that. And Sarah clearly wants us to interpret with that is Tamlin is betraying them. There's also a really sweet moment between. Well, really sweet is the bar is on the ground at this point for Nesta in terms of sweetness. But they won't let them in the castle to see Grayson or whatever the fortress. And so they have to stay in this little guard stand. And it's a tight fit. Okay. It's a tight squeeze because there's the whole inner circle crew, plus the guards for Grayson and his father and everything. And Feyre is having a really hard time because she feels like she's back under the mountain. She doesn't like tight enclosed spaces.
Kim
Claustrophobic.
Anna
Which same girl? Same.
Kim
Yeah.
Anna
And Nesta notices that Feyre is struggling. And so she looks over at her and she says, I can't get into a bathtub anymore. I have to use buckets.
Kim
The used buckets. It goes back to what Feyre says, I think earlier. Like, we don't know how long she was under there. For us, it was seconds.
Anna
Right.
Kim
For her, it could have been hours, days. We don't know.
Anna
We don't know. And so she shares that very raw, vulnerable piece of herself with Feyre to make Feyre feel better. And it's so sweet. And Feyre's like, when we get home, we'll install something for you.
Kim
We'll give you a shower, girl. Just ask for a shower.
Anna
We'll give you a shower. Good.
Kim
You're just picturing her dumping.
Anna
Logistically, it's just.
Kim
Logistically. How are we.
Anna
I don't know how we're fitting. Is it a large? Like, to me, that's not really that much different than a bathtub.
Kim
Are we sticking our head, like, upside down? Like, you know, scrubbing our hair?
Anna
Yeah. How are we rinsing? I don't know.
Kim
How are we rinsing?
Anna
You know, we're always very concerned about bath time logistics around here.
Kim
It's a topic of discussion we have daily.
Anna
It is. But that was a really sweet moment. And so Elaine and Grayson are basically, you know, going back and forth. And Grayson says, you belong to him. Talking about Lucien, because he knows that Elain is mated to a female.
Kim
Right.
Anna
And Elaine says, I belong to no one, but my heart belongs to you. Grayson's face hardened. I don't want it.
Kim
Okay, well, sir.
Anna
Sir, that's rude.
Kim
What did she do to you?
Anna
She was taken against her will.
Kim
She was the one that was traumatized.
Anna
Yes.
Kim
Turned against her will.
Anna
So basically, then he says they'll take in all of the humans that they can, but not you. Never you.
Kim
That is poor Elaine. She's barely holding on. She's listening.
Anna
I know.
Kim
Slither through the ground.
Anna
Yes. It's so sad.
Kim
She's unwell.
Anna
She's unwell. And she was, like, so anxious about seeing him. And she still has his ring on. And he starts screaming at her to take it off. And Rhysand's like, all right, okay, that's enough. The lady will keep the ring and do with it what she will. Although I do have to say most women prefer gold or silver instead of iron. But, like, I love that. Basically, Rhysand's like, you're tacky and I hate you.
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Kim
I hate you.
Anna
But, like, the lady will keep this disgusting iron ring if that's what she really wants to do.
Kim
I love that.
Anna
All right, that's enough. You're throwing a temper tantrum.
Kim
And we're done.
Anna
We're done here. But then fudgeing Nesta. Okay, so Elaine is sobbing.
Kim
Yes.
Anna
Because he's screaming at her. And Nesta steps forward, and she is so quiet, but so quick. And she slaps him across the face. And she said, you never deserved her. Yes, yes, Nesta, love. This is the black cat energy we love to.
Kim
To see.
Anna
I just want her to point that anger towards the right people.
Kim
Just keep it going.
Anna
And she does. I love it. She points that finger at Hybrid. I'm into it. She's slapping Grayson. I love it. I'm into it.
Kim
Yes. Nesta, absolutely. Be this badass, angry person. Just channel it at the right people.
Anna
Yes. And it's so clear that Nesta is fiercely loyal to the people that she loves.
Kim
She is.
Anna
And she will ride or die for those people. I mean, especially Elain. Elaine is. Elaine is.
Kim
It escapes us, but it does.
Anna
We don't get it, but we're not her sister, so who's to say?
Kim
Who's to say?
Anna
You know? Exactly.
Kim
Sometimes you gotta live with people.
Anna
You do. To really know them, to really, really know them.
Kim
All right, so we are gonna move on to the battle scenes, guys. There's a lot of battle scenes. Yeah, there's quite a few. I mean, I'm four, five in this book.
Anna
Yeah.
Kim
Okay. And we're entering truly, we're entering into what is all battles from here on out. Pretty much. And little skirmishes.
Anna
Yeah.
Kim
And I just want to kind of talk about them and. And SJM writes these scenes with really kind of a beautiful cinematic element to them. She balances the large scale chaos with deeply personal moments. I feel like it's really woven very well, you know, as a reader. The final stretch of Acowar. It's so much fun, especially to read Cassian and Azrael in their element, which I feel like we haven't seen. You know, that talks about the Elyrian wings cutting through the sky, their siphons are blazing, et cetera. But Feyre reflects on how it's a very stark contrast between the earlier ambush and Adriada when Hybern attacked and this kind of open field warfare, which I gotta imagine is very different. You know, one is very close encounter and you know, there was a lot of terror and confusion in Adriada and then. And it was a surprise attack. Right. And civilian casualties. So there's kind of a more of a will to defend those that can't defend themselves.
Anna
Sure.
Kim
But these types of final battles in the end of the book feel much more primal.
Anna
Yeah.
Kim
There's very specific lines are drawn, the armies are charging at each other. It's death in broad daylight. It feels messier in an odd way, even though to me it sounds like Adriada would seem more messy and confusing. But I think the aspect of having to defend those who can't defend themselves, it makes it easier to swallow for Feyre.
Anna
Right.
Kim
And she still, I mean, she vomits at the end of Adriada.
Anna
She does.
Kim
I mean, it's not easy, sure. But in this chapter, in chapter 56, we really get our first true taste of full scale war. And it's a hard won victory. But they do win. And Rhysand steps aside and he offers Tarquin the final justice for what was done to his people earlier in the book in Adriada. Yeah, And Tarquin, guys, he uses his summer court magic and he drowns the Hybern army on dry land.
Anna
Yeah, it is brutal.
Kim
And it's a great reminder that it's not just Rhysand who has these incredible powers, but yeah, this young high Lord, he's 80, which is basically a bebe.
Anna
He's a tiny bebe compared to everybody else.
Kim
Yeah. And he showcases this extreme amount of power and drowns. There is no mercy. I think they pull a few for questioning.
Anna
Yeah.
Kim
And then he drowns everybody else on dry land. And Feyre at first looks around and she's like, what is happening? Why are they all, like, gagging? It's gross.
Anna
It's intense. But it's four times, you guys.
Kim
Four times.
Anna
And you know what? They attacked Tarquin and his people. And I love that Rhysand offered it to him.
Kim
Yeah.
Anna
He just wants to be his friend so bad that this is his. Like, hey, like, do you. Do you want to take and kill them all? I'll let you do it if you want to. Like, you. You can if you want to, but, like, I don't. I don't know. And then we could get a drink after and talk about it. I don't. Whatever you want to do or not talk.
Kim
We can just like, sit there, right?
Anna
We could just sit in silence. Like it's cool. Like, it's just. Rhysand just wants a friend. You guys are so bad. He wants a high lord friend. He does.
Kim
And I think him and Tarquin would get along.
Anna
I do too.
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Kim
I mean, Tarquin did rescind the blood rubies, so. Hey. Hey.
Anna
So they're basically friends now.
Kim
They're basically besties.
Anna
Yeah.
Kim
We just need Cassian's to be resented.
Anna
Yeah. Yeah. We do need the band.
Kim
It was just a small building.
Anna
It was just one building. You guys, stop overreacting. It's fine.
Kim
I love it. But speaking of Cassian, I loved getting these quotes of him fighting. We've heard about the Lord of Bloodshed. He's the general of the armies. And we've never seen him in action, obviously, until now. And I love this quote. Cassian stepped out of that impenetrable front line of shields and swords. The soldiers around him, immediately closing the gap. Mud and blood splattered Cassian's dark helmet, his armor. He ditched his tall shields for a round one strapped across his back, crafted from the same ebony metal. And then he launched into a run. And there's. I mean, there's so many other great quotes.
Anna
So cool.
Kim
But the best part is, after the battle is over, Nesta. Nesta is walking around the camp and she's filling jugs of water and buckets of water. She's trying to be helpful. She is. She actually is.
Anna
She really is.
Kim
And the quote is, nesta listened to the low level Illyrian soldiers whispering about how Cassian had thrown that spear, how he'd cut down soldiers like stalks of wheat. How he'd fought like Enelus, their most ancient warrior God and the first of the Illyrians. It had been a while, it seemed, since they had seen Cassian in open battle, since they'd realized that he'd been young in the war. And now, the looks they gave Cassian as he passed, they were the same as those the high lords had given Rhys upon seeing his power, like them. And yet other. I love this.
Anna
I love this. And also, this reminds me of. Okay, so, like, Nesta keeps coming back to refill the buckets. She's kind of eavesdropping. And it reminds me of the scene of Angela from the office when Dwight pepper sprays Roy because he's about to attack Jim.
Kim
Yes.
Anna
And Angela, like, the next day goes around and she's like, I wasn't there. Can you tell me what happened? Yeah, how did the battle go? How did the fight go? I don't know. I wasn't there. She has, like, five different people.
Kim
She's, like, so clearly turned on. Yeah.
Anna
Oh, yeah. She's so into it.
Kim
Then what did Dwight do?
Anna
Yeah. And then what? And then what happened? But, like, I don't really care. But, like, I just wanted to know.
Kim
Just in case others are asking.
Anna
I just, like, I need to be able to relay the info. Even though we were all basically there, it's giving. Nesta's like, yeah. Oh, what? Oh, let me just. I gotta refill this place.
Kim
She's like, this is my spank bank.
Anna
Oh, absolutely. This is foreplay for Nesta. She's like, yes. Violence. Bloodshed.
Kim
Violence. Listen, they deserve each other.
Anna
Oh, they're perfect for each other.
Kim
I mean, the Lord of bloodshed and the Goddess of Death.
Anna
Truly, truly. A match made in heaven. Match made in heaven or hell or something. But, yeah, we don't know.
Kim
We don't know.
Anna
So we have another battle scene, and this one drags on, and it becomes pretty clear that Hybern is gaining the upper hand. And Cassian, Azrael and Rhysand are nearly drained. So Feyre decides to be sneaky, and she essentially baits Mor into entering the battle so that she can slip away unnoticed and track down the one being who may hold all the answers. Our favorite Gossip Girl, the Surreal.
Kim
I love it.
Anna
So Elain is actually able to track down the Surreal's location using her seer abilities, which is very convenient. And Feyre winnows directly there. And our Gossip Girl delivers two very important bits of Information. The first one is, is to use a scrying method. And if Nessa uses the scrying method, she can track the Cauldron and the hybrid army because, quote, like, calls to like. So because Nesta was made by the Cauldron, she will be able to track the Cauldron.
Kim
Right.
Anna
Interesting. Okay. But also, the Cere delivers a final riddle, this time for Amren. Tell the Silver Eyed messenger that the answer lies on the second and penultimate pages of the book. Together, they hold the key. But before Feyre can even ask, the key to what? A sickening snap echoes through the woods. The cereal has been shot with an ash arrow. And just like that, the one creature that has always helped Feyre is dying in her arms.
Kim
Guys, this was. Every time I read this scene, it hits me. I mean, it hits me harder when Feyre comes back later. But the Ashero hits and Feyre is. Is devastated.
Anna
Yes.
Kim
And the Surreal, the kind, strange creature that always told her the truth. I feel like they became buddies, you know, it's a scary, big, weird looking creature, but it was sweet and they had some sort of camaraderie.
Anna
They had a connection for sure.
Kim
And guys, it's fucking Ianthe.
Anna
Oh, bitch.
Kim
This garbage trash whore.
Anna
I hate her. I hate her. So I'm like, of course it was you. Of course it was you. You're the fucking worst.
Kim
And after some back and forth, Feyre realizes that the cloak that the Suriel is wearing. Because if you remember, listeners, one of the ways to catch a Suriel is to offer it a cloak. And so the Surreal is wearing a new cloak. And it was one that was actually given by Ianthe. And it has a tracking spell that was activated when Feyre arrived. Yes. And she can't let the Surreal's death be for nothing. So she leads Ianthe deep into the middle. Right. To the Weaver's cottage.
Anna
Yeah, she does.
Kim
She lures Ianthe and the Hybern foot soldiers into the cabin. And when the Weaver asks, who did you bring me, little wolf? Feyre replies, dinner.
Anna
And then she slams the door.
Kim
And she runs out of the cottage.
Anna
Yes.
Kim
And Ianthe, you just hear screaming.
Anna
That's right.
Kim
I love that. Ianthe's demise is by a creature that sucks the beauty out of people.
Anna
Yes.
Kim
It is so perfect for her. I love that.
Anna
Yes.
Kim
Somebody who is so vain.
Anna
Oh, so vain.
Kim
A narcissistic.
Anna
And she uses her looks to prey on people.
Kim
Yes.
Anna
And take advantage of them. Yes. And so for her to then have that taken away from her in such a Violent way is the perfect end for her. I literally could not have written this better. And I love it.
Kim
I love it. It's so good. So Feyre returns to the Suriel, and she realizes there's nothing to be done. The Suriel is dying. Yeah, guys. The Suriel says, stay. Stay until the end. And the surreal admits that it knew that there was a cloaking spell. And Feyre can't believe that the cereal would risk its life to still come and speak to her, even though it knew the spell might be activated.
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Kim
And what the cereal responds is, you were kind. You fought your fear. You were kind. And then Cyril delivers the final, cryptic little t. Little message.
Anna
Yep.
Kim
She repeats the phrase from book one, stay with the High Lord and live to see everything righted. And Feyre's confused and she's like, well, no, I already did that. Have you been watching?
Anna
We've actually already talked about this. I don't know if you remember. I know you're dying, but you did already tell me that.
Kim
Yes, and I did. And we're together.
Anna
Right.
Kim
And the cereal follows up and it says, no, no, not yet. Stay with him.
Which is clearly foreshadowing the end of the book.
Anna
Absolutely.
Kim
But the final quote from the cereal is, it's so beautiful. It's so heartbreaking. It says, feyre Archeron, the surreal said again, gazing at the leafy canopy, the sky peeking through it. A painful inhale, a request. I leaned close. Anything. Another rattling brag. Leave this world a better place than how you found it. And as its chest rose and stopped altogether, as its breath escaped in one last sigh, I understood why the surreal had come to help me again and again. Not just for kindness, but because it was a dreamer. And it was the heart of a dreamer that had ceased beating inside that monstrous chest.
Anna
Oh, y'.
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Kim
Moment of silence for the cereal.
Anna
Absolutely.
Kim
It's like another dreamer in a court of nightmares. And I just. Yes. I love it so much. And it was. It wanted. Leave the world a better place than how you found it.
Anna
Yes. And it tr. It did help Feyre over and over. It makes me so sad because what could it have been if the surreal could have been a part of the inner circle, you know?
Kim
I know.
Anna
I don't know if they were accepting applications or, like, if the surreal would have been a good fit, personality wise. I don't know. But it's such a sweet, touching moment for a character that you have been terrified of the entire series.
Kim
Yes.
Anna
And the way that Sarah is able to humanize the surreal to the point where you are are sad for its death is such a testament to her writing.
Kim
She does it and we'll see it later.
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Kim
I mean, she does it with the bone carver. I think in a way she does it with Bryan. She humanizes. Yeah. I think the weaver is like the only one we don't humanize. And that's fine.
Anna
And I'm good with that.
Kim
I'm good with that.
Anna
I don't think we need to do that.
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Kim
But anyways, Hellion ends up tracking Feyre down because Rhysand is like where the fuck is my wife? Where is my mate? Yes, and so Hellion's the one that ends up finding her. And Feyre asks him to burn the Surreal's body with his power. You know, the power of the sun.
Anna
Yes.
Kim
But before he does, she takes Ianthe's cloak off because fuck that bitch.
Anna
Yeah, fuck her.
Kim
And she requests Hellion's cloak and then she covers the surreal in a new cloak and then burns the surreal with the light of day. And it's a beautiful moment and it's so sad. Feyre's very upset about it. I mean she arrives back and she crumples into to Rhysand's arms and sobs.
Anna
Yeah, it's very sad.
Kim
It was one of the first creatures that I really actually gave her. Well, I mean it was cryptic, but it gave her answers and was always truthful. Like she says, definitely.
Anna
Okay, so we are gonna do a little Nesta and Cassian mate. Watch everybody.
Kim
Yay. My favorite.
Anna
This is actually after one of the earlier battles and Cassian's kind of minorly injured and Nesta finds him and she's helping patch him up. So the quote is Cassian seemed too weary to speak as well while she wrapped bandages around his wrist, only grunting to confirm if it was too tight or too loose, if helped at all. But he watched her, didn't take his eyes off her face, the brows bunched and lips pursed in concentration, and when she tied it neatly, his wrist wrapped in white. When Nesta made to pull back, Cassian gripped her fingers in his good hand. She lifted her gaze to his. Thank you, he said hoarsely. Nesta did not yank her hand away, did not open her mouth for some barbed retort. She only stared and stared at him, at the breath of his shoulders even more powerful in that beautiful black armor, at the strong column of his tan neck above it, his wings, and then at his hazel eyes still riveted to her face. Face. Cassian brushed a thumb down the back of her hand. Nesta opened her mouth at last and I braced myself. You're hurt. At the sound of Mor's voice, Cassian snatched his hand back and pivoted toward Moore with a lazy smile. Nothing for you to cry over. Don't worry. Nesta dragged her stare from his face down to her now empty hand, her fingers still curled as if his palm lay there. Cassian didn't look at Nesta as she rose, snatching up the pitcher, and muttered something about getting more water from inside the tent. Cassian and Mor fell into their banter, laughing and taunting each other about the battle and the ones ahead. Nesta didn't come back out again for some time.
Kim
That is basically an I love you from Nesta.
Anna
Nesta is like I'm in love with you.
Kim
I mean, I don't know if that was obvious. But that's how I feel.
Anna
I felt I was very clear by staring at you and not yanking my hand away. That's me saying I have feelings for you. I'm feeling something here.
Kim
It's such a sweet moment. And I love how we get to see. Only Cassian brings this side out of her, which.
Anna
That's right.
Kim
Mates.
Anna
Total mates.
Kim
I mean, total mates.
Anna
So, Nesta. So just as a Suriel suggested, they get Nesta the necessary items for her to SCRY so that she can search out the cauldron in Hybrn's army. It works. Works. But she does, unfortunately, go in too deep. And the cauldron gets a look at where she is, AKA where their whole group is. Which leads us to Elaine's capture. Anna, will you walk us through that?
Kim
Oh, yes, yes, yes. So I'm going to quickly run us through the capture and then we'll chat about it after.
Anna
Okay.
Kim
So far. And Nesta and Amren are adulted awake. Okay. Something feels off. All three of them rush out of their tents. They quickly assess that there's actually no immediate attack. And they're starting to shrug it off. But Nesta, of course, Nesta. Nesta realizes she's like, wait a second. Elena's gone. Oh, dear. Of course she's been taken. Hybern has somehow breached their defenses and stolen her from right under their noses.
Anna
Yeah.
Kim
And Feyre is forever the protector of her family is, like, not today, Satan.
Anna
That's right.
Kim
No, no, no, no, no. I am putting a plan into motion, and I am going to get my sister back. So what she does is she disguises herself as Ianthe using a magical glamour. Thank you. Magical powers from the Spring Court. Shapeshifting. Thank you. Thank you, Tamlin.
Anna
Thank you, Tamlin. Final.
Kim
Finally. So Azriel ends up going with her. And together they infiltrate Hybern's camp. And they walk straight into enemy territory. Feyre plays the role perfectly. She pretends to flirt with Jurian. And he knows that it's actually Feyre.
Anna
Yeah.
Kim
And he's telling her where they're keeping Elaine.
Anna
Yeah.
Kim
And I love this. Jurian is like, listen, you've been lusting after me for weeks, so act like it to, like, I Anthe. And Feyre's like, got it. Noted. So she's got it, like, petting him.
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Kim
And she turns to the guards because. Because Elain is being kept in the same tent as the cauldron. And so Feyre's like, you know, before I have hot, sweaty sex With Jurian. I just need to pray before the cauldron and thank the mother.
Anna
Yes. For this gift of sex.
Kim
Gift of sex.
Anna
It really just gets me going. It's so good.
Kim
And so the guards are like, all right, whatever, weirdo.
Anna
Okay, weirdo.
Kim
So, long story short, they break Elaine out, and they also take a young human woman who was being held prisoner.
Anna
Yeah.
Kim
And as they escape, Hyburn says, sends his hounds after them. These big, scary, monstrous, magical hounds. And Azriel is severely injured, which is important because he ends up not really being able to fight in the final battle until he says fuck you to Rhysand.
Anna
Oh, right.
Kim
And Elayne can barely stand. You know, she's weak from being held captive.
Anna
That's right.
Kim
And Feyre is nearly spent from using her magic to hold the glamour and trying to fight off the hounds.
Anna
Yes.
Kim
But then, just as Feyre is about to be attacked, a giant beast comes ramming into one of the hounds, and it's Tamlin.
Anna
Yeah.
Kim
Which is shocking to everybody, especially Feyre.
Anna
The shock of the century. Yep.
Kim
And not only does he fight against Hybern, but just as Asriel and Feyre are jumping off the cliff, Feyre is having to use her wings, really, for the first time. Cause remember, she's had those training lessons, but she's not very good at it yet.
Anna
It's not going well.
Kim
And so she's trying. And Asriel is severely hurt with his wings. And so he's like, I actually can't carry you. Plus these two other women that I'm already holding.
Anna
Yep. Can't do it.
Kim
Can't do it. So she takes off, and she's like, well, I'm either gonna. I'm either gonna fly or I'm gonna die.
Anna
Right.
Kim
That is it.
Anna
That's it.
Kim
And she feels a breeze, a spring breeze that lifts her up just so they can get outside of Hybern's magical barriers and their wards, and they're able to winnow back to the Night Court camp with a war camp.
Anna
Yeah.
Kim
And it's a great moment, and I want to, like, pause here to talk about a possible Tamlin redemption arc.
Anna
Yes. I think Sarah is definitely for this. Between this and, obviously, the gift that he gives to save Rhysand later, which we'll get to. But I think she's definitely setting up for it, and I think I'm fine to read that if that's what she wants to do. And I don't think it's going to be like Elaine and Tamlin end up Together.
Kim
No, I don't think it's going to be even. It might not even be a full redemption arc, because I think that would require an entire book. And I don't know that Tamlin is getting a book. I don't know that everybody. I mean, there are people out there who want to read the Tamlin book.
Anna
Yo. Yeah.
Kim
They're not me.
Anna
Not us.
Kim
Not us.
Anna
No. I don't think she would devote. I think it would be like a C plus.
Kim
Exactly. I think at the end of the book, he's gotten to a place where he's like, be happy, Feyre.
Anna
Yes.
Kim
And I think he recognizes that, okay, he might not ever be the male that. I think Aerys is honestly on a better path for a redemption arc than Tamlin is. I think Tamlin, that was kind of his redemption.
Anna
Yeah.
Kim
And I think he's a very broken man. That we'll see in a court of silver flames. I mean, the Spring Court's in disarray.
Anna
Yeah.
Kim
And I think, if anything, his redemption might end up being, like, a sacrifice. Sacrifice of some kind.
Anna
I could see that. You know, I could see that.
Kim
I don't know that we're gonna get, like, a full story.
Anna
No, I don't think so. And I would rather see an Eris redemption arc than I would Tamlin. I think Eris is a much more interesting, layered, nuanced character than Tamlin. Well, number one, they're not real guys, so don't get upset. Also, I didn't write it. Sarah did. I'm just saying. I think that Sarah has given us more. It's like Elaine and Nesta, you know, like, we were given more to work with with Nesta, so naturally, we're more interested in her because she's a very complex character, and Erin is very complex, and there's clearly a lot going on behind the scenes.
Kim
Yes. So much.
Anna
And with Tamlin, it's like, yeah, I don't like him, but I don't want him to be miserable forever. And if. And if we get a couple sentences or, like, a very minor side plot about him being happy, then great.
Kim
I think we've spent three books really seeing him through the eyes of Feyre. And I think the difference is with Aerys, we're getting nuggets, but we don't know the truth. All we see is, like, he says, we are not all as lucky as our friends and family. Rhysand. And we see how terrible the Autumn Court is and what's happened to the lady of the Autumn Core. And what's happened to Lucien. And we know Aerys tried to. We suspect, based on what he says, if we're to believe him, that he tried his best to get. He helped Lucian escape. He didn't want what happened to Mor to happen to Mor.
Anna
Yes, yes, yes.
Kim
There's aspects of his character that feel, like you said, more layered, more nuanced. He's an onion.
Anna
He is an onion.
Kim
And I think with Tamlin, unfortunately, we've seen so much of him already throughout the series that I don't really need there to be, like, a huge, huge plot around him.
Anna
And I don't think that's what she's doing.
Kim
No, I don't think so.
Anna
I think she's really done most of what she's gonna do with Tamlin. Like, I think him.
Kim
I agree.
Anna
Doing this and then giving the drop of his power at the end of the book and saying, be happy, Feyre. And Feyre says, be happy back to him. Like, I kind of feel like that's it.
Kim
Yeah.
Anna
I agree that maybe he might help in a future book or something like that in terms of. To move the plot along, but I don't think there's gonna be this big storyline. Yes. But there is an interesting note about the girl that they. The human girl that they rescue. Brian.
Kim
Yes. There is a theory that because her name is literally just because her name is Briar, which.
Anna
Okay.
Kim
I mean, it's a little stretch, but it is funny. But people think that if there was a storyline about to happen, that she could be Tamlin's mate because she's human and it mimics Feyre. And also that Briar is like Briar Rose and the Spring Court and the roses.
Anna
Yes.
Kim
It's just a fun little theory that's floating around out there. I mean, again, I think that would be a lot to try and work into a book, but agreed, it's fun to know.
Anna
It is.
Kim
Okay. I also do want to say this. Elain shows a bit of backbone here for the first time.
Anna
She sure does.
Kim
And it foreshadows what happens at the ending. She is on the back of Azriel, but she turns around and she starts whacking the hounds as they attack. And she uses her little face strength.
Anna
Yes.
Kim
And I'm just like, all right, we're seeing a little glimpse. Go, Elain.
Anna
Go, Elain. I love that for her.
Kim
I also want to back up to this quote from Rhysand right before Feyre takes off to go rescue Elain with Azriel.
Anna
Yes.
Kim
And what he says to her as she's getting ready to go is. He says, do not get distracted. Do not linger. You are a warrior, and warriors know when to pick their fights. I nodded, our breath mingling. Rhys growled, they took what is ours, and we do not allow those crimes to go unpunished. His power rippled and swirled around me. You do not fear, you do not falter. You do not yield. You go in, you get her, and you come out again. Remember that you are a wolf and you cannot be caged. I like. Yes, Daddy, yes. He's sexy to me.
Anna
I love this, damn it, he's so sexy.
Kim
You do not fear, you do not falter.
Anna
Oh my God, I love it.
Kim
And you do not yield. Pin it, pin it.
Anna
Mastermind pin phrase for Mastermind next week.
Kim
Oh my God, I love it so much. Okay, so we also have the sister reunion after Elaine.
Anna
Oh, I love this.
Kim
Gets rescued. This is a really sweet moment with again, Nesta. Damn it, Sarah, you genius. So it says. Nesta rounded a tent, skidding to a halt in the mud. She let out a sob at the sight of Elayne still in Azriel's arms. I'd never heard a sound like that from her, not once. She isn't hurt, I said to her into that chamber in her mind. Because words I couldn't form them. Nesta broke into another sprint. I reached for Rhysand, his face taut as he stalked for us. But Nesta got there for first. I swallowed my shout of pain as Nesta's arms went around my neck and she embraced me so hard it snatched my breath away. Her body shook, shook as she sobbed and said over and over and over, thank you.
Anna
Why am I crying over Nesta? What the fuck, Sarah?
Kim
I'm telling you, Sarah sets this up so well. So that then when we have her breaking at the end of this book, leading us into Akasoff and yeah, what she does, you know, know with Cassian and in the novella and then setting us up in a soft we see what it could be.
Anna
Yeah.
Kim
And then we see how dark it could be.
Anna
Yeah.
Kim
And it really sets it up so beautifully.
Anna
It does, it does. It is such a roller coaster with Nesta from here on out, truly. But this scene is so sweet because we all think Nesta's running toward Elaine, right? Because of course she is. She's obsessed with Elaine. She's going to just run right past Feyre, who went and got her, and go to Elaine. And so Feyre's like, I'll go to Rhysand, you know, and she goes to Feyre first and she grabs her and says thank you.
Kim
I feel like that has to be so healing for both of them.
Anna
Oh God, you know, so sweet. And so all three of them go together into a tent and they curl up on like a little camp bed together. And Feyre says, I didn't know how long my sisters and I lay there together, just like we had once shared that carved bed in that dilapidated cottage. Then back then we had kicked and twisted and fought for any bit of space, any breathing room. But that morning, morning as the sun rose over the world, we held tight and did not let go. This callback to them in the cottage where they were so miserable, they were so angry, they were so broken. Yeah, that callback to them all voluntarily choosing, yeah, to snuggle together in this bed together in the midst of this war and hold on to each other is such a beautiful, beautiful scene. I love it so much.
Kim
I love it so much. And they're in such a different place than they were obviously at the beginning of Acotar and how far we've come with the three of them, especially Elain, then at the end of the book being more bright and more cheerful. Although Nesta is broken at the end of this book. But we're seeing, like I said earlier, we're seeing what could be.
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Kim
And it's that that we hold on to as we go into a Absolutely.
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Anna
So we want to touch upon this kind of next big reveal, which is more Moore's sexual preferences. But first we have to set the stage. Because prior to that very important conversation, Moore and Feyre have a fight.
Kim
Yes.
Anna
And it is right after Feyre returns from the surreal. Dying. And Mor is pissed. She's pissed because Feyre lied to her and baited her to go into battle so that she could sneak off and meet with the cereal. And Feyre recognizes the hurt that that caused. But she's also pissed at more and more. Says, you are my high lady. Do you understand what it means when you imply you don't trust us to help you to respect your wishes? If you want to do something alone when you lie to us. Us. Which Cassian says something similar to Feyre earlier in the book where he's like, you're our high lady too. It's our job to protect you. It's not just about you being Rhysand's mate. You are my high lady. And Mor is essentially saying the same thing.
Kim
Yep.
Anna
And Feyre comes back to that and says, do you want to talk about lying? How about the fact that you lie to yourself and all of us every single day? Why haven't you ever made a move for Azriel? More, why did you invite Helion into your bed? You clearly found no pleasure in it. I saw the way you looked the next day. So before you accuse me of being a liar, I suggest you look long and hard at yourself.
Kim
Oh, y'. All.
Anna
Feyre.
Kim
This is very Nesta energy.
Anna
Yes.
Kim
You know, she is not holding back. She is not pulling punches. And I mean, she's saying what we've all been thinking, right?
Anna
Like she's not wrong.
Kim
Not wrong. I mean, it's like, girl, this poor man.
Anna
For sure. Oh, for sure.
Kim
What are you doing?
Anna
It's super shitty.
Kim
Yeah.
Anna
So that is kind of where Feyre and Mor left things before Feyre and Azrael go off to rescue Elaine.
Kim
Yes.
Anna
And it really guts Mora that she thinks that the last words Feyre may hear from her are like, her kicking her out of her tent after their fight. Because she basically tells Feyre, she's like, get out. And then Feyre leaves and then they go rescue Elain.
Kim
Yes.
Anna
It's definitely very sister. Sister.
Kim
Like, it's a very sister fight.
Anna
Yeah.
Kim
Okay. So obviously Mor. So we fast forward after we rescue Elain and Feyre and Mor find each other and they want to have a talk.
Anna
Sure.
Kim
And obviously more coming out to Feyre is a very big topic. Topic of conversation in the fandom. And if you're new to this world, this fandom, just trust us when we say it's discussed a lot and people have very big feelings about it.
Anna
Yes.
Kim
We're not here to dismiss anyone. And we are straight, heterosexual CIS women.
Anna
Yes.
Kim
Who have zero idea what it's like to walk in those shoes, to hide yourself from people and to be concerned about whether or not you'll be accepted. And I'm sure there's a plethora of other reasons that we honestly have never had to consider. And yet, yes, this is a fictional character, but that doesn't take away from the fact that fiction can still impact you in a very, very real way.
Anna
Yes.
Kim
So we are entering this conversation with the hope that we are being very cognizant of people's real life experiences. And we are gonna start off by reading some quotes from the chapter when Mor finally reveals her truth. And then we're gonna break it down. Okay, so Mor is giving a lot of history. And this is part of what she says is. But this part of the me more wiped out her tears with her free hand. It didn't matter as much when my family disowned me, when they called me a whore and a piece of trash, when they hurt me. Because those things, they weren't a part of me, weren't true and weren't intrinsic. They couldn't break me because they never touched that innermost part of me. They never even guessed. But I hid it. I've hidden it. Because she tilted her head back, looking skyward. Because I live in terror of my family finding out and shaming me, hurting me about this one thing that has remained holding me mine. This one part of me. I won't let them. I won't let them destroy it. And then she follows up with my gift is truth. And yet I have been living A lie my entire existence.
Anna
Wow.
Kim
And it's a really heavy, beautiful moment.
Anna
Yeah.
Kim
And it makes sense to us that, you know, what she says is that I don't care. They can call me every name in the book because those things sticks and stones. But this part of me is so intrinsic that if they were to attack that part of me, I think that would me protect. Break me.
Anna
Yeah.
Kim
And you know, as a reader reading that and seeing what Kier. I mean, her father nailed a letter to her womb.
Anna
Absolutely.
Kim
And sent her back to the Autumn Court.
Anna
Yes. That part definitely tracks with me. And I don't think she's under any obligation to come out to her family or anybody in the hewn city or anything like that.
Kim
She doesn't owe them anything. No.
Anna
And if I had her family, I wouldn't tell them shit. I wouldn't tell them my favorite color. So I certainly don't fault her there.
Kim
Yeah.
Anna
It's more just in regards to Azriel is where I start to have some issues.
Kim
Yes. And so here is the conversation that she has about Azriel.
Anna
Yeah.
Kim
Feyre is a back and forth conversation with her and Feyre. And Feyre says. Do you think Azriel suspects? Maybe. I don't know. He's too observant not to. But I think it confuses him. Whenever I take a male home and Feyre follows up with. So this thing with Helion, why? And Mor says he wanted a distraction from its own problem. And I. Whenever Azrael makes his feelings clear. Like he did with Eris. It's stupid. I know it's so stupid and cruel that I do this. But I slept with Hellion just to remind Azrael. Gods, I can't even say it. It sounds even worse saying it. And Feyre responds to remind him that you're not interested. And Mor says I should tell him. I need to tell him. Mother above. After last night I should. But it's gone on for so long. So long. I'm petrified to face him. To tell him that he spent 500 years pining for someone and something that won't ever again exist. The potential fallout. I like things the way they are. I think this is what's really hard as the reader. Because this is. Honestly, it's an issue. I have more with Sarah too. Because I think Sarah has built this book up. The first two books that we've. Or the first times we've seen Mor and Azriel together. There are clear looks between them that is hard to interpret any other way than Possible feelings.
Anna
Absolutely.
Kim
Obviously on Azriel, but even on Moore's End, especially in Acomaf.
Anna
Absolutely.
Kim
And this is one of the things that is hotly discussed in the fandom is at what point did Sarah. Did she change her mind? Did she always want more to be gay or bi? At what point did she make that change? Or was that always her intent? Because it wasn't.
Anna
It doesn't read that way.
Kim
It doesn't read that way. And I think that's what feels so abrupt.
Anna
I think a lot of the fandom feels like Sarah basically was getting pushback on the lack of diversity in her book books and felt like, well, who can I make a part of the LGBT community? Like, who? Who could I make gay? Oh, okay. Well, they don't really know anything about More, so let's just make her gay.
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Yeah.
Anna
And you could interpret it as feeling like a cop out and Sarah going a different direction and then taking everything that she's already written in and basically being like, oh, that doesn't mean anything.
Kim
Yeah.
Anna
And it's like.
Kim
But.
Anna
But there were so many moments, like you said, Anna, that she wrote in. That's like, well, how else would we interpret that?
Kim
Yeah. And more being gay. Fine.
Anna
Oh, of course.
Kim
I think it's the 500 years when she's built a family. She has a family that, you know, you know, would love and accept her.
Anna
Yes.
Kim
You know, I don't even think coming out to them would be a thing. I just. I think they don't care. They just love more for who she is and what she is and, yes. The person she is inside. And I think that's what's really hard is you see this loving circle of friends who forgive each other and love each other unconditionally. And. And you have this 500 years of pining, which also I do have to point out. Azriel.
Anna
Azriel, dude, move on. You've got to move on. Like, it's stage five Clinger. Absolutely. But that then makes me wonder, has More been why hasn't he moved on? Has More. Why hasn't More put a stop to it at this point? If she knows that she's never going to return those feelings because sleeping with.
Kim
Men is clearly not getting the message across.
Anna
Right, right. Yes. Because they are still exchanging these glances.
Kim
Yeah.
Anna
Bottom line, to me, it feels disingenuous for Moore. More. Not to have told the inner circle.
Kim
Yeah.
Anna
Not to have even just. Just Rhysand, just Resand or just Amren.
Kim
Yeah.
Anna
Or any one of them.
Kim
Yeah.
Anna
If she didn't feel comfortable telling all of them. That's fine. But the fact that she wouldn't have told Rhysand to me just does not track with everything that we know about the inner circle and the love and pure acceptance and support that they have for each other.
Kim
Yeah.
Anna
That's what makes me think that SJM changed her mind about more and that she was wanting to go a different direction with More and Azriel. And then when she needed a character to be gay or bi, she chose more. And then basically was like, we're going to go this way. And it just feels like a hard pivot.
Kim
It does feel like a hard pivot. That's a good word.
Anna
And I just don't see a world where she would, for 500 years, not tell anybody in the inner circle.
Kim
Yeah.
Anna
Because what reason have they given her not to? And again, that's obviously her prerogative.
Kim
I'm not saying, like, it's absolutely her prerogative.
Anna
Even if you feel loved and accepted. I'm not saying that, you know, you do that on your own time. But it's just she's. Sarah has made it such a point to write these people, that they are so close and they spend every day together and they're a family. The word family is used a million times, and it doesn't make sense to me as the reader. I don't see why she wouldn't have told them.
Kim
I think that's what it is. It's not that Moore took her time to tell somebody. That's fine. Like you said, that's her prerogative. That's her story. It's her journey.
Anna
Of course.
Kim
But it's that it feels. Feels. The best word is hard pivot. It just feels abrupt.
Anna
Yeah.
Kim
And kind of out of left field.
Anna
Yeah, for sure.
Kim
And I think it's hard to swallow then, as the reader, because 500 years is not a little time. No, it's a lot of time.
Anna
It's a very long time.
Kim
I mean, even in Faye. I mean.
Anna
Right.
Kim
That's a long time.
Anna
Even for an immortal. That is a very, very long time to keep something like that and to let someone pine for you that way.
Kim
That's. I think that's what is hard.
Anna
Without having the respect. Respect for him as your friend.
Kim
Don't tell him you prefer women.
Anna
What? Yeah, sure.
Kim
Just tell him I'm not interested.
Anna
I love you as a friend.
Kim
I love you as a friend.
Anna
I'm not interested.
Kim
This would get too messy. We're practically siblings at this point.
Anna
Right.
Kim
That's all you have to do. Honestly, that's what bugs me the most. Like she says, I think it confuses him when I sleep with men. It's like. Well, yeah, of course it confuses him.
Anna
Of course it does. More.
Kim
I don't know how else he's supposed to take that.
Anna
Yeah, of course it confuses him. Because y' all are exchanging these loaded glances and there's tension and there's clearly something going on with you guys. But you. You won't make it clear that you're not ever going to be with him.
Kim
But anyways, it's a big moment. And it's an important moment for Mor. It's an important moment for Feyre too. For the two of them in their relationship. Because I think Mor is the sister she always wished she'd had.
Anna
Yeah.
Kim
You know, and I think that's why it hurts so much when they fought and Mor said those things and kicked her out of the tent. And then I think Mor. I have no idea what it is about Feyre that makes mor.
Anna
Say.
Kim
In 500 years, I haven't shared this with anyone. But I'm gonna share it with you, human.
Anna
I'm sure with you. You're a literate 19 year old. I mean, she's not a literary and anymore. And she's not a human. But still. But still, she's very special. Okay, so the next trick up Hybern's sleeve is revealed after Nesta Scrys and they realize that Hybern's army is poised to attack the human realm and slaughter everyone. And Hybern has purposely tired out Rhysand and the rest of the High Lord's armies by having them move camp so often. And all of it is just to waste their power and resources so that when it mattered, they would be too exhausted to winnow their armies and stop Hybern from attacking the human race realm.
Kim
Yeah.
Anna
But instead, what Rhysand and Feyre come up with is to winnow out as many humans as possible to safety. So that when Hybern does attack the first town across the border, there's no one there. And here's the quote. The wall is down. It is gone. It's a new world. And we must decide how we are to end this old one and begin it a new. We must decide if we will begin it by allowing those who cannot defend themselves to be slaughtered. If that is the sort of people we are not individual courts. We as a Fae people do we let the human stand alone. Alone. And Hellion says we'll all die together then Good, Cassian said glancing at Nesta. If I end my life defending those who need it most, then I will consider it a death well spent. Cassian.
Kim
I love that line. I love him so much.
Anna
God damn it Cassian.
Kim
Ugh. I love it.
Anna
Kallia says we'll need all the strength we have to fight Hybern, wasting it on winnowing humans. And Feyre says it is no waste. One life may change the world. Where would you all be if someone had deemed saving my life to be a waste of time? I pointed to Reese. If he had deemed saving my life under the mountain a waste of time. Even if it's only 20 families or 10, they are not a waste. Not to me or to you.
Kim
Truth Bomb Feyre Mic drop. She's like listen, that is Queen. I broke the curse, right?
Anna
You owe me.
Kim
I was an illiterate 19 year old human. I actually was those things.
Anna
Absolutely. This is also when Amren announces that she found the key the cereal was talking about and that she can not only nullify the cauldron, but also the person controlling it, AKA the King. And nullifying him stops the entire Hybern army.
Kim
I love this. And this listeners, is where we are going to end today's episode. Next week we will pick up with the final battle. Oh my gosh. So many things that happen.
Anna
Oh my God.
Kim
And of course our favorite, our last mastermind for basically Feyre and Rhysand's story as it wraps up and before we move into to Nesta and Cassian. Yes, but we are so excited for next week's episode. I mean, I know there's more books, but Acowar is to me the culmination of Rhysand and Feyre. You know that's their end of their story.
Anna
So absolutely.
Kim
We can't wait to see you next time.
Anna
Yes. Okay. Bye bye. Well friends, that wraps up another episode of Flights of Fantasy Podcast. Don't forget to join our book club community on Instagram and TikTok at flights of Fantasy Podcast where you can share your thoughts, theories and favorite moments of with us and fellow listeners. We'd love to hear from you if you enjoyed today's episode. Please rate and review us on your favorite podcast platform. Your support helps us spread the magic of Romantasy to even more book lovers. Until next time, keep dreaming, keep reading and remember every good story deserves to take flight.
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Kim
What do you think makes the perfect snack?
Grainger Advertiser
Hmm, it's gotta be when I'm really craving it and it's convenient.
Kim
Could you be more specific?
Grainger Advertiser
When it's cravinient.
Anna
Okay, like a freshly baked cookie made.
Grainger Advertiser
With real butter, available right down the.
Anna
Street at am, pm or a savory breakfast sandwich I can grab in just a second at a.m. pM.
Kim
I'm seeing a pattern here.
Grainger Advertiser
Well, yeah, we're talking about what I.
Kim
Crave, which is anything for me.
Anna
What more could you want?
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Season 5, Episode 39 - ACOWAR: Revisited - Part 5
Release Date: December 9, 2025
Hosts: Anna, Kim, Kristina
This episode delivers a deep, banter-filled exploration of the latter half of A Court of Wings and Ruin (ACOWAR) by Sarah J. Maas, with the trio of hosts (Anna, Kim, Kristina) breaking down pivotal plot moments, character developments, thematic analysis, and fandom debates. Particular focus is given to underlying biblical/religious symbolism, the evolution of key relationships (especially among Nesta, Elain, Feyre and members of the Night Court), and the emotional resonance of loss, battle, and found family. The hosts’ signature mix of heart, humor, and sharp critical insight makes for an engaging listen—perfect for fans revisiting the series or for readers delving into the fandom for the first time.
[04:04–06:03]
[06:04–13:03]
Lamb’s blood on thresholds to ward off death—a direct nod to Passover from Exodus, mirrored in Prythian’s offering to Amren.
Further Christian symbolism: Seder’s “cup for Elijah" and Amren’s “leave a cup for me” line, another parallel.
Memorable Moment:
[13:48–16:53]
The crew arrives at Grayson’s estate to plead for shelter for humans. Grayson, feeling betrayed by Elain’s new fae status and her mating bond, cruelly rejects her.
Jurian’s unexpected entrance & twist: he’s allied with Grayson, working against Hybern.
Rhysand explains his wariness of reading Jurian’s mind: “I didn't want to see her. Amarantha.” — (16:10)
As Grayson’s cruelty toward Elain escalates, Nesta slaps him and champions her sister.
[23:07–28:44]
Memorable Moment:
[29:04–33:49]
[36:24–38:54]
[38:56–44:40]
Memorable Quotes:
[46:19–48:53]
[50:27–60:41]
[61:14–62:47]
The hosts blend depth, critical analysis, playful irreverence, and deeply-felt emotion. Whether dissecting religious allegory or laughing through bath logistics, Anna, Kim, and Kristina embody the voice of passionate fantasy readers and best friends. The tone is accessible and chatty, striking a balance between casual humor and earnest engagement with the text and its fandom impact.
Whether you’re reading for the first time or a multi-series veteran, this episode is a treasure trove of insight and laughter—unpacking both the heartbreak and hope at the heart of A Court of Wings and Ruin.
Next episode: the grand finale—final battle, Feyre and Rhys’ “mastermind” moment, and the curtain call for Nesta & Cassian’s emerging story arc.
No need to have listened to enjoy this summary or the full ACOWAR experience—the hosts’ love for the series shines through every segment.