Andy Samberg

Summary

Podcast Title: Good Hang with Amy Poehler
Episode: Andy Samberg
Release Date: July 8, 2025
Host: Amy Poehler
Guest: Andy Samberg

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Introduction and Host Dynamics

In this episode of Good Hang with Amy Poehler, Amy welcomes her friend Andy Samberg to the studio for a relaxed and laughter-filled conversation. Despite some initial technical hiccups with headphones, the duo immediately establishes a warm and playful rapport, setting the tone for an engaging discussion.

Notable Quote:
Seth Meyers (acting as an intermediary host): “We have even have a gotcha question. So listen for that.” [02:16]

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Family Background and Sibling Relationships

Andy delves into his upbringing in Berkeley, California, highlighting his fraternal relationship with his two older sisters. He reflects on the ease and camaraderie that comes with being the younger brother, sharing anecdotes about growing up with extroverted and introverted siblings alike.

Notable Quote:
Andy Samberg: “Eldest sister, very extroverted. Middle sister, introverted. I had a great relationship with both of them.” [11:19]

Andy also discusses the absence of familial conflicts, contrasting his experience with friends who have older brothers that used to "sock them" during childhood.

Notable Quote:
Andy Samberg: “Oh, man. You don’t get beat up. Which is great.” [12:05]

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Career Highlights: SNL and Digital Shorts

A significant portion of the conversation centers around Andy’s tenure on Saturday Night Live (SNL). He shares insights into the creation of iconic digital shorts like "Lazy Sunday" and "Dick in a Box," emphasizing the collaborative and often spontaneous nature of their creative process.

Notable Quote:
Seth Meyers: “Lazy Sunday was the second one. And then it was like getting shot out of a cannon.” [32:35]
Andy Samberg: “Lazy Sunday, once we had the idea, it wrote in a couple hours.” [60:06]

Andy recounts the excitement and unexpected success of "Lazy Sunday," describing it as a life-changing moment that propelled the Lonely Island team into the spotlight.

Notable Quote:
Andy Samberg: “It was life changing for me. I mean, it was… Again, I can’t stress how much we were not expecting that to be the reaction.” [42:30]

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Personal Life: Relationship with Joanna Newsom

Andy opens up about his long-term relationship with musician Joanna Newsom, describing her as his best friend and the love of his life. He highlights the balance they maintain between their professional lives and personal responsibilities, especially with the addition of their children.

Notable Quote:
Andy Samberg: “It’s fun. It’s really fun.… I feel really lucky to get to share my life with her.” [47:50]

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Creative Process and Friendship Dynamics

The discussion delves into Andy’s meticulous approach to his craft, contrasting it with his often-goofy on-screen persona. He speaks about the importance of preparation and collaboration, attributing much of his success to his strong friendships and supportive relationships within the entertainment industry.

Notable Quote:
Andy Samberg: “I mean, nobody approaches what they do with, like, more integrity and intelligence than he does.” [05:15]

Seth and Andy reminisce about their time on SNL, discussing their favorite sketches and the collaborative spirit that fueled their creativity.

Notable Quote:
Seth Meyers: “Dick in a box was Yora’s idea. And it was. It took us a long time to decide what to write about because that was an assignment.” [60:15]

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Reflections and Humor

Throughout the episode, Andy and Seth share humorous stories and playful banter, touching on topics like sleep apnea advocacy (originating from Andy's hiatus), ASMR, and the challenges of balancing work with personal life. They also reflect on the unpredictability of creative success, emphasizing the role of luck and preparation in their careers.

Notable Quote:
Seth Meyers: “Luck is when preparation meets opportunity.” [37:38]

Notable Quote:
Andy Samberg: “Don’t. Yeah. How dirty do we get on this podcast?” [72:16]

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Conclusion and Final Thoughts

As the episode wraps up, Andy and Seth express mutual admiration and gratitude for their friendship and professional collaborations. They end on a lighthearted note, continuing their playful exploration of humor and creativity, leaving listeners with a sense of camaraderie and inspiration.

Notable Quote:
Andy Samberg: “I love spending time with you.” [71:10]
Seth Meyers: “Congratulations on all your success.” [68:53]

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Key Takeaways

• Fraternal Bonds: Andy’s relationship with his sisters has significantly shaped his personality and approach to life.
• Creative Collaboration: The success of SNL’s digital shorts underscores the importance of teamwork, spontaneity, and meticulous editing.
• Personal Fulfillment: Andy’s long-term relationship with Joanna Newsom provides a stable and supportive foundation amidst the unpredictability of the entertainment industry.
• Humor and Humanity: The episode balances professional insights with personal anecdotes, showcasing the genuine friendship between Andy and Seth.

Recommended Quotes for Further Reflection

• “I have a few theories. One is like, they thought maybe someday this exact thing would happen and they wanted her to find them.” – Andy Samberg [20:16]
• “We all watched like Hollywood Shuffle and I'm going to get you, sucka.” – Andy Samberg [66:17]

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This episode of Good Hang with Amy Poehler offers a deep dive into Andy Samberg’s personal and professional life, enriched by candid conversations, memorable stories, and the infectious humor that defines both Andy and the podcast.

Transcript

[Andy Samberg]

Lets talk about moderate to severe obstructive sleep apnea, or OSA in adults with obesity. Doesn't sound familiar. Think about how you've been sleeping lately. If you've had nights where you've been told you snore loudly or choke or gasp for air and then wake up feeling tired, it may be due to OSA. In the US moderate to severe OSA affects around 24 million adults. Many are adults with obesity and most cases remain undiagnosed and untreated. Don't sleep on the symptoms. Learn more@don'tsleeponosa.com this information is provided by Lilly USA, LLC.

[Seth Meyers]

Hello everyone. Welcome to another episode of Good Hang. I'm very excited about my guest, my dear friend, the lovely, the sweet, the juicy and talented Andy Samberg. We are gonna talk about so many good things today. We're gonna talk about him being a California kid and growing up in the Bay Area. We're gonna talk about the Lonely island writing process, what it was like in those late nights making those. We're going to discuss how ASMR is always a little pervy, but somehow we like it. And you know, we're going to just get into it like we always do here. We have even have a gotcha question. We even have one gotcha question. So listen for that. But in the meantime, I'm going to start my my episode like I always do by checking in with someone who knows Andy and wants to talk well behind his back. And give me a question to ask Andy. Joining me now is the great Seth Meyers. Seth, where are you? How are you? Can you hear me? This episode of Good Hang is presented by Walmart School Supplies. We all remember getting them. I remember Trapper Keepers and so many colored pens. But now I'm sure there's a million more things to get. And thankfully Walmart has essential back to school supplies starting at 25 cents but plus all the latest tech starting at $9. Who knew hello Kitty pencil cases, Nintendo notebooks, food shaped erasers, Chromebooks keyboards and more at low Walmart prices. They even have Lilo and Stitch headphones. Who knew shopwallmart.com to score their favorite back to school tech and supplies. Get up. What do you say? I'm so grateful that did that podcast. Thank you so much, Seth. It was nice to have you here in the studio and it's nice to talk to you in. Where are you right now?

[Amy Poehler]

I'm in my little New York City studio.

[Seth Meyers]

Oh, you have your own little studio? Yeah.

[Amy Poehler]

And I'm realizing I'M not hearing you through my headphones, so I'm going to take them off. This is nice though, because I also think my hair looks its best right after I take off the headphones.

[Seth Meyers]

Speaking of weird hair, we've got a guest with a great head of hair today. Great head of hair.

[Amy Poehler]

And probably, you know, certainly he's. You know what I'm. We're. Who are we? We're gonna be a couple of fogies. Say he had weird hair when he first showed up on the scene. People love that hair. It was a.

[Seth Meyers]

It was magnet.

[Amy Poehler]

It was a magnet for good times.

[Seth Meyers]

Both him and you. I feel like I've seen a million versions of like, SNL Bedhead, which is like, just, you know. Cause as we talked about, like, one thing that comes to mind with Andy that I do wanna talk to him about is his relationship to sleep. Because he love sleep.

[Amy Poehler]

He loves sleep. He wrote an update feature once and he couldn't decide if he was gonna call it the Kid who Just Woke up or Bedhead Jones.

[Seth Meyers]

And I feel like we've seen him so, you know, so often, just kind of being like, so exhausted.

[Amy Poehler]

And I think he found a perfect soulmate because I think there are a couple of little nocturnal meerkats or whatever a nocturnal animal is.

[Seth Meyers]

Because his beautiful wife Joanna is a musician. And, you know, as far as I can tell, that means you get up at 7:00pm Yeah.

[Amy Poehler]

I mean, there's no. No good harp inspirations happening before noon.

[Seth Meyers]

No. You know how hard those harpists party? They party. They harp all night.

[Amy Poehler]

They party harp, as you like to say.

[Seth Meyers]

Wow, Very good. Okay, so Andy Samberg and you. You guys have a very special relationship for people that don't know. What. What is your relationship like?

[Amy Poehler]

Well, it's actually. I would like to use it as the jumping off point for what I want you to ask him about because I have a very fraternal relationship with him and I don't think I'm alone. I think Andy's friendships are very fraternal with people, and I don't quite know where that comes from. I know he is a younger brother, and I think he's sort of a quintessential. He's sort of America's younger brother. I think the minute we all laid eyes on him, he felt like a younger brother to us in a way that was very endearing. And I kind of want to know, like, how his, like, real life as a younger brother informed who he was. Two older sisters, like, what was the feedback he was getting from Them. Were they delighted by him? Were they a good audience? Were his parents a good audience? Because, you know, as older siblings, you and I know that the younger siblings get a lot more, you know, easier audience.

[Seth Meyers]

Yeah.

[Amy Poehler]

Free ride in life.

[Seth Meyers]

Free ride. Everything is easier.

[Amy Poehler]

But he, you know, with that said, Andy does nothing the easy way. I've always said, like, he showed up, and I thought, oh, my God, this guy is so sophomoric. And then I realize now that he has a PhD in sophomore comedy. Like, nobody approaches what they do with, like, more integrity and intelligence than he does. But, like, I'm very cons. I'm very curious about, like, his younger brother and what he thinks it adds to his approach to things.

[Seth Meyers]

It's a great question because you're right. I think he's a juxtaposition between feeling very loose and goofy. But when we've all had the chance to work with him, and he's very serious when he works.

[Andy Samberg]

Yeah.

[Amy Poehler]

And I would say he's almost never. He's very opposed to taking, like, the first idea. Like, he'll really. He really wants to dig through them all before he moves forward with something. And I'm very. I think maybe. I think our improv bones sometimes are very enamored with the first idea. And those guys are like, no, let's not take the easy way out. And it certainly shows in their work. And then just a couple things. This is me just, like, talking behind his back. We were trying to schedule a Lonely island podcast today, and when we found out he was doing this instead, he said, blame Seth. This is what he said on the text chain about doing good hang. Blame Seth. She's his friend. So somehow it's my fault that he's doing your podcast because you and I are friends, not because he's friends with you.

[Seth Meyers]

There is nothing I love more in your podcast than hearing the scheduling and how it never works.

[Amy Poehler]

It's awful. It's awful.

[Seth Meyers]

It gives me such agita to. You know, I love a good schedule. I love a good system. And when I hear the way people don't know that they're recording, it makes me. I just. They're like. And everyone's showing up, and they're like, it's today. I just like what? I love it. I want to know everything.

[Amy Poehler]

The amount, like, a cup of coffee can completely change their personalities. They would not have. They would not have lasted lonely, only would not have lasted long in pioneer times. They're like, oh, also just. Just for fun, you know, he hates my dog, Sandberg.

[Seth Meyers]

Yeah, that's a running. I was going to say joke, but it feels real.

[Amy Poehler]

No, he really hates my dog. So I. You don't have to do this, but I invite you to say. I asked Seth for a question, but he couldn't talk today because his do just died and just see if he has any reaction. But you have to play it. You have to play it real. He has been stressing to me a lot recently. He likes dogs. It's really. It's not. It's just my dog.

[Seth Meyers]

Why. When did that start, by the way? Why does he hate Frisbee?

[Amy Poehler]

We met Frisbee when Frisbee was like. We'd had Frisbee for two weeks, and he just immediately said, that dog looks like a rat. And he has not come off at once. If I think we put Frisbee in his lap and he, like. And she just fell on the floor. I love him so much. Polar. I know him. He is. It's a. It's. You know, I'm Alvo again. We talked. You can hear all about it on my episode of Good Hang. But I love being friends with people. But he's a different kind of friend. He's just. I. He just really feels like a brother, and I'm just so lucky. Oh, here we go. Old Waterworks Jones.

[Seth Meyers]

There he goes.

[Amy Poehler]

Oh, but look at this. Look what we have in my podcast studio. We're not making people wipe their.

[Seth Meyers]

Hey, I have it, too, but I have my logo on it, just in case.

[Amy Poehler]

Oh, see, that's. You know.

[Seth Meyers]

You know, it's.

[Amy Poehler]

You put your logo on these.

[Seth Meyers]

Seth's tissues now. All right, Love you, Seth. Thank you so much for doing this. Love you.

[Amy Poehler]

Give him my love, too.

[Seth Meyers]

All right, I will. Okay, see you soon. Bye, bud. This episode is brought to you by Volkswagen Ever look at something and think, wow, must be nice. Yeah, same. But here's the thing. The 2025 Volkswagen Tiguan makes all that really nice stuff totally within reach. It's got that elevated look, a seriously luxe interior with features like massaging front seats and real wood accents. Because, let's be honest, nice things shouldn't just be for people named Chadwick. Visit VW.com to learn more about the 2025 Volkswagen Tiguan. Hi, bud. Thank you for doing this. Please, come on.

[Andy Samberg]

As soon as they said you were doing one, I was like, well, I'll be on that.

[Seth Meyers]

I was thinking about today, like, getting ready for today, and it was like. It was a really good feeling, first of all, because I love doing the show. But I was just like, oh, I. The fact that I get to just hang out with you and talk to you, and you are the kind of person that just when I think about what I would talk about with you, it just feels very nice and very relaxed.

[Andy Samberg]

Could not be more with you.

[Seth Meyers]

Do you know what I mean? Like, I know it's not going to be. There's no gotchas.

[Andy Samberg]

Not a lot of push.

[Seth Meyers]

Well, maybe one gotcha. We're going to be able to hit.

[Andy Samberg]

Me with one gotcha today.

[Seth Meyers]

Okay, I'll get one gotcha.

[Andy Samberg]

Whatever. Gotcha. You ask, I have to answer. Is that the rule?

[Seth Meyers]

Okay, yeah, one gotcha. Okay, one gotcha per F. Oh, my God.

[Andy Samberg]

I can't believe I'm on the hook for a gotcha.

[Seth Meyers]

Andy Samberg. Oh, no. What can you see?

[Andy Samberg]

I have a tiny stain.

[Seth Meyers]

Oh, my God. A stain.

[Andy Samberg]

I jokingly, half jokingly said, if you can see a stain, you have to run in here like Dustin Hoffman at the end of the graduate.

[Seth Meyers]

Listeners, for people listening, there was a little bit of a stain. Okay, so Andy's taking his shirt off. This is his thing he does where he goes, oh, there's a stain. And then he takes his shirt off.

[Andy Samberg]

And you're like, oh, have I been hitting the gym? All right, I forgot.

[Seth Meyers]

Ladies, there's two women who came in here.

[Andy Samberg]

Thanks, guys.

[Seth Meyers]

Who were on Andy's stain.

[Andy Samberg]

Those are my sisters.

[Seth Meyers]

Oh, my God. It's so funny that you're talking about your sisters, because that's what I wanted to start with.

[Andy Samberg]

Oh, perfect. Are we started? Are we commenced?

[Seth Meyers]

Yeah, we've commenced.

[Andy Samberg]

Wonderful.

[Seth Meyers]

Because I don't think a lot of people know that you are the younger brother of two older sisters.

[Andy Samberg]

Yes.

[Seth Meyers]

And in many ways, you give off little brother vibes.

[Andy Samberg]

Thank you.

[Seth Meyers]

Thank you. You like that?

[Andy Samberg]

I do like it.

[Seth Meyers]

Okay. What do you like about that description of you?

[Andy Samberg]

It just is me, so it makes sense to me when I feel seen. When people are like, you have little brother vibes. I'm like, you're correct.

[Seth Meyers]

What was it? What are your sisters like? And what kind of dynamic is in your family?

[Andy Samberg]

Eldest sister, very extroverted. Middle sister, introverted. I had a great relationship with both of them. I loved growing up with them. Very goofy, silly sibling vibe. And now we all have kids and are adults, and it's insane.

[Seth Meyers]

And like, what are the pros of being a little brother to two sisters, to two young women?

[Andy Samberg]

Oh, man. You don't get beat up.

[Seth Meyers]

Yeah, right.

[Andy Samberg]

Which is great. Like so many of my dude friends, like, oh, man, my brother used to beat my ass. And then, like, not in a, like, properly abusive way, but where they'll be like, you know, I was always a little scared he was gonna, like, sock me or something. And I'm just like, yeah, I never had to deal with that at all. And also, I mean, I've talked about this before, but, like, in my life, I have found when I meet other guys that have older sisters, we immediately get along. There's just a different level of ease for me with that energy. I don't know how to explain it.

[Seth Meyers]

Who. Who do you know that has older sisters?

[Andy Samberg]

Matt Murray Panther.

[Seth Meyers]

Matt Murray Panther. A great SNL writer who we love. You're abso. He has the vibe of someone who's been taken gentle care of.

[Andy Samberg]

Yes.

[Seth Meyers]

And likes women.

[Andy Samberg]

Yeah. Truly. I mean, obviously you would hope for everyone to be able to be okay in any situation. Like, I grew up with a lot of girls who were just my friends in a very easy way. And it didn't have to be like, are we going to hook up? Like. And I feel like a lot of my guy friends back then, it was. If they didn't have sisters for some reason, those guys, it was more of a thing.

[Seth Meyers]

Yeah. Did you have. Were you friends with your sister's friends?

[Andy Samberg]

Oh, yeah. I mean, I was in love with them.

[Seth Meyers]

You were in love with them? I didn't want to say it, but that's what I imagined.

[Andy Samberg]

I was. I was. And also friends.

[Seth Meyers]

Yeah.

[Andy Samberg]

But when you're younger and they're, like, in the house and they're all, like.

[Seth Meyers]

So pretty, and they're like, they're like, laughing and throwing their arm around you like candy.

[Andy Samberg]

Yes. Yes. You're so silly. And I'm just like, I'll marry you right now.

[Seth Meyers]

And you're 11 and you wanted to just marry them.

[Andy Samberg]

Yeah. They're so in there all being nice, and they're like, well, that's Darrell's brother, so we have to be nice.

[Seth Meyers]

So people who didn't. Who don't know you or the. Like, you're. Where you're from. Where did you grow up? Tell us about your fam.

[Andy Samberg]

Grew up in Berkeley, California.

[Seth Meyers]

Oh, yeah.

[Andy Samberg]

Bay all day. My parents are both from New York. They moved out to the Northern California. To the Northern California in summer of 70. They missed summer of Love by a year. Maybe on purpose.

[Seth Meyers]

Well, I do think it's interesting because you and the Lonely island bandmates, Jorma Taccone and Akiva Schaefer both have, like, East Coast Hippie parents that came out here.

[Andy Samberg]

Yes.

[Seth Meyers]

All of you.

[Andy Samberg]

And we found each other. It is strange. We're all Northern California, raised by New York parents.

[Seth Meyers]

Why did your parents move out here? Why do you think?

[Andy Samberg]

I think it was just happening out here.

[Seth Meyers]

Yeah.

[Andy Samberg]

I mean, it was kind of the. The summer of runoff, I guess. It was just a. There was a huge migration of quote, unquote, let's say hippies.

[Seth Meyers]

I know, but that's probably the wrong word to use, right? How do you. What word would you use?

[Andy Samberg]

I mean, they were. Let's. They had. My dad had long hair and was like, I'm getting out of here. You know, like, me and Margie were heading west. You know, it definitely was that kind of energy, but it was also like, we got nothing going on. We heard there's people, you know, having some, like, comfortable places to sleep out on the West Coast. So I think it just brought them out here. And then once you get here, it's hard to go back because it's so.

[Seth Meyers]

Laid back and mellow and, you know, we don't have to revisit if you want to, but I loved your episode of who do youo Think youk Are? So youo Think youk Can Dance. Oh, where are you from?

[Andy Samberg]

The PBS one?

[Seth Meyers]

Yes.

[Andy Samberg]

Finding your roots.

[Seth Meyers]

Finding your roots.

[Andy Samberg]

Yes.

[Seth Meyers]

That's the serious one. Sorry.

[Andy Samberg]

I mean, I don't know the difference.

[Seth Meyers]

But they were so good. And so for people that didn't see it, you were looking kind of hoping to help your mom find her birth father, both parents.

[Andy Samberg]

My mom was adopted, by the way, after I did that show. This is just an aside. I watched it with Yorm and Mari in New York because I was doing press in New York or something. And when it aired, it showed my mom's, like, adoption agency that she was adopted from, and it's the place from three identical strangers. So, like, we were like. That's why we could never find the records and find anything about it, because they, like, disappeared it.

[Seth Meyers]

No way.

[Andy Samberg]

Yes. So that's where my mom was adopted from.

[Seth Meyers]

Not. Not a great rep. No. Whoa.

[Andy Samberg]

So basically, yeah, Sorry. The backstory on it is I have sort of avoided doing stuff like that. But then they asked, and it is a super great, reputable show. And I asked my mom. I was like, there's a chance if I do this, they could figure out who your birth parents are. Do you want me to do it knowing, like, I might be on TV finding out some horrible thing about our family history and what her origin was and all that? And she was just like, it would be worth it to me. I still want to know. So I did it. And they just smashed it. Like we showed. She came with me the day that we shot it, and when we walked in, they were all like, there she is. Like, they were all, like, starstruck by her because they knew what they were about to drop on her was going to change her life. And it was this amazing team of people. And what came out of it was they found out who both her parents were, and now we're in touch with both sides of her family.

[Seth Meyers]

No way.

[Andy Samberg]

She has, like, four half siblings on her father's side, and then, like, a couple first cousins still with us and their families on her mother's side. And the craziest thing about it by far, that's, like, from a movie that I get. She'll still talking about is once she connected with both. Both sides of the families, they both, unbeknownst to each other, went looking through her biological parents, old stuff they still had. And they both found the same photograph of the two of them together.

[Seth Meyers]

But they both had.

[Andy Samberg]

They both had the picture of them together when they had their, like, brief time together.

[Seth Meyers]

Oh, no. That makes me want to cry.

[Andy Samberg]

Isn't that crazy?

[Seth Meyers]

They had a brief. So your mom's parents had, like, a brief relationship.

[Andy Samberg]

Yes.

[Seth Meyers]

And then a baby that they gave up for adoption.

[Andy Samberg]

Yes. And we don't know if the. If her father even knew.

[Seth Meyers]

Right. And they went on to marry other people and have other kids, but they kept the same picture of a.

[Andy Samberg]

From like, a date in San Francisco. Also another crazy thing, which was that they had met in the Bay Area, and then my mom moved there.

[Seth Meyers]

Yes. There was something that wanted her to come back. Whoa.

[Andy Samberg]

There were so many weird, trippy things about it.

[Seth Meyers]

I love that kind of stuff. That just feels so. Like life has some kind of grand design. Yeah.

[Andy Samberg]

It was really beautiful. And she was so happy. And now we have, like. Oh, yeah, we. We all look like our grandparents.

[Seth Meyers]

Well, I loved. I remember that your grandfather. The big reveal was that you're Italian.

[Andy Samberg]

Yes, exactly. And did I tell you the story that I went back to Brooklyn. I was shooting Brooklyn Nine Nine at the time, and all the crew and everyone knew I was doing it. And I came back in on Monday because we did it over the weekend. And all the camera guys and the crew guys were like, so. And I was like, I'm a quarter Sicilian. And they all went, hey. Like, every part of it was, like, from a movie. It was so awesome and wonderful. Oh, my God. Welcome, paisan.

[Seth Meyers]

Do you feel any. Do you feel different knowing that?

[Andy Samberg]

I do feel a little different. Yeah. I mean, we always were like, there's something that's not just like, you know, but. Yeah, it was crazy. And for my mom especially, it was just like, you know, she was at this time probably 75, 76 years old. She had given up. She was like, I'm gonna go my whole life not ever knowing.

[Seth Meyers]

Oh, Andy, that's awesome. That's an amazing story. And that idea. The idea that they both kept the photos is very deep.

[Andy Samberg]

Yes.

[Seth Meyers]

Because it feels like they. It's like a time travel moment where their future selves planted that photo. You know, like, that's a real time travel shit.

[Andy Samberg]

I've thought about it a lot. Cause it's so special and it does, like, feel written.

[Seth Meyers]

Yeah.

[Andy Samberg]

And the only thing I can. There's a. I have a few theories. One is like, they thought maybe someday this exact thing would happen and they wanted her to find them.

[Seth Meyers]

Yeah.

[Andy Samberg]

You know.

[Seth Meyers]

Yeah.

[Andy Samberg]

If he did know about her.

[Seth Meyers]

Yeah.

[Andy Samberg]

And if not, it's just that maybe they both really enjoyed their time together. And it was like, you know, you don't, like, wipe your old relationships from social media. You keep them. Cause they were special to you at that time or whatever.

[Seth Meyers]

Yeah, yeah. You mentioned Brooklyn. I9 now I'm realizing Jake Peralta is like an Italian name.

[Andy Samberg]

He's half Jewish, half Italian. It was like a prophecy. Mike and Dan foresaw it.

[Seth Meyers]

So for those who don't know, Mike Scher, who is also a guest on Good Hang Along With Dan Gore, created the show. And I think it might be interesting for people to know, like, our conversation that we had before the show. You've spoken about it before, but we, you know, you were. You left snl. When? What year did you leave?

[Andy Samberg]

I want to say, like, 2012.

[Seth Meyers]

Yeah. So, you know, you were. I was about four years ahead of you in the trajectory of being on the show and leaving it. And you were approached by them to do this show and we had a conversation about it, and you were really. What do you remember from that time?

[Andy Samberg]

Well, the starting point of it for me was when I did a guest week on Parks, which was one of the most delightful weeks of my life. And I remember very vividly having a conversation with you that week where I was like, everyone's so nice. Everyone's so funny. The writing's good. And I remember your quote exactly was, it's a good life. Sandberg and I. I held onto that like, very tightly. And then when they asked me about it, I called you again to be like, I should. Right. Because going into it, I hadn't been thinking I wanted to do a TV show, having just done seven years of a TV show.

[Seth Meyers]

Yeah.

[Andy Samberg]

Which I'm sure crossed your mind when it came up, too.

[Seth Meyers]

Yeah.

[Andy Samberg]

But then, truthfully, having seen Parks and love it so much and see it work so much, and then had the experience of working on it and feeling that warmth and that happiness of working on really informed my choice. And, you know, Mike, as we know, has his rule that he tells everyone before he works with him, which is, like, the only rule is no.

[Seth Meyers]

Yeah.

[Andy Samberg]

Every one you work with will be thoughtful and kind and engaged and life is too short, basically. And I was like, that sounds good to me. Do you remember me calling you?

[Seth Meyers]

Yeah, okay, I do. I remember.

[Andy Samberg]

I want to know your side.

[Seth Meyers]

Well, I remember because I, you know, it feels like, you know, there's this moment when you leave SNL or any job, and you just kind of think, well, I guess I'm jumping off a cliff. Like, I'll never, you know, I guess my, you know, I'm done. Yeah, but you're on. There's a lot of people at the station that have also left, and they kind of go like, hey, yes, welcome. There's a lot more out there. And that's what I felt like that conversation was with me and you, which is, yes. There's so many opportunities. And if it's a mic share, Dan Gore opportunity, I would take it because it is gonna be one of the best experiences of your life. Did it prove to be?

[Andy Samberg]

Absolutely. And by the way, it's a gift that keeps giving. Like, it just moved to Netflix in the US and it's been there internationally. I took a trip, like, a family trip to Europe a couple years ago, and it was like, because of the Netflix part of it, I was like, everywhere I went, I was like, Jake Peralta. I was just telling Fred this, too. I was like, I felt like I was on Friends. I was like, oh, my God, the show is really big and people really watch it and kids love it and families watch it together, which was such a part of my experience growing up, was, like, watching good quality sitcoms together as a family and just being able to think that I did something that is. That for people is really gratifying. And it was amazing. Like, I'm still really close with everyone I worked with there and loved it so much. And everything you told me what happened, happened.

[Seth Meyers]

I mean, it's such a good show and. Exactly. That you feel like there was a sense of family. Can you tell me, like, what was like, when you think about the, like, deeply funny moments with Andre Braugher, who I love, and I'm so sorry for him, his passing and his loss. When you think about what you and Andre, how you guys laughed together, what was the dynamic like behind the scenes?

[Andy Samberg]

Um. God.

[Seth Meyers]

Cause he's such. He's so good in the show. He. He's so poised. He's such a good actor. Yes, but he was. And also to me, I never had the pleasure of meeting him. He seemed like he was just playful and fun.

[Andy Samberg]

He was. And just a good person. Like, so deeply moral and kind and pleasant and smart and just, like, we all absolutely loved him. I miss him a lot. Our dynamic worked immediately. It was like. It's one of those things where you're just like, okay, this is kismet. I don't know how to explain it, because they. Mike and Gore cast him from, like, a meeting. They just, like, did a zoom or something with him, and they were like, yeah, I mean, you know what, dude?

[Seth Meyers]

This is probably pre zoom.

[Andy Samberg]

Yeah, it was probably a Skype.

[Seth Meyers]

It was a Skype, bro.

[Andy Samberg]

It was a disgusting ass Skype.

[Seth Meyers]

Disgusting Skype. We used to have to do this.

[Andy Samberg]

Thing called Skype with a Y in it. But, yeah, I mean, I think Mike's talked about this a lot, too. Like, we showed up for the first table read before we'd even shot the pilot. He walked in, and we had, like, a very pleasant hello. And then we started reading it, and as soon as we started reading it, like, the first scene, which is, you know, he comes out and I'm goofing with him and being a dummy, and he's being stoic, and it just. You know how it is sometimes creative stuff where you're like, I don't care how this came to be. It's working.

[Seth Meyers]

And I'm so happy, so grateful.

[Andy Samberg]

And then from that moment forward, like, the only thing me and him had to, like, even talk about creatively was in the beginning, he didn't trust himself to do comedy because he came so strictly from drama and Juilliard. And, you know, like, five or six times, we would do, like, a more serious topic on the show, and he would flip that switch, and everyone would be like, oh, my God, like, what is Andre doing here? He's so good. Like, he should be in, like, drama. He's, like, the best. But then he would do his Captain Holt stuff, and it was the funniest thing in the show.

[Seth Meyers]

It's so interesting. You bring up, like, Juilliard, and for people that, like. It's kind of a shorthand for, like, a different way of training.

[Andy Samberg]

Yes.

[Seth Meyers]

And, you know, I don't know. I think there's something very cool. Even if you're not an actor or performer in general, when you start working more and more, you're like, oh, everybody has a different way of working.

[Andy Samberg]

We all got here a different road.

[Seth Meyers]

I know. And we come from a very similar, I think, sketch background where we're, like, burning through ideas. And I know as a performer, you and I like to keep it kind of. I like to keep it pretty loose until it feels ready. And that really can unnerve other people.

[Andy Samberg]

Yes.

[Seth Meyers]

And it took me a long time to realize that that that wasn't someone else's process.

[Andy Samberg]

Correct.

[Seth Meyers]

Yeah.

[Andy Samberg]

I mean, we wouldn't do. We would do, like, a fun run or whatever. We took that from you guys, too. We took a lot from parks.

[Seth Meyers]

Let's.

[Andy Samberg]

Let's be real.

[Seth Meyers]

Well, we took it from the office. So a fun run was kind of.

[Andy Samberg]

Like, once you have it scripted, then it's like, okay, have fun with it. Try different things. Would do that. Occasionally we would do it more. When we had a guest who was really known for improv, like, we let Manzoukas cook, for example, I was. I don't. I mean, the difference between you and I, you're a much more seasoned performer, in my opinion. I always felt that way. I feel like I have gotten so much better and have such a better understanding of acting, having done Brooklyn, but for me, that was like acting school. I even remember another conversation I had with you when it's when Brooklyn started texting you and being like, is it hard for you to memorize all this? And you went, now it is. And I was like, gosh, you're so cocky about it. And then, like, two or three years in, if someone had asked me, I'd be like, yeah, I can do it in my sleep.

[Seth Meyers]

You got it. I know. It was a muscle.

[Andy Samberg]

Yes.

[Seth Meyers]

And then when you stop, it atrophies.

[Andy Samberg]

It does.

[Seth Meyers]

Because that's why I'm doing this podcast. I literally can't memorize anything anymore. I mean, it's so hard to memorize now. And I know that sounds so stupid, but I always say to people, think about, you know, this isn't like acting is hard, but it is. But think about when you give a speech and you're in front of people and you have to memorize that speech. Now imagine 40 to 50 people standing watching you do it. Like, drinking coffee, being like, get this speech right. Please get the speech right. Like, you're not at a wedding, and it's not fun. It's like a job. And everyone's like, please get it right. Like, I'm tired.

[Andy Samberg]

And it's almost like, also, like, long day or long week. And you're talking about at least 10 to 12 people that are, like, actively holding something heavy.

[Seth Meyers]

That's right. They're holding something heavy.

[Andy Samberg]

And, like, you see people's, like, legs start shaking, and you're like, I gotta get this line.

[Seth Meyers]

Then I feel like if you gave a wedding toast that you had to memorize and all of your family were holding giant rocks, you didn't get it right.

[Andy Samberg]

Oh, man, Uncle Gary just had a knee surgery. I gotta get this thing done.

[Seth Meyers]

And when you don't get it right, they all put the rocks down and.

[Andy Samberg]

They'Re like, I guess we'll try it again.

[Seth Meyers]

I can't get it right. No, but, yeah, but we would burn through just like you. Like, a lot of pages a day, and you had to kind of just like, figure out. But I would say, having worked with you at snl and also we had a really fun time with me. You and Maya were working on our fun dumb show. Making it, Baking it. I loved it and baking it. But I will say, Andy, I think people don't know this about you is. You're pretty meticulous when you work.

[Andy Samberg]

Yeah.

[Seth Meyers]

It's different than I think people would assume.

[Andy Samberg]

Yeah.

[Seth Meyers]

How would you describe it?

[Andy Samberg]

I mean, that was actually where I was starting to very slowly walk towards about Brooklyn, which was, for me, I would prefer having, like. And it was good for Andre, too. Like, three to five alts that are very specific. And not that we're just like, what are we gonna come up with? But where I'm like. I would work with the writer on set. We had the Brattest staff. They were so funny. And it would be like, anytime you get to a scene where we all feel like. You know that thing where you just feel. You're like, this joke's just halfway there, and you'd be like, quickly scramble. And then we would write out a bunch of alts, say it to each other, know that it's it, and so, like, make it official one at a time, as opposed to, like, it's the sauce. You know, we're all in, like, the soup.

[Seth Meyers]

Yeah.

[Andy Samberg]

And then the other thing about me that I would agree with you is very meticulous is editing.

[Seth Meyers]

You're very meticulous about editing, and you get very serious when it comes to music.

[Andy Samberg]

I do.

[Seth Meyers]

Like, you know, I remember us recording what I thought was kind of a goofball song, and I remember being like, oops. Like, Andy's gotten. Andy's gotten quiet and serious and it was like. Right, of course. Because you're a professional. And. And it is. It is.

[Andy Samberg]

I mean, halfway. I don't know what I am. Well, I just love it.

[Seth Meyers]

Yeah, you love it and you want it to be good.

[Andy Samberg]

I do want it to be good. I want it to sound good.

[Seth Meyers]

And I will say that you and Yarma and Akiva, the members of Lonely island, like, you guys came in, in a way to that show that was super interesting because you were your own island, literally, that. That came. You came in together with your own system that then had to kind of fit into the bigger SNL system.

[Andy Samberg]

Yes.

[Seth Meyers]

And those early days, like, we. What? Like, you talk about it so well on your podcast, which I'm obsessed with.

[Andy Samberg]

And thank you for being on it also.

[Seth Meyers]

My God, I love it and it's hilarious. And I love how no one knows when you're recording and a lot of times you guys don't show up.

[Andy Samberg]

Yeah, it's a mess. It's a mess. Definitely. Check that out.

[Seth Meyers]

That's my. That's my favorite part. But. But you go through. You're going through all of the digital shorts. You're going through them one by one, and I love that I forget because it's like childbirth. Like, it all goes away. The pain part.

[Andy Samberg]

Yes.

[Seth Meyers]

I forget the grind of each one that you guys had. And so you guys were really into the grind.

[Andy Samberg]

Yes.

[Seth Meyers]

Do you remain into that grind?

[Andy Samberg]

Are you asking if I stay on my grind?

[Seth Meyers]

But you want to talk about that early grind.

[Andy Samberg]

Yes.

[Seth Meyers]

Because it's interesting. I don't think people would assume that from you.

[Andy Samberg]

I mean, do I have the rise and grind mentality? No.

[Seth Meyers]

My memory of you three was constantly being tired.

[Andy Samberg]

Yep.

[Seth Meyers]

Constantly wanting it to be better and better and better. Like, what is your relationship to, like, perfectionism or, like, continuing to tweak and make things better?

[Andy Samberg]

I think SNL was a struggle for us in that sense, because that's not the name of the game.

[Seth Meyers]

There's.

[Andy Samberg]

But because we did pre tape stuff and it was, you know, videos we could edit, we did get closer to it than a lot of people at that time especially would have been allowed to.

[Seth Meyers]

Yeah.

[Andy Samberg]

Again, though, I would watch people like you and Fred And Bill and Wig and Maya. And like so many of our peers who were like, in my opinion, on a performance level, the sell was how amazing you guys were live. And the feeling of, like, oh, anything could happen in this moment whether or not it was true. Cause you guys are all precise as hell, too. But, like, the electricity of that was the thing that I felt like I didn't always have live, but that we could make work in a pre tape with the correct editing and the right concepts. You know what I mean?

[Seth Meyers]

I do. I mean, I would argue it's both. And. Cause I think that you do have a looseness as a performer that relaxes people that you just have to. And I think that's what's interesting about you as a performer is like, I do think there's a precision that's important to you, but you don't see it when you're performing.

[Andy Samberg]

Sure.

[Seth Meyers]

So that is hard to balance. And it's just like. Because you're right. There was. I mean, I remember learning from Will Ferrell, like, watching and being like, oh, in this show, if you're having fun and you're relaxed, people relax and have fun. Yes, it is just. And I mean, there's nothing harder than someone saying, like, just relax. But it was true. If you could kind of zone out and kind of act like, life is a dream and you belong there, and you belong there. Fake it till you make would work. And the people that couldn't do that had a really hard time.

[Andy Samberg]

Definitely.

[Seth Meyers]

But I knew that you could do both. You could do that. And then you would go and edit for. And you and Keith, and you would lock yourself up. We were zombies, and you were zombies. And you were so tired.

[Andy Samberg]

We were so tired. We also, like. I mean, I talk about this a lot, which was my dream was always to be on snl. And then we got it, which was insane. Like, I would have been good doing one season and getting fired, knowing I actually got to try doing the one thing I wanted. And then first season, it went good.

[Seth Meyers]

Right.

[Andy Samberg]

You know, which was really unexpected. Like, we'd been doing fine the first half of that first season. You were there.

[Seth Meyers]

Yep.

[Andy Samberg]

We were, like, figuring it out. I was figuring out how to present myself live, and I had done standup. But, like, what's the angle? How do you ingratiate the audience to you? And. And then that one video just went bonkers. And it was like, oh, shit. Okay. Like, we arrived, quote unquote, early for how the show usually works, in my opinion. And then. And because of that we were lucky. But also we immediately put insane pressure on ourselves because we were like, well, now we have to do things that do that. Like the making the Narnia one was partly because it was a good sketch, but also just pure luck. Like the fact that it was the moment that people were like, there's this thing called YouTube. And the moment that people wanted to be like, SNL had this pre tape and it looked like they shot it on their own. And that's interesting to us now.

[Seth Meyers]

Right.

[Andy Samberg]

And like whatever the hell confluence of things made it become a news story. I mean, when you are lucky enough like us to work long enough, you just keep making stuff that you think is good and that you want to watch. And then every now and again, it all kind of comes together for things that are out of your control.

[Seth Meyers]

Right, Totally. That's so much of it is timing and being in the right place.

[Andy Samberg]

Yes.

[Seth Meyers]

Like you said. And having the right people around you and being in the right era of SNL and all of that stuff. And having the right head writer who's supporting you and being a certain age where you're not, whatever, too old or too young to handle it. All that stuff.

[Andy Samberg]

Yes.

[Seth Meyers]

But I would say, what is that? There's like some quote like, luck and preparation is the preparation. Hold on, let me look at.

[Andy Samberg]

Is the cure for hemorrhoids.

[Seth Meyers]

Yeah. What is it like, luck is the preparation. You know what I'm talking about?

[Andy Samberg]

It's time plus. No, preparation plus luck is success or something.

[Seth Meyers]

Collaboration. I feel like Wayne Gretzky definitely said it or it's. Who said it? Luck. Here we go. No, it was the Roman philosopher Seneca. Luck is when preparation meets opportunity.

[Andy Samberg]

Dude, I've always called Seneca the Gretzky Lite.

[Seth Meyers]

I added the dude. Luck is when preparation meets opportunity. That's is true. That's what it was.

[Andy Samberg]

And. Sorry, what is it again? It was luck.

[Seth Meyers]

Luck is when preparation meets opportunity. So you had been. Let's see if we can memorize.

[Andy Samberg]

We're going to Garth and cat it. Luck is when preparation meets opportunity. Dude. Thank you. Oh, Seneca.

[Seth Meyers]

Oh, Seneca, you crazy bitch.

[Andy Samberg]

Just like, dude.

[Seth Meyers]

Okay, he's like, guys, gather up.

[Andy Samberg]

Dig on this. Dude, dude, dude, dude. I got it, I got it, I got it. You know, people are going to say this.

[Seth Meyers]

Set it go. But that is an example of that. You guys were ready. You had been working together for a really long time. And look similarly with. I mean, I say this all the time, which is there is no better feeling than having some people in your Corner at a place like SNL or anywhere where to do almost anything. Whether it's be on SNL or it's like, go through hard times in your life or if you have a few people that can stand around you, you can get through anything. You just need one or two or like. And the fact that you guys had.

[Andy Samberg]

Each other, it was a dream.

[Seth Meyers]

Yeah.

[Andy Samberg]

I mean, how many folks were you friends with when you got hired?

[Seth Meyers]

Well, I was really. I mean, Tina basically was like so instrumental in getting me hired and Dratch was there. And so Tina and Dratch and I started together and like, they were in her new Horatio and I knew a lot of people kind of. But. But Tina and Dratch and I had known each other at that point by, you know, for 10 years and started together and that was huge. It makes a huge difference to have. Yeah.

[Andy Samberg]

And I can't imagine coming in there totally alone.

[Seth Meyers]

Agree. And so many, like, warriors came through and just kind of like blazed a trail or, you know, or didn't and.

[Andy Samberg]

Did really well doing other things elsewhere.

[Seth Meyers]

Yeah, that's true.

[Andy Samberg]

Because it's a very specific thing.

[Seth Meyers]

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[Andy Samberg]

It was. It was life changing for me. I mean, it was. Again, I can't stress how much we were not expecting that to be the reaction. Yeah, we were just trying to get things on the show.

[Seth Meyers]

Yeah.

[Andy Samberg]

We were so green, so new. I mean, we had not had an insane amount of experience before we got the show either. Like, you had had a full show that I watched and loved. P.S. i had seen you doing, like, UCB shows and knew who you were. There's a lot of people, I think, who get snl, especially then, that had, like, really. I mean, think about, like, when WIG got hired. Wig's audition had, like, five fully formed Groundlings characters.

[Seth Meyers]

It was incredible.

[Andy Samberg]

That just. And feral, too, where you're just like, oh, they're ready for snl, period. Like, they have been bred to. They're like Lionel Messi of snl. You know, we're like, from a child. They were like, this is my path that I'm doing. Will is an anomaly. He was like, I'm gonna decide to be the funniest person on Earth. But for me, I was like. I had done Stand up on and off, and we had made videos, which at that time didn't directly translate. We didn't. We didn't get hired to do them right. It was more just like, we had fun at the Movie Awards writing with a bunch of SNL people and Fallon and people, and they were like, come play. Come have hang out. And da, da. And we were like, okay. And then that one we had done, the one with Forte, with lettuce. And then that was Lazy. Sunday was the second one. And then it was like getting shot out of a cannon. But.

[Seth Meyers]

And do you remember where you were when you got the call that you got the show? And did Akiva and Jorma get the call at the same time, or did someone get it first?

[Andy Samberg]

I got it first. They flew me out. But it didn't Tell me. But I flew with Bill, and he knew because Marcy Klein had told him he got it, and he knew I got it.

[Seth Meyers]

He couldn't tell you.

[Andy Samberg]

He couldn't tell me and he didn't tell me. Bless his heart.

[Seth Meyers]

Bless his heart, because I understand. I would be afraid that I'd get fired if I told you or something.

[Andy Samberg]

We sat together on plane.

[Seth Meyers]

He probably was like, this is great, right? And you were like, I guess he.

[Andy Samberg]

Loves recounting it because we sat together on the plane and had drinks. And I was like, I wonder what's gonna happen? And he's like, I know what's gonna happen. You fucking got it, dude.

[Seth Meyers]

So he did tell you.

[Andy Samberg]

No, he didn't.

[Seth Meyers]

Okay.

[Andy Samberg]

But he could have. I'm saying he likes to talk about how he could have.

[Seth Meyers]

Okay.

[Andy Samberg]

But anyway, so then, you know, we got there and I had a meeting with Lauren because you have a meeting with Lauren, and Lauren didn't tell me.

[Seth Meyers]

No, he never. He never hires or fires anybody.

[Andy Samberg]

No. So I walked out of his office, and I think it was like, Jen or maybe Shookus or people like that were there. And they were like, so. And I was like, I don't know. They're like, you got the show. They were the ones who told me. And then we went to a dinner. That's what Lauren told me. We're gonna have a dinner after this, so you should come. And I was like, okay, so I guess I'm still in the mix. And then they were like, no, you got the show. And so on the drive from 30 Rock to that dinner, I called my parents and we were all crying and stuff.

[Seth Meyers]

They were, oh, my God.

[Andy Samberg]

I mean, since I was 8, that was what I wanted to do.

[Seth Meyers]

Andy.

[Andy Samberg]

Yeah.

[Seth Meyers]

That's so cool.

[Andy Samberg]

Yeah.

[Seth Meyers]

And then what was the stress? Codependently, I would be immediately stressed about Akiba and Yor.

[Andy Samberg]

Yes. They told them early the next week. It was like a weekend, so we didn't have to wait too long. But they had made a deal that if one of them got hired and not the other, that they wouldn't take it.

[Seth Meyers]

Really?

[Andy Samberg]

Yeah. That not two out of three of us would leave, but that if one of us got it, go with God.

[Seth Meyers]

Oh, wow. Oh, that's so sweet.

[Andy Samberg]

Yeah.

[Seth Meyers]

Okay. We spent a lot of time together. Sleepless writing nights.

[Andy Samberg]

Yes.

[Seth Meyers]

You have an interesting relationship with sleep.

[Andy Samberg]

I do.

[Seth Meyers]

And I love talking to people about sleep.

[Andy Samberg]

Oh, yes.

[Seth Meyers]

Tell me your relationship to sleep.

[Andy Samberg]

I love sleep. Until I had children, I would go to bed very, very late. I'm like, textbook night owl. And when I worked at snl, it was my dream job schedule as well, because I would go to bed at like, 4 in the morning and sleep until like, 2, 3 in the afternoon. And then I started dating a musician who had the exact same schedule, and it was like, perfect.

[Seth Meyers]

Yeah.

[Andy Samberg]

And so I've only ever had one job that, like, catered Exactly. To my preferred sleep schedule. And even now, like, I love making movies and I loved making the show and stuff like that, but. But you have to get up crazy early like a normal person who has a normal job, because most jobs start early and most people that are adults get up early.

[Seth Meyers]

Right.

[Andy Samberg]

So it's been a hard adjustment. And now the kids, I mean, you know.

[Seth Meyers]

Well, you mentioned your wife, the great Joanna Newsom, incredible musician. Yay. I mean, I remember. I kind of remember. I was. I felt like I was around during the courtship.

[Andy Samberg]

I remember specifically one night walking you home. We were all out at a bar and talking about how I just started dating her. And you were awesome about it.

[Seth Meyers]

And you are head over heels. Right away, I was gone. And you remain like, you guys are really. Like, what? Like what? You know, you've been together now for.

[Andy Samberg]

17 or 17 years.

[Seth Meyers]

Long time Andy relationship. Like, I mean, you've called her your best friend, basically.

[Andy Samberg]

Yeah.

[Seth Meyers]

Say more about that.

[Andy Samberg]

Like, Like, I'm just lucky.

[Seth Meyers]

What's it like to be with your best friend?

[Andy Samberg]

It's fun. It's really fun. It's like, obviously having kids changes things.

[Seth Meyers]

Yeah.

[Andy Samberg]

Because your responsibilities shift your sleep schedule. But obviously a million other things. But it still feels like anytime there's a pocket of time where it's just us, it still feels like we're getting away with something. Like we're having to sleep on. And it's fun. And there's no one I would rather be hanging out with and chatting with. And it's amazing. I feel really lucky to get to share my life with her.

[Seth Meyers]

Yeah.

[Andy Samberg]

But, yeah, I remember that walk with you and talking about it and you going, I don't know, Sambury. I got a good feeling about this one. I always remember things you say, Amy.

[Seth Meyers]

I mean, you guys were deeply, very quickly, like, twinkly. And you both have this thing that I think is really, like, I respect in both of you is like, you're artists. You take your art seriously. And you liked that about each other.

[Andy Samberg]

Definitely.

[Seth Meyers]

You really respected each other. Really, like, you were. There's a difference between being, like, a fan of someone's work and, like, really respecting what they Do. It's very different.

[Andy Samberg]

I think a lot of people understood that from my perspective. I think some people at first were like, she likes that stuff that he does. But the truth is she does and did, and her and her siblings are goofballs together in love comedy. And it just. I couldn't believe my luck that that was the case.

[Seth Meyers]

I feel like the mutual respect is the reason when you have a lot of years behind you, that's the thing that keeps couples together. Yeah, it's that. Have you ever heard of that? Got is a famous therapist. Couples. Do you watch couples therapy?

[Andy Samberg]

I don't.

[Seth Meyers]

Oh, my God. Dude.

[Andy Samberg]

Should we watch it right now?

[Seth Meyers]

Yeah, let's shut this down.

[Andy Samberg]

I just finished Andor.

[Seth Meyers]

Oh, and. Or.

[Andy Samberg]

Yeah, bro, it was good.

[Seth Meyers]

I'm sure it was.

[Andy Samberg]

I watched the Last of Us.

[Seth Meyers]

This is the exact opposite of Andor.

[Andy Samberg]

I watch Love on the spectrum.

[Seth Meyers]

I love love on the spectrum. Oh, cry so hard. You and I like to cry.

[Andy Samberg]

We do like to cry.

[Seth Meyers]

We love crying. You know who else loves to cry? Seth Meyers.

[Andy Samberg]

Seth Meyers does love to cry.

[Seth Meyers]

Cry here. And Seth Meyers was the person that I asked to ask you a question.

[Andy Samberg]

Oh.

[Seth Meyers]

So I. Earlier, before you came in, I was zooming with Seth Meyers, who, you know, you guys have a very. Oh, by the way, dude, have you heard that Frisbee died?

[Andy Samberg]

Don't even play, because I'll be so happy. I will never back off. That. That dog sucks, dude. And I know this is, like. I know this is a good vibes cast, so I don't even want to bring that. That energy.

[Seth Meyers]

You're right. I shouldn't. I shouldn't have mentioned that dog.

[Andy Samberg]

That dog is like a rat carcass.

[Seth Meyers]

Seth wanted me to pretend that he died.

[Andy Samberg]

I am. I am trying to figure out what something special I can do when Frisbee does finally pass on.

[Seth Meyers]

You should. You should do, like, a memorial video that's about how much that dog sucked. Be pretty funny. Pretty funny. But. But, Seth, you know, like, your relationship is really fraternal and really supportive. You hear it on your podcast. You've seen it in real time. Like, and his question was the one I asked you. Basically, he wanted to know about the. The young. The little brother of it all. Like, what it was like being, you know, having sisters and being the little brother. But in many ways, I would say that the dynamic between the two of you is like older brother, younger brother. You and Seth. Yes, Right.

[Andy Samberg]

But also because Seth likes to be in charge and in control, and I Do not.

[Seth Meyers]

You don't.

[Andy Samberg]

I like to be in control of what I make, but not of the situation.

[Seth Meyers]

Yeah, that's right. Yeah, that's right.

[Andy Samberg]

I mean, I can if I need to be. But the fun of it for me is not that.

[Seth Meyers]

Right?

[Andy Samberg]

Fun of it always for me. I mean, I was like the diffuser in my family, you know, and youngest and get attention through being silly and making jokes and making people laugh and finding my spot that way. And you know, it changes as it becomes your job. But I feel like also like Seth's Persona is. I know what's going on and I'm gonna put everyone at ease. And mine is like, you don't know what's gonna happen. Maybe.

[Seth Meyers]

Totally. Like you don't know what's gonna happen.

[Andy Samberg]

Yeah, it might be not what you're expecting a little bit. That's my hope anyway.

[Seth Meyers]

Yeah. Do you. Have you ever taken like your Enneagram test? Do you know your number? Have you ever taken the Enneagram?

[Andy Samberg]

Wait, this is different from the thing that me and you texted about.

[Seth Meyers]

What were we? Or maybe I've texted you to make you take it. I'm obsessed with it. I think we numbers one to nine.

[Andy Samberg]

Yeah, we did text about it.

[Seth Meyers]

What did you. What was your number?

[Andy Samberg]

Am I allowed to look at my phone and look at our old texts?

[Seth Meyers]

What did we get? Cuz I made you take it. Does that make everyone? Olive. Lonely Island. Take it.

[Andy Samberg]

I think that I had this same one as Tina and Seth is what you said.

[Seth Meyers]

Okay. That's right. You were a three. The achiever.

[Andy Samberg]

Fuck, that sounds so sexy.

[Seth Meyers]

Right? I mean, congrats. But that's what I mean is the three isn't always the peacemaker. The three is like. Oh, but the three is. We really will cut all this out. Cause there's truly.

[Andy Samberg]

Do you not talk about. Oh, yeah, yeah. This is three.

[Seth Meyers]

Three.

[Andy Samberg]

You said this is three. Does this resonate?

[Seth Meyers]

And you were like, hell yeah.

[Andy Samberg]

And I said, you're eight all day.

[Seth Meyers]

Because I'm an eight.

[Andy Samberg]

Yeah.

[Seth Meyers]

Challenger. And three is the achiever. So three is like, can be like. You like to hear good job.

[Andy Samberg]

I do like to hear good job. Good boy, Good boy.

[Seth Meyers]

Good job. Yeah. Your three is so big. You know what? And that's what she said. You know, it's small is your four.

[Andy Samberg]

Which is I wish so bad. You've been like, yo, dinky little dick.

[Seth Meyers]

Like, hey, that was good hang. Oh my God, I was laughing.

[Amy Poehler]

Sorry.

[Andy Samberg]

It's just what I heard.

[Seth Meyers]

We were just in the office before we Came in watching the Bash Brothers again because the shrinky dinky. My name is Mork and I eat.

[Andy Samberg]

Pork with a fork.

[Seth Meyers]

But I'm not a jork. But I'll jork it.

[Andy Samberg]

I'll jork it out the pork.

[Seth Meyers]

I'll jork it out the pork.

[Andy Samberg]

I feel very proud of that.

[Seth Meyers]

God, I love that.

[Andy Samberg]

Noah should have had the Bass brothers on his orc.

[Seth Meyers]

The Bash Brothers. So many dumb fun. I mean, you love dumb fun. Shit.

[Andy Samberg]

Oh, my God. Yes. Me and Keef did that, knowing it was for no one. And we just loved making it so much.

[Seth Meyers]

Yeah.

[Andy Samberg]

Like, our friends that we grew up with were like, you guys made a whole visual poem rap album about the Bash Brothers. We were like, yeah.

[Seth Meyers]

And you know, podcasters, we are talking about sports, which is exciting. And for people who don't know, Bash brothers were Mark McGuire, Jose Canseco, very rumored at the time to be doing a lot of steroids. Steroids.

[Andy Samberg]

Oh, yeah.

[Seth Meyers]

And like, but it was like such an 80s rivalry and you guys just dressed up like them and wrote a million songs about.

[Andy Samberg]

It was so fun. It was so fun. By the way, the dream of that one was, I think there was a player at on the actual Oakland A's when it came out who like used it as his walk up music.

[Seth Meyers]

Oh, wow.

[Andy Samberg]

And they, like would play let's bash at the stadium at the Oakland Coliseum before they, you know, they're gone now. You know this. You're a sports now.

[Seth Meyers]

Yeah, well, I remember when that happened, but. And I gotta tell you, like, and I texted you about it the other day, like, still crushing it. Still you guys. Still crushing. Like the anxiety short was so good on the 50th.

[Andy Samberg]

Thanks.

[Seth Meyers]

Such a funny and, and, and moving. Funny and moving. Which, you know, the fact that you had. You sung about how everyone had nervous diarrhea before they did every sketch on snl.

[Andy Samberg]

These pipes can talk.

[Seth Meyers]

If these pipes could talk. Incredible. Incredible. What was it on the dolly when you were, when you were you moving or was the camera moving and then I was moving.

[Andy Samberg]

That was a Mike Diva shot. He's a driver actor there now who we're buddies with. That was his idea. And I was, when he showed me that back, I was like, oh, that's a good shot.

[Seth Meyers]

So good.

[Andy Samberg]

Yeah.

[Seth Meyers]

And then Sushi glory hole. Imagine that. Where are you going?

[Andy Samberg]

Sushi glory hole. Imagine that instead of strange you be getting a snack. No doubt. Hey, where you going? Hear us out.

[Seth Meyers]

So good.

[Andy Samberg]

Thank you.

[Seth Meyers]

I mean, like, every song you guys make is a, is a Bop is a song you want to listen to regardless of the comedy. But, Andy, that one.

[Andy Samberg]

Yeah.

[Seth Meyers]

So good. And I just like, there's. So. You made so many good ones, but I just want to remind everybody, like, you've been doing it for 20 years.

[Andy Samberg]

Yeah.

[Seth Meyers]

Sushi, like, so good.

[Andy Samberg]

Thanks.

[Seth Meyers]

So stupid.

[Andy Samberg]

So stupid.

[Seth Meyers]

Perfect.

[Andy Samberg]

Yeah.

[Seth Meyers]

A little bit dirty. Fantastic outfits.

[Andy Samberg]

So good.

[Seth Meyers]

Great POV and attitude.

[Andy Samberg]

They came with it.

[Seth Meyers]

Was it any more fun? I mean, you talked about this on podcast, but was it. Does it get any easier to make them now or is it harder to make them now?

[Andy Samberg]

Both.

[Seth Meyers]

Yeah.

[Andy Samberg]

The technical aspect is easier because we've done so many.

[Seth Meyers]

Yeah.

[Andy Samberg]

Coming up with something we find interesting and funny becomes more difficult because we've done so many.

[Seth Meyers]

Yeah.

[Andy Samberg]

But that was one in particular where we had written. Akiva had came up with the phrase sushi glory hole. I can't believe I'm treating this so seriously.

[Seth Meyers]

But we should treat this like actors on acting.

[Andy Samberg]

So when Akiva first said sushi glory hole. But we were.

[Seth Meyers]

And what did God say and mess you at the prayer? At that point?

[Andy Samberg]

We were just channeling. We giggled. And I was like, yeah, we're not going to do that. And then he kept saying it, and I couldn't tell if he was doing it as a bit like we should do that or if he actually wanted to do it. So then after a while, I was like, you know what? Fuck it, let's try it. And we did a whole other version on a different beat. And we hadn't come up yet with the idea of Hear us out over and over again. So then we were like. We kind of let it sit because we were like, it's okay. It just feels like AI doing a Lonely island song or something. You know what I mean? Where it was like, it's like, we're rapping and it's this, and it's about a thing that you wouldn't rap about. And we were like, yeah, I guess so. And then a couple days later. Cause we just decided to go in the studio a lot at that time. He came in and played a different song he had heard on the radio. I can't remember which one it was, but it inspired him. It was like a more modern song, something with A$AP Rocky and some people on it. And we were like, oh, let's try it to a beat like that. And we did. And then because we switched the beat, it inspired the hear us out thing. And then once we did that, once we started doing the laugh, which is the right laugh, which, you know, when you're in a room writing something, we were like, oh, it's the laugh. We're having that laugh where we know we are officially into this idea. Not just like, this will be professional and technically up to snuff, where you're like, ooh, I now like this for sure.

[Seth Meyers]

Yeah. You're like, oh, we gotta do it now.

[Andy Samberg]

Yeah. And then it was like, yeah, now we gotta do it. And it opened it up for us.

[Seth Meyers]

That's a good example of you guys. Like, you don't you wanna keep going back? And I mean, Seth mentioned this when we were talking to him earlier. Is like, there's like, the Improv Bones version where, like, sometimes we romanticize the first idea, and you guys don't do that. You're like, this isn't ready yet. This isn't right yet.

[Andy Samberg]

Yes. But if it's really funny the first time, we don't fuck with it.

[Seth Meyers]

Yeah. What was the fastest song you ever wrote, fastest digital short you came up with and did? Oh. From the minute you thought of it till you did, it was super fast. It just came out.

[Andy Samberg]

A lot of them were like that when we were working at the show.

[Seth Meyers]

Yeah.

[Andy Samberg]

Because the schedule's crazy.

[Seth Meyers]

Yeah.

[Andy Samberg]

So, like, Lazy Sunday, once we had the idea, it wrote in a couple hours.

[Seth Meyers]

Yeah.

[Andy Samberg]

Natalie's rap. Same thing.

[Seth Meyers]

Yeah.

[Andy Samberg]

Shyrani. We wrote in, like, under an hour. It takes a long time to come up with the idea. And then sometimes it doesn't. Sometimes you're in the shower at home and you have a full idea, and you come in and you go, I have an idea. And then you just write it and it happens.

[Seth Meyers]

Sometimes you have your dick in the box in the shower, and then you come in and you're like, let's do it on the show.

[Andy Samberg]

Dick in the box was Yoram's idea. And it was. It took us a long time to decide what to write about because that was an assignment. It was like, justin wants to do a song. Think of an idea to do a song with him. So we had met with him, and we knew that we all had grown up listening to hip hop and R and B in the early 90s.

[Seth Meyers]

Yeah.

[Andy Samberg]

And so we were like, maybe something in that area. And then it was like, okay, but what's the premise? And then we struggled for a couple hours trying to think of something. And then when Yoram said that, we were like, oh, okay, go.

[Seth Meyers]

There's so many digital shorts that I watch that I'm sad I'm not in. And this here's my gotcha question.

[Andy Samberg]

Yeah. Oh, here it comes.

[Seth Meyers]

Gonna put my gotcha glasses on. Why aren't I in this? I feel like I didn't get asked to be in enough detailed shorts.

[Andy Samberg]

I agree.

[Seth Meyers]

What did I do?

[Andy Samberg]

I don't know. Is it.

[Seth Meyers]

My brain has a theory and maybe it's just protecting me.

[Andy Samberg]

You were already doing update.

[Seth Meyers]

Let's start there. That's my theory is you guys shot a lot of stuff on Fridays and we would have to read update jokes on Friday. And I feel there were times where it was very like. Like, we need someone quick to do this thing. And I was not availed. But this is awesome. There's so many shorts where I'm like, damn, I wish I could be in that.

[Andy Samberg]

I also wish that you don't understand.

[Seth Meyers]

Thank you.

[Andy Samberg]

I also think Amy, like, it's a good lesson learned for me. It's. And for anyone in any field, I think we often were like, we don't want to bother her.

[Seth Meyers]

I can't believe it.

[Andy Samberg]

But it's true. I mean, you were in like 10 sketches every week. And update.

[Seth Meyers]

I'm such a fan of those shorts so much. And I definitely watch them sometimes, and I'm like, man, I wish I was in them. So I guess what I was hoping is like, maybe we could do some kind of like, zemeckis style.

[Andy Samberg]

Oh, put you back in them.

[Seth Meyers]

Put me back.

[Andy Samberg]

We're gonna gump it full gump.

[Seth Meyers]

We'll just do some de aging and we'll go back.

[Andy Samberg]

Wait, so can I gotcha question back?

[Seth Meyers]

Yeah, gotcha question.

[Andy Samberg]

These are not gotcha questions.

[Seth Meyers]

I know. And mine's not a gotcha question. Gotcha back.

[Andy Samberg]

Can you think which ones are the most name?

[Seth Meyers]

I can name five. I wish I was in so bad.

[Andy Samberg]

Oh, my God.

[Seth Meyers]

Dick in a box for sure.

[Andy Samberg]

Right? Of course.

[Seth Meyers]

I mean, of course, dear sister. I was like, huh, I fucking love that one.

[Andy Samberg]

But dude, that shoot sucked.

[Seth Meyers]

And it did suck. It was all night.

[Andy Samberg]

We were at the flat hotel till like six in the morning.

[Seth Meyers]

I know, I remember.

[Andy Samberg]

That's another reason where I'm like, we're not gonna ask Amy to come do that.

[Seth Meyers]

She's like, I knew. You know?

[Andy Samberg]

And like, also for every one of those, there was like five that we did at flat hotel till four in the morning that were so bad.

[Seth Meyers]

And I love you guys talking about them. I love you guys talking about them.

[Andy Samberg]

And you gotta be honest, if it works, it works. If it doesn't, it or not, I.

[Seth Meyers]

Mean, that's what's so Funny about. About the stuff that we do is like, Nobody remembers the 10 to 1 versions of things that were just stinkers.

[Andy Samberg]

Always crazy stuff. Stuff where I was mad that it would get cut and then I would go back and be like, oh, my God, there's nothing here. I was just running on fumes. Why was I so mad? It was just. Cause it was literally as much as like, I exist too. I wanna be on the show too.

[Seth Meyers]

Emily Spivey and I wrote a scene one night that we thought was so funny. And it was just about these two giant trucks, like truck drivers who would come up next to each other and keep telling the other one to honk it.

[Andy Samberg]

Yes.

[Seth Meyers]

And it was like, honk it. Honk it. And just telling the other one to honk it. And we were like, oh, we were dying. And we turned it in, like, you know, 8:45am and Shoemaker was like, we're not doing honk It. And we were like, what?

[Andy Samberg]

We already made T shirts.

[Seth Meyers]

He was like, we can't. We can't produce Honk It. We can't get two giant. Like, you know, we can't get two cabs. And also, like, you guys, we have. We're like 35 sketches over. And like, you turn this in at 8:45 and it's like we were like, justice for Honk It. Like, we were still. We were so mad.

[Andy Samberg]

So just to be clear, you're not gonna let us read Honkit?

[Seth Meyers]

Okay. Okay.

[Andy Samberg]

Noted.

[Seth Meyers]

Looking forward to having an employer that supports Honkit.

[Andy Samberg]

Noted.

[Seth Meyers]

Looking forward in the future to working with someone who understands Honkin and what it means to us.

[Andy Samberg]

Oh, my God.

[Seth Meyers]

Speaking of what we watch and listen to.

[Andy Samberg]

Yes.

[Seth Meyers]

I asked my. I asked my guests. Now, what are you watching? Listening to doing that's making you laugh.

[Andy Samberg]

Making me laugh.

[Seth Meyers]

Making you feel good, making you check out. What are you like, how do you. You know, how do you.

[Andy Samberg]

Oh, well, this is loaded. But I saw the new Naked Gun.

[Seth Meyers]

Ah, okay. Talk about it because it looks so good.

[Andy Samberg]

It's really funny.

[Seth Meyers]

Okay, so directed by.

[Andy Samberg]

Obviously it's directed by Akiva and co written by Akiva and he's my bestie. But I wouldn't say it if it wasn't true. It's really fucking funny. It's just the people I've talked to that have come and watched screening so far have kind of a similar reaction, which is. It's just all jokes.

[Seth Meyers]

Yeah.

[Andy Samberg]

It's been so long since something new got made that was just purely trying to make me laugh. And it's in that style, but it's also updated. And Liam's amazing and Pam's amazing and Keev did a great job. The writers with him did a great job. Dan and Doug. I mean, it's just joyful. It feels really fun.

[Seth Meyers]

How important was Naked Gun and Airplane to you growing up?

[Andy Samberg]

Big Same. All the surrealistic, dumb, cartoony, live action stuff. I loved Monty Python. Those Pee Wee, later, Strangers with Candy, like things. Things like that, where you bend the world and make it be whatever you want it to be. You know, we all watched like Hollywood Shuffle and I'm going to get you, sucka. And all those movies, anything like that, where it was like you could actually have like a giant thing fall through frame and no one will acknowledge it or something.

[Seth Meyers]

I remember like the character on Naked Gun that was really tall, that was always out of frame.

[Andy Samberg]

Yes.

[Seth Meyers]

And you never saw at the top of him.

[Andy Samberg]

Oh my God, it's my favorite joke. Are you gonna say the same joke?

[Seth Meyers]

Is it the banana?

[Andy Samberg]

Yes, that's my favorite joke.

[Seth Meyers]

Oh my God. Let's watch it ever.

[Amy Poehler]

And there'll be plenty of time to do it too. Get something in the side of your mouth, Al. No, no, no.

[Andy Samberg]

It's like half a banana.

[Seth Meyers]

It's hanging. Can you imagine? Half?

[Andy Samberg]

And no one reacts.

[Seth Meyers]

And then talking about new projects. Digman is coming back.

[Andy Samberg]

Yes.

[Seth Meyers]

That is. You created that, right? With Neil.

[Andy Samberg]

With Neil Campbell.

[Seth Meyers]

Tell.

[Andy Samberg]

Like during. During the pandemic, it was like, you know, we were all bound to the home. And I was like, I've had this idea for a really long time and I'd been talking to him about it. He's a writer on. Was a writer on Brooklyn Nine Nine and a bunch of other stuff. And we had been kind of wanting to make it forever. It's basically like shitty Indiana Jones, the animated show, right? And it's. The show is so fun.

[Seth Meyers]

It's so. And what a cast. Mitra.

[Andy Samberg]

Yeah, Mitra's the best. Meadows, Timmy Robinson. It's a really good group. And it's just like if you like jokes and goof ass comedy, it really scratches the itch.

[Seth Meyers]

You do a lot of animated stuff. You like it?

[Andy Samberg]

I love it. I love it. Growing up, I loved it. The first time I got asked to do a voice in an animated movie, I was just like, yes, where do I go?

[Seth Meyers]

Do your kids ever watch your stuff and do they hear your voice?

[Andy Samberg]

My daughter watched a couple of the Hotel Transylvanias and liked them.

[Seth Meyers]

Yeah. Did she recognize your voice in them?

[Andy Samberg]

Kinda, yeah.

[Seth Meyers]

That's cool.

[Andy Samberg]

My Kids are not to a place yet where they like that. I'm in the thing.

[Seth Meyers]

No, my children don't like to.

[Andy Samberg]

Do they ever get to that point?

[Seth Meyers]

Not really.

[Andy Samberg]

What about that?

[Seth Meyers]

Can you imagine? Think of your mom and then think of watching your.

[Andy Samberg]

Everyone likes Inside Out.

[Seth Meyers]

Inside Out.

[Andy Samberg]

But by the way, congrats on all your success.

[Seth Meyers]

Congrats on all your success.

[Andy Samberg]

Congrats on all your success.

[Seth Meyers]

Congrats on all your success.

[Andy Samberg]

Inside Out. Inside out too.

[Seth Meyers]

Congrats on your success.

[Andy Samberg]

I heard it crested to Billy.

[Seth Meyers]

Oh, really?

[Andy Samberg]

You got points.

[Seth Meyers]

But have we been in an animated movie together?

[Andy Samberg]

I don't think so.

[Seth Meyers]

We might have been.

[Andy Samberg]

We. For how much?

[Seth Meyers]

We do a lot of animated movies.

[Andy Samberg]

You and I. I'm just saying, Amy, generally speaking, for how much I've. I mean, I'm speaking on your behalf. How much we love each other and our friends. I don't think we have actually done that much together, you know?

[Seth Meyers]

You're so right. That's up. I mean, I put in my contract, you know.

[Andy Samberg]

Yeah, understood.

[Seth Meyers]

Wait. Cloudy with a Chance of Meatballs. I got fired from that.

[Andy Samberg]

What?

[Seth Meyers]

Oh, yeah. I was the original gal in Cloudy with a Chance of Meatballs.

[Andy Samberg]

What? The whole fuck?

[Seth Meyers]

And I was fired because I did not do a good job and they had the audacity to replace me.

[Andy Samberg]

I hardly, hardly believe that.

[Seth Meyers]

No, we have not been in an animated movie together. That's so funny. Even right? We have not done enough stuff together.

[Andy Samberg]

I'm even trying to think of, like, at the show, the. To me, if you asked me to pick, like, the things that stood out the most to me of me and you being together on stage at snl. The two that immediately come to my mind are the Palin rap.

[Seth Meyers]

Yes.

[Andy Samberg]

And I'm no Angel.

[Seth Meyers]

Wow. Two pregnancy. Peak pregnancy performances, but both Alzheimer's. I mean, I remember asking for your help when we were writing that Palin rap and you gave me some nuggets, including the having her hubby come out there.

[Andy Samberg]

Oh, is that my.

[Seth Meyers]

I think you gave me that idea of him coming out.

[Andy Samberg]

That makes me feel better. I was saying we were talking about it on ours and I was saying I felt bad because I gave you some line that was like kind of like tricky rhyme scheme but wasn't a laugh. And then I was like, why'd I do that? Well, I mean, like so much. Something between us need a go between. It was that line, I feel like.

[Seth Meyers]

Cause Sudeikis came out as Todd. Todd. Yeah. Andy, I love you so much.

[Andy Samberg]

I love you, buddy.

[Seth Meyers]

Thank you. So much for doing this.

[Andy Samberg]

It was an absolute pleasure.

[Seth Meyers]

It was such a pleasure. Like I said at the very beginning of this, the fact that I was getting to talk to you today, which is, like, so calming. I wasn't the least bit stressed. I never am when I'm with you.

[Andy Samberg]

That's so nice saying.

[Seth Meyers]

I love spending time with you.

[Andy Samberg]

You too, buddy. And I will say not to keep hitting it over and over. It's still not an old thing for me to hear you say nice things about my comedy.

[Seth Meyers]

I really enjoy your comedy.

[Andy Samberg]

It makes me feel good and happy because you are one of the people I have aspired to and looked up to. And I love you so much. And I love your comedy so much, Mandy.

[Seth Meyers]

Thanks, buddy.

[Andy Samberg]

You're just. You're the best.

[Seth Meyers]

Oh, I wanted to just show you this pen before we wrapped this. I found this on the desk today.

[Andy Samberg]

Yeah.

[Seth Meyers]

And it is one of those crinkle pens. Have you seen it?

[Andy Samberg]

Oh, boy.

[Seth Meyers]

Do you know what it is?

[Andy Samberg]

Is it going to collapse when I flip the switch?

[Seth Meyers]

No, just give her. Give her a little twist on the top.

[Andy Samberg]

Are we edging on ASMR right here?

[Seth Meyers]

Yeah, that's exactly what we've been doing.

[Andy Samberg]

Does that sound nice? Is this nice? Is that what ASMR people ask?

[Seth Meyers]

Yeah, I think. Isn't it so funny that. How can. It's so pervy. ASMR is so pervy.

[Andy Samberg]

Don't. Yeah. How dirty do we get on this podcast?

[Seth Meyers]

Very, very, very perfect.

[Andy Samberg]

No matter what you do, don't masturbate to this sound.

[Seth Meyers]

You better not.

[Andy Samberg]

You dare not dare masturbate. Even though it probably feels so good. I hope you're wearing Bose noise canceling headphones, but be careful because someone could walk in and you won't hear them.

[Seth Meyers]

If you start doing that. I'm gonna use my hairbrush. I'm gonna brush your hair really hard.

[Andy Samberg]

I hope I don't accidentally click my long nails on the window pane.

[Seth Meyers]

On the window pane. All right, all right.

[Andy Samberg]

We did it.

[Seth Meyers]

We did it. Thanks, bud.

[Andy Samberg]

Cool pen.

[Seth Meyers]

Thank you, Andy. That was really, really fun. That was such a good hang. And I felt like we went all over the place in a good way. And I'm so happy you did it. So thank you. Andy brought up a lot of digital shorts. And I guess for this polar plunge, I just wanted to remind you to check out Shyranni again, One of my favorites. It's just if you haven't watched it lately, the digital short Shy Rani with Rihanna. And that is how she pronounces her name. It's so funny. I just feel like the character and the look, it's just wig work at its best. Just. It's just a beautiful ginger wig and a really funny idea and it's a really good song, like all of the songs that only island makes. So that would be what I'm going to be watching this week, to laugh. And in the meantime, keep laughing. I don't know. I don't know how to. I really don't know how to end these. Just. They just get harder and harder. That's what she said. Okay, bye. You've been listening to good hang. The executive producers for this show are Bill Simmons, Jenna Weiss Berman and me, Amy Poehler. The show is produced by the Ringer and Paper Kite. For the Ringer, production by Jack Wilson, cat Spillane, Kaia McMullen and Alaya Zaneras. For Paper Kite, production by Sam Green, Joel Lovell and Jenna Weiss Berman. Original music by Amy Miles.