RE-RELEASE - Danny DeVito

Summary

Fly on the Wall with Dana Carvey and David Spade – Episode: RE-RELEASE - Danny DeVito

Release Date: July 9, 2025

In this special re-release episode of "Fly on the Wall with Dana Carvey and David Spade," longtime friends Dana Carvey and David Spade sit down with the multifaceted actor and director Danny DeVito. The episode delves deep into Danny's illustrious career, his early struggles, his enduring friendships in Hollywood, and his latest creative endeavors.

---

Early Career and Auditioning Stories

The conversation kicks off with Danny reminiscing about his early days in New York, highlighting the challenges he faced while auditioning for roles.

[04:21] Danny DeVito:
"I stuck my head in the door and there were an actor, a director, and a writer who immediately saw something in me. I didn't have an equity card, but that audition landed me a part in 'Shoot Anything with Hair that Moves.' It was the beginning of something great."

Danny shares his first Off Broadway experience, emphasizing the grit and determination required to break into the industry during the 1960s. He recounts his apartment hunt, securing a modest one-bedroom for $50 a month on Madison Avenue, and the vibrant, albeit challenging, environment of midtown New York during that era.

---

Navigating Hollywood and Building Friendships

Danny discusses his relationships with iconic figures like Jack Nicholson and Michael Douglas, illustrating the camaraderie and mutual support that fueled their careers.

[23:01] Danny DeVito:
"Jack was like a guy from Jersey. We were born in the same hospital, figured out we'd all be sure and well, hey, I'll be damned."

He reflects on meeting Michael Douglas at Paramount and their subsequent collaboration on projects like "Romancing the Stone" and "War of the Roses." Danny emphasizes the importance of having trustworthy friends in the demanding world of show business.

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Saturday Night Live and Cold Reading

The trio delves into Danny's experiences with Saturday Night Live (SNL), particularly his rare role as a host. Danny praises Dana for her exceptional cold reading skills during live performances.

[25:34] Danny DeVito:
"It was a lot of fun to sit in that room with all you crazy people and just go through the pile of scripts, picking what suited you best."

He likens the SNL environment to the old-school showbiz atmosphere of the Marx Brothers, highlighting the collaborative and dynamic nature of live television comedy.

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Iconic Roles and Directorial Ventures

Danny shares insights into some of his most memorable roles, including Oswald Cobblepot (The Penguin) in "Batman Returns" and his directorial work on "Matilda."

[36:40] Danny DeVito:
"I had fun doing The Penguin. The makeup was intense, almost five hours initially. Oswald was written like an opera, and the character was all of it—so slapping his flippers off the walls, burying things everywhere."

He also discusses his innovative Matilda Symphony Project, where he narrates the film live with the New Jersey Symphony Orchestra, offering a unique blend of cinema and live performance.

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Collaborations with Andy Kaufman and Jim Carrey

The episode highlights Danny's eclectic collaborations with comedic geniuses like Andy Kaufman and Jim Carrey.

[40:24] Danny DeVito:
"Seeing Andy do stand-up was bizarre but unforgettable. He was hysterical, turning red with anger, booking people into wrestling matches right there in the hallway."

Regarding Jim Carrey, Danny recounts the challenging yet rewarding experience of working on "Man on the Moon," where he produced the movie and navigated Carrey's intense method acting.

[45:39] Danny DeVito:
"Working with Jim was off the charts fun. Even though he was always in character on set, off set he was a quiet, sweet guy."

---

Always Sunny in Philadelphia and Ongoing Projects

Danny returns to discuss his role in "Always Sunny in Philadelphia," expressing his admiration for the show's longevity and the dynamic among the cast members.

[52:18] Danny DeVito:
"The guys on Always Sunny are a lot of fun to work with. They're a bunch of lovable oddballs, and it's been a great job that keeps giving."

He also previews his upcoming Matilda Symphony Project, detailing the collaboration with composer David Newman and the involvement of actors like Pam Ferris.

[55:13] Danny DeVito:
"In the Matilda Symphony Project, I narrate the movie live with the orchestra. It's a challenging yet exhilarating experience to blend narration with live musical performance."

---

Reflections on Success and Struggles

Dana Carvey poses a thoughtful question about reflecting on early struggles after achieving success. Danny responds candidly about how those challenging times were tough but not necessarily fond memories.

[14:20] Danny DeVito:
"Those days were struggles, but not the best. They were tough, but you were so focused on getting the job that you didn't really notice how tough it was until afterward."

David Spade adds his perspective, relating it to his own experiences in the entertainment industry, emphasizing resilience and perseverance.

---

Closing Remarks and Future Endeavors

As the episode winds down, Danny discusses the legacy of Ivan Reitman, reflecting on their planned projects and the impact of Reitman's passing.

[30:42] Danny DeVito:
"Ivan was a brilliant director and made a big difference in my life. Arnold and I are working on other things together, keeping his legacy alive."

The hosts wrap up by highlighting Danny's continuous commitment to creativity and collaboration in the ever-evolving landscape of entertainment.

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Notable Quotes

• Danny DeVito on Auditioning:
  "I stuck my head in the door and there were an actor, a director, and a writer who immediately saw something in me."
  [04:21]

• Danny DeVito on Friendship with Jack Nicholson:
  "Jack was like a guy from Jersey. We were born in the same hospital, figured out we'd all be sure and well, hey, I'll be damned."
  [23:01]

• Danny DeVito on SNL Hosting:
  "It was a lot of fun to sit in that room with all you crazy people and just go through the pile of scripts."
  [25:34]

• Danny DeVito on The Penguin:
  "Oswald was written like an opera, and the character was all of it—slapping his flippers off the walls."
  [36:40]

• Danny DeVito on Early Struggles:
  "Those days were struggles, but not the best. They were tough, but you were so focused on getting the job that you didn't really notice how tough it was until afterward."
  [14:20]

---

Conclusion

This episode offers a rich tapestry of Danny DeVito's journey through the entertainment industry, highlighting his resilience, creative spirit, and the invaluable friendships that have shaped his career. Dana Carvey and David Spade expertly guide the conversation, allowing listeners to gain deep insights into the life and mind of one of Hollywood's beloved figures.

Whether you're a fan of Danny DeVito, avid follower of "Always Sunny in Philadelphia," or simply interested in the behind-the-scenes stories of showbiz, this episode is a must-listen for its engaging storytelling and heartfelt reflections.

Transcript

[David Spade]

Danny, you know, I'm running around all day as you know.

[Dana Carvey]

You, you actually, that's no joke. You do. You. You do go around. You get in that car.

[David Spade]

Getting my steps. Yeah, I get the steps. I. And if I don't get my 2, 000 steps a day, I get out and walk. I'm not bragging, but that's what I do. So listen, I need a little energy in the day. Of course. Kachava. Okay. It comes in a bag, right? It's a body meal. It's a whole body meal. So you mix it up either plain. You know, I kind of like throwing a peanut butter, right? That's just me. You can do whatever you want. Add stuff. There's a lot of great ingredients in there already. They've got maca root, goji berry, chia seeds. So many things. But if you want to be energized, focused, calm and satiated for hours, throw in one of these. I like chocolate. They have also vanilla chai. Is that a word?

[Dana Carvey]

Yeah. I'd say you add a little bit of peanut butter, a little bit of banana, maybe a little bit of yogurt, and then mix it in a blender or with a big spoon and gulp it down. Not hungry and full of energy all day. Is that a good thing or a bad thing?

[David Spade]

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[Dana Carvey]

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[David Spade]

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[Dana Carvey]

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[David Spade]

Yeah, it's been on since I was born.

[Dana Carvey]

It's coming back. And of course, one of the stars of Always Sunny in Philadelphia is our good friend Danny DeVito, who we interviewed a little while back.

[David Spade]

That's right. Danny did SNL with us also. Everyone Always Sunny is a star, and it's pretty shocking that a show can still be on the air even though it's really funny. It's just. That doesn't really happen as much anymore where you.

[Dana Carvey]

It's like Bonanza or gun smoke.

[David Spade]

Yeah, Simpsons. There's. There's some that just always come back. And so I'm glad it's back on. I'm glad it's still funny. I'm glad it's very edgy. It still gives people what they want. And I'm glad they get away with all the stuff they get away with because not many shows will try to do that anymore.

[Dana Carvey]

It's a great show. And, you know, we thought. We had a thought. We huddled together with our team and thought that maybe we would show Danny DeVito's interview this week.

[David Spade]

Yeah, that's a perfect timing for it. Yeah. A lot of people, they come and go and they. And. And it kind of goes back in the library. But we put it at the forefront and say, if you watch when Always Sunny, don't miss this episode. It was very funny and he was just very interesting, talking about the New York days and blah, blah, blah. So here he is. I hope you like him. We do, Mr. Danny DeVito.

[Dana Carvey]

But I was just thinking doing this in the 1960s, we might have waited for Yul Brenner to come on. That would have been fun.

[Danny DeVito]

Yul Brenner would be the first guest.

[Dana Carvey]

Podcast guest in 1965. We'd follow him up with Steve McQueen.

[Danny DeVito]

Yeah, you put him on. He does a little dance, does the.

[Dana Carvey]

Accent, he talks about the. Doing the jump. But he didn't really do it in the Great Escape.

[Danny DeVito]

Didn't really. Yeah, all the, all the stuff that he does, you know, like, I had an apartment in New York once in the 60s. I got on the bulletin board of. Of the American Academy of Dramatic arts, where I went to school. And you know, I was looking for apartments. Everybody was always, you know, scrounging for like no money, but we had no money, so they had this bulletin board. Anyway, I went to an address and it was in. The weirdest place was on Madison Avenue in the. In like 57th or 8th Street. 6:45 was the address I remember. And. Yeah.

[Dana Carvey]

Wow.

[Danny DeVito]

And I walk in the door, it's a really shitty building now. It's all, you know, totally told, turned into what New York is, you know. And I, I go in the building and the first thing I saw was a giant picture, a mule printer. Oh man, it was a little shitty. Yeah, a little shitty hallway, like kind of thing. And anyway, it worked out because I, I got the apartment. It was like the second flight up. It had an elevator actually in the building. But very, very, very, very old school. And of course 60. It was 64 or something like that.

[Dana Carvey]

So what was your rent? Do you remember your rent?

[Danny DeVito]

Yes. $50 a month.

[Dana Carvey]

$50 a month.

[Danny DeVito]

And it was a one bedroom apartment and the back and the bedroom was a living room bedroom kind of situation. It had a nice bathroom and a kitchen and, and, and a. Yeah, and the bedroom had windows that looked out over the tops of buildings. New York. So it was like one of those. It was like if you were doing a play or a movie about New York and you said like, build me outside, like what the cyclorama would look like or today what you would put in the background of your movie. It was all the stove, the exhaust pipes and the tops of buildings and railings and all that. It looked like you could do west side Story on the roof.

[Dana Carvey]

Did people hang out of the, out of their, out of their windows going, hey, what's with the noise over here?

[Danny DeVito]

No, no, they weren't doing that. It was like more like. It wasn't like enclosed, like, like if there were buildings that went up. Because in that area, you know, at that time it was just the top. So you had a great panorama of looking east. But no, you didn't see a river or anything. I was on Madison Avenue and. But to actually have that address at that time was like amazing crazy because I put these other glasses. I see better far away.

[David Spade]

That's a great. Right in the heart of midtown, right?

[Danny DeVito]

Yeah, it's right in the heart of. And the thing about it is that at that time a lot of people don't know this. Madison Avenue and 5th Avenue were two way streets. I mean, you guys weren't even born.

[Dana Carvey]

I, I go back, I remember Yule Brenner. I look, I mean, you know, David doesn't know Yule Brenner is.

[Danny DeVito]

Yes, you remember him? Yeah.

[Dana Carvey]

Oh, oh, yeah.

[David Spade]

I remember the King and I was a poster.

[Danny DeVito]

But if you imagine Madison Avenue being a two way street and you know, you know New York very well and Fifth Avenue also. I used to walk up from 30th and, and go to 57th or 8th where it lived and it was a two way street. It was really. There weren't any horses and carts though.

[David Spade]

You'D be happy to hear you weren't that far back.

[Danny DeVito]

It wasn't that.

[Dana Carvey]

Oh, good. All right. We're in the modern.

[David Spade]

Were you walking around with Casting Call magazine?

[Danny DeVito]

I was doing what we used to get was show business. And, and what would they call backstage?

[David Spade]

You remember backstage?

[Danny DeVito]

Yeah, you guys did it all the way. It was just. We'd buy, I would, you know, I was never in the magazine. I, we'd buy these magazine, these papers that came out once a week. Show business and, and, and backstage and in there, there would be all the casting that was going on and we would, you know, we would go to, on the corner, I think it was 47th and seventh was Howard Johnson's and uh, everybody would meet in there. It was like you, that you going in, you know, take up space and have coffee and read the. To see what.

[David Spade]

The latest thing.

[Danny DeVito]

Yeah, yeah, to see what was going on.

[David Spade]

And, and Danny, did you ever find when you auditioned for these things, the beginning. I found this. That you would audition and then you would hear through the grapevine, they already have offers out to stars, but they're just looking for backups or. No, no, it's, it's always the same case.

[Danny DeVito]

So it's been that since the beginning of time. And the other thing about like I, I'm talking about auditioning for off off Broadway, Off Broadway, regional theater, anything that you could get. And you know, sometimes you get lucky and get a, an audition at the Public, you know, and you know, get a, a tiny part in Shakespeare in the park. You know, like it's not literal, the spear carrier. But you might have a few lines. Like I played once I got, I played the doctor in the Merry Wise of the Doctor's Servant. Sorry, in the Merry Wise of Windsor, you know, and the best, those were the best shows to get because they literally paid, man. Oh, that was like you would wind up with 190something dollars a week in, in those, in, in. At Joe Pabst. Yeah, 200 it was a different contract.

[David Spade]

That, you know, no strike needed there.

[Dana Carvey]

Yeah, four months of rent.

[Danny DeVito]

Off Broadway was great. Man, off Broadway was $68 a week, $70 a week.

[Dana Carvey]

Damn.

[David Spade]

That's what I made on SNL.

[Danny DeVito]

SNL didn't exist then, did it?

[Dana Carvey]

Did Lauren.

[David Spade]

Michael existed.

[Danny DeVito]

Well, Lauren Michaels always existed.

[David Spade]

He was in. He was a teenager and he still exists.

[Dana Carvey]

There is no one.

[Danny DeVito]

When did SNL start? When did SNL start?

[David Spade]

It's a good question.

[Dana Carvey]

75.

[Danny DeVito]

It's like 70 something.

[David Spade]

75.

[Danny DeVito]

Yeah. So I. Yeah, that's so 75. I was already in California by then. I came. I'd gone through Off Broadway and all those things earlier and, you know, did children's theater in Massachusetts. I've done, you know, did all that kind of stuff. And then I. I got lucky in the. In 1971ish or two around there, and I got a part off Broadway and played Martini and Cuckoo's Nest. Oh.

[David Spade]

And so that was like, where there should be applause.

[Danny DeVito]

Then. Then I stayed in that play for almost a year. It ran at the Mercer Arts center, and that was cool. And then, then Milos saw it and everybody saw it, and I got lucky and got a, you know, Milosh. And then I got the movie in, and after the movie opened, I moved out.

[David Spade]

Wait, Danny.

[Danny DeVito]

Sunny California.

[David Spade]

My. My question was, when you do a play, you're not guaranteed a part in the movie, are you?

[Danny DeVito]

No. You're not guaranteed anything in this. Our businesses, you must know this. It's not. There's no. There are no guarantees.

[David Spade]

There's no anything, you know.

[Danny DeVito]

Yeah. I mean, once in a while, like, for instance, I. You could imagine, like, Brando giving a performance like he did in Streetcar. And then, you know, you got to be a. You know, you have to have your head. Head in the sand, not cast him in. In the movie. So.

[David Spade]

Right.

[Danny DeVito]

Same thing with, you know, Vivian.

[David Spade]

They're not going to get someone from.

[Danny DeVito]

The Bachelor and they're not going to like. Yeah, he's going to be the first choice.

[Dana Carvey]

Yeah, I. I starred in Hans and Franz the musical. I'm sorry, go ahead.

[David Spade]

I want to hear more about Hans and Franz the musical.

[Dana Carvey]

Hans and Franz the musical. What I was going to ask you, Danny, is a philosophical question. Usually when people have their struggling years. Struggling years, and then have hyper superstar success, which I'm going to put you in that category, they look back at those early years and go, those are some of the best days of my life. Do you feel that? Or did it suck when you look Back on the Struggle.

[Danny DeVito]

I never. I don't. First of all, I don't. I mean, unless I'm doing something like talking to you guys, like, or something, you know, you don't think about that as much, but you do think, like, you know, those days were struggles, but not, you know, not the best. They were not. Those were the days. I, I think the toughest part about that getting started was, you know, like, you guys got started, like when you, you know, you, you, you hit television or. I don't know what your history is, but how, how much you did before. Before I met you, when I did the church lady or something like that.

[Dana Carvey]

But you were there. You were. You were there. Yeah. Oh, I remember there. Well, you. You hosted a couple times. Just so funny. And when I did that drum solo in the dress, you were egging me on, you know, and that was my best drum solo on television.

[Danny DeVito]

There you go. You see? You have to have a coach.

[Dana Carvey]

You were Good. I had 10 years of, of anonymity before I got SNL. David had. David got a movie right out of high school, but.

[David Spade]

I know, but then I. Danny, thank you for asking. I did a Police Academy movie, Police Academy 4, the good one, and I. And then I came back and turned something down. I thought I was kind of a big deal. And then I lost all my heat for three years and had to grind it back. And it's so sickening to even think about. But, you know, it all worked out. But, but like you were saying in the beginning when you were struggling, I think, like all of us, you don't really know any better. And you, you know, you're taking a risk by going into this world of movies and TV and theater, so you can only really look back and think, God damn, how did I get through that? But at the time, $100 is a lot. You get a little part. It's a lot. You know, you're just sitting with your buddies at the coffee shop. It's such a long shot to make it that it's probably once you make it, you look back and go, God, that was tough. But at the time, it's tough, but you don't. I didn't really notice how tough it was.

[Danny DeVito]

You don't notice it? No. You just. While you're. You're focused on, like, you're, you're focused on getting the job.

[David Spade]

Yeah.

[Danny DeVito]

So basically that was what. What was going on with me. I was like, I would, I would read those papers that you, you know, and at the time, excuse me, in the 60s I, I didn't have an equity card, so I just got out of school. And like the way they did it was either you would read in, say you'd read in the, in backstage that such and such was casting something and you go okay. And, and they're casting over on 57th street, you know, by Carnegie hall somewhere near one of those buildings down the block, whatever it was. And casting was, you know, say Tuesday. Okay. But you didn't get in until the end of the. You got it. If you didn't have an equity card. They saw everybody, you know, they would there because everybody's looking for the right person to play the part, hopefully if, and especially if they're not. Yes. I mean maybe they already had the lead cast or that's the way they raised the money or those things. But you would, you would wait up in the. I go like 3 o', clock, 4 o' clock in the afternoon and maybe the line was less and you could, you know, you waited and then in the end, the very end, they would let the non equity people get in to, to audition and then they'd see everybody. And as a matter of fact, the first play that I ever got I did at in, I think it was 1968 or so seven, the first off Broadway show because I had done regional theater. Well, I toured with a play once that came out of school that was like kind of cast in the. We went to two theaters, went to the Eugene O' Neill foundation where they. The playwrights thing in 60 something, 64 and, and then like in 68, I, I actually did that. I went to the, to one of those auditions and where they make you wait until the very end and I peeked my head into the, you know, it was this big, big door and one of those big old pre war buildings in the like was, I think it might have been like near 57th Street. And I, I walk up and it's giant door and there was nobody there because I had gone and come back. The line was really long and anyway, long story short, I stuck my head in and there were. There was an actor, a director and a writer and a producer sitting at a table really far away in this big empty room, it looked like rehearsal room and I just popped my head in like. And, and you know, you still, you know, seeing people kind of thing. And the actor, a guy named Alan Garfield.

[Dana Carvey]

You remember, you know, Alan James Garfield's son?

[Danny DeVito]

No, no, I don't know who his dad was, his name was Alan Garfield, but he was, you know, him Dave.

[David Spade]

No, I know. Garfield the cat.

[Danny DeVito]

Okay. Anyway, the guy literally at the table, like across the room turns around and said, that's the guy who should play the part.

[Dana Carvey]

Whoa.

[Danny DeVito]

They were trying to talk him into. Yeah, he didn't want to do this part. It was. Wasn't a huge part, but it was a good part. And I stuck my head in the door and the guy and the actor, not the director and the producers and the writer or whatever, he said, there's a guy who should play this part. And I. I just backed out of the room or something, and they came and got me and I went in and I read the lines, did the thing. I didn't. I didn't. I had never seen the script before. Just, you know those things where they give you the sides? Yeah, yeah. And I got a part in the. In a. In a play called Shoot Anything with Hair that Moves. Of course. Huge success.

[David Spade]

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[Dana Carvey]

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[David Spade]

Yeah, Jack's the coolest guy out there.

[Danny DeVito]

Jack. Jack was like a, a guy from Jersey. He, he actually lived like he was born in this. We were born in the same hospital. Figured out we'll all be sure and well, hey, I'll be damned.

[David Spade]

How about.

[Dana Carvey]

And that's what Jack would say. I'll be damned. Born in the same hospital.

[Danny DeVito]

Yeah. How do you like that? Me and D. Born in the same hospital. I don't do a good accent. Let's see. And then Michael, I met, I met actually in the 60s at the Eugene O' Neill Playwrights Conference up there where we, where that play that I was going through town with. We opened the festival that year and that's where we met. So. And there. And not only good guys, but really fun to work with. And once we got going, we had a couple shots to work together, which was like, really good. You know, it's when people are looking out for you because the business is like very difficult. And when people are looking out for you as well as, you know, your, your buddies and know what the scoop is, then you, you know, you're fortunate to have those guys as friends.

[David Spade]

You're lucky. You're all good too, because it's, it's hard to help each other out or recommend someone, but if everybody's good, those, you know, all three of you. So it's not crazy that you would all be in another movie or that you would work together because you keep bringing, bringing it, which is hard to do.

[Danny DeVito]

It's all about work. The work.

[David Spade]

Right. Yeah. Just keep working.

[Danny DeVito]

Yeah, yeah. Keep having, and having a good time.

[Dana Carvey]

Because our theme here casually snl and you hosted five times. It's very rare. I have a clock to host five times. Five o'. Clock. You and John Goodman and a couple others. When you host that show, as you know, you got a pretty much cold read, 55 scripts over four hours, basically. And I remember thinking the time when you came in, in 86 or 87, damn, this guy can cold read. Was it. Were you known for that? But you were like nailing it, you know, over and over again. I don't, you know, it's pretty cool to, to, to watch as a young performer.

[Danny DeVito]

Well, it was a lot of fun to sit in that room with all you crazy people and, and, and have that pile of scripts in front of you and just go through them. I mean, that, that's like, you know, the opportunity to have everybody there pitching what they thought was Best. Best. And what you felt comfortable with, that's the main thing. I think that's key. Right. For would you say, like, for the hosts to be comfortable with all that material? Pick the ones that are the ones that suit you best. It's a lucky thing to have that pack of troubadours all sitting around the table.

[David Spade]

It's like old school showbiz kind of.

[Danny DeVito]

Yeah, old school. It's like. Yeah, I could imagine what it was like, you know, when the Marx Brothers were running around all the theaters trying out material. You know, that. That would be the same kind of thing. They, they, they just go. Do they suffer people through two hours or three hours of material and then pick the ones that they like best?

[Dana Carvey]

Yeah. Jerry Lewis and Dean Martin did some TV shows in there. Don Pardo show me said to me. And they would just go up to the director and cut his tie off with a scissor. You know, this is Jerry Lewis in the 50s. And they would both just push the piano over, like destroy the piano. They were the anarchists, then the crazy people. But one thing about you, I have to say, so we get to. It was on Hans and Franz, when we got you in there as like a pit bull, over the top Austrian guy who was out of his mind, and you kept. We would berate the audience, the imaginary, and you would start berating them and then start attacking the camera. And we had to keep holding you back. That was one of the funniest moments I had on that show with you in that sketch. Yeah, terrible. Because you committed so fucking hard.

[Danny DeVito]

I think sometimes the task of the director for me is, you know, sitting on me, holding me back, get me away from the. Just try to turn the burners down a little bit, you know, once I get going, I guess that's what. Burners down that way.

[Dana Carvey]

Well, that's what Arnold. Arnold told me about you. He said, you know, you got to keep Danny on his feet. Keep Danny on his feet because his energy goes on a short leash. Otherwise he gets going, he gets away at the leash, and you have to, you have to follow him and get him and bring him back into the scene. Because the emotions get so high with Danny.

[Danny DeVito]

It's funny about. About with Arnold. Arnold and I thrust together by Ivan Reitman, who just passed away. He called me and said, how would you like to be Arnold Schwarzenegger's brother? I said, let me. I jump at the chance. I thought that was a great idea. Once we got together, it was like we had a great chemistry. We breaking balls Austin, it was like a kind of like, you know, you know, he's, he's so formidable, you know, and like. And he's got a great sense of humor. He does.

[Dana Carvey]

Oh yeah.

[Danny DeVito]

Like he's always doing all kinds of like, you know, crazy ass. And he always had a pack of guys around him like Franco and, and.

[David Spade]

Franco Columbo, Franco Colombo.

[Danny DeVito]

Yeah. And all these guys and these other bodybuilders and so it was like a pack of. It was like a pack of bros. It was similar, you know, going into like that with the, you know, as a host of Saturday Night Live, going into this pack of like crazy people that were always, you know, that had a second hand shorthand and, and, and got along the way you guys did. I don't, you know, at least when I was around, you were always, you know, around having a good time. And so it was a similar kind of thing with, with Arnold. I go in and there would all be these guys seriously pumping iron and doing and you know, talking about, you know, and I just like, you know, when you get protein powder, all of a sudden a kind of a wrecking ball comes in and starts banging into, you know. Yeah, it was fun. It was a lot of fun.

[David Spade]

Were they going to do a triplets?

[Danny DeVito]

Yeah, we were going to do it and then two. This is a. I always go by the super bowl because it was. I was in Atlanta doing a movie and, and was Super Bowl Sunday and I was just get getting over Covid. I was stuck in a room for two weeks and. And the news came that Ivan passed away on that day. And so this is going to be three. This is three years now that he's gone. Two. Yeah, three years. Two years.

[David Spade]

Yeah.

[Danny DeVito]

Okay.

[Dana Carvey]

Brilliant director.

[Danny DeVito]

Yeah, it was a drag. He was, you know, he's a lot of fun and, and made it made a big difference in my life.

[David Spade]

Well, yeah, I was told that we.

[Danny DeVito]

Were gonna do triplets. Oh, we're gonna do trips. We had a, we had a script going. Everything was going. And then when he passed, his family didn't want to continue with doing it. So we're. Arnold and I are working on other things together.

[David Spade]

Oh, good.

[Dana Carvey]

And you know, that's awesome. We love Arnold the way things.

[Danny DeVito]

Yeah, yeah. He's a, he's a cool guy. He's a good guy.

[David Spade]

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[Danny DeVito]

Tracy Morgan was gonna come in.

[Dana Carvey]

I'll put a baby in there.

[Danny DeVito]

You know, he's so funny. We had a great zoom together and he was just off the charts bananas. Hysterical.

[David Spade]

Yeah.

[Danny DeVito]

I mean that energy in there would.

[Dana Carvey]

Have been like easy.

[Danny DeVito]

That's that, you know, that's the way, you know, the way things, swings, things go, you know, like they, you know, you have to always adjust as like we, we do.

[Dana Carvey]

Did you have the role that got away? Danny or maybe a conflict. He had to do another movie and.

[Danny DeVito]

No choices that I couldn't do. I hadn't had one of those that, that was really substantial that, you know, you could look back and say, you know, no, I've had roles that I desperately wanted and got, which I got. I had to work hard to get. If you can't imagine, you know, how everybody holds out, you know, you get a partner, somebody says the last minute you get a part and it's the one you wanted. And that, that's really the ones I think about, ones that got away. I don't know. I can't, you know.

[David Spade]

Were you going to be Costanza?

[Danny DeVito]

Oh, no, no. I think like, you mean like in Seinfeld? Yeah, no, I wasn't. They, they, they just. Yeah. When. Yeah, I was still. I don't know what I was doing at the time. I went, when?

[Dana Carvey]

Midnight.

[Danny DeVito]

But I did a movie. I did a movie called the Ratings Game, which is. Was done for Showtime. It was the first movie that I directed and, and I cast in that movie as a. It was his, one of his first things on camera. Jerry Seinfeld I don't know if he had done anything before this, but I cast him as a. An agent. And coincidentally, there were a couple of, like, character, really wild characters in the movie. I cast Michael Richards in the same movie.

[David Spade]

Oh, really?

[Danny DeVito]

Yeah.

[Dana Carvey]

Wow.

[Danny DeVito]

I didn't know that they would later be teamed up in Seinfeld, but this was like, in. It was in 83. When did Seinfeld go on?

[Dana Carvey]

Like, 90s 93, 234. I'm sorry. Something like that.

[Danny DeVito]

So.

[Dana Carvey]

Yeah.

[Danny DeVito]

So 10 years earlier, I did a movie called the Ratings Game, and both Jerry Seinfeld and Michael Richards were in it.

[Dana Carvey]

Did Jerry ask you questions of how to direct? How do you want me. How do you want me to play this scene? Did he ever say that, too?

[Danny DeVito]

No, I don't.

[David Spade]

He's pretty kind of serious in real life, I think. By the way, which Batman did you work with? I can't remember.

[Danny DeVito]

Batman Returns.

[David Spade]

Who was the Batman again?

[Dana Carvey]

Oh, no, that.

[David Spade]

Oh, I love my.

[Dana Carvey]

I do. I'm not. Just because you're on our show right now. I love your Penguin. I loved it. You're. You're Oswald Penguin. I thought. Didn't you have fun doing that? I mean, your. Your get up was so crazy.

[Danny DeVito]

Yeah, yeah, I had. I had fun doing. That was. That was one of the ones that I really wanted. And I, you know, and I met Tim and we had a great, you know, conversation about it, and I knew he had done a lot of drawings and we sat in his office and looked at it, and I really, really wanted to play that. And the makeup was. The first makeup was. I was in the chair for almost five hours, and then we got it down to three, but we stayed around three. Three and a three, three and change. And it was amazing. And it was. The thing about. I liked about that was, you know, like I said, I like to go big and. Yeah. And boy, oh, boy, Oswald was written like an opera.

[Dana Carvey]

This guy, you know.

[Danny DeVito]

I mean, he just was. He was slapping his flippers off the walls, baby. You know, I mean, you buried.

[Dana Carvey]

He was the Wicked Witch. He was all of it, all in one. Yes.

[David Spade]

Yeah.

[Danny DeVito]

Crazy. Yeah. And that was after. Okay, that was after. See, I'd work with. I did the, you know, we did Romancing the Stone, Jewel of the Nile.

[David Spade]

Great.

[Danny DeVito]

And then War of the Roses with Michael and Kathleen and I. I was just about thinking about what we were going to do again because I was trying to pull a Fritz Lang, you know, where you as a director, you cast the same people in all of your movies. But they play different parts. And then Batman came along, and it's odd the way things, you know, emerge. Most of the movies that I've done, you know, came out of the blue. And I was very. You're very fortunate. You know, I was going to direct a pilot in. I was sitting in the. In the commissary at Paramount, and I was just about to make the deal, like, with. Oh, I was talking to the writer and I was talking to the producer, and it was at Paramount, and I was going to be the. I was directing this pilot and. And I had a yellow pad full of notes, you know, about the pilot script. And I knew I was getting really steely daggers from the writer, who's also the producer and woman. This was in the days we didn't have cell phones and stuff. A woman from the, like, the commissary. I was in the commissary all the time because of Taxi. We. That's where we shot Taxi. She came over to me and she said, you have a phone call. It was like the old Hollywood day. She didn't bring it to the table. But I. I got up and went over to where the phone was, and it was. It was Michael Douglas. And. And. And he rescued me from doing that pilot because we had shot Romancing the Stone already. No. Yes. Romancing the Stone. And he said, what are you doing? I heard you're going to do a pilot. I said, yeah, man, I'm struggling through this meeting right now. He said, well, you can't do that. You gotta. We gotta go on the road, man. We're going all over the world to promote the movie. And I said, I love you, baby.

[David Spade]

Yeah, get me out of here.

[Danny DeVito]

I love you. You rescued my ass.

[David Spade]

All right, I got a question.

[Danny DeVito]

Go.

[David Spade]

Did you ever go see. You were on a show called Taxi? You might not remember, but did you ever see Andy Kaufman go do. Stand up, just like at the Comedy Store?

[Danny DeVito]

Yeah.

[David Spade]

And how was that?

[Danny DeVito]

That was. That was bizarre.

[David Spade]

Yeah, bizarre, man.

[Danny DeVito]

But I went to see him do that, and I saw him and I went out to eat at the restaurant. He waited. He busboyed out in the Valley.

[Dana Carvey]

It was after he was on Taxi.

[Danny DeVito]

Yeah. While he was on the show, he bus boyed out in. I love it on. I. I think. I'm not sure the name of the deli. Yeah, it was a good. Might have been Katz's. No, no. What the hell? In. In the Valley. It wasn't Art. It was the other one. It's closed now, but Jerry's out In. It was on Santa. Is it on Ventura Boulevard?

[David Spade]

Jerry's is. Yeah.

[Dana Carvey]

Jerry.

[Danny DeVito]

Yeah, that was. That was.

[Dana Carvey]

That was probably.

[Danny DeVito]

That might have been it.

[Dana Carvey]

Yeah.

[Danny DeVito]

Jerry.

[Dana Carvey]

Yeah.

[Danny DeVito]

And. And, you know, we went out. We had, like, a couple of us from the show. I think Tony might have been with me, and Judd might have come. We just one night went out, and we knew he was working, and so we. We went. Nate and, you know, had conversations with, like you would have with the busboy. Andy's nowhere around.

[David Spade]

All right. He's the bus boy now.

[Danny DeVito]

He was the bus boy. It was, like, really great. I mean, that. That was. That guy was like, yeah, we had some fun. His dressing was right next to mine. We would. He was. He was hysterical. One day, somebody was delivering a package, and it was a woman, and he started yelling at her because she. She was. I don't know, ups. So I can't remember what. Maybe it was the government. I don't know what the fuck it was. But she's walking in, she's got a uniform on. She's delivering a package to somebody, and he tells her that she should be home. You know, she's taking a man's job, and he booked her into a wrestling match. I was there for that one. Right in the hallway, both of them turning red. You know what I mean? Like chokeholds. We had to break them apart a couple of times.

[Dana Carvey]

You could do that.

[Danny DeVito]

Crazy about that.

[David Spade]

I don't think you could, actually.

[Danny DeVito]

I mean, you could do that. You could do. Yeah. I don't know. There was no, like, you know, again, if that was a. It was. That was today. Somebody would be out with a cell phone, and the next thing you know, it would be online. And people would comment about it, and they would say, you know, but I'll tell you, the woman that he was fighting was as big as he was, and she did a good job. Man really had his ass down big time. You know, it was. It was. I don't know if Tony. I always wondered if Tony always had a little camera with him. Danza. And I was wondering if he. You know, I have one of those little. Oh, he said eight millimeter. Did.

[David Spade]

Were you cast before Andy? Were you cast first, or do you have any hand in the cast?

[Danny DeVito]

Andy might have been cast. I was. I was the last. I think I might have been one of the last members to be cast. And the. The. The. The story was that I was told later was that my part was actually written as a. Like a voice that came over the loudspeaker. Like, kind of like Carlton the Doorman.

[David Spade]

Yeah.

[Danny DeVito]

I remember Carl involved in that guy. And. And then ultimately, you know, I came in and did my famous audition where I. I said. I said to them before. I. They just introduced me, and I said to Brooks and Weinberger and Stan, Dan Davis was there, all the guys sitting around. I said, one thing I want to know before I start. Who wrote this? And I threw it on the table and it was like a split second of like, am I gonna get thrown out? Not even, you know, a nanosecond. Yeah. Piss themselves. Right. And then it was one of those auditions where you. You couldn't say anything. You couldn't do anything wrong. I'd say. And. And I'd get a laugh, you know.

[David Spade]

I love it.

[Danny DeVito]

It wasn't. Yeah, it was a. That was Riga. The. The casting director was Joel Thurm. He said, you gotta come do this. Yeah. You know, And I. I said, yeah, man. Okay. Cool.

[David Spade]

What a score. That was such a gore.

[Danny DeVito]

That was. Yeah.

[David Spade]

Yeah.

[Dana Carvey]

What was weirder? Working with Andy Kaufman on Taxi or then doing the man on the Moon with Jim Carrey, doing Andy Coffin?

[Danny DeVito]

I think working with Jim was. It was like, really off the charts. That was the most fun. Like, I've had fun, like, on.

[David Spade]

Sure.

[Danny DeVito]

I'm really fortunate. I had fun on a lot of the movies. You know, I never had one of those. Oh, fuck, that was awful movies. I always had these, like, really quirky.

[Dana Carvey]

Yeah.

[Danny DeVito]

Kind of things. And being on the set with Jim Carrey. Sorry about that.

[David Spade]

Hello, Jim.

[Danny DeVito]

Gary was. Oh. Oh, it is Jim. No, I'm only kidding. He was like, in so far, you know, all the stories. You saw the documentary. I was producing that movie. And so my. I. But also playing, God rest his soul, George Shapiro. Anyway, he was busting my balls constantly. And, you know, and Milos is. Then. See, it's infectious. Because then what would happen? We were having fun. But Milos should go to me. You gotta go to the mouth of his trailer. I'm losing time. My guy. I gotta get. You know, I am. The studio is going to be on my ass, and I'm going to. And Jim.

[Dana Carvey]

Tony, Tony, come on out.

[Danny DeVito]

And he's gone. You know, but it was fun. It was. Even though it was like, you know, and I've got a lot of friends who worked on that movie, and we still talk about that experience because Pam Abdy was my assistant at the time. She was there. And knowing that I was going through what was going on, I mean, he did things like he. Okay, we're Acting in the movie. But I'm also the producer, one of the producers of the movie. And so he, he would get mad at the. And he, like, he pulled his car up to my trailer and went up. You know, he's got the little metal steps.

[David Spade]

Yeah.

[Danny DeVito]

Jammed his. The car up, put it in gear or something. Locked it, took the keys. I couldn't get out of my trail. Teamsters had to come with a crane to get the car. You know, it was like one of those. It was a crazy, crazy time.

[David Spade]

I love Jim Carrey. Jim Carrey's great. Just, Just the fact that he committed that.

[Dana Carvey]

Did he get nominated for best actor for that or.

[Danny DeVito]

No, No. I don't know. We had a really brilliant. It was a. Yeah, he was brilliant in that part. And, you know, and, and seriously would turn it on and off when he wanted. So that was like one of those things where whenever he came to the set, he was always in character. But if you see him, like, you know, you know, off, like I went to his house or something like that for a, you know, some thing, he was, like, cool. He wasn't, you know, it wasn't like a serial killer off the.

[David Spade]

Yeah, he's very. He's sort of a quiet, sweet guy.

[Danny DeVito]

Yeah, quiet, sweet guy, but then turned into, like, Tony Clifton.

[David Spade]

I love it.

[Danny DeVito]

Which was.

[Dana Carvey]

Tony Clifton is a whole other.

[Danny DeVito]

That was fun.

[Dana Carvey]

Yeah.

[Danny DeVito]

We. We shot at a place called Chasing's down on.

[David Spade]

I remember that. That place.

[Danny DeVito]

Okay. He spread. There was some kind of, I don't know, union strike or something. There was something going on. He wrote, like, big letters, like, you know, in red ink. I mean, red spray paint all over the building. And I had, I have to re. To paint. I had to repaint the entire building.

[David Spade]

It's like a farley. It's like having a crazy person on this.

[Danny DeVito]

Like, Like Chris. I, I can'. Imagine what it was. I, I, I always loved Chris and. Because he would take it to that, you know.

[Dana Carvey]

Oh, yeah.

[Danny DeVito]

He was always the one.

[David Spade]

Oh, my God. Same kind of thing. Just a lot of attention, a lot of craziness. And Chris, lovable, sweet guy like Jim, I mean, just. But they really liven things up. There's always a story.

[Danny DeVito]

After the fact is always a story.

[David Spade]

Eating healthy always sounds like a solid plan until reality kicks in and dinner becomes whatever's closest to your hand.

[Dana Carvey]

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[David Spade]

Yeah. Like a food wizard who knows what kale is and how to make it taste like something you want to eat.

[Dana Carvey]

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[David Spade]

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[Dana Carvey]

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[David Spade]

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[Dana Carvey]

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[David Spade]

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[Dana Carvey]

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[David Spade]

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[Dana Carvey]

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[David Spade]

Zayn I got asked Danny about always an always sunny question because we can't let you go without talking about always sunny. One question of mine is I don't see all the episodes, but I see a lot of it on Instagram, which I don't know if you know this, but when they show TikTok and Instagram clips, they're always so filthy. I'm like, are these from the real show? Are they getting away with all this stuff?

[Danny DeVito]

Are they filthy? I don't know. I don't, I don't.

[David Spade]

I mean, like just. They're very R rated and I thought, yeah, the show, I mean, people love that show.

[Danny DeVito]

They love the show is a little, you know, I don't know, a little you're talking about. But we have had some innuendo.

[David Spade]

Hilarious, I guess. Yeah, yeah, there's some innuendos for sure. I'm not sure if they're even innuendos. They're just Straight ahead. But yeah, they're. It's so funny. And it's. It's such a long run. It sounds like a gift, I'm sure, just being with fun. They all look fun as. I don't know anybody that well, but.

[Danny DeVito]

No, they're all. They're all. You know, when I got this show that, you know, Landgraaf was my buddy, and he showed me this.

[David Spade]

Right.

[Danny DeVito]

Effects. And then I met them, and they were, you know, just the way they are. And the same cat, you know, the three oddballs. And then I met Caitlin, and she's. She's, like, hysterical.

[David Spade]

Hilarious.

[Danny DeVito]

Yeah. But, yeah, they. They're a lot of fun to go to work with, you know? Yeah, it's good. It's a good job. It's been on there forever.

[David Spade]

Keeps giving.

[Danny DeVito]

Keeps giving. And now Matilda, we have to talk about. Yeah, Matilda came to me. Yeah.

[Dana Carvey]

Which you directed the movie.

[Danny DeVito]

I did. I directed the movie. And. And I, you know, I. I saw Mara Wilson in. In. In the movie Mrs. Doubtfire, and she was a little bit older when I met her. Perfect for Matilda. And we shot the movie and it was great. We had a great time. That was like. That was fun. That was hundreds of kids. There was no cg. We added kids and all that stuff.

[David Spade]

Yeah, yeah.

[Danny DeVito]

This was all real kids. It was really great. Me on the stage with a bullhorn. Yeah. Do this, do that. You know, like. And get your finger out of your nose. We're shooting. Okay.

[David Spade]

Wrangling cats.

[Danny DeVito]

Yeah, yeah. And so now we're doing it on. We've taken the sound out. You know, you've seen these things. Everybody's. Does it with ET and does it with Star wars and does it with Back to the Future. I took the soundtrack out, and David Newman is going to conduct the. The Philharmonic. It's a symphony.

[David Spade]

Okay. Okay.

[Danny DeVito]

New Jersey Symphony Orchestra. And we're doing that. Here's the thing. You take the sound out. Okay. Not just the music out, but I. I narrate the movie as well as play a part in it. So when I. When I'm narrating, I'm on stage, actually, with the symphony orchestra. It's really.

[Dana Carvey]

Okay.

[Danny DeVito]

Intimidating, but it's really a lot of fun. Yeah. And. And you're watching the, you know, the streamer go by on. I got a monitor with the movie. He's conducting the score. The people are watching them. The movie. I've got a brand new print, and it's just beautiful. The print is, like, gorgeous. And. And then when the Street Women is my Turn to narrate and talk. You know, he conducts. It's like being over it.

[David Spade]

You talk over it.

[Danny DeVito]

Yeah. Well, in the movie, I play the part of wormwood. Mr. Wormwood. And I also narrate the movie. Movie. So. Because I tried to find somebody to narrate the movie, but I, being the egotist I am, I couldn't.

[David Spade]

Yeah.

[Danny DeVito]

Embarrassing anybody else myself. And. And it's kind of a trip to see, you know, you play the part. You narrated the movie. And I've got Ria, of course, plays Mrs. Wormwood. She's gonna come on the 22nd.

[David Spade]

Great.

[Danny DeVito]

And. And I've got Pam Ferris coming over from England. She played the Trunch Bowl. It's really astounding how many kids love Ms. Trunchbull. Ms. Trunchable. She was really.

[David Spade]

Yeah.

[Danny DeVito]

And Mars, by the way.

[David Spade]

I don't hear about a lot of these things, Danny. You don't hear about the. The symphony maybe with a Star wars or something. But this is a really interesting thing to do.

[Danny DeVito]

Yeah.

[David Spade]

Yeah. Fun, fun. Challenging situation.

[Danny DeVito]

Yeah. It's. And I. David Newman, who wrote the score. We've. We've done this once before. We did it once before. We did it a few years ago with a orchestra from the East Coast. Not. Not New Jersey. And it worked out really great. It's fun. It's. It's a fun night because you get to. You know. But. But you're right. Usually it's done with more like Back to the Future y. Kind of E.T. blockbuster crazy movies. This one is. It's got a lot of music in it, so it's fun.

[Dana Carvey]

Who wrote the score?

[Danny DeVito]

David Newman. He's one of the. Yeah. The Newman pack. There's a. As soon as the Newman's were born, the father was the head of 20th Century Fox Music. Did all the. A lot of the scores of all the old movies that we love. And his brother, they have the whole. You always see the Newman name on. And then David. David scores Thomas Newman, Randy Newman. They're all related. These guys. They were like. As soon as they're born, they give him a violin or a. Or stick them little babies. The first thing the Newman do.

[David Spade]

Yeah. Even. Even Eric Newman is his son. Randy's son produces narcos. A lot of movies.

[Danny DeVito]

So there you go.

[David Spade]

Everyone's in the biz.

[Danny DeVito]

Yeah, everybody's in the biz. So this should be a really good night.

[David Spade]

Sounds great.

[Danny DeVito]

Yeah. If you. Are you guys in the East Coast? Are you.

[Dana Carvey]

Are you here Sometimes we are in.

[David Spade]

California, but if I was out there, I'd crash that party. Hey guys, if you're loving this podcast, which you are, be sure to click follow on your favorite podcast app, Give us review 5 star rating and maybe even share an episode that you've loved with a friend.

[Dana Carvey]

If you're watching this episode on YouTube, please subscribe. We're on video now.

[David Spade]

Fly on the Wall is presented by Odyssey, an executive produced by Dana Carvey and David Spade, Heather Santoro and Greg Holtzman, Maddie Sprung Keyser and Leah Reese Dennis of Odyssey.

[Dana Carvey]

Our senior producer is Greg Holtzman and the show is produced and edited by.

[David Spade]

Phil Sweet tech booking by Cultivated Entertainment.

[Dana Carvey]

Special thanks to Patrick Fogarty, Evan Cox, Maura Curran, Melissa Wester, Hillary She Chuff, Eric Donnelly, Colin Gaynor, Sean Cherry, Kurt Courtney and Lauren Vieira.

[David Spade]

Reach out with us Any questions to be asked and answered on the show? You can email [e-mail] that's a U-A C-Y dot com.