SUPERFLY #61 - Tommy Boy Turns 30!

Summary

Fly on the Wall with Dana Carvey and David Spade Episode Summary: SUPERFLY #61 - Tommy Boy Turns 30! Release Date: March 28, 2025

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Overview

In this special 30th-anniversary episode of Superfly, hosts Dana Carvey and David Spade celebrate the enduring legacy of the classic comedy film Tommy Boy by delving deep into its creation, memorable moments, and lasting impact on the entertainment industry. Featuring an insightful interview with Pete Siegel, the director of Tommy Boy, the episode offers fans a behind-the-scenes look at the making of the beloved film, enriched with humorous anecdotes and nostalgic reflections.

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Segment 1: Introduction and Sponsor Skips

The episode opens with standard sponsor messages from O’Reilly Auto Parts and ADT, which Dana and David promptly skip, indicating their focus on the main content. They briefly discuss their podcast backgrounds and tease the upcoming discussion about Tommy Boy with Pete Siegel.

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Segment 2: Behind the Scenes of Tommy Boy

Interview with Pete Siegel

At 19:08, Dana and David welcome Pete Siegel, the director of Tommy Boy, to the show. They begin by exploring the challenges Siegel faced during the hiring process:

Pete Siegel [19:50]: "I had worked with Farley twice before Tommy Boy... I went in and just, you know, guns a blazing, notes, notes, notes. And they looked at me like blank expressions. And it was, bye, bye. And I left."

Siegel recounts his initial rejection and subsequent second chance when Paramount's Sherry Lansing invited him back to discuss his candid feedback more personally.

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Segment 3: Filming Challenges and Memorable Moments

Siegel shares numerous behind-the-scenes stories that highlight the complexities and humorous incidents during filming:

• Technical Difficulties: At 24:00, Siegel describes the struggles with the film's physical comedy scenes, such as hitting Chris Farley with a 2x4. Despite attempts to maintain safety, the stunts sometimes resulted in genuine injuries:

  David Spade [24:31]: "I hit him with the hard part of the two by four. And yes, it broke and he went down..."

• Environmental Hurdles: The crew faced extreme cold conditions while shooting in Toronto, leading to frostbite and other hardships:

  Pete Siegel [45:00]: "The most painful one was cow tipping... it must have been zero degrees."

• On-Set Dynamics: Siegel discusses the interactions between cast members, particularly the chemistry between David Spade and Chris Farley, emphasizing the unique comedic synergy they brought to the film.

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Segment 4: Editing and Script Development

At 27:51, Siegel delves into the editing process and how initial scripts evolved. He credits Jim Downey and Fred Wolf for their contributions, which were pivotal in shaping the film's final narrative and comedic timing.

Pete Siegel [35:15]: "Fred came up with a miracle scene... And that came in and suddenly I thought, oh, okay, I see how the story can end..."

This segment highlights the collaborative effort required to refine the screenplay and achieve the perfect balance between humor and heartfelt moments.

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Segment 5: Reflections on Legacy and Chris Farley

Dana and David reflect on Chris Farley’s unparalleled comedic talent and his irreplaceable role in Tommy Boy:

Dana Carvey [48:40]: "There must be at least one point we will. He's just a singularity in comedy in the last 30 years..."

They discuss how Farley's physical comedy and emotional depth made Tommy Boy a timeless classic, reinforcing its place in comedy history.

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Segment 6: Anecdotes and Funny Stories

The conversation continues with lighthearted stories and outtakes from the filming process:

• Unscripted Moments: Siegel shares instances where unexpected behaviors from cast members led to memorable scenes, such as Chris Farley's impromptu singing:

  David Spade [38:18]: "He starts singing... and it sounded actually funnier."

• Casting Surprises: The hosts discuss surprising casting decisions, including Blake Lively’s unexpected appearance on set and her seamless integration into the film’s comedic environment.

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Segment 7: Conclusion and Final Thoughts

As the episode wraps up, Dana and David express their gratitude to Pete Siegel for sharing his experiences and insights. They reiterate the significance of Tommy Boy and its enduring appeal, celebrating its 30th anniversary with heartfelt appreciation.

David Spade [73:00]: "That's what he's saying. The studio wants a comic."

The hosts conclude by reflecting on the collaborative spirit that brought Tommy Boy to life and its lasting impact on audiences worldwide.

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Notable Quotes

• Pete Siegel [19:50]: "I went in and just, you know, guns a blazing, notes, notes, notes. And they looked at me like blank expressions. And it was, bye, bye. And I left."
• David Spade [24:31]: "I hit him with the hard part of the two by four. And yes, it broke and he went down..."
• Dana Carvey [48:40]: "He's just a singularity in comedy in the last 30 years..."

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Key Takeaways

• The making of Tommy Boy was fraught with challenges, from technical difficulties to harsh filming conditions.
• Pete Siegel played a crucial role in shaping the film's comedic narrative, collaborating closely with writers and actors.
• Chris Farley's unique talent and chemistry with David Spade were instrumental in the film's success and lasting legacy.
• Tommy Boy remains a beloved classic, celebrating its 30th anniversary as a testament to its enduring humor and heart.

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Conclusion

Superfly's 30th-anniversary episode offers a comprehensive and entertaining exploration of Tommy Boy's creation and legacy. Through candid conversations and hilarious anecdotes, Dana Carvey, David Spade, and Pete Siegel provide listeners with an engaging and nostalgic journey into one of comedy's most cherished films.

Transcript

[David Spade]

This episode of Superfly is presented by O'Reilly Auto Parts. The professional parts people at O'Reilly Auto Parts are your one stop shop for all things auto. Do it yourself. You can find what you need in their store or online@o'reillyauto.com From ADT comes.

[Dana Carvey]

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[David Spade]

Notify trusted individuals of events like alarms or packages and set access windows for planned guests or even the dog walker. Without interrupting your day. Visit ADT.com when every second counts. Count on ADT requires ADT complete pro monitoring plan and compatible devices. Copyright 2025 ADT LLC. All rights reserved. Superfly I'm going to zhuzh up the background soon, everyone. Just so you know, it's not going to be. It might be green, but I'm going to put some stuff up. You know, I should put a shelf, put some cool things and.

[Dana Carvey]

Well, because when I watch a podcast, I'm really looking at the background.

[David Spade]

We both have the literally worst ones, but.

[Dana Carvey]

Well, I have the most benign. It's like it looks like a set of. Of nothingness. There is no.

[David Spade]

It would be. It would be better if it was a fake green screen of just that.

[Dana Carvey]

Yes. At one point I just go like this.

[David Spade]

Yeah.

[Dana Carvey]

It's a part of a curtain.

[David Spade]

We'll get you your carvey sign and match my spade one back there and. Okay, maybe I'll put my tour dates. Oh, yeah. Tour dates. Tour dates. Yellow cities. Boston, New Jersey.

[Dana Carvey]

Boston. You don't do it because it's easy to do it because it's Boston next.

[David Spade]

Des Moines is almost sold out. I think Des Moines might have to add a show into moy. I don't know if we're gonna play.

[Dana Carvey]

The county fair there.

[David Spade]

You know, I don't like adding shows. I like to just do it, fill it up and then just come back on the next round and do it again.

[Dana Carvey]

Right. They add one and then you have that second show where it's a little sparse and it's kind of a.

[David Spade]

Yeah, sometimes they fill up. Second one. So I'm doing ABQ. Albuquerque.

[Dana Carvey]

Albuquerque, okay. 5, 000ft.

[David Spade]

And Portland has a lot of. I've been there the most. But they always have a good crowd. They always show up.

[Dana Carvey]

So what is it? The Albert Schneitzner Theater? Is that.

[David Spade]

I think it's the Albert Schneitzer. All.

[Dana Carvey]

I played that years ago. Yeah, I never forgot the name. I could Never pronounce it but the.

[David Spade]

Al Albert, Arlene Schnitzer, Arlene Schnitzer Theater, something like that.

[Dana Carvey]

That's why the audiences are good because they, their expectations are so low. Going in there.

[David Spade]

Oh, Omaha, Omaha. It's a shout out.

[Dana Carvey]

Try to, try to get some new insurance. When you're out at Omaha.

[David Spade]

That's trying to get some.

[Dana Carvey]

That's the health insurance capital of the world.

[David Spade]

They must have been so stoked when Peyton Manning was like, omaha, Omaha.

[Dana Carvey]

Remember that Manning football player doing audibles. Omaha, what's your Omaha?

[David Spade]

Give me some of your week before we get into the hard hitting stories.

[Dana Carvey]

Went to la, flew my wife and I flew to Sun Valley. I'm not the happiest flyer, but it was, it was nice. It was one of those kind of smaller planes, maybe a 40 seater. I don't know how Kevin Nealon would have done in this thing. I mean I hit my head constantly.

[David Spade]

Just, oh, you hit your head and Kevin Nealon. I'm hitting my head.

[Dana Carvey]

I'm land of the giants in this thing. And then if you come into Sun Valley, I'm kind of like, okay, it's, it's kind of tight. We're going to make a turn. I'm not really. I look out and it's like, whoa, whoa, whoa. What? I mean it literally, I couldn't exaggerate how close the mountains were. Have you ever flown in there? You could.

[David Spade]

I always think, do you guys know what you're doing?

[Dana Carvey]

Well, I found out later and I'm not saying the airline or whatever the flight attendant said. Well, just they probably don't want me to tell you, but they have to have special training to be able to fly into Sun Valley. So you get extra training. So they get in some simulator. So we got shit box hills on both sides. We'll try to snake through. That's right. Clem Pass.

[David Spade]

Dude. Terrifying. It's like Aspen is a little scary.

[Dana Carvey]

So it's 6,000ft. You feel a little funny, you know, unless you hydrate. So.

[David Spade]

Oh, you get sick. Altitude.

[Dana Carvey]

Yeah, I do the gig. I do three or four meet and greets. Mix and mingle is different than a meet and greet.

[David Spade]

Grip it and rip it. What is it called? A grab and grip or something?

[Dana Carvey]

A grip and grin.

[David Spade]

Grip and grin.

[Dana Carvey]

It's fine. It's part of the thing. Everyone incredibly nice. Everyone is all ruddy faced and they look like they're about to ruddy face. Well, they're just sort of, they're, they're in puffer jackets and boots. Tucked in and oh yeah, they're ready to ski.

[David Spade]

It's like a nice area. Am I crazy?

[Dana Carvey]

Gorgeous. It's gorgeous. And we had the flight wasn't till 5 and we stayed there. We weren't really thinking about anything. So we'll pick you up at 3. 15 minutes to noon. They say, hello, this the front desk. We need you out by noon. We need you out in 15 minutes. We've got stuff out of your room. Yeah, get out. I go, what do I get out now? I mean, stop was. We were ready to gather it up, but then our contact person bought us two hours so we could get out at two. So we went down to have lunch. And I don't want to exaggerate how mellow this waiter was, but he literally, he took our order and he's about seven feet away. So I'm about to fly, so I'm like, could I have a beer? And he goes, ah. Huh. Oh. He didn't even say yes. He just, yes or no about, I don't know, gummies or just so mellow at altitude.

[David Spade]

Gummies.

[Dana Carvey]

He's like, what kind? I go, I don't know. Stella Trois. I'll check. So then 10 minutes later it comes back, we don't have that. Well, I'll take anything. What do you got? You got this? He goes, let me go check. So he's gone another 10 minutes. He comes back. Then he's like. I go, do you have like Coors light or something? I think so. So Anyway, it took 40 minutes. But he's a very nice guy. Yeah, he was. He was mellow.

[David Spade]

Yeah, I did, I did a flight where two things that bother me now. One is good. Do you ever get the window shade doesn't go down in a ball peen hammer. I'm like, it's like to put it up. This is my weakling neck. I'm like trying to, you know, military it straight up and then dish, dish, dish. And then for that, you know, because it just goes up like a quarter inch every time. Like, I can't spend this much effort and energy just to be blinded by the glare. And then the pilot does this. I don't know if you notice this. You get on and you're just sitting there and they go, well, we got everybody on. We're about to push off. Just waiting for a little bit of paperwork from the flight attendant. I'm like, paperwork are we. Do you have a briefcase? Who has physical paperwork? He's like, we're just waiting for a Xerox copy of A couple things and then. Is anyone out there have a printer? I mean, what are we talking about? Does anyone email you anything?

[Dana Carvey]

Yeah. Jesus. You're going to be fuffling with envelopes when you ought to be getting on the joystick to get us vertical.

[David Spade]

Yeah, you got to collate some documents first. I mean, I'll tell you what.

[Dana Carvey]

Yeah.

[David Spade]

Who comes in like a mechanic. Like, if you could just initial here, press hard four copies.

[Dana Carvey]

Oh, they do. Sometimes they have to sign off on the plane. And the guys, the technicians are coming in and out. They got big orange jackets on. They're coming out of the cockpit and they're shaking their heads. And we had some technical issues, and it is just that some idiot in the back couldn't get the window up. It's usually like a tiny thing, like as a beverage card has a stray wheel. But here's two things. I didn't want to be a silly senior during the flight. It's like, okay, you press a button and then the thing comes over the tray. And so this particular plane I'd never been on, you know, you press the button and it folds out from inside, and then you have a tray. So everything that easy? No, but everything. I tried. The tray didn't come out. But I said I didn't want to ask for help. Okay, I'll press down. I'll press here. So flight attendant, 27, right out of Utah state. All right, let me get that for you, sir. Press the button. Boom. The other one that bugged me, now that you remind me is. He goes, well, we have. It's a one. One plane in, one plane out. So we're going to have to wait a little bit unless something happens. Except flight attendant set. Take your seats. There's a. We can. We can go now, you know, so everything is a little intense.

[David Spade]

There you go. Just take a time. Relax. We got a window. Let's go. Everybody out.

[Dana Carvey]

Exactly.

[David Spade]

Yeah.

[Dana Carvey]

We're fourth in the lineup here. But if everybody sees. So anyway.

[David Spade]

Oh, they moved us. Go, go, go, go. Scramble.

[Dana Carvey]

Oh, go, go.

[David Spade]

Yeah. One guy goes, we were gonna wait an hour. We get to go now. I'm like, we were gonna wait an hour. I didn't know that.

[Dana Carvey]

So I did my rodeo stick to make because the flight attend. I could shake her hand. That's how small the plane was. So I did my rodeo star. I'll go back here on an airplane. So I loosened the seatbelt as far as I can. I grabbed the edge of it and I say to her, rodeo guy on an airplane. And I go like this, you know.

[David Spade]

And you zip it tighter, though, as.

[Dana Carvey]

If he's gone a horse, you know.

[David Spade]

Yeah, that's good. I saw that.

[Dana Carvey]

Yeah. So she loved it.

[David Spade]

I saw that live when we flew to our game.

[Dana Carvey]

I did it. Yeah, I do. I have plain shtick.

[David Spade]

You got some stick. We have some solid stick. I don't have any more great stories, but. Oh, should we introduce Pete? We'll talk about Tommy boy anniversary real quick.

[Dana Carvey]

Oh, yeah, the one last thing. Our car got robbed at lax.

[David Spade]

Oh, wait a second. This is a headline.

[Dana Carvey]

Well, we decided, fuck it, let's go old school. We had a lot of time. All right, let's drive the. Let's try the airport, man.

[David Spade]

So horrible idea.

[Dana Carvey]

Lax. So first of all, it's like, is it east, west, north or south? So we're fun. We're suddenly make. Going around a roundabout. We're heading away from airport.

[David Spade]

Yeah, that's.

[Dana Carvey]

That's where the control tower is. And it's getting smaller.

[David Spade]

Let's go.

[Dana Carvey]

You. And then we get. We get up on top, we park the car, and when we come back to the car, we know what the. So it looks like ramshackle inside. So we open it up. They did. I had a mini iPad there. They didn't take it. What they did was they left a big red canvas bag in the front seat. Left it.

[David Spade]

Left it. And I said, clue, we'll go. We went down there for Prince and.

[Dana Carvey]

We saw the two, you know, whatever airport police people. There's no way they're gonna bust anyone down by the machine. Yeah, man. I mean. So anyway, we got rid of the red canvas bag and we got out of there. But that was strange. And we know why it happened because it was my wife's car. My car. If you walk away, it locks her car. You have to put your hand on the handle. So I went back for something and long story short.

[David Spade]

Oh, you didn't.

[Dana Carvey]

We made it home safely and now we're here now.

[David Spade]

Well, I like these, you know, things that happen in real life. That's a tough one. I would get so infuriated if that happened.

[Dana Carvey]

It gets a weird feeling like someone got into our car and was shuffling through it trying to get stuff.

[David Spade]

Someone fucked with you. It feels like bullying, feels like shit. And of course, no one does anything. And then they. If you go to the police, they go in la, of course. Like, you know, what you should do is put a cage under your car so people can't get under and get your catalytic converter, you know, what else you should do is you should put more locks. I'm like, how about throw criminals in jail? They're like, no, that's where we draw the line.

[Dana Carvey]

But we have a plan. We're working on it. But right now, we don't really. That's not our thing.

[David Spade]

Yeah, we don't cross criminals in jail. The good guys being the victim, you know, it's like the good guys are the ones they go after. Now, I don't know, because I just saw in England. It was. One of our stories coming up is like, you know, it's bad when everyone's carrying a machete and now, you know they're carrying a lot of machetes. Now, machetes are illegal to carry around the streets. When we're. When was that? Okay, if I saw some of the machete, I shit my pants. And so many people are walking with machetes to rob people and hack people and on the streets that they go, okay, it was fun for a while, but ixnay on the machetes. So isn't that crazy Machete.

[Dana Carvey]

The name of it and the strength of it. It's a fucking scare. You're walking around with a sword. You can behead someone in a second. I knew someone, Francis Cronin. He was in the Irish army in the UN In Africa. And when you would talk, he'd go into the town. You talked of townspeople. Most of the time, the dudes had a machete just. Just in their hand. Just sort of just walking around.

[David Spade]

Make me a little. Give me anxiety. Yeah, because what are you doing with a machete? Even a knife is bad, but a machete means real biz. Like, I'm up to really no good.

[Dana Carvey]

What I would do is have a fully loaded bazooka and just be holding that and just chat and like, you know, I don't know. Partly cloudy tomorrow. I'm not sure what's up, but do the sound effects of it. Bazooka going off.

[David Spade]

Get racket in there. No, it would be. It would be louder than that. Slow motion. Just the reverb.

[Dana Carvey]

There you go.

[David Spade]

The kick.

[Dana Carvey]

It's that and then it comes in.

[David Spade]

But, dude, machete, you don't have to be a pro. You just start swinging that thing and you're going to cause some damage.

[Dana Carvey]

I know. So I'm glad that England's come to their.

[David Spade]

Okay, when we come back from this Pete Siegel interview, show the stories about machete just to show it's not made up. Okay? So, Pete Siegel, my director from Tommy Boy, it's The anniversary of Tommy boy. So we wanted to talk about it today.

[Dana Carvey]

Yep.

[David Spade]

And I hear about it maybe every day in my life.

[Dana Carvey]

Yeah.

[David Spade]

And let's. Let's go to Pete. We chatted with him about all things trivia. Tommy boy. And we'll be right back with it. We'll come back after.

[Dana Carvey]

We all know the feeling of running late and then inevitably, running into car problems. It happens to all of us.

[David Spade]

Yeah. But thankfully, O'Reilly Auto Parts, as you know. Oh, oh, oh, oh. Riley Auto Parts. You're welcome. These guys have all the parts. They have everything you need for do it yourself. Stuff like, let's say I'm driving, raining, windshield wipers, giving up. And then they're on intermittent, which, I don't know, I think they're off. And then it's barely wet. Barely. And it goes. That's when you're driving a half hour later, you're like, are these still on? So I had mine break, but they weren't. They were just messing things up. They weren't cleaning it, so I had to go in, get some more. They tell you how to slide them on. It's not that hard. Folks at O'Reilly, they know what they're doing. Got thousands of parts in stock. If you're in a jam, stranded in a parking lot with bad windshield wipers like me or a dead battery, they'll test it for free. All right? And if it's toast, you know, they go replace it.

[Dana Carvey]

Windshield wipers, brake lights, random car noises that make you nois.

[David Spade]

Yep.

[Dana Carvey]

They've got you covered. Even if you have zero clue what you're doing, the team at O'Reilly won't judge.

[David Spade]

They don't judge. They just go, are you a novice? And I don't know what that means. So I go, yeah, I think so. So whether you're a car aficionado or an auto novice, O'Reilly Auto Parts is the place to go find what you need in store or@o'reillyauto.com before your car decides to quit on you again. All right, so this one is for sponsor BetMGM. And if you bet MGM, follow or, you know, you tag them. And all socials are BetMGM. They are the sportsbook born in Vegas. BetMGM's NBA fast break. Free to play Jimmy Fallon. Have you heard about this?

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[Dana Carvey]

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[David Spade]

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[Dana Carvey]

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[Dana Carvey]

Hotel, this next segment is brought to you by O'Reilly Auto Parts. The professional parts people. Welcome to our SPECIAL edition Welcome to.

[David Spade]

Our special edition of Superfly with a spin on Tommy Boy, the anniversary, which I don't like to say what anniversary it is, but it's a lot.

[Dana Carvey]

It's a while back. But number three, and we have the.

[David Spade]

Director didn't take long.

[Dana Carvey]

The director of the movie is actually talking with us.

[David Spade]

So, yes, this is Pete Siegel, who had a huge hand in making Tommy Boy hit.

[Dana Carvey]

And thanks for coming on.

[Pete Siegel]

Thank you for having me.

[David Spade]

Yes, we are excited to have you. The funny thing about Tommy Boy is I keep reading different stories about it because, you know, it's the anniversary. So more things pop out. You and I probably are in charge of some of these stories, but there's just so many. I wanted you to tell Dana first and then we'll get into you just saying anything you want about it was when you got hired, the hiring process, because I remember it got a little sticky.

[Pete Siegel]

Well, I had worked with Farley twice before Tommy Boy, once on an HBO special I did with Judd Apatow, and then and then on a sitcom, the Jackie Thomas show, which was sort of a loose spin off of Roseanne. And so I Just knew him from those things. And I just thought, gosh, you know, if I ever got to direct a movie, I would love to do his first starring role. And then about a year later, I get this script on my desk. I had then gone on to make my first movie, Naked Gun, the last one, and got this script called Billy the Third, a Midwestern. And I didn't really know anything about the process. I've learned a lot over the years since then, how that got to me. And I said to Lauren, I said, I've got a lot of, a lot of notes because I, I, I love these guys, but the story is kind of wonky. And he said, we're just, you know, go in and tell the Turners what you think. And I said, do I hold back? He goes, no, no, just go in.

[Dana Carvey]

Everything pretty good.

[David Spade]

The writers, the Turners.

[Pete Siegel]

So I went in and just, you know, guns a blazing, notes, notes, notes. And they looked at me like blank expressions. And it was, bye, bye. And I left. And that was it. And then I thought, okay, well, I guess I blew that one. Weeks went by, weeks and weeks. And I get this. And I, I think I checked with my agent. Hey, have they hired anybody yet? Oh, they're still looking. I'm like, okay, yeah, maybe some other people are feeling the same way. So I, I get a call then from Sherry. She said, I want you to come back in and tell me everything that you told Terry and Bonnie. I want to hear it myself.

[Dana Carvey]

The head of Paramount. Sorry.

[David Spade]

Oh, Sherry Lansing.

[Pete Siegel]

So I thought, oh, I feel like honey on the causeway, you know, I'm all alone. So I went in, I hit that hallway, that long hallway to her office, and the door opened like she knew I was coming. And just, arms out, honey. And I, you know, the hook, line and sinker they were in. Well, they were also desperate. They had, you know, blown the hiatus. They desperately needed someone to come on.

[Dana Carvey]

Right.

[Pete Siegel]

So. So that's how I got it. That was part one. This is a long story, so I'll just stop.

[David Spade]

I like, I like when it gets a little ugly.

[Dana Carvey]

The time frame is the hiatus because.

[David Spade]

Of is the summer hiatus messing out.

[Dana Carvey]

Yeah. So there's a time problem.

[David Spade]

We have a window. Yeah.

[Pete Siegel]

And we blew that window. And what that means is now Dave and Chris are going to be having to fly back and forth doing Saturday Night Live and shooting a movie in Toronto at the same time.

[Dana Carvey]

Oh, right.

[David Spade]

Is it bad?

[Dana Carvey]

They could do it, you know, and.

[Pete Siegel]

It made the movie more expensive, too, because it, you know, what could have taken, you know, 30 days. Was now going to take 45 days because we only shot three days a week with the guys.

[David Spade]

And did you stay in Toronto and just chill and maybe try to pick up shots or anything you could without us?

[Pete Siegel]

Yeah. I remember one time, you know, with Farley especially, no one could double him, you know, so all his own stunts, because he was a better athlete than any of the stunt guys his size. But one day I had to shoot a shot of Tommy Callahan walking away from the funeral down this, you know, row of beautiful fall foliage. And I used his double. Chris hated it because he said, that's not how I walk. No more of that. You know, I'm going to do every single shot. I'm like, okay, well, then we're just here and wait.

[David Spade]

Who was this guy? Danny? What does it. Remember? His stuntman. I think he used him a lot.

[Pete Siegel]

I don't.

[David Spade]

He was. No, mine was. Danny, his was probably a great guy, by the way. Yeah. Great stuntman. The walking is a. Is a. Is a good inside baseball thing to talk about because actors get very particular about that.

[Dana Carvey]

Yeah, well, first time I went to. I think Chris was new to the show, went to an SNL party. We're out on the sidewalk, hey, lady, whatever he does. And then he just jumps up in the air and just flies on his back on the cement, you know, so this guy was a stunt.

[David Spade]

I mean, who's gonna show off for you?

[Dana Carvey]

He could really throw his body around.

[Pete Siegel]

Obviously, and he probably got hurt quite a bit. Well, Dave, you tell him about the 2 by 4.

[David Spade]

The 2 x 4 at the dinosaur place. Prehistoric forest. Yeah. Well, you know, I don't really remember this, except remembering on the day of. They take it, they score it. So they take a 2x4 part of. It's. It's supposed to break easy and is made of balsa wood, maybe.

[Pete Siegel]

Yeah, with like, the little rubber padding on one edge.

[David Spade]

Yeah, yeah, yeah. You know, it is. Dana. So. But I'm supposed to hit him in the face. We start a fight, which is a funny scene. We have this huge fight, but he sticks his head out to get hit. And of course, it's not an exact science, but I swing and I think. I don't know if it didn't break or did break, but. Pete, you might know more, but I definitely hurt him a little bit on those. Because even if you get hit by an egg carton. Empty, it still hurts. If someone's swinging at you, try not to hurt the guy, but it's almost impossible. They didn't have it perfected. You finished that one.

[Pete Siegel]

No, it. I think you hit him with the hard part of the two by four. And yes, it broke and he went down and, you know. Yeah, that must have stung.

[Dana Carvey]

He was.

[David Spade]

He was. Yeah, well, he, He. He was very good at taking hits. And also I. No one else knows how hard he's getting hit. You know, you can't tell. And that was obviously a problem. And. But he just gets up. So probably stage five concussion. Should have been choppered out of there. But when he doesn't want to show any weakness and he wants to show he's a pro and he wants to always get hit and fall down and show that, look, this doesn't bother me, and that's a pro. But it's also tough because these days there's probably more scrutiny on it, but we're running sort of ragtag mission out there, and we didn't really know. I don't think Pete knew. We just. It just. You go back and I think, remember one time when the coat didn't rip, when he was doing fat guy on the coat, and he's going. He's screaming. Because I saw this on some outtakes lately. Yeah, they made it too tight. And he's trying to rip it just. It's really hard to rip a regular coat without being scored and cut in the back. So he's screaming and he gets mad because he's like putting everything into it every take. That's the hard part.

[Pete Siegel]

No risk.

[Dana Carvey]

Could I. I just have a question, going back a little bit, because I want you as a director and just in the broad strokes, without laying claim. But just what was the. Besides whatever the story was, the first draft, because you got, you know, the first draft, people just kind of throw it out there. What was your. Besides the specific notes, what was missing and what did you capture? Because obviously the movie is now a classic comedy. I mean, it's. It's the movie. And so can you remember, like, the core things you were trying to figure out with that script?

[Pete Siegel]

Yes. Originally, I think Lauren had pitched the show. Obviously, this was a vehicle for Dave and Chris, but the story had a lot of the Rob Lowe character in it, and he was a lot more integral in that story. And as a matter of fact, it was more about them being stepbrothers. And I thought, I don't think that's the story. I think the story is about the two guys who do not get along at Callahan, who have to work together and save the factory and save the town. And I also thought that there was, you know, another story between a father and son. And I knew that that was very important to Chris because he had a very close relationship with his dad. And so those two things unraveled. You know, what we had in the first draft from the Turners. And then.

[Dana Carvey]

Who are great writers, by the way, so. Great writers.

[Pete Siegel]

They're great writers. I just had a different take. And then Lauren said, okay, I'm gonna send you out, you know, some. Some help. And he sent out Jim Downey and Fred Wolf. And Downey came out. He had apparently just fallen in some poison ivy, and he was perfect.

[David Spade]

Fallen into a vat of poison.

[Pete Siegel]

His face was caked with calamine lotion, but, like, dried up kind of feeling. And he came out with good luck. For like a week. We had lunches and I heard stories. And then, yeah, after a week, I was starting to panic because this was the week that the script was going to be saved.

[David Spade]

You mean, you're just talking, but nothing's being. That's how.

[Dana Carvey]

That's how down he writes. He talks about everything else in the back of his giant brain. Things are happening.

[David Spade]

Yeah, yeah, yeah.

[Pete Siegel]

And then finally, on Friday, they were going to catch a plane to go back to New York. I said, so, what about this? And I held up the script. He goes, oh, oh, that's. I. I can't help you with that.

[David Spade]

I can't.

[Dana Carvey]

He was there for a week.

[David Spade]

Downey, I love.

[Pete Siegel]

And then I remembered walking, you know, in the parking lot at Paramount, and I told Fred, I said, dude, you guys were my lifesaver. That was a swing and a miss. I'm out. And so I quit.

[Dana Carvey]

So. You quit.

[David Spade]

Oh, listen to this.

[Pete Siegel]

Oh, yeah.

[David Spade]

And this is Fred Wolf now.

[Pete Siegel]

Yo, I was telling Fred because, you know, he's my pal. I knew him from before this.

[Dana Carvey]

Hey, you're really good. That's really funny. No, you're. Seriously.

[David Spade]

Tell you something, Pete, just. I'm going to talk about Dana. I want to talk to you.

[Dana Carvey]

No, seriously, go ahead. So you quit?

[Pete Siegel]

I quit on a Friday and on a Sunday. You want it ugly, Dave? Yeah, I'll give you ugly. So I heard. I get phone rings and my wife answers it, and then she covers it and says, it's Sherry, Sherry Lansing. And apparently this wasn't the first time that she used this method, but she said, I have a team of attorneys speeding to the station, to the studio right now to strategize how to sue you for tens of millions of dollars and to take your home from You. And I said, in my home?

[Dana Carvey]

Have you been to the home?

[David Spade]

It's on wheels. You can just pull it.

[Pete Siegel]

I said, checkmate. Fine, I'll go. But this is going to be a disaster. And she said, honey, I know you're going to make it great. And I have to say, you know, she. You know, all these years later, she was so responsible for helping us keep this thing together. And here we are talking about it 30 years later. I credit her.

[Dana Carvey]

It seemed like it was a natural thing because of the history of, like, Laurel and Hardy and, you know, sort of Chris, which we can talk about more about being sort of quintessential as far as a big comedian and throwing his body around and then David and them being at that, very close friends. The chemistry, you know, it's the. It's the comedy team. It's. It's Wayne and Garth. It's Abbott Costello. So I think focusing on that make obviously worked beautifully. And you had Rob Lowe and you had the other stuff, but. Yeah, and Brian Dennehy got that in.

[David Spade]

Brian Denneh, so solid.

[Dana Carvey]

Bo Derek, great in the movie.

[Pete Siegel]

But, you know, the interesting thing is Chris was obviously hilarious on his own, but, you know, Dave, you were the engine, you know, to that machine of the two of you, you had to be, you know, you would pitch and he would hit and he would knock it out of the park. But those balls wouldn't be flying anywhere if it wasn't for you getting under his skin, you know, and. And getting that out of him, you know?

[David Spade]

Yeah, I appreciate that. I mean, you know, those kind of movies, it is, obviously could not be done without Chris. I think there's people that could have played my part. But it was. I lucked into it, and it was really fun to figure it out as we went. And all of us up there and just taking a movie about brake pads, you know, trying to make it funny, because that's the original Two losers with.

[Dana Carvey]

A dream or it's just always a likable motif for a comedy film. They're on their adventure. They're trying to make it, you know, and. And. But the.

[David Spade]

Like, I remember seeing it huge, Dana, when, you know, we're doing it out of sequence, obviously, we're flying back and forth. I'm getting skinnier, he's getting fatter. Uh, and we. We both feel sick and tired and the whole time. And so when it's all over, we know that scenes are funny, but we don't know how the movie's gonna be. You know, that's the Problem with shooting out of sequence, which if. If people know that's pretty much every single movie. You could shoot the. The. The finale the first day. You don't really even know what your characters are like or you're not really gelled into it, but that's the hard part. So it's up to Pete to put it together. And so Pete and also Bill Kerr, the editor. But Pete's putting together these driving shots, add some music. Just makes it all make sense. And the way he shot it, we can't tell because I don't know if we had playback back then.

[Pete Siegel]

We did, but, yeah, maybe we weren't.

[David Spade]

The ones to watch play, you know what I mean? It was sort of up to Pete, but the point is he made it all flow, all added so much more. So when you see it, yes, it. It's funny performances, but everybody cannot. There's so many people that cannot drop the ball. The editor can't. Pete can't. We can't. And if you get it all right, you know, you've been in a couple of those that when it works, it's so hard to get it right.

[Dana Carvey]

Director's medium and landing the pathos on the boat at the end, that. That's unique where it. It doesn't come off forced. It really comes off like, whoa, that hits you.

[Pete Siegel]

Well, we had. When we started filming only 66 pages because.

[David Spade]

Oh, yeah, I think I remember we started over. That's a little wispy, little.

[Dana Carvey]

Little light in the loafers.

[David Spade]

That's just so we can start. We have a re. We have to have a fake reason to go. Exact shoot something while they're writing or whatever.

[Pete Siegel]

So the fact that you guys read SNL gave Fred and me extra time to work on the script. And so as we were going, it was so exhausting because of this pressure of, you know, laying the train tracks out in front of the locomotive every day, that we did not know how the story was going to end. I had no idea. And then Fred came up with a miracle scene. The scene where the guys are walking with Dan Aykroyd in the factory and the test dummies and all that. And that came in and suddenly I thought, oh, okay, I see how the story can end, but how can we wrap this up emotionally? And I always had this idea of Tommy talking to the spirit of his father up in this water tower that we built that we never actually used in the movie. And it was kind of corny and it didn't work. You know what I was thinking? And so we're kind of stuck. And we called in this writer named Len Blum, who had written Stripes, Stripes. And he's. I said, dude, I don't know how to end this movie emotionally. And he said, let me take a look at the footage. And he saw the. The sailboat scene earlier after the funeral, and he said, well, why don't you just revisit that? And that's where he can be talking to the spirit of his father. And the answer will be the wind.

[David Spade]

You know, Tear jerker.

[Dana Carvey]

No, it landed.

[Pete Siegel]

That was. That was it.

[Dana Carvey]

Yeah. Well, I just. This inside baseball, people would like it. Like when you first assembled and you do a test screening and you get cards back, what was the first test screening? Like, what was the range of the scores?

[Pete Siegel]

I think the highest score we got was an 82. So we started in the 70s. But one thing, you know, because I just come from Naked Gun and the Zucker Brothers learned from the Marx Brothers, who rehearsed all of their movies in dinner theaters so that by the time they got to the set, their material was tight and they knew what worked in front of a crowd and what didn't. That saved them. What the Zuckers did is they started recording the audiences, sound wise. So that if you say, well, that got a big laugh. And then, you know, David, if you were there, said, it got kind of a medium. Well, let's go to the tape. It was Imperial. But then what we did, I had just been given, you know, a Sony Handycam for Christmas, and it had that night vision. And so I said, hey, I got an idea. Why don't we hide this under the screen and so we can see the crowd and that'll help us shape the movie. That was the first time night vision was ever used. Standard.

[Dana Carvey]

Okay? So you see the crowd, you see the laughs, and then you're going to do a re edit based on.

[Pete Siegel]

If they don't laugh, you cut it out, you know, and then if you see them shifting in their seats, they're bored. Look at what are we doing. That's going slowly, you know, that.

[Dana Carvey]

What was David Spade's biggest laugh of the movie?

[David Spade]

You know, Pete, I have to say that if I can remember back those old screenings, I think maybe the one that tested the highest was the deer smashing the car and us watching. Maybe. But over time, it is not the number one thing that is brought up.

[Dana Carvey]

No, and what is.

[David Spade]

I mean, there's a. You know what happens over time? When people see it 5, 10, 20 times, it's throwaway jokes. Yeah, that they remember. I mean, from Stripes, from all these old movies. You picture. It's a Cinderella story and Caddyshack and just throw away lines. But I think there was maybe fat guy in a LA coat. Obviously, people still are aware of.

[Pete Siegel]

One of my favorites was caught from you guys. And. And Fred and I were just, like, desperate to write down anything that you guys did funny in your interaction. Farley comes out of a wardrobe test in his suit, the iconic brown tweed. And he said, david, does this suit make me look fat? And you fire back, no, your face does. I'm like, that's going in.

[David Spade]

Yeah, that's going.

[Pete Siegel]

And that's how we just. We heard about this thing he would do at snl. Fat guy in a little coat. Okay, that in. But he. He never sung it, you know.

[David Spade]

Yeah, that was a good one.

[Pete Siegel]

One thing that happened in the boredom of making a movie, because you and Chris were used to live tv. One take, three cameras. Done.

[David Spade]

Yeah.

[Pete Siegel]

Suddenly we're doing multiple takes, multiple angles, and it would get boring, but in that boredom. So I shoot fat guy, little coat. I shoot Chris's side. Done. I turn around because we only had one camera. We were low budget. Turn around. Getting Dave and I thought we were done. That night, Bill Kerr, our editor, calls me and he says, oh, my God, you got to go back and reshoot this. I'm like, what are you talking about? You didn't hear Farley off camera? He started singing it and getting all goofy like kid. He goes, yeah, look at the dailies. So I looked at him. Sure enough, we turned around the next day and reshot it.

[Dana Carvey]

Because Chris was talking and singing while David, he was bored.

[David Spade]

So he just starts around.

[Dana Carvey]

The sound was messed up and he was just bored and didn't know how movies were made. Like, it sounds. Got it.

[David Spade]

I think he was just doing it, not even to get just like, bored. And then it sounded actually funnier. I remember I saw an outtake recently that I don't remember, of course, where we're in bed at the hotel and. And he talks about Zelensky. And I go, and. And then Chris starts hysterically laughing, and I try to hold the take because maybe you. You use that one. But when people laugh, it's funny, but sometimes you can't use it. But if you wait a hair longer, you can cut away after. Yeah. But he laughs. He goes, what a fucking dick. Because I don't know. I guess it was the same thing. Just giving it a different reading because of. Just. We've done it too Many times. You know, that kind of thing. Yeah, sometimes things happen.

[Dana Carvey]

That is, the thing about film is you're supposed to not. The crew's not supposed to laugh, and no one's supposed to laugh. And so there's this dinner table tension at Thanksgiving where you're not. So. Where someone's saying the Lord's Prayer and so you're laughing. So there's that tension there that does create kind of fun moments.

[Pete Siegel]

I remember seeing one of the. Another outtake I. I'd forgotten about was we shot most of what was Callahan in some abandoned post office, and it had holes in the roof, and birds would get in, and birds would start chirping like crazy, having a fight in the middle of takes. And Chris could not hold it together because he just. Up at the birds.

[David Spade]

Did you know it was there? I remember there was some scuttlebutt about Bo Darrick cutting her hair. Is that not true?

[Pete Siegel]

I don't remember that. I just.

[David Spade]

Because she had long hair from. Obviously, everyone knows from the movie 10.

[Pete Siegel]

Right.

[David Spade]

And she was doing a different movie and she came right to the set and she had short hair. I don't think anyone knew. And we didn't know if. I don't know if it was an issue or not. I think everyone's just surprised.

[Pete Siegel]

I don't. Yeah, it kind of rings a bell. And I just heard an interview she was doing just a couple days ago where she said she was not even shooting another movie. She was doing another business in Asia. And she came and was. Got a phone call and was on the set the next day coming out of the pool in a bikini.

[David Spade]

Oh, yeah, Yeah, I think I did hear that.

[Pete Siegel]

And then she said, well, I must have been replacing someone. And they were. And I said, I don't think we had anybody.

[David Spade]

I don't remember.

[Dana Carvey]

Just.

[Pete Siegel]

We were just so disorganized.

[David Spade]

Disorganized? Yeah.

[Pete Siegel]

We were just hiring someone that. The. The next day. But so the first time I met her, she comes out and it's a. You know, they have to show the. The wardrobe to the director. And she comes out in a robe and she goes, what?

[David Spade]

Yes, they do.

[Pete Siegel]

So she opens up her robe, and I'm. First thing I'm looking at is Derek from ten showing me this bikini. I just stared straight at her eyes and said, fine. That's. That's fine.

[David Spade]

Fine. Could not be more lovely. She was such a sweetheart and such a great. Another addition you don't really talk about a lot, but she was so good to have in there because People loved her. You. I think you said she was the biggest star in the movie. Right. Well, you know, Blake, just come off of 10.

[Dana Carvey]

Yeah, yeah.

[David Spade]

And we had come off of nothing also, was there. Remember these old outtakes that I think Skippy had that they are somewhere. Maybe I have now. By the way, Pete gifted me with Skippy. We. He that when. When he comes to the door during housekeeping. And I think you said, do one with undies on, one with maybe a robe, and then one with nothing.

[Pete Siegel]

Yes.

[David Spade]

Right.

[Pete Siegel]

Just to have it. And then I did tell him, and whatever you do, for the love of God, do not turn around. Well, of course, that's all Chris needed to hear. So he turned around and started flailing around, his wiener just dancing straight into the camera. And I just said, this film will be burned. We will not.

[David Spade]

He said, hi, Sherry.

[Dana Carvey]

I think you mentioned that.

[David Spade]

Hi, Sherry. Yeah, I don't think those ever got out any fun outtakes that I see on Instagram. Do you feel. I tell you, I felt spoiled coming from SNL with Dana and these guys, just on a writing level and performing level. And then I go to Tommy Boy, and then I've done, you know, some things in life I really love and some things that are a little tougher, you know. But don't you feel spoiled when you get on a set and it's not like that, and you're like, oh, my God, this is gonna be tough. Yeah.

[Pete Siegel]

I mean, you know, people say, because that movie is so well remembered, you must have had a blast making it. It wasn't fun making it Wasn't that fun.

[Dana Carvey]

Movies aren't fun to make generally.

[David Spade]

If you tell me it's a hit. If you. I'll give you a hint. This will be a big tip for everybody. If you tell me it's a huge hit ahead of time, it will help a lot. Yeah, but the fact that you don't know and the bad ones are just as hard to make as the good ones. Yeah.

[Pete Siegel]

That's the unfair part.

[Dana Carvey]

Yeah.

[David Spade]

Yes.

[Pete Siegel]

You know, you worked all this.

[David Spade]

You. You did all this work and it. And it makes your career worse.

[Dana Carvey]

Yeah, that should.

[David Spade]

Doesn't make sense.

[Pete Siegel]

No. And sometimes when things are going too well, I start to not trust it and then I get into a weird mood that, oh, everyone's so nice, everything's so great, everything's so funny. This movie's gonna tank.

[David Spade]

Yeah. You never know.

[Dana Carvey]

Well, I don't know if people understand this. Like, what was your longest day? Because on low budget film, sometimes you got to Go and go. I know that one mean. Because people. That's why you don't even know if It's English. It's 24 hours. How long?

[David Spade]

I think I just saw. I just saw Pete on the set of Bus Boys and I. I. Did I ask you this? That the Factory. I think we did almost 24 hours. Is that possible? Close.

[Pete Siegel]

Probably.

[David Spade]

It was definitely because we went day to night and then we shot overnight until like 6 in the morning.

[Dana Carvey]

In the high teens, did you say? Yeah, it had to be Wayne's World. Had a couple of those. Were you like.

[David Spade]

I think we only had it for. And we flew in on a weird thing like a, you know, after the SNL afterparty. And then we start Sunday morning. And then we only have it for Sunday, but we go late, but they open Monday morning. So I think it was one of those where we all remember things differently. But I just remember that was. I think we had a lot of cast in it. We had a couple stunts and all that stuff just slows everything down.

[Pete Siegel]

That was a lighting. But I think the most painful one was cow tipping. Because was. What was cow tipping? Because it was a. A night shoot in the cold. The great white north. And I don't know. My God, it must have been zero degrees. And Chris had to, you know, dive in the mud under a cow and. Yeah. And the sun was coming up. You know, if you look hard, you'll see right over his shoulder when he comes up with the mud mask that you see the sun starting to rise. That we were just running out of time.

[David Spade]

Yeah. You remember the coldest day. I'll tell you this, Dana. Dana's glazing over, but here's the coldest day.

[Dana Carvey]

Not at all. I'm just cold right now.

[David Spade]

This is a riveting reveal. I would say, Pete, because it started getting cold and then it got cold fast. Spade from Arizona was not ready and not loving it. I would say probably in my estimation. We're standing by a billboard yelling about the bees to the cops. And then we're going, oh, my God, Zelensky. And we're. I don't think. I think we looped some of it because I couldn't formulate the words because my jaw was frozen.

[Pete Siegel]

Well, what are we.

[Dana Carvey]

What are we looking at? I'll see your cold and raise it on movie.

[David Spade]

Let's see where we only have light clothes on.

[Dana Carvey]

Were you in Canada or Toronto? Toronto. Okay. Yeah. My movie took place in Ontario, something like. We were minus 30 Celsius. And me, Nicholas Cage, oh, paradise. Yeah. Trapped in paradise with John and we just want fell. We just fell down the snow. It was all night shoots. A lot of frostbite we had. We were wrapped up like the mummy and then they take it off and they was go fans for the, for the snow, you know. So everything was going to be overdub. But yeah, so you guys were definitely below zero probably at night.

[David Spade]

Well, I think we're on. We were close to that because I remember same. We can't keep shooting like and night shoots on top of that. Like every movie I do now we're like let's do splits or let's do some other way.

[Pete Siegel]

Yeah, nights are the worst.

[Dana Carvey]

So.

[David Spade]

Okay, well go one more day. And Steve, it's like our guy Pico.

[Dana Carvey]

How to put in context this movie. You know, one thing I was going to say, and this will be a compliment alert for my partner in crime in comedy is David can really, he can do the cut. You know, he can like do kind of little but it's always likable. It never comes with teeth. And so all his little put downs of Chris just always never went to the other level. So that's the chemistry of the two of them. And then with Chris Farley just thinking when you watch his, you know, guy down by the river and this movie and stuff, I just don't think we've seen another Chris Farley. There must be at one point we will. He's just a singularity in comedy in the last 30 years and there's been brilliant people and brilliant movies, but he's something unique about him that is sort of irreplaceable right now. I mean, right?

[Pete Siegel]

Absolutely. At the, at the 50th. SNL. 50th, I bumped into Paul Walter Hauser who's going to be playing Chris. Oh, Chris Farley story. And I said, look, if you grab a lunch, you know, I'll tell you stories. So that's going to be definitely.

[David Spade]

Should I talk to him at one of my shows he came and we talked about it. He's got a, got an uphill battle. But I said, you know, good luck to you. The guy's a good actor.

[Dana Carvey]

So Chris had that throaty one. I'm just, you know, that thing that, that's really hard to duplicate. He put so much into that, you know, that that would be what I would try to advise that actor to try to get that tone and get that energy.

[David Spade]

I says, I says, I says, I says, I go, you're making that a full update videos. Oh, yeah. You know, he goes, I says, the guy. I says, the guy. I says, I says right to him. I says, I says, I says, and that's his whole bit. I got a fucking full update. He's like, yep, and it's gonna kill. And then it did. Ah, so funny.

[Dana Carvey]

Yeah.

[David Spade]

Well, Pete, thank you, bud.

[Pete Siegel]

Thank you.

[David Spade]

I will say to Dana's point quickly, when I'm on the bench, I don't know if it's your idea or whoever's idea. I, I mean, I'm kind of borderline mean to Chris the whole movie. But when I'm on the bench and I, I say he's my only friend, that's erases it.

[Pete Siegel]

Dude, I, I just watched. There was a screening last night and exactly when that scene came up, that was really nicely done. The way you did it, it was very genuine. It was very real. And it kind of made the whole arc of your relationship with Tommy Callahan work. That scene.

[David Spade]

Yeah, it helped it make sense.

[Dana Carvey]

Put down the. Put down the. Put down the. Put down.

[David Spade]

Yeah, because they just feel sorry for him.

[Dana Carvey]

It's like a song. And then he's my only friend.

[David Spade]

Yeah.

[Dana Carvey]

Filmmaking. Well, congratulations on being the director of one of our all time classic comedies and, and everything else you've done naked. But anyway, appreciate it.

[David Spade]

That segment was brought to you by O'Reilly Auto Parts. Whether you're a car aficionado or an auto novice, you'll find the employees at O'Reilly Auto Parts are knowledgeable, helpful, and best of all, quite friendly. LinkedIn is something we've all heard about. Dana, you've heard about. I've heard about it. And as a small business owner, you don't have the luxury of clocking out early.

[Pete Siegel]

Nope.

[David Spade]

The biz is on your mind 24 7. So when you're hiring, you need a partner that grinds it out as hard as you do. That hiring partner's LinkedIn jobs, when you clock out, LinkedIn clocks in, makes it easy to post your job for free, share it with your network and get qualified candidates that you can manage all in one place.

[Dana Carvey]

I like it. This is a famous one. I think this is one of the first online job hiring entities and it does make it easy. It's a pain in, in the bottom, you have to interview tons of people. They don't work out. You post your job. LinkedIn's new feature can help you write the job description and then quickly get your job in front of the right people with deep candidate insights.

[David Spade]

Yeah, you don't have to know much. They're going to like walk you through it. It's, you know, you don't have time to even like, figure out how to do this. You just, you know, post your job for free or you can pay to promote it. Promoted Jobs gets three times more qualified applicants. You get qualified candidates. I've always heard this. At the end of the day, the most important thing to your small business is the quality of candidates. You want the right people. With LinkedIn, you can feel confident you're getting the best.

[Dana Carvey]

That's right. Based on LinkedIn data, 72% of SMBs using LinkedIn say that LinkedIn helps them find high quality candidates.

[David Spade]

Listen, you share it with your network. You can let your network know you're hiring. You can even add hashtag hiring frame for your profile picture and get two times more qualified candidates.

[Dana Carvey]

If you're curious, David, what can they do?

[David Spade]

Well, you find out why more than 2 1/2 million small businesses use LinkedIn for hiring. Find your next great hire. Post your job for free at LinkedIn.com/candidates. That's LinkedIn.com/candidates to post your job for free. What applies though, Dana?

[Dana Carvey]

Terms and conditions. You know, what's an important thing, David, in life, and I don't know if you know this, but life insurance, you.

[David Spade]

Know, Ethos, we got a good one here. Listen, life insurance is something everyone kind of thinks about, but you got to act, you got to make moves. You think it's out of the, you think it's maybe too expensive, you think it's a hassle, you just have to do it. These guys make it as easy as it could be. You know what I mean? Because you never know what's going to happen.

[Dana Carvey]

That's the thing, and it's a loving thing to do for your family, is to take out life insurance. And this is, this is a way to do that without it being, like you said, a giant hassle. You know, it's easy, easy to use. And they share how life insurance can protect your family, those you care about, Right?

[David Spade]

Listen, these companies, I've tried this where you try to get life insurance. It's so complicated. But let me. But, but with these guys, I think they saw that and they said, let's take out the confusion, let's take out the tedious process.

[Dana Carvey]

Yes.

[David Spade]

And they made. Ethos has made securing life insurance policies up to 3 million as smooth and as fast as possible. You know, you can apply for affordable life insurance quickly, easily, online, all without a medical exam. What's used, what do you say? What's Next.

[Dana Carvey]

No metal exam required. Just a few health questions. 100% online and you see your rate in minutes. This is, this sounds like a good, good way to get.

[David Spade]

This is the way to go. Listen.

[Dana Carvey]

Yeah, no hassle.

[David Spade]

Lock in your rate today. Give yourself, your family, everyone, peace of mind. Term life policies start as low as $10 a month. Get your free [e-mail] fly that's e.

[Dana Carvey]

T h o s.com fly they say money can't buy you happiness, David. And that might be true. But money can sure make you feel a lot of other things. Like stress, guilty, overwhelmed. That's because when you're not in control of your money, your money can control you.

[David Spade]

I said that's right. Today's episode is sponsored by Acorns. Acorns is a financial wellness app that helps you take control of your money with simple tools that make it easy to start saving and investing in your future. You don't need to be an expert. Acorns will recommend a diversified portfolio that matches you and your money goals. You don't need to be rich. Acorns lets you get started with the spare money you've got right now. Even if all you have is spare change.

[Dana Carvey]

That's the good thing. You don't need a ton of time. You can create your own Acorns account, start investing in five minutes. You just don't need to feel like this feeling of like, what do I do with my money? You know, financial wellness is impossible.

[David Spade]

Well, you don't feel like that. Acorns does the hard part so you can give your money a chance to grow.

[Dana Carvey]

Couldn't agree more.

[David Spade]

Okay, ready to take control your money. Sign up now and join over 14 million all time customers who have already saved and invested over 25 billion with Acorns. Head to acorns.com fly or download the Acorns app to get started. Paid non client endorsement compensation includes incentive to positively promote Acorns tier one compensation, provided you know investing involves risk.

[Dana Carvey]

Acorn Advisors LLC and SEC registered investment advisor.

[David Spade]

View important [e-mail] fly okay, so that was Pete Siegel. Great talking to him. I do want to jump on that. We talked afterwards about a musical for fat guy in a la coat and the Tommy Boy musical.

[Dana Carvey]

Yeah, the Tommy Boy musical. I was serious.

[David Spade]

And then on Broadway and then we could do Richard, my character who never had a friend and so I get to do a. Your idea was a song.

[Dana Carvey]

You single those song. It'd be so funny. Never had a friend.

[David Spade]

I walk away from Tommy on the bench and go sing. Yeah. And maybe I thought this is interesting. Interesting casting. I get played by Ariana Grande and don't do anything to her. Just the way she just looks like me. Actually she could pull her hair back. It's like your little sister just put little bangs on. Yeah.

[Dana Carvey]

I'll tell you, I'll tell you one thing. Doing that SNL in the fall when she was host. That gal is multi talented. I mean she. Yeah, she could do anything. Literally. She could probably work up an impression of you if she had to.

[David Spade]

She's incredible. I have to say I thought I was calling this early. The last time she hosted that she. I wanted to get word to her. So funny. And she's really good. She did Jennifer Lawrence. It was funny.

[Dana Carvey]

Yeah.

[David Spade]

Then she goes in the thing where she sings all these different songs in the radio station, different voices and she's so talented and she's such a little twig and she just rips it out with a great voice and she's cute, funny. I mean, I don't know how she does it. That's a tough. That show is tough. And I'm so tough and makes me crumble.

[Dana Carvey]

But she, I did Jennifer with her and that's right. And that, that was fun. She had a. She had a blast. I mean, I think that people don't do sketch comedy all the time. When it's working, it's. It's really fun, you know.

[David Spade]

Right. I almost want to see Wicked literally just for her. Because I just want to see. I know nothing about Wicked. But she's good and she sings well.

[Dana Carvey]

Exquisite of Oz, basically.

[David Spade]

Yeah. Let's not. Did you know that Oz never did give nothing to the Tin Man? That is already have.

[Dana Carvey]

I know what it is already. I'm just saying for people listening. I'm going to give you three seconds. America.

[David Spade]

That's. That's the band America.

[Dana Carvey]

Yeah. And that song is nothing too.

[David Spade]

I never understood that as a kid. Have you ever realized some words as a kid you don't though understand because you don't know what it means? Like they say like a phrase or something you've never heard and now you get older, you go, oh, now I get what that meant.

[Dana Carvey]

Why? Because you remember the movie you, you had nothing.

[David Spade]

I didn't know he was saying Oz. That was such a clever little thing to say.

[Dana Carvey]

Yeah. Instead of the wizard of Oz.

[David Spade]

Oz never did give nothing to the Tin Man.

[Dana Carvey]

I like the. The Tin man didn't have a heart. Right? Yeah, yeah.

[David Spade]

But they said. But he didn't already have that?

[Dana Carvey]

He already had it. The whole thing.

[David Spade]

The whole thing of the movie. I didn't get it. The whole movie. Anyway, so you were two. We'll quickly show the mach machete story just to show it's true, and then we'll move on. This was it Ninja swords.

[Dana Carvey]

I eat machetes.

[David Spade]

Even worse. Ninjas are the band. God damn. Okay, enough of that one. What's the next one? Give us anything, we will do anything.

[Dana Carvey]

I read an article I don't have a picture of, but I thought it was interesting.

[David Spade]

Lie.

[Dana Carvey]

The divorce rate of people in their 40s and 50s is quadrupled. Oh, okay.

[David Spade]

Oh, okay. Well, this is. We'll go back to divorce rate, but yeah. Trump officials tech texted attack plans to a group chat. Oh, everyone's heard of this story from secure app. They don't want to say signal, but I'm on signal for a fantasy football chat, but it's supposed to be airtight. And this is a mess.

[Dana Carvey]

This is something, when you hear it, you kind of go, whoa, whoa, whoa. What, like in the fire?

[David Spade]

Yeah.

[Dana Carvey]

Does that happen? And can you imagine the person that had to deliver the news to Trump?

[David Spade]

What are you saying? I don't understand. What are you saying?

[Dana Carvey]

What are you saying? What are you saying? They up. They up good. They're morons. I'm not going to fire them. But that's a move you'd never make. I mean, you know, right?

[David Spade]

I will say, if somebody screws up, Republican or Democrat, the first thing they say is, you should quit. And they always go, guys, why are we even doing these? You think I'm ever going to quit? And there's no one on either side that's ever just going to quit. They have to be literally pushed out with bulldozer. So. So they don't do it. But that thing's funny because I thought it'd be funny for you if they said that group chat was left over, that Biden set it up. And it would be funny if Biden was still on it and he was getting. He thought it the lunch orders for the White House every day. And he's like, ha. Oh, do they have fish? Fish kebabs. And they're like, I'm sorry, sir, what? Who is this?

[Dana Carvey]

I like some Hamas with my egg salad sandwich. Come on, folks. Yeah, I'm not getting around here.

[David Spade]

Everybody get your orders in. We're going to do this thing.

[Dana Carvey]

Yeah, I'll have a bomb burger.

[David Spade]

He doesn't understand it. He's reading it all and then he Accidentally facetimes everyone. They're like, don't answer. It's.

[Dana Carvey]

He thinks it's all his face is like this. I'll have a snack attack. Excuse me. A sneak attack. The attacks underwire. Now sandwich.

[David Spade]

I kind of like. Snack attack. Sneak attack.

[Dana Carvey]

Sneak attack.

[David Spade]

This, the sandwich is the bomb.

[Dana Carvey]

Yeah.

[David Spade]

Come on, come on, everyone. Look at my new emoji I found.

[Dana Carvey]

Guess what? We got the beef. Beef.

[David Spade]

Where's the beef?

[Dana Carvey]

We got the beef or no Arby's. We got the meat.

[David Spade]

They changed that. That's a little like Wendy's. Where's the beef?

[Dana Carvey]

Yeah, they copy each other.

[David Spade]

Copy. Who did what?

[Dana Carvey]

What are you doing?

[David Spade]

Okay, okay. Oh, there's. Oh, this is a story that came out last week, right? When Superfly. I didn't know enough data. Now I have even less. There's a vast underground city below Giza pyramids, which, yes, not to be confused with I'm a geezer. Egypt's pyramids. Scientists wild theory claims experts debunk it. I will say it's a riveting story if it's close to true. That they have these, you can't see, but in those infrared heat seeking. That photo above. Yeah, it says they're too specific. Now if you can't see it and you're just going, there's a mass down there. There's something down there. And it goes down about three football fields. That's interesting enough, but they're like, oh, and it had sparklers on it and a Christmas tree light and like, it's underground. You can't know all that, right?

[Dana Carvey]

Well, look, this is a provable thing right now. People said it's real. Someone it's debunked. So somebody go in there and dig them up. Let's dig them up. Send Biden in there. Go on there and check and check and see if it was a tuma. Tackle the pharaoh. Look, what was it? Tubaku? I can't remember. The famous. Just go with Tin Cup King. Common Tutankhamon. That guy. Remember in, you know, fourth grade, you'd study the Egyptian.

[David Spade]

Yeah, we got a lot in common.

[Dana Carvey]

By the way, they still don't know how the pyramids got built, so.

[David Spade]

Dude, it's so. It's so dialed in. There's copper and there's things there that make them, like electrical rods for some ufo.

[Dana Carvey]

I want.

[David Spade]

I'm all in.

[Dana Carvey]

I want a secret alien city to be there. I honestly do. I really want a secret alien city under the pyramids.

[David Spade]

I'm scared.

[Dana Carvey]

So we can kind of relax and go, we're not alone. Like, does it. Does it really matter that we're not alone, but we may not be.

[David Spade]

I'm a little. I, I. My conclusion is that we aren't alone, and I'm a little relaxed about it because they could kill us so fast that at least they're not doing it. But I had heard Roswell was. Lightning knocked him out of the sky. And then we. And then we. They were like, they don't feel so hot, you know, because they crashed. They're like, everyone just be cool. Nothing to see here. And there's like, oh, there's a lot to see here, dude.

[Dana Carvey]

I know.

[David Spade]

That's them talking to the aliens.

[Dana Carvey]

They're like, there's a lot of shenanigans with the JFK report coming out. A lot of, let's keep that quiet and let anyone know that. So you don't. You don't have to be a, you know, a conspiracy theorist to kind of ask questions like, okay, I think if.

[David Spade]

Any of that happened, even 911 right now, people would shoot so many holes through that so fast. Like, back then, it was a world all through life. This is what's in school. This is what you're taught. But when people ask a few questions and. And it trips them up, you go, wait, it shouldn't be that hard. Like, right, what's this? What's this? So it is fun to follow those stories. Some are true, some aren't, but, oh, yeah.

[Dana Carvey]

Stephen A. Smith. There is no doubt that LeBron James is the second greatest basketball player of all time.

[David Spade]

None. No doubt. Never in question. Well, Stephen A. Smith would take a swing at LeBron. This is where he go. It goes all haywire. I don't think he should bring this up, because when I saw him talking, he's like, obviously, LeBron could pound me, fine. But LeBron's like a physical specimen with the best physical doctors and trainers in the world.

[Dana Carvey]

Yeah, Sense of the word.

[David Spade]

So, yeah. And one's a sports reporter, so it's like, let's take that out of the equation of who could win. But anytime you get in a beef with someone, there's always in the back of your mind, what if we get in a fight because it gets. Well, tempers flare.

[Dana Carvey]

If, if LeBron put his weight behind it, at his size, he could really hurt somebody.

[David Spade]

Oh, yeah.

[Dana Carvey]

Stephen A. Smith's kind of slender. I mean, he's pretty tall, but he's not LeBron. And he knows. But it's just gotten to playground stuff. Lebron did post an image of him 10 years ago. He said he had dislocated shoulders of him boxing. And Stephen A. Smith said it was. It was a bad look. And then he came back today with a 15 minute diatribe.

[David Spade]

Diatribe?

[Dana Carvey]

Yeah, defending the whole thing. He wasn't making fun of Bronnie. I mean, it just sort of. Who was it, Albert Brooks that said life is. Is like high school with money, you know, guys.

[David Spade]

Yeah. I mean, it's also like, there's people I don't like out there in show business. It's like high school. You're not going to get along with everyone. And so it's okay to. Do you hear that? Not funny. What the other say when I plug it. Now, when I plug in my phone, can you hear what it says?

[Dana Carvey]

Be bop boop. Okay.

[David Spade]

It took a hair too long, that motherfucking. Okay, I'm gonna give everyone one more shot at it. Neither you cannot talk. Shake the phone up. Look, there's Harper.

[Dana Carvey]

What is that about?

[David Spade]

Okay, ready? Oh, everybody quiet on the set. We're rolling. That's a good one. Every time you plug it in and people aren't ready for it, they go, what is it?

[Dana Carvey]

That's something you. You say. That's one of your.

[David Spade]

That's something I say. And Heather told me that you can. I think her says, hey, Heather. So if you plug it in, it can say something very short. And I was like. And I go, oh, no, it sounds too robotic. So I go, oh, maybe it should say something robotic. Okay, so Stephen A. Smith started about LeBron and Bronnie.

[Dana Carvey]

Well, Stephen A. Smith, I don't know the. I didn't listen to everything, just said.

[David Spade]

Confrontation on the court about that.

[Dana Carvey]

And he was just saying that he did not believe that Bronnie James, who by the way dropped 39 this week in the G League, was ready for the NBA. So that was, you know, so.

[David Spade]

Yeah. So LeBron saw him at a game on the court and said, hey to the effect of don't on my son.

[Dana Carvey]

And so I get the emotionality of it and I get. I think this leads. And we'll talk to our friend Ted Sarandos. One night only. Stephen a. Smith and LeBron James sit down and talk it out. Then LeBron James will put on a hundred pound weighted suit and they will go three rounds with David Spade as the referee. I'm the ref and Dan of Larfo is the announcer. No, you're both the announcers.

[David Spade]

Now you open.

[Dana Carvey]

I do. Cute. 10.

[David Spade]

I do you do a few up front.

[Pete Siegel]

Sweet potato.

[Dana Carvey]

Sweet potatoes.

[David Spade]

Just that part of your act. And then. Yeah. Celebrity boxing should come back.

[Dana Carvey]

I'm just on Team Brawny. I think he's in the toughest position for any young athlete. I think he's brave to do what he's doing. LeBron's being the dad. And I hope in the end of the day, Bronnie becomes a good NBA player and his dad will eventually retire. He can't play to 50 in the NBA, can he?

[David Spade]

You know, let's look at a clip.

[Dana Carvey]

What a hot take, guy.

[David Spade]

Yeah, that was a hot take.

[Dana Carvey]

That was a hot take. Take.

[David Spade]

There's a Luke take. All right, next story. Sweet potatoes.

[Dana Carvey]

Sweet potatoes.

[David Spade]

Oh, I thought. This is interesting.

[Dana Carvey]

Oh, it's.

[David Spade]

It's one of those. You have to listen to it. Is it too boring?

[D]

You wanted a comedian to. You know, that's what you do in big comedy movies. And Jim wanted an actor who would make him, who would react, who would get. It's a buddy, buddy in the studio. Can't. A comedian will just try to top me. And then we're into that. And that's not what this is.

[Dana Carvey]

This is.

[D]

There's a heart to this. There's these two guys, they're stupid as hell, but there's a heart to them. I got the role and I was aware that. That others wanted someone else. But I knew that Jim, Pete and Bobby Farrelly wanted me. So we all went to Breckenridge, Colorado.

[David Spade]

Interesting showbiz story.

[D]

And the first day, first morning, we shot the scooter, me and Jim driving down the mountain pass and. And I say, I got a pee.

[David Spade]

And he said, I got this script ahead of time.

[D]

That was the first. First day pulling into Aspen, supposedly, and the snot coming down, getting off the scooter.

[David Spade]

That was morning work.

[D]

The rest of the week. We went to the lodge. We did the chairlift on the pole with the tongue on the pole.

[David Spade]

Didn't work the whole week.

[Dana Carvey]

Why? Because he was broken.

[D]

We did okay sitting there getting.

[David Spade]

I didn't figure it out either.

[D]

We did.

[Dana Carvey]

Yeah.

[D]

Going into the ski lodge, crashing the skis.

[David Spade]

Funny musical comedy.

[D]

Now we do the snowball on the head. Now we get Thursday and Friday and Jim hasn't worked yet. And I may be in Dumb and Dumber, but I'm not stupid. The audition is still going on. I come to find out they're going to assemble these scenes featuring me and we're all somewhere going to look at them over the weekend without somebody is on call Somebody who's a comedian is waiting to hear whether he's going to go do the movie.

[Dana Carvey]

Mr. James. Carrie.

[D]

But you could feel it. Maybe I'm just saying, I don't know. Maybe I'm being paranoid. I don't know. Okay. I wait. Sunday, I get the call. See you Monday morning, 6am huh? Maybe I'm wrong. Go into makeup.

[Dana Carvey]

Monday morning, cliffhanger.

[D]

Now we're shooting a scene with me and Jim. Jim walks into the makeup trailer, pats me on the shoulder, leans in and says, just keep doing what you're doing. They love you. Kept walking. Jim Carrey's a friend of the.

[Dana Carvey]

Okay.

[David Spade]

To this day, that's what he said.

[Dana Carvey]

All right. They offered me or they reached out to me to play the sidekick.

[David Spade]

For real?

[Dana Carvey]

Yeah. And that doesn't.

[David Spade]

That doesn't seem like a stretch.

[Dana Carvey]

Well, I think Jeff Daniels was great. And by the way, all those scenes that they. They showed were physical comedy. You know, you would have been great.

[David Spade]

I didn't think of that.

[Dana Carvey]

The tongue throws the snowball because. Falls down. So.

[David Spade]

Throws it too hard, I think.

[Dana Carvey]

But it worked. It worked great. He played it, you know, he's a serious actor and he hosted snl. Incredibly down to earth guy lives in Michigan his whole life. And he played it. He. He played funny. It really worked. And. And with Jim Carrey is such a supernova. You wouldn't want anybody trying to. You wanted something juxtaposed to him. So it worked. I mean, it's a classic comedy. It's great.

[David Spade]

That's what he's saying. The studio wants a comic.

[Dana Carvey]

He's.

[David Spade]

Jim wanted him. And he's basically Jim saying, you got a tryout. We can't have two Jim Carrey's. We have to. And that's what would have happened.

[Dana Carvey]

And that was his tryout.

[David Spade]

I thought that was interesting that people don't know. He had a whole week with no scenes with Jim. And everyone's just watching and going. And then they go, is he funny?

[Dana Carvey]

They're saying, can he be funny?

[David Spade]

Yeah. And he did a good job. Okay.

[Dana Carvey]

Yeah, he did. He was absolutely hilarious in. In the movie.

[David Spade]

Well, Dana, you were perfectly pleasant today. You were a lot of fun.

[Dana Carvey]

I thought that Pete Siegel, he called you Dave and you called him Pete. I called him Peter and I call you David. I thought that was kind of interesting, but it was nice revisiting that movie. And we had fun talking about everything.

[David Spade]

T Boy Keeps. We had a lot of trivia in there.

[Dana Carvey]

I liked, and I'm feeling more and more positive the more I hear information from other funny people and people in the industry. Not to jinx it, but this movie, Busboys, I just feel like it's the right timing for sort of what's coming out.

[David Spade]

I'm just saying I'm looking at it this weekend. I'm gonna look at it rough, and then we get to start to needle it. So, yeah, I'm thinking it might be good. So I'm excited. It felt funny, and we did it. So. So let's see. This has been a presentation of Odyssey. Superfly is executive produced by Danny Carvey and David Spade. Jenna Weiss Berman of Odyssey, Heather Santoro and Greg Holtzman. Hope you liked it.