Rosebud Baker Was Raised by War Criminals (and Writes for Weekend Update)

Summary

Fly on the Wall with Dana Carvey and David Spade Episode: Rosebud Baker Was Raised by War Criminals (and Writes for Weekend Update)
Release Date: August 11, 2025

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Introduction

In this engaging episode of Fly on the Wall with Dana Carvey and David Spade, longtime friends Dana Carvey and David Spade welcome comedian and Saturday Night Live (SNL) writer Rosebud Baker. The trio delves deep into Rosebud's experiences at SNL, her transition from sketch writing to Weekend Update, and her journey as a stand-up comedian balancing motherhood and career.

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Rosebud Baker’s Journey at SNL

Rosebud Baker provides an insightful look into her time at SNL, highlighting the unique challenges and dynamics of writing for both sketches and Weekend Update.

• Transition from Sketch to Update: Rosebud recounts her move from the sketch team to the Update desk, emphasizing how vastly different the two environments are. She notes, “I don't know any other writers that have gone from the sketch to update… it feels like I write at a different show” (06:17).

• The Writing Process: The discussion covers the collaborative nature of writing for Update, where ideas are pitched and refined with the team. Rosebud explains, “We have to punch things up here and there if it needs it” (07:46), illustrating the iterative process of joke development.

• Challenges and Pressures: Rosebud candidly talks about the pressure of live television and the constant need to stay sharp. She mentions, “It's nerve-wracking as hell… it was just like… trying to catch the win” (13:09), highlighting the intense environment of SNL’s Weekend Update.

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Creating Her Stand-Up Special: "Motherlode"

Rosebud shares the inspiration and creative process behind her Netflix special, "Motherlode," which intertwines her pregnancy and early motherhood experiences with comedy.

• Concept and Personal Story: Rosebud details the special's unique structure, which spans two years of her life—capturing moments from pregnancy to one year postpartum. She states, “So the whole thing is like, editing wise was obviously a challenge, but I really enjoyed kind of reporting from both” (29:50).

• Balancing Personal and Professional Life: The special reflects her internal conflicts and the societal expectations of motherhood. Rosebud explains, “I was somebody that was so confused about… the deciding to be a parent” (31:22), providing a raw and authentic portrayal of her journey.

• Reception and Reflection: Dana and David discuss the positive reception of her special, with Rosebud noting, “I really enjoy like a piece of dark news. And then having to perform with like while working on that” (50:16), emphasizing the cathartic nature of her work.

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Behind the Curtain: Insights into SNL’s Creative Process

The conversation offers a rare glimpse into the inner workings of SNL’s creative teams, particularly during live performances.

• Writer’s Room Dynamics: Rosebud describes the camaraderie and collaborative efforts within the writer’s room. She shares, “It's like trying to catch the win anyway, nerve-wracking” (41:00), underscoring the high-stakes environment.

• Live Performance Challenges: The hosts and Rosebud discuss the unpredictability of live performances and the necessity of quick thinking. David recounts, “It was almost like that. And then of course, he's in a great mood” (49:25), illustrating the rapid shifts between backstage tensions and on-stage performances.

• Adapting to Changes: They delve into how writers must adapt their material in real-time, with Rosebud mentioning, “There was a joke this year that I had pitched about Paddington Bear… it was this long bit” (15:48), highlighting the fluid nature of live scripting.

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Balancing Stand-Up and Writing

The episode explores how Rosebud navigates her dual roles as a stand-up comedian and a writer for a major television show.

• Creative Overlap and Differences: Rosebud and the hosts discuss the differences between stand-up and writing for Weekend Update. She notes, “It's so much harder for me to write sketch than it is to, like, punch up a sketch” (09:22), emphasizing the distinct skill sets required for each role.

• Maintaining Authenticity: Rosebud emphasizes the importance of staying true to her voice in both stand-up and writing. She shares, “I wanted something to watch where I was like, what does it feel like?” (31:22), ensuring her personal experiences resonate with audiences.

• Dealing with Self-Doubt: The trio touches on the common struggles of self-doubt in the creative process. Dana comments, “You always want to just do the best you can” (40:03), reinforcing the importance of perseverance.

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Personal Anecdotes and Humor

Throughout the episode, Rosebud, Dana, and David share humorous stories and anecdotes that provide a lighthearted perspective on the often intense world of comedy and live television.

• Performing Under Pressure: Rosebud recounts a particularly challenging performance: “I had fully bombed. It was just a bomb night” (28:38), showcasing the vulnerability and resilience required in stand-up comedy.

• Behind-the-Scenes Moments: The hosts share behind-the-scenes tales from their SNL days, including interactions with notable figures and the unpredictable nature of live performances. Dana humorously recalls, “I was having dinner with the president… [James Baker] transitioned into being the secretary” (42:11).

• Comedy Timing and Execution: They discuss the intricacies of comedic timing, with Rosebud mentioning, “Sometimes I love the fact that they would chat like girlfriends on the phone” (44:19), highlighting the strong bonds formed in high-pressure environments.

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Conclusion and Final Thoughts

Dana Carvey and David Spade wrap up the episode by reflecting on the valuable insights gained from Rosebud Baker. They commend her for her contributions to Weekend Update and her stand-up career, expressing enthusiasm for her future projects and tour dates.

Rosebud concludes with an invitation to her upcoming shows, stating, “All of my tour dates are on my [e-mail]” (53:33), encouraging listeners to support her work.

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Notable Quotes

• Rosebud Baker: “I was somebody that was so confused about… the deciding to be a parent” (31:22)
• Dana Carvey: “It's pure joy. That's what we're chasing” (13:52)
• David Spade: “It's a tough place. We always say it too much” (56:37)

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Key Takeaways

• Transitioning Roles: Rosebud's move from sketch writing to Weekend Update underscores the versatility required in comedy writing.
• Balancing Act: Her ability to juggle stand-up and television writing while embracing motherhood highlights the multifaceted nature of modern comedians.
• Creative Environment: Insights into SNL’s writer’s room reveal the collaborative and high-pressure environment that shapes comedic content.
• Personal Authenticity: Rosebud’s stand-up special, "Motherlode," exemplifies the power of personal storytelling in comedy.

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For more episodes and behind-the-scenes insights, visit @flyonthewallpod on YouTube or send your questions and thoughts to [e-mail].

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Transcript

[David Spade]

Danny, you know, I'm running around all day as you know.

[Dana Carvey]

You, you actually, that's no joke. You do, you, you do go around. You get in that car.

[David Spade]

Getting my steps. Yeah, I get the steps. I. And if I don't get my 2, 000 steps a day, I get out and walk. I'm not bragging, but that's what I do. So listen, I need a little energy in the day. Of course. Kachava. Okay. It comes in a bag, right? It's a body meal. It's a whole body meal. So you mix it up either plain. You know, I kind of like throwing a peanut butter, right? That's just me. You can do whatever you want. Add stuff. There's a lot of great ingredients in there already. They've got maca root, goji berry, chia seeds. So many things. But if you want to be energized, focused, calm and satiated for hours, throw in one of these. I like chocolate. They have also vanilla Chai. Is that a word?

[Dana Carvey]

Yeah. I'd say you add a little bit of peanut butter, a little bit of banana, maybe a little bit of yogurt, and then mix it in a blender or with a big spoon and gulp it down. Not hungry and full of energy all day. Is that a good thing or a bad thing?

[David Spade]

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[Dana Carvey]

That's Kachava K A C H-A-V A.com codefly for 15% off. Yeah, my wife's in laws came to visit and they're in their 80s and they're Irish and they didn't. They. We wanted to put them up somewhere and so we, we got an airbnb and, and we went to it. It was right in the little town and it was spectacular. It was just amazing. And they loved it. And so they had privacy in their time. They could walk around the little town and we didn't have to put them up here and have someone say, do you know, could I. Where would I get a towel if I needed a towel? You know, that kind of thing.

[David Spade]

Where do you keep your shillelagh?

[Dana Carvey]

Could I get a washcloth, please? But anyway, where do you keep your potatoes? They were really. This goes to Ireland, you know. No, they're. They're incredibly sweet and they had a great time. You Already have an Airbnb.

[David Spade]

That's right. While you're away, your home could be an Airbnb. Your home might be worth more than you think. Check it out. Find out how [e-mail] host and you just.

[Rosebud Baker]

You go from feeling, like, cool and sexy and working at SNL to being, like, the most unfuckable, just, like, uncreative human. Yeah, no, I was, like, raised by war criminals. I think I'm. I got this. I'll be honest with you. If I had. If I had any real home runs, I don't know if I'd be at Update right now.

[David Spade]

Dana, have you ever heard me say this? Having my baby. Do you know that song from the 70s?

[Dana Carvey]

Oh, I know. It's just so funny. You're having my baby. You couldn't say that. Now, wouldn't it be considered sexist?

[David Spade]

Such a weird.

[Dana Carvey]

Isn't she having a baby, too?

[David Spade]

Yeah. I mean, that song is so odd. When he goes, you didn't have to keep it. I'm like, I'm sorry. What? What did you say?

[Rosebud Baker]

We should.

[Dana Carvey]

We should.

[David Spade]

Maybe we should play that song and talk.

[Dana Carvey]

We don't use this for this. We should use it for our next episode.

[David Spade]

No, we'll put it on.

[Dana Carvey]

There's two. There's two like that. The other one is no one knows what goes on behind closed doors. These are corny and 80 anthems. So let's talk about. Save those for super. For what we're doing.

[David Spade]

Well, it made me think of Rosebud because Rose Bud Baker is Rosebud Baker comic. And she just did a movie where. I'm sorry, she just did a special where she's pregnant and then she does.

[Dana Carvey]

Part of the special, takes time off, has the baby and mixes it all together called the Motherlode, which has gotten great reviews and people.

[David Spade]

Very interesting concept. Smart writer. She's a performer. She. Oh, she writes a lot for Update. We talked about that.

[Dana Carvey]

Yeah, we talked all about. You're going to hear all about her SNL experience and what the specificity of being a writer for Update versus other things and her career plans and her child and so you should enjoy this one.

[David Spade]

Yeah, very interesting. And it's good because not everyone knows her right now, but they will. So it's kind of fun to have ones like this where we got her first. We got her and just say, hey, here's why she's good.

[Rosebud Baker]

Hi. How's it going?

[David Spade]

Nice to see you.

[Dana Carvey]

Nice to see you.

[Rosebud Baker]

Nice to see you, too.

[David Spade]

The last I saw Rosebud Baker was, if you remember this, one of the shows, either the Hunter Biden one or the 50th in the hallway, and I think you were prepping some update. Hallway stuff, huh? Is that possible?

[Rosebud Baker]

That's possible for sure. I mean, yeah. You know, being at the show, you know, it's like you're too tired to form new memories most of the time. So, yeah, new memory.

[David Spade]

Did you meet Dana during his Biden run?

[Dana Carvey]

We must have.

[Rosebud Baker]

I did. I did, yes.

[Dana Carvey]

Did you come here to see you? I. I can't. I'm still traumatized. I mean, I just was not. I'd been gone so long. I. I really feel for the writers coming in with a pencil, kind of. Some of them really just drenched in sweat and just really nervous. And then it's like, could we do this or that? We have to wait till Lauren's here. Okay, tell Lauren. Or one time Lauren came by, could you change that Biden line? Not so much. Fred Flintstone, something else. I said, sure. And then Allison Streeter and Kent came in. You talked to Lauren? What did he say?

[Rosebud Baker]

What did he say?

[David Spade]

He hates it.

[Dana Carvey]

He hates it. Anyway, the pressure is crazy, and I saw it. Since I wasn't in as much, I saw the writers, what they do. So. Anyway, I'd like to know your stories about that time there on the 50s.

[Rosebud Baker]

You were so great. You were so great. I. I have to tell you, like, we would be sitting, you know, most of the time, an update. We. We barely see the show. I mean, we.

[David Spade]

I was.

[Rosebud Baker]

I was on. I was on the sketch side for three years and then moved over to Update. And the way that it is, is so different. And I don't. I don't know any other writers. Yeah. I don't know any other writers that have done that, that have gone from the sketch to update, but I, I. It's a completely different. It feels like I write at a different show, for sure. I mean, with the exception of, like, it's still the sleep deprivation and the stress and all of that, but it's.

[David Spade]

Sure, it's still gross.

[Rosebud Baker]

Yeah. Yeah. It's mostly because of the news, though, that you feel disgusting.

[David Spade]

Oh, yeah, that's right. You got to get soaked in that news. You got to get in.

[Rosebud Baker]

Yeah. It's like training yourself to be, like, a. Like a sociopath or a psychopath because you just read these horrible, horrific headlines and you're like, what's funny?

[David Spade]

Hilarious about.

[Rosebud Baker]

Yeah, yeah.

[David Spade]

And also when you do update, do you. I know this is. I know some of these answers, but not all of them. Do you help put together the update pieces that come on from like a Sarah Sherman or whoever else, or is that separately, like, they just do them at read through and then you guys kind of chirp in of, like, which ones you like. And do you help write?

[Rosebud Baker]

Yeah, it depends. It depends on. I mean, you know, they'll come in on Tuesdays sometimes and be like, we have this idea and then we'll pitch on it with them. But usually they're writing it with one of the sketch writers and then. But most of the time it's actually, I wouldn't say most of the time. I'd say 50. 50. Like, sometimes they'll just show up. We'll see one at table. We'll be like, that's hilarious. And then we work the tables and we. We kind of punch things up here and there if it needs it. For the most part. Yeah, yeah, it's tables.

[David Spade]

Listen to this lingo, Dana.

[Dana Carvey]

I know we got an insider here. I think that the. The high for the writer is the ultimate mic drop, is when you get it in, you get it on update or whatever. It's your line, you thought of it, or your little stanza, your bit, you love it. Maybe some people went, I don't know. And then it crushes. Because I see the writers afterwards were just so jazzed up, all the tension was released when the sketch, the cold opening was just what they had to deal with was like at midnight on Friday. It's nowhere. It's horrible. That's when we're running through for the audience listening, and it's nowhere. And it's like you go to bed.

[David Spade]

And it's a disaster and you wake up going, well, we've got about 12 hours to fix this.

[Dana Carvey]

So do you have some memorable ones there where you a landed it and you just. That release must be.

[Rosebud Baker]

I'll be honest with you, if I had. If I had any real home runs, I don't know if I'd be at update right now.

[Dana Carvey]

Because that's your. Your wheelhouse or what.

[Rosebud Baker]

Yeah, I think. I think I'm. Or it was like I knew by year three, I was like, if I don't feel useful by now, there's. I'm like, there's gotta be a better place for me. And I. I just sort of was like, I've came in as a standup. I wanted to learn how to write sketch. I genuinely don't. It. It's so different and so much harder for me to write sketch than it is to, like, punch up a sketch or be like, second or third writer on something. So ultimately I was like, I really think I belong over on the update side. And that's, you know, where they put me. And I was, I was happy to move because genuinely, I was like, I don't know what I'm doing here. I didn't know at all. I remember my first week going around to, like, Tucker's office and being like, is there like a book I can read about, like, how to write a sketch? Like, I didn't know, you know, it's.

[David Spade]

Hard to get your handheld too. There's not. Everyone's so busy. It's hard to do a class. It's like, hey, what's your sketch? It bombed. Great. You'll be gone soon. That's all. We don't need to worry about you.

[Rosebud Baker]

Yes. Yeah.

[David Spade]

And, but to get that, that lateral move instead of just taking off the show, which could be easier to let you come over because they must have seen something. And to go over and write jokes, update, even to me, is even more fun or interesting because there's, it's just a different muscle. But it's great joke writing skills and all that stuff.

[Dana Carvey]

Well, let me insert this before you answer. Makes total sense to me because of your specials. These are a plus plus jokes, one after the other, one after the other on both that I watched. So go ahead. I just, I, it seems like a really good fit. And you've got Michael and you've got Colin, and they're, they're kind of dicks. We understand that, but sorry, that was a joke. Too sweet for school.

[Rosebud Baker]

I love it.

[Dana Carvey]

Go ahead.

[Rosebud Baker]

No, thank you. Thanks for watching them, by the way. I appreciate it. And yeah, I feel like it's, I'm happy that they, I do feel like I lucked out that they kept me on the show. I felt I was like, okay, I didn't think this would work. I, I, they had every reason to go, ah, just be, just beat it. You know what I mean? Just. And I, I wouldn't, I would have understood that because there were sketches that I, I thought were very funny that got on the show, but that weren't. Not they were not Once they got on the show, I was like, oh, okay, I see where I went. Air, you know, it wasn't hard to.

[David Spade]

Get it all that way. It's hard to have it work, read through rehearsal in front of the crew, in front of dress, and then work again on air. There's so many ways for it to go wrong.

[Rosebud Baker]

There's so many ways for it to go wrong. I mean, really, it's like raising a kid or something. You're like, I mean, there's only so much I can.

[David Spade]

Great grades in school. And then right before college they bomb out. You're like, oh, we were doing so good. Yeah, well, something.

[Dana Carvey]

It's nerve wracking as hell, you know, anytime. Because I was in murderers row, we were the Four horsemen. Maya would crush it, you know, gaff again and at, you know, Andy. And then I'm waiting, you know, it was weird. And one of those like game shows. I'm just like. You're just sitting in a silo. You've got your. Come on, folks. You know, I'm just waiting. How. How will I do? You're grading yourself. You're future tripping. You're not in the moment. You want to score. Don't try too hard. But. But be. You know, it's just like trying to catch the win anyway. Nerve wracking.

[Rosebud Baker]

You got it in a way that I, I just, I've seen Biden impressions and you got it in a way that I'd never seen it. I remember just watching it even without the sound and you were going. And I was just like, God, is fucking good. Like you, you like zeroed in on that thing. Yeah, yeah.

[Dana Carvey]

I'm not getting around here. That was my favorite. By the end, it was like, I. Not kidding around here. I'm getting serious. So it was a, it was a fun toy. And you know, it's, it's just like stand up when the audience starts to ride it, just like in standup and they're in your rhythm with you and you're both enjoying it at the same moment. Nobody has the, the, the other voice talking. It's. It's a, it's pure joy. That's what we're chasing.

[David Spade]

That face, Dana is like funny. Funny, offended and vacant.

[Dana Carvey]

Hey, I'm not kidding around here.

[David Spade]

Come on.

[Dana Carvey]

You're like.

[David Spade]

He's not even thinking anymore.

[Rosebud Baker]

Seeing that face on the monitor from the update office and being like, oh my God. Like, yeah, that's perfect.

[Dana Carvey]

You made my day. You made my day. Because, you know, always have second thoughts months later. Was that any good or what? The.

[Rosebud Baker]

Oh my God, it was so good.

[Dana Carvey]

Thank you.

[Rosebud Baker]

I mean, I get it. I get it. I think we're all just sort of mentally ill and that we're like plagued by self doubt and stuff like that.

[Dana Carvey]

But it's.

[David Spade]

It really, that's confirmed.

[Dana Carvey]

It's that, that's, that's a pretty common denominator. You know, you never want, right before you go on, you're gonna crush. You're, you're gonna crush. You always want to go, well, we'll see. I don't know. It could turn, you know, you just, it's a kiss of death to kind of go, we got this. And then you just pull up, right.

[David Spade]

How about an update? When you, when you're an update are there. I mean, obviously it starts Sunday or Monday. You know, it starts right after the last show. Like, what's in this week's news? Are there joke counters? Do you look at the monitor and go, someone told me there was a talk show like Fallon where someone is like, one, two. Okay, I got, I got three on today. I got three on today. I mean, I'm sure people in their heads, but.

[Rosebud Baker]

Yeah.

[David Spade]

Is it, is it actively out there that people are like that one person that's more on.

[Rosebud Baker]

No, thank God.

[David Spade]

I think they get tweaked, right?

[Rosebud Baker]

Yeah, they get tweaked and they get changed. And like, by the end of it, it's almost like you could have come up with a joke that got in the show. But then they're, you know, when you're sitting with the others and you're just like, yeah, they're pitching stuff on it. There was like, I think there was a joke this year that I had pitched about Paddington Bear.

[Dana Carvey]

Okay.

[Rosebud Baker]

It was like, it was about how I felt like Paddington Bear should be executed and common thought. I was like, well, he ruins apartments and that. You know, I just think he's a menace. And I think, I don't think he belongs in someone's home. So anyway, I, I, I pitched, it was like some sort of crazy reaction, overreaction to Paddington Bear. And everybody sort of latched onto it. And by the end, by showtime, it was this long bit that was like a built out, like, chunk that Colin did that everybody was throwing stuff in on, and it was just for no reason. Just like.

[David Spade]

And it was about a Labubu at that point. Yeah, and I've seen those. But even single jokes, Michael might put a spin on. Like when you do monologue jokes, something if you, you get someone close enough, that's value. Also, I used to do jokes at lights out show. They can write me a joke that's close enough to my voice, I can run with it. And that's a value. Even though it's not the exact same joke.

[Dana Carvey]

I just want to say that Patty Dimber is funny. I mean, because it's not the way.

[David Spade]

He dresses is funny.

[Dana Carvey]

It's not like Barney or something, but everyone knows it when you hear it. And this is just a little insert for me. Maybe. Maybe in the early 90s there was this catch where I as Tony Montana, Scarface, Al Pacino got to say patterning bear several times. And so with that also pat it and bear. What are you doing with a Paddington Bear? So I just. Sorry, it triggered me. I didn't want to override.

[David Spade]

It sounds funny.

[Dana Carvey]

It looks what the. With a B is such a. Perfect for that. But I, you know, I wanted to ask this of you and you can say whatever you want to say, but it seems like I'm watching your specials, watching you here. Photogenic on and on.

[Rosebud Baker]

Thank you.

[Dana Carvey]

That if. If you should be on Update, either in a segment or if anyone ever decides to retire. Have you ever thought of that? Because it seems like you had all this skill set do that. You don't have to say, yeah, I want Michael and Colin out.

[David Spade]

Or do you pitch yourself doing Update? Are you allowed to?

[Rosebud Baker]

I don't, I don't know. I don't know if. I don't know if that's like. I. There was one moment, I think it was like two years ago where there was like an IVF story and I had worked on all this, this bit, you know, that was like about ivf. And I was like, I thought about pitching a feature because it made sense in that one week that I was like, oh, okay, I could, I could do something with this. You know, I have material on this. But right. It was like, right as I was getting up the courage to like, talk to somebody about it, it was like Colin had written something and I was like, oh, okay, never mind. So, you know, I think there's like. I. I don't know. I'm like, Colin and J and Che are so funny that they. I feel like they've. They've almost ruined it for whoever's comes next. I'm like, they're so good. And you know, I don't know. I'm like, would it be cool? Absolutely. But I don't know if it's like, I don't know.

[David Spade]

Yeah. Like at IVF for one week, I would imagine would be good. But I know being a writer there and it isn't always 1000% welcome, at least by someone somewhere wouldn't love it.

[Rosebud Baker]

That's what I'm saying. Yeah.

[David Spade]

And you know, some people would be like, that's fucking awesome. We need it. Get out there and you're already A stand up. It's not crazy.

[Dana Carvey]

Wait a minute. David, are you.

[David Spade]

I just think it's a little weird that she.

[Dana Carvey]

David, are you suggest. I just want to clarify this. Are you, are you suggesting that there's a political environment to the SNL experience? The politics come in, everyone's pulling for everyone.

[David Spade]

I know. Yeah, it is, it is overall a great experience.

[Dana Carvey]

But I do. To your point with Michael and Colin, I don't think we'll see this again for a while because their relationship and the boundaries they can cross because of, you know, for the reasons are obvious and stuff they can go at. You know, when they were on this, this podcast, you know, when I told him, I said, you guys are in the hall of fame. I mean, I was just talking about Dennis Miller and, you know, and, you know, obviously Tina and Jimmy, whatever, just you guys are up there now. You're in, you're in Mount Rushmore. They were kind of like, thank you. I don't think.

[Rosebud Baker]

Yeah.

[David Spade]

And some people don't know anything else. I mean, there's, they've had a long run where people that just sort of tune in here and there and they go, those are the update guys. You've mentioned Bill Murray or Jeffrey Chase, like, huh. So we remember. But not. It's like everything. You go, some people said, I go back to your career. All the way back to grown ups. I'm like, that's how far back that was? Like newer. But they're like, well, you're old. So I don't know, like 2008.

[Dana Carvey]

I don't care. I go back. I started in 86, so I'm disappointed when people go, oh, you, you, you're. You were here in 86. Yeah, do the math.

[Rosebud Baker]

Yeah. Yes. Yeah.

[David Spade]

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[Dana Carvey]

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[Rosebud Baker]

I host a podcast called the C.

[Dana Carvey]

Word with my dearest friend and historian.

[Rosebud Baker]

Of bad behavior, Alyssa Bennett. What is up? It's a chat show about women whose society is called Crazy. We're going to be rediscovering the stories of women's society dismissed by calling them mad, sad, or just plain bad. Listen to and follow the C Word with Lena Dunham and Alyssa Bennett.

[Dana Carvey]

Available now, wherever you get your podcasts.

[D]

If you love hearing comedians and celebrities spiral into hilarious oversharing, you'll love Armchair Expert. Every Monday and Wednesday, hosts Dax Shepard and Monica Padman sit down with actors, comedians, scientists, really anyone interesting for honest, curious and hilarious conversations about life. But some of the funniest moments, they come from listeners. So every Friday, Dax and Monica turn the spotlight to their listeners on Armchair Anonymous, where real people call in with their most jaw dropping, inappropriate, and oddly relatable confessions. From disastrous dates and family secrets to accidentally joining a cult and a poop disaster of masterful proportions, they've heard it all. It's relatable, chaotic, and laugh out loud funny. So if you like comedy with some heart, which we know you do, follow Armchair Expert on the Wondery app or wherever you get your podcast guests and subscribe to armchair expert on YouTube.

[Dana Carvey]

Would you like to talk about your special a little bit or, or your tour or where would you like.

[Rosebud Baker]

I mean, yeah, listen, I. There's a lot we could talk about here. I, I guess my special, we could talk about that. It's up to you guys. It's your podcast. You know what I mean? I.

[David Spade]

It's anything else. We want to make sure you get something covered here because, yeah, we get all our interesting chatter, but you also have some business.

[Rosebud Baker]

I definitely, yeah, I definitely. I, I had my special come out. I was literally just talking to another comic about their special, their Netflix special, and they were like, freaking out. It's like the week that it's, you know, it's, you know, when your special first comes out, you're like freaking out and you're just. I, I was telling this comic, I was like, oh yeah, I was. I Just wanted everybody. I wanted to move to the woods. I was like, I just wanted to walk into the woods and live there for the rest of my life.

[Dana Carvey]

You know.

[Rosebud Baker]

And then some months go by and it starts getting some play and you're like, okay, thank God, like, this wasn't, you know, for nothing. You're always scared it's going to be for nothing. But yeah, I'm like, I'm really happy with it so far. It feels like, you know, when you make something, you're like, well, that feels like me, you know? Yeah, it's like that, that feels like.

[David Spade]

That'S a good representation. And for.

[Dana Carvey]

People don't know, it's after. Let's explain what's unique about it, but go ahead, David.

[David Spade]

I was going to say, do you think a special in this day and age, what about it sells tickets? Because that's sort of the idea is to sell tickets on the road and also gain awareness. But is it the special itself or is it clips in the special or is it long? Does it take like a year for it to sink in? And people start to see, oh, I saw this on this. I saw a little piece here. And then that's the value, right? That's. You wanted a special. It's, it's.

[Rosebud Baker]

Yeah, I don't even know anymore, man. I'm like, I really feel like I don't, I don't even know. I'm. You pull one out and ultimately you want to make something that is seen within the context of an hour. You want it to be seen as a whole. And that's how comedy should be watched. That's how it's meant to be watched. Unfortunately, it now people watch it in like 30 second, one minute clips. And if they like those 30 second, one minute clips, they might, might go watch the whole thing.

[David Spade]

Three minutes of your show. Yeah.

[Rosebud Baker]

You know, they might watch a full.

[David Spade]

Five minutes, inch their way up to an hour. Yeah. I mean, some people tell me, when I just did mine, they go, it's still an honor. I mean, I'm not negating anything you're doing. Of course, obviously everybody wants a special. It's such a big deal and Netflix is a big deal. And they get out there and you see a billboard, it's really, really fun and relevant, all the great stuff you want. But you also say, okay, what are they actually seeing? Are they seeing? Like, don't put this in your act, because when you go on the road, you're in your head. You're like, everyone in the audience has seen 100 of every special. And they're like, right, No, I saw it. Two clips on TikTok. That's why I'm here.

[Rosebud Baker]

Yeah. No, I mean, literally, you could. You could tour with the same hour. You know, like the. In the 80s, they would tour with the same hour for like, three, four, or five years. And you could do that again. You could do that now, and it wouldn't. There's no problem. No. No. One.

[David Spade]

I open for guys, and every time. I saw. Every year, not. Not a word. Different.

[Rosebud Baker]

Yeah. Yeah. I mean, ultimately, you want to keep writing. You want to keep doing, and. And I. I'm the idiot who goes up there with brand new stuff and is, like, kind of struggling, and then people get, like, pissed, you know, And I'm like, well, I got to try new things. I got to. I want to put out a new hour. But it is nice to know that the pressure's off a little bit to, like. You don't have to do 100% new. You can do some stuff from the special.

[David Spade]

No, I agree. You want some stuff to kill for sure. You owe them that. And you want some stuff that's a little different for those people that are like comedy files that are like, I must have. I got something on Instagram the other night that goes, I saw you at the Comedy Store the other night. Funny, but a little off. Wasn't your best night. I'm like, I'm trying stuff. I have to. Where can I try it? I have to. I. I even know when I get off. It wasn't great, but there's something fun. Even Dana will agree. When you watch someone, it's fun to watch them bomb, too. You go, whoa, where was that one going? Like, you go, yeah, but it's a different thing to see.

[Rosebud Baker]

I had. I had a show in. There was a show in Dallas like three years ago or something. Two years ago. I don't remember. I was there in Dallas and the guy. A guy took a picture of me and posted. I just saw Rosebud Baker. I think she was tired.

[David Spade]

I get that.

[Rosebud Baker]

But I had. I had fully bombed. It was like. I was. It was a bomb. It was just a bomb night. I remember there was, like, a heckler in the front they wouldn't get rid of. And the whole time I was like, well, this is a. It's. This is on. I can't do it. You know what I mean? I'm like, we're. The ship's going down, and we're just all gonna go down together.

[David Spade]

But that guy kind of Covered for you. Instead of saying you fully drowned completely. He was like, she was a little tired, I think. Instead of going, which was my guy? My people go, it was horrible.

[Rosebud Baker]

I know. I'm like, that's almost better than them feeling bad for you.

[David Spade]

She shouldn't do this. It's hard on her.

[Dana Carvey]

There's a. There's a. I guess it's a. A trope. It's kind of funny. But they would maybe say about you, which I just want to talk about this special and the way you do stand up, she doesn't pull any punches. Like, I feel like you are so connected to your material that I've seen. And you can see where it's too burnt out or the comedian's not quite in their eyes. Right. Really connected or whatever. I've done a couple like that, but for this one, it was so personal, literally, for people don't know. Explain the conceit of the mother load. It's on Netflix right now.

[Rosebud Baker]

Yeah, it was. Essentially, I was. So the whole thing is shot over two years. One year where I was about nine months pregnant or eight months pregnant. And then exactly one year later after my kid had been born. And I had this crazy experience with trying to get pregnant. First I didn't want kids, then I got pregnant by accident, then I had a miscarriage, Then I was like, well, do I want kids? And then I did like, ivf. And then I got pregnant without ivf. And so the whole journey to it was so crazy and all over the place that I was like, there's so much experience packed into that that I was like, it doesn't really make sense to shoot the special until the. Until the kid's been born and I can let them know what it's like as a mom. Because, yeah, I'm like, ultimately, I really wasn't sure about kids or not. And I really wanted. I wanted there to be something to watch where I was like, what is it? Like, really? Like, what does it feel like? And because I was really curious about the postpartum shit and all of that. So, yeah, I shot both. And the material cuts back and forth between. So some of the jokes that I wrote while I was pregnant, I expanded on after I'd had a kid. There were jokes that I. That I liked better, that I had written before that I liked better from the perspective of having had a kid. And then there were certain ones that I was like, no, you got to cut back for that. So the whole thing is like, editing wise was obviously a challenge, but I really I really enjoyed kind of reporting from both. From behind enemy lines, you know what I mean? And just telling jokes about what it really feels like because I was somebody that was so confused about the. The deciding to be a parent, especially as a woman in comedy, you're just like, is everyone going to think I disappeared? Is everyone going to think I died? Like, you know, am I going to be written off? Luckily, I. I think in a way, I wrote this special kind of out of a feeling of, like, self consciousness or being afraid that. That if I didn't, I would just stop or something. I didn't know what was going to happen afterwards. So, yeah, there's a lot. It's definitely personal. I was up there fighting for my life, for sure.

[Dana Carvey]

I was like, was there any postpartum where.

[Rosebud Baker]

Yeah.

[David Spade]

Where you say, like, was there parts where you say, this is how I feel about to have a baby. It's the most beautiful thing in the world. And then now you get to say, some is beautiful, some is tougher than I thought, some is easier than I thought.

[Rosebud Baker]

Yeah. Yeah. I mean, I wanted to talk about, like, what it felt like to go back to work. You know, what it feels like to go back to work and how to.

[David Spade]

Go away from your kid and be separated.

[Rosebud Baker]

Yeah, yeah. And. Well, no, just to be back at work and to be. To want to be treated the same way.

[David Spade]

Okay.

[Rosebud Baker]

As, like. As like a working member of society, you know, but like, also having just had a kid and being like, I'm kind of an open wound right now, but I'm. But I'm capable and I can be here, you know? And you just. You go from feeling, like, cool and sexy and working at SNL to being, like, the most unfuckable, just, like on. On creative, human and. And you're, like, surrounded by cool, young, rich people and you're like, you know, like, I know. And you just feel like you gotta compete in that. So there was a lot of that way at restaurants.

[Dana Carvey]

I don't even know what that means.

[David Spade]

I'm unfuckable and uncool and everyone's cool around me.

[Dana Carvey]

You're in the corner nursing a cocktail.

[David Spade]

You know, is SNL still Rose Bud Baker? Is it still 24 hours a day you have to be there? Or can you come in late? Or do they do jokes from home and you write them and send them in and.

[Dana Carvey]

Or is it really.

[Rosebud Baker]

I mean, for me, I gotta be there. I gotta be there. Like, personally, I don't. I don't want to be writing jokes for it's.

[David Spade]

Kind of fun to be there. I think that's a new world of people that don't are buying into this. But as hard as SNL was, you wish you weren't there, but you, you have to sort of be there all the time to be involved in jokes that, like, organically are coming up or sketches or interacting with everyone. And it's all important to me. It feels like it was all important.

[Rosebud Baker]

I want to be there because I want to remember, like, who I am, you know, it's also like, it's this feeling of, like, you know, when you're a creative person, you got to be creative, like, got to be surrounded by creative people and to stay in touch with that and to kind of be in the mix. And, you know, I, I, I think Covet kind of did a number of all of our, on all of our brains, making us think that, oh, it's, we, it's possible to work from home, so we should. And it, I don't know. I don't think that really, I don't think that really works in a creative setting.

[David Spade]

I never thought it wouldn't come back. Like, I thought people would want to come back, not want to come back. Some jobs, obviously are fucking horrible, but this, the creative. You're right. Everyone around us there. When I was there, I got Dana, I got everyone. Like, I could say, dana, can I grab you for one second and pick your brain and the fact that you have that, the value of, like, oh, my God, I have all these, like, superstars. Remember that you're just writing geniuses to go, can I just talk to you for a second about this? And maybe they can crack a code for me or something. I'm trying to figure out is great, because everybody's good.

[Rosebud Baker]

I know. And the other thing is that, that I really love about it is it kind of feels like, like you went to, like, you went to college at the same place as some of your favorite people, you know, like that.

[David Spade]

Oh, yeah.

[Rosebud Baker]

Like, I get to talk to you guys. You know what I mean? Or I get to talk to people that I, I wouldn't necessarily, like, I don't know, maybe my career would have, we would have crossed paths. I mean, but it's, I don't know, it's just this special kind of bond that you have with people that have, like, worked at snl and you go, okay, so you get it. You know what I mean? It's like you, you understand.

[Dana Carvey]

Yeah. Running down the hallway. 8h. You know, the grease paint, the smell, the roar of the crowd. It's identical. Lorne Michaels is still there, you know, So I do think. Do you find it's kind of fun if someone. You're in a writer's room, it's someone else's idea and sketch, and everyone's bouncing around. It's. It seems more relaxing to kind of punch up someone else's sketch in a way, like, oh, how about this? How about that? And the other fun part I found is, like, I'd be in the chair getting the Biden thing on, and we're just right. Right. Almost going live television. And Allison and Kent and. And Streeter would be there, and then we'd go round and round. And we always completely agreed when we got it. Oh, it's that. Yeah, usually all the writers go, oh, we got it now. So this is fantastic. So to your experience, you had all those kinds of experiences, I assume?

[Rosebud Baker]

Yeah, it's very much like that kind of feeling of like when something just when something fit. It's like Tetris or something, you know, like you. You go, oh, yeah, that goes there. That's absolutely. There's nowhere else for that to go but there.

[David Spade]

I think when I did one of those shows. Go ahead, Rose. Sorry.

[Rosebud Baker]

No, I. Go ahead.

[David Spade]

I was just saying when I popped out, I think it was maybe the Hunter Biden week when I popped out, and I just looked down the hallway from that dressing room because I was over there with Dana, and I think I saw you in the hallway with Che and that you were doing cue cards in the hallway because update was coming up. Is that kind of where you guys do it over by cue cards, where they write them and you're just kind of cramming and just doing like, maybe a last thing before. Is that what that is?

[Rosebud Baker]

Yeah. Yeah. So it was cool.

[David Spade]

Whatever it was.

[Rosebud Baker]

Generally speaking, it was. So we'll go through cue cards. Colin will read jokes. It's in that hallways where Colin reads them and then chase under the bleachers.

[David Spade]

Okay.

[Rosebud Baker]

Usually we're all. There's more of the writers are out by Colin because Colin wants to change things a little more. Like, right up until the last minute, there's might be little words that he wants to change. Shay's pretty much like, he knows what he wants to do. What? By the time he's under the bleachers, he's like, we're good. We're doing it, you know?

[David Spade]

Okay.

[Rosebud Baker]

So we tend to, like, be right out in that hallway just running things, like, and little. Making little tweaks and changes. Little Words here and there, you know, or period there, you know.

[David Spade]

Yeah. Those things matter because you, like, Dana knows you trust the card. So once you're out there and you're on a card, it's hard to edit while you're talking. So it's like I'm saying, what's on this card? We already went over it. So I trust Wally did it. Everyone did it. Right. Because if it's the wrong one or if it's in the wrong place, that buys you time. And that stutter step will kind of ruin the momentum. There's little things you got to have it.

[Rosebud Baker]

Like, I'm always curious as cast members, like, how. Because there's some. Some. Some people you can tell, it's harder for them to lean on the cards to, like, take their eyes off, you know, they. They just rely more on their own memory, and it always kind of backfires. It's so true.

[David Spade]

That's like a host.

[Rosebud Baker]

Yeah. It's like, just read the. Read what's on the card. And I'm always wondering, because I've never been in that position. It's so easy to be like, just read the card.

[David Spade]

But how it goes against every instinct.

[Rosebud Baker]

Yeah.

[David Spade]

Because you want to act with Dana. Like, I want to look at Dana. And if you're looking a little to the side of Dana, you also want to go, hey, like, I want to scoop up the lines and then say them to Dana. But you're supposed to just act like, this is Dana here. And people will believe that until you look over like this and go back and they go, oh, wait, where are they? What's he looking at? You know, it goes back and forth.

[Rosebud Baker]

Yeah, yeah, yeah. There's.

[Dana Carvey]

There's so many metrics to this. You know, the one thing I was thinking about was just if it's getting too late. But you know that your little piece is. The rhythm is not right, so it drives you a little crazy. It's off by a couple syllables, but it's too late. So that's one thing that's very frustrating. So I think that me coming back, coming from the 80s, I didn't feel like I was a career move, like, I've got a score. But you still want to just do the best you can. And a lot of it is the mind fuck of, like, have a sense of playfulness. Doesn't mean you're sabotaging anybody or going off the script, but a sense of being playful when. Yeah, when the camera's there, being alive in the frame, you know, not locked on the Cards, not scared. And so it's a great place to get to, but it's nerve wracking as hell, like I said. So.

[Rosebud Baker]

Yeah, I mean, yeah, it just seems like some people have got it and some people are like, I, I can't, you know, like, yeah, it's tough.

[Dana Carvey]

I'm never going back. I think Dana likes to live by this interview.

[David Spade]

The hardest part about ad libbing is if it affects the next card or the next actor, because if you, you don't give them their feed line, then they're thrown and you don't want to do that. But you also go, shit, I could go on a run right here. Something. You just think of that second and go, the crowd's right here. This would work. And it's like Dana's doing Biden directly to camera. He can just go off, you know.

[Rosebud Baker]

Yeah.

[David Spade]

But if someone's waiting for their line, it's like, that's.

[Dana Carvey]

Well, I would have loved to have done Biden. And one, it wasn't the Dana Carvey Show. Biden won for like five minutes. But when I was doing George Bush Senior, going way back, but I was first time, I didn't have any bandmates with me. It was just me with the cards. And I was getting so into it toward the end that I just said to myself that the cue cards are suggestions. I still did them, but I said they're just suggestions. Because if the audience is going to go for something, I'm going to ride that wave because it was just got to do it, all that stuff. But by the way, by the way, this is just an interesting fun fact about you. Your grandfather was James Baker.

[Rosebud Baker]

Yeah.

[David Spade]

You don't know this, but your grandfather.

[Dana Carvey]

Behind the throne, the guy that everyone in that era that your grandfather came up is like, that was the guy that was kind of the president or like, he was so respected between the Reagan administration and George Bush Senior that, you know, I met him at one of the, One of the events.

[Rosebud Baker]

You did?

[David Spade]

I did.

[Dana Carvey]

Well, I had to go down because they said they wanted me to perform in the east wing. This is after Bush lost the election. And I. He invited me to come out.

[David Spade]

Fun crowd, cheer up the troops.

[Rosebud Baker]

I thought, I thought, seems like a win win.

[Dana Carvey]

You guys will love this. I thought he'd go, well, you do 10 minutes, then bring me up. He goes, you'll do 45. 45. With his staff, it would have to be all about him for 45. This is like 20. And I saw your grandfather over there and he just kind of smiled and he's looking around, you know, it's like 45 minutes of night.

[David Spade]

They don't know how long it is.

[Dana Carvey]

But then here's. Here's the other one about your grandfather. This is. I've never said this. It's not that it's not dramatic, but it's just. So I'm having dinner with the president. Barbara, my wife and I were having dinner. There's a phone there, and something's going on in Somalia. He goes, well, I gotta go talk to James. And I go, at this point, he transitioned into being the secretary, not secretary of state in chief of staff. So he was chief of staff. And I said to Barbara Bush, I go, why is he talking to James Bigger? And he goes, well, you know, once a secretary of state, always a secretary of state, even though it was chief step. That's all I got. Sorry. We can edit that out.

[Rosebud Baker]

You know, they're really. They were like tennis partners. And sometimes I love the fact that they would, like, chat like. Like girlfriends on the phone. Like, they were kind of just like gossip buddies, you know, like.

[Dana Carvey]

Yeah, I could see that.

[Rosebud Baker]

They can't all be Somalia together on the phone.

[David Spade]

Love Island Somalia.

[Dana Carvey]

Yeah. They break it all down. And behind the scenes, you know, it's all like, well, that guy's. He's kind of a. You know, or whatever it is. You know, they're just saying to talk to this prick. Everybody's a high school senior. That's why I say people are intimidated by politicians or anybody. Everyone is recent high school senior.

[Rosebud Baker]

Yeah. I think that's also why I like, you know, people. My first year at snl, I remember people coming up and being like, are you okay? Are you good? They only ask. They only ask you your first week because after that, nobody cares. And no one's gonna ask you. No, everyone in the building will ask you how you're doing your first week, because, no, you'll never hear it again. No one ever again will be like, how are you feeling? So. So I remember people coming up and being like, are you nervous? Are you okay? Are you good? And I was like, yeah. No, I was, like, raised by war criminals. I think I'm. I got this. Fine.

[Dana Carvey]

Oh, that's your next special. Raised by war criminals.

[Rosebud Baker]

Doesn't scare me.

[David Spade]

Listen, you know, you're always talking about Quincy, the old show you watch, but there's also quints.

[Dana Carvey]

I love the reference.

[David Spade]

You're always talking about the. The grouchy mortician or whatever. Quincy.

[Dana Carvey]

Well, you always. When you hear it, you always Think it's Quint and you think of the guy in Jaws.

[David Spade]

Jaws, that's right.

[Dana Carvey]

Yeah. But that is not what we're here.

[David Spade]

To talk about with a C at the end. Why drop a fortune on basics when you don't have to? Quince is high quality, great stuff. Clothing. Oh, yeah. Quince has good stuff. High quality fabrics, classic fits, lightweight layers for warm weather. All at prices that make sense. Everything I've ordered from Quince has been nothing but solid.

[Dana Carvey]

Quince has closet staples you want to reach for over and over. Like cozy cashmere and cotton sweaters from, get this, David. Just $50. Breathable flow knit polos and comfortable lightweight pants that somehow work for both weekend hangs and dressed up diners.

[David Spade]

Weekend hangs and dressed up dinners. That's right. The best part. Everything with Quince is half the cost of similar brands. I mean, look at that. 50 bucks you're getting a cashmere that's very rare.

[Dana Carvey]

Yes.

[David Spade]

By working directly with top artisans and cutting out the middlemen, Quince gives you luxury pieces without the markup.

[Dana Carvey]

And Quince only works with factories that use safe, ethical and responsible manufacturing practices and premium fabrics and finishes. David.

[David Spade]

Yeah, I like the cashmere. I like some stuff just for around the house, for right now. It's great, you know what I mean? Because you forget that you need those basics and this is the place for them. You know, throw it in your cart. You can do stuff for your home too. They have bedding, they have towels, they have cookware, they have luggage, their bags. Listen, keep it classic and cool with long lasting staples from quince. Go to quince.com fly for free shipping on your order and 365 day returns. Whoa. That's Q-U-I-N-C-E.com fly to get free shipping and 365 day returns. Quince.com fly eating healthy always sounds like a solid plan, you know, until it really kicks in and dinner becomes whatever's closest to your hand.

[Dana Carvey]

Usually a granola bar from 2009. But hey, what if someone actually handled the healthy part for you?

[David Spade]

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[Dana Carvey]

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[David Spade]

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[Dana Carvey]

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[David Spade]

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[Dana Carvey]

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[David Spade]

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[Dana Carvey]

That's forkfulmeals.com code POD50. Your fridge will thank you and so will your stomach.

[David Spade]

By the way. I was going unfound and I think people don't realize that to change gears. And I think we've all been in this position. I'm backstage and something happens and I get a call and there's a huge argument and some bad news. And they're like, you're up after this commercial. I'm like, oh, I'm up right now. And I'm so mad. I'm behind the curtain going, because you have to flip in one. In 30 seconds are coming back. The guy's like, 30 seconds. I'm like, I'm so mad. I cannot walk out there.

[Dana Carvey]

And I.

[David Spade]

People forget that you do have normal things in life and you got to come out and be like, yeah, that.

[Rosebud Baker]

That, that, that, that. Yeah.

[David Spade]

It took a second for me to honestly even walk out, like, almost mad and shake his hand and give him a little push and go, fuck, let's do this. It was almost like that. And then of course, he's in a great mood. Of course the crowd is great and you can change up, but in your head, you're like, it was, that was. That one was almost too fast for me to switch. It was, you know, we've all been in that spot.

[Dana Carvey]

But a lot of times, if you're what's. What have. You must have had horrible experiences where something happened. I. I bit my tongue and I was bleeding. Ladies and gentlemen, welcome to Shenanigans. So you must deal with that all the time. You get a call and maybe it's your husband or the nanny and something happened, you know, not, whoa, oh, we'll do this. And then you got to be on.

[Rosebud Baker]

Ordinarily, though, I really thrive in those moments. Like, I was like, I really enjoy like a piece of dark news. And then. And then having to perform with like while working on that. You know what I mean? It's just a fun, you know, wakes.

[Dana Carvey]

You up kind of, you know.

[Rosebud Baker]

Yeah, you're woken up and there's just, there's, there's something I just universally ironic. You're living in the irony of just being alive. Right. And so that's just funny automatically because it's like Here we are. We think life's. Life's so great. Everything's so good. And they get a piece of news and it's like. You know what I mean? It's like. It's the universal stepping on a rake and then having to, like, keep going.

[David Spade]

And then you gotta go, hey, dogs are funny. Do you ever notice dogs? And everyone's like, I have a dog. And you're like. But in your head, you're like, oh, my God.

[Dana Carvey]

A really good set. In the early days, I noticed when I had strep throat or whatever the fuck it was, doing so much stand up and I gotta go up and I'm really sick. So there was no pressure. It was like, I can just get through this. And then usually those are really good sets.

[Rosebud Baker]

Yeah.

[Dana Carvey]

Learn from that. Kind of like what you were saying, like, when you always. This is just ridiculous, what I'm doing. Don't take it too serious.

[Rosebud Baker]

Yeah. And it makes me think of that. That it was like a famous set that Tig Notaro did when she was like, hi. Hi. I have cancer. You know?

[Dana Carvey]

Yeah.

[Rosebud Baker]

It's like that. That's like a perfect comedy. That's a perfect comedy set, you know, so.

[Dana Carvey]

Yes. And it's a weird way that just releases so much whatever energy or any anticipation. It's like, whoa. Whoa. What? I mean, the audience has to wake up too, you know?

[Rosebud Baker]

Right. It's like, well, I'm. I'm processing it, so you should pro. So you know what I mean? It's like, let's all just process this together right now.

[David Spade]

I'm gonna do the thing where you said where you step on a rake.

[Rosebud Baker]

Yeah, yeah. It's not a rake. Slip on a banana peel in a bucket.

[Dana Carvey]

I've said this before. You might find it. Stephen Colbert, he does a great dish. Scooby Doo. Stephen Colbert said to me that right before he goes out every night, even recently, that he slaps himself so hard, he. He wants to worry that, did I do it too hard this time? Right before he goes out, he wants to have that stress of, like, maybe I bruised myself or maybe I really hurt myself. Just whack. And then he would go out, you know, so we all have.

[Rosebud Baker]

Is that just to. Is that every night?

[Dana Carvey]

That's what he says. That's unless he stopped doing it. He says, every single night. And then, coincidentally, I told that story to Lauren. He goes, I do the same thing.

[Rosebud Baker]

Marcy, please.

[David Spade]

Ryan Shiraki, did you end up having. Let me see.

[Dana Carvey]

Oh, we're. Get your last question in no.

[David Spade]

What's my last question? I'm. I'm having a nice time with Rose. You ask her one more thing, we'll let her go.

[Dana Carvey]

Let's see. Well, you want to just tell people you're out there a little bit. You're not on a massive tour, but you're going to Dublin, Ireland. You're going to Dublin?

[Rosebud Baker]

Yeah, I'm doing Dublin. Then I'm coming back to the States. I'm doing Westchester or West Port, Connecticut. What? One of those west.

[David Spade]

Very fair. What's that one?

[Dana Carvey]

I did Chester or Westport.

[Rosebud Baker]

I think it's Westchester. But anyway, I'm. All of my tour dates are, like, on my [e-mail].

[Dana Carvey]

Yeah. And you're playing the Punchline, the original comedy club in the San Francisco comedy scene. That first time, there was an actual dedicated comedy club in San Francisco, like 78, 79.

[Rosebud Baker]

Is that true comedy magic?

[Dana Carvey]

Well, just. That's down in Hermosa Beach. But in the. In San Francisco scene, it was all just bars. What about music clubs? Cobbs was after Punchline.

[Rosebud Baker]

Punchline was first. Yeah.

[David Spade]

What about Stand up Cafe or whatever you call it? The Other Comedy Cafe. Other Cafe. Well, Rosebud. Thank you. And you have a fun name. It's fun to talk to you.

[Dana Carvey]

The mother load. I actually. I went on Reddit, actually, and it's just like, five stars. People are coming. Oh, good, good.

[Rosebud Baker]

And that's. That's where they say the worst thing.

[Dana Carvey]

That's so.

[Rosebud Baker]

I appreciate.

[David Spade]

Those are the haters. Yeah.

[Rosebud Baker]

I'm glad you went to the haters.

[Dana Carvey]

First, just to make sure, because I wanted to get. You know, because I'm still competitive at this age, and I still want to go. What the Are they saying about her?

[Rosebud Baker]

Yeah, yeah, she.

[Dana Carvey]

God damn it. But anyway, you got it all going on. Just have fun. I don't know. I don't have any words of wisdom. It's been a pleasure. If I end up out there and you're out there, please, please come and say hello during all the madness.

[Rosebud Baker]

I would love to. I would love to. Thank you guys so much for having me. I really appreciate it.

[David Spade]

She's so.

[Dana Carvey]

Anything about the episode except these were my notes done.

[David Spade]

Yeah, you got to everything. We dug deep. No one expects anything from this podcast. That's the best part. Okay, go Rose. She's leaving. All right. That was rbb.

[Dana Carvey]

We were just.

[David Spade]

She was totally.

[Dana Carvey]

She was still on there. Now she left. That was Rosebud Baker. Really got to know her.

[David Spade]

Lots of fun. We learned a lot about Update, which people are very curious about. Weekend Update is a huge part of that show. Colin and Michael do a great job and then she helps write put it up there. And that's really fun. It was fun for me to see it from a different perspective when I was there. You were there. And then when people come on and do update, that's a whole nother interesting world of writing your own bit to go on Update. Who cuts, how many they cut. It's all scary.

[Dana Carvey]

Yeah. And you could tell that there is a. You, you have to have really good people skills. So meeting her and her whole vibe and how copacetic she was and smart, that of course she fits in.

[David Spade]

It's just a, it's a tough place. We always say it too much. But it's also a lot of fun and it sounds like she's having a good time and it's fun to be a valuable part of all that. And then she's also got her kids, she's got her stand up, she's got a lot of things going right now.

[Dana Carvey]

Well, it's interesting to me after we've done what Are we this, that was our 12th podcast, I think as Fly in the Wall. But I never get tired of the, the human experience of someone saying what they're feeling about going through that. I still find it really interesting because it's her own personal story around all the different things and everyone's has a slightly different take on it.

[David Spade]

Sure, that's true. It's a little different. We, we relate to her in a lot of it. But she's got her own life and different things. So different things are stressed to her. Different things are more valuable and fun. And I always like, I liked hearing about what, what is the week like? Because I'm so wrong on a lot of stuff now because read throughs move. There's, there's different things. What's the work week like and who adds what, blah, blah, blah.

[Dana Carvey]

Yeah, it's, it's, it's, it's identical and yet it's slightly different, you know, but it's only been 50 years. But anyway, that was very, very interesting.

[David Spade]

I liked her. I'm glad we got to know her because I didn't, not really know her at all. I just said hi to her at the show and she turned out to be a blast. So.

[Dana Carvey]

Yeah.

[David Spade]

Hope you guys liked it. We'll see you next time. Hey, guys, if you're loving this podcast, which you are, be sure to click follow on your favorite podcast app. Give us review 5 star rating and maybe even share an episode that you've loved with a friend.

[Dana Carvey]

If you're watching this episode on YouTube, please subscribe. We're on video now.

[David Spade]

Fly on the Wall is presented by Odyssey and executive produced by Danny Carvey and David Spade, Heather Santoro and Greg Holtzman, Maddie Sprung Kaiser and Leah Reese Dennis of Odyssey.

[Dana Carvey]

Our senior producer is Greg Holtzman and the show is produced and edited by.

[David Spade]

Phil Sweet Tech booking by Cultivated Entertainment.

[Dana Carvey]

Special thanks to Patrick Fogarty, Evan Cox, Maura Curran, Melissa Wester, Hillary Schuff, Eric Donnelly, Colin Gaynor, Sean Cherry, Kirk Courtney and Lauren Vieira.

[David Spade]

Reach out with us Any questions be asked and answered on the show? We've been emailed [e-mail] that's a U D a C-Y dot com.