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The 2026 Chevy Equinox is more than an SUV. It's your Sunday tailgate and your parking lot snack bar. Your lucky jersey. Your chairs and your big cooler fit perfectly in your even bigger cargo space. And when it's go time, your 11.3-inch diagonal touchscreen's got the playbook, the playlist and the tech to stay a step ahead. It's more than an suv. It's your Equinox Chevrolet. Together, let's drive.
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You'll float too. From the director of it comes a horrifying news story set in 1960s Derry, Maine, that explores the origins of Pennywise the clown. Get ready to go back to where it all began. The new HBO original series, welcome to Derry, premieres Sunday, 9pm on HBO. Max. Hi listeners.
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I have a story I want to tell you.
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There was this doctor over at St.
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Augury's who would kill his patients. Oh yes, it was madness. Aren't you afraid the light taker might get you? I'm sorry I didn't listen to you. That adrenaline, I want more of it. Snapped.
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Totally lost it.
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He had no idea what was on those tapes. It was like a song. Ollie and the Outcast. So gather around, gather around and listen.
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Close.
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I used to work at a university. No, I wasn't a brilliant, beloved professor on track for tenure. I was a lowly staff worker running small programs and events for graduate students. Now, before you get the wrong idea, you should know I loved my job. Well, liked it anyway. The pay was steady. My supervisor was supportive. I had fantastic benefits and got pretty much every holiday paid off, even National Arbor Day. The only problem was the parking. Even though I was a full time employee, the university made its staff pay for parking. I thought it was shifty, but hey, I wasn't the one making the rules. Naturally, my stubborn mule sought to avoid the $7 parking fee. So I studied for some exemption, a workaround, if you will. And I found one. It was called Lot 238. About 1.5 miles away from my office was a big empty parking garage left over from an old veterans hospital. Stretching six stories high, the concrete lot remained the only military building within miles of its vicinity still standing. The rest of the grounds, including the abandoned army barracks, were knocked down years ago. Even though Lot 238 remained intact, no one ever parked there. There were far too many urban legends surrounding the place. Paranormal patients that had psychotic breakdowns, neighborhood pets sacrificed for pagan slaughter, suicidal soldiers hell bent on haunting, you know, that sort of thing. And of course, my mother would remind me often, every family dinner, to be exact. That she didn't like me walking alone so far away and late at night. But I took martial arts as a kid, always carried pepper spray with me, and digested a heavy amount of True Crime content. So I figured I was fine and that lot 238 was nothing to be afraid of. But how wrong I was. One night last November I left work extra late. I was finishing up a proposal for new programming when I looked up from my desk and noticed everyone had already left. So I picked up my purse and gathered the essentials. Phone, keys, pepper spray, of course, and my favorite shade of red lipstick. Don't judge. We all want to feel pretty in our own skin. Then I began the long trek to my car. I remember the moon hung high in a cloudless sky, and it was quiet. It was as if a blanket of sleep had smothered all of campus and everything around it. There were no cars and no other walkers, just me and the crunch of my shoes on gravel as I walked further and further away from campus. And then Lot 238, the motionless monstrosity that it was, came into view like a hunched shadow carved against the backdrop of night. It sat atop the hillside, a giant mausoleum. I stopped and stared at it, but only for a second, because then a strong gust of winter wind blew by. I wrapped my arms tightly around myself and picked up the pace. In no time I was standing just outside the first floor of the parking garage. I turned on my phone light and walked inside. There were rows and rows of rectangular columns expanding far back into the black. Fast food wrappers and broken bottles littered the floor, and not one single car was in sight. Besides slits of moonlight streaming in from the windows, the first floor was completely dark. I headed straight for the stairwell. I usually parked on the top floor so people from the street couldn't see my car. But when I reached the staircase, I stopped. The thought of climbing all those stairs was almost enough to kill me. I had worked about 12 hours that day and was beyond exhausted. So for the heck of it, I did something I had never done before. I walked over to the elevator and pressed the up button. And never, not for one second, did I think that the elevator door would open. Lot 238 had been decrepit and desolate for decades. Of course the elevator wouldn't work. I had just started to turn away, smiling at my joke. When I turned to face the elevator, its doors were wide open. A small part of me knew it wasn't right. A small part of Me knew I should turn around and run right there, right then. But my back ached, my feet throbbed, and my stomach grumbled. I just wanted to go home. So in spite of everything, my lizard brain was screaming. I watched myself walk inside the elevator, and with a slow, sharp scrape, the doors shut behind me. Once I was inside the elevator, none of the buttons worked. It didn't even ding or rattle or anything to show that my input mattered. I dreaded the red call button, but pressed it anyway. Nothing. Not even a sound. I tried prying the rusty doors until my fingers stung, but I might as well have been pulling up tombstones. After that, I figured I needed to call for help. But as soon as I pulled out my phone, I saw that I had no signal, no service. Frustrated, I shoved my phone back into my pocket and sank to the floor. Then the elevator began to move, but it wasn't going up. It was going down. For a brief moment, I sat there on the floor of the elevator, completely dumbstruck. Was I actually moving? And how was it going down? I was on the ground floor. I mean, what else was there below me? I was dropping lower and lower beneath the surface. I rose to my feet and gripped the sidewall, steadying myself as the elevator continued its descent. Then, suddenly and abruptly, the elevator screeched to a stop. A second went by, then another. Then everything on the other side of those doors was pitch black. I began to feel uneasy, staring out into that absolute darkness. I remember feeling the great big void of space expanding far in front of me. And I knew that anything could be out there, listening to me, watching me. I hated that feeling, and I immediately tried pressing the Close Door button. When that didn't work, I started pressing all the buttons, everything on the panel. But still nothing worked, and those elevator doors held wide open. I was breathing heavily and trying not to panic when suddenly, a few feet down, a bright LED shot on the buzzing light lit up the space right in front of the elevator door. Then another beam right next to it clicked on. Then another, and another, until an entire line of LED beams lit up row by row, one after the other. I couldn't tell if it was an illusion, but the line of LED beams stretched so far down, I couldn't see where the last one ended. And in that moment, right before I realized where I was, I wasn't sure if I liked the dark or the light better, because before me was an underground level of the parking garage that seemed to expand so far and so wide, I couldn't tell where it began or ended. There was no curve of the lane to signify a higher level, no ramp to show which way led out. There was only that bottom floor, filled with hundreds and hundreds of rectangular cement columns. I took a tentative step forward and looked to my left, then to my right again. There seemed to be no end to this underground floor. No way out, as far as I could see. And that was the problem, wasn't it? I could see an exit, or an end. At least not from where I was standing. So even though I was scared out of my mind, I braced myself and stepped outside. As I stalked further into the concrete jungle, I took tiny, trepid steps until the elevator shrank into a small black dot behind me. And even there, nearly a hundred feet away, nothing around me seemed to change. And suddenly it occurred to me I could get lost in this place. I needed a way to mark my progress. Shaking slightly, I dug into my purse, fishing around for a pen or marker, but came up blank. After rummaging some more, my hand tightened around my pepper spray and I made a silent prayer, thanking myself for not being a complete idiot. I gripped the canister with my left hand and kept searching my purse for. And then my fingers found the red tube of lipstick. I pulled it out, uncapped it, then drew a big X on the nearest cement column, in line with the elevator. That would have to do. I continued forward, inch by inch, not seeing, but needing an end to this unending madness. I must have marked at least a dozen columns before I saw the exit sign. At first, I couldn't believe my eyes. I had just walked for what felt like hours without noticing a single difference in my surroundings. But then, there it was, shining and diminished. Big neon green capital letters exit. And right beneath it was a gray door. A staircase. Suddenly, climbing up a dozen flights of stairs seemed like a marvelous thing to do. I ran to the door, relief washing over me. I was going to get out of there. I was going to have one hell of a story, and me and my mom were going to laugh, and I would never park here again. And I was going to sleep in tomorrow because. But I never finished that thought, because as soon as I entered the stairwell, I knew something was wrong. Really, really wrong. The air around me dropped 10 degrees, and there was this smell, this rancid, musty odor that knocked the wind out of me. I was choking back a gag when the lights began to pulsate, flickering on and off. And there I was, standing at the foot of the first flight of stairs. When I heard it, a sad, soft sort of whine. I stood there, remaining absolutely quiet and listening. Someone was there, maybe a few flights up, and I could tell from the noises that they were hurting. They were hurting badly. Instinct struck and I shot up the stairs, and as I got hired, the smell got worse and those shallow, soft whimpers grew louder. Still, still. When I reached the foot of the fifth floor, I stopped again. I stopped because I had just stepped in a puddle of blood spattered, staining the walls scattered in streaks like a demented Pollock painting. I was rooted to the ground, to the pool at my feet, when suddenly a loud tearing sound ripped the air. It was just around the corner, that boohoo moaning and now a heavy wet dribbling. I should have left. I should have gone back down the stairs, silent and unseen. But I was hooked on reality, and in the real world, what I was about to see doesn't exist. It was just a nightmare, a black shape born behind closed eyes. If I went around the corner, if I just saw with my own eyes what was up there, it would be better. I'd wake up. It doesn't make sense. But in the moment, nothing made sense. I gripped the railing tight and took one step up. Then another, and another. And then I turned the corner. I remember staring more than I remember what I was staring at. I waited for it to make sense, but it never did. To this day I have no idea what was in the stairwell of Lot 238. But it was real. I swear to you, it was all too real. Hunched over a mound of flesh was a slim, willowy figure. Its back was turned to me so I couldn't see its face, but I noticed right away the protruding spine, the withered thin arms that hung past its knees, and the hands curled into massive sickle, sharp claws. And while I knew it wasn't human, I also knew it wasn't an animal. It couldn't have been, not the way it was moving. With absolute precision, it was dissecting the pile of gore. The bloody mass might have been human once or another abject distortion like itself. And now it was mewling as it picked and sliced a slab of skin straight off the dead meat. It began humming or crying. Then I noticed something else entirely. Its skin was a quilt of colors. Different sized strips of pink, white, gray, and brown varied in texture. Some of it looked like fur, while others were stretched and glistening. But in certain places the mismatching suit was sagging and peeling, exposing patches of mossy bone. I stood there, horror struck, as it dawned on me that the way the colors stuck together the way they hung in torn fragments, it was almost as if it was wearing pieces of skin strung together, torn from its head, perked up. The bent over figure uncurled its spine, and before I could even guess what it was doing, it turned its head. And it had no eyes, no mouth, no nose or ears of its own. Only half a bloody snout sagged off the side of its face. A second later, the loose skin slid off. And there, where a face should have been, was nothing. Nothing but blank, empty space. Even though the creature had no features, I knew it had seen me. It was watching me, listening to my heartbeat pound out of my chest. Then its neck began to turn. In no way that it should. Its spine and torso turned, twisting under skin like bending around in an oversized shirt. And in this way, it turned around to face me without even lifting a foot. Then the creature took one step down. I flew down the stairs. I remember gripping the railing as I rounded each corner, corner, propelling myself down and around. The click clack of claws scraping cement kept at my heels. But somehow I made it to the bottom of the staircase, burst through the door. Once I was back in the parking garage, I almost stopped, overwhelmed by the hundreds of columns set in both directions. I wasn't sure which way to run. But then in the distance, I spotted a bright red X. And I thought to myself, just follow the breadcrumbs. I made a beeline for one of the marked pillars. And once I passed it, I saw the next mark about 20ft away, and the next one about 20ft after that. The whole line of columns marked in red X's burned so clear and bright before me it was like a goddamn Runway. And I knew if I could just make it to the elevator, maybe this time it would. Behind me, the stairwell door crashed open and I looked back only once the creature snapped its head in my direction and got on all fours. A fresh wave of panic washed over me and I sprinted faster towards the next checkpoint. I passed it in no time and went on to the next. And then, out of nowhere, I could see it. It was just a speck in the distance, but it was there all the same. The elevator. And even from far away, I could tell its doors were still open. I pushed on even harder. I was going to make it. Just a little bit more. I was go. I remember hitting the ground and seeing stars. My head was pounding. The rotten, foul stench struck me first. Then I felt the weight of the creature pinning me down. I struggled to break free until I heard something tear and scream. My screaming as my Vision came back. I looked down, down at my right forearm and saw the creature peeling off a strip of skin. I could feel the claw unzipping my arm, shaving the skin with a tug of its nail. The rip and then fresh air on my bare flesh flushed my eyes with vibrant colors. On impulse, I was swinging, punching with my one free arm, trying to break free. Then I felt it, still there, like a gift in my left hand. The pepper spray. I was still clutching the pepper spray. In one swift go, I twisted the actuator with my thumb and pressed down hard. I aimed for its non face, but sprayed everywhere. I felt an intense burning sensation in my eyes and arm, and without thinking, I dropped the canister. But also I felt the weight of the creature pull off me. I stumbled to my feet, blinking back tears. The creature was left writhing on the floor. It was shredding its own skin, tearing at the quilt of flesh and flinging patches like bad dandruff. Seizing a chance, I turned and ran towards the end elevator. I don't know why I thought that time would be any different when none of the buttons worked before. But I still tried. I pressed every button, smashing and smearing the panel with my own blood. I tried manually pulling at the doors, but they were stuck, spread wide open. The creature wasn't on the ground anymore. Now it was standing at full height and facing me. Pain was shooting up my right arm, but I was still spamming the buttons. The amalgam started to walk towards me with slow, even steps. As it got closer, the bright LEDs began to shut off, row by row, one by one, until nothing but the elevator light remained. The nightmare stalked forward, the void trailing behind it like a cloak. It was only a few feet away. I backed into the corner, then sank to the ground. My whole body was trembling, but I dug into my purse for something, anything, to defend myself. The pepper spray was gone, and whatever I found, I threw at the creature. I remember each other. Each item. My phone, the lipstick. They bounced off its skin. The last thing in my purse was my car keys. I held them tight, sliding the largest key between my knuckles, ready to swing. And that was it. That was all I had left. Just then, the creature lowered itself on all fours, coming face to face. Five claws reached forward. I closed my eyes and it picked up the red lipstick. I stayed completely still and watched as the creature, with its long nails, delicately uncapped the tube. Then it began to smear the makeup all over its missing face. Slowly, the black hole between its shoulders stretched wide, the laceration spreading like cracked lips. And now a mouth took shape. A mouth inlaid with rows and rows of hidden teeth. The creature hissed. Then it grinned. I couldn't breathe. I couldn't move. I pictured the corpse within the stairwell, stripped of skin, and braced myself for the unimaginable. But it never came. Instead, the creature, still clutching the red lipstick, crawled backwards, fading from the light. Then, with a slow, sharp scrape, the elevator doors closed and then went up. As soon as those doors opened, I ran. Like the devil himself was chasing me. I ran and ran and ran and never stopped. Not until I found someone. I remember slamming into the woman at the gas station. She was angry at first. Then she saw all the blood and called an ambulance. I passed out after that. When I awoke, the police and medical staff asked who hurt me. They wanted to know who cut off my skin. I tried telling them. I tried telling them about the creature down in the lowest level of lot 238. But they tilted their heads or raised an eyebrow or tried to hide a smirk. They treated me like I was nuts. Every single one of them. Except the sergeant, who said in a gentle tone that I must have been mistaken because lot 238 was. Was torn down decades ago, along with the rest of the old military grounds. I sat there speechless, not knowing what to think. But then I looked down at my arm, at my bandaged, bloody skin, and I knew it was real. And I swear to you, it was all too real. But think what you want. Call me crazy or reckless. But regardless of Lot 238, if it's still out there or not, promise me, dear listener, that you will take care of yourself. Promise me you won't park in abandoned lots to save a few bucks. Bet on safety and security. Always. Because if not, you might end up paying the ultimate price. Full Body Chills is an Audio Chuck production. This episode was written by Amanda Wisdom and read by Ellie McPherson. This story was modified slightly for audio retelling, but you can find the original in full on our website. I think Chuck would approve.
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Good different.
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Try something that feels like you. You know, the real you. And then definitely brag about it later. Because at dsw, you've got unlimited freedom to play. Buy the shoes that get you at prices that get your budget at DSW stores or@dsw.com Let us surprise you.
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Every case file interview and archive tells a piece of the truth. I'm Kylie Lowe, and on my podcast Dark down east, original reporting is at the heart of every case I cover. I don't just retell crime stories, I investigate them. I'm speaking with families, searching court records and piecing together the facts that have been overlooked and forgotten with time. The result? True crime storytelling that digs as deeply into a case as you do. You can listen to Dark down east wherever you get your podcasts.
Podcast: Full Body Chills
Episode: Lot 238
Host: audiochuck
Story Written By: Amanda Wisdom
Read By: Ellie McPherson
Date: October 22, 2025
“Lot 238” spins an urban-legend-infused tale about a university staffer who, seeking to save on parking fees, dares to park in the haunted remnants of a long-abandoned veterans’ hospital garage. What begins as a relatable gripe about workplace nickel-and-diming morphs into a harrowing descent into a sinister underworld and an encounter with a flesh-collecting monster. The episode’s central theme explores the boundary between skepticism and genuine horror, accented by the transformative terror of encountering the inexplicable.
[01:56 – 03:28]
Protagonist’s Background: Not a professor, but a staff worker content enough with the job perks—except for the university’s paid staff parking.
Introduction to Lot 238: An empty, derelict six-story parking garage, rumored to be haunted due to its history as part of a veterans’ hospital.
Urban Legends: Stories abound of “paranormal patients” and sacrificed pets, warnings from the protagonist’s mother, but none heeded due to a sense of practicality and a little bit of martial arts bravado.
“Even though Lot 238 remained intact, no one ever parked there. There were far too many urban legends surrounding the place... Paranormal patients that had psychotic breakdowns, neighborhood pets sacrificed, suicidal soldiers hell bent on haunting…” (03:06)
[03:28 – 07:45]
[07:45 – 10:20]
Decision Point: Too tired to take the stairs, protagonist tries the elevator, expecting failure.
Unexpected Function: “[T]he elevator door would open. Lot 238 had been decrepit and desolate for decades. Of course the elevator wouldn’t work.” (09:15) But it does.
Uncontrollable Descent: The elevator, after trapping the protagonist, moves down—into a level beneath even the ground floor.
First Glimpse of Otherworld: LED lights flicker on in sequence, illuminating an impossibly vast, underground realm filled with endless concrete columns.
“There seemed to be no end to this underground floor… No way out, as far as I could see…” (09:59)
[10:20 – 15:00]
[15:00 – 23:00]
First Signs of Danger: Whines and moans suggest someone in pain above. Blood stains emerge around the fifth floor.
Horror Realized: The protagonist encounters a grotesque entity:
“It had no eyes, no mouth, no nose or ears of its own. Only half a bloody snout sagged off the side of its face. A second later, the loose skin slid off. And there, where a face should have been, was nothing.“ (19:52)
The Chase: Creature pursues the protagonist back down the stairs and into the garage; lipstick X’s now become a critical guide for escape.
[23:00 – 28:30]
Attack: The creature catches the protagonist, pins them, and gruesomely peels skin off the forearm.
Fight Back: Wild, instinctive defense using pepper spray. The creature, writhing, begins tearing off its patchwork skin.
Last Stand at the Elevator: Bloody, panicked, the protagonist repeatedly bangs on the elevator buttons in vain as the creature approaches.
[28:30 – 30:25]
Macabre Mimicry: The creature picks up the red lipstick, begins to “draw” a mouth onto its vacant face, forming a grisly row of teeth, then grins.
“Slowly, the black hole between its shoulders stretched wide, the laceration spreading like cracked lips. And now a mouth took shape. A mouth inlaid with rows and rows of hidden teeth. The creature hissed. Then it grinned.” (29:44)
Release: Just as the protagonist braces for death, the creature retreats, the elevator doors close, and the protagonist escapes—bloodied but alive.
[30:25 – 31:25]
Rescue and Disbelief: Collapsing at a gas station, the protagonist is brought to the hospital; police are skeptical of the story, especially a sergeant who asserts that Lot 238 “was torn down decades ago.”
Lingering Proof: Despite doubt, the protagonist’s wounded, bandaged arm reaffirms the horror was real.
Final Warning to Listeners: The story closes with a plea:
“Promise me, dear listener, that you will take care of yourself. Promise me you won’t park in abandoned lots to save a few bucks... Because if not, you might end up paying the ultimate price.” (31:20)
On Urban Legends:
“Paranormal patients that had psychotic breakdowns, neighborhood pets sacrificed for pagan slaughter, suicidal soldiers hell bent on haunting, you know, that sort of thing.” (03:06)
Face-to-Faceless Horror:
“And there, where a face should have been, was nothing. Nothing but blank, empty space. Even though the creature had no features, I knew it had seen me. It was watching me, listening to my heartbeat pound out of my chest.” (19:52)
The Surreal Monster’s Transformation:
“Then it began to smear the makeup all over its missing face. Slowly, the black hole between its shoulders stretched wide, the laceration spreading like cracked lips. And now a mouth took shape. A mouth inlaid with rows and rows of hidden teeth.” (29:44)
Chilling Warning:
“Promise me you won’t park in abandoned lots to save a few bucks. Bet on safety and security. Always. Because if not, you might end up paying the ultimate price.” (31:20)
Narrated with a blend of dry humor (“Don’t judge. We all want to feel pretty in our own skin.”), relatable weariness, escalating suspense, and ultimately breathless terror, the episode fuses mundane workplace woes with nightmarish imagery. The closing message couches a classic urban legend “moral of the story” in direct, second-person address: a warning that feels at once personal and universal.
For more or to submit your own stories, listeners are invited to visit the Full Body Chills website.