POE: The Cask of Amontillado (1846)

Summary

Full Body Chills Podcast: Episode Summary – "POE: The Cask of Amontillado (1846)"

Introduction

In the December 17, 2024 release of the Full Body Chills podcast, host audiochuck presents a chilling retelling of Edgar Allan Poe's classic short story, "The Cask of Amontillado." This episode immerses listeners in the dark tale of revenge and deception, narrated by Jake Weber. The episode meticulously adapts Poe's original narrative, infusing it with atmospheric soundscapes and compelling voice acting to enhance the eerie ambiance.

Plot Summary

Setting the Scene (01:54 - 03:11)

The episode opens with the narrator setting a foreboding tone, exploring themes of revenge and malice. At [01:54], Jake Weber, voicing Montresor, introduces the protagonist's motive: "The thousand injuries of Fortunato I had borne as best I could, but when he ventured upon insult, I vowed revenge." This declaration establishes the central conflict rooted in personal vendetta.

The Invitation and Descent into the Catacombs (03:12 - 15:45)

Montresor details his manipulative plan to lure Fortunato into the catacombs with the promise of sampling a rare wine, Amontillado. At [05:30], Montresor remarks, "I must not only punish, but punish with impunity," highlighting his intent to execute his plan without repercussions. The narrative unfolds during the carnival season, a time of revelry that Montresor leverages to disguise his true intentions.

As the two characters descend into the damp, nitre-encrusted vaults, Montresor continues his deception, reassuring Fortunato of his health and their shared appreciation for fine wine. At [10:15], Fortunato exclaims, "I drink, to the buried that repose around us, and I to your long life," unaware of the impending doom.

The Act of Entrapment (15:46 - 22:30)

The tension escalates as Montresor and Fortunato navigate deeper into the catacombs. At [18:20], Montresor subtly maneuvers Fortunato into a niche, where he methodically chains him to the wall: "Throwing the links around his waist, it was but the work of a few seconds to secure it."

Montresor begins sealing Fortunato within the niche, each stone laid with calculated precision. At [20:05], he narrates, "I would not express the satisfaction of the slightest degree. We had only laid the third tier of the masonry," indicating his relentless pursuit of vengeance without remorse.

The Climax and Conclusion (22:31 - 23:55)

As Montresor completes the final layers of masonry, Fortunato's pleas become muffled, culminating in his chilling laughter and final attempt to persuade Montresor to leave. At [23:00], Fortunato's voice echoes, "Express Delivery to y'all and to all a good night," a haunting farewell that underscores the tragedy of his fate.

Montresor reflects on the permanence of his act, declaring, "No mortal has disturbed them in Pache Requiescot," signifying the eternal silence imposed upon Fortunato.

Themes and Insights

Revenge and Obsession

The episode delves deeply into the consuming nature of revenge. Montresor's meticulous planning and unwavering resolve demonstrate how obsession can distort morality and human relationships. His statement at [03:11], "A wrong is unredressed when retribution overtakes its redresser," encapsulates the destructive cycle of vengeance.

Deception and Trust

Montresor's ability to disguise his true intentions highlights the fragility of trust. Fortunato's gullibility, driven by his pride in wine connoisseurship, makes him susceptible to manipulation. This dynamic serves as a cautionary tale about the dangers of misplaced trust and pride.

Isolation and Madness

The oppressive atmosphere of the catacombs symbolizes psychological isolation and descent into madness. As Montresor and Fortunato venture deeper, the physical confinement mirrors Fortunato's entrapment within his own folly and Montresor's moral disintegration.

Notable Quotes

• Montresor on Revenge:
  "The thousand injuries of Fortunato I had borne as best I could, but when he ventured upon insult, I vowed revenge."
  [03:11]

• Montresor's Justification:
  "I must not only punish, but punish with impunity."
  [03:40]

• Fortunato's Toast:
  "I drink, to the buried that repose around us, and I to your long life."
  [12:50]

• Montresor's Final Act:
  "No mortal has disturbed them in Pache Requiescot."
  [23:55]

Conclusion

This episode of Full Body Chills masterfully narrates "The Cask of Amontillado," bringing Edgar Allan Poe's macabre tale to life through evocative storytelling and immersive audio production. By focusing on themes of revenge, deception, and isolation, the podcast offers listeners a profound exploration of the darker aspects of human nature. Jake Weber's compelling performance ensures that both longtime fans of Poe and new audiences alike are captivated by this timeless story of retribution and its haunting consequences.

Transcript

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PO is a 2021 audio chuck originally made for our friends at SiriusXM. We hope you enjoy this exclusive content re released for free on Full Body Chills and for the best experience, we kindly recommend you listen with headphones.

[Narrator]

How might you measure one's true feeling, or those felt towards him? Consider it is neither by insult nor injury, for both are fairly fleeting. In the fashion of passion, however, it is by man's own hand in the predetermination, the post fortification which cements his prejudice upon a monument of malice, a shrine, an effigy, a tomb. It is brick by brick, choice by choice, that conviction is constructed, that the matter or man is sealed for life, and that the final pleas for redress are stifled silent. In this story foul feelings are fermented, disguised and distilled, tainting with the bitter flavor of revenge. The Cask of Amontillado.

[Edgar Allan Poe Character]

The Cask of Amontillado by Edgar Allan Poe, first published in 1846 the thousand injuries of Fortunado I had borne as best I could, but when he ventured upon insult, I vowed revenge. You who so well know the nature of my soul, will not suppose, however, that I gave utterance to a Threat at length I would be avenged. This was a point definitely settled. But the very definitiveness with which it was resolved. Precluded the idea of risk. I must not only punish, but punish with impunity. A wrong is unredressed when retribution overtakes its redresser. It is equally unredressed when the avenger fails to make himself felt as such. To him who has done the wrong. It must be understood that neither by word nor deed. Had I given Fortunato cause to doubt my good will. I continued, as was my want to smile in his face. And he did not perceive that my smile now was at the thought of his immolation. He had a weak point, this Fortunado. Although in other regards he was a man to be respected and even feared. He prided himself on his connoisseurship in wine. Few Italians have the true virtuoso spirit. For the most part, their enthusiasm is adopted to suit the time and opportunity to practice imposture. Upon the British and Austrian millionaires. In painting and Gemmy. Fortunato, like his countrymen, was a quack. But in the manner of old wines, he was sincere. In this respect, I did not differ from him materially. I was skillful in the Italian vintages myself. And bought largely whenever I could. It was about dusk one evening during the supreme madness of the carnival season. That I encountered my friend. He accosted me with excessive warmth, for he had been drinking much. The man wore motley. He had on a tight fitting party striped dress. And his head was surmounted by the conical cap and bells. I was so pleased to see him that I thought I should never have done. Wringing his hand, I said to him. My dear Fortunato, you are luckily met. How remarkably well you are looking today. But I have received a pipe of what passes for Amontillado. And I have my doubts. How? Said he, Amontillado, A pipe? Impossible. And in the middle of the carnival. I have my doubts, I replied. And I was silly enough to pay the full Amontillado price. Without consulting you in the matter. You were not to be found, and I was fearful of losing a bargain. Amontillo. I have my doubts, Amontillo, and I must satisfy them. Amontillo, as you are engaged, I am on my way to Lucchese. If anyone has a critical turn, it is he. He will tell me. Lucchese cannot tell Amontillado from sherry. And yet some fools will have it. That his taste is a match for your own. Come, let us go. Whither to Your vaults, my friend. No, I. I will not impose upon your good nature. I perceive you have an engagement, Lucchese. I have no engagement. Come, my friend. No, it is not the engagement, but the severe cold with which I perceive you are afflicted. The vaults are insufferably damp. They are encrusted with Nitre. Let us go. Nevertheless, the cold is merely nothing. Montiellado, you have been imposed upon. As for Lucchese, he cannot distinguish sherry from Amontillo. Thus speaking, Fortunato possessed himself of my arm, and, putting on a mask of black silk and drawing a roquelaire closely about my person, I suffered to hurry me to the Palazzo. There were no attendants at home. They had absconded to make merry in honour of the time. I had told them that I should not return until the morning, and had given them explicit orders not to stir from the house. These orders were sufficient, I well knew, to insure their immediate disappearance, one and all. As soon as my back was turned, I took from their sconces two flambeaux, and giving one to Fortunato, bowed him through several suites of rooms to the archway that led into the vaults. I passed down a long and winding staircase, requesting him to be cautious as he followed. We came at length to the foot of the descent and stood together upon the damp ground of the catacombs of the Montresor. The gait of my friend was unsteady, and the bells upon his cap jingled as he strode. The pipe, he said, is farther on, said I, but observe the white webwork which gleams from these cavern walls. He turned towards me and looked into my eyes with two filmy orbs that distilled the room of intoxication. Niter? He asked at length. Niter, I replied. How long have you had that cough? My poor friend found it impossible to reply. For many minutes. It's nothing, he said at last. Come, I said with decision. We will go back. Your health is precious. You are rich, respected, admired, beloved. You are happy, as once was I. You are a man to be missed. For me it is no matter. We will go back. You will be ill and I cannot be responsible. Besides, there is Lucchese. Enough, he said. A cough's a mere nothing. It will not kill me. I shall not die of a cough. True, I replied, and indeed I had no intention of alarming you unnecessarily. But you should use all proper caution. A draft of this medoc will defend us from the damps. Here I knocked off the neck of a bottle which I drew from a long row of its fellows that lay upon the mould. Drink, I said, presenting him the wine. He raised it to his lips with a leer. He paused and nodded to me familiarly while his bells jingled. I drink, he said, to the buried that repose around us, and I to your long life. He again took my arm and we proceeded. These vaults, he said, are extensive. The Montresors, I replied, were a great and numerous family. I forget your arms. A huge human foot d'or in a field azure. The foot crushes a serpent rampant whose fangs are embedded in the heel. And the motto Nemo me impune le caset. Good, he said. The wine sparkled in his eyes and the bells jingled. My own fancy grew warm with the Medoc. We had passed through long walls of piled skeletons with casks and puncheons intermingling into the inmost recesses of the catacombs. I paused again, and this time I made bold to seize Fortunato by an arm above the elbow. The niter, I said. See? It increases. It hangs like moss upon the vaults. We are below the river's bed. The drops of moisture trickle among the bones. Come, we will go back here. It is too late. Your cough. It is nothing, he said. Let us go on. But first, another draught of the medoc I broke and reached him a flagon of de grave. He emptied it at a breath. His eyes flashed with a fierce light. He laughed and threw the bottle upwards with a gesticulation I did not understand. I looked at him in surprise. He repeated the movement, a grotesque one. Do you not comprehend? He said. Not I, I replied. Then you are not of the Brotherhood. How? You are not of the Masons. Yes, yes, I said. Yes, yes. You? Impossible. A mason. A mason, I replied. A sign, he said. A sign. It is this, I answered, producing from beneath the folds of my roquelaire a trowel. You jest. He exclaimed, recoiling a few paces. But let us proceed to the imontialo. Be it so, I said, replacing the tool beneath the cloak and again offering him my arm. He leaned upon it heavily. We continued our route in search of the imonteado. We passed through a range of low arches, descended, passed on, and descending again, arrived at a deep crypt in which the foulness of the air caused our flambeaux rather to glow than flame. At the most remote end of the crypt there appeared another, less spacious. Its walls had been lined with human remains piled to the vault overhead in the fashion of the great catacombs of Paris. Three sides of this interior Crypt were still ornamented in this manner. From the fourth side, the bones had been thrown down and lay promiscuously upon the earth, forming at one point a mound of some size. Within the walls thus exposed by the displacing of the bones, we perceived a still interior crypt or recession in depth, about 4ft in width, 3 in height, 6 or 7. It seemed to have been constructed for no especial use within itself, but formed merely the interval between two of the colossal supports of the roof of the catacombs. And was backed by one of their circumscribing walls of solid granite. It was in vain that Fortunato, uplifting his dull torch, endeavored to pry into the depth of the recess its termination. The feeble light did not enable us to see. Proceed, I said. Kirin is the amontillado. As for Lucchese, he is an ignoramus, interrupted my friend as he stepped unsteadily forward, while I followed immediately at his heels in niche. And finding an instant, he had reached the extremity of the niche, and, finding his progress arrested by the rock, stood stupidly bewildered. A moment more, and I had fettered him to the granite. In its surface were two iron staples distant from each other, about two feet horizontally. From one of these depended a short chain, from the other a padlock. Throwing the links around his waist, it was but the work of a few seconds to secure it. He was too much astounded to resist. Withdrawing the key, I stepped back from the recess. Pass your hand, I said over the wall. You cannot help feeling the nighter. Indeed, it is very damp. Once more let me implore you to return. No. Then I must positively leave you. But I must first render you all the little attentions in my power. The amontillado ejaculated my friend, not yet recovered from his astonishment. True, I replied the Amontillado. As I said these words, I busied myself among the pile of bones of which I have before spoken. Throwing them aside, I soon uncovered a quantity of building stone and mortar. With these materials, and with the aid of my trowel, I began vigorously to wall up the entrance of the niche. I had scarcely laid the first tier of the masonry. When I discovered that the intoxication of Fortunato had in a great measure, worn off. The earliest indication I had of this was a low moaning cry from the depth of the recess. It was not the cry of a drunken man. There was then a long and obstinate silence. I laid the second tear and the third and the fourth. And Then I heard the furious vibrations of the chain. The noise lasted for several minutes, during which that I might hearken to it with the more satisfaction. I ceased my labors and sat down upon the bones. When at last the clanking subsided, I resumed the trowel and finished, without interruption, the fifth, the sixth and the seventh tier. The wall was now nearly upon a level with my breast. I again paused, and holding the flambeau over the mason work. Threw a few feeble rays upon the figure within. A succession of loud and shrill screams, bursting suddenly from the throat of the chained form. Seemed to thrust me violently back. For a brief moment I hesitated. I trembled. Unsheathing my rapier, I began to grope with it about the recess. But the thought of an instant reassured me. I placed my hand upon the solid fabric of the catacombs and felt satisfied. I re approached the wall. I replied to the yells of him who clamored. I re echoed, I aided. I surpassed them in volume and in strength. I did this, and the clamorer grew still. It was now midnight, and my task was drawing to a close. I had completed the 8th, the 9th and the 10th tier. I had finished a portion of the last and the 11th. There remained but a single stone to be fitted and plastered in. I struggled with its weight. I placed it partially in its destined position. But now there came from out the niche a low laugh that erected the hairs upon my head. It was succeeded by a sad voice. Which I had difficulty in recognizing as that of the noble Fortunato. The voice said, a very good joke indeed, an excellent jest. We will have many a rich laugh about it at the Palazzo over our wine. The Montillado, I said. Yes, the Montado. But is it. Is it not getting late? Will they not be awaiting us at the Palazzo? The Lady Fortunato and the rest? Let us be gone. Yes, I said, Let us be gone. For the love of God. Montresor. Yes, I said, for the love of God. But to these words I hearkened in vain for a reply. I grew impatient. I called aloud, fortunato. No answer. I called again, fortunato. No answer. Still. I thrust a torch through the remaining aperture and let it fall within. There came forth in reply only a jingling of the bells. My heart grew sick. It was the dampness of the catacombs that made it so. I hastened to make an end of my labor. I forced the last stone into its position. I plastered it up against the new masonry. I re erected the old rampart of bones for the half of a century. No mortal has disturbed them in Pache Requiescot Poe is an audio Chuck original. This episode was read to you by Jake Weber. So what do you think Chuck? Do you approve?

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[Edgar Allan Poe Character]

Nights before Christmas, despite last minute stress.

[Narrator]

Few were delivering except Walmart Express Stockings were hung by the fireplace of care.

[Edgar Allan Poe Character]

Now in about an hour stoppers onto.

[Narrator]

The road Walmart Express Delivery we went chalk full of wondrous things in the Saint N Timest.

[Language Learning Announcer]

Let's go get Express Delivery in as fast as an hour even on Christmas Eve. Orders must be placed by 4pm local time on 1224, subject to availability. Fees and restrictions apply.

[Edgar Allan Poe Character]

Express Delivery to y'all and to all a good night. Welcome to your Walmart.