← Fly on the Wall with Dana Carvey and David Spade
Fly on the Wall with Dana Carvey and David Spade
BEST Western Weddings & Liam Neeson's Graffiti Balls
00:54:37
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- [00:00]
A
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A
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- [01:56]
A
Quickly, I have to tell you the greatest story in the world.
- [01:58]
B
Oh great.
- [02:00]
A
If you have time, don't fast forward.
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B
I'm excited already. You can see I'm just stretching.
- [02:04]
A
Okay. It all started before I get to the best unreal story you've ever heard.
- [02:09]
B
You never exaggerate or never, you know, kind of.
- [02:14]
A
This is a new thing where we start by exaggerating. Okay, so I was on the road and on the road, on road. We know, we know. Spade, you were on the goddang road. But I leave my hotel. I'm with Tommy Farley. He's Chris's nephew who's with me helping him anyway.
- [02:31]
B
Oh, I remember Tommy Yeah, he's an.
- [02:32]
A
Actor here in town.
- [02:33]
B
Yeah.
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A
So anyway, we go, we're going. We're going to the gig. I forget something. It's the second night, you know, when you go hotel to hotel. So I'm in Jacksonville, and if someone hears this, they'll laugh. So I go back, I go. I gotta run back to my room. So I run up and I leave my door cracked sometimes when I run around the hotel because I forget my keys sometimes.
- [02:57]
B
So, yeah. Yeah.
- [02:58]
A
I get back and I'm like, oh, my God, I cracked my door again. But I was leaving for the night. So I go, that's so stupid. So I go in and I can't. I'm looking, I'm going, where's my bag? Where's my. And the bed's messy. And, you know, of course, I realized this is not my room. I'm not in my room. I'm in someone's room. I've had that as a messy bed. Same room as mine. I'm like. It's just such a weird feeling. I go, oh, my God, Am I. What am I doing? There's a wall right here. Oh, shit. This isn't my room. And then I don't know if someone's in the bathroom. If they walk out, I'm terrified. So then I just sprint it out without anything happening. But then I obviously shut the door and ran. And either I locked them out or they were in the bathroom.
- [03:46]
B
Right.
- [03:47]
A
How weird, though, if I. They would have walked out and saw someone in there.
- [03:50]
B
A lot of hotel stuff's like that. I've walked in the wrong room and done the wrong. But, you know, I have to say.
- [03:58]
A
That was the best story of the year. Well, maybe I hyped it too much.
- [04:05]
B
Because I stream it too. Spade walks into wrong wrong room and then walks out of wrong room. Five stars.
- [04:13]
A
Five stars. Clip it, send it out. What about this? Here's another really riveting part of it.
- [04:20]
B
Okay. That one. You're not gonna top that.
- [04:22]
A
No. I get back on the elevator, and I realize I hit 11 because I was in 11 the night before. And just by rote, I went. Do you just hit a low?
- [04:32]
B
Oh, so you figured it out. Yeah. I was in two hotels.
- [04:36]
A
Oh, yeah? What did you do on the break?
- [04:39]
B
No, a. A woman who's my wife's sister named Neve, was getting married.
- [04:45]
A
Okay.
- [04:46]
B
And she would laugh at this. It was her third marriage. She's adorable. So I was gonna fly out. So, Paula, is this more informational than laughs a minute? Because it's Paula's gonna fly with her mom who's 93 or 4. And I was. So I went in reconnoitered. I went in the day early. So that flight was kind of interesting because I hate. I don't like to get the airport at the end. You like to be like OJ and the Hertz rent a car things like hurdling things. So you like to sprint. There was some really out of shape people in my two flights getting by, getting by. Really should not be trying to run. Actually running well north of 60, kind of overweight, but sprinting like a slow motion. Yeah. So anyway, so I got the airport and it was delayed three hours. So that's kind of.
- [05:37]
A
You're rotting at lax.
- [05:39]
B
No, I was in a small metro airport.
- [05:42]
A
Oh, we're not saying what. Okay.
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B
And I walked up and down and up and down. And if I have the baseball cap on and I change my lower jaw either think I'm Mickey Rourke or something.
- [05:55]
A
But yeah, no one's. Everyone's so busy at the airport, sometimes they don't even pay attention.
- [05:59]
B
So you probably take this plane. I've been flying Boeings recently, I think because when you go on an Airbus, it takes off and it sounds like the engine is literally an oversized lawnmower. And it's really working hard because you're going down. It's a giant. You know, it's 200 people. Takes off. You've heard the sound. You know that sound.
- [06:24]
A
It's really. And you're like, this isn't. Is this normal?
- [06:27]
B
Yeah. Is this. And then one and then it always in one minute. I know it. But it downshifts. The first time you hear. It's like you're just taking right off the car mat. And then it goes.
- [06:40]
A
Right.
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B
Like it gave up, you know, and the kind of drops a little bit scary.
- [06:46]
A
You feel like. Yeah. You feel like maybe the guy dropped the tranny or something.
- [06:51]
B
Yeah. So I got there a day early. There's a hotel attached to the Denver airport. You just go right through the terminal into the hotel.
- [06:58]
A
Oh, I like that actually.
- [06:59]
B
Which is pretty cool. So the whole day I get there, I got to pick up the rent a car, learn how to drive around the largest airport in the world. Literally, pretty much you're driving. Well, I'm getting a rent a car so I can pick up my wife and mother in law at the curb the next day. And I'm sure you've dealt with this all the directions. How do you get to the rent a car? Well, you know, it's so vague. You go out.
- [07:25]
A
Biggest airport Denver is such a cluster.
- [07:28]
B
You go out. So I still was never totally sure I was gonna make it. But I did a test run the next day they come in and they're at the curb.
- [07:37]
A
Oh, you did a test run?
- [07:38]
B
I did a test run, but I still at the last second of my east, west, south, they said, well, go to the cell phone place. So There's a place 10 miles away and everyone's in there looking at, looking at their cell phones because you can't wait at the gate. So they're all just in there and then all of a sudden they start moving. I'm like, holy, I gotta go. So then I followed them and we made it. And then we checked into a Best Western.
- [08:05]
A
Dana James Carvey.
- [08:08]
B
Well, let me put it this way. If, if anything says best, you expect some kind of best.
- [08:16]
A
That's the best hotel.
- [08:18]
B
So my, my mother in law an by the way, her whole house flooded. There's carpenters everywhere, Kitchen floor has to be replaced. So she's coming from a random flood that flooded the downstairs, blah, blah, blah. So I go get them and we go to the Best Western. Now I go into my room, you could say paper thin, whatever you do. But there was a guy next to me when I tried to go to sleep that apparently was throwing up from drinking too much alcohol.
- [08:48]
A
Sure.
- [08:49]
B
So it was 10 minutes of I felt like he was in the room with me. So I'm trying to never never land, but I realized my pillow was like, I don't know if you ever get a rubber pillow. Like Herman Munster could sleep on it, but not a regular human. Like it doesn't go count at all. You have a sensitive neck, right?
- [09:09]
A
Yeah.
- [09:10]
B
So it's like 10 o', clock, but target is open. So Paul and I go over to get me a two dollar pillow to see if that'll work for me. And so the next morning I get up, but my mother in law, Anne, her room is flooded and has a sewage component.
- [09:28]
A
She came from the flood into a flood.
- [09:30]
B
Came from the flood into another flood. So we're like, we called an audible. We didn't try to switch rooms, anything. Paula said, we got, we got to go, we got to get out of here. Even though all the wedding party like 40 people are at the hotel. So we went over to the Hilton. We go, this is awesome. Big atrium, juicy. The guy's checking. Okay, let me see. I think I have no. Oh, we have a hundred. This is quoting. We have 125 people checking in in two hours. They got one room. We're not going to share it. Then we went to a place called the Armstrong and that was cool. So.
- [10:06]
A
So it's obviously not a huge metropolis you're in. It's not Denver exactly. So you have to kind of get a smaller hotel.
- [10:15]
B
I was Elvis in Fort Collins. I have never been recognized. I don't want to be starstruck, but party, you know, I mean, I'm not normally like that. I've seen you put in an. No one goes to Fort Collins. So I'm Elvis for the entire week and I can't hide. Amen. You know, I'm. I'm a little starstruck. I don't really know what to say to you. But anyway, we had a wedding of four days, dinners, we had breakfast, we had picked. You want to go to the makeup, pick the flowers thing? No, I think I'll tap out on that.
- [10:47]
A
Oh, you got itinerary? You can pick things.
- [10:49]
B
Yeah, you could kind of go. Paula was going. So anyway, the wedding happened out in the middle of nowhere. You drive like roads, roads, then dirt roads, dirt roads to a abandoned lake.
- [11:00]
A
With a rec room and where they filmed Chainsaw Massacre.
- [11:04]
B
And we're out there pre wedding, guess what? Leak, toilet backed up. Sewage problems, Water flooding in the little rec room area where the big table. We got a guy. A guy comes in, is snaking the thing while the wedding's going on. The wedding, it. The guy's playing an oboe or something like these. It was like Ken Burns kind of stuff, really. And the weather got incredibly dramatic. So the vows were mature vows. These people are. Have lived, you know, and they're very emotional. But the cool part was the groom. Jeffrey wrote a poem about Neve. It was very beautiful. And then with his friend, he made a song out of it with AI.
- [11:49]
A
So a lot of people worked its way in.
- [11:53]
B
Beautiful singer. A lot of people who was singing that song. A lot of seniors there. That was AI.
- [11:59]
A
Whoa.
- [12:00]
B
What do you mean?
- [12:02]
A
Dag nabbit.
- [12:03]
B
That sounds just like a real song, like a witch. So then the bathroom was out, so you had to do a hike up. You had to go to this. It's a deliverance vibe. There's this house up the block that'll let us use her bathroom. And a woman on a swing. What are you doing here? You know, there's a guitar laying down on the carpet, toys everywhere, a junk dog. Everything is. So anyway, it was great. And on the way back, my mother in law needed a Wheelchair through the airport. Never went through an airport like that because we were with her. We just went. We were king cut through like butter.
- [12:39]
A
Did you get on a cart?
- [12:42]
B
No, we just followed that wheelchair, man.
- [12:46]
A
Sometimes they pull a cart up and I say, no, thanks, I want to walk it. I need steps.
- [12:52]
B
I don't know if anything. Well, I could go on more, but that's kind of. That's the general.
- [12:57]
A
Is that the long and short of it? I like vows where they're like on the third marriage going, hey, let's just see what happens. Let's.
- [13:06]
B
Let's.
- [13:06]
A
Let's try it out.
- [13:07]
B
Well, this was so emotional. It's kind of like they finally checked off all the boxes on the person they had, you know.
- [13:14]
A
Good, good, good.
- [13:15]
B
Like you're. I want someone who's like this and like that. And so it was. I, I'm. I tear up easily.
- [13:21]
A
Of course, I do too.
- [13:22]
B
I was. Because, you know, I've known Neve. I've known Paula's sister since she's six years old. And I was the funny boyfriend that came around, you know. And so we had this thing where I had a Volkswagen Bug and she would sit on my lap and drive the car. This is in the late 70s. And then if we saw a motorcycle guy with a helmet on, I'd say, bubble head, two o'. Clock. And then you'd press the button that sprayed the water on the actual windshield. It just pretend that you're actually somehow spraying the bubble head. She never forgot that. Sitting on my lap, driving bubble head to.
- [13:59]
A
Did they ever have the courtesy during their vows to say, how about a round of applause for Dana Carver UK is here.
- [14:06]
B
Well, there was. Does anyone else want to speak? Right. Yeah.
- [14:10]
A
There you go. You got a time to do a set?
- [14:13]
B
No. But then I thought, I don't want. I want this to be their day. I don't want to get up start. You know. Yeah.
- [14:20]
A
And everyone's like.
- [14:22]
B
But it was very emotional. It was, it was sweet. And, you know, it is mature. I do think, you know, getting married in that age group, maybe you are a little more picky or just kind of know.
- [14:34]
A
Well, you probably sink up more than when you were 24 or something. Because everyone changes so much in their life and then by that point they probably. It's fun to find someone a little later, you go, hey, I. Someone to roll with.
- [14:48]
B
Yeah, I. It really liked the. The groom. And then you can't help but you're there and you're a husband. And then you're hearing compliments about him. You go, geez, do I qualify for that? You always, you're always there for me. You protect me. You take care of me.
- [15:05]
A
She's just starting her eyes going, oh, boy.
- [15:07]
B
Paula's already, she's already yawning.
- [15:10]
A
She's like, oh, you can get all.
- [15:12]
B
Those things and you do this and you do that. Like, everyone was shocked that we've been married 42 years because there's like 14 divorces between the two families. And they were all there, literally. And they're like, what? Did I hear that right?
- [15:28]
A
No, Everyone is shocked. But, you know, I've met Paula. She's so cool that I could really. I could see it. I could see it.
- [15:36]
B
Interesting.
- [15:37]
A
I could see how you guys get along. And you are both very mature and you have a good thing going, which is not what everyone has going.
- [15:47]
B
Well, in the end of the day, I think someone said this recently, who are you going to watch TV with?
- [15:51]
A
Right?
- [15:52]
B
Marry that person.
- [15:55]
A
That's actually what it ultimately boils down.
- [15:58]
B
To is hanging out.
- [16:01]
A
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- [16:34]
B
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- [17:43]
A
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- [18:20]
B
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- [19:07]
A
All right, I have some more superficial stuff to talk about. That was nice, though. I do cry at that. I cry at commercials. I cry anywhere.
- [19:14]
B
This is. I tear up.
- [19:16]
A
Oh, Heather, by the way, that we should do that Liam Neeson video. Do you have it in there anywhere? Do only I have it.
- [19:24]
B
I have it. Well, you have it. I have it too.
- [19:26]
A
Just send it while I'm doing this. We'll get to it.
- [19:28]
B
I'd like to see that because the whole who's his new girlfriend from Baywatch?
- [19:32]
A
Pamela.
- [19:33]
B
I've had people say to me, that's not real, is it?
- [19:36]
A
I don't know.
- [19:37]
B
Like, as if I know.
- [19:38]
A
It's very believable. It's funny because I knew Pamela in the old days. I don't talk to her anymore and I can't find her. Her old number doesn't work. And I'm like, we should have her on and she's got a movie out.
- [19:49]
B
I think we should have her on.
- [19:51]
A
She's great. She's super upbeat, fun, but she's got great voice. She'd be fun to have on, but we'll see. Heather's gonna send that in in the meantime, someone asked me this weekend two little trivia questions. One, they saw a Joe Dirt screening. They told Heather, you know, when you screen a movie first.
- [20:11]
B
Yeah, of course.
- [20:12]
A
And you know, in the movie, Dana, I don't want to give it all away, but I have look, I'm looking.
- [20:16]
B
For my parents and I. I've seen it 11 times. It's embarrassing to say that it's embarrassing.
- [20:22]
A
You've seen it too much.
- [20:24]
B
I actually think it's. It's a sleeper. When the clips I've seen of it. And I go, yeah, there's just a fun. I see why it's lasted. There's such a gentle fun.
- [20:34]
A
Yeah.
- [20:34]
B
Silly. And yeah, it's got some crunchy moments. Word packages. And so, you know, like you said in movies, I always remember the quirky throwaways, the weird little bits. And it has. Has a measure of that.
- [20:46]
A
And I am not sarcastic and I'm actually a genuine person.
- [20:50]
B
I know. I couldn't believe it when I saw what happened to the funny guy.
- [20:53]
A
I know, Totally. I'm a nice guy that gets pushed around and people start to feel for you. But the parents were played with by Gary Busey and Roseanne. And I for. I didn't forget that, but I forgot the day they shot Fred Wolf. The other writer didn't come in and I was like, he's. I think he said he was sick. But I'm like, you cannot leave me alone with Gary Busey going, I got a line change. I spoon fed Eisenhower. You know, he says like all these crazy.
- [21:21]
B
Oh, one of those guys.
- [21:22]
A
He talks like Charles Manson or something. Yeah.
- [21:25]
B
Hitler was my cousin. Yeah.
- [21:27]
A
He just goes. And he can, he can talk in a run on sentence for maybe 15 minutes. So he's pitching me ideas. And Roseanne, who I know better and well, wasn't as big a. Wasn't really a problem. Just she's a comedian. So she goes, I might change this. Fine. So we do it. But it's such hurting cats because there's so much going on in that scene anyway, it's a very crux of the movie. And so we do it. We. And every take is different and. And Gary's saying so many things. He was in Black Sheep, so I know him a little bit and he's definitely funny. It was just hard to wrangle him to get my cues from my lines or Roseanne. So anyway, we showed it a screening and I remember Sandler saying, movie's great. It got laughs all the way through. We have to change the parents because it is the one thing that didn't quite work. So we went and reshot, which is very normal for movies. They weren't in the movie. We went and reshot it. That's why it's funny. Someone saw it with Roseanne. I go, how would you see it with her? And I thought we caught it before we. God.
- [22:34]
B
I think they were. You said they were in it. I wasn't misremembering. So who were the parents?
- [22:39]
A
We had Fred Ward and this woman. Both character actors that were good, but it was. We decided not to steal focus with stars. Just have them regular parents, regular scene. Because it's kind of emotional scene. Because they don't really like me anyway. Weird, huh, that Roseanne and Gary Busey were the parents.
- [22:59]
B
I had a weird thing once. I was doing Master of Disguise. I was so happy to get Robert Losha because of Big and. And all that.
- [23:08]
A
Like, he would Roadhouse.
- [23:10]
B
Yeah. He'd be. He'd be the grandfather and stuff. And then so at the read through afterwards, you know, they said the accent's too shaky. You know, he's supposed to do Italian accent, you know. Oh, what happened then? Oh, it's too shaky. So it was kind of torturous because I. But I think he got his full payment and he went to Italy.
- [23:34]
A
Hammer you?
- [23:35]
B
No, I think Jack.
- [23:39]
A
Jack Giraputo.
- [23:41]
B
But only well intended. I mean, he did. Everyone loved Robert. It was just sort of. Maybe it's not quite. But you know, the movie was so goofy. I think Barbara Streisand was really cool. She visited the set. Oh, and James Brolin was playing.
- [23:56]
A
Oh, he's in it.
- [23:58]
B
He's in it too. And he's doing an Italian accent. I'm doing Italian. And she, she. Barbara said very gently and nicely, she goes, I just. I don't understand why the accents are also different. I mean, shouldn't they sort of be kind of the same? And by the way, when I met her, I had full prosthetic. You couldn't even see me. It was just because the timing of Robert Shaw from Jaws chart go in the water. So I'm casually talking to her as Dana looking exactly like Robert Shaw from Josh shot. Going to water. Streisand come to this set. Leave the set. So anyway, movies are. Movies are like that. I'm obviously Gary Busey's brilliant. Roseanne Barr is hysterical. So there is some reason. Maybe they were. Yeah, this happens a lot. Sure. Yeah.
- [24:50]
A
I don't know if I've been replaced on stuff, but it can happen.
- [24:52]
B
It just.
- [24:53]
A
Like you said, Italian accent's awful. But, like, all three are from obviously different parts of Italy. You should have explained to Barbra Streisand.
- [25:03]
B
There'S so many things that are off on the movie. It was put together with Scotch tape and hope. I mean, but I. I still like this scene. I know you haven't seen it, but I like stuff like this. But it doesn't even make sense. Like, Pistachio is an Italian waiter. He's got all this spaghetti in these places. Yes. I bring a spaghetti. Here I go. And there's a table of five. And then he. He falls out of frame. And then you see fake legs kick up behind to make it really seem like it. Like, 1, 2, 3, throw the legs up that look like his shoes. And then I'm on the table. And you cut. And everyone's like a cartoon. So the entire party, that was just normal people. They're all covered in spaghetti, but they're not moving. They're like. It's like a cartoon. Just. They're just sitting there, stunned, covered head to toe in spaghetti. So I'm crawling across the table and I take a napkin and I'm trying to clean the guy's glasses. I clean. I clean. And then we have a shot from inside of it, blurry. So have you going like, yeah, so it could have been a great movie. It made 100 million with video. It doesn't matter. I didn't get the 100 million.
- [26:13]
A
Those are funny scenes.
- [26:15]
B
I mean, every silliness, if you're doing.
- [26:17]
A
It, there's gonna be a couple funny scenes. There just has to be.
- [26:22]
B
And also, I think I. I believe it's. It's pretty trite right now, but a big, silly, funny comedy. I think that, you know Liam Neeson. I haven't seen it yet, but it's. It's. And, yeah, Naked Gun. So that stuff like that. To me, if it's just, oh, here's a video.
- [26:41]
A
Oh, let's give. Okay. Okay.
- [26:44]
B
Well, there's some spray paint.
- [26:46]
A
I'm driving along. The setup is. I go, there's naked. Someone should draw a dick. And someone literally walks up while I'm driving by and draws a dick on it.
- [26:55]
B
So you had. And then that guy did.
- [26:58]
A
Jody said it. Yeah. So this guy just happens to.
- [27:05]
B
I was there to verify that is exactly what happened.
- [27:07]
A
Yeah. Heather says, exactly what happened. We walk, we're driving by, and we're like, look at his legs. How funny. And Jody goes, someone should draw a dick. And this guy just casually walks up I don't need. I don't need the hair on the balls, but I think it looks like a nose.
- [27:21]
B
It looks like more of a bar chair or something. I'm not sure. I'm not going Parker.
- [27:28]
A
And we caught this vandal in the act. Forgot to report him. But so anyway, that's an.
- [27:37]
B
Actually cool.
- [27:38]
A
It's funny that we caught that.
- [27:40]
B
It was crazy.
- [27:40]
A
It was crazy. Damon.
- [27:43]
B
It was nuts. You. You. You manifested it. Yes.
- [27:46]
A
Yeah. Manifesto. So you were mentioning Jack and Happy Gilmore. Jack is in Happy Gilmore. One of the announcers you just. He's a producer with Adam. Anyway, he's back and Happy Gilmore too. So I was watching it the other day and here's some trivia because I just gave you some Joe trivia when he did. Well, Happy Madison is his company. And some. Some people were confused and they said, why is it called that? I said, oh, because his first two movies were Billy Madison and Happy Gilmore. And he combined them. You know that people know that, but some people might not put that together.
- [28:24]
B
No.
- [28:25]
A
So that's one also one oddly he shot. But we were both doing snl. We both got a deal to do a movie. Ours was Tommy Boy in that summer when the show was over. So during this production year, on weeks off at snl, we would work on, you know, the Turners were working on Tommy Boy, Freddie Wolf, Chris and I would add stuff, whatever, but that's going. And then Adam and I think Herlihy are writing Billy Madison. But ours isn't called Tommy Boy. I've told you this. It was called Billy the Third. A Midwestern. That's what it said on the front of the show. There you go. It's kind of funny. So he was starting shooting first. So we're like, oh, we can't both be Billy Farley's movie in the name was in the whole movie was Billy. So we got stuck because then we changed his name to Tommy in the movie. But we had no title. So the whole movie, we didn't have a title and every title was dumb. There's big time Rocky Road. I have actually mock up of a poster that says Rocky Road. And same thing us in a car. Crazy. What are you going to call it? And then I think Brian Dennehy is dad in the movie. Tommy Boy. Come here. Come in here. He just would ad lib that. And then they told me later it's called Tommy Boy. And I was like, I didn't really love it. I was like, Tommy Boy.
- [29:50]
B
It you don't. It is one of Those where you don't feel like you have to remember it. You know, somehow it.
- [29:55]
A
Yeah.
- [29:56]
B
Hits your brain. The masters, guys. He was the master of this guy.
- [30:01]
A
That's a good title. Yeah, that makes sense.
- [30:03]
B
And it's.
- [30:04]
A
And it's. It sums up the whole movie.
- [30:06]
B
It's perfect. He is. But the movie doesn't make literal sense. I think Tommy Boy makes sense because he.
- [30:14]
A
He.
- [30:14]
B
You know the sacred mantra to become an. To become another person. So he goes, yes, I will go to the Turtle Club. And then he starts going, become another person. That's the sacred mantra. To become another person. But nothing really happens, so. Right.
- [30:30]
A
And. And in Tommy Boy, he. His dad passes away. He wants to be like his dad. He let everyone down. He doesn't want to be a failure. Yeah, there's some themes. Even Happy Gilmore is a little more family oriented, a little deeper, a little more emotional than probably Happy Gilmore one. Happy Gilmore too. It's great. There's a ton of jokes. There's a lot going on. And of course, you've heard about the cameos. So it's just a lot of fun. Very fun. I was hitting him up in the first 10 minutes going, God, so many jokes already. And also so much money, like just coming off of scrimpy busboys of how much we spent on it and knowing kind of how much things cost. Like, you know, when you watch a movie, you go. He has an airplane in one scene, just a cutaway stunt where the stairs are there that you get on in the airplane when they work on the plane. And the plane wing hits. It knocks him over and almost hits everyone. Just that.
- [31:26]
B
Just that 300,000.
- [31:28]
A
You gotta set up. Gotta get the airport. You gotta get a plane. You could hurt the wing. And then you gotta pay for the wing. If you. It knocks it over. You probably do it twice because make sure the guy's doing something, has a timeout right away. Then this falls almost on him. And stunting it around fire trucks. Just that it was a cutaway and a funny one in like a montage. I'm like just going, oh, my God. So great songs, of course. Expensive.
- [31:54]
B
I just had something popping in my head. Yeah, you think Borat was the most. Least expensive film that made the most money because it's like a camera kind of.
- [32:05]
A
Yeah.
- [32:06]
B
It's out in the world. With his character.
- [32:08]
A
Possibly that. And what was the one, the scary one where they walked on the handheld, they found.
- [32:16]
B
Oh, yeah.
- [32:17]
A
Blair Witch Blair, which I never saw.
- [32:20]
B
You would hate it.
- [32:22]
A
Too scary. Too shaky.
- [32:23]
B
It was too Shaky. I got a headache years ago, but.
- [32:27]
A
I don't like this kind.
- [32:28]
B
But I do like the idea of a found camera. It just makes the movie so cheap and just focus on funny stuff, you know?
- [32:36]
A
Look, here, we're in a real movie. We found video of a cheaper movie. So let's play that video.
- [32:43]
B
Yes, exactly. That's funny.
- [32:44]
A
It's a good hook.
- [32:46]
B
I don't know. I think, AI, AI. We'll be able to make a movie very soon just with our laptop. Look, just like anything you want.
- [32:54]
A
Someone said the other day, whoa, what. What would the Gap Girls be doing now in this day and age? I'm sure everyone's thinking that I go, I'm sure it would be a little harder to write, Gap Girls go to Gaza or whatever. You know, there's a lot of things you could do.
- [33:10]
B
Well, what about a Gap Girls movie? I mean, you know, Gap Girls try.
- [33:17]
A
To stop 91 1. They go back in time to stop 9 11. It's a little heavier than a regular.
- [33:24]
B
They go back to Hitler's Nazi Germany in 1935.
- [33:28]
A
Everyone wants to go back and kill Hitler. The funniest thing is not funny, but a good trick. We've talked about movies is everyone's scared of being racist. You can't say any country is bad. Even in this movie I just saw was Superman. They have made up names of countries.
- [33:43]
B
Oh, yeah. Made up countries. But you kind of get the general gist, if you know what I mean.
- [33:47]
A
Yeah. So you go, okay, that's that. But. And they always fight superheroes because you can't get mad. You go, okay, they're bad people. I guess. But when you start naming countries that are bad, everyone goes, hey.
- [34:02]
B
Yeah, so.
- [34:02]
A
Or you go, wonder Woman went back to Nazi Germany.
- [34:07]
B
Yes.
- [34:07]
A
Now there's the bad guy. And everyone goes, okay, well, Dunkirk, who.
- [34:12]
B
I think it was the German Nazis versus the British. They were only referred to as the enemy.
- [34:18]
A
Yeah.
- [34:18]
B
Enemy planes, enemy. This enemy. Oh, really?
- [34:21]
A
Because that's what Maverick did to puss out. He really pussed out. He calls him the bad guys.
- [34:27]
B
The bad guys. Yeah. So I think that in Superman, the only time I kind of laughed at myself a little bit is when Lex Luthor kept pointing at Superman and going, you're just an alien, you know, in today's modern political world. Yeah, alien, you. But he is an alien.
- [34:43]
A
You'll never fit in. You're an alien.
- [34:45]
B
Yeah, but he is a literal from another planet. The way when I grew up, that's how I would think of the word aliens. Like the movie Alien.
- [34:54]
A
Yeah.
- [34:55]
B
But it's really about the border and the securing of the border.
- [34:58]
A
When I picture Aliens, I picture the little green man. I don't picture Superman.
- [35:03]
B
Right.
- [35:04]
A
But he technically is.
- [35:05]
B
I guess I liked it.
- [35:09]
A
Oh, Superman. Did you like it?
- [35:11]
B
Yeah, because I go in with gentle, gentle approach. Like, you know what they're trying to do is launch Superman. It's very tough. And I think they kind of did it.
- [35:22]
A
I didn't mind Fantastic Four because Superman was just a story. You already know. You already know two thirds of it. You know, the Daily Planet, you know, there's Lois Lane, you know this and that, and then here, whose guy playing him is new. And then what's the story? Got a little like the Flash when they went to different dimensions and stuff.
- [35:48]
B
Yeah, it was definitely out there. But they made him emotional. I mean, I go back to the comic books when I a little kid and there was a black and white television show called Superman. But they made him emotional. I thought it was good. Hard to do.
- [36:01]
A
Who was that? George Reeves.
- [36:02]
B
James Gunn. Oh, George Reeves back in the day.
- [36:05]
A
Yeah. And fantastic. Fantastic Four was probably better than I thought. Got that out.
- [36:10]
B
Either you have a frog in your throat or you didn't really like Fantastic Four. I really enjoyed when I lie, I do that.
- [36:20]
A
All right, let's get to some headlines. Some hot headlines.
- [36:23]
B
Okay. Right off the press.
- [36:26]
A
Oh, this is an airplane. Is that a real. This might be a. I.
- [36:32]
B
This is.
- [36:33]
A
Okay. If this was an airplane, would you fly it? Would you fly in a see through airplane?
- [36:39]
B
Oh, that's AI for sure. No, not right now.
- [36:44]
A
Like, no. Someone, Someone. Are the toilets transparent? You have to put one wall up in there.
- [36:51]
B
Well, first of all, if it to have bright sun, you're. You are closer to the sun, technically. And it's coming right down on top of you. I don't mind big side windows already.
- [37:01]
A
Shooting some holes in this.
- [37:03]
B
Yeah.
- [37:03]
A
And I doubt they'd have a sunroof.
- [37:05]
B
Big fat. No, thank you.
- [37:08]
A
Would it scare you if it sounded.
- [37:11]
B
Like those, those airbuses? Sometimes it sounds like it's kind of crying.
- [37:22]
A
Would you do a glass bottom boat?
- [37:24]
B
Yep.
- [37:25]
A
You like that? Oh, yeah. Oh, you like that?
- [37:28]
B
Yeah, because they're beneath me. I'm safe in the boat. If it, if it was pexiglass, if it's just actual glass, it could crack on a rock. No, thank you.
- [37:36]
A
Have you seen in China they have like first of all, Plexiglas over something scares your brain to walk on. You don't want to walk on it. Yeah, because you'll fall.
- [37:43]
B
If there's an alligator under there, you.
- [37:45]
A
Think you're gonna fall. So it's very hard to make your body walk on it. And then China, they have ones that pretend to crack just so everyone freaks out.
- [37:55]
B
Is it part of a theme park?
- [37:57]
A
Unreal. And everyone goes, I don't. I go, I would.
- [38:00]
B
How does it go? What is that? And then they get on the plane.
- [38:13]
A
Good transition.
- [38:16]
B
Sorry, that was a little earthquake, Jeff's man. An earthquake. Just a little aperitif.
- [38:21]
A
It does pretty good in the comments. Okay, what's next?
- [38:25]
B
Well, I didn't do it properly. Maybe I'll do it later.
- [38:27]
A
You can read us.
- [38:29]
B
California leads the nation in both unemployment and homelessness. Connect the dots.
- [38:37]
A
I like. Is that fake? Is a tree on fire on top of everything else?
- [38:42]
B
Sounds like the fire was out.
- [38:44]
A
I think they're like, sum up California, AI in this picture. Fire, homeless, crime, burning, news. What are those vans? Yeah. I don't know. I mean we still have great weather right now. I don't want it just to be great weather. And we need more in California. Get back to the old days.
- [39:05]
B
More going on, just, just basic stuff. We want our goods and services to function properly. We want, as much as possible, feel safe walking around.
- [39:17]
A
Safe is a big one.
- [39:18]
B
Going places. Ideally back in the day, in the 50s when they put in the highway system. I'm going to ask you a question. We can check with AI how they put in like four lanes on both sides most of the time.
- [39:32]
A
Yeah.
- [39:33]
B
And then you have gridlock forever. How many lanes did they need? This is a good question, Heather. How many lanes should they put in initially? Like 20 lanes on each side before they built all the buildings and everything around the freeway. Or at least 10 lanes on each side. Those idiots.
- [39:50]
A
Well, I mean back then it wasn't as popular. You didn't know?
- [39:54]
B
Well, they thought it was impossible.
- [39:56]
A
Yeah.
- [39:56]
B
Who would come down here? Four lanes, both sides, automobiles. There's no way anyone's ever gonna have to slow down. There's just ain't enough. God dang cars in the world.
- [40:07]
A
Right after I moved here, they said they were building a new lane on the 101 freeway in Hollywood. And I was like, it took them five years. And I'm like, what do they think is going to happen at the end? It's like a buying, making a pair of pants for a two year old. And then they're seven now because they go, do they think people are going, oh my God, I forgot about the new lane.
- [40:26]
B
That's a Good way to put it. Yeah, they got little toddler pants and these adults. But if this is true, this breaks my heart because Disney, Walt Disney was a visionary, and I think he wanted to put a monorail in the middle of all the freeways above ground. Monorail and potentially a monorail all the way to San Francisco. Because were you ever as happy if you're a kid at Disneyland? Welcome to the United. You know, to the Magic Kingdom. Please exit on the right. You will enter the plastic punishment room, where you will be settled up and the score will be even. In the Magic Kingdom, the plastic punish room always loves you best. Well, that robotic voice they use to take you on and off the monorail.
- [41:17]
A
Sounds slightly, slightly your wallet and keys down. They will be taken. This is a robbery.
- [41:24]
B
Explosions will not be tolerated. Please, when the monorail stops, exit to the right and enter the place where people don't want to go. The place where people want to go is the Magic Kingdom's favorite kingdom. Exit right and then take a left to the plastic punishment room. Well, all secrets, mermaid secrets.
- [41:46]
A
Last time I went to.
- [41:47]
B
Best I can do right now.
- [41:49]
A
Last time I went to Disneyland, I got on one of those trams that parked in the wrong spot. So they're like, it's over yonder. I go. They're like, see that little bubble? I'm like, that's where I'm going. This is where I parked, and that's where I'm going. It's another mile or so. So I get on a tram. It's like. But everyone in the tram was trying to help me, you know? So, like, I'll. I'll walk with you. I'll show you where it is. I'll walk with you.
- [42:12]
B
Paul and I, on a Saturday morning a couple years ago, we just said, we're in West Hollywood. We go it. We have nothing to do. Let's just start. Let's start driving to Disneyland. Whoa. So we didn't, you know, so we went in there and they go, well, the park is full. Disneyland's full on a set. But if you buy a ticket for California Adventureland, you can then go into Disneyland. So it was like $1300 each. We stayed for 90 minutes.
- [42:46]
A
God dang.
- [42:47]
B
We didn't. We did Pirates of Caribbean.
- [42:49]
A
Any rides or you did something good?
- [42:51]
B
We did one ride and then we just walked around. Just still love it, though.
- [42:54]
A
It's all right. Spend the money. Auto traders powered by Auto Intelligence put simply. Their tools and data sync to your exact budget and preferences. To tailor car buying to you, you Want a Pink mid sized SUV with 22 inch rims and a V8? How about a two door convertible with premium sound system and heated cup holders? Nothing is too specific. Autotrader Powered by Auto Intelligence helps you to find your dream car at the right price in no time. Because they do all the hard work for you. Imagine going from no clue to new car in no time.
- [43:24]
B
Learning that fully loaded fits the budget. Finding the car that gives you the feels as much as the deals. Want your car delivered the same way as your lunch order. Yeah, that's the thing with AutoTrader powered by auto Intelligence. You're in control from your first search to the moment you sign on the dotted line. It's the totally you way to buy a car. Visit autotrader.com to find your perfect ride.
- [43:48]
A
You know me on the go.
- [43:50]
B
You are on the go. And what's, how do you keep going? I mean that's the.
- [43:55]
A
How do I keep this healthy?
- [43:57]
B
Glow energy up, Positive all the time.
- [44:00]
A
Looking great, positive, good vibes.
- [44:03]
B
How do you do it? I'm serious.
- [44:05]
A
Cacava.
- [44:06]
B
Oh, that's right. Yeah, yeah, I get it.
- [44:09]
A
Listen, this is interesting because I, I like this kind of stuff and this has got, this is great. They've got different flavors, they've got different things. I just. Right now I start with the chocolate. All right, spot, Good idea. I also add to it, I put a little, what I put in there. Almond butter maybe and a little bit of ice.
- [44:32]
B
Banana.
- [44:34]
A
And a little bit of banana. Not a lot. I don't want it too sweet.
- [44:36]
B
Yeah, yeah, just a little.
- [44:38]
A
And a little almond milk. And almond milk. And it's great.
- [44:40]
B
And some blueberries. Yeah, yeah.
- [44:43]
A
Grind it to a pulp.
- [44:45]
B
Hey, you've tried the new strawberry flavor, I hope.
- [44:49]
A
No, that's what I want to try. I'm getting to that. Like I. They have strawberries supercharged and I want to get into that because they have 85 plus superfoods. They have nutrients, plant based ingredients, 25 grams of plant based protein, antioxidants, adaptogens.
- [45:06]
B
6. You heard me right. 6 indulgent flavors. Chocolate, vanilla, chai, matcha, coconut, acai and their newest flavor, strawberry.
- [45:17]
A
Listen, let me pull you aside. Let me tell you something.
- [45:20]
B
Pull you aside.
- [45:21]
A
Well.
- [45:21]
B
Oh. Oh my goodness. David, it's too.
- [45:27]
A
I gotcha. I got you.
- [45:28]
B
You got me. I'm trying to talk about kachava and I got.
- [45:34]
A
Contains nutrients to support your strength, energy, digestion, metabolism, cognition and immunity. They're covering a lot here. And they got new strawberries. So you've never tasted strawberry like this. Go to kachava.com and use code fly for 15 off. Your next order. That's Kachava K A C H-A-V A dot com. Code fly 15 off. Okay, next, just next story. Oh, this one. You have to sit here and take it in. You can start it. Just interesting to me. Not to you?
- [46:11]
B
Well, no, I'm just trying to figure out what I'm looking at. The amount of cement required is extraordinary.
- [46:16]
A
For three days they kept pouring in an one an hill.
- [46:19]
B
Tons of cement had disappeared.
- [46:21]
A
How big is it? They begin the excavation led by Professor Louise Forche. Brush this here, brush that there.
- [46:30]
B
And what are they looking for?
- [46:31]
A
They go, There's a big an hill on the. On the farms. They're pouring cement to go. How far does it go?
- [46:36]
B
Oh, how far does.
- [46:38]
A
Like where do the ant. Where are the ants going? Right. Help of mechanical diggers.
- [46:42]
B
The scientists.
- [46:44]
A
Genius. At last.
- [46:46]
B
Wow.
- [46:46]
A
They begin to see the structure of the city state. Slow push. And I don't love the screenshot.
- [46:57]
B
Yeah.
- [47:00]
A
The lost city of Atlantis.
- [47:02]
B
Yeah.
- [47:04]
A
Subterranean highways connecting the main. It's so smart.
- [47:07]
B
And off the main routes are side roads.
- [47:09]
A
Does this guy even work there?
- [47:11]
B
And lead to many farmers and rubbish pits. What are we supposed to make of this? I mean, are they smarter than us? Yeah.
- [47:19]
A
What if they are aliens?
- [47:22]
B
And provide the shortest. Because they're.
- [47:24]
A
They can be this big. If they're aliens. It doesn't mean.
- [47:26]
B
Here is the launch pad that they use to launch into outer space.
- [47:30]
A
Here's just a regular ball sack.
- [47:33]
B
Everything looks like it has been designed by an architect.
- [47:36]
A
I mean, look how smart it is.
- [47:38]
B
But of course that isn't true and tidy. This colossal and complex city was created by the collective will of the ant colony. Yes, the super organism.
- [47:50]
A
Moving together as a team. Yeah, that's enough. But it's great. And I don't want to sound racist, but I do think a lot of ants look the same. You know what I mean? Like, I can't tell them apart. They're like little.
- [48:02]
B
That is racist.
- [48:03]
A
Okay.
- [48:04]
B
But I take it back up here on the farm, which I find kind of creepy. Science fictiony. We can get ant f. Infestations.
- [48:15]
A
Do you have fire ants? The red ones?
- [48:18]
B
Well, they're probably around too. We got all kinds of ants. But what you do is you have this thing and there's. It's dipped in cotton and they eat it and they try to bring it back to the queen. So you're seeing thousands of ants, but somewhere there's a queen, you know, the size of a NBA basketball. Bring me cotton balls. Yes, but they bring it as a sacrifice. And then the queen gets poisoned and then the ants all die. They have nothing, nowhere to go if they have no queen. So you kill the queen, kill the hive.
- [48:50]
A
That's where ants are dumb. Because when the queen dies, they go, what do we do?
- [48:55]
B
Or the soldier ants, you know, complain a lot. Why am I a soldier and all I do is bust my ass all day? Get in formation.
- [49:03]
A
Soldier better not get unionized. That's the end of it.
- [49:07]
B
But I would say there's probably more stuff just on Earth that's weirder than anything we could find in outer space. So how about this?
- [49:17]
A
At the core of the Earth, the magma level, Is that what it's called? It's, you know, 6,000 degrees. Why is the bottom of the ocean so cold? Go ahead, Dana.
- [49:30]
B
Well, I don't know, but I like Those shows that 25 miles beneath the surface of the ocean live the Malnu oaknoids. These measure 1 millimeter wide and temperatures below 300 degrees Fahrenheit. They thrive in this dark frozen wasteland with it. Here's an arc. Not now. Let's put a. Let's put a flashlight.
- [49:57]
A
They've never seen a flashlight. Let's scare the out of there.
- [50:00]
B
Like, here's an arc. Nod being born. Here's the rest of the Arknard's life. Here it is passing away. You don't do much. Like, what is the point?
- [50:13]
A
They go like this. And then the light goes on them. They go. And then they go back to their life.
- [50:19]
B
When they're first born, they're really surprised by how freezing.
- [50:26]
A
They're like, I can't wait till summer. They're like, I got some bad news. There's no summer.
- [50:33]
B
But I don't know. The light. Yeah, look at the starry sky.
- [50:37]
A
The bottom of the ocean is nuts.
- [50:39]
B
And I don't know why. If it's molten hot, it doesn't warm up down there.
- [50:44]
A
Thank you.
- [50:45]
B
Okay, can we get some scientists on?
- [50:48]
A
We should get somebody interesting on for once instead of you.
- [50:52]
B
So answer our questions. No, I know I'm not interesting.
- [50:56]
A
I go to the scientist. Hey, can you ant. Sir, my question about the ant farm.
- [51:03]
B
Hey, look at this. Do I have a hive?
- [51:08]
A
All right, one more and then I. Dana, I have got to get out of here.
- [51:11]
B
You've always. You're going on the road, right?
- [51:13]
A
I don't know.
- [51:14]
B
Parents leave 10 year old alone at airport over expired passport and board flight for vacation either. I don't understand what I'm. Well, that can't be true. Roll the tape.
- [51:26]
A
The parents. Nobody told authorities a relative would come collect the child. That means they're in another country. No one says that here. Authorities remove the couple from the plane.
- [51:39]
B
We're gonna fly now. Tammy, just stay here and Uncle Sock Knock will come by.
- [51:45]
A
Yeah. Here's a couple numbers I scribbled down. Try them from the pay phone and I'm sure you'll connect with them.
- [51:51]
B
And you know who's gonna pick her up? Seriously? Macaulay Culkin.
- [51:57]
A
I'm walking. I'm talking home alone, remember?
- [52:01]
B
Right.
- [52:02]
A
But would he be helping her come to the house to wait for their. Both their parents?
- [52:07]
B
I don't know. I think he Just make sure she was okay at the airport.
- [52:10]
A
I don't know if you've thought this out or.
- [52:12]
B
Kieran Culin, one of the Culin boys would take. I like those guys. Kieran. I knew him when he was 8 years old. We hung out a lot, me and the Culin boys at SNL when he had. Yeah. And their dad was a. Was. You know, I. A familiar terror.
- [52:32]
A
What was his name?
- [52:32]
B
That way. Dickwad Jones. No, I don't.
- [52:36]
A
Oh, you remind you of your dad?
- [52:38]
B
Yeah. A little bit of a hurting cowboy.
- [52:41]
A
Yeah. You know, a little bit when Macaulay Culkin was. Sorry to interrupt your. No, no. Your pain. Go ahead.
- [52:47]
B
No, my. That was fine. That was a good little job.
- [52:51]
A
Okay, so Macaulay's loss. We lose him on snl. And then everyone's like, where is he? Where is he? And then you see Lauren in an acting debut. Yeah. Running down the hall going, this. Macaulay. Macaulay. Where's Macaulay? I remember that one more with energy.
- [53:14]
B
Do it right.
- [53:15]
A
I think you're joking. That you need to go. Macaulay.
- [53:19]
B
No. And then I remember he. He hugged and then he patted his back. I'm, like, really, like, sort of overwhelmed right now. You could see how emotional I am. Cut. Lauren, that's not your line. I. I know, but I. I wanted Macaulay.
- [53:39]
A
Do you understand why we're going to pay you in Mike and Ike's not money.
- [53:46]
B
Give Lauren credit. That he created this comic Persona around himself of the unflappable area died guy. He did a really funny thing when Martin Short was hosting and he's running around singing. I haven't doing Martin Short stuff. Hysterical. And he comes around and he gets. He sees Jimmy Fallon and then they kind of do a fake kiss or something. You know, like he's so excited. And then he kind of turns to Lauren like that. And the way. The way Lauren just went. The way. The way he just turned away with. No.
- [54:22]
A
Was that on the 50th?
- [54:23]
B
No, that was on just Martin shorts. Was he.
- [54:26]
A
Was Lauren just saying, like, it was too big and broad for him?
- [54:29]
B
Yeah, he just went. He just went like this. No one's going to touch me, basically. But it was such a perfect move.
- [54:35]
A
Oh, like he's going to kiss him next.
- [54:37]
B
Yeah. So he's. He has a very funny.
- [54:42]
A
I'm not in this bit. Sometimes you write Lauren in a bit and then they go, yeah, Lauren's not in it anymore. I go, why not? I go, he's not in it.
- [54:51]
B
Yeah. What happened was I make the meeting.
- [54:53]
A
You make him look stupid or something. And he goes, I won't be doing that.
- [54:57]
B
Well, I think he knows who. That the character of Lorne Michaels is on the show.
- [55:02]
A
It's not what I text. Well, it's not what.
- [55:04]
B
I'm going to be unflappable. I'm going to be low key. I'm going to be erudite. And it's that thing of, like, being unflappable in a place that's very flappable. You're the unflappable one, dude.
- [55:20]
A
I just yawned. I can't wait to hear it. Go. Keep going. I just yawn and people go in the. In the comments. Why'd you yawn? Are you tired? I'm like, I guess.
- [55:30]
B
Okay, I'll be there in a minute, honey. I'm just putting comments on fly on the wall. I'll be there. Okay, I gotta.
- [55:38]
A
I got to log in.
- [55:40]
B
Hey, Dana, do you own anything else besides a jean jacket and a black T shirt?
- [55:46]
A
And then he goes, send. Honey, let me just wait for a couple thumbs up, honey.
- [55:51]
B
I'll be right back. I'm. I'm just leaving comments for now. David Spade. Hey, Spade, did you sleep on your face again?
- [55:59]
A
Yeah. Hey, Spade, you really walking through this one?
- [56:06]
B
You're Christopher Walking. Comments to get people.
- [56:10]
A
Oh, oh. Rage bait bots. They have bots that rage bait.
- [56:16]
B
What is that?
- [56:17]
A
I like the girl that rage baits and tells guys on dates. How come you weren't an athlete in high school? Did you ever want to be? And they're like, I was, dude. So funny. You say things to guys, it immediately makes them mad.
- [56:30]
B
Make some defensive.
- [56:31]
A
Yeah, I'll do it next week. Ooh, cliffhanger. All right, Dana, it was nice to.
- [56:37]
B
Hear about your wedding.
- [56:38]
A
I'm glad you Had a nice time.
- [56:39]
B
Went to the wedding, did the thing. All the events. Glad to be black here.
- [56:45]
A
Levi jacket is okay, Safe.
- [56:49]
B
I don't know why. I mean, if people comment, I'm just like, you know, all we in the early days, we're switching shirts. Oh, it's this day. And get another. You put a hat on. And then I just said, I'll just be like, superman wears the same thing when he's super true. Yeah.
- [57:04]
A
Fantastic 42.
- [57:06]
B
I'm not saying I'm Superman, but, you know, I mean, I have a uniform.
- [57:10]
A
I like in Fantastic four when the thing is trying to hit on a guy, a girl, and he goes, you've got me really bricked up.
- [57:20]
B
That's funny. I. I haven't seen that yet, but that's a funny one.
- [57:22]
A
It goes like this.
- [57:24]
B
You got me bricked.
- [57:25]
A
Very quietly settling on. Gross. You're pointing at Superman.
- [57:29]
B
I know because I mentioned. Yeah, yeah.
- [57:33]
A
He's dressed in the same thing. His shoulders are unusually big, it looks like from here.
- [57:40]
B
Thank you. Oh, you're talking about Superman. Oh, I'm sorry. I got that wrong.
- [57:46]
A
Oh, did you have your shoulders removed?
- [57:50]
B
I'll tell you what, shoulders you want want to shrink down. I'm fighting back with push ups, man. But it's hard. Yeah. Shoulders want to get tin your way. Well, is 30 push ups strong? I don't know.
- [58:07]
A
Oh, yeah. I've been 30 since high school. All right, I'm gonna go.
- [58:12]
B
All right, do your thing.
- [58:13]
A
Stay on though, Dana, because I want to talk to you.
- [58:14]
B
I really enjoyed this episode. I really enjoyed it.
- [58:17]
A
Next time, let's do it in my house. We had a lot of fun. I got lemonade.
- [58:21]
B
Okay, I'll come down anytime.
- [58:23]
A
Bye, guys. Oh, hey, guys. If you're loving this podcast, which you are, be sure to click follow on your favorite podcast app, Give us review 5 star rating and maybe even share an episode that you've loved with a friend.
- [58:41]
B
If you're watching this episode on YouTube, please subscribe. We're on video now.
- [58:46]
A
Fly on the Wall is presented by Odyssey, an executive produced by Danny Carvey and dav. David Spade, Heather Santoro and Greg Holtzman, Maddie Sprung Kaiser and Leah Reese, Dennis of Odyssey.
- [58:57]
B
Our senior producer is Greg Holtzman, and the show is produced and edited by.
- [59:01]
A
Phil Sweet, tech booking by Cultivated Entertainment.
- [59:05]
B
Special thanks to Patrick Fogarty, Evan Cox, Maura Curran, Melissa Wester, Hillary Schuff, Eric Donnelly, Colin Gain, Sean Cherry, Kirk Courtney, and Lauren Vieira.
- [59:20]
A
Reach out with us. Any questions be asked and answered on the show? You can email us at flyonthewall at odyssey. Com. That's a U D a C Y com.