David Flies COACH?? & The Booty Sniffer is Caught

Summary

Fly on the Wall with Dana Carvey and David Spade Episode: David Flies COACH?? & The Booty Sniffer is Caught Release Date: August 4, 2025

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1. Travel Tales and Airbnb Adventures (00:00 - 01:10)

The episode kicks off with Dana Carvey and David Spade sharing their recent travel experiences. Dana recounts his trip to Arizona, enduring scorching temperatures of 113 degrees. In contrast, David discusses hosting his Irish relatives through Airbnb in a picturesque small town.

Notable Quote:

• Dana [00:00]: "I travel all the time and I just went to Arizona where it was 113 degrees."

David elaborates on the success of their Airbnb stay, highlighting the simplicity and charm that impressed his relatives, such as the presence of a coffee maker.

Notable Quote:

• David [00:08]: "It was spectacular. Blew their minds. I can't believe they've got a coffee maker."

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2. Flying Coach: David’s Hilarious Misadventure (02:05 - 07:07)

David shares a comedic yet harrowing experience of flying coach. Despite considering himself a seasoned traveler ("I was born in coach" [03:07]), he encounters unexpected turbulence that severely affects his neck.

Notable Quote:

• David [03:07]: "I was born in coach."

As Dana teases him about the ordeal, David details how a simple neck issue escalated into a full-blown injury during a phoner—a fundraiser event for the Jacksonville Hall of Fame. His attempt to multitask while on the phone leads to an accidental fall, resulting in a concussion and neck pain.

Notable Quote:

• David [05:56]: "I've got this phoner. It was pretty much the long and short of it, but I didn't like it."

Dana empathizes, sharing his own minor mishaps, such as struggling with a malfunctioning remote control, emphasizing the relatable nature of their on-the-job challenges.

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3. Movie Musings: From Happy Gilmore to Tombstone (07:07 - 15:01)

The conversation shifts to movies, with both hosts reminiscing about their roles and experiences in various films. Dana references his iconic role in "Happy Gilmore," while David discusses upcoming projects and classic films like "Tombstone."

Notable Quote:

• Dana [10:11]: "That's inside baseball, man."

They delve into memorable scenes, such as David's portrayal in "Tombstone," highlighting the intricacies of acting and the impact of editing on comedic timing.

Notable Quote:

• David [14:09]: "I think it's a good idea probably to make money."

The duo also touches upon lesser-known films like "PCU" (Politically Correct University), critiquing its reception and legacy in modern contexts.

Notable Quote:

• Dana [25:35]: "We watch movies, everyone does. Amazon Prime or Netflix and you're watching a movie, it's three minutes. You go, what am I, what am I watching here?"

Their banter is filled with inside jokes and playful jabs, showcasing their long-standing friendship and chemistry.

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4. Interactive Segments and Audience Engagement (15:01 - 15:00)

While this section primarily contains advertisements, the hosts occasionally break character to maintain engagement with their audience. They encourage listeners to submit questions and share their thoughts, fostering a sense of community.

Notable Quote:

• Dana [46:22]: "Our senior producer is Greg Holtzman and the show is produced and edited by Phil Sweet."

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5. Closing Thoughts and Listener Questions (44:25 - 51:26)

In the latter part of the episode, Dana and David address listener questions, reflecting on moments when they considered quitting their careers. David shares his gratitude for persevering in his role as an airline pilot, while Dana discusses the emotional challenges of maintaining a career in show business.

Notable Quote:

• Dana [46:49]: "I have to work tomorrow, which is this. Whatever we do, I have to work tomorrow."

David emphasizes the mental resilience required in their professions, likening stand-up comedy and acting to "emotionally violent sports."

Notable Quote:

• David [49:36]: "It's mentally, I call it an emotionally violent sport."

They conclude by encouraging listeners to reach out with more questions and engage with the show through various platforms.

Notable Quote:

• Dana [51:11]: "Fly on the [e-mail] it is. Yeah. Fly on the wall at Odyssey, which is spelled A U D A C-Y dot com."

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Conclusion

In this episode of "Fly on the Wall with Dana Carvey and David Spade," listeners are treated to a blend of personal anecdotes, behind-the-scenes stories from the entertainment industry, and lighthearted banter. From David's tumultuous flight experience to their reflections on movie careers, Dana and David offer an engaging and humorous glimpse into their lives as long-time friends and comedy veterans.

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Stay Connected:

• Subscribe to "Fly on the Wall with Dana Carvey and David Spade" on your favorite podcast platform or watch on YouTube: @flyonthewallpod.
• Send Questions: [e-mail]

Transcript

[A]

You know, Dana, I travel all the time and I just went to Arizona where it was 113 degrees.

[B]

I mean, for me. Recently had some of my Irish relatives visiting us and we wanted to get a. Ah, well, we could stay with you if you want, but we can stay wherever you want. So anyway, we got an Airbnb in the little town and it was spectacular. Blew their minds. I can't believe they've got a coffee maker.

[A]

It was covered for the potatoes.

[B]

Yeah. And a place to sleep. I mean, it was. It was an amazing home run. It just went up a small flight of stairs. It was like this apartment looked out over the town. It was gorgeous and they loved it.

[A]

Yeah, you get what you want. You kind of just go through and pick and choose. Do I want a pool, Do I want a big kitchen? You know, that's it. That's the experience you want. Especially when you're hosting other people like you were. Yeah. And when you, if you have a nice paddle, you can Airbnb it out, you can do the other way. You can have people come there. It's a good way to make some extra cash. Your home might be worth more than you think. Find out how [e-mail] host.

[B]

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[A]

Dana, you'll never believe what happened to me on the road, Okay?

[B]

A lot of stuff happens to you. So what are you talking about?

[A]

I mean, you just won't. You just won't believe it. It's too much.

[B]

So, okay, well, my brain goes to. Is this something dire, something fantastic, something giggy, great audience? You know, what's the list of what it could be cold.

[A]

Cold, cold.

[B]

Welcome. You're not getting any warmer, fella. Give me something.

[A]

Yeah. Oh, Dana, you. You know, you know, I'm out there and I'm. No, no, I flew a coach. That was it. No, I flew coach, actually. Heather, will you send that picture? I'm going to explain this. I. You have to wait for this picture anyway. I flew coach. Have you ever flown. You know what coach is, Dana?

[B]

I was born in coach.

[A]

That should be. That's like a country song.

[B]

I was, you know, and by the way, in a minute I'm going to show you a billboard. I'm going to show the audience which kind of a sort of about our friendship. And I'll show it in one. I'll show it in one minute.

[A]

I'll hang in there for that.

[B]

So. But. But first, now that we're at 3. We're at 3. 15.

[A]

Yeah.

[B]

What do you got? You flew coach.

[A]

I flew coach. But they have a way of showing you it's not coach. Look at this. So here I am in coach, roughing the. Out of. Now, coach is fine. I don't mind it. I got a neck thing, so if I sit up straight, I'm fine with it. Anyway, they put this little 4 inch thing. I go, this cannot be. What? You have to separate. It used to be a curtain, remember?

[B]

They go, oh, yeah.

[A]

They go, hey, sorry, this is first class. Don't try to. Don't try. You're not coming up here.

[B]

And you know, every once in a while you're up there and someone wanders through the curtain and it's like. Like a major D. No, you must not be yet.

[A]

Oh, no, no, no, no.

[B]

And they have a baby and they're trying to use the first class bathroom. I go, let him in. Let it in.

[A]

Like, no, I know someone that says, I always fly coach. I walk up to first to take a dump. I'm like, no, you cannot. No, you cannot.

[B]

You cannot.

[A]

But I went up there just to. Anyway, the flight was okay. What I'm getting at is my precious neck. I get to New York, I. It's fun in New York. I'll show you a video I took. I'm a bit of a street influencer.

[B]

And I feel like I'm part of the audience right now. Got videos, you got stories.

[A]

Are you gonna shut the up? Okay, well, I was doing a boner. For those of you at home. A boner is when you call in at a gig you usually have. You have to do it for most gigs just to make the City aware you're there before you. So I said, I'll do a phoner for Jacksonville. It was sort of a fundraiser. It was a gala for the Jacksonville hall of Fame.

[B]

Okay.

[A]

They had Jim Furich. They had. That's a golfer. And they had some people there.

[B]

Oh, yeah.

[A]

Super, super fun little show. So I'm doing this phoner to the local zoo crew of, you know, Jacksonville. And then I have these stupid things on that I hate their guts. These things that stick in your ears.

[B]

Yeah.

[A]

And with my precious, I wake up. Neck trouble already. Boop. But I don't have a show that night. I just have this phoner. I'm going to go do a set at the stand later in New York. So the story is fucking riveting. It's riveting, right? So far.

[B]

Don't go anywhere.

[A]

No one at home. Pull over, skip work. So I have. If you can't watch me have a headset in on the phone, it quietly. There's a drawer in my desk. I'm sitting there, it's under. Hooking under the drawer like this. You know what's coming. My neck hurts so bad in my middle of my hysterical interview. I get up to walk somewhere else. Yanks on the drawer, yanks me down, snaps me. Oh, I fall. I land on the ground. I've fallen and I pretty sure I can't get up. And these are popped out my neck. C4 through 12 is like. And now I'm on the ground like this. And I hear, it's a zoo crew. Are you still there? And I'm like this. Flatlining.

[B]

Horrible. Yeah. And I'm like this.

[A]

And they hear me like this. Oh, just noises. And then I go. Then I get my bearings, and I'm like this. Plug in, plug in phone stand up. And I'm like, hello? And they're like, david will be at the Jacksonville igloo tonight. He's still. Still talking.

[B]

And I'm like, so Tommy Le Bull in here with Joe Dirt himself. David. Hey. Hey. Hey, partner. Yeah, yeah. You blacked out for a second. You all right there? You need a little.

[A]

I like that. Yeah. And I'm literally full concussion, so I was neck snap. Now my headache's worse. And I'm like, and. And anyway, that was pretty much long and short of it, but I didn't like it. And then I got home and I got my PT Dr. Jenna, who ripped me apart yesterday, my neck. I'm like. And I'm like, I have to work tomorrow, which is this. Whatever we do, I have to work tomorrow. She's like, what? Your stupid podcast. I'm like, what did you say? I know.

[B]

Well, I had similar problems. Like, the remote wasn't working because I watch it. I was like. I was gonna. I was like. And it wasn't working at all. So then I shook it. Maybe the battery. I opened up the thing to see if the batteries needed battery. Batteries. And I was watching the show, and I was in a rocker, and I went, yeah.

[A]

Did you get hurt?

[B]

I'm still in the act. Out.

[A]

That's rocking.

[B]

Going backward.

[A]

Hello, darkness. My old rocker. Yeah.

[B]

I grabbed the headphones and I reeled myself in like this. I'm just inspired by your sound, Jurassic Park. I'm inspired that your whole life has this soundtrack.

[A]

I know. It just helps the story move along.

[B]

I mean, there's. It's funny, random sound effects like, hey, how are you?

[A]

I'll tell you one more thing. I went to dinner, and here's. You might not get this because you go to.

[B]

I go to dinner.

[A]

You go to fancy restaurants all the time.

[B]

Go ahead.

[A]

You eat dinty. More beef stew out of your doomsday shelter.

[B]

Well, there is a bit of doomsday shelter Ness around my environment.

[A]

There's a story we're gonna get to that involves you. I'm gonna bring you up.

[B]

Okay. And I. I still have this.

[A]

So the quick story is the waiter's like this. So I get to the nice dinner. I go to take a bite, and the waiter goes, is everything tasting deliciously over here? And then I gotta go, oh, yep, yep, so far. And then they come back three seconds later, they say something funny. She goes, oh, yeah. See, I think, is everything scrumptious after the first bite? They have new ways of positioning it.

[B]

I haven't heard that one. Yeah, that's a little pushy.

[A]

It's a little pushy. Three bites of a tuna tartar later, he's like, that's one of our favorite things here. Are your taste buds jizzing all over your mouth yet? And I go, that one. That one feels like.

[B]

That seems a bit.

[A]

I haven't heard that one.

[B]

I know. Have you ever had this one? Like, they're like, oh, open up the mouth. Open up your mouth. Here comes Mr. Caboose, and they have a spoon, and they start spoon feeding you Napoleon ice cream. And then what?

[A]

I go like this. He goes, you're almost there. And then he pulls his wiener out. Dana, I have to say wiener because someone made a pie chart of our podcast, and it says, the chunk where David says wiener, and it's like 44 of the pie chart.

[B]

You get a wiener. And I. I'm surprised it's that low. I think you. You get a wiener and you don't pull it out, but you get the vernacular. In the podcast, I'd say more like 76%.

[A]

Oh, my God.

[B]

What do I say all the time? Like, hey, buddy, I must say, what.

[A]

Is it on his chart? What does he say?

[B]

I don't have it. I don't.

[A]

People in the comments really like to go, no, I would say 97% positive in the. Which is very nice.

[B]

I'll tell people who, first of all, watch us and like us. Thank you. First of all. Yeah, but we. You know, you do this for long enough, you're kind of like. And then all of a sudden, a story comes into your head, and halfway through it, you realize you told that same story 60 episodes ago.

[A]

We told that between Tom Han and Cheryl Crow.

[B]

And your brain is going.

[A]

Just say it anywhere.

[B]

This was doing. This was doing fireworks.

[A]

Oh, yeah. Let me see if I can get.

[B]

Half hour ago. What the freak.

[A]

Wait, we get our screen to make fireworks. It doesn't.

[B]

Well, we did it by accident, and then I did it. Damn it. Life is disappointing sometimes, but we'll get to it.

[A]

Well, the last thing I'll tell you this relates to you, but it's really about me. Is good. I position it like it's about you is that I like. You're. You're very excited because they're doing a spin off to one of your favorite movies.

[B]

Oh, 2000. No, we are done. 2010 mean Happy Gilmore.

[A]

Oh, oh, no, not Hal. Not Hal.

[B]

No, no, no. That's my friend Tony Hopkins, right?

[A]

Nope, nope. It's this. Well, I'm gonna have to fight you, Bruce Lee, however you do that.

[B]

Okay. They're doing, like, the character of Brad Pitt. Cliff Booth, I think.

[A]

Yep.

[B]

Yeah. Well, that's a good plan. Yeah, I like it.

[A]

Yeah. Beats up Bruce Lee. Remember that? Oh, I remember a time in Hollywood.

[B]

You're kind of pity for a stuntman.

[A]

So here's what.

[B]

They have a picture.

[A]

He's shooting it right now.

[B]

Oh, that's him. So retro. They got a retro wig on him on this one.

[A]

Yeah. Is he playing me?

[B]

That's not you. And that's not Heather. They're doing Joe Dirt too, starring.

[A]

He's kind of got sideburns too.

[B]

Look, I got. No, I guess in the show they're trying to de age him back to the. Well, in the show, it was the 60s. So I don't really understand.

[A]

Well, did he have this look in the. In the movie?

[B]

No, no, he didn't have long hair. Not longish hair like this. Can we show a picture of him?

[A]

He's a Gonzalez with him. But it probably isn't.

[B]

That might be early 70s. People like my dad hated the goddamn long hairs, you know, and he was shave our head. These goddamn long hairs. And then by 75 he had hair over his ears. They adapt later. So maybe that's Pitt in the.

[A]

Do you think. I think he's playing a Hollywood fixer.

[B]

Yeah. See there, he's kind of Steve McQueen. Oh, it's more Steve McQueen. And it's. You see his ear? He's not doing. Yeah, the bouffant.

[A]

So I guess he has to have a little different. But I think he's got a wig because from this thing I saw in this story about he's playing kind of a Hollywood fixer back in the day.

[B]

That makes sense with his skills, which is interesting. Yeah, I think. I think it's a good idea probably to make money.

[A]

You're a stuntman. It's like what do you do? And maybe he got old tool to do stunts. He's out there beating people up and.

[B]

Well, well, in the other movie he got. He wasn't getting stunt work because he's too much of a hothead. You know, he beat up Bruce Lee, so then he was. He was the gopher. Hey man, I'm your gopher and I like when you're out of town how to house sitting up there in the Hollywood Hills. Let's face it, I haven't worked as a stunt man in a long time. The way I look at it is a lot of things worse than going to Italy and making some spaghetti westerns. I don't want to go do goddamn spaghetti western. How many seen? One, two. Come on, man. Yeah, sorry. I like the movie. Saw it 11.

[A]

He's great in it.

[B]

The only thing is the director's really good, but I don't think it's Quentin.

[A]

It's David Fincher.

[B]

Right, but.

[A]

But that's great though.

[B]

Quentin Worm, first name basis. He is a great director.

[A]

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[B]

Let me. I'm going to calm down a little excited. So go ahead.

[A]

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[B]

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[A]

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[B]

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[A]

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[B]

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[A]

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[B]

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[A]

We should have Quentin on. I don't know why we don't. Why don't we. Why don't you want. I.

[B]

When I hosted for Jimmy Kimmel, he. I said, they said, who do you want? I said, can I get Quentin Tarantino? And they said, yes. But I was. I was. I wanted to talk to him, like on a podcast.

[A]

Yeah.

[B]

You know, it's all these commercial breaks, and I. I was doing impressions of people in the movie. I. I don't know. But, yeah, I'm. I'm. I am a huge fan. We'll put out some.

[A]

Yeah, we'll talk to his team. Your team. Talk to your team first.

[B]

Speaking of movies, this is. This is a tombstone with Val Kilmer. Can. Can you read that?

[A]

Love it. If I thought you weren't my friend, I just don't think I could bear it.

[B]

So he plays Doc Holliday in this movie so brilliantly, you know.

[A]

Wow.

[B]

You be my huckleberry if.

[A]

Whoa.

[B]

If I thought you weren't my friend, I just don't think I could barely. It's almost Jimmy Stewart. But this movie is incredible.

[A]

Is that the one with Kurt Russell?

[B]

Yeah, because there's two Kurt Russell. I think he does two. But Tombstone had Kurt Russell, and it had Billy Bob Thornton play when he was kind of chubby. Plays a guy who Kurt Russell threatens in a bar. It's. It's just great western. And Val Kilmer is brilliant in it.

[A]

His famous line I had wrong. Did you know this famous line I had wrong? I'll be your huckle bearer.

[B]

Oh, really? I thought it was I'll be a huckleberry Huckleberry. Wow. Wow. If I was. If I. If I thought we weren't friends, I don't think I could bear. I haven't seen the movie lately. My impression's a little wobbly.

[A]

Well, I used to say, I'll be your huckleberry because he says it to a guy in kind of a flirty, like, crazy person.

[B]

They're gonna go with a gunfight and try to kill each other. And it's all kind of feminine and like a. Like a high school dance. I'll be all huckleber.

[A]

But what it is is, it's huckle bearer, because that's what they called the pallbearers. To carry the guy's coffin.

[B]

God, that's amazing. I've seen the movie at least five times.

[A]

So he. It's so cool because he goes, I'll be your huckleberry. Like, I'll be one of the guys will carry your coffin.

[B]

When I kill you, I'll be a huckleberry.

[A]

Like, I'll do you a favor. When I kill you, I'll be one of the guys who carries your coffee.

[B]

That's inside baseball, man.

[A]

That's not cool, because I did not.

[B]

Know that his accent was so dense that you just couldn't tell he.

[A]

And he looked like a stud. Cool, cool, cool. But, you know, really good. And I'm looking forward to that. Cliff Booth one.

[B]

That. A Quick Hollywood Story kind of fun. So I'm doing a movie with Nicholas Cage and John Lovitz, Trapped in Paradise. It's a. It's a holiday treat. No, it was. It was. But anyway, this movie Tombstone is out at that time, you know, and Kurt Russell is threatening Billy Bob Thornton, like, I just mentioned the bar scene. And he says. And Kirk Russell goes, you know, instead of saying, you're going to draw a gun on me, you're going to throw down, boy. You're going to throw down. So that became a big running phrase between me and Nicholas Cage. If he thought I did good in a scene, he goes, oh, you threw down, man. That was. That was that.

[A]

I like it. And when does that come out? 2081, trapped in paradise.

[B]

It had a lot of potential, John Lovitz, Nicholas Cage and I. But it's. That's a whole podcast. We'll bring in Nicholas Cage and talk and John and bring and Talk about.

[A]

The Movie 8 podcast series.

[B]

Were you ever in a stinker?

[A]

Yeah, of course. I mean, you don't plan to be, but sometimes.

[B]

Well, movies are hard to make.

[A]

There's. So they're. The worst part is it's hard to make the bad ones. It's still the long hours. You still have hope. You just don't know. Sometimes when you're shooting, you go, this isn't coming out like we thought. I mean, you can just tell. And you go, but maybe with editing and add some funny noises and some sound and some song, there's only so much you can gussy up a pig, you know, you can't really.

[B]

Well, let me do a little bit of inside baseball. That's twice I've mentioned on this podcast and it's not. Is that in the early 90s and 80s, some of those big classic comedies, we did not have digital film. So to make an edit, you would go. And the film would be like this giant size of a tire and you'd spool it, go like that. To make an edit was a big deal. Then it was like. So I did a scene in Trapped in Paradise. I'm playing kind of a Mickey Rourke kid who's not too bright, you know, and he's up in front of the parole officers and he gets a jawbreaker in his mouth. Right. As they ask him a question. Yeah, well, because. So I took like, I made a meal out of it, but it was hysterical in a held shot. But then I saw the edit, I was like, put the jawbreaker in and then I spit it out. It's like, boom. Oh, yeah, editing is big in movies. It could take a comedy scene and make it unfunny.

[A]

Oh, let me see a movie that I did that thought it was okay.

[B]

But ended up doing great.

[A]

Well, you know, there's movies like PCU where we shot that you might not remember this one, but it was politically Correct University.

[B]

I remember it. Yeah. I don't know if I saw it.

[A]

But I remember the title. I think about it a lot now and it comes up, like on Twitter, because PCU in the. In. In this day and age is almost the same movie. It holds up as far as there's different factions, there's people that are offended by everything. There's this and that. So of course I play the bad guy. But that one was. The funny thing about that one is it didn't do Blockbuster, but it was pretty good. And it hung in there over time. But Jeremy Piven, me, Jon Favreau, there's a lot of fun people in it. But when we did it, it was an R rated movie and I've never had that happen. So I think that's the one where I go open the door when I. When I'm looking in the door or something. And then they go. When you go in there and do the takes on the set, the last take, they say, let's do one for the airplanes, basically for cable when they can't air an R rated movie.

[B]

Yeah. So what did you say so no.

[A]

One even cares about this. I go, open up Steakhead. Right, Whatever. That's funny because it's stupid and funny like, whatever. So you always do a PG airline version? Yeah, if you swear. And it sort of waters down, but it's. They need it for whatever to sell it. So anyway, the movie comes out is a great director.

[B]

I mean, didn't he.

[A]

He was not the director.

[B]

He was in the movie.

[A]

He's a great actor too. Yeah.

[B]

Elf, I think. But anyway, for me it's, it's, you know, the, the shocking thing was Wayne's World for even my. Both Mike and I, that it became this global smash. I mean, I just thought, we thought it'd be pretty good, you know, it's kind of funny, you know, I had no expectations it would take off.

[A]

So. Yeah, PCU didn't really quite take off like that.

[B]

What year was pcu?

[A]

It was probably my third year of snl, something like that. And so. And then I only did like three weeks on it. Yeah, it was probably the end of the 90s. And you know, they released it when I saw it on the poster. I think that's the one. Maybe it was senseless, but they released it as a PG13. So they kind of rat us. They used every airplane version of every take. And so I'm like, you didn't even try on those take. Yeah. So it's okay. But when you go from an R rated movie to really watering, you go, oh, this is a different. Because right. Animal House, we had those movies we're trying to be like. And then you tamp it down.

[B]

It's like, it's, you know, it's tough, you know, consistency of tone. I mean, it. If there's four or five directors, kind of. It can get a little messy. Like each one, we should do this, we should do that. When you watch a movie, you know, we watch movies, everyone does Amazon prime or Netflix and you're watching a movie, it's three minutes. You go, what am I, what am I watching here? I mean, what's. And the good ones just grab you. I don't know. It's storytelling, I guess.

[A]

It's storytelling by committee. And sometimes there's not a clear vision and it sort of gets. Turns into everybody's movie. That's how movies get kind of ruined. Yeah, I mean, anyway, this is me.

[B]

When I heard the box office GROSS FROM WAYNE'S WORLD 1. What is it, the opening weekend?

[A]

Let me see if I can find one for you too. This will take me too Long. You still going?

[B]

No. You inspired me.

[A]

I like it. I got one for you.

[B]

Okay.

[A]

When it came out, you went like this.

[B]

It's too much. So let me hear that.

[A]

That was you. You got a boner. Okay. Oh, I got another one. This is fun. Here's me. If and when it didn't do as good as Wayne's World. Here's. Oh, wait, I already did that one. Here's. No, I'm not doing that one.

[B]

Well, I'm not going to be left out of this game. I've got an iPhone.

[A]

It could say, here's Dana after I accidentally squeak out a toot. Now, wait, hang on. Wrong. No, hang on. Here's me when I toot. Dana likes it. Why are you breathing in my tooth? Dana, don't try to find a soundboard and fight.

[B]

What?

[A]

Here's Dana. When Range World worked, that was pretty good.

[B]

Hold on.

[A]

Challenge. Watch the full hour and post it. What does that mean?

[B]

This is. This is when Joe Dirt came out with the audience.

[A]

That's. Everyone brought their baby.

[B]

That's. After Joe Dirt. The audience just ran out.

[A]

They ran out crying. And everyone. And their baby was crying. All right, that's fair. I don't like this game anymore. It turned on me now.

[B]

Well. Well, now I've got a new toy I love.

[A]

It's so fun. I'll send you this thing and you can fight back.

[B]

All right. But the baby thing is.

[A]

All right, let's play a clip of something.

[B]

Yeah, let's do the clip because we gotta. We got a big day ahead of us.

[A]

Million things going. Yeah, okay. Oh, this is interesting. A Chinese company piled 11 million in cash on a table, and employees could take as much as they wanted. The video. See that cash?

[B]

Well, that's gonna create violence.

[A]

I mean, we'll see how polite they are. Beep, beep, beep, beep. Oh, they never pull the trigger. Okay, so, a. I'd like to have a. I'd like to be more toward the front. If not.

[B]

You think there's more money in the.

[A]

Front because I'm grubby. No, I'm saying in the front row so I can grab. But how much would you take?

[B]

Well, it depends. I mean, we're not going to see the melee that's going to happen. Are they gonna. Is there a number system?

[A]

I wanted them to show. They don't show it, I guess, but.

[B]

Well, then you. What would I take as I.

[A]

If it's free, don't say 11 million. Do not.

[B]

No, I would take as much as I Could now what would I take? And if I counted it and it wasn't what I hoped it was, you know, I would just be.

[A]

Oh, my God, he does it again.

[B]

Sorry, I've had a quick one. Okay.

[A]

Oh, there's footage of them taking. Let's go back.

[B]

All right, let's. We need to see the footage to have an ability opinion.

[A]

I don't know if it's right there. Let's try it.

[B]

The comment says that.

[A]

The comment says, I like the US would give everyone a slice of pizza and a 15 cent race show these guys fight. Why?

[B]

In the comments it says that they all grabbed and put in.

[A]

Oh, I would think, like, I think in Japan they're so disciplined that people would be embarrassed to take more than a little.

[B]

There is a culture in Japan. Japan. So that was Japan. Yeah.

[A]

No, that was China. So I don't know that. No, I think, I'm saying, I think Japanese are sort of very like honorable. Like I wouldn't. I'd be embarrassed to take too much. Yes, right.

[B]

Yeah, I. Maybe Chinese depression. I have not been to Tokyo.

[A]

I have not been there in so long.

[B]

In so long. But I do know I knew someone who lived there. And yeah, it's very, very polite until it's not polite.

[A]

Oh, because that one, it would. If that was at like the Mall of America, that would be a melee. How. Yeah, just picture that. You just go to your work. What do you guys think you deserve? Everyone's like.

[B]

I like movies where the bad guys are getting away and they've got all the cash in the suitcase and then it breaks and then it just flies right at the end. All in the street.

[A]

Everyone's like, drops out of a helicopter.

[B]

These are the people.

[A]

Yeah.

[B]

Oinking it up. Have you said wiener? Yeah, you have said wiener. When you.

[A]

I have too much now.

[B]

I want to make sure it's every episode. Okay. All right, I remember this story.

[A]

Is this about this guy's ears? Okay. Accused serial booty sniffer. Oh, he's back again in Burbank. That's close to us.

[B]

That guy was on Star Trek Deep Space Nine, I think as Colonel Bachno.

[A]

All right, are they playing this? Is there any video?

[B]

It's just a. Oh, oh, look, there.

[A]

He is in action or do anything. But I definitely didn't expect him to do like, what the actual. He's digging in there.

[B]

I'm fine because he hasn't said anything.

[A]

Or touched me or anything. Anything. But then you notice that he goes over and does the same thing to this girl. And he'll crouch down low and pretend like he's doing something.

[B]

And I think this is produced.

[A]

But he got popped.

[B]

Well, who's on camera? Who's on camera?

[A]

She's filming herself because she's.

[B]

This has happened moments before.

[A]

Either that or she's just like everyone else, just filming herself doing nothing.

[B]

Yeah, well, first of all, what's weird about it? My first question.

[A]

Secondary, what's weird about it? Yeah, I like, he goes for two, her and the other girl.

[B]

Men in their hormones and their sex drive. I don't know why women put up with this. It is really embarrassing as part of the male species.

[A]

Hey, where's that Shakespeare book? No, it's not over here.

[B]

What sound effect can't you do?

[A]

Well, that's just sniffing.

[B]

Well, not what you have.

[A]

That's for amateurs. Here's a dog sniffing you. And then they get tired of it.

[B]

Here's a cat looking at a picture.

[A]

Of you.

[B]

And then decides to eat the photo. And then is really happy and full.

[A]

And goes, there you go. Then they throw up a fur ball. I give you cues.

[B]

You're directing me now into. But I have that character sound effect that I do in my stand up sometimes.

[A]

That's the first 40 minutes of your stand up.

[B]

Now, it's a funny character because every effect is the same thing. He just calls out what he's doing, you know.

[A]

All right, let's go next door. Big stories out there.

[B]

Okay, let's read it. Breaking news. 100 million dollar fire aid funds never reach victims. 12 non profits got the cash instead. Whoa, whoa, whoa, whoa, whoa. What?

[A]

This is such a drag. They do this big benefit for fire aid, you know, because of all the fires in Altadena, Palisades.

[B]

Really? Is this real? They stole the money from.

[A]

Well, they didn't steal it. They gave it to NGOs, which I don't even know what they are.

[B]

And non governmental organizations.

[A]

Organizations.

[B]

Yeah.

[A]

So they give them to those saying it says on the fire rate, this goes directly to the victims, but they give it to all these and say you guys give it or do what you feel. And some of those were sketch.

[B]

You can go online and look at any charity you want to give money to and you can find out what they take in and what actually reaches the people you're trying to help. And sometimes the expenses, the differential is enormous.

[A]

So, yeah, sometimes 7% gets to the people. And that's when you go.

[B]

That's when you go.

[A]

Because they have all this overhead and stuff and. Yeah, it's too Bad around here because no one's getting. I don't think anyone's gotten anything yet.

[B]

Yeah, and they're. They're divvying it out. It's like one for you, one for me?

[A]

Yeah.

[B]

What? Two for you, five for me, three for you, ten for me. Hey, wait a minute. Seems like you're getting more. What do you want me to do? Write you a check?

[A]

Yeah.

[B]

11 for me.

[A]

It's.

[B]

We'll.

[A]

We'll monitor that story, Dana.

[B]

That's the cool thing about that. We're turning into Action News.

[A]

Yeah, we're Action News.

[B]

Spade Carvey. Action News.

[A]

Hymns. As you know, Dana is Hymns.

[B]

Oh yeah.

[A]

Him one of our sponsors. It's changing men's health care by providing with access to affordable sexual health treatments from the comfort of your couch.

[B]

Look, if ED is getting you down, what should they do? David.

[A]

You get hymns help you their confidence and other things. You know. Hims provides access to treatments that can keep you staying hard. That was hard to say.

[B]

And last longer so you could be ready whenever the mood strikes. So I think this is great, actually. I think that a lot of these access to medicines. If you're a little embarrassed about things, you can get them online. And they're FDA approved ingredients. I mean.

[A]

Yeah, yeah, yeah.

[B]

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[A]

David, listen. 100% online. You don't need those uncomfortable conversations with your doctor. Plus, let's lift the taboo on this. It's. It's out there, guys.

[B]

I mean, come on.

[A]

Sorry. It's out.

[B]

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[A]

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[A]

Danny, you know I'm running around all day as you know.

[B]

You. You actually that's no joke. You do. You. You do go around.

[A]

You get in that car getting my steps. Yeah, I get the steps. I. And if I don't get my 2000 steps a day, I get out and walk. I'm not bragging, but that's what I do. So listen, I need a little energy in the day. Of course. Kachava. Okay. It comes in a bag, right? It's a body meal. It's a whole body meal. So you mix it up either plain. You know, I kind of like throwing a peanut butter, right? That's just me. You can do whatever you want. Add stuff. There's a lot of great ingredients in there already. They've got maca root, goji berry, chia seeds. So many things. But if you want to be energized, focus, calm and satiated for hours, throw in one of these. I like chocolate. They have also vanilla chai. Is that a word?

[B]

Yeah, I'd say you add a little bit of peanut butter, a little bit of banana, maybe a little bit of yogurt, and then mix it in a blender or with a big spoon and gulp it down. Not hungry and full of energy all day. Is that a good thing or a bad thing?

[A]

Listen. 85 plus superfoods, nutrients, plant based ingredients. Try cachava risk free with their love it guaranteed. You have so many good reviews. Fuel your daily adventures with Kachava. Go to kachava.com and use code FLY for 15% off your next order. That's Kachava.

[B]

K A C H-A-V A.com codefly for 15% off.

[A]

Yeah, eating healthy always sounds like a solid plan until reality kicks in and dinner becomes whatever's closest to your hand.

[B]

Usually a granola bar from 2009. But hey, what if someone actually handled the healthy part for you?

[A]

Yeah, like a food wizard who knows what kale is and how to make it taste like something you want to eat.

[B]

Eat clean is a chef prepared meal delivery service with clean whole ingredients.

[A]

Yeah, no prep, no cooking, no. What is this rutabaga confusion? It's just heat. Eat, move on with your life.

[B]

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[A]

Great for anyone who wants to eat healthy without scheduling a second job as a meal prepper.

[B]

It's a woman owned small business, which we love.

[A]

Yeah. Plus it's built for real people with real lives. Affordable, clean, and built to fit into a busy schedule.

[B]

Eatcleantogo.com code pod50 for 50% off your first order. That's eatcleantogo.com code Pod50. Your fridge will thank you and so will your stomach.

[A]

Oh, wait, Dog moves secure. Oh, this is Dog moves a security camera so he can Eat food off the table. If this is real, it's too smart. Dog sees food. Oh, I like this music. What's the camera? He moves it over. You can turn the music down a little bit. So the cat sees that he's getting away with it. This cat is unreal. Cat comes up.

[B]

Well, this can't be real. So the cat is fixing the camera so the dog will get in trouble. Yeah, that's just. It's a funny bit, but it's not true. But it is a very funny bit. That's funny.

[A]

Heather, can cats do that? I don't look at my cat. No, she's looking at her cat cam. That just reminded me. She's taking care of a cat. She's gonna check. Cats are very smart, and they don't. They don't always do these tricks, but they. I heard they don't like dogs. I see it in cartoons.

[B]

Well, sometimes they meow. And now with AI, we can slow down their meows, and it actually sounds like English, so. Hey, Frisky, did you move the camera? Yes, yes, I moved it. So Bisco Wow would get a rubble. But all you before AI, all you heard was meow, meow, meow, meow, meow.

[A]

There's something to say to a cat to make him come over.

[B]

Yeah, I gotta try the.

[A]

Yeah, you go ma to a cat, and they stop what they're doing and walk over. No, we'll video it, and then we'll play it on the next show. Here's another story. Here's a logger.

[B]

Okay.

[A]

Oh, they have to cut this and try to smash a can. So see that log? Now look at the end of it. That can. They missed it.

[B]

What did they do wrong? Oh, they're cutting it in a way that it'll fall the way they want.

[A]

It'll fall and they want it to nail it. See that can on the bottom, right?

[B]

Yeah. That.

[A]

The first guy, I guess, missed it. He's using his felling sites, whatever that means.

[B]

Falling sights, right?

[A]

No, they said felling. Okay, so he's so far my point of view. He's doing good. Oh, it's gonna go to the. Too far this way. Nope. Get it right, Jack.

[B]

Come on.

[A]

He's got a little help, Jack. Get it right, Jack.

[B]

Taking a lot of time, Jack.

[A]

These usually hit houses in these scenarios.

[B]

No, he's got to do it. Got to be careful. Okay. That's what he's trying to hit. Yeah, his little circle. Okay.

[A]

Good luck.

[B]

Anytime. Come on, buddy.

[A]

Yeah, we're ready, guy.

[B]

That's Good.

[A]

We got an hour show.

[B]

Yeah. Crime. Okay.

[A]

Oh, he got it.

[B]

Competition. That's gonna be a Marvel movie.

[A]

Where was that filmed? A quarter mile from your house.

[B]

Welcome to Longer League. We got. There's. There's. Up here. We got all kinds of stuff. Yeah, I know.

[A]

Dan, are you a bit of a logger? Are you? Yeah, I am.

[B]

I can't. I came from blogging country up in Big Timber, Montana.

[A]

Oh, yeah, you're from Montana. Okay, let's do one more. We got to get out of here.

[B]

One more. We got it. We got.

[A]

We gotta get a question, too.

[B]

Got a life to lead.

[A]

Okay, this is frustrating. This is not my video from New York. We'll show next week. But this is only New York. A whole video. Okay, okay. A whole garbage truck blocked by one guy. Well, this guy's in the bike lane, so he can be there, but he's blocking everyone.

[B]

Just don't understand why people do this. This is not the first time I.

[A]

See this in New York. Garbage truck is trying to do its job.

[B]

Pick up the garbage. But this guy on the bicycle, so selfish.

[A]

He's crazy. I'd freak out.

[B]

They're just trying to do their job.

[A]

Like, move out of there. This guy's been so frustrating for me.

[B]

If I would have been doing this.

[A]

Job, like, you could just go on.

[B]

The sidewalk or just move along.

[A]

What is he looking fly on the wall?

[B]

It seems like he's doing it on purpose.

[A]

Maybe he's looking at my Joe Dirt Morgan wall.

[B]

Well, yeah, he's. He's. He's strolling through our clips for this podcast, so he's a little absorbed.

[A]

Does he move?

[B]

The guy told him. Does he move now? Come on, guys.

[A]

The guy told him. Nope, he's still not moving. Why is he being so defined?

[B]

We gotta get him on this podcast? Because that's bad manners.

[A]

And you know what? This would be a bad manners corner.

[B]

I mean. Yeah. What a dick. Or that behavior.

[A]

Ms. Rachel say. Oh, boy.

[B]

You know, he was scrolling. And here's David Spade and Joe Dirt. And here's David Spade on Fly on the Wall. And here. So, you know, he was a little absorbed.

[A]

Here's Dana's only fans. All right, okay, so let's do.

[B]

Well, let's do a question.

[A]

Yeah, question. Okay, okay, you read it, Danny. No, you go ahead.

[B]

Let me come in for my close up. My question is for both of you. Obviously, you both had much success in the entertainment industry. Thank you. Yes. Was there ever a time where you were ready to give up? You're Ready to throw in the towel and say, I don't want to do this anymore. As for me, I'm an airline pilot. Whoa. Got mic props. And I know I've had that thought.

[A]

At times during flights.

[B]

Happy that I stuck it out as I now fly wide body jets around the world. Huh?

[A]

Right. I think any, any job, you have to remember there is an element of work, whether it's a lot of the element or not. Because our job seems fun on the outside, which it's pretty fun. But sometimes it gets tough. We want to quit now. We've done okay at the beginning in the first five, ten years. Sure. Every day it would cross my mind. I mean, you're in a, you're in a sketchy job. I mean, in our particular case, stand up is not where you're making money today. It's almost a viable, you know, career to go into. But back then I was like, no scene, no one making cash. Very hard to. It's like officer and gentleman. You're like, I got nowhere else to go. You go, I. This is all I can do.

[B]

Yeah, I bought a lot. I bombed a lot. First three years, you know, I some good sets and then a lot of bombs. I quit several times. Stand up. And then I did a lot of TV shows and pilots. Blue Thunder bombed. And I did a movie with Kirk Dogs with Burt Lancaster. It bombed. So everything about till SNL and then afterwards, it hasn't been pretty either. So I would just say at this point, if you do your job well, then people don't think you're working. Even though you and I know there's a behind the scenes, you come out of David Spade and 3,000 people, you know, even checking your notes, you're flying in. You've been doing this for years. You're honing, trying to fit in new stuff. You got to be up and tight for an hour. And if you do your job right, they're like, david just showed up. I get the general looks easy. Yeah, but you don't want a pilot to be sweaty. You don't want to go visit the cockpit. And he's got a. He's sweat coming down. Let's see if we can do this, man. So I'm glad that he loves his job. Now. I don't want an angry, disappointed pilot up there. But my question for this guy, you secretly. Because a lot of people tell me this, I wanted to go into show business. I always wanted to be an actor in.

[A]

I mean, if your job is like a real job, tough. Most jobs are Very hard. It's nice. They always say you should love your job. It's. It's almost impossible because it's very rare that jobs are so hard these days to make any money. You're going to love it. But if you can just get through it because it is tough out there.

[B]

I think, you know, obviously we're, we don't, we're not on a chain gang, but a lot of the emotional violence goes on in your head. So if you're in a movie and it sucks and the whole world's saying you suck, it's mentally, I call it an emotionally violent sport. And then there's also incredibly great things about it because sometimes you're going, I get paid to do this. What? So it's everything.

[A]

Yeah. You don't want your pilot to go to the co pilot. You know what? I was thinking about calling it quits, you know, so you don't want that from your pilot. But this guy seems like he got straightened out. But jobs in general, I don't know if he means showbiz, but jobs in general are. It's tough every day.

[B]

Of course, I have a very talented brother and he was a musician, but decided the lifestyle wasn't for him and he declared that he wanted a brain dead show box job. So he want. It's like the Peter Principle. They go, I want a job that was really easy for him. And then he would have his weekends. So there are, you know, there's the money and then there's also the how you fit it into your brain and your lifestyle. When I see someone on a lawn, boy mowing their lawn, a gardener, and then they finish the lawn and it's truly finished. I, I like the metric of the clarity of that. But with show business, I'll just say it's always kind of there. It's weird. I don't know how to describe it.

[A]

You go months, then you do something and then you don't do anything. It's just very odd.

[B]

Yeah, you're getting calls and plays with.

[A]

Your emotions and you're cold.

[B]

Then you're cold and you're hot and you were, I mean, just to be on it, man, you were cold for a long time. I mean, I thought of an 80 year chunk, but you've been hot the last 15, man. I don't like. I would never go to Disneyland with you. I would never go to.

[A]

Thank you, mobbed. Well, I hope that answers some of the question and you can put your questions in. What is the question thing? Dana, you gotta email it in.

[B]

Fly on the [e-mail] it is. Yeah. Fly on the wall at Odyssey, which is spelled A U D A C-Y dot com.

[A]

Yeah. And so send us that. We'll read a question.

[B]

Keep the questions kind of short but kind of snug. We're narcissists by so it gives us a chance to discuss our life and our feelings. So we really, we really appreciate it. But to that pilot, you may have driven me in the sky and didn't even know it, but hopefully I gave you a couple laughs. But some pilots drive me crazy.

[A]

There you go. Good wrap up, you guys. Thank you. Dana, thanks for coming on and thank.

[B]

You for coming on and welcome to and thank you for watching another edition of can you say wiener?

[A]

Hey guys, if you're loving this podcast, which you are, be sure to click follow on your favorite podcast app, Give us review 5 star rating and maybe even share an episode that you've loved with a friend.

[B]

If you're watching this episode on YouTube, please subscribe. We're on video now.

[A]

On the Wall is presented by Odyssey, an executive produced by Danny Carvey and David Spade, Heather Santoro and Greg Holtzman, Maddie Sprung Keyser and Leah Rees Dennis of Odyssey.

[B]

Our senior producer is Greg Holtzman and the show is produced and edited by Phil Sweet.

[A]

Tech booking by Cultivated Entertainment.

[B]

Special thanks to Patrick Fogarty, Evan Cox, Maura Curran, Melissa Westerman, Hilary Schuff, Eric Donnelly, Colin Gaynor, Sean Cherry, Kirk Courtney and Lauren Vieira.

[A]

Reach out with us. Any questions to be asked and answered on the show, you can email [e-mail] that's a U-Y dot com.