Good Ol’ Grateful Deadcast: Season 11 Finale – "Enjoying the Ride: On Tour"

Release Date: June 5, 2025

Introduction

In the season finale of Season 11, hosts Rich Mahan and Jesse Jarno take listeners on a nostalgic journey through the Midwest, exploring some of the Grateful Dead's most iconic venues. This episode, titled "Enjoying the Ride: On Tour," delves into the rich history of the band’s tours, the evolution of Deadhead culture, and the lasting impact of their live performances from 1965 to the present day.

Mail Order Ticketing and Touring Practices

The episode begins by highlighting the practical aspects of touring during the Dead’s heyday. David Lemieux, the Grateful Dead archivist and legacy manager, discusses the grassroots nature of mail-order ticket sales in the pre-internet era. He explains how Deadheads organized tours by pooling resources to afford tickets, accommodations, and transportation. The meticulous process involved filling out detailed orders, adhering to strict guidelines, and often enduring long waits to secure tickets for multiple shows. This system fostered a strong sense of community and commitment among fans.

Key Venues: Red Rocks and Oakland Auditorium

Rich and Jesse shift focus to the legendary Red Rocks Amphitheatre in Denver, Colorado. Jay Curley, a longtime Deadhead, recounts his first experiences at Red Rocks in August 1979, describing the venue’s natural beauty and the intense emotional experiences during performances. The introduction of Brent Mydland as the new keyboardist brought a fresh dynamic to the band’s sound, enhancing their live performances with powerful vocals and innovative keyboard arrangements.

The Oakland Auditorium Arena (later Kaiser Auditorium) became the Dead’s new home following the closure of Winterland in December 1978. Jay Curley shares memories of camping in his van outside the venue, emphasizing the camaraderie and preparation that went into attending shows. The transition to larger venues marked a significant shift in the Dead’s touring strategy, accommodating growing audiences while maintaining the intimate atmosphere cherished by long-time fans.

Alpine Valley Music Theater: A Midwest Haven

Alpine Valley Music Theater in East Troy, Wisconsin, emerges as a pivotal location in the Dead’s Midwest tours. Tom Ryan reminisces about the challenges and adventures of reaching Alpine Valley, describing it as a sprawling venue nestled among ski slopes. The venue’s extensive parking lots became vibrant hubs of Deadhead activity, featuring vendor stalls, handmade crafts, and a thriving community spirit.

David Lemieux highlights the significance of the 1980 debut at Alpine Valley, noting that it wasn’t initially equipped for the massive crowds that would come in subsequent years. Over time, Alpine Valley became synonymous with Deadhead culture, hosting multiple-night runs that solidified its reputation as a beloved destination for fans.

Deadhead Community Evolution: From Shakedown Street to Vendor Culture

The episode explores the transformation of Deadhead communities, particularly the emergence of Shakedown Street in 1989. Rebecca Adams, a sociologist, discusses how vendor dynamics shifted from grassroots operations to more organized businesses with credit card transactions. This change led to increased regulation and the involvement of security forces aimed at maintaining order within the parking lots.

Holly Rose, an author and longtime Deadhead, shares insights from her journals about the challenges and camaraderie experienced during the tours. Her forthcoming book, When Push Comes to Shove, offers a personal glimpse into the economic and social structures that supported the Deadhead lifestyle during the late 1980s and early 1990s.

Technological Innovations: Jerry Garcia’s MIDI Guitar

Phil Garfinkel, a dedicated musician and Deadhead, recounts his role in introducing technological advancements to the Grateful Dead’s live performances. In 1988, Phil assisted in equipping Jerry Garcia’s Stratocaster with MIDI capabilities, allowing for a broader range of sounds and enhancing the band’s improvisational segments. This innovation marked a significant evolution in the Dead’s musical experimentation, blending traditional rock elements with electronic influences.

Personal Stories from Deadheads

The episode features heartfelt stories from various Deadheads who attended pivotal shows at venues like Deer Creek Music Center. Scott Bauer shares his transformative experience at the 1989 Deer Creek show, highlighting the sense of community and the profound impact of witnessing the Dead live. Bill Lemke discusses his journey as a photographer capturing the essence of Deadhead culture in the parking lots, emphasizing the unique blend of art and music that defined the era.

Conclusion: The Legacy of Touring Deadheads

"Enjoying the Ride: On Tour" encapsulates the essence of what it means to be a Deadhead, showcasing the dedication, creativity, and resilience of the community. From the logistical challenges of mail-order ticketing to the vibrant scenes at Alpine Valley and Deer Creek, the episode paints a comprehensive picture of the Grateful Dead’s touring legacy. As Rich and Jesse wrap up the episode, they reflect on the enduring influence of the Dead’s live performances and the unwavering spirit of their fans.

Special Thanks

The hosts extend their gratitude to all the guests featured in this episode, including David Lemieux, Jay Curley, Holly Rose, Bill Lemke, Phil Garfinkel, and others who shared their invaluable stories and insights. A special mention is given to David Ganz for his extensive interview archive.

For more episodes and to explore the full archive of the Good Ol’ Grateful Deadcast, visit dead.net/deadcast.