Marc Maron

Summary

Fly on the Wall with Dana Carvey and David Spade: Episode Featuring Marc Maron

Release Date: March 5, 2025

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Introduction

In this engaging episode of "Fly on the Wall," hosts Dana Carvey and David Spade sit down with renowned podcaster Marc Maron. Together, they explore Maron's extensive journey in the podcasting world, sharing insightful stories, amusing anecdotes, and deep reflections on the evolution of podcasting and its impact on modern entertainment.

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Marc Maron's Podcasting Journey

Early Beginnings and Challenges (01:17 - 08:09)

Marc Maron opens up about the inception of his podcast, detailing the struggles and uncertainties faced during the early days of podcasting. He reminisces about starting out alongside peers like Joe Rogan and Jimmy Pardo, who were also pioneers in the field.

• Quote [01:57]:
  David Spade: "He really had a lot of great things to talk about."

Maron discusses the initial lack of audience and monetization options, emphasizing that podcasting was more of a passion project than a profitable venture. Despite these hurdles, his dedication kept the podcast thriving, eventually building a loyal listener base.

Notable Guests and Memorable Interviews (08:09 - 19:15)

The conversation shifts to Maron's impressive roster of guests, including former President Barack Obama. Maron shares the logistical challenges of hosting high-profile figures, such as traveling to remote locations to conduct interviews.

• Quote [04:01]:
  Marc Maron: "We just thought it was appropriate to continue what we were doing."

Maron highlights other significant interviews with icons like Robin Williams, Neil Young, and Paul McCartney. These conversations not only elevated the podcast's status but also provided listeners with profound and candid insights into the lives of these celebrities.

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Personal Anecdotes and Reflections

Maron's Personal Struggles and Growth (19:15 - 43:31)

Maron delves into his personal battles with depression and how podcasting served as a therapeutic outlet. He reflects on his authenticity, noting how genuine conversations with guests like Robin Williams allowed for deeper discussions rarely seen in public interviews.

• Quote [12:42]:
  Dana Carvey: "That was one of the best moments I've had talking to somebody."

The hosts and Maron exchange stories about challenging interviews and the learning process of humanizing high-profile guests. Maron emphasizes treating celebrities as ordinary people to foster more meaningful and relatable dialogues.

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Comedy and Roasting

Experiences with Comedy Central Roasts (43:31 - 55:23)

The trio transitions to discussing the world of comedy roasts. Maron recounts his participation in a Comedy Central roast featuring Chevy Chase, describing it as one of the most challenging nights of his career.

• Quote [54:26]:
  Marc Maron: "I tanked hard, and so did a lot of people."

David Spade shares his own experiences hosting roasts, highlighting the unpredictable and sometimes harsh nature of being roasted. They laugh over anecdotes of awkward moments and the fine balance between humor and offense.

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Movie Discussions and Entertainment

Acting Ventures and Hollywood Insights (55:23 - 75:00)

The discussion shifts to movies, with Maron talking about his acting roles, including his part in the "Joker" franchise. He shares memorable interactions with actors like Robert De Niro and Willem Dafoe, shedding light on the intersection of podcasting and other entertainment forms.

• Quote [73:47]:
  David Spade: "I don't know any other. You're like a triple and an author."

Maron reflects on the challenges of acting and balancing multiple facets of his career, illustrating his versatility and commitment to his craft.

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Handling Feedback and Social Media

Impact of Social Media on Public Perception (60:32 - 73:36)

Maron expresses his reluctance to engage with platforms like Twitter, citing the difficulties of dealing with trolls and the superficial nature of online interactions.

• Quote [61:30]:
  Marc Maron: "I don't have the distance necessary to make it funny."

He emphasizes the importance of focusing on meaningful conversations over online scrutiny, highlighting how his producer acts as his "active memory" to manage the vast amount of content generated.

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Conclusion

The episode wraps up with lighthearted discussions about favorite movies, comedy influences, and the enduring joys of podcasting. Dana and David thank Marc for sharing his experiences, leaving listeners with a deeper appreciation for Maron's contributions to the podcasting landscape and his unwavering dedication to authentic storytelling.

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Notable Quotes

• [01:57]
  David Spade: "He really had a lot of great things to talk about."

• [04:01]
  Marc Maron: "We just thought it was appropriate to continue what we were doing."

• [12:42]
  Dana Carvey: "That was one of the best moments I've had talking to somebody."

• [54:26]
  Marc Maron: "I tanked hard, and so did a lot of people."

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Final Thoughts

This episode offers a comprehensive look into Marc Maron's podcasting legacy, the evolution of the medium, and the personal stories that have shaped his career. Through candid conversations and shared humor, Dana Carvey and David Spade provide listeners with an insightful behind-the-scenes glimpse into the world of podcasting and showbiz.

Transcript

[David Spade]

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[Dana Carvey]

And we talked, we were just curious about like because he and Rogan on a few others kind of started in like 090809 or podcasting when it was just like a caveman thing with no audience and who would do that. And then it grew to this behemoth and I, I, he, he got President Barack Obama on his podcast and to do his podcast he had to drive way up in the middle of nowhere and in the middle of la and so that was a big thing. So we do talk about his, his journey. It wasn't easy all the time. The podcast kind of saved him and he created, I think he's done 1600 episodes.

[David Spade]

He has a lot of stories and he's very self winding watch like we didn't have to prompt too much. He really had a lot of great things to talk about. So yeah, I was into it and that blew that, that hour blew by.

[Dana Carvey]

So it went by fast. He's, he knows, he knows how to podcast. He really told some good stories. Funny. And it was, it was interesting. I would keep listening.

[David Spade]

Yeah. So check them out. Here's Mark Baron.

[Marc Maron]

Yeah, all these glasses. I got other choices.

[David Spade]

I got better ones.

[Dana Carvey]

Are you in the same house? You're in the same, you have not moved since you did familiar.

[Marc Maron]

This. This is a different house. But the stuff behind me probably looks familiar because all the stuff from that original garage is in this room.

[Dana Carvey]

Are you in the same neighborhood? Can. You don't have to tell us your actual feelings.

[Marc Maron]

Want me to just send you a. Send you a link to a map.

[David Spade]

Where everybody drop me a picture.

[Dana Carvey]

Well, I already have a map of your house. That'll be for. It's called After Talk. Anyway, whatever.

[Marc Maron]

No, I'm in. I'm in Glendale. I was in Highland Park.

[Dana Carvey]

I got it. Yeah, I like that place.

[Marc Maron]

The old place.

[Dana Carvey]

Yeah. I mean, it was casual and cool.

[Marc Maron]

Guitars, little more spread out before. Like, it was like. That was less than a thousand square feet, one bathroom. Like, if you had to go to the bathroom, you had to go into the same bathroom that, you know, I use.

[Dana Carvey]

I live in a very small house. Everything you own owns you back. I. I'm not into it. You occupy a house, you live in your body, you can't. A house, you can't eat it.

[Marc Maron]

I. I think you can. A house. It really just depends on where. Where you enter.

[David Spade]

And I saw a thing about it.

[Dana Carvey]

Comedians don't laugh. They just.

[David Spade]

What about the guy that married his car? You know, I just wanted.

[Dana Carvey]

I want to start the podcast this way. Every comedian knows this about you. Where were you, David, when you heard that Marc Marin has Barack Obama on his podcast? Because that was like, what the fuck? Because this was early days of podcasting.

[Marc Maron]

Right.

[Dana Carvey]

I remember being blown away by that.

[Marc Maron]

I think most people were still kind of like, what is a podcast exactly? And where do I got to go?

[Dana Carvey]

Yeah, it totally is 2012. Right. So 16.

[Marc Maron]

It was 16. The number of people that used to come to that old house would drive up to my driveway and literally say, like, where are we? Is this part of la? I've never been out here. What are we doing?

[David Spade]

Yeah. I can't believe you got him out there. Because I can't believe you got me out there. I can't believe you got Todd Glass out there. So Obama was a bigger one.

[Marc Maron]

Yeah. Rich Voss was right after Obama. That was tough to get him out. Yeah, it gets hard sometimes.

[David Spade]

Was it a ratings drop so much you pull a muscle or.

[Marc Maron]

We just thought it was appropriate to continue what we were doing.

[David Spade]

Right.

[Marc Maron]

We did one episode with where me and my producer discussed the day of having Obama on the podcast. And we went right to Rich and I, you know, Rich is going to pull what he's going to pull. It's, you know, somewhere lower middle.

[David Spade]

It's okay, well, Rich is. No offense to him. I was just laughing like, whoever has to follow Obama is just going to be a tough sledding.

[Marc Maron]

That's.

[Dana Carvey]

That's right.

[Marc Maron]

I don't know if he, I, I don't know if he thought about it like that. Rich is, Rich is a good guy.

[David Spade]

I don't think he gives a.

[Dana Carvey]

So everyone had a podcast now. Like literally. So you, You. It's you and Rogan, right. 2009.

[Marc Maron]

So I guess there was. It was really like Corolla was there. Rogan, I don't, I don't think started at the same. I think Rogan started a little after us. But like Jimmy Pardo was there. Benson. Benson was probably there. Maybe Hardwick was like starting out. I think Rogan started a little after me. But there was like four or five guys collectively not making money doing podcasts.

[David Spade]

You know, Todd Glass is good at not making money. And I think he had one early. He's a good friend of mine.

[Marc Maron]

Right. With. With Jimmy Dore.

[David Spade]

Yeah. So.

[Marc Maron]

Right.

[David Spade]

So that's. I think what happened with that was he put in all that work and was very forward thinking and I think got out right before the money, maybe is. Or does he still do it?

[Marc Maron]

No, I, I think that's Todd's whole plan in general is to try to.

[Dana Carvey]

Get out, get ahead of making the money.

[David Spade]

Yeah, that's kind of. But what's funny is I used to think a podcast because he had it. My friend's car shop upstairs, which he just rented. Which was perfect. It was perfect.

[Marc Maron]

Yeah. And the odd thing about the whole undertaking was none of us really. There was really no money to be made. You know, Adam was like doing his radio show, so he was kind of subsidized somehow.

[David Spade]

Did he get fired and said, okay, I'm just gonna do it on here kind of thing. There wasn't 97.1.

[Dana Carvey]

Or he got fed up mad about something like that.

[Marc Maron]

Yeah, he was.

[David Spade]

Whatever.

[Marc Maron]

Yeah, he was all worked up and, you know, he was going to take his stories about, you know, drywalling from 20 years ago elsewhere.

[Dana Carvey]

He is a handy man.

[David Spade]

That's funny. He's good with a. Good.

[Dana Carvey]

With a tool.

[David Spade]

Yeah. But I was, I was like, I got a little bit of a tsunami warning because I remember, I thought Corollas. I think I went on there a little early where I was like before the real podcast thing was sort of hitting which.

[Marc Maron]

Right.

[David Spade]

It was sort of a slow. I could get a feel for it before most people because everyone else has just got their Head doing their work and they do normal jobs. But I started to go, oh no, is this something. And then I said I'm going to wait till it's a little late, then we're going to try one.

[Marc Maron]

So yeah, no, but, but the good thing about when you guys got in is somebody realized like hey, you guys have names. You can't lose. Before it was like who the fuck are we?

[Dana Carvey]

Found a way to lose you.

[Marc Maron]

But I don't think anybody really realizes the, the excitement in, you know, when you, when, when Corolla was like the only game in town. Like I think there's a sort of baptism when one goes on to Corolla show to be talked at by Corolla. That's a good hour of entertainment where you're there as a guest and he talks at you and then says okay, well thanks for coming by. It's. It's something to be experienced.

[Dana Carvey]

We're working on that room for everybody. But it. Did you have a eureka moment that you could call back on? Like holy. Maybe there's money in this because how long did you do it essentially for four free before arrived.

[Marc Maron]

Hold on my. I, I'm watching my cat throw up. Don't you have a plastic get out.

[David Spade]

Of the urethra moment? I did when I peed last night.

[Dana Carvey]

I'm checking celebrity net worth. Okay. Anyway, so I don't even know if that's right. Well, well, no, I'm kidding. I didn't check.

[Marc Maron]

What happened was there was like at the beginning you, you either had. If you were going to put up a paywall, you couldn't, you couldn't get new audience. Right. So we had done a radio show.

[David Spade]

Goodbye wall.

[Marc Maron]

Yeah, goodbye. Well, no, no one welcome.

[David Spade]

Let's put up a goodbye wall on ours. Dan, you can do.

[Marc Maron]

Well, that was before the. What is it called? What's that, that thing everyone does where they can get a pay page. Pantheon or what is it?

[David Spade]

Oh, Raytheon. We all don't know.

[Marc Maron]

You know that.

[David Spade]

I know it's your Patreon.

[Marc Maron]

Patreon. So yeah, so what we did was we had like two advertisers from the old radio days. It was sex toys. It was like Adam and Eve sex toys.

[David Spade]

And we had Crazy Eddie's electronics, that kind of thing.

[Marc Maron]

But then we had the coffee sponsor. But there was, there was really no way to, to, to make money and except for the old school radio way. And then ultimately we started working with old timey radio ad people and, and then Jeff Ulrich and Scott Au put midroll together and the Airwolf Network. And that created a platform to get advertisers into specifically podcasting. So everyone sort of came up together, but it wasn't until I guess, hey, Charlie, get away from the plastic. Charlie. I'm gonna throw you out, stupid. So that's how you talk to a cat.

[David Spade]

By the way, is that your tech?

[Dana Carvey]

Yeah, that's my producer, IT guy.

[Marc Maron]

I don't know. You know, it was a slow going, but the intro. The great thing about it was everybody kind of came up together. Sort of like show business. Everybody was kind of figuring it out as we all went along. And then big money got involved and then some people won and some people did.

[David Spade]

Okay, come on, dude, Charlie's here now. Charlie. Give me that.

[Marc Maron]

Get him out of the. Hold on. Let me get him out of here. Let me get him out of here.

[David Spade]

Honestly, Charles, put them on. On Glendale Freeway. I know. Why.

[Marc Maron]

Get out. You can eat plastic and throw up.

[David Spade]

I don't care. Showbiz Heather. We got to get Charlie out of the room.

[Marc Maron]

But, yeah, but, yeah, I mean, it took a long time to really get it together and then to. To make a living. It took years for my producer to come on with me permanently. He was actually had another job at MSNBC while he was kind of moonlighting, and he couldn't even admit that he worked with me because there's a non disclosure. You couldn't, you know. He couldn't. Yeah, it was. It was part of his contract with msnbc and I felt horrible about it because he's doing half the work and I. And I just had to be like, well, I have a mystery guy that helps me with this. I send it into the ether once or twice a week.

[Dana Carvey]

It's good.

[David Spade]

More attention on you. That's not horrible.

[Marc Maron]

Yeah. And sometimes not. Not great for me.

[Dana Carvey]

What's the headspace like when you first start doing this? I guess when it starts to emerge, you're starting to be successful and you're going, okay, I did this interview. I get this many. This reaction. I do this interview. Holy. This is 10 times 10x.

[Marc Maron]

Well, I think the exciting part about it was as the podcast situation grew, I was doing a type of interview that not many people were doing anymore. So the entertainment press sort of realized I was doing most of their job. So we got a lot of attention. But I was really focused on having these conversations and trying to, you know, make amends where necessary. I think the first hundred episodes are me just having people over so I can talk about my problems and Apologize to them. And that's. And it's weird how many times you do that. And people go like, I had no idea what you're talking about. And you're like, I'm a idiot. So. So that was how that unfolded. But the excitement of having Robin on, because that interview seems to be, like, the only interview like that. Like, when he. When he died, it was everywhere, because he never talked like that. And those kind of rare conversations definitely happened.

[Dana Carvey]

That was interesting because you did. It became very, very real with Robin. And he never, you know, he had made amends to me in Mill Valley on the sidewalk just after a show.

[Marc Maron]

Yeah.

[Dana Carvey]

And I didn't know why.

[Marc Maron]

For a bit, he just stole. Sorry.

[Dana Carvey]

I. I just said to him, he thinks he had some idea that I took. I. I said, I tried to do you. You don't understand.

[Marc Maron]

Yeah.

[Dana Carvey]

I had a trunk of props. I worshiped you. You know, And I don't know if it was from AA or something. Like, oh, this wasn't supposed to go this way. You know, it's supposed to be a hug. You're forgiven. I didn't.

[David Spade]

He.

[Dana Carvey]

He thought I had a thing where I named my dick Mr. Happy and that. He took that from me. I know that's not true. I never did Mr. Happy. Look at the. Look where this goes on podcast.

[Marc Maron]

That was. That's hilarious. That was the amends. It wasn't even like some deep personal affront. It's like, I. I know you might have called your dick Mr. Happy, and, oh, that's the best amendment I ever heard in my life.

[Dana Carvey]

To me, 20 years earlier, at Dennis Miller's wedding, we were at the same table. I wonder, perhaps I got Mr. Happy from you. And I go, no. And then it tortured him.

[Marc Maron]

It stuck with him. Well, the funny thing about that interview is I drove up there to Mill Valley, to his house, and what I realized, it was the same with Mel Brooks, is that if they don't have more than two people to play to, they're not going to turn it on like that. Like, it was just me and Robin. If there had been one other person there, they would have had the Carnegie hall set.

[Dana Carvey]

Yeah.

[David Spade]

My Dick's name is Mr. Sad. And a side note. And no one's stolen it yet. Okay. That's all I wanted. Go ahead.

[Dana Carvey]

This one.

[David Spade]

Stop.

[Marc Maron]

My dick's name is. You got this. You got it.

[David Spade]

Come on, champ.

[Marc Maron]

Come on. Yeah.

[Dana Carvey]

My pronouns are, what's up, motherfucker?

[Marc Maron]

Yeah, there you go. Call her then.

[David Spade]

LinkedIn is something. We've all Heard about Dana, You've heard about. I've heard about it. And as a small business owner, you don't have the luxury of clocking out early.

[Dana Carvey]

Nope.

[David Spade]

The biz is on your mind 24 7. So when you're hiring, you need a partner that grinds it out as hard as you do. That hiring partner's LinkedIn jobs. When you clock out, LinkedIn clocks in, makes it easy to post your job for free, share it with your network, and get qualified candidates that you can manage all in one place.

[Dana Carvey]

I like it. This is a famous one. I think this is one of the first online job hiring entities and it does make it easy. It's a pain in the bottom. You have to interview tons of people. They don't work out. You post your job. LinkedIn's new feature can help you write the job description and then quickly get your job in front of the right people with deep candidate insights.

[David Spade]

Yeah, you don't have to know much. They're going to, like, walk you through it. It's, you know, you don't have time to even, like, figure out how to do this. You just, you know, post your job for free or you can pay to promote it. Promoted Jobs gets three times more qualified applicants. You get qualified candidates. I've always heard this. At the end of the day, the most important thing to your small business is the quality of candidates. You want the right people. With LinkedIn, you can feel confident you're getting the best.

[Dana Carvey]

That's right. Based on LinkedIn data, 72% of SMBs using LinkedIn say that LinkedIn helps them find high quality candidates.

[David Spade]

Listen, you share it with your network. You can let your network know you're hiring. You can even add hashtag hiring frame for your profile picture and get two times more qualified candidates.

[Dana Carvey]

If you're curious, David, what can they do?

[David Spade]

Well, you find out why more than 2 1/2 million small businesses use LinkedIn for hiring. Find your next great hire. Post your job for [e-mail] candidates. That's LinkedIn.com candidates to post your job for free. What applies though, Dana?

[Dana Carvey]

Terms and conditions so you get successful. We. I want to do a deep dive on you. Yes, but you're.

[Marc Maron]

No.

[David Spade]

I have a question for Mark Mary.

[Marc Maron]

Did you guys run out of SNL guests? How do I. How did I get this gig?

[David Spade]

No, this is good because.

[Dana Carvey]

No, you. Your story of snl. Just a quick insert. David, when we interviewed Lorne Michaels, I listened to your podcast about auditioning for snl. Yeah, Just to get ideas of how Lauren is in that environment.

[Marc Maron]

So yeah, he really.

[Dana Carvey]

You are an SNL guy. Your journey with that is fascinating. If you want to talk about it.

[Marc Maron]

My obsession with it. What's your question, David?

[David Spade]

I'd like to converse this one will we can do this first or SNL first. But mine was, why did you start it? Was it only to make amends? Was that to start a podcast?

[Marc Maron]

No, because, you know, I was kind of down for the count. You know, it turns out that, you know, 50 Conan's don't, don't necessarily don't.

[David Spade]

Add up to a Carson.

[Marc Maron]

Don't add Conan. An audience.

[David Spade]

I was gonna say I saw 50 Conan's on here and I was gonna say, does that bump your road? Does it? You know.

[Marc Maron]

No, it didn't. And I don't.

[Dana Carvey]

50 Conan.

[Marc Maron]

I don't even know. Like I could, I never could pull an audience and, and you know, I was, I was going through a divorce. I was in a dark place. I just gotten fired from this radio gig. Well, it wasn't, it was a streaming gig for Air America and there were a couple podcasts out there and we were like, well, let's, let's figure it out. I talked to my producer who I've known since he was a kid, 24 years old, he worked with me forever and we just figured it out. But it was really desperation and wanting to stay in the game somehow because I was looking down the barrel at a lifetime of kind of B comedy rooms as a non selling headliner and match game maybe.

[David Spade]

Yeah, I know, I know. Believe me, friends that are in that.

[Dana Carvey]

Mid level market and there's cruise ships and old folks homes and clubs off label clubs out in the Hinderlands, doing.

[David Spade]

What you got to do.

[Marc Maron]

But I couldn't do it. There was no way I could have done it. How am I gonna do a cruise ship? I can barely do like what? I don't know. But because of the podcast, because of the cosmic timing or what, everything that I have now came from that, like you know, doing the TV show for ifc, you know, drawing an audience for my comedy acting gigs. Everything happened because of that sort of act of, of desperation and Hail Mary pass, which had no future. There was no, I wasn't getting into a business that was like, this is gonna, we're gonna really make some money on this. It was like we didn't even know how to get people to listen to it.

[David Spade]

Yeah, you were like bitcoin. Like no one cared.

[Marc Maron]

No one cared. I wasn't. Yeah, I wasn't even a meme at that point. Yeah, but it worked out. I mean, you know, thank God it worked out. I don't even, I can't even explain it because I don't, I'm not like a big, my big think I don't think about money, David.

[David Spade]

Yeah.

[Marc Maron]

Oh, you know, I like having it enough to eat.

[David Spade]

Yeah.

[Marc Maron]

You know, like that's, that's the, that's how my brain works is like, well, what do you have money now? What do you do? I can eat wherever I want.

[David Spade]

That's the ceiling.

[Dana Carvey]

Money is freedom. That's what it's for. Even the great Neil Young, about two years ago, finally sold part of his catalog and said, and this is Neil Young. You'd think he'd be so rich. But he said, now I can do whatever the fuck I want. I don't have to tour if I don't want to. That he bought his freedom. So money to me, especially as an older comedian, you want to be able to work the way you want to work.

[Marc Maron]

So that's interesting about Neil Young, is he really, he kind of held back on what seems to be about 50 records he never released. So he, somehow or another, he can release records every year or so, you know, from 1970. It's amazing.

[Dana Carvey]

If you're spending 3, 4 million a year, then you have, you need a lot of money to cough that up, you know. But I was going to ask you about your library because is it 1600 episodes or something like that?

[Marc Maron]

Yeah, it's like about 1600. But Neil came over once that was, that was interesting with Neil.

[Dana Carvey]

Oh, you get interviewed. Oh, you had Neil what? Tell me about that. I didn't hear that one.

[Marc Maron]

Well, because I, you know, I'm, I'm enough of a fan to know enough about him. I'm much better if I'm not a big fan of somebody in terms of interviewing. And I didn't know what to expect. He was out pushing. Remember when he, he made that, that he was partnered up with a company that made that thing that was supposed to compete with the ipod.

[David Spade]

Oh, yeah, yeah, yeah, yeah, yeah.

[Dana Carvey]

Everybody's a sound fanatic.

[David Spade]

Yeah, it was something else.

[Marc Maron]

No, I, I, it was, it was like a, a box. Yeah, like a portable box. Oh, what was it called? So they send me this thing and they send me these fancy ear headset and it's, it picks up a bigger spectrum of sound and people have to re record for. But what was it called? Doesn't matter. So they send me.

[Dana Carvey]

Great. Look at all they send Me, the.

[Marc Maron]

Thing and I listen to it. I'm like, all right, whatever. I just want to. I'll talk to Neil Young even. So. So he, they sent me the thing and they're. And I was told that like when they get there, you're gonna have to give it back. And I'm like, all right, whatever. So Neil Young's coming over and I'm nervous because it's Neil Young. And like I, I know that with somebody like him because I'm not a huge fan. Every Neil Young nerd in the world is going to be listening for, for new information or call me an idiot for not knowing something. That's something I've learned with, with guys like Springsteen, these guys interview. So Neil comes over with his like 80 year old posse. He's got, he's got two, two guys with him that, you know, must have been in their 70s. Elliot, his manager who passed away and another guy, and it's always the manager.

[David Spade]

Is even older than the old guy.

[Marc Maron]

Oh yeah, yeah, yeah. Except for George Shapiro, who was Carl Reiner's cousin. Younger but still old. I don't even know.

[David Spade]

Was it called Pono?

[Dana Carvey]

I think he passed away.

[Marc Maron]

Yeah, Pono.

[David Spade]

Pono Music Digital Service.

[Dana Carvey]

Yeah.

[Marc Maron]

So they come over and Neil walks in and you remember the house. You said it like it's just two rooms. He's looking at my records. He looks at a guitar I have out. He goes over and he plays the guitar and he's looking around and, and I say, all right, so I guess you guys can have back the, the pomo and the headphones. And Neil just, you know, just goes, no, you can keep them. So I'm thinking, I'm in. This guy likes me, right? So, yeah, we go out to the garage and I decided the way to. The way to start with him is just I have an old amplifier that I think he uses one similar to it. So I figured that'll get things started, right? So I get Neil out there and I'm like, so you probably recognize that amp there, right? He's like, no, I don't know what you're talking about.

[David Spade]

Yeah.

[Marc Maron]

And I'm like. And then it was just. Well, he did though, but I didn't know. No one told me. He likes to with interviewers. So he's making me work my balls off. And it wasn't until I got him laughing that it opened up. But it took like 15 minutes and it was like, it was hard. But then like all of a sudden he pops open. He's talking about doing Pilates with the Daryl Anna, and all this stuff is coming out. And then apparently he goes home, and at his house, Dan Rather is waiting to interview him for Dan Rather's podcast.

[Dana Carvey]

I don't know, Access or whatever the hell is.

[Marc Maron]

Right.

[Dana Carvey]

Yeah. Cable. Yeah.

[Marc Maron]

And my buddy Brendan's friend works for Rather. And apparently Neil Young walks in, and he comes from my house. He says, I just did a really great interview. And Dan Rather, off camera, of course, says, what made it great? He goes, the guy was fearless, and he wasn't afraid to fail. And I'm like, hey, that's good. That's a good blurb.

[David Spade]

Wow.

[Marc Maron]

But he tested me. He definitely tested me.

[Dana Carvey]

Wow. I would freak out that we had. We had David and I. Similar thing with Paul McCartney. And I don't know if you have. Or with your personality, but podcast regret. Like, why did I interrupt him then? That was the best part. Why did it take me so long to get there?

[David Spade]

Yeah.

[Dana Carvey]

And I'll be kind of in my head, really, for a couple weeks sometimes. McCartney bothered me for probably a month.

[Marc Maron]

I. I get. What I get is like, I forgot to cover the most important thing they're known for. Yeah, but. But I interrupt all the time, and people sometimes get on me. But it's like, for. But for me, it's like, it's got to be a conversation, and I have to be part of it. So suck it up or don't listen. But McCartney was funny. I had to interview him in front of a crowd. And that was really one of the best moments I've had talking to somebody, because I talked to a lot of these guys who are like, you know, pushing a record. And. And a lot of them, like Roger Waters or like, I've interviewed a lot of Thomas Dolby, whatever, they think that the record they're out promoting is their best, right? And it's like, all right, I'll play along. So.

[David Spade]

So.

[Marc Maron]

So with McCartney, he's out selling. It was at Capitol Records. It was an event. But the record that he had had out was Egypt Station or something, which no one bought. But I said to him, I said, so, Paul, you know, a lot of artists who were in your age group, they. They really think that they're doing their. Their best work now. Do you. Do you feel that way? And without missing a beat, he goes, well, I was in the Beatles, so that's a pretty high bar. It was so funny.

[Dana Carvey]

That's.

[Marc Maron]

That's very. And I was the guy that told him that Manson had died. He didn't know.

[Dana Carvey]

Huh. I think for, for me there's a lot of us. How. Where are you in the spec? I mean, for. I. I wanted to ask you musically, but also movies, but with music. What. What is there a guy, somebody you haven't had yet or who is your true North Star? Was it Springsteen? Was it. Well, Roger Waters, Pink Floyd, Dark side of the Moon. For me, Paul McCartney, a beetle was kind of the appeal was great.

[Marc Maron]

And I met Ringo recently, who I'm sure you've met. He's a pretty sweet guy.

[Dana Carvey]

No, we would love to interview Ringo.

[Marc Maron]

Yeah, I met him at some odd. I got invited to by T Bone Burnett of Ringo's new country record and, and that crowd was pretty interesting to see these like 75 year old hippie girls who are still kind of hippie girls, but they're 75. Yeah, yeah.

[David Spade]

But wait, who had the country album? Ringo.

[Marc Maron]

Yeah. Put it out. Yeah, yeah, T Bone Burnett produced it and I think he. He now, Beyonce did. I think she got a little more press. But. But no, for me, the North Star, I've had most of them. Springsteen wasn't. Springsteen was funny because, you know, and I just saw him because I did a bit, a little part in that, that movie they're making about him. But I, I went to Jersey, dude, I went to his house in Jersey like Christmas week and he just put that book out. And you know, it turns out he's a very dark dude, very hard on himself, but all this stuff. But like, you know, he's got this thing he does publicly. That's the other trick, getting around people's public Personas because, you know, Bruce is sort of like, hey, me and the guys went down this boardwalk. So.

[Dana Carvey]

Yeah.

[David Spade]

Wrote a song.

[Dana Carvey]

Yeah, so yeah, we know about all about that. Yeah, yeah, it's the underbite.

[Marc Maron]

I get there and like I said, he's up in his house. I'm waiting in some sort of like this other structure that's got his guitars, his motorcycle in it. And I'm waiting for Bruce. And he. Yeah, he has no idea, really, I don't think who I am. Because he's walking down, he's walking down from the house. His publisher and the publicist said, you should do this one. And he's walking down from the house. I just see him coming down, Little Bruce. Yeah. And he's holding the book and I'm like, oh, he doesn't know what he's getting into.

[Dana Carvey]

So here we go.

[Marc Maron]

So he sits down and I'm just trying, I want to break the ice quick because, again, I don't. I'm not. I love Bruce, but I'm not a huge Springsteen fan. So. So I said to him. I said, so, so what's going on up at the house? A lot of preparation for the holidays. Cooking and presents. And he goes correct. And I'm like, can I talk to that guy for the whole hour?

[Dana Carvey]

Whoever.

[Marc Maron]

The guy that just went correct with that tone. I want that Springsteen.

[Dana Carvey]

And. And what. How did you. Did you do that? Did you.

[Marc Maron]

Yeah, yeah, I. I kind of reeled them in because, like, I. By inserting myself into the conversation, they kind of. They're forced to kind of reckon with me, unless they're complete douchebags like Ben Kingsley. So.

[Dana Carvey]

And I don't mean to name drop, but I love. I love Sexy Beast. Unbelievable.

[Marc Maron]

It was the. The worst interview. Like, I should have told him to leave. It was that bad. And I don't know why I didn't, because he's hung up on being called Sir Ben. Sir. Sir Ben. And I didn't do that at the beginning. And I wish I said. I wish I just said, sir Ben, we don't have to do this. We don't have to do it. But anyway, with Bruce, I kind of pushed in, you know, and to the point where I was relating to him and his experience with audiences and stuff. And I just remember there was this moment where, you know, we're talking about what you get from an audience and how, like, it. It's, like, not enough sometimes. And he was like, of course it isn't. So I had him locked into a real conversation, which, again, I heard from another person. I got some notes on that, too, because Paul Wilkenfeld, you know her, the bass player, she's a little prodigy. She plays with everybody, and she's up.

[Dana Carvey]

Oh, played with Jeff Beck at one point.

[Marc Maron]

Yeah, yeah.

[Dana Carvey]

Oh, yeah, yeah.

[Marc Maron]

And she hangs around the store a lot and stuff. Well, she was going on a press tour, and she, I guess, was, you know, somewhere with Bruce, and she was asking for advice on how to handle interviewers. And. And Bruce told her that no matter what they want to talk about, you just talk about what you want to talk about. Just, you know, bulldoze.

[David Spade]

Yeah.

[Marc Maron]

And then she said, well, you know, my friend Mark Marin interviewed you. And he said, yeah, he pushed.

[David Spade]

Oh, that's good. Well, you know, I think Arnold Schwarzenegger would say that. He'd say you'd ask him a question like, what happened with those maids? And he goes, this movie is unbelievable. Yeah. He's like. Because you can't use anything but what he says. And he doesn't even acknowledge your question.

[Dana Carvey]

I love that Arnold can never go negative. He had one movie, I guess, Last Action Hero. He's on.

[David Spade]

Yeah.

[Dana Carvey]

Matt Lauer. Well, the box office wasn't quite. No, people love the movie, and it's a great hit all over the world. You know, there's a lot. He can't ever go negative.

[Marc Maron]

But the best dance he does is around his dad probably being a Nazi. That. That's the great dance. Because he'll. He'll always preempt that with, like, you know, I have many Jewish friends, you know, like, okay, okay.

[David Spade]

Salute.

[Dana Carvey]

And for us, it was just, if you want a candy bar, you do the salute, and he gives you a little chocolate in your hand.

[David Spade]

We didn't know what it was about.

[Dana Carvey]

Things like this and all these things and these people and what did he say? Stuff.

[David Spade]

Did he ever talk about the maid? We love Arnold.

[Marc Maron]

He has a relationship with the kid, you know, and I think you, after a certain point, you just kind of focus on that because whatever the transgression was, he's. He's owned it. And, you know, he's.

[David Spade]

He's.

[Marc Maron]

He's good with the kid.

[David Spade]

So once everything came out and then he finally goes, all right, let's go bench. And the kid is, like, trying to meet him in the middle. Like, I work out.

[Marc Maron]

Yeah, you're my dad. Look at my face.

[David Spade]

Yeah, it is.

[Dana Carvey]

What.

[David Spade]

You can't run in your life to move on.

[Dana Carvey]

It's a lesson. I mean, one of my brothers, I've got three older brothers. And we always say, what would Arnold do? Only for the positivity of it. It is what it is, and you have to move on. And I love everybody. And rather than negative and whiny, but it seems to me like anxiety is like a theme or depression of artists in some ways. So you go with that, did you? Because Springsteen's old book is about that.

[Marc Maron]

Oh, yeah. Well, that was the great thing about talking to Arnold is that he won't let you do that. He's got a switch in his head. Like, he won't even hear it. Like, you know, and he's very charming. Like, he, you know, like he, you know, he gets on, he sits down, he goes, look at your pecs. You know, he goes right into it. And you kind of feel flattered. You're like, oh, thank you.

[David Spade]

Yeah, somebody skippy dealt day.

[Dana Carvey]

You know what he said to us? Or he goes, how do you guys stay so lean? You know, because you're little. And the whole thing now is to get little because the little dogs live longer than the big dogs. Interview so little.

[David Spade]

The whole time he's not listening to our questions. He's just staring at our physique going, look at that rib cage.

[Dana Carvey]

I need to get small. When you get older, you have to be small because the heart and all the things have to work harder and all the things in order.

[Marc Maron]

I think his heart kind of blew up, didn't it? He's had some, had some work done in there.

[David Spade]

Omaha. Omaha. Dana. That's what Peyton Manning used to yell out. Oh, yeah, Omaha steaks. Did he yell stakes too? I don't know. Maybe.

[Dana Carvey]

I don't know. Omaha Steaks. You know, David, you may not know this delivers the world's best steak experience. Brings people together. More than 100 years of family owned expertise as, get this, America's original butcher.

[David Spade]

Yeah, listen, everyone's heard of Omaha Steaks. Yeah, they got their legendary filet mignons. They're extra age to maximize tenderness. I like a good tender filet. I don't. Sometimes I get these and they're just rough. But these guys take pride in this.

[Dana Carvey]

I'm going to go out on a limit. Just say when you get a steak, you want a high quality steak. Now you could get an inexpensive baloney sandwich or something, but with a steak, you want it to be high quality. And now during their semi annual sale, do you know what that means? And you get, yeah, you get 50.

[David Spade]

Off site wide at Omaha steaks.com plus our listeners get an extra on top of that. $30 off with promo code fly at the checkout.

[Dana Carvey]

I like that. This sale only happens twice a year, so don't miss out on your chance to save on handcrafted steaks, beefy burgers. I'm getting hungry. Premium chicken and so much more.

[David Spade]

Oh, yeah. They can almost say biannual does not mean twice. My crazy.

[Dana Carvey]

Yeah, biannual. There's lots of ways we'll get into that next time we talk.

[David Spade]

This is heartland quality food delivered right to your door. That's the convenience. It's winter. You might want to throw some on the grill on the barbie. So listen, exceptional handcrafted flavor, convenience, all the things you want to hear. Unrivaled quality, variety. Everybody's backed by their 100 guarantee. And every steak is perfectly aged to maximize tenderness. That's what I'm looking for. Hand cut by master butchers. Yeah.

[Dana Carvey]

Oh my steaks. America's original butcher since 1917. These people know what they're doing.

[David Spade]

Yeah. Don't miss the semiannual sale at Omaha Steaks. Visit Omaha Steaks.com for 50% off site wide and an extra 30 off. Use promo code. Fly at checkout.

[Dana Carvey]

That's 50% [e-mail] and an extra $30 off with promo code. Fly at checkout.

[David Spade]

You know, when I'm on the road, Dana, I'm always. I'm always pretty much staying in hotels, but there's been a shift to Airbnb, and you hear about it all the time. Time.

[Dana Carvey]

Hotels are fine. There can be great. But Airbnb is a great alternative, you know, because you get a lot of choices of where you can stay. Oh, yeah, it's very practical.

[David Spade]

I mean, hotel can be like, oh, like when I go on the road, I go, that one's the closest hotel is a half hour from the gig or something. But you say, oh, Airbnb just go, oh, I want to go a little closer. I want to be in this area. I want a swimming pool, and I want this.

[Dana Carvey]

Yes. And I famously have said many times, a place we used to go, my wife and I, to get away, and we stayed at some really nice hotels, but then we found this Airbnb, which we used, I think, three times. There's always spotless. The keys are outside in a little padlock, and they used to have a bottle of wine and a note, and you have a kitchen. And it was very, very nice. The benefits of Airbnb is that space, privacy, better locations compared to hotels. You get to pick how close you want to be to wherever you want to go.

[David Spade]

You're travel, family, your friends. You're on your own. It's. It's great. I have another question for Mark. This is my second one. Mark, do you think you don't remember this? You were in the movie Joker. Now, do you think that. Did you think what happened to the second Joker, in your humble opinion?

[Marc Maron]

I don't know what I think. Todd Phillips convinced himself that he was actually an artist of some kind and decided to take this interesting cinematic risk that, you know. You know, failed miserably, apparently. But I didn't see it. Did you?

[David Spade]

I heard about it. I couldn't get through the poster.

[Dana Carvey]

I didn't see it. I just. I. I couldn't take when I. The.

[David Spade]

No.

[Dana Carvey]

And I love Todd Phillips.

[David Spade]

I think that's one of those things as I backtrack, I think it's one of the things where. Great movie. Dana was about to say some comments, but the same thing. Great movie. And then it's. It's just crazy if you can do literally anything you want. And he just goes, let me just try. This will work or it won't work.

[Marc Maron]

The interesting thing is, is he. He had a. You know, he rebuilt a good franchise possibility by really exploring that character in the first one.

[David Spade]

So weird and cool.

[Marc Maron]

And, you know, it was. I don't know. You know, he was nice to me, and that was an exciting day because, you know, I got to do, like, a little scene with Robert De Niro. And, you know, I thought that movie was pretty good, that first Joker, but who the hell knows why? You know, he's a gambler, dude. You know, he just is like, you know, fuck it.

[David Spade]

Sure, let's.

[Marc Maron]

Let's do it. And. Yeah, I don't know.

[Dana Carvey]

What's his net worth? I mean, he has freedom. I think if he got a back end on the Hangover.

[Marc Maron]

Dude, he's got a back end on everything. He's, like, I think, known for foregoing a director's fee.

[David Spade]

Super back.

[Dana Carvey]

Yeah.

[Marc Maron]

For a high percentage of the back end.

[Dana Carvey]

But.

[Marc Maron]

But that scene with De Niro was like. That was. That was a great. That's a great moment for me because, you know. You know, I know that Dairo's not. He's not gonna remember me. You know, I'm just one of those guys that. He's met. 100 guys that do two lines with him. Right?

[David Spade]

You're forgettable. Yeah.

[Marc Maron]

Yeah. And I know it's painful, but. But we're chatting and whatever, you know, and. But it's one scene where we do a walk and talk, you know, and I'm supposed to be like, you know, his producer.

[David Spade]

Those are hard, by the way. They are people at home.

[Marc Maron]

It got cut out. But. But that, you know, we. You know, Todd's there and Bob's there, and. And it's like, you guys just want to go. You ready to do it? I'm like, yeah, yeah, let's do one. So. So we do this walk and talk, and I'm like. He's like, yeah. And. And Phillips goes, cut. And I go back to my chair, and I see Robert go to his chair. And then I see Robert walk over to Todd and then walk back to his chair. And then. Then Todd walks over to me, and he goes, hey, you're coming in a little hot. Remember, Bob's your boss. I'm like, yeah, yeah, yeah. Okay, I got it. But you got to appreciate the fact that Bob handled it correctly on set. He went and told the director like, hey, you know, I think he's, you know, he's not really him. Yeah, yeah.

[Dana Carvey]

He's in office.

[David Spade]

Will you tell him?

[Dana Carvey]

Tell him, tell Mr. Marin.

[David Spade]

Yeah, yeah. I had a girl say it to my face. She said it was just an. Oh, I did an old movie and then I had to kiss a girl. I won't say who. I had to kiss her. And I said, hey, before. And I don't know how, I've never done this on camera. Like, she goes, just kiss me like I'm your girlfriend. Just anything, I don't care. And I said, all right. So I just kiss her. Not crazily, I just kiss her. But I touch her cheek and kiss her. And they go, cut. And we're all like, okay. And the director comes up and she says, she's not even one foot away from my face. She goes, can you tell him not to touch my face?

[Marc Maron]

Wow.

[David Spade]

And him was me. She did the correct way. She told the director. But right there, I just made me think of that because I was like, I was horrified. I'm like, oh. Because, you know, kissing someone is so too. It's so scary. And you just don't.

[Marc Maron]

That's interesting though, right? That's interesting because she said, kiss me like you're my. My girl, like she's your girlfriend. But apparently the intimacy of the hand touch.

[David Spade]

Yeah.

[Marc Maron]

Was not something she anticipated. Or maybe she just has never had a. A boyfriend that she let touch her face.

[David Spade]

Yes. And I. And I wasn't like a super French a thon. I was just trying to like give her a little mega. You know, you just to open it, you just kiss a little bit. It's nothing crazy. It's a cute little movie. Nobody gets hurt. And you never know what's gonna happen.

[Marc Maron]

With those things, you know.

[David Spade]

So you kissed Bob De Niro. I got like.

[Marc Maron]

I did. So that was off camera. That was crazy.

[David Spade]

You go, hey, I'm ad libbing.

[Marc Maron]

Yeah, yeah, I'm improvising. Can we improvise?

[David Spade]

But were you scared? I did a quick scene. The Old Days with William Dafoe in my very, very old days, in a part that Dana turned down and during snl. And, well, Paul Schrader was the director. And I was almost sick from nerves because I'm gonna. And Willem Dafoe, super cool, did one scene, same thing. He wouldn't remember in a million years. But of course you get your nerves just ramp up. Mine were, it's De Niro. It's still. No matter what, it's still totally I.

[Marc Maron]

I felt okay about it. Cause I don't know, like, I think I'm getting better at acting. But the benefit, I talked to Willem Dafoe. Not a great time. Not a great time.

[David Spade]

Not a great time.

[Marc Maron]

I don't.

[David Spade]

Toughies on here too. Some are toughies.

[Marc Maron]

Yeah. I don't, I don't know if I said something to piss him off, but it was like, come on, dude.

[David Spade]

You know, it's like, just roll, Give me something.

[Marc Maron]

Say, I got to look at your face for an hour. So.

[David Spade]

He'S got a lot of character in his face.

[Dana Carvey]

He's a great character.

[Marc Maron]

It's not a negative thing necessarily. It's intense.

[Dana Carvey]

But necessarily, it's an intense face to stare at for an hour.

[Marc Maron]

Yeah, but, but no, in terms of nerves, I think doing the podcast helped me a lot in humanizing these people because, like, you know, after a certain number of celebrities you talk to, you're like, wow, they're just people. And some of them, you know, aren't even that interesting. So, so knowing that going in, it's true and it's not a bad thing. But I, I, I seem to qualify a lot of things. That's not negative.

[David Spade]

I'm not, I'm not positive.

[Dana Carvey]

The qualifier. Mark Marin is the qualifier.

[David Spade]

What happens when you go, hey, Bob, when you want to, if you ever want to buzz over to the Glendale, why don't you pop in? And I'd like to talk to him.

[Marc Maron]

But he's, he's one of those guys I can't get.

[David Spade]

There are certain directors, though, that's not probably.

[Marc Maron]

He's got more chatty.

[Dana Carvey]

Who are we talking about? I missed it.

[Marc Maron]

Bob De Niro. Oh. But, like, in terms of nerves, I was, I was more nervous when I had, I just did an indie where I had to play the lead. And that was a real, that I was nervous about that because, you know, I had, I knew I had to carry the movie, but I'd learned a lot of lessons from a lot of actors and I was pretty confident. And then I had to do a scene with Sharon Stone, and it was a life changing, terrifying thing that was kind of amazing. And I was nervous to do a scene with her.

[David Spade]

Yeah.

[Dana Carvey]

And she's kind of intimidating.

[David Spade]

Big star. That's a big dude.

[Marc Maron]

Big star. It was crazy. I think I got to save the story for when and if the movie ever comes out because I told it and I don't want to necessarily spoil anything, but she did the movie because she likes me. And it's one scene and it was great. And Lily Gladstone was in it. Alan Ruck. Michael McKean played my manager.

[David Spade]

Love him.

[Marc Maron]

Yeah, the. What's his name? Jason. Is it Jason? No, it's not Jason. No, the kid from. Oh, now I feel bad. He was so funny.

[David Spade]

Silver Spoons. Bateman.

[Marc Maron]

No, you know, the one we used to do the Apple commercials. Was involved with Drew Barrymore for Justin Long. Justin Long.

[Dana Carvey]

Oh, Justin Long. Yep.

[Marc Maron]

Funny, that.

[David Spade]

Yeah, I like him.

[Dana Carvey]

Yeah.

[Marc Maron]

Oh, my God. So funny. But I was nervous about that. But I. I just did the best I could. That's all you can do, right?

[David Spade]

Does anybody call you after your podcast? And who has asked for the most to be taken out? Don't people go, take this out. Take that. Or do you say, no, no, no, I'm not.

[Marc Maron]

I'm not in the business of sandbagging people. It's not our. Our jam, and that's our business. Well, that's good. I hope I gave you enough.

[David Spade]

You gave us a little sand. Not enough for a bag.

[Marc Maron]

Almost always. I would say always. It's only because they said something about somebody else that probably couldn't have even been taken in a negative way.

[David Spade]

Sure.

[Marc Maron]

It's never like, them. Yeah. Like, just like, you know, I didn't have to say that about, you know, we're kind of friends.

[David Spade]

Yeah, yeah, yeah. It comes off funny. And then later they go, what if they get mad or whatever.

[Marc Maron]

Yeah, yeah. And people do get mad and everyone's talking too much. That's the problem with everyone having a fucking podcast. It's like, you know, actors, you know, are just coming out with, like, well, 20 years ago. It's like, oh, my God, we can't get out from under this thing. No one shuts up anymore.

[David Spade]

I see ones now. It's like, full sex life that people just have nowhere else to go. So now it's like, right, here's everything in my life. Here's about my plastic surgery. Here. Follow me and my camera into my plastic surgery, into my, you know, kidney. What are we doing?

[Marc Maron]

Yeah. Or people talking about, you know. You know, moments they had with people, like, 20 years ago. Not even that. Just, like, awkward moments. And it's like, why'd you even have to do that? Why'd you. I mean, what was the idea?

[David Spade]

But some people are like. It almost seems like they're making up horrible things because they're running out of content.

[Marc Maron]

I know, I know.

[David Spade]

Big announcement. You're like, this. It takes. It happens to be your 100th episode.

[Dana Carvey]

Well, we know what would trend and get pickup. You know, I don't.

[Marc Maron]

I really. I don't.

[David Spade]

You never really know what they pick up. Sometimes you do.

[Dana Carvey]

Well, it is surprising. But if you have someone on and they're being very revealing and you know that you're getting a scoop, they have not talked about this. Like, Robin, you kind of. It's gonna trend. But it. But it. Well, they've been on five podcasts. By the time they get to us, then it's.

[Marc Maron]

Right, well, no, that's a problem. But with Robin, there was no trending. Hadn't happened yet. So.

[Dana Carvey]

Okay.

[Marc Maron]

And it was quite a lot of hoops to jump there just to get him to do it. And, you know, it just worked out because I was a comic, and I'm also, like, I have a dark side. And there was no one else there that we got this conversation. And thank God we did, because it seems to be the only. Like, he literally talked about depression, addiction, suicide. At the end, both him and Jonathan Winters did riffs on suicide at their NDV interviews. And Jonathan Winters, that was crazy. I went to Santa Barbara to talk to him.

[David Spade]

How did he pass away?

[Marc Maron]

Jonathan Winters? He. He passed away in character, which is weird. So it's not clear whether he really dies.

[Dana Carvey]

He was actually Ma Fricker, and they buried him in the dress, which I thought was inappropriate.

[David Spade]

He's a guy that my dad used to tell me, now, this is common. And he was funny. And then when Robin was like, oh, this guy. But I couldn't appreciate it growing up, I just thought he was funny. I didn't know how good. You know, you can never really tell. I thought they were all those characters.

[Dana Carvey]

Like I said, was very specific and very detailed. It was not just ad hoc.

[Marc Maron]

He was out there, dude. He was, like, out there. Like, it was. There was. I had a beautiful moment with him in his house, and I always tell the story. I don't know if it really lands. So that's a good setup.

[David Spade]

Yeah. But give us the unlandables.

[Marc Maron]

Okay. We're at his house.

[Dana Carvey]

I'm already in. I'm all in because of John the Winters. And you're talking.

[Marc Maron]

He want. You know, he's like. He's got this sort of weird, you know, childlike, you know, thing that, you know, he. In. In his house, they had moved his bedroom because he was kind of hobbling around with a cane, and he wore a. Like a. A Union army colonel's brimmed hat. But we. We were walking down this hallway. He wanted to show me what he said. I want to show you the planes. Right. So what that ultimately was is that he has this four post bed, four poster bed in this bedroom. And hanging from the ceiling are all these model airplanes. All right, that's. That's the destination we're heading towards. But we're walking down this hallway past just pictures from a career in show business. There's Jonathan Winters in every star you could imagine. And then he stops and he points to this old ass picture of this boy with a. With a puppy. And he goes, I miss that dog. And I was like, oh, my gosh. You know, like this whole life of. Of entertainment. And that's what, you know, the dog, he's a little kid. Sweet, right? That's supposed to be sad. David.

[Dana Carvey]

That's kind of interesting. Danny. I know someone who had dinner with Dan at Danny K's house.

[Marc Maron]

Yeah.

[Dana Carvey]

And he was very quiet during the dinner. And they're letting everyone out. It's the same kind of thing. Hall of Fame wall, Danny K pictures. Someone asked one question, then it was two hours, photo by photo. Here I am with Jack Benny. Here I am. Here I am here.

[Marc Maron]

Have you watched any of those? Like, not the, not the, the Dean Martin roast, but there's footage somewhere. I don't know where I found it on some streaming service of actual Friars Club roasts that were done.

[Dana Carvey]

Oh, yeah, I might have seen one.

[Marc Maron]

It's always the same guys, and it's not a great day as Henny Youngman's always there and they're. They literally have him on. And you can tell the reason they have him on is just because he doesn't roast anybody. Just does his horrible jokes. So they just. Yeah, they just have him on to bust his balls. Yeah. What was so interesting about so many of those is just how horribly unfunny some of them are.

[Dana Carvey]

The one who always got me and I. I'm curious about Old Timey. Here we go again. Was always, as a kid, was Don Rickles the best. Just the funniest and dry. Like weird. No joke. Like, get out of cookie, put him in the corner.

[Marc Maron]

Oh, yeah.

[Dana Carvey]

Pack him in ice. He doesn't know the show started. There's no real jokes. It's the rhythm goes and the sense of mayhem that he doesn't know exactly where he's going.

[Marc Maron]

Yeah. If you wrote it all down, you couldn't find a funny joke in there. Look at this. Is it. Did that suit come with two pairs of pants and a hockey puck? What does that mean?

[David Spade]

Yeah, it sounds like a joke.

[Dana Carvey]

Johnny the show started. Okay. You know, funniest guy.

[David Spade]

Ed's over there going, oh, yeah, that's it.

[Marc Maron]

He was very. Give him a cookie. Yeah, the funniest one. He used to live when he did those roasts. And there were some of the old Hollywood guys there, like Cary Grant or Jimmy Stewart. He would say, jimmy, I talked to the family. You're doing fine.

[David Spade]

That's so funny.

[Dana Carvey]

I know. You just can't beat Jimmy.

[David Spade]

Do you know where you are?

[Marc Maron]

Yeah. Do you ever see that? The, the Clint Eastwood roast? He said one of the funniest things and the most honest thing I ever heard. It was the best. It was one of those, you know, AFI big, you know, it wasn't a roast. The tribute.

[Dana Carvey]

Yeah.

[Marc Maron]

So he gets up, he says, you know, he still opens with, I, I, I don't know why I'm here. I thought this was a tribute to Merv Griffin or whatever. But, but they've had a whole evening at this point. And he says, what a wonderful evening. He says, clint, your son played bass. We sat through that.

[David Spade]

Such a rip.

[Marc Maron]

Good.

[David Spade]

And everyone kind of laughs like they.

[Marc Maron]

Had a cut to the kids who, you know, took it well in the moment, but probably, you know, not great.

[David Spade]

And, like, that everyone was drunk, was funny. They were like. He goes, oh, I had a few drinks backstage.

[Marc Maron]

He's so funny. When he, that, that older Rickles on Letterman with Denzel Washington. That is. That's so funny.

[David Spade]

What does he say? And look at the black guy over here.

[Marc Maron]

Well, no, that was, it was a little post that. But he, he just kept busting on Letterman mumbling. He just, he wouldn't let up on Letterman. Like, Letterman opens with, like, you and Frank have been friends a long time, and both your wives are named Barbara, right? And Rickles goes, what are you, a detective? Listen to this guy.

[David Spade]

Yeah, I've seen that.

[Marc Maron]

It's the best.

[David Spade]

That's so awesome. Yeah, those old roast, the Dean Martin, those are the coolest ones.

[Marc Maron]

Those are good. Yeah, they're great. Because it was like everybody in Hollywood, it felt like Hollywood was like a nice little town full of these special people, and now they just let anyone in.

[Dana Carvey]

Have you been roasted on the, any of these rows, Comedy Central? Or, and, or would you do it if you haven't volunteered to be roasted?

[Marc Maron]

I don't, I don't mind being roasted. I had one of the worst nights of my life on the deus of the Chevy Chase roast.

[David Spade]

Oh.

[Dana Carvey]

Like, it was like, a famous one, Right?

[David Spade]

Because that was when you were at that one.

[Marc Maron]

Yeah. I was one of the guys. And, you know, all I can say, I could say more. But, you know, after that, I was in a room at that. That Hilton in New York with my buddy Sam, almost on the verge of tears, thinking, like, I can't do this. I can't do comedy anymore. I can't do it anymore. It was so. I bombed so hard. So hard. And I'm not good at that.

[David Spade]

I'm roast Chevy. And I think back then, I was thinking, wait, this is the first roast I'm seeing where not everyone is great friends with them. So it's a very odd vibe.

[Marc Maron]

Like, I don't think they could have gotten. They couldn't.

[David Spade]

Yeah, we didn't know that back then. I mean, I just thought I used to see Dean Martin. And they go, hey, there's my buddy over here. Buttons. Yeah, but to go.

[Marc Maron]

Hardly any SNL people there. And I had pretty good jokes, but I. But. But by my nature, if I'm insulting somebody, I really mean it to. It's hostile. And I don't have the.

[David Spade]

By my nature.

[Marc Maron]

I don't have the distance necessary to make it funny. But I had good jokes, and thank God, they sweetened the. Out of it. But in the room, I tanked hard, and so did a lot of people.

[David Spade]

How big a crowd? It's not a big crowd, is it?

[Dana Carvey]

No, it was the pain on Chevy's face watching it.

[Marc Maron]

He didn't want to be there. He didn't want to be there.

[Dana Carvey]

Pain, because it's. It's. Oh, is this what they think of me? It's like me doing an impression to someone. If they get upset, it's like, oh, is this how I'm coming across? It's the ultimate mental.

[David Spade]

Yeah.

[Dana Carvey]

Game. I mean, David, you did one, right?

[David Spade]

I did one. I wouldn't get roasted. It's actually good.

[Dana Carvey]

Got roasted. But you were the mc.

[David Spade]

I said I'd host one. I don't even know why, because all you have to do is be in the vicinity and you're fucked, you know?

[Marc Maron]

Yeah.

[David Spade]

So, I mean, I remember that. I found that out because I was watching one and they go, speaking of anal warts, Andy Dick's here tonight. And then they put in the crowd and they put a spotlight. He goes, wait, me? I came to watch. I'm not even on the fucking dais. Like, I didn't know. It's fair game. They're like, no, we know where you're sitting. We got a camera ready for you.

[Marc Maron]

And so 20 guys writing jokes about everyone in this room.

[David Spade]

I got lucky because I was, I was the host so I was gonna get it. But who came in at the last minute? We had a fallout. Ann Coulter. And so afterwards Jeff Ross said, you know, you had, you had probably the most jokes that you were going to get hammered with that you weren't ready for. And at the last second, everyone shifted those to Ann Coulter. And I was like, oh, thank God I only got some. They all sting. I hated them all. I'm not good at getting roasted. I'm like, it's like a thousands stabs, you know, death cuts.

[Marc Maron]

But Jesus, Ann Coulter, that's like giving the evening cancer.

[David Spade]

Where were you?

[Dana Carvey]

There's our trender.

[David Spade]

There's our trender.

[Dana Carvey]

Thank you. Thank you, Marc.

[David Spade]

She came up with her book and she was, she was Teflon. She walked up with her book and just started plugging it. She didn't, in fairness, I don't think she knew what she was getting into. She thought it was like some sort of promotion. She brought her book up the day I said, everyone's basically saying, hey, fuck you. It was pretty, pretty rough.

[Marc Maron]

So I find diplomatic word for her. I can't think of us.

[David Spade]

Yeah, yeah. But Jewel was there getting funny jokes anyway. Overall it was a pretty fun roast. And we can talk.

[Marc Maron]

I don't, I can take a shot. I don't mind getting hit, you know, I, I, but I don't think I'm in the position in celebrity wise to ever get roasted as an evening. But I don't mind.

[David Spade]

Here's a couple minutes roasting. No, I have a glass jaw. I can't. I was out there going, and then I wrote it down. I hate you now. I hate you now. I hate you.

[Dana Carvey]

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[David Spade]

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[Dana Carvey]

What'S an important thing, David, in life? And I don't know if you know this, but life insurance, you know, Ethos.

[David Spade]

We got a good one here. Listen, life insurance is something everyone kind of thinks about, but you got to act, you got to make moves. You think it's out of the. You think it's maybe too expensive. You think it's a hassle. You just have to do it. These guys make it as easy as it could be, you know what I mean? Because you never know what's going to happen.

[Dana Carvey]

That's the thing, and it's a loving thing to do for your family, is to take out life insurance. And this is. This is a way to do that without it being, like you said, a giant hassle. You know, it's easy, easy to use. And they share how life insurance can protect your family, those you care about. Right.

[David Spade]

Listen, these companies, I've tried this, where you try to get life insurance. It's so complicated. But let me. But, but with these guys, I think they saw that and they said, let's take out the confusion. Let's take out the tedious process.

[Dana Carvey]

Yes.

[David Spade]

And they made. Ethos has made securing life insurance policies up to 3 million as smooth and as fast as possible. You know, you can apply for affordable life insurance quickly, easily online, all without a medical exam. What do you say? What's next?

[Dana Carvey]

No metal exam required. Just a few health questions. 100% online and you see your rate in minutes. This is, this sounds like a good, good way to get help.

[David Spade]

This is the way to go. Listen, lock in your rate today. Give yourself, your family, everyone, peace of mind. Term life policies start as low as $10 a month. Get your free [e-mail] fly that's E.

[Dana Carvey]

T H O S.com fly. I don't read comments. You read. David reads comments. You read comments about your podcast much? Are you good with that or you're kind of.

[Marc Maron]

I don't like. I, I seem to be pretty, pretty disengaged from Twitter. You know, I don't. I don't do the other ones that much. I'll look at Instagrams and occasionally I'll look at, you know, messages or on posts on Instagram, but I, I don't, you know, and I do get emails sometimes, but I, I got out of that because they all, you know, a troll that's worth his salt is going to really hit you where it hurts. So, you know.

[Dana Carvey]

Yeah.

[Marc Maron]

And, you know, when you read them, the part of your brain that lives in this Real. The real world we live in goes like. Well, that's just part of it. But the. The real you sort of like, jesus Christ, is that true? And. And then you got to process that. I don't have. Yeah, I can't detach from it, but they land. But not for that long.

[David Spade]

Yeah. Someone, you know, I think I look to see if there's enough feedback, positive or negative. Sometimes you can try to have constructive criticism. If they say, you're always doing this, or you always do this, or, yeah, I wish you would change it. And then you go, God, enough people said that something's up. You know, I have. But if it's just random, I get a lot of snipers. Just randomly. Almost. Almost 100 of the time, if I answer them or I DM them, no.

[Marc Maron]

No, don't do that.

[David Spade]

Say, do we got a problem? They always go, oh, my God, I'm your biggest fan. Or they.

[Marc Maron]

They're nice. That's right. That's right.

[David Spade]

Might just come kill me. So. It's really a dangerous game, to be honest.

[Dana Carvey]

Do you listen to your podcast?

[Marc Maron]

No.

[Dana Carvey]

Have you ever? Yeah, because Conan told me a while back, never has heard an episode. So I took that advice because I would get too much in my head in the part. I gotta hear it.

[Marc Maron]

I. I don't listen to it.

[David Spade]

I can't wait.

[Dana Carvey]

My producer, he gives you.

[Marc Maron]

I can watch my own special. No, but my producer, like, since we're still audio and that's our game. He's very meticulous, very brilliant guy. But the weird thing about not listening to the podcast and only having memory of the conversation, like, you know, that. That. That's fleeting. You know, you can only remember certain things from conversation.

[Dana Carvey]

So.

[Marc Maron]

So if I ever have a question about something I discuss with somebody, my producers become like. Like my active memory because he spends a few hours with it and he remembers everything, and he's like, well, you talked to so and so about that. I have no recollection. And so I. I really need him just to be, you know, my. My functioning memory of these things.

[Dana Carvey]

Yeah, I'm. I was just curious earlier today, like, when we talk to guests and stuff, like, for you, our aspect. Consuming art or like movies, or are you into that? I mean, movies, music, or.

[Marc Maron]

Totally.

[Dana Carvey]

Is Patton Oswald. We started talking about movies and he just.

[Marc Maron]

Oh, boy. That's a. That's a long conversation. Yeah.

[Dana Carvey]

Yeah. Okay. We don't have to go. I don't know what you're. You know, but I remember. Yeah, it was the killers from 1958.

[Marc Maron]

Oh, yeah, here we go.

[Dana Carvey]

Anyway, 2001 in space. I'm. Try to guess your favorite movie. Okay. That'd be tough. Or your top. Or a movie that you. You see more than once or.

[Marc Maron]

Yes, of course.

[Dana Carvey]

Here's. Here's a question. If you could only watch one movie tonight, would it be 2001 or Planet of the Apes? Original.

[Marc Maron]

Those are my only two choices. What, did you let Pat and Oswald get in your head?

[Dana Carvey]

I know that's left over. I didn't talk to the producer. I already asked that question.

[David Spade]

Okay, you give us two movies.

[Dana Carvey]

Three Days of the Condor or Alien.

[Marc Maron]

Oh, wow. Yeah. Well, you know, you kind of. Kind of have to go with Alien on those two. I mean, Three Days of the Condor is great, but like, I. I would imagine you probably get a little more. If you. If you really kind of savored Alien and didn't overwatch it, it could probably be still pretty jarring. Whereas Three Days of the Condor, you're.

[David Spade]

Kind of like, all right, I know it's jarring.

[Dana Carvey]

Well, that's it.

[David Spade]

And who you know, go.

[Dana Carvey]

Was it Faye Dunaway?

[David Spade]

Oh, yeah.

[Dana Carvey]

Condor, where are you?

[David Spade]

Condor in the Pocket. I didn't know what that movie is about. And I watched it, honestly, a year ago. I. I always heard about it. Oh, it's a weird name. I'm like, why would I go to this movie?

[Dana Carvey]

Fun, cool movie. I like watching changed movies. Alien change.

[Marc Maron]

That was great. I watched. I've been watching a lot of movies. I'll go to the theater to watch movies. Like, I like going to the movies because I'm pretty close to the Americana and I'll go see. And I watched the old movies. Like, I just watched the conversation again because I didn't really get it the first time.

[Dana Carvey]

I should watch that again. Gene Hackman, 1975.

[Marc Maron]

Yeah. Well, look at you with the Google. I asked.

[Dana Carvey]

No, no, that's all here. Okay.

[Marc Maron]

No, but like, I remember seeing it years ago, and I was like, this is slow because I didn't lock in. But like, Gene Hackman doing almost anything. He's kind of amazing.

[Dana Carvey]

I talk about him all the time. Yeah, that's. He's a freak.

[David Spade]

He was. He's always chewing gum.

[Dana Carvey]

So great.

[David Spade]

Hoosiers, everything.

[Dana Carvey]

I did watch the Tom Cruise movie where he's the. The Firm.

[Marc Maron]

The best.

[Dana Carvey]

The movie's great and he's crazy. Yeah. If you haven't seen the movie the Firm, it's like a sure fire great movie. Go ahead.

[Marc Maron]

It's like. It's like a Sidney Pollock movie. I mean, people don't realize that there are these movies that these geniuses made. So that's a full on. Just because it's a Grisham book doesn't mean it's going to be hacky. I mean, Pollock did that movie. And the Castle. Rude, crazy.

[Dana Carvey]

Crazy.

[David Spade]

Doesn't mean it's going to be hacky.

[Marc Maron]

Yeah, true. What was the other one? I mean, Coppola directed the Rainmaker and that's another one. That's fucking.

[Dana Carvey]

Another John Grissom book.

[Marc Maron]

Yeah, but that's like. It's Matt Damon, Danny DeVito, Mickey Rourke.

[David Spade]

Oh, I thought that was McConaughey. That's not McConaughey.

[Marc Maron]

No, that's another one that was. It was earlier, but the firm is. The firm is firm.

[David Spade]

Is Terry. Terry Keeney.

[Dana Carvey]

Yeah, it's great.

[Marc Maron]

And Wilford Blimberly. Wilford Brimley.

[Dana Carvey]

That's so good.

[Marc Maron]

He's the heavy man. Great, great.

[David Spade]

Old names are so good.

[Dana Carvey]

Gary Busey. Good.

[Marc Maron]

Gary Busey. And then what's her name, the genius actress, Hunter.

[David Spade]

It's not Gene.

[Dana Carvey]

Oh, Holly Hunter.

[Marc Maron]

Gene. Triple horn.

[Dana Carvey]

Yeah, triple horn. She in it?

[Marc Maron]

Yeah.

[Dana Carvey]

And Tom Cruise being Tom Cruise.

[Marc Maron]

Ed Harris is in it too. It's an insane cast.

[David Spade]

And then Ackman Hackman leading the charge.

[Dana Carvey]

Him trying to seduce his wife down in the Caribbean. And then.

[Marc Maron]

Oh, my God.

[Dana Carvey]

And he knows she's conning it. I mean, that it's. He's effortless. It's just so fascinating to watch Gene Hackman, you know?

[Marc Maron]

Kidding, dude. But what else did I watch recently? I tend to watch, like lately I've been like, I just want to watch the beginning of this to get a couple laughs, you know? And then I'll be up till two in the morning watching the whole movie.

[Dana Carvey]

I watched.

[Marc Maron]

I watched the other guys the other night just because I wanted to watch the beginning to get a laugh from those two.

[David Spade]

Will Ferrell, a car chase beginning.

[Marc Maron]

It's. It's so fun. Yeah, that thing with the Rock and. And what's his name?

[Dana Carvey]

Mark Wahlberg.

[Marc Maron]

No, the Rock and what's the Sam Jackson? Sam Jackson jumping off the roof. That is hilarious. And the two of them together when Wahlberg focuses, man, he's. Yeah, he's good at comedy. He can do it, dude.

[David Spade]

He's good in a lot. He does a lot of stuff.

[Dana Carvey]

Yeah.

[Marc Maron]

How's this movie with you and Theo Vaughn? What's that? What's that about?

[David Spade]

Busboys is. It's a beating. We're doing it right now. It's tough. It's hard to do because it's small budget indie, but it's super fun because.

[Marc Maron]

Is it small budget indie?

[David Spade]

Yeah. Well, it's just us. We put it together, we put money in and we just said we just want to go try it and.

[Marc Maron]

Yeah.

[David Spade]

And then decide what to do with it. That's scary. Like, yeah, yeah. Don't go pitch it. Don't go around.

[Marc Maron]

It seems like he's got enough juice. I mean, someone will see it. But I thought Bert had enough juice too to put his little movie over the top. But I don't think it got there. But I mean, you know, people watch it. People like Theo, they like, what comedies.

[Dana Carvey]

Are just live streaming now, are we don't know.

[David Spade]

We might do it straight to video. I mean, straight to consumer.

[Marc Maron]

Straight to video.

[Dana Carvey]

Yeah, straight to video. The 90s are calling.

[David Spade]

We're going out. It was so old.

[Marc Maron]

That reminds me of like, one. One time I was like, this is in the last five years. I was at the Comedy Store, right? And out of the darkness, like, Steve Kravitz just emerges.

[Dana Carvey]

He's Steve Kravitz. Yeah, yeah, yeah.

[Marc Maron]

He's still here, dude. I saw him the other night and he's okay, you know, he's okay.

[Dana Carvey]

Oh, good. He's funny.

[Marc Maron]

Yeah, he was funny, but like, I just remember he was like. It was like, you know, he's. He's 70 something now, but it was just a few years ago. And he's like, I don't know how the business works anymore. Like, hey, where do I set my tape? And I'm like, maybe the 1985, maybe.

[David Spade]

To the D'Annunzio brothers at the Funny Bone. Isn't that somebody. Yeah, they used to watch your. I used to send my tape, the Funny Bone, my half inch vhs. And they're like, they must have a pile of tapes. I'm like, it's been a whole day. Are they going to watch it or not? They don't give a. Oh, my God.

[Marc Maron]

I remember there was a booking agency in Boston called Boston Comedy Company. Barry Katz used to run it out of the basement apartment in a building in Austin. And one of the women who would get tape submissions, and she. She was dating somebody. Like, we knew. Like, we got hold of a couple of the tapes, and there's this one tape of a guy that's clearly in his basement or in his bedroom and he's doing jokes and he's got a friend dropping a phonograph needle onto a Laughter of Laughter track on a Record.

[David Spade]

Wow.

[Marc Maron]

So you, you would do a joke and he'd literally hear the needle drop.

[Dana Carvey]

Oh, funny.

[Marc Maron]

Pull back up again.

[David Spade]

That's a good idea.

[Dana Carvey]

Analog Lo Fi World. Kind of.

[Marc Maron]

Yeah.

[Dana Carvey]

Something charming about that.

[David Spade]

Well, Mark, before you let you go, I gotta ask you about one movie and then we'll ask Dana if he has any wrap ups. But you've been very nice to talk. I see Mark at the Comedy Store now. And then we always have a little chat, a couple laughs, and then we get our 48, we get the out of there.

[Marc Maron]

Yeah.

[David Spade]

And I. Oh, someone said today that to Leslie, you were very, very good and they loved you in it, and they heard I was talking to you, so.

[Marc Maron]

Oh, well, that's nice to hear. I definitely, I did the work on that one, like, because, like, I don't know, like I. I always wanted to act, but I know I'm okay at it and I got better, but I still never. I'm still like, it's, it's, it's not, it's not necessarily an exciting job. I mean, there's a lot of waiting around, which makes me crazy for sure. But like, I was trying with that movie. I didn't want to do it. And the director kept bothering me because I was still kind of fucked up. It was during COVID you know, Lynn had passed away and, you know, they were. The guy kept bothering me, you know, and it's, I'm. It's. The role is like this kind of, you know, slightly beaten up Texan guy. And I'm thinking, like, you get. There's like nine, nine or 20 fucking cowboy character actors you could get to do this. Why me? And you know, finally he gets through. He gets me on the phone. He's like, why? I really liked the last season of Marin. I'm like, oh, so you do like me? All right, I'll try. And I told him, like, I don't know about the accent. He said, don't worry about the accent. And then I realized, like, dude, if you're gonna do this, you know, take a risk. You know, no one's gonna see this movie. It's like it shoots in like two weeks on film out in the desert here. So I worked with a dialect coach, and this is funny. You'll probably get it, Dana. Yeah, you will too, I guess, because it's just a reference that no one gets. But I'm talking to the dialect coach and I'm like, how do I do a Texan accent? She's like, well, there really is no Texan Accent specifically, but I think we'll do Lubbock. And I'm like, okay, Lubbock. So she sends me, you know, the, the phonetics, and then she sends me some tapes of what I think are the Lubbock accent. And it's just like, like a few, like, behind the scenes Grammy interviews with Mac Davis. And I'm like, this is your. The only example? Yeah.

[David Spade]

Oh, yeah, yeah. I love Mac Davis, for sure.

[Marc Maron]

Yeah, he's a good. He's a funny actor, too. But. But, yeah. Well, I appreciate someone saying that because I definitely put the work in and I was willing to fail with the accent, but I think I did all right. And the only reason I had confidence to do that was before I interviewed James Kahn. I was watching movies of early movies of his, and all these guys try accents, and very few of them are any good at it. So I'm like, well, fuck it. If he's going to take the hit, I can take the hit. You know?

[Dana Carvey]

Yeah, the Australians are great at accents for some reason, and a lot of the Brits are, but the Americans, I don't know. You know, secondhand compliments are the best. Like when David hears someone say to him, you were great in the movie. Right. That's the best way to hear it because, you know, they're not saying it's legit.

[David Spade]

She was like, oh, my God.

[Dana Carvey]

Oh, by the way, you see, Myron Special is fantastic.

[David Spade]

Yeah, yeah, it's nice.

[Marc Maron]

My wife said somebody.

[David Spade]

No, that's a fictitious.

[Dana Carvey]

You. You know, you do specials, you do a podcast, and you're a damn good actor. You've got a series. I'm just saying. I mean, I don't know any other. You're like a triple and an author.

[Marc Maron]

Yeah, you know, I do what I can. I do what I can at the level I do it at. And it's, you know, it's. I'm glad I've had all the opportunity. And I. And I keep trying to get better. What can you do?

[Dana Carvey]

It's just, how much joy can you get out of your incredible life? That's really.

[Marc Maron]

Well, the joy thing, that's a whole other thing.

[David Spade]

I mean, less miserable.

[Dana Carvey]

Less miserable.

[Marc Maron]

And in terms of like, talking about snl, I didn't get it.

[David Spade]

Oh, okay. Thank you for the people that waited till the end.

[Dana Carvey]

All right, well, that's a perfect end of a podcast.

[Marc Maron]

See you later, guys.

[Dana Carvey]

That was a blast. Thank you.

[Marc Maron]

Yeah, it was fun.

[David Spade]

This has been a presentation of Odyssey Be. Please Follow, Subscribe Leave a Like a review all this stuff. Smash that button, whatever it is. Wherever you get your podcasts, Fly on the Wall is executive produced by Dana Carvey and David Spade, Jenna Weiss Berman of Odyssey and Heather Santoro. The show's lead producer is Greg Holtz.