Podcast
Folger Shakespeare Library: Shakespeare Unlimited
Hosted by Folger Shakespeare Library · EN
Home to the world's largest collection of Shakespeare materials. Advancing knowledge and the arts. Discover it all at www.folger.edu. Shakespeare turns up in the most interesting places—not just literature and the stage, but science and social history as well. Our "Shakespeare Unlimited" podcast explores the fascinating and varied connections between Shakespeare, his works, and the world around us.
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Stratford Festival's Antoni Cimolino
5d ago00:33:42Tap to summarizeNear the end of The Tempest, Prospero vows to retire from practicing the “rough magic” he has mastered, to break his magical staff and drown his spellbooks. After 14 seasons as Artistic Director of Canada's Stratford Festival, Antoni Cimolino has chosen to direct The Tempest as part of his final season before he, too, enters retirement. As possibly the final play Shakespeare wrote alone, The Tempest has often represented a goodbye, or at least a sea change. For Cimolino, who started his career in Stratford nearly 40 years ago, it’s a big change indeed. The documentary This Above All, premiering later this month, follows his tenure leading North America’s largest classical repertory company through a historic expansion, a pandemic, and dozens of powerful productions. In this episode, Cimolino discusses revisiting a play, the power of forgiveness, the show that sparked his love for theater, the surprising role toaster ovens played in his early career, and the “rough magic” that makes theater possible.
Transcribe →Shakespeare and Stephen King, with Caroline Bicks
3w ago00:37:34Tap to summarizeImagine being able to dig through Shakespeare’s manuscripts and ask him about his writing process. Did King Lear survive in the first draft? What if Hamlet originally said, “To live or not to live?” While we can only dream about that opportunity, scholar and Everyday Shakespeare host Caroline Bicks experienced something close to it when she gained unprecedented access to the archives of another famous author: Stephen King. The Bard of Avon and the King of Horror have more in common than you might think. Both are popular and prolific authors who have been praised and derided for writing for the masses. But both also pay close attention to the sounds of words, the flow of names, and the rhythms of sentences. And sometimes, King’s work even takes inspiration from Shakespeare himself. In this episode, Bicks draws fascinating parallels between Shakespeare and King and shares how she became the first scholar permitted to explore King’s personal papers. Her book, Monsters in the Archives: My Year of Fear with Stephen King recounts her chance to live every scholar’s dream—while surrounded by the stuff of nightmares. From the Shakespeare Unlimited podcast. Published July 28, 2026. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. Technical support was provided by Voice Trax West in Studio City, California. Web production was handled by Megan Fraedrich. Transcripts are edited by Leonor Fernandez. Final mixing services provided by Clean Cuts at Three Seas, Inc.
Transcribe →Shakespeare's Margaret, with Charles O'Malley and Scott W. Stern
Jul 1400:35:27Tap to summarizeIt’s been more than 400 years since she first appeared on stage, and she’s still controversial. Margaret of Anjou appears in not one, not two, but four of Shakespeare’s plays—Henry VI Parts 1, 2, and 3 as well as Richard III—maturing from a young bride-to-be to a vengeful widow. She also speaks the most lines of any of Shakespeare’s female characters. Although her historical counterpart never saw battle, Shakespeare’s Margaret leads armies. And while the real Margaret was permanently exiled to France, the Shakespearean version returns to England to confront her old foes. Charles O’Malley and Scott W. Stern, co-authors of Shakespeare’s Margaret: The Dramatic Life of a Warrior Queen, share how Margaret exists as an avatar for anxieties about women in power throughout the ages. Shakespeare’s depiction may have been influenced by Elizabeth I, but Margaret has been portrayed on stage as a witch, a seductress, an anti-fascist resistance fighter, and even an analogue for Margaret Thatcher. In this episode, O’Malley and Stern shine the spotlight on Shakespeare’s most deliciously complex anti-heroine. From the Shakespeare Unlimited podcast. Published July 14, 2026. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. Technical support was provided by Pat Mesiti-Miller in Oakland and Voice Trax West in Studio City, California. Web production was handled by Megan Fraedrich. Transcripts are edited by Leonor Fernandez. Final mixing services provided by Clean Cuts at Three Seas, Inc.
Transcribe →Scholars in Shakespeare, with Sean Keilen
Jun 3000:35:40Tap to summarizeShakespeare famously never attended university. But not only has his work inspired generations of scholarship, his plays, too, are filled with scholarly characters. Shakespeare, it seems, took an interest in learning. Perhaps that’s why so many people come to Shakespeare for wisdom that they can apply to their own lives. While leading the University of California, Santa Cruz’s Shakespeare Workshop, professor and dramaturg Sean Keilen noticed that people look to Shakespeare and the humanities to answer questions like “Who am I? Why am I here? And how should I live?” Keilen’s book, Shakespeare’s Scholars: Three Lessons from the Liberal Arts, illustrates how learned characters from Hamlet, Love’s Labor’s Lost, and The Tempest more can guide us to those answers —some through their wisdom, and others through their own flawed judgment. In this episode, Keilen shares vital lessons from Shakespeare’s fictional scholars in humility, self-knowledge, and perhaps most importantly, forging connection with others. From the Shakespeare Unlimited podcast. Published June 30, 2026. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. Technical support was provided by Sarah Lai Stirland in Santa Cruz and Voice Trax West in Studio City, California. Web production was handled by Megan Fraedrich. Transcripts are edited by Leonor Fernandez. Final mixing services provided by Clean Cuts at Three Seas, Inc.
Transcribe →The Six Loves of James I, with Gareth Russell
Jun 1600:40:33Tap to summarize“Elizabeth was king, now James is queen.” So went the joke circulating around London in the 17th century. While Elizabeth I became an icon for transgressing traditional gender roles, her successor is all too often overlooked or even mocked for the same reasons. Yet James I was a multifaceted ruler who led a fascinating life—and his personal relationships only add to that complexity. For generations, historians avoided labeling the intimate relationships between James and his “favorites” as romantic. But after combing through James’s personal correspondence, historian and author Gareth Russell has uncovered compelling evidence of five significant love affairs with men. His award-winning book, The Six Loves of James I, reveals how these relationships—and his marriage to Queen Anne of Denmark—guided the course of his life and reign. James I’s story is a turbulent one, filled with assassination attempts, kidnapping, and witch hunts. It’s also a story of a man who loved “indiscreetly and obstinately,” for better or for worse. In this episode, Gareth Russell explores the untold history of a complicated king through the lens of the great loves of his life. From the Shakespeare Unlimited podcast. Published June 16, 2026. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. Technical support was provided by Pavel Barter in Belfast and Voice Trax West in Studio City, California. Web production was handled by Megan Fraedrich. Transcripts are edited by Leonor Fernandez. Final mixing services provided by Clean Cuts at Three Seas, Inc.
Transcribe →Shakespeare and the Red Scare, with Marjorie Garber
Jun 200:32:51Tap to summarize“Is he a Communist?” During a House Un-American Activities Committee hearing in 1938, Congressman Joe Starnes probed into the politics of a writer produced by the Federal Theatre Project. The playwright in question? Christopher Marlowe. While Starnes’s blunder became legendary, Shakespeare and his contemporaries continued to come up throughout the Red Scare years. Something about early modern poetry and plays often rang as disquietingly topical. In her book, A Treacherous Secret Agent: How Literature Spoke Truth to Power During the Red Scare, Marjorie Garber reveals how literature has always posed a threat to authority, a power of which Shakespeare was well aware. As she puts it, “poetry makes trouble all the time.” This episode explores how Shakespeare became a magnet for suspicion during the Red Scare—and how he spoke to the moment from beyond the grave. From the Shakespeare Unlimited podcast. Published May 5, 2026. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. Technical support was provided by Philip Bodger in Lewes, England and Voice Trax West in Studio City, California. Web production was handled by Megan Fraedrich. Transcripts are edited by Leonor Fernandez. Final mixing services provided by Clean Cuts at Three Seas, Inc. Marjorie Garber is the William R. Kenan, Jr., Research Professor of English and of Visual and Environmental Studies at Harvard University. She is the author of twenty books, including Shakespeare in Bloomsbury and A Treacherous Secret Agent: How Literature Spoke Truth to Power During the Red Scare. She lives in London, UK. Learn more about Marjorie Garber and her work at her website.
Transcribe →Jacob Ming-Trent on How Shakespeare Saved My Life
May 1900:31:31Tap to summarizeOne small step into the wrong classroom becomes a giant leap into a new life as a Shakespearean actor. That’s how Jacob Ming-Trent tells it in his remarkable one-man tour-de-force, How Shakespeare Saved My Life. As the Folger prepares to welcome How Shakespeare Saved My Life to the stage this June, Ming-Trent joins us to delve deeper into his story. Ming-Trent is no stranger to the Folger stage, having previously presented How Shakespeare Saved My Life at the 2024 Reading Room Festival and portrayed Nick Bottom in A Midsummer Night’s Dream in 2022. A multitalented stage and screen actor, he has appeared in Broadway musicals from Gypsy to Shrek, television series like Watchmen and Ray Donovan, and films including The Forty-Year-Old Version and Friendship. In this episode, Ming-Trent presents Shakespeare as an urban poet in the vein of Tupac and Biggie. He breaks down the inspiration behind How Shakespeare Saved My Life and how he brings his own experience to his interpretation of Shakespeare’s words, rearranging and reframing them to create something uniquely personal.
Transcribe →The Shakespeare Ladies Club
May 500:27:53Tap to summarizeA century after Shakespeare’s death, his words were in danger of being forgotten. While plays like King Lear and Othello still played to packed houses across England, audiences saw only the bowdlerized versions—censored, rewritten, and stripped of anything that could be considered distasteful. How, then, did Shakespeare’s original works re-emerge? Thank the Shakespeare Ladies Club, a group of influential women who rescued his reputation(and his double entendres) from obscurity. In their book, The Shakespeare Ladies Club: The Forgotten Women Who Saved the Bawdy Bard, Christine and Jonathan Hainsworth uncover the club’s unsung contributions to Shakespeare’s legacy. Thanks to the Hainsworths, Westminster Abbey has now officially recognized the Shakespeare Ladies Club for their campaign to memorialize Shakespeare in Poets’ Corner. But, they reveal, the club’s influence goes even deeper than that. In this episode, Christine and Jonathan Hainsworth shine a light on this remarkable group of women and how they made Shakespeare the cultural icon he is today.
Transcribe →The Translator's Art and Shakespeare, with Daniel Hahn
Apr 2100:33:40Tap to summarizeIs Shakespeare still Shakespeare even if every word is changed? While Shakespeare’s work is often hailed for its universality, its meter, metaphor, and wordplay pose special challenges for translators. How do you convey the rhythm and spirit of Shakespeare’s words in a language that follows fundamentally different rules? Author and translator Daniel Hahn explores these questions in his book, If This Be Magic: The Unlikely Art of Shakespeare in Translation. He interviews translators from around the world, providing unique perspectives on Shakespeare’s language and impact. Some of Shakespeare’s best-known lines can prove the most difficult to capture, like Henry V’s “We few, we happy few, we band of brothers.” Even something seemingly simple like Lady Macbeth’s “Are you a man?” may be tricky to translate when the word “man” carries different connotations in different languages. In this episode, Hahn dives into the challenges and rewards of translating Shakespeare, exploring not only what is lost in translation, but also what is gained.
Transcribe →The Improvised Shakespeare Company
Apr 700:39:02Tap to summarizeWhat is it like to create a Shakespeare play that’s never been written—and will never be performed again? The Improvised Shakespeare Company is a long-running ensemble that performs entirely unscripted plays in the style of Shakespeare. Founded in Chicago in 2005, the company has spent two decades building a devoted following through performances in the United States and internationally. In this episode, Blaine Swen, the company’s founder, and Ross Bryant discuss how their performances take shape in real time, beginning with a single audience-suggested title and unfolding into a full-length play that will never be repeated. Drawing on techniques from long-form improvisation and a deep familiarity with Shakespeare’s language, structure, and themes, the ensemble creates stories that balance poetry, comedy, spontaneity, and lots of fun. They reflect on what makes Shakespeare particularly well-suited to improv, from his larger-than-life characters and emotional intensity to the flexibility of his language and cultural references. They also explore the mechanics of their process—how they listen, build on each other’s ideas, and embrace mistakes as opportunities—and why committing fully to the moment often leads to the most surprising and meaningful results. From the Shakespeare Unlimited podcast. Published April 6, 2026. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. Technical support was provided by Voice Trax West in Studio City, California. Web production was handled by Paola García Acuña. Transcripts are edited by Leonor Fernandez. Final mixing services were provided by Clean Cuts at Three Seas, Inc. Ross Bryant is a writer/performer from North Carolina. Ross is a performer on Dropout.tv and can be seen regularly at the Upright Citizen’s Brigade Theater in Los Angeles. Ross also tours the country and performs monthly at The Largo in LA with The Improvised Shakespeare Company. Ross began performing in Chicago where was a member of the resident cast of The Second City Mainstage. Ross is a writer for Mystery Science Theater 3000, and has co-written original television pilots for Pop TV, Warner Bros and the Showtime network. TV credits include The Good Place (NBC), Crashing (HBO), and I Think You Should Leave (Netflix). Ross also the host of the horror/comedy/improv podcast Push the Roll with Ross Bryant. Instagram: @rossbb Blaine Swen is the creator and director of The Improvised Shakespeare Company®. He is a writer/actor based in Nashville where you can catch him in the two-person improvised musical Erica & Blaine. Blaine also performs regularly in Chicago where the Chicago Reader named him the “Best Improviser in Chicago.” His iO Chicago credits include the two-person group Blessing with Susan Messing and the one-person improvised musical BASH! Additional Chicago stage credits include Chicago Shakespeare Theater, Chicago Symphony Orchestra, Pegasus Players Theatre, The Back Room Shakespeare Project, and The Second City. He has appeared on Dropout.tv and has developed original pilots with NBC, Universal Cable Productions, and Pop TV. You can hear him as Arnor the Warrior on the podcast Hello, from the Magic Tavern. Blaine also has a PhD in philosophy from Loyola University, Chicago. Instagram: @blaine_swen
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